Relatos de la Noche - Nunca nombres a un amigo imaginario (relatos de terror)

Episode Date: April 14, 2026

En este episodio de Relatos de la Noche, conocerás historias de terror sobre amigos imaginarios, niños que ven cosas que los adultos no logran entender y presencias que parecen esconderse en lo cotidiano. Casas viejas, pasillos en silencio, dibujos que anticipan algo imposible y figuras que se quedan cerca de los más pequeños forman parte de una noche llena de relatos inquietantes, donde lo más perturbador no siempre es lo que se aparece, sino lo que parece tener una explicación… hasta que surge un detalle que lo cambia todo. Apaga la luz, ponte cómodo y déjate llevar por estas historias de terror paranormal, apariciones, presencias en casas y encuentros extraños que involucran a niños, recuerdos inquietantes y amigos imaginarios que quizá nunca debieron tener nombre.     Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace para México: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ España: https://www.amazon.es/Relatos-noche-Novela-Uriel-Reyes/dp/8410442205/ Chile: https://www.buscalibre.cl/libro-relatos-de-la-noche/9789568883270/p/64600265  See omnystudio.com/listener for privacy information.

My son had a my son had a new imaginary, that was his refuge, to someone with who'd to play. De-prone

in the new house, he was he'd describe different and was present in all moment

and even when one wanted to he was the only different that I did and my

grave error is that I started to nombrough I'll with him

with that Amiginario to play with my and I think would be a door

that not should be open to we're going to enter that's a world strange and

mysterious of the people and that you you you're you

don't have one you know you know that you know

that even you don't they don't they we

know we we know that that was a

These are the hilo-conductor of this episode, although not we'll limit us, because also we'll be phantasmas, of spirits, of almas-in-pena that have been seen-vist by children. We're we're able to listen. And if there are infantes, I think this is one of those episodes

that not should be able to listen, at least not alone, no, since you're to accompany us. So, so this Advertency Go to this small

censura And if you want to this is your ultimate opportunity because in 10 seconds

we'll we're with the night 7 6 5

4 3 The community I want to tell you what

was when my little not going to be a story long but at

at least to me, me, me do much fear. This occurred at finales of 2016, when I had a little separate and I moved with my

son to the colony of Doctors, in the city of Mexico. He had three years in that then

almost four, and his name is Freddy. In that moment, I needed a little bit of my work,

and also of the guarderia where it was all the mornings. I found a department

that I didn't really The only was that the building was almost It was a little bit of He said that various Vecino's had been because the

Edificio had been Dany's and there had been that would be a sudden a storm Furtt

there was a time in which it was illegal to live there but I don't have many options so that I accepted.

The department was simple but I had two recamars For the first my I was to have had

his own his own court and that was my We were not even if we were We were surprisingly linda

The quarter of Freddy had a ventana great that Dada back to the Coney The first day, all seemed very very very good He was in the

cell, and I had caricatures, and me accompanied but in a time when when I had to get to the time He had the problem

No, I was to get to the first, I thought that was the typical of the children, that he wanted to get to me cargare or that me accostarer with him.

But one a night and I asked directly what was going to. Me said that he was going to doorme in his court because

there was Rufo. I knew that name. Ruf was an friend imaginary that had had been had been

much before when he was my mother. She was she was saying that was going to

a little and he said that was a too, nor she was not even to her. It was normal. I asked to Freddy if Rufo was in the department and he said that she. Then I asked where was it?

He was he turned to the door of his court and he said that in the ventana. This also, I thought that was his imagination or that had seen a someone,

before to be seen or something, or something, but I asked how it was how it was in contested. Then he said that if it was Rufu,

but that, that now it was different. When I asked different, how he was to explain to get to be

to get to even to do the day. If I was to get a little, he was to make a time to

see to make to the door, and I'm to the front of the thing, I was

a new I said I said that me to be to Rufo. He He had

He had many things Monitos Coches Circulous that said that were

people he said in the mesa and he started when he he was

when he he was the figure of a man as the

people little little a circle but the car

was painted of red but the not a

manch but not the car without without out of the raya I'm

I'm why he's he's he's he's his face his

he's he's not he didn't do that he never to

get us and I don't start I'm never never I'm

never I'm a night I'm I'm so I'm

I'm so I'm I'm I'm a I heard from the cell.

I was I was like if I'm saying I'm that I'm that I'm that I'm

that I'm that's that's that's not I'm a because really

think that there was a man who and it and no that was a day that

he was and then I secudied the the screen of the courtroom. I was the door

to come to the door to see a window. At the first I thought

that were in the first I made to make to clean that were that were

not that were not they were not they were out of the video

they're two hands abirtas like if someone had

puti there, looking at the interior of the fourth. As you know, we're living in an octavo piso. No, there was a balcony or nothing out of where someone could be able to get the window, without,

how could be there these markers. At the final, I could limpirelas with a trap, and no I did nothing to my his son,

the 2017. After the revisions of protection civil, we've advised that the building had done to structurales. and that was disallowed.

We've got to go. Tempto before, I knew that the building was demolished. Freddy, now is more grand, and he didn't even remember to have had been an amicomomomom but believe when I

said, that I still remember perfectly those mamus marked in the window of your court. This that I'm going to

tell, passed when my my daughter had four years. In this time we had been about two or three years living in San Diego, California, in a house that rented in a area and very tranquil of the city.

It was a small, of a house of a small, of those constructed in the years 50, with a passillo large that connected to the recamined with the cell. My daughter had always had been, from her own. Since the little, she had her own. not used to do not even to be to-norset but specifically

after a torment that we had no a storm that started things rare in the madrugat like if had

had had been had some many my husband or I we

we'd we'd we'd because we we'd that was that was that was

about that was talking with we're we're we're that I'm

that I was I was soignant, but a night me did more curiosity of the normal, and, at all I was to hear, I was up to see what was doing. His door was andrey-abirde, and from the

pass-ill was to hear her voice. I waserke to space for not to start her, I wasomed to the room, not was in the camera. I found her in the room, just in the entrance of the

door, miranda-see the while I was in voice-baga, that with who was talking, me responded with total tranquillity

the second with the woman that I thought I'm maybe a dormita so I carried and I gave to

his room to get to the next to the day's the day I'm not the only time

it was he started he started he'd get rid of the madrued we're to hear

when we're when we're when we're when we asked you I always responded to the same, with the she said that he had opened the door in the night from the passillo

and that he had to be up until never mentioned another name and he seemed to have been a minute. One afternoon, while we were senating, he said something more still, he commented that the sir was

a third was the other than her was the other, we didn't understand to what he was referred to, but to my husband he gave curiosity and decided to investigate a little about the house. As it was a rinta,

no was difficult to find out of who had lived there before us. Resulted that during many years had lived two two menors majorers,

hermas, the two had fallen fallen years ago. None was in the house, as well,

they said, but in a hospital after of the health related with the

that. That's inquieted a little, but also also had an explanation simple.

We thought that maybe some a person had come about the story about our

daughter. When I was to play with a little many of us and we were

they were at the age. The children are more to the one

think. So, we decided we pass it to not hogarned in a

vase of a box, because that That that had to be. Passed some days in that occurred nothing strange.

After a night in the night in that I was when I was heard of the voice. It was like the

other times, talking about backito. I was I went and I came in the passio. The light

was just about but was a little from the cell. There, I, I saw my

his daughter. I was sat down in the floor, just outside of his room,

mirrocy while while I'm looking to the little to hear of the I'm not

her voice. The wall of the door of the light that

was the light that was the light from the only a light that

was there was more more than the of her like

someone was to be a person to me I

kept a seconds, trying to understand that was being. And in quite an advanceion, pass to her, the second sombra disappeared. My daughter looked to be

me as if nothing had passed. I'd leave to her camera and I mentioned what I had seen. And even we're thinking that all had

an explanation, that all had to have to have to be the light of the the street entering by a window or

a sombre that was moved when I cameined. Some few months after a couple of that made

record that night. We had contracted a little bit of a new year to get to get her a few

and when we'd go to night. It was a student of high school of preparatoria

that lived a girl who was a young a child was a child.

A day when we got to a time after after after a time

after a little much incomododididid us asked if her I sawy to get

in the madroghada. We we said that yeah, that a sometimes

he was that then we're that that night he was that

he was that he was he was sitting on the floor just

outside of his court he said he was

he was that I'm when he I said

to do a moment before We said that when she wasom to the passio, he was to see a little more, that with my daughter, like if someone

stood at the pia the new-the-night, the new-kner, what he thought was that maybe one of us had had yet had to have done but when she

he came, she did that no there was and that night we were not in the other only persons there and vivas, for the

less. They're she and my my son. My son began to make from very little

the little little. At the first he made a puras palito, circulos that were

people were people, and with the time was more than it's completely normal.

The curious is that almost always always was the same

a a house not not a not a little

that Much of the many children but what we started to get to get the attention

was that always was the same the same details repeated one and

other with little variations but always the same the same

that is what was the thing was the door always to the

side of the door saw a one and that one was

never was broken the the corner of the video, like if he had a little bit of a little bit. Debato of the window, I'd draw some flowers, and the side of the house, always had a new arbor with a form very particular. The tronco subied rect, and then it would be in two rams

grand, like a y, a y. At the beginning, no we're not preoccupied because we thought that simply had invented a house in her imagination and he used to draw her. that is his form of practice or to entertainer's but the years passed

he was more and he was more and the house and the time when I had five

I'd more the lines were very clear as the details more

more precise the door I always always the same

the same the flowers too and the the arbul with

the same exactly exactly equal in all the

I was a day my husband he asked that was a case and he said that simply was a house a beautiful. Other day I asked if it was a house of some friend or of

some family that we not we said we said that was a house where they were a house where they'd live in children, nothing more.

No, he knew or no he said us nothing more. We thought that was simply imagination of a new,

something that had seen in a caricature or in a book to color. With the time, he was he was going to drawer as much of many the school, then the football,

then other things that were more the attention. The house appeared every less in his pictures, until that one day

he was to dood for complete. Passed several years for the next part of this story.

When my my son had 10 years. My spouse and I we started to look a house to buy a car to buy a time renting and

we've got to something and we're doing the credit. We've seen various properties but always there was something

there was something that never was a good a very good price, a great opportunity us said

that those opportunities were rare as that barrio that normally the houses there costable a little more, that not

to doer much in the market. I asked obviously, various times if there were some problem

with the house, and the man only said that was a house a bigger, but solid,

that was going to doer many years. So, we accept to go to see to be

to be the one Saturday. When we came to the car, when we were from the car, my

husband's kept in silence, and I also, and I also. the same same time as she. The case was exactly

exactly the same. The door was the center. The door was at the center. At the left, there was a ventana with the video rot in a corner. There was a little space of the area where still grew in some flowers discuited.

And the side of the terrain, there was a arbor that subed right and that And so abriened two rams forming a ye perfect. We'd get them some seconds, looking the fashada, and no we didn't do we need anything. My son, too, was the house from the ascento tracerro, but not seemed surprised or astoned.

Only her look at her own attention. My husband me mirro, and we understood the same necessity to talk. No, there was a form of that, that we're in that house. When the

the agent went to receive us in the banquette, I said that we've changed

opinion, that we prefer we're not to see it for the man, he looked,

a second, as I had seen that reaction before, then he said, he said,

he said, he said, he said, he probably I'd probably I'm the story of the

house after the person had been to be to have been but that in our case

no had a second to do do it after a various years

in this house lived a woman with his two two little

one night the woman matto the two two

two and he went to quit the life without

the case saw in the news local and he

was but nobody's a long time and at the final it was getting a vacill during years. For that now they'd have been so they'd just being in silence. Nobody, nobody, nobody did nothing during some moments. At the final, we're going to the information and we went.

That night when we were in the house, I remember all the different the pictures that my I was when was a little, the ventana rota, the flowers above of the ventana, The arbor with form of Y. I wasque in a caja where we had some of those things

when it was more chico, and I found there were many, and I was our imagination. They were practically equal to the house that we had we used this morning.

The most of the strange is that we never had ever been passed for that call before that day, nor even that barrio. And my son

I just had to do that house much years before we knew we knew that we're not

in it no there was no other simply it was like was a house

and I thank you this has appreciated the episode to now community we're

we're we're we're we're to hear and if you're good

important your pull up is the best way to help us to continue with this project and we always 300,000 reproductions and only 10,000 likes. So, what is it going to be with all of you that, that no, that don't us degen a mues to that.

If you're just going to the content, if you're just in Spotify, let us a qualification of 5-strelas in the podcast, and, well, where you'll listen, So, we'll like you the platform

to be the platform to to get to get to get to be to be because there

still more more more stories and there will say that

we're for the final but you will you do

you know what was your favorite of today

so it so we we're we continue with

more with the night good good good thanks

for to make part of this community and

and today share my story. I'll talk to a time in the we've been

in a house rented, a house a big but very beautiful, of those that still have

been pieces of madera and that's the people as they're like a

movie of horror. When we moved those they said that some things

were many years in the house. Between those there were a pair

of quadros in the passio that connected the cell

with the recameral and that literally were fiched. Quitarles, I risked to damage them for always. One of those

were a photographia antique in black and black and black and black. It was the photo of a child of two or eight years, vestido with roba formal, like the children of the antes. He had a expression

serious that always appeared a little strange, but nothing more, no me was just a photo a more in a photo a more

in a house a yearja. It was part of her personality, I suppose. A time after we started to know something

with my little bit of the passable she had front of the photography and she kept up being it

at the first I thought that simply he was the attention because the children usually

see that the adults we know we not we then he started to talk he was when we

we were we're we're we're putting to the photo talking

vaguely, like if if I'm talking to someone. One day I asked with who

was talking to me respond to total tranquillity that with the little I'm think it

was a play so, but with the past of the days he started

to do more a bit more more we're we're saying

sometimes we're the photo and in one occasion even

I heard I when we asked what he

I always responded to the same, that was talking with the child of the photography. One day, decided to ask him how she was the child. My wife responded to inmediate, as if you know

ever said that she was called Daniel. That's what I'm just me called the attention, because in any the place, I said the name of the child. The photo no had no one placa, nor any one inscription. He asked me how

knew his name and he said that he said he said he said my husband thought that our daughter had heard that name in some moment and he had sucied with the photography the new ones can't do that much facilitation passed some days and we're just to rest their attention on the but one time,

while we're still we're making the passillo, me kept me looking at the photography with more was very much. It was a very big for the type of paper and for the mark of and it was casted. And me gave curiosity to know who, who the diablo was that that was the

house. When they were to revisit some of the garden that we asked me. I approached for the photographia in the the passi-you. The signaled the quadro. I asked if you'd have that the child, if he'd knowed.

The man. The man he kept looking the photo during a second before

to respond. Then he said that he said that he that he was that he had been

a little that was the family that had been a property before he said

he said that the name was Daniel that now was a an adult that was

he was he was the he was the he was When I I heard that

I felt something I'm trying to not to show it's not I think that maybe

my I've heard that's that simply he had repeated but

but not it's an explanation really reasonable with the time my

little to talk or at the or at most we don't

we're we the life still as you the the

picture and the picture that we're we've lived there. But, I always

I've got that I'm my little bit of my little if it's a man, if it's

a man he was a little a little my mom said that was a more,

but I'm that's something, something that was that he was that the

real Daniel had to the house that that for something

that did you did it did you in And good-noches, community. Good-nights, Uriel. If I did it,

thanks for telling my story. Sucedens, St. Louis Potosie, when we'd bevians in a house that we bested the abuela of my parche, that, that was the other side of the she and we'd have to be there

to be there. What I'll share to pass, yet at very little time to get there, in that tap to comeodarned and accustomed to the

routine of the the senior, to learn the normal in a house a house They started little things in the house that us made notar more that name.

The first was something very simple. One day we found various jugets tirled in the kitchen. We thought that my son was had taken there and then he was able to record them, but when we asked him, he said that he not was moved.

He said Thomas. He said that not he chara the cul-in-a-lawan-amigionary and that regained to hear of his things. But, but, little to a little, they started other situations very

very similar. A pair of times we're in the cell. In other occasion, appeared a

bottle in the soil of the kitchen. One day my wife gave the control of the television on the

mess and more time we we found we we're trying in the passage and every time we're

that we had passed and I said the same, that had been Tomas.

There was a moment in the we've been to molestarned much with him, that we reaganiavomous. We thought that simply

was doing travesura and that himself was that friend imaginary as an excuse, even we said many times that not was a good idea to to be a

someone that was a day. One day, I was to find many of my books thrown in the soil of the studio, and

he, as always insisted in that not had been he, me gave something that I remember well,

with scalofs after today that I'm I was scribe. He said that Tomas enojave much when we said that no existia. In that moment, what I thought was that simply

was inventing things to avoid problems. But there was a detail that did you called the attention. One day I asked how was Tomas. My son's kept thinking a moment and then he said that Tomas not about much, that almost never said nothing. just moved

things passed were many months for us it was evident that all the thing was

that was the other was the if something was it was to something or if

some carhone was that we had been having been that we

had been we after hego the year that that year

we did we my son my awascalient, a little more to two hours of San Luis. It was the first time that was

a time out of house, so we'd get him a day and then we're going to go to get us only and but also with

with the time's just two months living, the house had kept completely tranquill. Or at

least, that we're thinking. Two nights after my My wife, I had a box on the table of the kitchen, before we're going to go to sleep.

And at the morning the next to go to coffee, the vase was just in the passio. I thought that maybe some of the two had moved

without the night, but not it was so. And the waso was was a, parado, parado in

the middle of the passio. It was illogic that had had been had been rotho, and that

same time occurred something more. I was reading in the cell when I heard a little bit in the studio. I went to

see what I've passed and I've found many of my books in the soil, like if

someone us had put out of the screen there. No, there was nobody in

the house. During those days, we're going to find out of the house, a cajone

in the kitchen, a chair moved in those of where I'm not the Even a juggler of my

little in the middle of the passio, a past that he was he was a far as nobody had

entered to his court. In resumidst wentas passed the same things that

were when he was in the only difference was that that that was

my son of the children with his abelos when we went to recug

some days after while we're we're going to the coach he said he said a question

he said he'd a few he'd and I'm in the house my

my son my son he said and he responded with total tranquillity he said

he said he said that Tomas never he ever that only he only

he would that someone would ever he'd we'd we'd we'd

a misa every every every but the manifestations never

that they were stopped.