Right About Now - Legendary Business Advice - Kim Davis.- Editorial Director at Martech
Episode Date: July 13, 2021Welcome to this week's episode on The Radcast! Get ready for Editor, Writer, Speaker, and current Editorial Director of MarTech, Kim Davis. In this episode on The Radcast, host Ryan Alford talks with... guest Kim Davis about his editorial journey, stories that are still hitting his radar and can’t be ignored. They also dissect the distinction between performance marketing and brand building... This is an amazing episode as Kim opens up about changes he has seen the most from the last 10 years in the advertising and marketing world, the huge impact it has made while also sharing great insights for exactly how to go about this. Kim also had a quick take on RAD or FAD keyword trending topics:Clubhouse and/or “Social Audio”TikTok for the Main StreamSocial CommerceCancel CultureInternal Brand Ad Agency’sTo learn more about Kim Davis, follow him on LinkedIn, or visit https://martech.org/If you enjoyed this episode of The Radcast, let us know by visiting our website www.theradcast.com or leave us a review on Apple Podcast. Be sure to keep up with all that's radical from @ryanalford @radical_results @the.rad.cast If you enjoyed this episode and want to learn more, join Ryan’s newsletter https://ryanalford.com/newsletter/ to get Ferrari level advice daily for FREE. Learn how to build a 7 figure business from your personal brand by signing up for a FREE introduction to personal branding https://ryanalford.com/personalbranding. Learn more by visiting our website at www.ryanisright.comSubscribe to our YouTube channel www.youtube.com/@RightAboutNowwithRyanAlford. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Transcript
Discussion (0)
The only thing I can't stand, though, is everyone's offended by everything.
I just don't want comedy to die.
I feel like comedy is dying, you know, because of cancel culture.
If you try and run the same campaign across every kind of channel these days, it's not going to work.
If it has swung in that direction, then that's a big mistake, and that's certainly something we've learned over the last 15, 16 months.
Brand is absolutely essential, and by brand, I just don't mean a nice logo with the right colors.
Brand values, brand reputation, what the brand stands for.
Because, as I said, you're addressing specific audiences and you better be able to know who you're addressing.
You're listening to the Radcast.
If it's radical, we cover it.
Here's your host, Ryan Alford.
Hey guys, what's up?
It's Ryan Alford.
Welcome to another edition of the Radcast.
It's the post-July 4th holiday for us here.
and I am both a little sunburned and maybe a little tired for my own vacation, Kim.
But Kim Davis, editorial director of Mar Tech.
Thanks for coming on, Kim.
Great to be with you, Ryan.
We didn't get too much sun up in the Northeast, but I hope you had a good break.
We did, we did.
Took the family down to the lake.
We got a lake, lots of beautiful lakes and parks in the South Carolina area.
So we did get down.
But, you know, Kim, I want to get right into it.
you know, let's talk a little bit.
Maybe we'll just start before we get into your background about what you do.
I mean, the editorial director, I think people know that you write and edit, you know, stories
as it relates to marketing, that's the bread and butter.
But maybe talk a little bit about, you know, that, you know, your current, you know, position in
MARTEC, maybe.
Yeah, absolutely.
So I am the, as you said, editorial director of Marech.
I commissioned stories from contributors.
I have a staff currently of one.
We may be expanding that shortly, so we produce content internally.
We have a daily newsletter, which has a good circulation.
We also do some webinars.
And last summer, in fact, we did a very nice series of video interviews,
and we're thinking of kicking that off again.
So social media, the usual mix of content these days,
it's not just a website, but it's kind of spreading the brand everywhere.
I love it.
So marketing, is Martec is short for marketing technology.
Is that true or is it, is that Marcom technology?
You know, like, just.
Well, let me put, let me put a nuance on that, if I may.
And MarTech, of course, in everyday parlance, is short for marketing technology.
What we are thinking of when we use the name Martech is the combination of technology
and the strategies which it reflects and implies.
Because I think if you put marketing technology at the heart of your marketing,
which I think most people should be doing, then that does affect your entire strategy and approach.
That's a key distinction. I'm glad you did that. And Martec's been on my radar. I mean, I came up,
I've been traditional side of things, the first 10 years of my career, and then the last 10 have been in digital.
It's more just following the trends and the realities of where the eyeballs and where everyone is.
but MARTEC has always been kind of one of those pillar content places for me and somewhere
I think of either by all of your great SEO in the mouth, but then once I get there, I've
always kind of been trusted source for where, you know, as an agency owner now and as someone
that's been in the business, someone I think that really admires the work that you guys
have done.
You know, and I want to come back to marketing, you know, we keep everything kind of centered
in that space, you know, being the threat.
of everything. But I do want to give, you know, our listeners, Kim, you know, some of your
editorial background and, you know, a little bit more about your, you know, achievements and
journey and all that stuff. So let's talk a little about that. Okay. I'm going to as much
a little detail as you wish. It certainly hasn't been a straightforward trajectory. I actually got
my first journalism job straight out of high school as a teenager working as a music journalist.
back in the days when music journalism was printed on inky paper, pre-digital, of course.
And then I went to college, and at the opposite end of the spectrum, I co-founded a philosophy journal.
Then it was a whole bunch of different things. I'll bring us up to date.
I arrived in the States 25 years ago. I've been a New Yorker for 25 years.
And the first journalism job I had there was working on a joint project between the New York
Times and New York University, which was hyper-local journalism, where I got to help run a newsromo of
excited journalism students, and that was a lot of fun. And then to cut a long story short, it was
really by chance. I was looking around for something a little more permanent, and I thought
tech journalism. Why? You know nothing about technology. You can scarcely change a light bulb,
but I filled out an application form, and they interviewed me, I liked the people, and I became a
cybersecurity editor. I had to read like six books on cybersecurity before my first day on the job.
And then I gradually moved through other kinds of enterprise software, including marketing technology,
ended up on a little website called The Hub, which was exclusively MarTech. And then that got subsumed
into what was then direct marketing news. That got rebranded as DMN. I became editor or director
of DMN. DMN closed down last year and after a short pandemic influenced pause, I was very happy
to join Marek as editorial director. I love it. They're not sure as best I can do.
Well, how would you categorize so many different, as you said, kind of a winding journey,
your editorial journey and all of that. Do you have a style or an approach like that weaves through
all of that or has it been as evolving and as changing as the categories themselves?
I think I probably do.
Obviously there are going to be differences, depending on your audience,
but I do like to tell stories.
In a sense, embed myself in the story.
I'm not quite talking gonzo journalism,
but to actually bring the audience there,
I was here, I saw this, I spoke to these people,
which is kind of traditional journalism.
I do like to try and carry the audience on a journey,
not just through the one story,
but from week to week as they see how the story's into weave
and how one links to the other.
I mean, call out any highlights to call out, you know, like whether it was before, we'll come back to marketing here eventually.
But, you know, throughout that, I mean, I think there's got to be maybe be a few bright spots or a few, or even low spots, you know, like as people, I'm sure the, we do have a lot of editors and writers out there that listen to the podcast.
I'm sure any words of inspiration or highlights from those journeys.
Well, I got some highlights from back in my music journalism career where I met people like Debbie Harry from Blondie.
But, yeah, in terms of writing, more recent stuff, I did a piece a few months ago on the data challenge which companies are facing.
And that could be a very dry kind of piece.
I mean, everyone knows it's important.
How do you make it interesting?
I was able to speak to a series of people with very different points of view, some things in common,
and weave together a kind of, again, journey out of it to take the reader from point A.
We've got this big problem right through not to a resolution, but to seeing what possible options there are out there.
How is, you know, maybe talk about it through a different lens.
How have you watched and seen how media has changed and the consumption of media?
You know, I grew up on this dual line.
Like I remember, you know, in my industry, you know, you get the ad age, you get the magazine.
I got, you know, I had probably six or seven different subscriptions 15 years ago, you know, the magazine, the printed piece.
I mean, I know some of that's actually that tactile starting to come back a little bit, everything comes full circle, I guess.
But, you know, but from you, the writer's standpoint, how has the media evolution and changes drastically changed the way you do things?
I think it has.
the key word for me is fragmentation, the way in which over the last 10, 15 years, media has fragmented, and lots of other, the culture basically has fragmented.
It's partly because of this wonderful world we live in where everything is available at your fingertips and you can't consume everything, so people pick and choose their niches, their special interests, and the channels and devices they want to receive them on.
I remember going back to my early days in New York, I can't tell you which year it was.
If Seinfeld was on TV, everyone stopped and watched Seinfeld.
And in magazines, if anyone was interested in, I guess, music,
everyone would read Rolling Stone or whatever.
But now everyone's off in different directions.
How it affects me as a writer is something I alluded to earlier.
I'm not just churning out a series of features for the same publication or website.
I'm having to hop from channel to channel and from platform to platform,
from video to audio to the written word,
trying to engage with the audience where they want to be found.
We run up against that same challenge with brands that we work with
because depending on the size of them,
when we work with, I'd say medium-sized companies at this stage,
and even the medium-sized people, you know,
they have the resources that they have,
and, you know, it's how, where to find the audiences
and how diverse, you know, whether it's TikTok
or YouTube or Facebook or like you said, printed piece of blog.
You know, the content opportunities are endless, but, you know, having to, you know,
refix the message appropriately to each channel can be overwhelming.
That's got to be the case.
I mean, there was the time when you could run one TV ad campaign per quarter
and see how it performed and do the next TV.
our campaign. If you try and run the same campaign across every kind of channel these days,
it's not going to work. At the same time, you want some brand consistency. You don't
appear to be a completely different brand in every channel. That must be a headache for your agency
guys. It is every day. It's the journey that we live. What to you, you know, whether it's,
pre-marketing writing and technology writing or even today, is there a common thread when you're, you
either evaluating a story that's brought to you or other things,
is there some commonalities to what truly makes a great story for your readers or listeners or watchers,
depending on the channel?
Yeah, I think our North Star is that our audience is marketers.
And these days, marketers, in a very broadest sense,
will include the marketing operations, people actually running the systems.
So what we always ask ourselves is, will this story help them do their jobs?
Will it tell them what's coming down, you know, coming down the road for them,
help them look at the future a little bit.
And that means we tend to shy away from, it will be easy to write a story every day
about what some tech vendor is doing, their latest innovation, the latest thing they're launching.
We get pitched those all the time, as you can imagine, and a lot of them are interesting and some aren't.
But we're always asking ourselves, what does our audience, our audience and marketers need to know.
And a great way to inform them on that, I think, is always if we can speak to brand,
who are using the technologies, using the solutions, what's been their experience with them.
Yep.
That's, I think, smart and everything we do.
I think sometimes, and even as brands, there's so many, I think, correlations here with what
you're talking about and marketing as a whole.
But, you know, keeping your audience front and center and not think about them and not
yourself, you know, because sometimes we think about what we're interested in or what's
good for us or what we're doing, you know, the speeds and feeds of our product versus,
is, okay, what problem am I, what does the audience need from this?
What am I, what's the solution that you're bringing?
So I think that's maybe part of the success of Bartek over the years.
How have you seen, you know, obviously being on the forefront,
you're pitch these stories, you're seeing the technology change.
Is there one, a few things that you would talk about, you know, the last 10 years or so,
which I know things change so fast like day to day now almost, but.
And I guess period specific doesn't matter as much as, you know, do things as a whole just stand out to you for how you've seen marketing and advertising change?
Yeah, and I think it's something we really just touched on.
You're not addressing a massive audience anymore.
You just can't.
Now, that raises the question, okay, so what are you addressing?
And if you listen to the cutting edge technology suppliers, they'll talk about literally one-to-one individual.
personalisation. That, they say, is the key to success.
Addressing me, addressing Kim, the relevant message at the right time of day, just at the right
moment. That's great for some enterprises, maybe. There's a lot of brands just don't have
the digital maturity to do that. They don't have the control on their data. So maybe you take
a step back and you think you're addressing audience segments. You know, and the better you
can segment your audiences, the better you can be sure of delivering something relevant. But I think
that's the main change. And as you say, it's accelerating enormously, is away from getting as many
eyeballs, whoever they belong to, on your message. That just doesn't pay off anymore. We're all deluge
with advertising. If you're giving me, showing me a message that's not for me and it's not something
I want to hear about. It's just going to go right over my head. So true. And I think that's where,
you know, I'm really interested your opinion on this. And I know you aren't an ad agency person.
you're a writer writing about marketing technology,
but you're certainly seeing so many of these stories and the technologies.
You know,
as an agency owner and someone that, you know,
we pride ourselves on being great storytellers as well
and really being and coaching our clients not to forget about branding.
Like you said,
you know,
I feel like we've reached this pendulum,
you know,
where it's all about the technology and targeting and data.
And it's like,
you know,
it's like, well, I'm data and confused.
And it's like so, but is the pendulum swung too far?
It's like all this tick, all this stuff.
Oh, yeah, we've got our brand and we've got to tell people why they should care about
us and all those things.
Has it swung too far?
If it's, if it has swung in that direction, then that's a big mistake.
And that's certainly something we've learned over the last 15, 16 months.
Brand is absolutely essential.
And by brand, I just don't mean a nice logo with the right color.
I mean brand values, brand reputation, what the brand stands for, because as I said, you're addressing specific audiences and you better be able to know who you're addressing.
And those audiences today, especially now, are going to care about things much more deeply than the product or service they're researching.
And oh boy, your brand had better be on message for the consumers you want to reach.
And obviously, I would hope sincerely on message because it's a good.
insincerity is going to be, you know, ferreted out by the audience if I can use that expression.
Do you guys talk about brand at MARTEC, you know, specific to the MARTIC brand?
You know, like, you guys have had some evolution, obviously, even the time that you've been there.
I mean, do you guys have that kind of conversation and how do you guys think about MARTEC as a
brand?
Yeah, we've actually been having those conversations recently because as some of the viewers probably
you know, MARTEC is a relatively new creation coming out of bringing together
MARTEC today in marketing land into one entity.
So, yeah, a good deal of thought about branding, how we present it.
And we're presenting it as Marek is marketing, which, as I said earlier,
doesn't mean it's the wires and plugs on the floor of marketing,
but it's the whole mindset and strategy and approach,
which evolves out of putting technology at the center of what you're doing.
Yeah, I love it.
is what are the, are there any kind of stories?
I mean, we'll get real topical now like today, you know.
Is it, there's stories that we should call out maybe to our listeners and watchers that are just,
you can't ignore them anymore.
Like this, and you've hit on a few things already with targeting and all that, which is really smart.
And, but I think I'd love to know if there's, whether it's.
And this could be anything, a technology, a capability, or it could be more functional or
broad than that.
But I'd love to know if there's stuff that's just, you know, we should be putting on the
forefront because you can't ignore it anymore.
Yeah, I'll call out three things for you.
The first is the data challenge.
And let me explain what I mean there.
I look back over the last few years.
And it's as if marketing technology was built backwards.
It started off with really good execution systems, delivery systems to take the message that last mile on the journey to the customer.
And then you realize that needs to be data driven.
And people started trying to pull their data together and discovered that was really hard because organizations and especially big ones, they have data in so many places.
And they have data about the same consumer in so many places, you know, from the call center to sales to marketing and so on.
And bringing that all together in a way that you can actually execute on it in a reasonable amount of time,
not like having a team of data scientist pulling reports about what I did last, you know, six months ago.
It's a real challenge.
And that's why there's a lot of talk these days about customer data platforms, CDPs.
May or may not be the solution.
That's something we're covering very closely.
That's number one.
The second thing which you really can't ignore now is Google's deprecation of third-party
cookies, even though it's been pushed back to, I was about say, 1923, 2023.
It's a real challenge to advertising, especially programmatic advertising.
And there's a lot of competition now to provide alternative IDs, but these IDs generally
rely on some piece of first party data, like an email address.
And guess what, I mean, even if a publisher, like the New York Times has me as a subscriber,
and have a login, I'm often going to be looking at it without logging, and they don't know
I'm there.
You just lose a huge percentage of the audience without third-party cookies.
Whether Google's flock alternative will solve the problem is yet to be seen.
It looks like a way to create a walled garden for Google, a bit like Facebook, but that's
the other story which I'm thinking about every day.
One more quickly, one I think cannot be ignored today is diversity and inclusion in marketing
organizations, marketing teams, agencies, of course, and publishers like ourselves.
Horror stories I've seen just over the last year, startups, technology, marketing technology,
startups trying to raise capital.
You're much more likely to raise that capital if you're a white man.
If you're a woman, you do worse.
If you're a black woman, you do even worse.
And if you're a black woman who identifies as LGBTQ, all you're going to have struggle.
And it shouldn't be like that this year.
So that's the story I can't overlook either.
Interesting.
All really good.
And I'm glad to there because I'm going to send you a story.
I got an idea.
It was your number two there.
Actually, all around the cookies going away.
I've got some good stuff for you.
So I'll send that to you after the episode.
But those are great.
No, all top of mind for us as an agency, especially the cookie stuff.
And first party data is so important now for companies.
They've got to be collecting it.
You've got customers that are having a relationship with you.
You know, you've got to learn to collect that data in a smart way and to, you know,
communicate with them appropriately and not misuse it, which is the key, right?
But the danger here, though, and I don't say this self-serving as a digital agency owner,
but like the danger I see in all of this is I am all for privacy.
But I also don't want, you know, me personally, I don't want fingernail polish in my
Facebook feed as an ad.
You know, I don't want to go back to 15, 10, 12 years ago of irrelevant ads either.
Totally.
There's an experiment that anyone watching this can try.
If you want to see what that's like, try browsing incognito.
Go and decide to usually visit and see ads which have nothing to do with you at all.
I know.
So we've got to be careful we ask for.
I'm hoping we can find the perfect balance.
And we have some strategies and things that we're deploying for our clients down
that first party, as well as shared party.
data and things like that, but trying to find that balance of privacy and all of those.
And the diversity inclusion is super important.
You know, I talk about it a lot.
You know, we can't solve the problems of the today with the solutions of yesterday.
And, you know, like the perspective that you get and the what comes to the table when you
have diverse people working together is really important.
Not only is, from a fairness standpoint, it's just crazy that in.
2021 we're even having this conversation, which is a whole other story. But, but you don't realize
the perspectives and the additive nature of having that diversity and how important that is.
Yeah, and how are you going to reach all those specific fragmented niche audiences if you don't
understand them? Bingo. Exactly. Exactly. So is there anything, you know, with COVID related,
I know we try to keep it out of the episode as much as possible because we're coming out of it hopefully.
But do you're any trends or stories that you've seen or things, you know, maybe absent of like Zoom calls.
So those are probably sticking around some.
But anything that's kind of, you know, what you think is going to hang around and what genies aren't going back in the bottles from COVID?
Oh, for sure.
I think this is going to be one of the most exciting stories to follow over the next 12 months is to see what's,
sticks and what doesn't. But yeah, we're living in a digital world now. We've all got used to that
over the last 15, 60 months. And lots of the behaviors we've developed, certainly as consumers,
are not going to go back to exactly what they were before. I mean, if you've had your,
your grocer is delivered for the last year and it's been effortless, you're not necessarily
going to start going around half a dozen stores, although you might go to some specialist place
for some particular product. So those changes are going to stick around. The B-to-B side, I have to
mention that as well. That's really exciting. They had to go through an astonishing digital transformation.
These traditional businesses, construction, you know, hardware, used to having field marketing,
meeting people, doing demos on site, having five or six events a year where they could bring
their customers together. They had to start from scratch and become pretty much completely
digital. And that's not all going away. And I'm actually next.
week traveling to my first in-person event since this all started. And that's the other exciting
thing, because people have realized that virtual events have a huge audience reach, relatively
inexpensive, don't require travel and the carbon footprint that goes with it. So I don't see virtual
events going away, but we're going to see in person again. So all these changes we're going to be
looking at coming up in the near future. It's going to be really fascinating. It is. It is. And just the
growth of e-commerce, like you said, you talked about a little bit the convenience factor of different
things.
You know, that I think grew, they said, buy 7X as plan.
In seven years, they expected the amount of growth that we had in one or something like
that as the data changes.
And it's certainly been recognized with our clients and certain things like that.
I do think the travel thing is going to be interesting where you see these blends of virtual
and in person.
I still think there's some value depending on the type of event for that human touch.
different things. So it'll be interesting to see what the balance of that is. Are you any other big
conferences on your radar this year from a marketing perspective that you will attend?
I don't think it's going to be much this year. I think, you know, when the spring season comes
around next year, as long as we stay on the same trajectory, I think we'll see some of the big
conferences coming back. And in 2019, I think I went to 14 conferences. So 2020 was a very strange year for
Yeah, you're either used to it and you're loving it or maybe you want or you're missing it.
I'm not sure which one.
Well, yeah, it's never perfect.
It's never the rider man.
It's always too much or not enough.
I love it.
Well, we've got a little segment we like to finish things off with Kim, if your game.
We call it rad or fad.
You know, there's some hot trending things or we're even been around a little while but seem to be popping up.
So I'm going to just cut through.
them, maybe one word or short answer responses for rad or fad.
First one on the list, Clubhouse and or social audio.
Rad or fad?
I'm going to say fad.
I've actually never been on Clubhouse, but I think brands can do a better job building an
identity around a podcast series or something like that.
I'm not sure how the social audio really will play out.
Maybe someone will figure it out.
Ding, ding, ding.
I agree.
I agree. I've been titating that from the get-go.
Again, we finally got into this place where we can get content on demand,
and now I'm going to go only when it's live, when you do it.
There's just a mismatch there with trends.
I think it was just something that was also people had a lot of time when COVID was down.
So we'll see.
How about TikTok for the mainstream?
It's been the 13 to 23-year-old platform for so long.
It's definitely gotten more mainstream.
There's definitely a lot of voice.
older audiences there. But are we rad or fad with TikTok for the masses?
Rad. Great campaign I covered was Elf Beauty and Chipotle producing a beauty pack design to look
like a caesadia. Was it a caesadier? Burrito, sorry. So that reaches an audience bigger than just
the teenagers who are on there to do their dancing. So yeah, rad. Totally agree. How about social
commerce, social media selling and e-commerce?
through social.
Double rad.
Why would you want to have a customer,
discover your product,
then send them somewhere else to buy it?
That's got to be the future.
Got to remove friction in the purchase path.
Kim Davis, man, he's nailing them.
All right, cancel culture.
Yeah.
Rad or fad?
I'm going to go neutral on that
because there's no way it's a one-word answer.
I'll just say that if consumers feel
they need to withhold their custom from a brand,
Those values they find obnoxious.
I don't think it's canceling.
I think it's normal behavior.
Agreed.
Agreed.
The only thing I can't stand, though, is everyone's offended by everything.
I just don't want comedy to die.
I feel like comedy is dying, you know, because of cancel culture.
No one can take a joke, man.
Oh, yeah, comedian.
I don't like me.
I know right now.
You can't make fun of anyone.
Comedy's parody.
You know, everything's getting dried up.
Anyway.
Yeah.
The last one.
And I don't know how much this hits your radar, but imagine it does.
The big brands with internal ad agencies, rad or fad?
Yeah, I think that's probably rad.
I'm not right on top of it, as you say, but I do hear about it happening.
But I think it's got to be for big brands, hasn't it?
I don't know that small to medium brands are going to maintain those kinds of capabilities in house.
Yep.
It's one of these pendulums that started to go this way, like in 2020.
2008, nine, there's a lot of this happening.
And then it's kind of, it seems to swing back and forth.
But I think it makes sense for, like you said, the big brands that could do it because
they have so much content needs.
It's like hard, you know, and they have to react so quickly.
So I understand.
I think it's a balance.
The blended formula is always what we recommend.
We don't want to put ourselves out of business, Kim.
No.
Well, Kim, man, really appreciate getting to know you through this and hope we can continue
relationship and share stories and really, really appreciate you coming on the podcast. Where can
everyone keep up with you, MARTAC, all of those things? Let's call out a few places where they can
find you guys. Yeah, sure. Martec, the URL is MareTech.org. I'm on LinkedIn, of course,
and I'm on Twitter as Kim Davis underscore. So probably find me there. Perfect. Well, thank you so
much, Kim. I really enjoyed it. Hey, guys, you know where to find us. We're at the radcast.com.
all of our content, we've got a search bar. You can literally search
MarTech in every episode highlight, every clip. Everything is searchable at
the radcast.com. Find us on YouTube, our YouTube channel. Just search
Radical Company. All right, guys, you know where to find me. I'm at Ryan
Alford. I'm verified on all the channels. You know where to get me. We'll see you
next time on the Radcast.
