Relatos de la Noche - Una Bruja vive en la Azotea

Episode Date: May 2, 2026

Historias reales de terror que podrían ocurrirte en cualquier momento… desde un cuarto de azotea donde alguien o algo nunca se fue, hasta una voz idéntica a la tuya hablando dentro de tu propia casa. En este episodio de Relatos de la Noche, exploramos encuentros con presencias que imitan, observan y esperan. Lugares cotidianos que se transforman en escenarios de algo inexplicable… y testimonios que dejan más preguntas que respuestas. También viajamos hasta Argentina con una historia marcada por una presencia que acecha desde el campo abierto… y regresamos a México, a los caminos de Milpa Alta, donde una figura en la oscuridad parece conocer demasiado bien a quienes se cruzan en su camino. Apaga la luz, ponte cómodo… y entra a estas historias que no deberían sentirse tan cercanas. 📖 Ya puedes conseguir nuestro libro en librerías físicas y digitales. Búscalo en tu tienda favorita o sigue el enlace para México: https://www.amazon.com.mx/Relatos-noche-Uriel-Reyes/dp/6073836201/ España: https://www.amazon.es/Relatos-noche-Novela-Uriel-Reyes/dp/8410442205/ Chile: https://www.buscalibre.cl/libro-relatos-de-la-noche/9789568883270/p/64600265  See omnystudio.com/listener for privacy information.

I heard that someone came around my departmentit of the sotea. I got over the doored in the door with a chair because

nobody had to go to go to that sotea. I paged the light and I tried to do not

and I did a point of that I'm not just only in my quarter good.

Good nights thank for our opportunity to give us to you the next

histories Today, it was a night A good, a very good night, we have stories that would happen to you can't when you're

when you're when you're still. If you're all the time to get to get into the

stories. If no, they're 10 seconds to go to because we're we're

we're we're so we're so five, four three, two.

The The fact, I had not thought to to finish living in a quarter of the soothea, but also had many options. The department is where I lived, they were going to to try, literally.

We were not time because they had been been sold all to do it and make an new. And even I tried to look to something,

all that was carisim, and they had in that moment. Avales with property, various months of the deposit,

imposible. And me He got very well-parated. A very good friend, Ivan, was the who made his paro. He said that his papa had a apartment in a vicinity near the center, of the oldies,

that was the four departments, nothing more. One was the other than I pertaincy in a quartetit that almost not used in the soothea. He said that if I wanted, I could have kept me there in what I resolved.

When I went to see if I made a little bit of a hundred the place. It was very old, with the paintura carcomida for all parts, and the passages were very dark, even though it was the day. The apartments were occupied.

She'd listen on televisions, it wasolia that someone was cooking, a man barriending the patio. The quarter of the soothea was up of an escalator extremely angost, as a little.

It was a little, with a camera, a ropero a beahero and a ventana that was and that's

a before to go to he said a man he said that in the not he was

that he was that he not me spantara that not that o'er things he asked

why and nothing more he said he was he said he was that he was

he was he was just something what he had had done of all all the other

I accepted because the fact I'm I'm not I'm not the other the first night I'm

could be my time I'm used my stuff barri a little and I got to

I'm used to get used to the movement to get my little to get my time

all of all I'm and I started and I'm on the sotea with me

that sotea not the common where the other did the The part where I was was separated.

I heard I was trying to get a little bit of the feet. I thought it was a person who was someone who

had gone to even to be a rare for the hour. Then the the passes were just out of the

door. I was kept quiet just listening. And then was when I felt

something more rather. Like if someone was Agachado, at the door.

I don't know how explain it, but it was used like a respiration very

very big to the door. Like if something was trying to be a down to

be I'm I'm my fear, I'm I'm just

moving after that after that after after after after I'm

like they're back the escaleras that night I'm very

but I convinced that had been seen my head between the stress, the change the

new, all that the day I'm doing that's my life normal.

Sal-s I, I used options of renta all the day, I

talked with people, when I went to before before

before I was there was there was my refuge

but that second night was different Again, I think at the same hour started the pathos in the soothea.

But now not see you're so long as long as long as as constantes and even more firm as as if someone was doing whiltas. I went to the door and I assured that it was very sure and I'm sure

and also arremed a little a chair like the peliculas to feel me more tranquil. Recreed to the camera I paged the light and it was just

in that moment when I heard of a a risa a susurro I know something

something was out I'm I'm there was very very

the I'm I'm the only I'm put to puttearm to

peg to try to try to ignore but

I think I feel I the I did

when someone's up to the camera with you. I tried to do it and do

to do you do with but at those altars I'm I'm I'm

I'm said it's when it is when the I'm so that I was

conscious but I was not a no one a no I

could not I that that that the sort of

that I sent I sent me something I felt

a contact, something behind me in the camera, a brazo, the be it,

and the back to my back, not was a sensation normal, no it was a

real of someone or a person a person a real, a

friar, arugated and a peggous as like of an man

a man was completely Densuda and how I'd rode about How's How it was

How's How's a Caircaved Just behind my coo The Susurro Now it He was

I'm directly In the O'I In that moment When I I'm

I'm I'm But I I'm After a I'm After I'm After the

After the After the When I'm I'm I'm sure But the Coulchon Soe

Soe moved. Like if someone had been to get out of

immediate. No, I'm to read the door, I'm moved, I'm in the

cellar, and I went to the no. That no. Camines

in room until I found a park to a park in a car

in a bank, despirtas. I sent me I was about them and I didn't

say nothing. I didn't start only, I kept there all the night

and the day next I went to the second I'm so I'm

not to go to go to I'm all right I'm when I went

I'm a very direct to that was that was the thing he said that

that was a second was a year that never pager

that always had problems with all that's that's he had to get to get to

the first with a little they're a big I'm said

but of the that's things so that so that my

father not she was I asked what I

had happened she she she she she No, me explained

nothing more. I don't I regressed. But what is because nobody was because nobody was there

in that court. Because even the day of today is there is a time. I'm just

just a penas only days. My papas were to have some days and I asked

if I could get in the house to to do the cato. Icepted

without thinker. I've been I've been a while I've done to work a mecery and the fact that's always I'm doing every single I'm

very much about for the food for the food, for nothing. It was to give us the favor and to give me

a restyro. The house of my parents is a colony very, very tranquil, where the only noise in the

street is when they're going when they're when they're a rhythm like the I'm the I was there.

I grew there. Then, not is a place that me de fear or nothing. I always have been

a place in the place in the night. The first day I came to very time, after my

turn to long. I was with a with going to get to be

and I just to normal. But, before to open the house, I,

I heard the perros. No, they were lading like when when they'd hear. They were playing.

She'd hear their and the sound that's the sound that they're when they're

when they're when they're when they're with someone that's, one of them even did a

that's what does when is a very content. Like a question. I'm deto'

I detu'n because something was solos. It was clearly that they were reactioning to someone,

like if someone was there there's a little of my other, I think that

some of a lot of a new person I'm doing, I'm doing, and I'm going to becino a little

rather. Between the the sonites of the perrots I'd say a voice. My

voice, no, I'm like, and how was my voice, with the same form

to talk, with the same tones that I use with them, as I said,

and I said, I don't I'm I'm not I'm I'm I'm

I'm perfectly I'm I'm let's quiet, nothing just

just just and that that that's a voice that into is a

Like if she had done that I was at the other side of the door do it. Acermelo

all right and I'm the house was in silence the house on the cell on

completely quieted not they're not they're not they're

not they're not they're not they're they're I'm the gato also that

was there in the restado of the sillon, vending me. The three without

move to be as you knew, as I'm surprised, I'm in a little bit of

my things, and I put it more lights than the normally

would be I'm a little the house, the bathroom, the room of

my papas. All was in order, but totally that

sensation fea not so me kept with the tele-prended. The lights are the

basingio, too. The perrower were to be on the camera, but they were quite quite they were with any

the noise, they'd the head like, like if were you were doing something.

I remember I mean that I made message to my papas that same night, and I

had been if someone had been able to, someone more had seen I'm that I said that

I'm that I'm saying, as I, as I when I don't me respond until the

morning the next. My mom me said first by message, very brief saying that

no, that nobody had been going to and nobody ever to do. And then

he put to make, it was rather, it's me made a lot, I'm

I'm a little time to the time and the transport with

the road and I'm trying to sound normal. me

He said my Papa He asked I'm more direct I'm sure nobody was

nobody has nobody has responded to something to be to come to

your mom yeah had said something I I asked

to I said I said he said he

before when he was when he said that I said that

I heard that I heard I I heard in parts of of the

house, in the passillo, in the kitchen, in the quarter of lavado, always where the light

not was not yet, that was that I was like if I was there, Ma, Oye,

come, things like, my papa thought that was the idea of she was suggesting

and for that they never me said, but that you, me said my

papa, this now it's not it's it's going to something

something something that's I'm not you know I'm not what I'm that

that's that I'm that's I'm not I'm back in the night with less

than the day earlier before I'm kept a moment listening

I'm no there I didn't not I I'm

I'm all all was all was all was in

silence during those days not go to pass something. But I

know I'm still I'm in the house. I don't ap

no light in the night and I'm with the cell on the never

and I never always has always that's that's that

was there the people don't to be the other

the gato also that all to be normal, or at least that it was up to be when my papas returned, I just

me wanted to go. I don't tell all in person, only necessary, and they also asked me

asked me much. Since then, I don't like to get me there, only,

I'm quite, it's the pasted my papas, pass time with them, we're,

all normal. But in the night never I never I never made. And if some

I've got to do it. I'll just go to I'll leave again. All the lights on the lights on the

hours that's time that's time that's this episode as a community but you know

a little that the body not does it and it literally to take us a time

even to take us but to avoid but to but well we're

we're much more to To get these stories, always, always, always,

I put in much more humor and me makes feel accompanied for

all of all of you. In that sense, I think is mutual because

I'm I'm thank that I know that let you know that I

know that we go to Argentina with the next history. A

legend very famous that that's not will be very

pretty Let's go. We're going to I'm Ugo and I'm of the most profound of the province of Buenos Aires,

Lejos to this is a story that my family always has narrated to the same form,

without the adornes, nor change on that going to go back the time, and I

needy I'd want to any any a story of what

what happened. My papas went to to live very young

to a place where my papas a terrain enormous. Of those where no

can't see the final and where the mountain is a mess with all in the horizon. The suns almost never were, so

in the practice they were only the when all of my mom was born and barasada of me.

A day came to the people coming from the end of the road and there had to

have to advance to a good tram and and since before before

he was that someone that was that was that or maybe not for passes clear.

But if so for that sensation that someone that's that you without when

when I'm he was a man over the world and he and he looked

my mom apurro the and was when he moved like trying

to her way my my father to see

to my mother and when he was he was a scene without

said nothing he said that man. Always he said that he

he was very very but that the type not reactionable like that he

were like not they dolier the colds for more that my father

he dodean the hands before before the man he said

that he said not there not there not

he was he he's he he he was

he was he was that was what that was

Of all forms, they were just going to be able to be able to be able to be. That same night, they started to notice things very rare. First, the perros, that were animals at work, accustomed to the camp. They were to be able to the night.

Yeah, no ladrava, nor corridden. They were put up to the house, and if my papa was intent to sack, not advanced. One night, She's He said

Because he was Withing her own, he wastesrault, and with the moon, I'll get something in the limit of the corral. The burrows not and my papa, and my papa too. Dice

that what most he called the attention not was the form but the way in the

way in that he was not a animal. He went to the house and the

day the day he said he was a long and he he was

he was the first that he saw that he and that he maybe

not he were he had been he was that was a

good sign My papa Intento To keep So big Normal in Those moments

Or avoid What I've I've seen I'm I'm back And I'm I'm back And I'm

And then I didn't And then I'd To start No, I'm to get to

the house And always I'm But I'm I'm I'm When I'm

I'm It's a time normal I was playing close to the house with Ramon,

one of the of the his parents, an animal great but very very tranquil and

all the moment he was completely quiet quiet no grogno

to no he's and he he was he was a sound a

back looking to the car I but I did

I did To start to get it was sufficient to not to be the house behind with clarity. There was when I was when I saw before it. The silence was total.

No, there were no insects, nor vent, or nothing. Ramon, not was front to me and,

and, and there was the pasto, or something moved. But not rapid, but less,

but less minimal, prisa. At the At the first I only saw the spada curvada, and then he went to a little the head. No, I would describe it well, without inventing things.

I just know that not was an animal normal. And that was about being, the distance not much. We were a lot of that. Ramon's he levented, without doubt, and there was when I reactioned and I began to gritter. My papa came to get a lopet. And when the light was he pegoed that thing,

she chow, and was out of and it was in the way that not were not going like

or not a person. And Ramon regressed lastimated but not in a a

little a little had courtes raros like like something

like something I was my father decided that we've

we've not he didn't he that more not

we're we're we we're indispensable. Ramon no's recupered. The aridias not serrated

not were apagent. With the time my my papa I'll more the theme.

Not much but the sufficient to make clear that not that was an animal

that was a other. Also, that the man with he had

had been in the public, that he had had been said to

where. Ayes after someone said, someone said, had been

but that no they're not rare I did my life

I'm came to but I'm I'm thinking if that or

something or something that permane the I'm my name and this is

a year and a year and a our friends. We're not just we're in the area. So,

so it's like we're we're not we're not. We're we're the way, we know the

times, we're where we're where not. The Cerro has always been part of

our our our our but we're not a place not

not for stories. Because just simply not is one idea. That day

we're we're the time we're the five. We're four. Two friends, my primo, and I.

We've got things to pass the rato up, but nothing special. The idea was to be the atartheir and be backer before it wascurecia. At the beginning, it was a lot of the same, the earth swelta, the nopalis,

that the odor seco of the camp that's teed in the rupa. We're not quite of people and down now rarrow. We're going to be with a light. We sat down. We were talking,

vying to the city. From there, it's all. And when it's to get a blue, the skyl the skylo's a way

very special, very marked. Like if all the light to be contentrary in that point. We're

we're confiamos. Between the platica and the rato it was made more tardy than we thought we

were the at a start to be a time where the light starts to get to

do you do we we're we're to get to get to the first the

beginning still still it was but we went we

went very very not not it not to do you

back to do to get all all so

We were even, because all we were more concentrated in not to resbalars, in not to part the sendero. It was like the middle when we were a lot of the road, under the

one of the road, into the pietras. Not was completely hidden, but, but, but, also that's visible. If you were

atento, it was to go, we'd have been to be able, not so, I was like someone that had been

He had no, he had a mochila, no he was sitting with the

look at a lot of one of my people he said something, like to see

he needed but no responded to immediately then he

then he he he he didn't that he

was that was a very very in a mirate

that tranquil, in someone that was in the obscurity, in the night, in

a place as a very very so that's like we

know that's he's later, nobody said, and then he said,

he said they're not, they're not, and this is not he was in

an ojo to usustarned, it My Primo He said that we've been back down The man

He went to He went to No, he's not No, he's no movement Only so he kept there And we

continued Caminando Nobody He said He said who was the first in Voltear

But one of us did And the other And the other Then we did us He'd There'd

There'd There'd but you know it was it well her

posture not not the same was encorbed with the head

and in what they were in the hands like in four

patas no had the form of someone and

I had had had to have chive nobody

didn't he did nothing we did nothing No, we

Even We're We're We're We're going To get into After the way The way

So it's Dissue Wier A-Muera Like when something Malo was to pass

Nobody's To delantar Or get To get back Back we We're more than

Cours But without Cours With much Cidado and trying to Not

Not Not Another When When we We're In the end we got to the part where you see in the houses, where it's the way of the street.

All we're gladysed a little. There, we started to talk again, but... Nobody mentioned directly what we've seen as much seen as well. It was still just after after, yeah more tranquilous that came to the time. All coincidimals in the same. Nobody quissed exactly what it was. One said that, a little, we knew that maybe we'd be well for the light. another that

he's he gotchow and we we're my primed he's not opinion

I don't I'm I'm but what I see is that that that's not normal

nothing that this world we know of this then I don't

go to go to the time in the time

if I'm I'm I'm I'm back with time

here here in this cerro there there there many

I'm a little bit of a little bit of a little bit. I don't know what I could be, but no option me'd be a while. Fierre the devil, that'd say that live in that serro. I'm too close. Camino, too,

when the streets are just vacillas. All the options of what could have been me, I terrors. Community, before I'm, I want to say to give me, I'm saying to say there's much to thank you.

Muchism. The best form of pay you, for sure, is with more content, with content. For now, the major part of my time has been going to terminate a surprise for you, that is very important. But, believe me, the changes that are going to be to be. To appreciate them, what it's coming. And with that I refer to more, and I'm sure, is history. do they're going to do things

a single one single or the changes that are to make to make sure are permanent so

so for now they're soen little and the good for the night and we

go to our night we're together we're all together and and