Relatos de la Noche - Tres payasitos de porcelana

Episode Date: September 28, 2020

Esperamos que no tengan miedo a los payasos, de ser así, no les recomendamos escuchar esta aterradora historia. ¿Te atreves? Contacto comercial: [e-mail] y [e-mail] Publicidad: [e-mail] Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Want to hear a story of terror? Do you want to know the experience that has changed my brother and me the life for ever? Permitem to start to tell her. Let me tell you. I'll tell you to record. I'm going to put any one

only one word of more to make this story more aterrador. And is that the truth, the truth, no, it's necessary. Before to start, just I can't say you

that are time to go. If you're, like I. They're scared to the payasos. My story is the final

of 2017 at the beginning of December. A call in the night was announced

to be the mother, almost a year, in a town of a city of a

California South. My papas said that I was I was I'm

on a occasion but no I'm I'm back my

father, my mother and his four her and the which practically no

exists a relation, including the brother, Minerva, that live in Koyoakhan. My brother and I had had

his contact, because, since we've came to study to the city of Mexico, my abuela us was so

and we said that in any emergency, we'd come to her mother. Now the

abel us pedia that we did you we're just she she had no more family

than his mascots, Ramon, her perrito Chihuahua and Linda, her catita,

a catita a little bit of a penas could be able to get a time. The abuela us pia

we'd know that we'd not even the days that Minerva passer in Baja Sur especially because

she would be the encargated to take to the his abelela. Accepted

for the course, because even we know we know we didn't a Tia Minerva, it was like a

woman for her we'd do anything but it was It was a surprising when we came to the house, where we'd ever before in the door to a chick, more young than I,

that I, that was help with the limpea. She used the keys and she retired, and, at it was incredible. We knew that the Tia had a good, but not that class of money. The house is enormous,

of those cases of rickos of the antes. It was a little disquidated, but even as it'd be a cost to I had enough to maintain a house of that time and the Tia Minerva had been at least 20 years

that had been left to work. When we were just to enter, I don't know if my brother was not-to, but I cance to hear like if something could

get around. I thought in the perrito, because those pastos were very little, but when the

keyed it was, it was me forgot for completely what I had been to hear.

If you had surprised that garden and the fashada behind of those muros that were the second

piece and a little attic when we went we went to us went to the house was very linda and

also was a full of figures of elephants but literally literally all the

things figures quadros in the pastes sculptures even some

some alibriges with trompas or o'erjas. It was like the Tia had dedicated his life to reunite this collection

that now was in her house. Sin embargo, there was something that called more the attention of all those those figures. There was a vitrina full of articles

and front of her a little a screener with other figures. In the middle of all there, there had three

pacacacetos of porcelana. His form was a sumamently realista, even his robes. The painting was very detailed,

cutada, of the same form that her skin, in the way even they could see the plagues and ruggas. The eyes

were too reales. No could you see them without any fear and we just we're just

we're gonna and we're that I'm to come to come here in the cell. Andras

I was to partar the only camera in the second on the recamara principal. We'd give us to make

nothing to do with and we'd have to do this house enormous. Jovea, just a little, but at the long long as long as the tornadoes of a torment that never gave.

As the Tia no had television and internet, we put us to talk to. We used to some program of radio of the phone in which the

people had told stories of phantasmas. That's us I was to talk to respect. As you imagine, the few experiences in the family

we know us, we had discovered together together so we've gotten our friends or our friends. In some moment at the middle of a

part of my brother that was perturbaned, I was kept dormita. I'm going to the story that he was telling, and I just made when I was

when I was carried by the escalers to leave me in the room that had gottenado. I'm very small and a peso kilos, so it no it costed much to get me. It was very strange,

because, even the perrita to get us to come to us. The two were all together in a casita that werecean

to share in a quarter of service at the house. Some ruditits me despertark. Apenas those heard in the

sound of the I was strayandes with my ventana, but I was I could hear of the it's like like a

little bit of a little to the pastio. And then I heard some and I

saw how someone person came to the passio to be front of

my door. I'm I'm I'm I'm I'm still I'm

getting a moment without you, Lucy, what's "'Pas!' "'He responded to my

"'Ambriot a little, "'anyl the door a little, "'apeas I could "'her see, Lucy? "'Yes, "'he responded. "'Why? "'Why?

"'No, for nothing. "'A-lo-moh, "'tove a little bit more, "'but I was "'and I was to hear "'that you've got castes "'to go after the "'ascalero, and

"'ifiste to la-cone. "'I'm gonna' "'I went, but no, "'and I see, "'I'd be to be if you were well. My

brother so regress-to- the room and I took difficulties

to do me. I'm the light of a lamp to the camera

to a little but a but I don't do you

don't get to the the thing that there was

something with me in that when I was

I could observe the the the call the

the car was totally solitary so nobody more

to the place. And I do like if nobody it'sier, because I see that the houses around are being abitated. It's not for the quietas, but

we don't see to nobody during our stances and the passos for the passiresser and they were and they were

to come to the door. Pasa. I said to my brother, but no respondio. Pasa. Repetit,

but no there was a question. I'm I'm closer thinking that he had I had left with a sure, but,

at the briskly, I did know that there was nobody in the passio. I went to my brother that if had a subid, and responded to no.

I was preparing the day of the day. It was rather. Apeness were at the seven, and

he had been up to the tent to buy the necessary for the for the that's very

very strange in him. How did you? He asked, I'm, all right? All right?

He suspired and then guard a moment of silence. Then, he started to explain to make to be able to

prepare. Apenest I could do, Lucy. No, you? No, you?

No, sentista something something? Like, if someone more had in the house?

Maybe the animals. I said, at the moment of to look at me to be

that we're from the door, from the fear that I had to be a,

that not us know, to that we were not they were used to the people. No, continued my brother. Like if there were

someone for here, coming down for the house. But, well, if you don't you know what you don't know, a lot more,

they're going, enogated because we've got him the house. I said, I was saying, I mean,

he'd be that we've seen the day earlier, but, but, but there something

in this time. the left, the most the most circuano to us, mirabah in our direction and the other

extreme, I had a peltitita rogu in one of his hands. I was almost sure that that

that was the day of that year. No, you know, not a rarro? He asked to my

brother, and he gave some passes to them to them more, because he

had his lences espuces. Ha, it's like if I'm this of to be the

I'm not? I'm almost I'm sure that my brother was used to this ton of

a juggetone for not to do more more. After to after I

had to get to a reunion with a friend about a project and we

see in a coffee to a 20 minutes to

I. I'm to the house to the hour of the

time seemed completely vacy vacill. My brother's sule take a

siesta the sabbado for the time, so I suppose that was up at the recamara

and I did you to get to be I'm trying to get to and I

just that the palacito of the pelota the that was the little

now. Now I was to look a little a little

literally to me I'm to be to the the kitchen without the

view to the even to even to be I'm sure that I could be I'm

could be I'm could be I'm the end the end also was it

now the only that I'm seeing looking I'm

I'm I'm I'm from I'm you Very lentiment. When I heard more patitas to

to get her the perritor, Ramon, to his spaldas, asomandos from the room where I passed the night, I could have my brother with a gattita in brasos. Venthe rapidly, me said my brother.

I asked, I was, I don't me could explain. I'm going to be able to. Look, me ensue a rid of the perrita, Apeness notary but profound Acerate I heard a catita

Yorrable I said my mano I was there I was here And then the perrita He said to ladrard and

grunir Like if I was I'm gonna Or something Or something Backer because I'm

Because I'm I'm playing And thence I'm playing At least of the end of the escaleras Atalieres

To get Like if it was to sconders I don't see Is that My brother took a pause Noted how

It cost to continue Noted how So it was rogo In serious Lucy I'm I'm a lot of It was a

A house A house I thought It would be the First time That something We're We're still

We're To ask To tell you If there There was That we're to Have you

That night It was Itovio Foyo Foyte Only we're going For the

food We're We're We're We're We're My Irmane

He'd He'd before When he He'd He'd He'd

And he He's He's On the Chuggarder I'm I'd I'd

hear That'd I'm That'd And He'd He'd He'd

for the passillo. Lansaba a little, a pelota that rode to get to get to my

door. And then he'd be a get to be a repent, I was a thing,

and I'm a lot of a lot of that someone was there's over. The catit. no I was

to make a noise, and the perritte only was to get to the door to

the door and then he's and he's and he was in me. Tard

like two hours in to get him dormita and then I've a

horrible, horrible that even me percigue I'm that I'm just

I'm that I'm and then something something something to

come to the back to get to me to her

I, I was the brother, dormied in the room, and in the patio, in the middle of

that storm I, I saw that there were three pachasos, three men,

adult, bestis of the pachasasos. Correan up the and they were to me, and me

said to God, the three, and then one was up over the other to get the

part more and the third was and when was the time, he was

the same, I was they were very rapid, but no they'd just turn to look at me in every moment, in every movement, like if they'd be sure to that I would not lose their own.

Sunre'd be them. When they were all on the side of the callie, one of them broke up to marse, me wasrable in his man, like a pellotita, the lansoe to the patio, and then,

I got to hear from the passio. For the morning, us called my abuela. I was a time she was

a new year to and we're saying that we're going to give to the little bit also that the work

she would be she'd be that day so we're we're able if we're we're we're

we're not we're we're we're we're not we're gonna that the we're gonna

we're gonna that's coming to come back that that year in the department we received

another the call. The abuela was despising of Minerva in the airport. No we we'd say to my auntie to say to my

mother that he said to make you know, that we've caused a sensation horrible, the monequitos of porcelana,

the palaces. The abuela, riedos, he commented to her mother that some adornos were so

feos, that they had caused pesadillas, and we let us hear, but when my

my abuela said that the pallasos, that's the other side of

the line is over. I don't have a house I'm not I'm a little

little elephants. He said the voice of Minerva. When we'll we

talked to my man, who was the semblante full of fear,

as she'd be into the house. MENTras he

he was he was to find to find a explanation, he

no I've justed to talk to the moke desovars What do you What do you

POSO A year? He asked I'm Dulled from the night Dough my When you

Pissed When you When you You've You've You If you If you

You Dutes Toes subscribe for You're You're Pendient

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