Relatos de la Noche - Relatos Macabros para Días de Muertos

Episode Date: November 3, 2025

En este especial de Día de Muertos vamos a hablar de lo bonito… y de lo que casi nadie cuenta. Porque sí, esta es la noche en la que ponemos flores, pan y café para los que ya se fueron. La noche en que les guardamos un lugar en la mesa y les decimos que todavía son parte de la casa. Pero también es la noche en la que abrimos la puerta, aunque no siempre podamos controlar quién entra. Hoy vamos a escuchar historias reales de personas que, con toda la intención de honrar a sus muertos, terminaron viviendo algo que las marcó para siempre: altares que se enojan cuando les quitas comida… visitas que no deberían haber probado la ofrenda… niños en la carretera que no deberían estar ahí… y seres que cruzan cuando ya estamos dormidos, incluso cuando lo único que pedimos es ver, una vez más, a alguien que amamos. Este episodio es un abrazo para quienes extrañan… y también una advertencia para quienes creen que el Día de Muertos es puro color y papel picado. — 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace para México: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ España: https://www.amazon.es/Relatos-noche-Novela-Uriel-Reyes/dp/8410442205/ Chile: https://www.buscalibre.cl/libro-relatos-de-la-noche/9789568883270/p/64600265See omnystudio.com/listener for privacy information.

The new He said, revised my house. Me convinced that all of it was good. I was to have been. Then she had a little bit of my altar, to my Altar of My Altars. There is the problem. Me said,

Your Altar, the form in that you did you, Attrago to something that not your Muartos. Very good nights and and welcome to a new special of Day of Murtus, this Fecha, a fecha,

a special for us, the Mexicans in the which our mortals, come to visit us, to come the food that

we've prepared for them to us, to give us a breath in spirit. And it's in

this night, rodeados of them that we bring for you stories that that that's

that that they're that also can be a such a supermente aterdora.

If you're accept the portal that's open in this day. There are to do with with a sum of a good. And this night discovereran because,

apag the light and let you get to get you hear. You're listening. Relatus. Hello, Aurel and

the equipment of Relatos in the night. I'm I'm going to time for the

special of Di-D-D-Muartos. I'm Paulina Lycona of Teposlan Morelos and the

history that I'm going to tell you before about the 15 years. In Tepos, the 1st November is a Fecha very beautiful to go to the Pantheon in the night, but see that the children are going to

a chelacotta tallyata tallyada with a bella or with calaveras etches of carrizo to ask a calaverita. The vicinons are in their porthones and normally they're a canasta full of fruit. As the family is reune in the door and all they help them to give calaverita to the children, also

is used to put a fogata in the and prepare a ponche of leech or or of an an anagra that is offrese to the papas. It's very common to get with primos and people to pay calaverita and then

to reunice all in a house. The Nuestra in that was in the area of St. Domino. In the entry there was a patio and subient on

a few few scalones and geta to the house. As we'd we'd ever we'd gettos to yentatons and bichos, and in that

then we had two chiquitos, that were brothers. I mention it because they're important in this history. At the

house was the cell to mowder, where my mom put some blen a tablelons with the offrenda. Normally,

I used posole, arros with leech, dulce of camote and mole verde.

What she was to separate a portion of the food for for the offender and

the rest for the and as the And as not photos of all

those mortals, I used put balas large of Cera of Campeche and in

each one I had the numbers of the diffunters to who were the

end of the end of the first November of 2008

my my mom had made to a family

that should but that year there people there

people and the poe separated to that there had people and

he had people and did you serve you he took a pozole and also arras with leech yeah

advanced at the night one of the catitos started to act to act to do you I was

the patio mollia desperated and a ariva and I was strained I decided

up to see to see what was that was when I came to the cell where was

the offender me I saw the other gattito's had been torn in one of the flecos of the mantel, and was overcating. In his exasperation, jaleable more the mantel,

enreddancing every more. I'd, I tried to liberate to liberate it, but the more more it was intends more it,

more it was to be grittal to me primus to me tryer some little my tigueras and could cut that part

of the mantel. The strange is that, although that type of mantels they used them in my house, never had

passed something like it's not it's a little that a catito metier to the

little in the spaces into the newos. Think in the flecos

they're they're wweco, but not so not so not so that

not that the little the poor animalito he got you got over

the lot of the sotea and none of the two got

back the next my primos and I we went to go back to the patio, still have taken up on the end of what

had been made, but we're going to normal and platicing. No had been passed any 15 minutes when one of my stios gritted. Fuego!

Fuego! The offrendes was that was a quenando. One of the vows where my mom had written the names of the

difunters, it had been caught, and the mantel was in yams. This time subi were the adults and

They've got to do you a time. All were very very very very

very much. And it was then my mom confessed what I had made my of

my time, subio to the altar, and he disculp with the people

for having took of the food. And we're we're we've

put into, what we didn't we had been to the altar.

That night no back more but, but as then

in my house, what is a place in the offering is a very,

nobody he's the day next the day next to I'm a

person, I'm know Bernard I'm I'm three years and I

am a and I have asked that I thought

that I'm I'm said I'm I'm I'm I'm

I'm I'm I'm I'm a question that's a question

it's a a little the building the building. I know

if you don't know they they're sure that someone that's I'm going

to say something after what was that night of the night of my

apartment I don't say that all has no I'm I'm

a apartment very in the center although from this

April past I not I'm there was in one of

those edific old that was a one a

house enormous, of the antithuas with patio central, and of those that then were partying in quarters and quarters, until that every one had their mini-departament. Pissos of madera, the doors of the antes that are much, texos very alt, and ventanas

grand as they're at the call. It was a good, the really very beautiful, nothing more that also was that was very rudimentooso and very big, and in the night, all of the I'd hear more.

I got it because it was a baratto in that moment, basically. It was like to get me with a roomy and without

time and I'm there I'm a place that had been to the majority of the inquiliners for the pandemic

and was at the time of the price, so I just I'm I'm used and I'm

used to I'm used to the sound of tacones when they were to be until the

the pair of the two B that all the night, they'd get them to cut but never cut them. I'm here to clear this because

it's important for all what I'm going to I'm going to tell. I was my first day of Mewarton. Never had passed a man. I always did with my mom. Because my papa was when I had 16 and since then it was

like, I don't know, like, something obligatory. No obligatory of, you have to do because if no's enoja to mom, but not obligatory,

emotional. It was what was my house. My mom had to be a pan, punia

coffee, paper piccated, velas, the flowers, and about the

photos. My father enmarked the abelos and also a man,

but that also that was he was he said my moma. But that

year was a pandemic. You know, and my mom is a population

of risk, and we we'd have we'd have been traumatized, that nobody wanted to enter to house of

nobody, that was all over with alcohol, that was disinfected, that to leave the

food was there was to be and that I was that I'm not even I was,

that he had been that I was then, then it was my first day

of a death only, for that I'm not I'm not

I'm not, and I sincerely, it was a Monday more, and yeah. But when entered the

time I'm really to start. No, Triste, but so, like,

vacill. I'm think that any that has passed a first only

me will understand. This type of silence that you don't know, I'm

going to put a something even to say something. I'm not the

thing, not it was a thing, no cause of It was more automatic than nothing, like when you do something because you've all your life and you repeat. I got the messita back that had with all the cell.

I was rime to the pad. Dejew a servietta limpia as a mantel and put there a bellator chiquita that had been. I went to the kitchen, served a little of coffee in a taza, and calented some quesadillas that had sobrado of the night anterior. Also, I got a pan duly that had been bought in the morning and it was I put all there.

But I think here comes the important. No, I put photos. I had photos of my papay and

my abuelos, but in the telephone nothing, in the moment to the I was

it was not me made necessary. I said, well, I said, they know who's

so they're so, so, simple. It was like, this is for you

and you but without, but without, that someone would come

in serious to visit me. And other thing that also can be important is that also put flowers. No, I had been bought some Pasuchil, or not, because I didn't even was planned, as I said. It was a improvised. Without the color, without the color, without the food, and the bellita

preended. That was all. That night, me dormit, because I kept in the computer. Travago at distance and in pandemic, we were more in the madrugated that in the day. Then I had that orrary horrible to be up to be able to

three of the morning, and that time I costed like the two and a half. No, I was in the door of my

court, never was it was a delicious of living only. And here it's a rare.

I'm I'm going to see to the dream the first not per centi it was like when

you're not I was a little bit of You're still You're still You're in My In my Sueue

I'd see the Sal Viennose the window Grand that

Dada the and there was out of the window Not

pegged the Vittra but a little back on the

banqueta Bendom from from from from I'm black

No black of color of BEL No Negro

like when when you one one you know, you

know what's the person, it's like a little, like a corbado, like called to the other. And in my

dreams I felt that that thing was that was going to not to me, to the altar.

I know that seems very specific but I want to make it clear, no

was someone trying to get to robar not a sombra casual. It was

something the altar, like a little bit as a small at a mess in a feast to see what there to come. And then in the life, that thing gave some those passes very lentous to the window, but in

the other than to getarse there, it was like if, in some form yeah had been in front, like the next image that was put in the department in a pass, and then, aghached front of the altar, aghapado.

with the body like doblated like as the not

they're not and it's in four points but

not completely in four patas like someone who is

a animal that that posture that is what

most I remember and I was when I

I'm I was I'm so I was a

sound real like something um mud something, not masticando

like a person normal, but when a manned when a car and you just hear of that you

know, that's that's that's he's that's trying, that's really, and

I was I was to open the eyes inmediate. It's like when you know

you know you know you're still still listening the sound and in that moment

my Cerebr did the connection That noise No, I was in my Sueue.

That Rue-Sewood He had meted to him. That was in the cell. I still

I'd not go ahead and I heard it. He was a little eating, not

eating normal, dragging, like if had been much a lot of a way,

and he had been had to have a lot of the in a building of the center was, it was,

it was a man, and I'm enoged. No, I wasusted, me enoged, because I thought that was someone that was to have been to robing

or what I, because, because, the other, pandemic, or yeah, we had tried the

that any that could try to tryer the bitch, you know, I don't want to even to

get to someone to come a car to a car was quite was a car

and just a little a little little bit of the the street by the ventana of the basile. That light of the focos that are out of

I was out. I don't I turned the light of the recamara because I thought, if I'm going to to be to start, and I was to get, and I

could be able to be a polonero. No, I was to play with nobody at the three of the morning. What I did was to get to

get to my room. And here I did I feel I'm a fear of a phantasm, Mide,

Fisicke. Because when I took the man, I felt like that I was in I'm trying,

if there something that's what's a little, a knife, what I'm what I'm

doing? But I was there, and the noise still, dragging, I'm,

trying, I'm I'm a door to my court very very

despacito, the just to somar a body, and I I was that I was in there,

still out of the passio. No, I preened no light. Nothing more I just I was to enter to the

light that out of the window of the cell, and I know what I was, I was front

to the altar, front of my altar improvised, that was not an altar, and was

aghachated as he himself, with the the spald as a furrowable with the starrows

with the is like if not knew how to be in a way to get

he's the little and he was getting the food to get into the

and getting to the back not metiensel like empugand like

embarrand the as casadillas in the car and I don't

say that I can't say that what I did that I had a normal

I saw the the face and the skin, that is as if I remember. The the skin was like, like pellejo, like the meat that not is a bit peggis, like when you see a bit of a bit of fibres. Pardon for the

image, but it's the only that it is the only that it is it was. It was a person inferme, a respiration fea, conciled. And, every time, it was a rude a bigot, like a grunyed of molestia, no of a menace, more like desperation.

I'm kept congelated. There, I did fear and fear of really, but not was a

person normal and also was an animal. No, there was a way to be

there. Literally I was sitting at the table, with the hands

over she, and with postura human, that that's what

more me did, the postura almost a posture almost, then, so I did it a rubeo.

That thing, that was just kept quiet, as if she had had done that he and very, very

despacio he went to the head. I don't how explain to the eyes.

No, they had brillo. No, were eyes normal, with pupil and reflex,

and reflex, they were blanks for complete, like leche, like cataratas, but

abirted for a moment direct to me. I, there did I did the air like an, ah, so, so, it's a chiquet, but it's heard in all the department. And in a while it's heard, that's it started by-golp, but of a form that

not normal, not like when you're paris, applying hands in the rodillas to grab force, no. It was like a brinko, like a tiron, like if his her body not peser and so moved. And when I go, I don't mean refer to that he was going to me. She moved to the passillo that was the door that was in the kitchen, like if it was perfectly where was the out of the department. But the same time, it was not caminable

well. She went to the side, like, arrastrauding a foot, like if he'd like to hold a something. I'd check back, incitivably, I was in my door and there I put the secure and there

now I'm entered the terror that you tumba because I think that in my house

and he was to try to get to get to and I got the cellular

and marked first the administration of the building

I not I'm I'm with the first that live in the

first piece the that we know the she called

Don't Estela and was I'm Tanya had to her I had she had to be at the three and cacho of the morning for that. Imagine's it. Able to a bigot to beaigyita for that you defiant.

Tard was in to answer, obviously, but I said, There's someone in there. There's someone here, for favor, sube with his husband. And I'd never had been at the border as in that moment, because I still was listening the ruses, but you're not run to some of the other ones, They were like

golepetsitos in the kitchen Like if something Like if I'm Like to be Like to be Where do

To get At the Two minutes I heard I'm I'm in the Paces of my door

But Gulpes of people normal Me Pidier And I I'm

I'm I'm Tohry And And And so And so Spo

With a Lampara of Those Veeas Grandotas And a

Revol-Mas more Even And also That's then was

a senior major, yeah grand, that almost not dorms that's always was a new

and the balcony. The three entered to my cell with me and here

come to when I want to this, what I found. Nothing. No,

we've got we're not. Prenting all the lights, we've the cell, the

kitchen, the and I just I'm that that thing had had been

out of the because my court no the door the

door of the door of and the windows were in the windows

because it's so there there no there no there

and if you you you get you get a you imagine

that in reality you not you see in your only

I was them was them and I was the the senior grande, me

said, "'Well, what "'and he "'and I'll explain "'to, "'to, "'so, so "'and I'm

"'No, "'no, "'to you "'with all "'with all "'but, "'if I "'if I

"'It was "'a "'that was "'It's "'It's "'Ah, "'and "'to be "'to look to

"'of a "'of the "'Ongus "'Ond "'Done "'Stela "'and made "'and "'toe' "'No, "'he was

"'he-oh, "'he-he-oh, "'he-he-he-oh, oh, my hitherto, you're luk, or no, nothing. She made very serious.

And was she the one she was the photos in the altar. And I said that no. He said

that, I think that I thought that no important. And she me said something that

he gave the lad so with a calm like if I'm like that any

that any should be to know. No you'll put those food and you

don't to put photos. No it's If you do that? If you put a food without photo, without, no, um, without flowers, you're saying,

"'Callquirea, "'and anyone can come, "'the that's more close, "'the, that still "'the stillsacquered "'that's your people "'the, you know, "'the people, the way,

"'a-beces are the other. "'I think that I was "'that's been talking "'in-sentive-figurated, "'other spirit, or other mortito or something, but I still still expletting me. There are mortals that

you know who are, because nobody was called, nobody does put in nada, and if you let's do something, they'll grab them as animals, like if they were to quit. When he said, like, animals, me did a bolt in the stomach, because

it was exactly in the manner in that that was coming what I did he, like, equalito. She said that the altar not just not more for put a

food that the flower of the same is too for that not they're not in

those not are that they're that they're for that that's for that

they're they're those those and that you know put you put a

photographia you you're you're you that's the thing

and that that whatever that's whatever that is not I'm

we'll let's we're satos there, and talking in the cell with with the

light and the light of the I'm in shock. Donistela me made a coffee in

my proper cafeteria. His husband went and he and he had a

mowho of flowers that had seen and it was in pastuchel and made

marchitas and me was put there to the tass and the plato

like that that same night I'm I'm I'm said

I'm call, nothing more listening. And, and before she said, she said,

tomorrow you're going, you'll make you, and the next year if you're going to do,

you do, you know, not you do you do you do you do you did, and it

did. The next day of Muartos I went to my mom, yeah

when it was put, and this year every I'm always that I'm

always I'm the photos. The photos is the first.

My father at center, my abelos, my father's at the and even my tio that no I know see, and flowers. Although I see a little bit of

the metro, but I always I'm always. Never I'll never leave the plate only, never more. Thanks for

to get to this point of the episode, if it's moment to verify that that you get subscribed

that's a member of the community and that you never you get of a new

the entry of relato of the night. Before to continue with the second middard of this special of Day of Mewartos, I remember that my book is available in Chile and in Spain. We are very, very content for that, because, although are tiras little, are few examples.

It's a good number that for there also can't get a house a piece of relato of the night, a pedacito of Mexico. If you you've got to be etiquetteing for favor, to share it

with all the community. In the description, I'll go the unlocks for the

unquestion. Even there in Mexico, although me say they're not quite in

libraries. If they they're they're suer and if not there's there's

for those that are the line. We're we're we're this episode special

and also to to bring to all the people and in

the States Unites that are celebrating the day of Mewertus, I invite to all those who who listen, without their nationality,

his customs, to dedicate to a little a record to his mortals, to give us to the nostalgia, to record how

what beautiful, to mandarses a brother and whatever that they're to talk with them if it's necessary.

Although regularly not do it, even do the opportunity to create. SIGs on the

night. Hello, community. My name is Fernanda F. Since much time I've wanted to share some stories with you know

I know my family but we've been quite many many times many times this story in

specific not our I decided omitir the names for if the realodernists of the

story get to hear to hear some day more later I'll let's

I'm past us but I'll for now that do you enjoy

this history ago in a year of a time of my

brother with his group of classes and organized

one a fogata to talk stories and every

I and and there one in particular a

muchach that she was very very nervous to

talk was to his brother he he said

not if not they're going to believe. But we we'll recommend that

we're going to we're we're going to this into. So, it's a story.

He occurred to all the family, to the parents and the two children. All right.

Aupitlan, a place that The first went on the one of the morning. The family had a little bit of a baghick that the father had had done. They were a pressurred to return to come to the road of the market. They'd pass by the quay of the market, back to the block. Not tardyantia'd more than 10 minutes. But

at incorporation to the avenue, they were not a little for the orrilla, cabellaceo long, of a vestit black. The mom

was very a few meters had a base of taxis with various and he

said to his husband, ohie, look the the little she has not he

has been to the back to the base, he responded he's to get to get

to the house better, I'm don't be a little

a little, my my love. The Papa said the way to do the way

the way the way after the two people, and the little more more than they were

to be able to be and the little and the she was very time you're all

where you live you? Pregunted the mom the little the little the

hand to the same all the way to the car up you you

get us we're we're we're He said, Since that The perritty of the family,

he was to ladrard without very desperated, like if had a year and at a base was ready to

attack. The children opened the door for that the little bit. The little bit

to have to the person, because he was to try to try to

to the time. During the the the little one was a single

word. When they they were to where where, only he was just he wanted

the hand, and he making a murmur like if they were to go ahead. Passed

five minutes. The mom still was altered, nervosa especially for the ladridos of the

perr. And he said, a very this per to be a mother, I know

what's the he's not that's he not so. The papa so riggo for

that the little the child the mother so the the space and the

the perro no he calmava 10 minutes after when they asked if they were

if they were the little still still and then the little but

they were at point to get to get to a canal a area

a area and the the father decided to

get he there there a little much to

the the little the little the is that we can't continue

to get to we're going to have to have to have to be to have to the little bit the girl ladrava

with a exasperation the kids started to feel very nervousos the mom

she turned to open the door and the little the little when she discovered the car

saw the he was what he describes like a a rostro gray with the eyes

black with the the skin like if were a like if they were

like they're like a car the caro so you know of the perro the girl

was and the man was the mom took the bottle of and it

roceo and it was in that she ran and it was

she ran and he went to and he went

and he was no was not it was not he

saw heard many the people ladrando the long as

the way to the track of the time that I'm not the time

and they're in five and crying and and the parents trying

to calm to the people even even they were

they they're they never before when they got

they and they they were together and they

with the same fear in the rostro when they were when they did you know what they're

after you know, as they're a story, how they recommended, a psychologist, a person who said,

a little years, a little a new year a convoy with his abel, they were

on the caril at a high velocity. At the open the door, he was

a caro and was a It's a case very known between the people

because many people were there in the time, all the hours that were

to goger her all the hours that the old to her whole

the family is the same that the of the the

family although a person it has really many many

people said that all past the Deportivo where they've ever, The Columptio Sollumns,

although no there's the most minimal Viento. Hello, I'm Paola Fabian. Lovios

years listening the program and I'm saying I'm very fan of the work of

I'm really the way in that you do the life to our story that

I'm going to tell me I'm a few years. To be exact,

all it's the 2 November of 2019. I'm was

listening to when my mom me peter to the pantheon to visit to

our family I acceded and the condition of my mom was that my was that I'm very well

I'm just about to be in my did get to air. We got to the panteon

and in when I got to doleer the head. It was a lot of horrible in

the cienes. In when I said my mom me reaganed well, but I had

admitted that me tapara well me made a a mask to

cover me and When when I did, the pain disappeared. No, I took any

other molestia in all the time that we're in that you know that'scourn't normal,

until the night. And is that this same night I've got to have to have

been to remember, I've never had been back-arriva because always

I'm so I'm my position for my position for my last time. The

first night I thought that my family and to me not so salt they were violent. I wasperty agitated and much spantada, but no I did importance. Me, I blew to and for the morning

I said to my mom. The second night I saw yeah that had an accident automobileistic in the only I was I was I was going to

I don't have a coach, and I don't even I'm not even I'm nother one of the pears. I was in

a place to be a dark, and at the front, there was a little, there was a little,

a little, or something, but it was a great, like a a somber completely black.

Me signaled to the bulto, like if me pidierre to be to be a and so

I was, I got, and I, I saw, and I, saw, there, there was a

car with the head, and the carerer me, I'm I gotchee to aparters it and I did I was quite of

I'm just I'm just with the rostro and see me there's been a tear out has been one of

the worst sensations that I've had been even though really real to the morning

the next I'm my mom me said he not he said that he was he didn't

that much that night I don't I don't I'd dream because I'd

to dream a more the dreams were going and the way

more intense and the and the past that was the lot of

that was I'm I'm that was I'm a

bed was the the was when they were

on me. They're one of one of she was incline with

the voice more dull and I heard I

heard come come with me with me You'll start as That maloney That's bad

That's the I remember To the perfection It was a A voice That was That was She'd feel

secure The woman She'd She'd She'd She'd She'd She'd

But this This time The last The last The last The last You'd Goals

You'd With her You Get'd With me I'm I'm I'm

She'd I I'm Preservation I I'm me were. The voice angelical still still talking me, while I took my hand. The other

me grittable that not did her case. I don't know how reactioned, but I took my hand to that of that woman and I was that was not yet. She was enfurceded, and, with the other two were going to be up, to the sky. I know that my dream was exaggerated, very But when I was like, agitated and spantada,

the only thing was that I didn't want to I'm going to. That morning, I was saying, Moma, that no me I wanted to die. I was completely spantada. She said that me

would have had a woman of those that currant spantos, but that we'd have to expect to the Saturday. I'd have five nights with pesadillas, five nights suffering when I'd be able to

be able to beasked. And that night, That that maldita night was the worst of my life. I don't know if it was real

or if it was a pesedia more. I'm going to describe how was my court. It was

a small, only that there was a cam individual with a little to the

long, like a rectangle. No, I had a very extremely dark

too was a particular, I was a part of a house, and down I was a cage of plastic with

the and I used they were in between the 3.15 and the 3.40 of the madugated.

I was in position fetal when I felt the body very very bad I.

Sentie that someone was on me. And, and I had to something

was going to be able to the car that had down to one side

to one there. I were still Rises like of the

kids when I could not that was on me. I saw a

woman of a hair long and black with the eyes completely

ascourous I'm and I'm a lot of a lot stentos most

my dintes I in my paralysis I tried but

I was I was on the car with the hands askerosas unas

unas long as and socied me Icarice I was

and he was burlava. Then he he left the endis a boca in signal to

that me call to the only that I could hear of the while the sitting in

the camera, community, I know that this is not me to be able to see his man

over my car his peas over me I I'd I'd give a

When for finally I felt a very very I was

I'm not I'm and when I saw the she was she'd in my dreams

but at final I could do you to the morning next I told

my mom maybe I was still I'm but I would I'm

I'm that you a time a time was to visit a

house when when all we she She said in the room taking

photos. In one of them appeared something that no celled the blood.

Clearly it was a little a little a not a silhouette not a

transparency a a a a one that was who

was there was there no there was in that then in the

house and so my mom me I was to conted all, since the day in that we went to the Panteon. She said that me had given to something,

something that was not good, that was something that was about running the energy and provocating pesadillas. At the photo of my prima, me assured that there had to be that center of the house, that she was too strong, and that would not beaconsarie to get me with him. The lady did a series of banions with plants and resos,

those which I will describe, but you can omitire, if so you'd beck, to As Uriel, and not give instructions that the people could be

to see without for the only to only to do you my stas those

first night I saw I'm even I had a paralysis more but at

that that that was and that was more things

paranormal after after that episode but none too that

she did you see that she didn't I the day of the Muartos.

Much Thanks for For Leariel and Community of Relatus of the Noche. Today you've been this story in memory of my great companion of my perita London,

that felleceo last year five months. I'd like immortalize this story and could hear it in your voice every that my nostalgia me invada, and also that I think that is perfect to

to count as in this time of the year. Today that London not is here, I can't say that in all her life never ladd' for the night. No, it was

perros of outwheres in tremendous platica, one that she met to

the camera and I'm but on two of the November that

was different that I'm I'm the day of Murtos

and with so that I put my off

and I think that I would and that

and it and it was the place when

was the little the door the room was

a that's used in the ralajaluses. That ventana dada to the kitchen, seguida, and insegied to the cell.

There in the cell was where I put the offrenda. In the dream, I was caught and and I

had been much noise, voices, like if out of my court, there were a fiesta,

something that I could do you know, but, da' the fact, it was to be

the mind that we had to we visit from the more there.

I was in the camera and I'm going to the minutes between voices and sombras and even

I felt a fear I'm that's that's changed when someone

a person the not not a human was

a long it was a turn to a front of the and I. It's a

of the moment. The summer started to come to the camera. I remember perfectly that in the

my perjita was at the height of my rodillas. The sombra was to the feet

to the camera and stills and it was to when it was to get to

where I don't know my arm to hauled to to get to her

and just when my my man was to talk to me I

strange is that all was that was the same is that was the position my brazo over her and london mirrored exactly as to where in the the sunno she encountered that sombra was totally erisada and

ladrava furious as like a few times he had to do it he asked her to go to the camera and he went to and she persiduered something

when getting to the kitchen she was in secco like if someone had been I was justed and from and from

after the offrenda. I'm kept a side, trying to understand what was the

was like my life was the connected with the reality. My

Tia, the that we call the because something has to

something, it's that the offrendas are so are that the

spirit enter, but one can't choose who can't

can come the those are not good. After that experience, I never

to put an offrende in house. I'd have a fear to live something. But this year I'm animated, I'll ever be to put with the experience and the in the annoyance of that, between those who regressen, also come to my little

London, without import to what can happen. Uriel, if you can, send her a salute to my dear sister that never is your relato, like I. She'll know

perfectly who is. Pronto to send more stories a bit more tenabrosas but I want to

this in this fecha that they have a little day of mortals

good nights good nights