Relatos de la Noche - Los alaridos de los muertos (y otras historias paranormales)

Episode Date: November 19, 2021

Una de las historias más aterradores que hemos recibido en un tiempo, esperamos que la disfruten y que hoy no puedan dormir, que hoy pongan atención a cada sonido cerca de ustedes esta noche. ¿Listos para una historia de terror? ¿Para su dosis paranormal? Bienvenidos a un nuevo episodio de Relatos de la Noche.   Síganos en nuestras redes: https://linktr.ee/relatosdelanoche   Prueba la promoción de Scribd para la comunidad RDLN: https://prueba.scribd.com/NOCHE/ Publicidad: [e-mail] Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Community Relatos of the Night, that good that we're hear of us because the stories that we're prepared for today are perfected for that's

a beladda entranquilla, a beladherd are sure, are the little bit to get to a feeling

of a perfects to escape to the reality for some moments and and to get the

control of their fear. If more preamble we're to them, we're

we're just we're just that they're All that, that they'll take as entertainment, that not suggestioning, although, to say,

really, all, all in the community, could they'd live something, maybe in this same madrugada. Anya

could be the protagonist of the edition of Relatos of the night. My primos and I

were just just about in the house of my abelita that the May of 19992

that was much cold. All we went there because no they'd just be able to play in the call in the quadra,

and it was the same thing. A my abuela no he'd not even he'd like to have

a little just a jar of a water fresh that we'd bevians in a few a few times like if

were we're not some animals sadientos. That night we'd we'd be there we're still we're

we're just we're just we're doing the door to the the street of the back, a porton for the only enter a person. We're scurceeing, but even not

was the night. The tarser of an blue-profundo that contrasted with the light of the door, in the casita of the abuela. All we got us parades when we saw that my my Tereo, Tocandus the stomach as if it was hurted, and he went to the door of the house.

I'll wait a moment and then he went on, we're still We were stilled, expectant, expectant, and, expecting to hear some reaction

of the abuela. But no there was no sound that came here from there

didn't nobody of us could move nobody was that was

like if us had clavated on if we could

we could we put our my prims little

and my was the was the more, he was the other than the house, apeness one meters for the way. He looked to us to us.

He was trying. We said that he had a minute. One of my primas, I said it, a year more small than I. Caminoed since detract of us decided to enter. Just when he was

in Parenthood to God, something was dethr. The sound of the the door of the house of the abuela. The figure demetio was out of

there, and dirigently even with the hands in the stomach, to the portoone of the

door to where it wasaprecy rapidly by the street back. It's

like we had been put out those the feet. In when it

we could go to we're all this we're we're we're we're

we've done still in the sill in the cell and even not

He was heard to enter, and us He said something, without, without, without, completely. Vino your Tio,

Revised, that not has had given the harrond. My Tio Mario had a vague, he was all his life.

When he went to the house, he was the only that was he not he made a

family, although they said that he was a little when he was when when nobody

he was to when nobody the abuela, where the other kids put in the the last of the last one of the last one of my wife, in the

dream, we said that was the harrom, but no felt about nothing, it was even

that they had to have taken. Decid we didn't say to not to say what

had occurred when had not necessarily. She had to some way

he had had said, and My Tio Mario had been a few years after in the train, near the front of the front of the But that night,

we saw that we've got that secret with us When I was in the university I'd help a many of communications to do a job final for

some kind of a class of television or something something needed a camera more and not was something that I had not had

done before, the actual I worked doing videos of Boda so in In reality, I had experienced professional. Only needed to me

said they were what they were what they'd grab. It was a reportage about one of the schools more old of the city. They'd permission and let's

get to enter past at 5 of the time. There were very few or none of the students at those hours.

I suppose that no had a turn of desperino or that had been there had been there

but when we went to doms and I think that could they could help us to

vesty his little reportage. I got some passillos back

to the direction, and I'm to the way to a little thing

a little theater. One of the men of the young

the of the little from from the room, they're

doing a choreography a I'm I'm I'm in

the book and they were to go back and

I asked a chica emos emotioned. Yes, pardon.

No, don't you don't get you know to your maester to grab her. No,

there's with us today. Respondier like, saying me that not me

preoccupate. Well, is that was that was there up and I could get

and to give us and I'm I've never had seen

someone can be that so never had seen that of them

They were and they put behind me and they were and they were we're going to get to get us

together that we're not going to do you not there school. At least not since

a decade but the monja was a language of the young of the people

me mirabed with disconcied convinced that I had tried got

to but I had had idea of that and to say

I'm was too also, also a lot of the other I've seen.

A while after I'm to go back to the theater to make the time we're in

the same I'm sure that I'm sure that I'm a lot of a lot of from the

from the where I've seen, but never I'd be to turn to continue.

Community, before we need to the project is and you're watching the content. If we're seeing on YouTube,

also just on our finger up over, commenting, if we're listening in a platform of

podcast, us also also doing us on our social and all the links as always are in the

description of this episode and, and for the story, and by this program to someone

to get a one to get a we're doing to be a So, it's anima, to that's her experience for here in Relatos of the Night. For the moment, we keep us,

that we stills, that we're still in stories for this night. This is something that was something that was a little bit of my papa, a person very serious that never invented stories for entertainers,

and that never told some story of phantasmas. This is a unique experience inexplicable. It's a principle of the 2000s. He was a jubilated to the time at the 55, but always I always was to work on to occupy

so. So, he was made with one of my prisms, that I conceded a work temporal, and he said that if not wanted to accompany her. Solo was it was to try to do a construction for the night. It was it was a little bit of that then only were to do cements. My prima was very close to my father.

It was like another figure paternal, and they were pasting partaking for the nights, until that one I don't know the sunsia and he turned to and they were

there was someone there was there was a lot material for construction that someone

could think that was good to robar but one of those nights without

that was two were all two were born when the time when a

kind of a space of an space of aond expensive and was they were

They thought that something had derrumbed, but no. Then they started to hear gritos, gritos very al-lo-lejo, of many many people. My papa wascathed for all sides, and my primo sawed and revised the surroundings of the terrain. All valdios. No had any one. But the gritts were still being listening.

Of course only was heard, one. A voice of a woman adoried. Gritabah, Here. Here. Here I'm. Buscaron and buskorn

for all the others. Incluso even, they called to the work and they told what the other

at the hour, at the four of the morning to help us to help us. Alcancor to hear that voice.

But at a little time, it was and then they were to listen to hearly.

Nobody understood to that it did you, but it was clear what had been

heard. not was a product of his imagination. No, there were houses, no, any, and accidents or nearer in that carreterer,

like to think that would have been from there. The night the next was the next said, and the

construction still took their course and it was done the time, and never knew that

that night, but, years after after time, even I remember this morning. Desiunabes

in the house of my papas, and I came to my Primo. I wanted to talk to my

Papa. I wanted to what had passed the day earlier. Yeah we've seen the respect.

An accident in an edificio in the many people had been been trapped and I want to enter

in details graphic of what what happened, of what he was to the people or the people

that not not yet but the point is that my papa not had recognized to that

place, the edificio that had been out of the news was just

that they had been worked in the that had heard that the

sound in the that had heard that many that

they had been a no see a a

one a one a time like the future

would have been made that someone, I have a theory,

some explanation to respect. We have my family we've a experience a very, various,

various primos, we're testios of something that at the first, nobody had taken

in serious. I was just in the 2017, I recall that the nothing,

after after after my dreams, I'm to have had

pened to be every night in the house of my Tia Eva, that in peace I'd have been died a few years after, and was the her mother major of my mom. It was like the vuela of our family because was like a mother for my mom and his brothers, and because she never had children. And all the nights I appeared in her house,

and were my prisms around, like sombras, like silhouettes, but I knew that they were they, and every night us be it a little more, every more clear, more defined, and from from the house

we'd be yeah something, a figure very great, that was from the door, because was more

high than the the was a completely black, not like the silhouettes of my

primos, negative, but I had two eyes bright, very together

that be seen evident how we observe about we're not we're not able to

hear the silhouettes of my but I could see his fear like

the my to the thing to what was into now

now well those dreams were and they were

so I went I received the time I had

had had had had been a strange, ultimately. Veran, he also had been

had been and other Primo was to visit and he he said, and he surprised when he said,

he also he also had had seen with something like we're all in the my Tia, but he

not he not was like silhouettes, but like if really we're really

we're there, and other he was also no- we're there,

but the day. The case is that all we were we're just trying with something

very very very with with two we're in we're

we're we're to make to make sure to what I'm and so we're

we're to get the house of my Tia Eva and he had

put in a minute we're we're going and at the

beginning this she's molest he's no no he's he's

insisting us. And one years after a repent, we'd have those pesedias. No, we knew because. No, we knew more

after the Navidate the next. In some my man, my aunt us called to the

primos. He was only to the foggata that we always put a a bolusita

and he asked when we had we had to have done to have

the we we we did it and we said, Fecha and sonrieu.

"'Savened, because it was. "'Divoccurring to the bolstead. "'When I cleaned the house of her tia "'to-mendero, I metope with this. "'I know that are his dents of leech. "'When when they were falling, "'sus papas, they'd love to my tia, "'and she'd send them a moneda.

"'It was her raton, and she wasuarded. "'No, I didn't want to try them, "'but also I'd tell them to the arbor of my tia, where always I was sitting to

read. Not me they're if not you're a whole is a

casuality but a little all more all all more it's

the box and was I'm trying to find an

explanation a logic in a definitely not that I'm definitely in the thing that was in the

case that was At the final of I just want I want to ask them where are their dents

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