Rev Left Radio - Critical Race Theory and Black Liberation w/ Zoé Samudzi
Episode Date: October 12, 2017Zoe Samudzi is a black feminist writer whose work has appeared in a number of spaces including The New Inquiry, Warscapes, Truthout, ROAR Magazine, Teen Vogue, BGD, Bitch Media, and Verso, among oth...ers. She is also a member of the 2017/18 Public Imagination cohort of the Yerba Buena Center for the Arts (YBCA) Fellows Program, and she is a member of the Black Aesthetic, an Oakland-based group and film series exploring the multitudes and diversities of black imagination and creativity. She is presently a Sociology PhD student at the University of California, San Francisco in the Department of Social and Behavioral Sciences where academic interests include biomedicalization theory, productions of race and gender, and transgender health. She is a recipient of the 2016-17 Eugene Cota-Robles Fellowship. Her dissertation "'I don’t believe I should be treated like a second citizen by anybody': Narratives of agency and exclusion amongst male and transgender female sex workers in Cape Town, South Africa" engages hegemonic gender constructs in South Africa as they affect identity construction and health of transgender women and cisgender men in sex work. Zoe sits down with Brett to apply critical race theory to our current US society. Topics Include: The Anarchism of Blackness, Double Consciousness, Zoe's experiences growing up as a black girl in the Midwest, the failures of white liberalism and the democratic party, Trump, racist and sexist tropes in film, the White Gaze, and much more! Here is Zoe's website: http://www.zoesamudzi.com/ Follow Zoe on Twitter: https://twitter.com/ztsamudzi Our Outro Music is "African Son" (featuring Chindo Man, Songa, Wise Man, Mic Crenshaw. Recorded at Watengwa Studios, Kijenge, Tanzania as part of the Afrikan Hiphop Caravan 2015): https://soundcloud.com/mic-crenshaw/african-sonprod-double Check out Mic Crenshaw, who was our guest for the Anti-Racist Action episode, and his music here: https://www.miccrenshaw.com/ Please support us on Patreon: https://www.patreon.com/RevLeftRadio and follow us on Twitter @RevLeftRadio Follow us on FB at "Revolutionary Left Radio" Theme song by The String-Bo String Duo which you can find here: https://tsbsd.bandcamp.com/album/smash-the-state-distribute-bread
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Revolutionary Left Radio starts now
Welcome everybody
This is Revolutionary Left Radio
I am your host and comrade Brett O'Shea
And today I have a very good conversation
I'm really excited to have
We've been planning this for a few weeks now
We're going to be talking about black feminist anarchism
Trump, white liberalism, race
And a lot more with Zoe Sam Woodsey
Did I say that right?
Yeah, you got it
Awesome. Would you like to go ahead and introduce yourself, Zoe, and say a little bit
about your background? Yeah. So I am a freelance writer. I'm a PhD student in medical
sociology. I identify roughly as an anarchist and although I generally self-describe as
being someone of the left. And yeah, I think that's all the important stuff.
Yeah, I found out about you through Twitter.
The Twitter page for our show, you know, we follow you, and that's how I got, wow, sorry, I got to edit that part out.
That's how I got into contact with you, but then also I read a lot of your articles leading up to this interview, and they're really, really good.
So we're going to link to that in the episodes.
I urge people to go follow Zoe on Twitter and follow those links and read Zoe's articles because I think they're really, really, really good stuff.
So, yeah, absolutely.
So let's go ahead and dive in.
So you say that you identify as a black feminist anarchist.
Can you please tell us how you came to embrace anarchism
and how anarchism fits in with feminism and black liberation?
Yeah.
So I think my first introduction to anarchism, like a lot of women, unfortunately,
was someone that I dated.
But as I kind of came into my own,
and I started having a really thorough understanding
of the kind of unique oppression
of black women in the United States, the ways that black women's labor,
our reproductive labor, our physical labor, and quote-unquote productive labor,
our expropriated sexual labor.
And I came to have a really good understanding of the way that the state,
in the ways that black women are vulnerable,
will never be able to protect us.
And the most thorough and whole and complete kind of protection for black women
can only come from community and come from organizing,
outside of the state. And so I kind of came to this rejection of the state in the name of
black women's safety because we will never be protected through these public safety campaigns,
which revolve around protecting white women and protecting white women from all of these different
racialized threats that include black womanhood and indigenous womanhood and black and brown
masculinity and manhood. And so anarchism, I think, fits within black liberation because I have
this understanding of blackness as never fully being situated within the American social contract.
Black people have never been citizens. We will never be citizens. And so we cannot rely on this
exclusionary social contract to grant us any kind of rights or freedom in any true sense of
either word. And so blackness has always been and will continue to be anarchistic within this
country and we cannot continue to rely on rights because rights can be so easily taken away
from us.
Yeah, absolutely.
And in your article, the anarchism of blackness, which you wrote with William C. Anderson,
you actually said this quote, you said, Black America can be understood as an extra state
entity because of black exclusion from the liberal social contract.
Due to this extra state location, blackness is in so many ways anarchistic, close quote.
I find that argument really fascinating.
Could you please maybe, he touched on it a little bit in your last answer, but could you
please elaborate on the notion of black America as a quote unquote extra state entity and
connect that up with anarchism?
Yeah.
So Charles Mills writes really incredibly in the racial contract, all of these different
ways that anti-blackness is codified within kind of the liberal social contract of all
of these Western democracies.
And so, you know, in the Declaration of Independence.
and in the Constitution, we see this beautiful language about egalitarianism.
And yet, within this understanding of rights and egalitarianism, there was no contradiction
with the fact that all of the people who were signatories to these documents were all slave
owners.
And so foundational to the United States is this, you know, this complementary and negative
relationship between blackness and indigenity.
It's the genocide of indigenous people and the expropriation of black labor.
And because of these, you know, indigenous people also can never be a part of the social contract because if the American Settler Project were to be successful, there should be no more indigenous people at this point.
Black people will never be a part of the social contract because in so many ways, race in the United States revolves around anti-blackness.
It is at the core of our, of mass incarceration of carceral systems, even in the way that we saw the state going after Antifa, they were using, they were using language around like people,
being thugs. They were using gang injunctions. They were using all of these anti-black structures
to squash the resistance organizing of people that we actually all assume are white. The entire
state apparatus revolves around anti-blackness. And I think in this way, there is no space within
that state apparatus for black people to have rights, right, for black people to be understood
as being humans and to have a place in the United States. And I think,
that it makes sense for our organizing to kind of start from understanding and negotiating community
from there as opposed to, you know, trying to build from the civil rights movement and the kind
of assimilatory politic of the civil rights movement and hoping that if we get all of these rights,
even within a fundamentally white supremacist framework, that those rights will be respected and never
be rolled back. But those rights can never be respected because America can never not be
anti-black. If that makes sense. Yeah, it makes total sense. And I think,
We're seeing that on a lot of different fronts right now.
Not only the election of Trump, not only literal Nazis marching with torches in the south,
but even Colin Kaepernick's peaceful protest where the confusion for most Americans, for white America,
is Kaepernick is protesting police brutality.
And he started that protest actually under the Obama administration.
But because he silently takes a knee during the anthem,
there's this confusion around what is he protesting.
and a lot of white America see protesting racism as synonymous with protesting America itself.
And it's almost this, this, you know, underhanded give on their part.
Like, they're telling us that's even how they think.
Totally.
It's revealing and it's really, it's incredibly interesting the ways that like liberals and conservatives, you know, tell on themselves.
Yep, exactly.
And you had that great line.
I think it was in that article where you said, you know, black folks are not citizens.
of America, we are residents in it, and it's always been that way. And in that, before we leave
that article, in that same article, you argue that the Democratic Party specifically has led
a black America down a dead end. How has the Democratic Party done this? And why, in your
opinion, does the Democratic Party still enjoy so much electoral support from the black community broadly?
I think that the Democratic Party, so I'm not very old. I'm about to turn 25. So my kind of
political landscape kind of begins at the Bush administration.
But I think that like the Bush administration, because there are so many things about his
politics that were so contemptible, it ushered in this really acute hyper-partisanism.
And because everything about George W. Bush and everything about neoconservatism and everything
about the Republican Party was so bad, the Democrats could have effect.
coast on just not being as bad as the Republicans.
And because the Republicans are so obviously bad and are so obviously racist and are so
obviously working in opposition to all of the interests of the black community, there's
no real doubt that black folks in mass will vote for the Democrats.
But they're enjoying all of this support without actually providing any kind of plan for
protecting the black community they're not providing any kind of at like redress to mass incarceration
and how it's destroying the black community they're not planning or discussing any kind of
means of keeping the black community black communities across america safe from like fucking
nazis that are like running around the country um they're not doing anything for like say her
name and all of you know looking at black women who are killed by police they're not actually delivering
anything for black communities and yet they're enjoying black communities as a massive voting
block. And I think no matter how embarrassingly unambitious they are in the run-up to 2018 or to the next
presidential election in 2020, I think they're going to continue to get the black community
support because I think if 2016 was bad, 2018 and 2020 are going to be even worse. And because
black folks generally are pretty pragmatic, we vote for harm reduction. But harm reduction doesn't
necessarily mean anything positive or anything kind of like actively not just reducing harm but like actively putting good into the world and actively revitalizing and reviving and investing in communities is going to come out of it and there's something incredibly I mean I would be disappointed if I didn't know how white supremacy worked but there's still something that's tremendously disappointing about seeing um black folks get taken for a ride despite being such kind of loyal constituents like election after election
after election. Yeah, and I think that's how ubiquitous and insidious white supremacy is in our
society. It lowers the bar so much on what the Democrats have to do. The Republican Party is such
an out-and-out white supremacist, vampiric party that the Democrats, for so much of their existence
merely have to point at them and say, hey, at least we're not them. So they don't have to do
anything constructive. And Hillary Clinton's campaign was basically premised on the fact that she wasn't
Trump and that's that's not necessarily inspiring for a lot of people but but for the black
community specifically it totally makes sense why when when you're faced with with a candidate
like Trump specifically and his neo-Nazi base while why you like why they would say anything is
better than fucking Trump anything and it just didn't she didn't even feel like she needed to
answer for her complicity in the whole super predator campaign that her husband was a part of
She didn't feel she had to answer for literally any of the grievances that she was party to
as in her various first lady capacities or as a senator.
And that's that kind of liberal arrogance.
Yep.
Exactly.
Yep.
So moving on a little bit, W.E.B. Du Bois coined a term called double consciousness
to illustrate the psychological experience of being born black in a racist, white supremacist society.
it's a deeply powerful and moving concept which like when I was first introduced it like overwhelmed
to me with like a lightning strike of understanding like it hit me and I kind of saw it for what it was
and I thought it was a very crucial concept for people to understand so so what is double
consciousness and how have you personally experienced it throughout your life so double consciousness
is a doozy um and it's basically the way in which you are trying to navigate through
white supremacy as a black person and as you because white supremacy is incredibly it's it's it's deep like
the conditioning is so deep the way that you come to understand yourself is so deep and so powerful and so
harmful so as you try to see the world for what it is you begin to internalize um all of these white
supremacist scripts that are imposed upon you um and these tropes that you're forced to fit into and you are
constantly seeing the world and also measuring and understanding yourself through that same
lens. My experience with this kind of double consciousness, I grew up in Missouri and I was trying
to understand what it meant my parents are from Zimbabwe, what it meant to be like Zimbabwe and to be
African and to be whatever, while also understanding and trying to learn the most effective way
of navigating white supremacy, the way that I perform blackness in a way that isn't so threatening,
the way that I carry myself
and have conversations with white people
to make myself seem the most
to seem safe
and attractive and respectable
and
it's some stuff that I have to do
in the academy. It's this respectability
politic that you, even as a
radical or whatever, sometimes find
yourself playing in order to be
safe in order to
enable your career to
be as successful as possible, you know, it's, and it's, and it's this thing that hopefully you
understand yourself for what you are, right? You understand yourself as something beyond this
construction of white supremacy, beyond a jesbel or beyond a angry black woman or whatever
other, you know, controlling image white supremacy makes for you and to try to understand
yourself as what you are, but it can be incredibly difficult because, you know, it wasn't
it wasn't until I was maybe in my late teens, early 20s that I started to have any
understanding of how white supremacy worked.
It's seductive, especially as like a middle class black person.
It's incredibly seductive.
Yeah, and I think, I think, you know, that's an example that doesn't get talked about
a lot of white privilege.
You know, that double consciousness or that having to constantly be aware of your surroundings
and how you're talking and how you're behaving because you don't want to play into certain
stereotypes that a white supremacist society has about you, you know, that's a burden that
white people don't have to carry. That's a burden that white people have never had to carry
and are totally unfamiliar with. And so I urge, you know, white folks to kind of think about that.
Think how hard it must be. You know, I interviewed Tanisha Hudson about, you know, white supremacy
in the South and the monuments and all of that. And her stories of sort of what she has to put up
with and also what it's like to be a mother of black children and the conversations that black
parents have to have with their kids that white parents like myself never have to have.
You know, it's heartbreaking, but it's also eye-opening in a lot of ways.
Growing up as a black girl in Missouri, of all places, do you have any moments that stick out
to you of, like, explicit or maybe more subtle forms of, of, like, racism that you had to deal
with, maybe in the classroom or whatever?
that's a big question I'm sure um there are a couple of things that stick out to me the most um
there were all of these really interesting ways that that teachers would respond to me challenging
their authority so while my parents were you know professional African folks they were both
PhDs um they were both incredibly anti-authoritarian in a really interesting way in as much as they
They really encouraged me to not put up with people's bullshit if I felt that it was unjust.
And for that, you know, there's a lot of things to say about the way that they raised me,
but that is something that I very deeply appreciated.
But that is something that white, a lot of white teachers are not prepared for from black students,
especially when it's a black student that can articulate themselves in a particular way,
is very confident in a way that they articulate themselves.
And so a lot of teachers would threaten very frequently to get me in trouble, even though I was a good student, whatever.
They just didn't like the fact that I was challenging me.
So, for example, when I was in seventh grade, I didn't want to say the Pledge of Allegiance because I was like, this is weird.
I don't, why are we a nation under God?
I don't think I believe in God.
I don't want to do this.
And my professor or my teacher was just, you know, he was incredibly rude.
Other students had said similarly, and he was like, whatever, I don't care.
But he was like, if you don't want to say the Pledge of Allegiance, you have to get a note from your parent and kind of.
of was scoffing about it and everyone was like laughing at me and I was like okay bet I came back the
next morning with a note from my mother um basically being like Zoe is trying to understand what it
means to be an American and to believe in God and so if you have any other questions you know
let me know give me a call and it was just all of these times that you know I would be a little bit
challenging but the ways in which they would try to discipline me for challenging would be completely
disproportionate to whatever infraction
I had actually done.
Yeah, I think
that's what stands out to me the most.
And also, you know, people telling me,
you know, that I was cool
because I wasn't really black.
You know, I didn't talk like a black person
and that I was actually white on the inside.
And for the longest time, speaking of double
consciousness, that's something that I took as a compliment.
And then I was like, hold on a second.
That's fucked up.
Yeah, for sure.
No, I'm a black person.
This is just the way that I talk.
Yeah, I had a, like one of our first episodes, we did an episode on hip hop and race, and one of the people we talked to, he's a black man, but he was adopted by white parents.
And there's this Earl sweatshirt line where he talks about being too white for the black kids and too black for the white kids.
And that's something that some, you know, black kids have to deal with based on whatever community live in or who their parents may be or whatever.
And that kind of reminded me of that.
In those times growing up in those conditions, what were some of your interests or hobbies or ways of escaping sort of what I assume would be kind of a stifling sense of otherness that you had to live through?
I read a lot. I read a lot of things. I think something that made me feel a little bit less alienated. In high school, I found the autobiography of Malcolm X, and I started to really unravel a lot of the things.
that my parents had told me as immigrants about the black American condition.
I just, I was bullied really badly, but I was also incredibly arrogant, so it didn't really
bother me to spend a lot of time by myself.
But I, you know, would watch a lot of movies.
My parents were super into academic stuff, so they would keep me busy with things.
Like, you know, I did my homework.
I played soccer.
I was on the debate team.
I kept myself busy.
I didn't really have friends because I think there was an interesting kind of racial alienation
where they would be friendly to me enough in school and I was an athlete so I kind of was
whatever but there was never this attempt to really get close to me or to invite me to stuff
and that was something that I had kind of gotten used to and really wasn't that upset about.
Yeah, so it was kind of like a retreat into your own.
intellect and building up your own interests in those conditions.
Yeah.
I can see that.
Yeah, that's interesting.
So moving on a little bit, one thing that is, you know, contested on the left or for,
I think it's kind of settled from principled leftists.
Like it's not really an issue that a lot of leftists that I know and respect still struggle
with because I think a lot of us have kind of, you know, worked it out to some extent.
but there's always this tension between focusing on race and class so like how are the higher
how are the class hierarchies of capitalism rooted in the racial hierarchies of white supremacy or
put another way more broadly maybe how does race and class interact in your opinion this is
something that really fucking frustrates me because it's really not that difficult in my opinion
to understand right um so you know sedrick robinson constructed this
concept of racial capitalism. Robin Kelly, in the tradition of Cedric Robinson, says over and over
and over again that class is actualized through racial identity. Poverty is racialized, right?
The ways in which black people have been excluded from economic opportunity historically
is something that constructs poverty and constructs class on a particular front. The ways in which
white supremacy necessarily needs a lot of white people to remain poor and to be laborers
for capitalist industrial systems is another component of poverty.
These groups of people interact in different ways, and there can be comparable levels of
poverty amongst black and white people, and yet there can still be white supremacist hierarchies
in the ways that a lot of poor white people sometimes understand poverty as being something that is something that they're willing to bear in order for black people to not get to, you know, to not have access to mobility or to still feel as though they are superior despite this poverty because they continue to be white.
And, you know, we see in the Southern strategy, you have Republicans who were trying to alienate poor white, poor and working class.
white folks from their own class interests in order to have an interest and an investment in
white supremacy and to make electoral decisions on those bases.
Like, if we look at the ways that, like, neighborhoods are drawn out, that cities are planned,
the ways that people are denied access to home loans, the ways that people are denied
access to good education because of the ways that educational facilities are attached to property
taxes and then neighborhoods are racially segregated.
If we look at all of these kind of like spatialities of like race and if we look at the way that like food is distributed, I just, I'm baffled.
I'm truly baffled that people don't understand this the simultaneity of racial oppression and class depression.
And I don't, and I think that people when we talk about capitalism and we talk about class, we're only talking about half of the story if we don't explicitly name it as racial capitalism.
because capitalism in the United States
is built upon the expropriation of black labor.
And there can be no capitalist America without that.
And so therefore, there can be, you know,
Patricia Hill Collins really beautifully uses, you know,
historical materialism to map out, like,
black classed existence in the United States
as emerging from this expropriation of black labor.
Although I have heard a lot of, like, Marxists say that
slave labor isn't
we don't necessarily
need to talk about slave labor because
the only labor that was
within the capitalist system that's worth mentioning
is like wage labor and I was just like
if what? Yeah those are trash
Marxists. I'm like you're really
bad at all of this.
Absolutely. Yeah and I think
the notion of
the American
capitalism being racialized
if we expand on that to
see that American capitalism
over the past century has been exported to the rest of the world, global capitalism is also
racialized. You know, the global south is preyed upon by, you know, Western white countries
for the most part. So because capitalism is so rooted in the genocide of Native Americans,
in the forced labor of African slaves, and then it's exported through imperialism, through the
bombing of Japan and dropping nukes on people and this constant, you know, bombing all over
the world to maintain its power, it's inherently racialized, and it never can not be.
If you want to get past racism, deconstructing capitalism won't do it by itself, but it's
the necessary first step.
I mean, and we talk about the Industrial Revolution, for example, and we talk about the really
important kind of economic evolution that was brought about by industrialization.
I think something that we kind of fail to do sometimes is to pick apart exactly what
industrialization like necessitates, right? Like you need, you have to have factories and you have to
have laborers and factories, right? Okay, so all the factories were in Britain or in it, for,
we're in Britain, right? So where do you get the raw materials that were necessary for
textile mills? You get them from the American slaveocracy. You get them from the American
South pumping cotton to, um, to the factories that were in England. You also have colonies all
over the world that were also putting, that were also exporting raw material to the factories. And so
you have all of this racialized labor all over the world that was necessary for industrialization
to happen. And then you also have the people in those countries who are transformed into
markets where their own domestic economies are being ruined so that they are forced to purchase
relatively cheap products from, or, you know, finished products from these markets in Europe. So it's just
like, historically this has been the relationship, not even just in the United States.
This is the relationship all through imperialism where all of Africa and Latin America and Asia
were turned into giant plantations for cotton and minerals and rubber and everything else.
And if we don't have an understanding of capitalism as being part of this global economic exploitation
that looks different in each of these, in these different settler colonial states and these
different imperial powers. Like, I don't, you actually have no understanding of how capitalism
functions if the only thing you think that's important is race, is, is class stratification.
Yeah, absolutely. Yeah, perfectly said. And I would also just add one more point, um,
about the carceral state that the Clintons helped, help create, you know, Bill Clinton in the
90s really gave this a big push, but it goes back much further than that. And, um,
politicians from all sides of the political spectrum, um, have contributed to it. But when you,
when you have a racialized carceral state and the 13th Amendment allows for slavery in the
case of people being in prison, you literally are still having slave labor extracted from,
you know, mostly black and brown folks to propel the capitalist machine. And so it's still
happening right now, you know. Absolutely. So moving on to, because I do want to talk about,
because you write, you write about so many topics. So it's like I was trying to fit all these
different topics into this episode. But moving on to like Trump and white liberalism,
in your article, Donald Trump and the quote unquote good white people, which I highly recommend,
you take on white liberals and you lay out how they benefit from and perpetuate white supremacy.
Can you please kind of summarize that argument for our listeners and maybe touch on the
concept of epistemologies of ignorance? Yeah. So I don't think that when it comes to talking about
white liberals, anybody, too many people have said it better than Dr. King when he, in the letters
from the Birmingham jail talks about how, you know, the biggest stumbling block for, for Negro
liberation is the white progressive that favors order over justice. And there's this way in which,
you know, all white people are socialized into being invested in white supremacy in a particular
way. We obviously have comrades on the left who are taking it upon themselves to do all of
this, you know, really thorough anti-racist work and do what they can to kind of destroy white
supremacy in their capacities. And we also have folks who, for all intents and purposes,
are anti-racist, quote-unquote, and yet, you know, they say, well, you know, if you wouldn't
be alienating in the particular way that you disrupt Bernie Sanders or disrupt Nancy Pelosi
as a bunch of really amazing undocumented activists did recently.
you would have much more success if you didn't alienate your allies and if you didn't do XYZ
and ultimately as much as they claim to be against racism they're still invested in this racial order
because they are invested in public safety quote unquote which necessarily entails an anti-black
anti-everyone who is non-white status quo and so in attempting to kind of
do this milk toast hashtag resistance, they're still propping up white supremacy through
dictating two people of color exactly what they understand to be the most effective means
of negotiating and fighting against white supremacy.
Steve Biko also writes about this really amazingly, and I Write What I Like, and he has a chapter
that's called White Skin, Black Mask, or something like that, when he also talks about
liberals kind of defining for black people
what they perceive to be the most effective means
of us attaining our liberation
basically so that it's not any inconvenience to them
so that it doesn't throw their sense of safety
and existence in the world
into any kind of tailspin
so they don't actually disrupt
so white supremacy isn't actually disrupted
and it's incredibly sneaky
and insidious because
they come at you with some really nice
you know let's have a panel
let's have a discussion let's have a dialogue
let's have all sides represented
and then they do some shit like put richard spencer on the panel
and then put some like black activist on the panel
and try to
and try to make equivalent
a politic that presents an existential threat to black people
with black people being like hey can police stop killing us
and say that they've done a good thing
because they've made a dialogue for everyone
so all sides are represented
And so everything can be fairly and reasonably and rationally evaluated in this kind of public market of social discourse.
And it's incredibly dangerous.
Yeah, I think there's this liberal obsession with dialogue because it ultimately, it gets nothing done most of the time,
but it makes liberals feel very good about themselves as if they did something.
And then putting a black activist up against a scumbag like Richard Spencer and be like,
go ahead and debate whether you should be forcedly removed from this society violently.
by white supremacist you know it's like
this the very notion that this is even
in debate is offensive
and there's something so deeply humiliating about
begging for your existence
of begging
to be seen as a human
begging to be seen as someone who doesn't
deserve to be murdered
and this kind of you know
you asked about the epistemology of ignorance
so epistemology is
you know the study of knowledge and
knowledge production and the interesting thing about the
epistemology of ignorance I got this also
from Charles Mills, who's just absolutely spectacular, he talks about ignorance, and the
epistemologies of ignorance as being not only that which you do not know, but also that which
you refuse to know. And so there's something about white liberalism that entails a refusal,
a refusal to understand a world beyond the kind of, the comfort of a status quo being what
it is, the comfort of reform as this superficial change that kind of placates you enough to just
kind of, oh, sit back down, that a refusal to understand that white supremacy exists
far beyond Donald Trump, and that simply organizing in resistance to all of the weird
and fucked up things that Donald Trump decides to do is not even close to being adequate.
And so it's this, it's this refusal to engage with the world beyond kind of these, like,
these kind of like simple
fucking
just lazy as hell
engagements with people
and with people's fears
and with people's freedoms
and rights and safeties
you know it's kind of how I understand it
in a lot of different
absolutely and I think when push comes to shove
for white liberals their comfort trumps
the liberation of black people
the liberation of oppressed people
ultimately when they're forced to choose
it's really it's really telling what side they
will take and it often is the side of their own comfort over anything else and i think that's what
martin luther king was was was pointing explicitly at in in letter from a birmingham jail um i really
and that's the dr king that they refuse that they refuse to acknowledge exist absolutely they just keep
talking about he was peaceful he wouldn't disrupt i was like he got arrested like 27 times for like
non-violent civil disobedience he was a gun owner he was organizing around poverty and housing and
jobs and all of this like really socialistic stuff like he was really constantly indicting
white liberalism for it's just utter refusal to to embrace the cause of black liberation
but you just want to talk about him having a dream whatever exactly yeah he was his anti-capitalism
has never mentioned um his attempts to to address poverty and his quotes about you you can't
address racial inequality without addressing the capitalist system that holds and all that stuff is
whitewashed away and he just becomes like this, you know, purified Gandhi figure who's just all
about peaceful resisting by no matter what, just peace all the time. And that's that's the liberal
comfort, you know, notion of MLK. I really urge my listeners to go read that article, Donald Trump
and the good white people, as well as the anarchism of blackness. I'm going to say that
throughout this interview because I really want people to go check out your work. But moving on
to the next question, and I know you touched on it a little bit in the last answer, but as a woman of
color and a revolutionary what what does trump represent for you like what does his election say
about a society that in large part tries to convince itself that it's making good progress with
regards to race so something about trump's election um after trump got election elected um my mom
really was kind of freaking out and i thought that she was just being weird and paranoid and
whatever and i was having more conversations with her about it and she was like you know there's
something that's incredibly scary to me about Donald Trump.
My mom was born in a British colony, so she was born in Zimbabwe, when Zimbabwe was still
Rhodesia, and it was still administered by the British, and then later on it was an
independent kind of colonial fucking settler mess.
But she was like, you know, Donald Trump reminds me of Ian Smith, who was the president,
sorry, the prime minister of Rhodesia.
And she was like, and I didn't, I came to America thinking that this would be a different space from what I grew up in.
And it came to America thinking and hoping that it would just be completely different, that I would have an opportunity to have maybe children and to have a life that was completely separate from what I experienced.
And after Trump got elected, I was just so angry and devastated that I have to go through this again.
And I was just like, wow, that's heavy.
And so for me, Donald Trump's election kind of represents, you know,
the internationalism of settler colonialism, of these, the settler international that's
the United States and Canada and Australia and South Africa and Zimbabwe, or at least formerly
South African Zimbabwe, but it represents, on one hand, this kind of like intergenerational
resistance to white supremacist violence that my family in Zimbabwe has had experienced from
when the British arrived in the 19th century and the Portuguese were there beforehand.
It feels like America ripping off the veil of progress that followed President Obama's
election. And it also demonstrated to me that America was not ready for a black president.
Because if the response to a black president in this kind of arc of progress moving forward in some whatever capacity, if the response to that was like the Tea Party in 2009 and then a man who's mobilizing neo-Nazis in 2016, like what kind of delusions of progress do we actually have?
Like, what does, and it's kind of like throwing into question, like, what does progress actually mean?
Like, what are the blinders that we're putting on to put ourselves under the impression that America is getting better?
I mean, yes, we don't have, what we do have slavery, we don't have this kind of wide, extra prison chattel slavery apparatus anymore, but like, we have people who are being threatened by Nazis.
We have swastikas that are being drawn on synagogues
during Jewish high holidays recently.
We have fucking tiki torch rallies.
It may as well be fucking burning crosses
in the Carolina.
It's like, what, for me, it should be this, like, glaring,
I told you so, right?
Like, we've been saying this shit for hundreds of years.
Like, we fucking told you that this is what's going on.
And people, instead of being like, oh, shit, okay,
y'all were right, we're hell of sorry, we didn't listen, like, let's get serious about this,
are like, hmm, maybe it's not a good idea to punch a person who, whose website hosted a full-length
argument about the merits of black genocide, Richard Spencer.
Like, maybe we should be reasonable.
Maybe Antifa and anarchists are being a little bit unreasonable in, like, running up on proud boys.
Like, maybe we should just be a little bit, like, decent and, like,
mild-mannered and like easy about this and just have a big conversation like instead of everyone being like oh shit like we've seen all of these things happen before because the thing about neo-nazis is that like they don't just have opinions neo-nazism and white nationalism are all material politics and I say this all the fucking time because a lot of people don't seem to get it like the thing about white supremacy is there are these moments in history of like of mass violence and and an apartheid and segregated.
and Jim Crow and mass extermination of people that a lot of people, like, want to go back to.
And historians of genocide and everybody, like, they have made, they've written books that are
basically playbooks about how to get there, playbooks about how all of these conditions were brought
into being. And it's so much easier to return to a particular point in time than it is to, to,
to actualize a thing that we don't even know yet and are trying to put on small kind of
in our communities, like, into practice on a wide scale.
What we're doing is, like, world-building, and that shit's hard.
And what they want to do is bring back all of these horrible things that they've already done.
And we, maybe outside of the left, don't really have an answer for any of that.
And yet, you know, all of these little pieces that are making clear all of the things that, like,
leftists and folks of color have been.
And saying, like, that BuzzFeed expose about how Breitbart was, quote, unquote, creeping into public discourse,
instead of being like, oh, shit, that's true.
You had that news in whatever Carolina calling the Tiki Torch Rally Part 2, quote-to-quote white activists.
Right, right.
You have white activists, and then you have people legitimizing the idea of black identity extremists.
I saw that, yeah.
We're in this moment of incredible urgency.
and there's just this utter lack of urgency
that's really beyond being
infuriating in this kind of political sense
and the idea of in the sense of my own safety
of the safety of so many people I love
and the safety of so many people I don't know
but still want to keep safe.
There's something so terrifying
about the fact that if shit were to really hit the fan
would people really come out and protect us?
I don't think so.
And that kind of
Resignation, I don't know, is really
Is really frightening
And so I think that's kind of where I am
It's this kind of just shock and disgust
And like this this vulnerability
Of almost feeling like a sitting duck sometimes
And just being like well this
We're going to try to do what we can
But what the fuck's going to happen
Yeah
And you know I'll say it again
I say it all the time but you know
White supremacy these neo-Nazis these torch
bearing alt-right proud boys or whatever you want to call them they are not to be debated they are to be
crushed because that threat to the most marginalized and vulnerable people in our society is implicitly
violent when they are marching down our streets that is a that is a threat that is a physical explicit
threat to the to the people in this society who have the least amount of power and can't defend
against it so they must be crushed but it leads to this next question um which i framed as
what would you like to see non-black comrades do to help in the
struggle for black liberation, but maybe in the process of answering that broader question,
you can touch on what you think white leftists' responsibility is to engage in Antifa or
these sorts of movements that militantly confront these fucking Nazis.
What are your thoughts on those two questions?
I think that's something that's incredibly important is to really not just kind of make a space
to talk about anti-blackness, to talk about indigenous genocide, to talk about all of these
different racisms that happen, but to have all of these racial violences, like, for your entire
anti-capitalist framework to revolve around racial violence, for anti-blackness and settler colonial
genocide to be at the center, because the entire American apparatus, like, revolves around
those two things. All of this, you know, Islamophobia, it's about these, it's, it's, it's
the way that we see Islamophobia in this post-9-11 moment and the way that Muslim communities are being securitized, like, has evolved structurally out of these different ways that, like, black communities have been monitored and securitized by the state, that all of these different expressions of racialized violence, like, come from this, like, these kind of anti-black logics that are expanded to different racial identities, to kind of have anti-blackness in the core.
core of everything that is understood as being of violence to non-white communities.
So for non-black folks of color, that means understanding how you are also complicit and deeply
invested in anti-blackness, and it's not just the domain of white leftists.
And then I guess white folks, like, it means understanding that your mission is basically
understanding that it is an impossibility for white people to ever not be racist, right?
Right, that's just the nature of white supremacy.
But to understand that, like, you have, the quorum of white folks has agreed in some capacity that white supremacy is a cool thing.
And I think the responsibility that you have is to understand how you are situated and implicated in that system, the ways in which you benefit from white supremacy, the ways in which you perpetuate white supremacy in the everyday and to kind of, not kind of, and to be explicit.
and dramatic and deliberate about divesting from white supremacy in whatever ways makes sense
in the way that you navigate and move through the world.
And would you say that includes your influence in your personal sphere as a white person?
So, you know, calling out maybe friends or family members that make that racist joke or say that thing
and does it escalate all the way up into like white leftist having a responsibility
to be on the front lines of some of this more militant war?
precisely because our white privilege, you know, kind of, kind of shields us from some of the
worst that the state or that the far right does. And there's a responsibility there for,
for white leftists to kind of commit to that work if they're able to. How do you think about
that question? Absolutely. I think that this anti-racist work goes all the way from telling
your, like, fucking uncle to shut the fuck up at Thanksgiving to, you know, to organizing around,
And, you know, to cop watching, right, to de-arresting folks, to, you know, monitoring, you know, ICE has been stepping up their game really dramatically across the country, to supporting people who may be in the process of being deported.
And to, yeah, and it goes from the, and the thing about it is that it's going to be alienating.
And if you are dedicated to anti-racist work,
you have to be comfortable with the fact
that it is going to be alienating
and has to be alienating sometimes.
The thing about John Brown is that everybody thought he was crazy.
Everybody thought Manns was nuts.
And he kind of didn't help by talking about
hearing all of these voices from God and whatever.
But I think that that's really emblematic
of the fact that a lot of people, a lot of white folks,
a lot of good white folks, quote unquote,
are really comfortable with, you know, making these Facebook statuses that talk about
how hashtag Black Lives Matter, but not feeling as though they need to connect this kind of
what is kind of turned into this like empty maxim from a lot of people into a kind of more
tangible material politic.
Yeah.
Yeah, perfectly said.
And that notion of alienation being a gauge, like, you know, if you're a white leftist
and you're pissing off white liberals or your white uncle that's a racist
or some of your friends from high school have blocked you on Facebook.
I mean, it's kind of a gauge of like you're doing the right thing
because there's no way to engage in this sort of activity as a white person
and not alienate other white people because white people are so fucking invested
in white supremacy intuitively that it's going to just fucking piss them off
when you come out unapologetically, you know,
and stand for Black Liberation.
Absolutely.
Yeah.
So we're coming up on about 50 minutes here.
I have two more questions.
We're going to shift a little bit more to other articles you've written.
I could talk to you for days.
So we're going to move into your article on Beasts of No Nation and Hegemonic Black masculinity.
In that article, you talk about the film on Beasts of No Nation as, quote, yet another example of
Hollywood's gleeful consumption
of African disaster porn
the blood the blood mineral
replete eternally poor
authoritarian leader abundant
continent that also happens to be a
single perpetually flowing stream
of blood well first of all that's just an
amazing fucking sentence
but um
for the question what ideological
role does this popular trope
play in the maintenance of white supremacy
and of global imperialist capitalism
the the trope of
of, you know, African disaster porn and whatnot.
Yeah, I think that the idea of Africa as being this dark continent, it justifies the
ongoing colonialism and colonial exploits on the continent.
So Africa, as a continent, existing in the state of disorder, it justifies AFROM missions.
It justifies the expansion of military operations on the continent, both with the
leaders of nation states and kind of in the vein of quote unquote global security in this global
war on terror um and part of you know with with being mineral replete you have countries like
the democratic republic of Congo that is kept actually in the state of a particular kind of chaos
so that um countries can continue to mine the shit out of it and continue to have access to all to
cobalt and tungsten and tantalum and all of these different minerals that we need for our electronic
products.
Africa, as this chaotic state of existence, continues to justify the World Bank and the IMF sending
in financial experts to help countries continue to implement economic liberalization policies
in order to keep countries in debt and dependent on international financial institutions,
like when everybody was going through structural adjustment in the 80s and everybody's economies got destroyed because the very first things that get cut are like health and education um and beast of no nation was it was it was visually arrested like it was a beautiful movie to watch but it was so like idris elba's role in it was so disturbing to me because i couldn't tell if if i if his acting was so good
or if he was just tightcast in a particular way
as this like smooth talking commandant of this cadre of child soldiers.
And I was just like, I'm not one of those people
that in the name of respectability politics
thinks that we should just never talk about any of the bad things
that black and brown folks like get up to.
Like I think it's important to talk about poverty and conflict and violence.
But what does it mean to have this kind of single-minded obsession
with war and criminality in these people?
particular ways with you know fucking blood diamond and all of these just all of these tropes
and context that at the end of the day your takeaway is like wow this place is a mess and it
doesn't give you any kind of context for how it's such a mess exactly um so yeah yeah and i think
that's an extremely important point and i think everybody you know i like i like films a lot too
i'm a big movie guy but it's super important to to remember that that films play an ideological role
the directors and the writers that give rise to films come out of a certain cultural condition.
And that cultural condition, in this case, white supremacy perhaps, is reflected in the films that they make intuitively without even them trying to slip them in necessarily.
Before we move on to the next question, what are some other popular tropes of black women and black men that you often see in film that you think people should be conscious of and be on the lookout for?
Does any come to mind right away?
um so you've got the like um the like the sidekick you're the the native sidekick you have a white man who's going to do some dangerous whatever thing and he has some native guy who is helping him to navigate the social political economic landscape um you've got the warlords you've got um maybe you've got like a woman who's kind of interesting and how to
a little bit of depth that becomes some kind of clandestine love interest.
You had that in The Last King of Scotland, which is a film about Idi Amin.
You have, you also have black poverty as being this modality for white moralization,
where you have a white person seeing this condition of poverty and hunger and pain and anguish
that ends up teaching him some lesson about himself
that he takes back to like whatever country he came from.
And he doesn't really do anything to like help and support the people that he saw.
He's just like, I saw these people and they were so happy with so little
and I've learned so much about myself.
That's something that I hear a lot about like white folks who go on like mission trips and stuff
and they take all these pictures with children.
I think those are some of the ones that come to mind first.
I think you also mentioned earlier the angry black woman trope pops up a lot.
You see that in a lot of films.
But then I also this, and I kind of want to go into this next question about how you talked about the sexuality of black men.
So in that same article, you know, on Beast of No Nation and Hegemonic Black masculinity, you discuss the white gays and the connections between white supremacy, sexualized racism, and the history of,
of the patriarchal domination of women.
Can you elaborate on those connections for us,
explain what the white gaze is
and how it operates in our culture?
So something that was really alarming to me
about the movie,
and I think maybe this was something
that they were trying to do intentionally,
but I was just so wrapped up
in my own frustrated feelings
that I just couldn't appreciate it,
was that Adjus Elba played, you know,
the commandant, the commander of this child soldier army,
and he was still incredibly sex.
and virile, even though he was kind of, he was sexually abusing some of these boys.
And there's something really important about the image of this hypersexual, hyperviolent
black man in that I personally believe that white supremacy revolves around white womanhood.
White supremacy revolves around ensuring that white, that cis white women are able to make
more white children and ensure the safety and that.
the propagation of the white race, right? You know, the 14 words. And so by continually
reinforcing this idea of, of terrifyingly aggressive, both sexually and violently black men,
you have all of these justifications for mass incarceration and carcerality. You have these
justifications for, you know, this was the justification for the anti-cannabis laws in the
19th century or 20th century, early 20th century, where they were talking about,
about how cannabis will make black men terrifying and rape white women.
And obviously, you know,
nothing is more sacred to white supremacy than white womanhood.
And there's never any consideration of like the particular danger
that like black men might pose to black women through gendered violence.
It's always this way that non-white masculinity is presented as a threat
to the safety of white people, particularly white women.
And I think that, you know, I even heard a lot of white women talking about how sexy they found Idris Elba.
And I was just like, nah, like, you shouldn't be that okay talking about this man being sexy because he's sexually abusing these children.
Like, and then also the hyperaggressive black men, the scary violent dingo black man is one of the few things that poses a threat to unseating white masculine white male dominers.
And so in order to preserve white male.
on because black
because black men are not just like
strong they're like
monstrous they're
larger than human and stronger
than human super predators
there are these super people that
will just wreak havoc in these ways
that are just completely unprecedented
and unfathomable
to us and so they particularly have
to be put down in these different ways and so
you know these these tropes
of like super scary black men
are incredibly important
they're incredible they're harmful as hell and unfortunately yeah and I think we saw that with
Mike Brown and Trayvon Martin the way they were described in the media as as you know they're
teenagers they're they're young guys but they're portrayed as these huge large beasts and that
that hits something intuitive in white America's gut and that goes that goes way way way way back
all the way to slavery but it's still you know operating today and and your notion of the
connection between white women's reproductive nature and racism. When you look at a lot of
these white supremacist posters that you see around, from Identity Europa and other neo-Nazi
organizations, it's always like a picture of a white family. And that's no mistake because
that sort of white fear and that racialized sexism is present in all of that. And one thing
we should always remember is the story of Emmett Till. I don't know the exact
the exact time frame but he was a I think he was 13 and he whistled at a white woman and he was
executed a little child you know and so that that just kind of highlights that history
I don't know it's it's horrible absolutely absolutely and and I think that there's something
that's really important about the role that white women play um in white supremacy and I've
written about this previously about you know people were talking about you know white women didn't
vote for Hillary Clinton and you know the majority of voting white women voted for
Donald Trump and I was talking about how you know as a person who feels as though like
black feminism and intersectionality are incredibly important right you cannot force me to
distinguish my blackness from my womanhood because these two things are co-constructed
there's a way in which white women often do prioritize their whiteness over their
womanhood because they do understand that they will reap a greater number or greater
amount of benefit from their proximity to whiteness and from their benefit from
whiteness than their womanhood. And so I, you know, I kind of argued that white women
voted for Donald Trump because he could make white womanhood great again in a way that
Hillary Clinton within whiteness did not have the power to do. And so I think it's
incredibly important that even though white women are subject to misogyny and, you know,
patriarchal violences in all of these different ways and in different spaces, they are still deeply invested in whiteness.
And they do have, conditionally, a lot of power in that. They do have the power to get black men killed, as we see with Emmett, as we saw with Emmett Till. And as we've seen throughout history, as we see, you know, today.
You had Lena Dunham complaining about O'Dell Beck, Becca, O'Dell Beckman, the football player.
Yep, yep, yep, yep.
And the way he refused to engage her in this way, in this particular kind of entitlement that she felt she had to his attention and to his time and to his energy as a white woman.
And you have this trope of virtuous white womanhood and the ways in which white women do self-victimized.
when confronted by non-white womanhood
or by non-white manhood
and they retreat into white supremacy.
And I think that that's an incredibly important dynamic
that I don't think that we discuss enough
when we're talking about white supremacy
and we're deconstructing all of these different dynamics
within white supremacy and talking about how we can fight against it.
Yeah, absolutely.
And before we wrap up,
I would like to officially invite you back on this show
in order to have an entire discussion about queer theory, about feminism, about the intersections
of race and sexual orientation and gender identity, because that deserves its own show.
And you write a lot about it and you think a lot about it.
So would you ever be interested in coming back on to have a whole episode about those topics?
Yeah, let's do it.
I'd love to.
That would be great.
Yeah.
So thank you so much for coming on.
But before we end, can you please let listeners know where they can find your work and maybe
give a couple of recommendations outside of your work?
for anyone who wants to learn more
about anything we've discussed tonight?
Okay, you can find me on Twitter.
My handle is Z-T-S-A-M-U-D-Z-I
in terms of recommendations?
Oof.
What am I reading?
I'm reading Mark Bray's Antifa,
which I love.
Yeah, absolutely.
We had Mark Bray on the podcast, yeah.
He's fantastic.
I'm reading
Oh God
Imagine Communities
which is also really good
It's about nationalism
Um
No Mercy Here by Sarah Haley
Is a really great book
Around Black Womanhood
And
The Labor of Black Womanhood
In the construction of the Jim Crow
South
And kind of in the United States
Um
yeah yeah that's a good start and we'll link to your to your Twitter too so people can follow you
and then I would also toss out a couple recommendations a Netflix documentary just came out I think
it's new but it's called the death and life of Marsha P. Johnson oh no no okay so what happened
was Raina Gossett who's this incredible uh woman she she did a project um happy birthday
Marcia and basically the Netflix documentary guy took a lot of the work that she did and kind of
like ran with it in his own project. Oh shit really really. Yeah so as I was excited as I was going
to be about that when I heard her describing what had happened and all of that I was like I actually
can't watch it. Oh okay well okay that's that's good warning but I think people should study if not
the documentary study about Marsha P. Johnson because she was a fucking hero. Yes yes. Um
Heroes that they've been treated horribly in the way that their lives ended is just so fucking tragic,
and they did so much for the liberation of the LGBTQ community,
and not enough people know about them.
And then you mentioned earlier a letter from a Birmingham jail by MLK.
It's just a central reading for anyone,
because so much of what he was criticizing white liberals at that time is still so relevant to what we're going through today.
But yeah, so thank you so much for coming on.
I think you're absolutely brilliant.
I'm going to continue to read your articles.
I can't.
We'll talk outside of this
and we'll get another episode planned
because, you know, you deserve the platform.
People should just listen to you talk
and read what you have to say.
It's so brilliant.
So thank you so much.
I'm honored to have you on the show
and I really appreciate you coming on
and talking to us.
Thank you so much for the invite.
This is a great conversation.
Thank you so much for the end up to happen this one.
you know zi-chong-kirn,
wotty join genjongos
who kupummen d'alee
wakee capalotum
eyo'samubo me mazween
d'enem d'am
Wachunosil,
jimin'u-mila,
yimin'i l'nqa
t'nika
Wafiqunee,
t'anek,
t'nick,
t'n't'n't'n't
Lunga, no mssebenz, I'vefumann, so kinsabas isotan,
liambi tuba, ee, s'ethe ye yucca,
a kangelan, no msebenzi, no balelpituba.
Batae, badee, b'ancte, so fielanguella,
ma'am chelangupe lae, binae, ma'am chelanguella,
i'lli's t'lis pachin o'u'llis pachin o'u'llis p'amani.
Aphi kani, ma'uuha ha'amani, bita hamani.
Remember you, ma'amala, ma'amala.
I think I boys
We struggle and we hustle for what seems like an eternity
In and out of trouble with no hope of certainty
You know this niggas on the block with no alternative
When the cash flow stops the results of murder but I've had the good fortune
The skills and the privilege to only dabble in the trap and not be killed for living it
If I make a legal wage then what's the difference at the end of the day?
I know death is imminent
In discriminant homicide or war on your melanin and internalize
hate that diminishes intelligence
The media embellishes the most
negative element
Commodified genocide
Everybody selling it
My job is to provide
A message that is relevant
stability
For my family dwelling in
The spot where I reside
Though I know no one can hide
Faking destiny collide
In my heart and in my mind
Africa
Sando
Uruha ha Kuhna Kina
Vita ha Kna mani
Remember you were Mamalani
Mama Land, Africa,
Africa, Sun,
Guru ha ha,
there's a newbani,
Vita, ha,
there's haman
Remember you of Mama Land
Africa Boys, Africa Girls
Feelea
Feelea
Looka,
Mamboya
with t-shirt
Saidi Angoma
Mjah,
Morgio,
Mili Poooo Kila
Pita Vadini
Meshika Kasa
Street,
Bona,
Nottuanda,
Uruundi,
family and
mia, and fokone unhundi,
Ikechukh Kwa'i,
you're c'cuhabot,
you know thergakati,
you take ushagi torati
viyongos you're naqa
k'i'i-i-i-i-i-i-gulah
j'i.
In m'u'am
miiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
Let us chunanen gozzi,
Ubaguzzi,
Warrangy, you wish,
to me mtumousy,
A.K.A. Yanni,
Gorilla, me wakusy.
Africa is sand,
do man al-a-lis
a mtongua,
Africa is a little nian,
Alytankuha,
there's a yumbani,
Bita, there,
ma'amani.
Remember you,
Mama-Lan,
America, Boz,
yeah,
Africa,
Africa,
son.
Why you,
is Bibi, amani of this, Raman, is Sisi.
And shangka, you know, tupundani,
t'noliza, uh,
Nata-angani, and yon a bingu,
and catatamaka,
Mualifu'll leo,
pingu, and mouwakus,
cumbah mungu,
to yonah,
wingu, ithshemvua,
t'n wivu,
ah,
t'n't ta-a-cuh,
cah gizah,
we'll wazap,
we can't,
ta'a,
another, and again,
and back,
Saka Fura,
Mishosciku what
is of Africa
San.