Relatos de la Noche - Nunca te detengas en la carretera de Matehuala y otras historias de horror reales

Episode Date: November 22, 2025

Esta noche en Relatos de la Noche nos vamos a mover entre edificios viejos, calles de provincia y carreteras solitarias, siguiendo a personas que, sin buscarlo, terminan cruzándose con algo que no pertenece del todo a este mundo. Acompañaremos a alguien que está desesperado por encontrar departamento y descubre que el lugar perfecto puede traer un vecino… difícil de explicar; a un grupo de niños que se topan con una niña extraña cuya voz no coincide con el cuerpo que ven; y a un trailero que recorre una y otra vez el mismo tramo de carretera cerca de Matehuala, hasta que una figura al borde del camino empieza a aparecerle con demasiada insistencia. Entre estas historias, también conoceremos un edificio donde una puerta siempre parece esperar a la misma hora, y habrá tiempo para platicar sobre un episodio en vivo que muchos escucharon con “problemas de audio”, pero que guarda algunos de los relatos más inquietantes de los últimos meses. Si se quedan, apaguen la luz, pónganse cómodos… y déjense acompañar por estas presencias que siguen buscando algo en la oscuridad. — 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace para México: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ España: https://www.amazon.es/Relatos-noche-Novela-Uriel-Reyes/dp/8410442205/ Chile: https://www.buscalibre.cl/libro-relatos-de-la-noche/9789568883270/p/64600265See omnystudio.com/listener for privacy information.

She opened the door of the elevator and there was someone. One woman, a few meters of the elevator. The passier was very obscure as if no vizabeth in that piece. But I'd have her silhouette. He had the pillow long, completely canozo,

and it was like if it was humid, or very pesado. The hands had styrated to get ridgierly to the costados. No, he was moved to nothing. No respirable. And no had nothing that you're doing in an

edificio. Very good nights, community. That good to have you. One way more I'm sure. I'm sure.

And if not it's so, then I'm that they can disconnect us a rattit to what they're to hear.

A veces, the way of a lot of a rathorick that's this one this

night we're different between us that from from from frommbruched to departments vacuos

only abitated by phantasmas but each one with their own their own so I'm sure that this episode

will be able to a good time after after it done it so come on please the light

and let us and let's involver for what it comes this is relato of the night

the community this was a few months when I was was looking a department in the center. The fact that I was desperate because all was carousy-simed, and of a pretty one that was very well in photos,

recently remodeled, and a price that was too good to to be a very good, to be right, to be where I was and so much of my work. You sawfechar there, but when you're looking something with urgency, a bit of these you you let's leave and you know the

details the redas. The area where was the building was there

was not a apagated no there no there's any people

and it's a not that I'm there's I'm not that never a never realtor

and not a word like someone timid or someone with a person with a bit of I'm inquieta. No,

I'd have to see that the little bit of the same time like I'm like that's only to

but I'm not quite to be down the he said let's in the fifth piece.

I'm trying to do a rickick but no me still you don't know what I'm the only

I'm going to let's see you I'm I'm sure I'm a And so we entered to the building. The recidivor was completely

ascuro, salvo for a lus amissue that had a mucon and the area had no modedat and although the annunce said a recent remodeled it,

it was only applicable the department. The edificio was abandoned. No, no, no, noces,

no, we'd go, we'd go back, but when we'd get to the fifth-pice, and

if it had been I'm going to the apartment in less a three minutes and no exaggerate.

I'm opened the door, me signaled the room, and when he was

to ask you to get to get to say, he's to get to the other intersate.

If he doesn't make a message on right, but he has to

that he said a very rare. I repeat many times that at irmere me for

never to be a door to the office abier that

not that were to to cerrard, for the second person. But the tone was of someone that was going

to be able to and yeah, of someone that she not wanted to she was there. And I, I was to

go to the elevator. I was very can't be to see a very good to be able to go to

all the day five pieces. When me even only me repeated, that no more to be

to turn to any of a little directly to down. And there if I felt something like I'm like my instructions

for not encounter me with someone. I was up the elevator and the door not sawro bien. Krode

a rendija of two centimeters where you could you could be the door. The elevator

was like if the structure was over and it was one of those that were on reaction when you

press you a button. It was lentissim. Between the the fourth and the third piece I

heard that someone piqued the button from the elevator the elevator the elevator

he was a open the door, and there there was a woman of the

back at a two meters of the elevator the passio was a

little but he had a little his hair long

completely cano and it was it was a very heavy

and the hands was like I'm a when do

the nothing. It was not even a statue that not he'd even not even not even notable. I said, Good night, but no see muto. Pressioned the button to close, but it was

I thought that were 20 seconds and not was it was evidently it was less time. The rendeja be a silhouette exactly equal, and a millimeter

of movement. The elevator still was going and in the Piso 2 blew to sonar the timbre of that

someone he was. He was going to get to get her. It was. It was she at the

same position, in the same angle, at the same distance. If not had seen we had seen,

if the door of the elevator not was not yet the door to that we're

not sure that this time her body was a little, like if if it was

going to be able to me. It was only a movement

but, the sufficient for that not to not that he was moving.

I could go to that that's not in any of the elevator. I don't

say nothing, I did not, I just I began to

the button to start, no I didn't that I

think that I'm that I'm I'm I think that

I'm I'm I'm like it that was a It was hardo and tard.

The woman stilled there, inclined, just upon the middle of the body to me. And the elevator still went to back.

I thought that would get a direct to the plant a back, but no. Before it sounded the timbre again. A person

had called from the first before. The door was opened. No, I saw, I did nothing.

Literally nothing. That piece was completely oscuras. No, there was no point

of reference or Reflejo. It was a black, a vacill. And then I heard of a passus rapid, passes very lentus,

like of someone who came arastraring a little to the feet. They'd from the front of that I could see. Every pass was

more closer. Trate to start the door, but the elevator not reactionable. He had

nothing, like if it had been a trapado, and the The steps still are asercandus, despite,

and stop at least without deteners. I was breathing without without

the back. I felt the end up there when the elevator, and finally the

door was there was when I went to the plant back, I went

to see if the elevator turned to before before I was after you

was out of In the entrance, there was a man talking the door of the edificio, confused as I. Another young was next to him, and for how he was dressed, pardon, for a second, I thought he was aftime.

But no, as far as it was a new he was saying that no firmer to nothing, that that not was a good place to be there, that nobody, that nobody could be there

since much. The type that evidently would have to be to the department as well, he was heard, but on as he went, Surely, thinking that was a loco or that was exaggerating.

I would have thought the same exactly 10 minutes after. I'd say to know but not I said the words. Sentia the ferns

and not made the ideas for explain. Salis, I went to look to a taxi, but no,

I, I had to call it to that other call it. I know. No. I know what

has been going to he, and I don't know what I I think I think in that moment, like if it had been a dream, in all the visit, like if not had been completely real. But I still looking department in that zone.

It would be a dream to go to walk to the work. But I'll promise that I see another announcement to be too barrenu for sure, now I'd be to see it, to see, I'd have to see. This passed over 25 years when I was a little bit of a colony tranquil, of Leone Guantahuato. It was a colony of those where almost no pass on coaches

still, where even even to play football or hidden as far without any of the thing to say, and that's the old time of the colony, so long as to all,

that was the entire of the front. My father could be from the window, and while not we had a quarter,

no way, there were probably. Almost all the times, we had the house of the front, my prisms,

that were people who'd have been a few years and I. A few new names, but that year in particular, we're not only us, the group of the same. Recurred that we're playing more tardy than what normal. Yeah, obscuresia

and the alumbraud of the colony not were good, so it was all kind of apagued. At the front of that the alley, there was a place where there no

had houses, only tierra, some arbustos and a road that had been a carreterer grand. A We're not

Curiousity But I don't They'd They'd They're They're So they're So it's

So it's We're still On the other Another Even as we're That night We're We're

We're We're We're I'm I'm To get a To get I'm

When I'm That's A little A-Nia A-Nia That's No-N-N-N-a- Colonia

like if he'd be a bit to get a We'd we're getting Ketka's. One of

my prism said that was probably was another said that we'd but

me gave a little because she be yeah very little bit little more

but to be that's out out of it was very rare I remember

I I'm I'm I'm I'm out of the poste

and from something rare. It was very clear. Look, I was the little more brilliant, but I knew that his roba not normal. I'd try a vestido simple, but very old,

like those uniforms of school that just not used. No, I'd try a mochilla, or sweater, or nothing that to indicate that came to a house nearer. His zapatos

were great, and were still were all over a mistyed. Like if it had had been a much time to guarded. I don't know

I'm I remember because in that time all the kids used and that

I'm never the second we know was her car not because she

was not because not he was a expression no I

don't look she was a nothing she just

we just we're and when he said there

she community we no she's that her was

not is a voice very difficult to sound was very delicate but adult like a woman

was trying to talk to talk about like a woman was out of very profound

of a place that no coincidia with the person and we

asked where where is the carter so without context

and not say that was there was the carretera I signaled

to the terrain is despobled and he said that he was he was in he was he went to

not question more, he said he only he said to come in that direction lenta like if

not super not the way to like if were copy the form to come to someone

more we've we've we've done after that that

appeared after after the thing the the terrain. We met him

and I remember that when I asked me why it was so I'm a palid. I was and said what

we were that I'm a new year to a new year and there and there was a night because the

scalofrient comes after the day the next very time when when they started the comments

between the the people, the chismes they said that a little bit said that

some quadras, that they they had been there because it was a posseida, that they had been brought to a place of a little, they were there that were in

those parents of Rome that were to revisit their case, and that not the first time that was to get to beckars.

Every version of every person of a family had details different, but all coincidian in that

there was a little in that there and that there was something that were that were

that were that were the shrews the out of out of the When I

I heard a whelko in the stomach because no I was I'm

a little I'm fell to the 20 the little she was

going to the carreterter was like away the colony

like so I'm to go as much possible

to where was the place I I remember

that during much time after that we not

we call. Neither neither the other children, and not because our fathers not

for our not the same time, almost in the same hour, a little before before to knowches.

She had grits, but not were grits normal, were rarissimus. Sounded like a little time,

like of someone more, like if the voice changed in middle of the grito. There were

nights in that were a woman anciana, others in that sonable as

very from a room or a and a and time after we when we knew that we

knew that was different my friends my friends said that's my were like if the little

the new as far as under the houses other other the people were

that came to and the one she was that she was

a over like it was a asoteas I know

the only that is that all we We all we're we're doing in the

way to get in the case. After the time, the grits were the we're doing. We're just

the story was a story that the old people cance to repeat and that the kids

try to try to forget the way in the way in the the little, the

the that we the night of the escape and in that voice that voice

that was that was that no had nothing to with how it's a

community thank you community. Thank you to get to this space us help much and

you're never to get a new ender anewance to be part of the community

of the internet before to give I want for the sound in the episode in the video in

the video in the video in the live, the of the spirit of the

Metro Indios Verdes that comes with a fragment of our participation

in the podcast of Amazon Music The fact is that in vivo it's heard even though I was very

very very infirm but there was a problem when I marked that the music that

the music that the people of Amazon had the rights to make sure to not do that

I'm to replace that sound with an option that me did

YouTube but that that that is a thing in

the not respect the volume of the music of

the and for so in various parts it hear more

Alta than my voice. That was for an error when you use that tool. But remember that the minute 14

is a end up that fragment and it starts a episode completely normal.

For that you want to hear because I think I'm very, very good stories

and there there was there because he was that all was so in

live and that all to have the error of the music

so go and then another opportunity to from the minute 14 and if not

have heard, then they've two episodes double for today. But it's moment to continue. We're going to more relato of the night. Hello, This is when I lived in Guadalajara, in the year 2015. I had 20-and-and-tenths and I had a 20-tent

in a cafeteria of the center. Well, more than a cafeteria was a panadier a small that very good coffee. It was of those that have an orno of a very traditional. My turn at the 5 of the morning, that was when we used to our own our nos, so I had to

go to my department at 4 in point all all the day. I've been a building, not very great, like of those that they were the 70s. It was very well out, but for the inside, you'd start to notar the old, basillas with much echo, focos that were found in segued,

purses that not serrable well, and had to give the portas, or those things. My department was in the third piece. Just in front of the Mio was the 313, although I

thought it was rare because in that plant, there was a 301 and a 302. Some once I asked, and they said that was the

numberation since that it was built clear why, because only in that piece had that sato. It was like

if the 1313 pertenese to other edificio. The case is that every

madrugada, when I had rungo at work, it was the same. I had my door, and just in that moment the door of the 303 would be, a penise a hundred-a, one rindyha, only the sufficient to notar that it would be able and nothing more.

The first that I'd notice was a mandible of those as well, of the co-cina. Then the man of a senior major, arugated but firm, and then her voice, and then her voice. "'Wena madrugada,

"'youven, "'you go to the "'simper, "'simper the same phrase, "'a at the four in point. "'I said that "'that I was "'that I was

"'to get to get "'after at the five. "'She felt even "'that she never "'to be complete, "'only the silhouette "'of her head "'to see the door.

"'And thence "'me said the same. "'I don't doer-wermo. "'If you want "'pace for a coffee, "'n't much, But never had more, never I never even to show the car complete,

never I'd ever the interior, so that rendiha, the obscurity, the silhouette of the the head, the pedacito of the mantel a-a-sul, and an olor a jabon, an olor, a lor, like the of the rupa recently laba, but mixed with something old, like if that aroma was trapped in a quarter-encerrared for much time.

I always I'd say that no that he'd say that I'd he'd be a bit of and I'd think that was a senior major that was

I'd never even but even I never accepted the coffee I didn't comeode entering a

apartment that never had been that ever that that's exactly exactly

exactly even even until that a madrogada he'd do that routine

that that several times a even like, after a night in that was

yovistnating and it was more free than the normal. I saw at the time and for

a reason I'm going to go to the door of the 1313. No, saw,

or I saw, I felt I felt it rather, and maybe I felt a

little of that there was there no way, I'm like my body

had been so that I didn't know I'm but just when I

went to the escaleras it, it's He heard a Aulte

Afterec Adenor of the 313. A Gulp Ferte, very clear,

like if something very heavy had had to I came to

the door and I asked The sirs good? Silencio I

started to the door and I sentia all the completely quiet quite

quite quite that not a no a silence not a absolutely

nothing and it was very rare because for the a little a reaction

had to have I'm back he and I'm went and I'm and I'm

and I said that I thought that the lady had had passed

something and he opened the he said he said that she

the one the three hundred three the that was the

person the door he was just me Krored like if he had said

a tonteria and there and he no a little. I'm rey a point and I'm explained to

me abriens to the morning to do the the manned the mandil the the

lady the she's the coffee and that was when

his expression changed he he went he he went to he he

went to let me I'm going to do something I

don't talk nothing Sub He's He's He said a He wasco a

Ajavero When I 3103 Entro first And the Alour me He'llpeau

I'm Not the Noter Arope Limpia But a A Rope Encerraught

For years Aumed Veyha Aalgo A lot of time The Department was

completely made Ruinas Pairs Descarapelad Manches Humed Closet

closets and doors the kitchen was a caskaron oxidable the ventana was rot

and had telarrains of those that not don't look for abandon

of months but for years even even decades no

no no no signal of what was that could have

made the I said I was impossible that I

was I saw that I said that he

had a a good a good I'm sure that the porter is percino and

he took to the brazo no we're not going to be here he said

and you should not should be this I said that I didn't that

he said that if he said we were in we're we're in the door in the

door and you went to to be and he said you're not the first

He stopped in the Descanso and he He told Me said that I saw years In 2007-2008 Vivie a doctor in the same department

where I was A doctora A young with orarios That sometimes I'd also At nightrugated About at 4,

like I And she also had I heard a voice That was She'd Not the one A man of a

A man A man who saludable from from the door of 313, without to open her

more than a rendyha that he said always the same the same good good day

I'm do you know I'm and that I'm he also he was to give her

when the doctor shekeh to get to and they opened the 313

to see that nobody he had metido was just like in that

moment abandoned in ruins and muebles, without signals of that someone

was there. Even they had thought that the doctora, that was not

to know or that maybe was to take a time to do you go to

the few times, and never he he said, he only he was

just he moved and he got and he got that he didn't

make that that came that that not that

she had that and that not accept a nothing,

No, no conversation, nothing. I, I did get to go to get to madrogate.

I'm changed the horaries. Unos months after I went to Guadalajara. I

did that building. I don't say you that has lived the rest of my time

with because I don't I'm I'm I'm I'm going to

be time knowing that the four of the morning if I

had my door, there a renditioned in the front, to somers on a mandil a blue, with a

odor a jabon out of a apartment abandoned. Never knew who was who was

who really in this department, and now is a record. A record very

precise, on that that phrase that I can hear, I don't doorm.

This story not is my directly, but it's a story that I've heard many since

that was a little, that I feel as if I also had lived. It's a little bit of my Toskansi.

He was trelliaro during many years and passed by the carreterra into Mataguel and Saltyo various times a month. And even my

my t'o never was of those that were in things raras, what he was made for always

for always after after back to the church after many years, according me said.

The way was always he percy that was rather compared with others that he put

nervous, that they were that they were to feel insecure. After that a night started to

notice to when I went to be there. And is that in various occasions in the same

point, in a tram solitary, where no there's no no way, no

other, I'm a woman at one side of the way, part,

making the same sign, the pulgar on the peter over, pienton.

My Tio never never never had nobody, no he was that was

that was a But he was he was He said that the woman Not even was agressive Orn't, Norrara It's more,

more than it He was like Triste Like if not It's over there So far as If he just Upier

Where was She was So far Mesa She always He's He's over the night

At the hour that he He was He was With the arm Styrated

With the deado With Like waiting Exactly his

Camion Or some Some Samaritano that He did A Benton

And And And one night, no-savow why, my Tio decided to deteners. He gave more lestim of the normal, at the more, heist. He said that night was at a time. No, I had a dream. I had a song, I had a music that he liked very much, and something in him,

said, Pover, sir. Another time he saw her. And he was, he repented to have it done, but it was too much too and the woman no reactioned at the freno. No, he was to

no, he moved not too. He was with the arm styrated as well

when he was like he was a way to be my tio was about to talk to

to say to say to say to let you could be to come to get to another

little he was he did confiating he was he was with precaution

but he was he was to be about the carmion when when it was so first,

rarro. His own SOMbra, the of my Tio, was a long of a longishima,

like if his body mids or four meters, like if the cars of had been on the

side, and the my Tio set up a second to see to see to get it so much

but then he was another the more no more no more. no projecta any line in the asphalt. And, lamentably, he had advanced

the sufficient to be able to be in her, almost front-a-front, and there passed the worse. She gave a point of that the woman was moving the book, rapid, as if he would be a lot, with a lot of prism,

without ever to him, with the mirada in the carreterer, like, waiting to something. But he no heard nothing, nothing, like if the

voice not would be the water, like she my time, and she would be able to or like she was talking to a little bit more than a little bit more than a little sonny.

I see, she sent her something that never had seen. There was a little. Carrow the Camion, he sobbed and ranco without without

with the heart of the heart of the space and more fear of the copilot the door of the busilot

no beho the question, not he said anything just to make us to be able to more than could be when for

finally he went to Matewala was in a gasoliner and after this moment adrenaline, a

little. And even he tried to convince us that he had imagined things, something,

something not quadrava. What what he did not to bebrear was what discovered

after. In the the day, at the time, he was with a

point exact to where I'm there's the mother for the madrogated.

But this this time was where it's There were two cruces, of those of metal that put in when someone die in an accident. Vueges,

oxidas, like if they'd have been years there. A hell no he'd have used to inventors

and people of the zone if they'd know some any accident for there, but nobody knew to say

to say nothing to say, my Tio was over to the woman two

times more always in the madrugated, always in the same posture and always without sombra.

But, I never never to be to be to get to the velocity,

and apart the view when passed to her and even

he's not here to tell to I want to do you

want to do you know that's that's a carreterter that

I never have man I'm manh I'm that can't

that have many good nights good that.