Sawbones: A Marital Tour of Misguided Medicine - Sawbones: Willy Wonka
Episode Date: June 11, 2024There are different versions of Willy Wonka's chocolate factory exploits, but all of them involve strange things happening to children who misbehave. But from a biological standpoint, what does that l...ook like? Dr. Sydnee and Justin discuss the strange science going on at Wonka's factory and whether gum could possibly contain enough juice to turn someone into a blueberry. Note: Willy Wonka is the creation of Roald Dahl, not a good person. More information about his antisemitism available here: https://time.com/5937507/roald-dahl-anti-semitism/ Music: "Medicines" by The Taxpayers https://taxpayers.bandcamp.com/
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One, two, one, two, three, four.
Two, three, we came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
We came across a farm in the middle of the desert.
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We came across a farm in the middle of the desert. We came across a farm in the middle of the desert. We came across a farm in the middle of the desert. We came across a farm in the middle of the desert. We came across a farm in the middle of the desert. Hello everybody and welcome to Sawbones, a marital tour of misguided medicine.
I'm your co-host, Justin McElroy.
And I'm Sydney McElroy.
And how are you all doing?
We've already mentioned it, but we're struggling over here at Sawbones.
Yes, we're on the struggle bus as Cooper's teacher uses it.
That's a popular phrase.
I know, but that's the first time I've heard it.
I have not used it myself,
but I have heard it used around me.
That's how hip I am.
I learned lingo from my kid's kindergarten teacher.
Charlie uses it too.
Now, I don't know if she learned it from her teacher,
but Charlie also will say,
mommy, I'm on the struggle bus today.
We're directing a show with my dad.
It's called Charlie and the Chocolate Factory.
It's a musical.
And if you're listening to this
and you can get to Huntington this weekend or next,
it's gonna be a heck of a thing.
You should come on out, go to h-a-r-t-of-w-v.org
and you can get some tickets and it's gonna be great.
Nobody tells you when you think like we should do Charlie and the Chocolate Factory h-a-r-t of wv.org and you can get some tickets and it's gonna be great.
Nobody tells you when you think like we should do
Charlie and the Chocolate Factory or Willy Wonka
or any version of this story in an outdoor theater venue
how difficult that's going to be to execute.
Nobody warns you about that.
I don't know who's supposed to.
I don't know whose job it is to come warn you.
To make a whole factory.
There's a whole factory made of chocolate.
There should really, when you get rights,
when you like request the rights,
they should say like, wait, wait, now hold on.
Is this outside?
Are you sure?
Are you sure?
Think about it.
Think about it.
But anyway, that's what-
It's incredible what we have accomplished.
Yes, and if you're listening,
and listen, by the time you come this weekend or or next it's gonna be a heck of a thing
But right now it's taking a lot of work open a lot of veins
Well, can I just say that the cast is incredible the performances are in outstanding
It's wonderful. We just want to give them the magic the technical magic surrounding them to
To really showcase. Yeah their theater prowess.
So what are we doing this week?
Well, we have talked in the past trying to use
Sydney's medical acumen to talk about popular culture
and we thought what better way than for us to go through
the incredible chocolate factory experience
and talk about the logistics of it
from a biological perspective.
Cause let me tell you something about,
so there are lots of different versions of this story, right?
There's the original book, which I've never read,
which I guess is probably different.
And then there's the movie,
which I think most of us grew up with,
with Gene Wilder as Willy Wonka.
I think that's the one most of us are most familiar with.
There's multiple staged versions that are slightly different.
And then there's of course two more movies
that have been made in that same genre.
I don't know that everyone would be familiar
with how each character meets their end,
which I mean, end question mark.
I know it differs telling to telling, so.
Yes, and what we realized as we were staging
this version of the story is that,
so in a lot of the staged versions of Willy Wonka
or Charlie and the Chocolate Factory, whatever, what have you,
they make a point of bringing back
the golden ticket winners and the family members
who didn't get it, the losers, I guess.
At the end, for some little like trudging away sadly moment,
to, and I think the main purpose is,
even in the movie, it's not 100% clear
what happens to those kids, right?
Right.
Like, you hope they are fine.
You are led to believe by Willy Wonka
that there will be a fix to their problem.
Yes.
But you're not guaranteed that they're fine.
And so I think showing them at the end
is just a way of saying like, don't worry, don't worry.
No kids were killed in this show
that you just brought your children to see
at the park outside on a wonderful Saturday evening.
So this is not included in our version of this show.
We added it.
Yes, yeah, that's bonus, bonus material.
Bonus, we didn't add, we didn material. Bonus, we didn't change anything.
We didn't change anything.
They just wander onto stage.
Yeah, just to show they were not, in fact, murdered.
Nothing was added to the script or deleted.
They're just, they wander on and wander off
and they're fine and no children will cry.
But what we wanted to talk about was the legitimacy
of each of these characters surviving and thriving
following their grisly factory fates.
Okay.
Now, Augustus Gloop is the first little boy to perish.
I'm going to say die.
We all know they don't die, but I don't know a better way of saying it.
Gene Wilder's Willy Wonka has a line that makes it very clear that they're fine.
They return to their terrible, awful selves,
something to that effect.
So the first kid to get off to Goose's Gloop
is drinking from Mr. Wonka's Incredible Chocolate River,
which is churning, churning and churning.
With a waterfall.
With a waterfall.
I've created one for our stage.
Yes, incredible.
And while consuming said chocolate,
which he's told not to eat the chocolate,
which I think is rude, honestly.
Well, he'll contaminate it with his human hands.
Yes, but this has always bothered me.
You set the people loose in the chocolate room and you say, just go ham, right?
Go ham.
Goes the teacup.
Oh, a teacup.
I'm just gonna eat this teacup.
Incredible.
You know what I mean?
Yep.
It's a flower that's a teacup that you can also eat.
That's too different.
People don't talk about that enough.
It's a flower that's also a teacup.
That would be so impressive, right?
If you found a flower that could also hold your tea,
but then you eat it, oh my gosh, it's three things.
That's incredible.
It is incredible.
But you're telling everybody to eat all this stuff
and the kid sees like incredible chocolate
flowing down an incredible river and you're like,
well, I see the grand prize right here in terms of eating.
This is a once in a lifetime eating experience.
I'm taking it straight from the source.
Why have the frigging catfish?
You know what I mean?
Why the honey pot?
Why are they contaminating the other things in this room,
which is presumably for chocolate and candy production?
Well, no, the other things are not
for chocolate and candy production. Well, no, the other things are not for chocolate and candy production.
That's wild.
It's wild that you have a private space
for your own delights,
and yet you have a commercial chocolate pipeline
exposed through.
That's wild.
Well, now listen, Willy Wonka never planned
on letting anybody in the factory
until he realized, wait, I am mortal.
Right.
And so I must bring in a young mortal.
Unless you believe he's not mortal,
which can I tell you our cast has lots of theories
about what Willy Wonka is in it.
Alien gets bandied about a lot.
Vampire gets thrown in there.
Time Lord has been entertained in my presence.
Not by me, but other people.
So, Augustus falls into the Chocolate River,
which like, okay, but the whole thing is
this kid's supposed to be greedy,
and he is told you can eat anything in this room but that,
but that's not good enough for him.
That's the point.
That's the kid I want.
That's the kid I want at the top of my organization.
Augustus Gloop has a grindset
that Willy Wonka should respect.
Respect the hustle.
Great entrepreneurs don't follow rules.
Sydney, we watched six episodes and we crashed.
You know this.
Now this is more of a succession thing.
I guess, but like he loves the chocolate so much
that it'll break the rules to get it.
You see Augusta's gloop as your Tom Wams Gans.
No, I'm not.
That's who you want, fucking boy.
That's who I want.
That's why I tell you, yeah, Augusta.
Augusta's is the, I keep saying Augusta
because Augusta is Augusta in our show.
In our show, Augusta is Augusta.
She's just very strong.
Like, I don't know, I don't want to make a whole.
Well, the whole song's about it, how strong she is.
How strong she is.
This is a newer version that was recently on Broadway
in the West, in the West.
So it's a little bit more updated.
So, okay, the kid falls into the river.
Yeah.
Now, obviously, in order to survive,
initially, you cannot drown in the chocolate.
Which, like, the chocolate, which like,
the idea, I mean, it's churning. And so I'd like to allow for the possibility
that there are air pockets
because it is churning the chocolate.
So it's adding air to the chocolate,
it's aerating the chocolate.
So I think if we combine maybe some major lung capacity
in young Augustus with possible air pockets in this aerated chocolate,
then we survive to the pipe.
And like they make the point,
like then they clearly say he's blocking the chocolate
in the pipe, so he's not drowning in the pipe
because he's blocking the chocolate.
So he's got air to breathe.
Okay, what about?
We can eliminate drowning as a concern.
Okay. I think.
Okay. I'm just doing it.
I get it, there it is.
I have a problem with it from a cooking perspective.
To keep that chocolate liquid to a point
where it is gonna keep flowing,
I mean, I think you've got,
I mean, when you're making candy or making fudge, like you're getting up
into the 200s Fahrenheit, like,
and maybe you don't need to maintain that,
but it's gonna have to be pretty warm
to keep from clogging the works
because it's getting cooled by the air above it, right?
So it's gotta be heated enough to compensate for that.
It's not, it doesn't have to be that hot
because think about a chocolate fountain,
which we have operated before.
The chocolate in a chocolate fountain, you add oil to it.
Yes.
It has a low melting point.
It's specifically formulated melting chocolate.
I'm assuming it's got a really high fat content.
Yes.
You add oil to it and then it melts very easily.
And when you, you can dip, I mean, don't,
but if you see a chocolate fountain out in the wild,
you could stick your finger in and not get burnt.
Yes, Dr. McElroy.
But what you're ignoring is this chocolate
is not going to be used and extruded as a liquid product.
Once you introduce that amount of oil into it,
it's not going to re-solidify into a chocolate bar.
We're talking about tempered chocolate
that has to retain the shape
once it's poured into the molds.
So it's gonna have to be pretty frigging hot.
So you think if you actually fell in,
well, okay, then you would just be instantly burned
and we don't really need to worry about drowning
because you're already dead.
Well, I don't know if two, I don't know,
can we hang out at like, I don't know,
if it's like a buck 50, 200, can we hang with that?
No, we don't do well with that. We can't hang with that? No, we don't do well with that.
We can't hang with that?
Nope, we don't do well with that.
All right, here's what I think.
Here's what I think.
I'm going to call Roald Dahl to the mat for this
and not just for being America's most beloved anti-Semite.
Yeah, there's a lot of things
you could really call him to the mat for.
Roald Dahl is, maybe we should have said this up top,
I could really call him to the map for. Roald Dahl is, maybe we should have said this up top,
a absolutely horrid person who created things
that have brought people a lot of joy
and still, you know, I think he can go pound Santa
and think he's a horrid guy.
But I think it's nice to reclaim things that bring us joy
if we can from horrid people and take it from them
and make it our own and ground their names
into the dust of history.
It's a struggle for a lot of Harry Potter fans, isn't it?
Yeah, yeah, it's tough.
It's tough.
So, okay, we need to move on.
So, Roald Dahl sinks on ice.
Just wanted to say that again.
Roald Dahl sinks.
Anyway, go ahead. So, okay, Augustus is- No, this is what I was gonna say to say that again. Rolled all sinks. Anyway, go ahead.
So, okay, Augusta says-
No, this is what I was gonna say.
He would have scalded his hand.
He puts it into the river instantly.
And so he never would have fallen in.
He never would have fallen in
because he never would have tried to.
Mr. Waldo, ah, my burns.
I'm suing you for being-
But either way, if we assume that it is
chocolate fountain chocolate,
and he did fall in and he didn't burn,
and he doesn't suffocate.
I think this is true about Willy Wonka in general,
that Willy Wonka has more control over his factory
than he lets on, and when he calls and he's like,
he's going to the fudge room,
we don't want him to get turned into fudge,
we don't want him to get it burned,
he can get that stuff turned off right away.
He's got it shut down.
He's not worried.
That kid's not turned into fudge.
There's no chance the kid's turning into fudge. The other kids are supposed to listen to the story from the Oompa Loompas.
This is for the benefit of the other children.
You know? So he's trying to use scare tactics, but you're saying he's fine.
I'm saying that I think it is believable that Augustus survives his ordeal.
Let's move on to the next child.
Okay, next child is who?
Violet Beauregard.
Violet Beauregard.
She loves gum.
She loves gum.
If you don't know this about her.
She's kind of a YouTube star in this version.
Yeah, yeah, yeah.
She's been chewing the same amount of gum
for a very long time,
and that has somehow made her TikTok or Instagram famous,
which I say somehow, but I,
a lot of people have probably done well there
on those platforms with a lot less.
See, that's, listen, if you don't do theater,
let me tell you this, you're not supposed to change things
when you get like a script and you're performing it,
like they tell you, like it's a legal thing.
You're not supposed to change anything.
And we have struggled a lot with the fact
that they reference what a big Twitter star she is.
Yeah, it's like, well.
Because there is no Twitter, it would be X,
and she is a child, she would not be on it.
Yeah, I don't.
The kids don't use that social media.
Like Twitter, they don't.
They didn't use Twitter, they don't use,
they certainly don't use X.
Instagram, TikTok, YouTube, probably one of those.
But that's not the important thing.
The important thing is that Violet choose
a piece of experimental gum
that's supposed to simulate a meal, basically.
Let's leave aside whether or not that could exist.
I mean, it could taste like a bunch of different stuff,
but could it also contain the amount of juice
that causes her to expand into a blueberry?
It's not an amount of juice, it's a chemical reagent.
It's somewhere in her brain.
This is what I'm thinking, right?
That does not make sense.
It does make sense.
Okay, so the gum-
No, this is a piece of TARDIS gum.
The gum can't change flavor in a substance, right?
The only thing that it could do is trigger
a hormonal reaction in your brain
to trigger those sensory receptors.
That makes sense to me.
And that is, I mean, maybe not currently feasible,
but you could understand how something like that
could exist.
And it could be sort of like coated pills.
We could have layers on each level so that it changes,
so that it sends different chemical signals.
Okay, yeah, like that is possible.
What it does is accidentally,
when it gets to blueberry pie,
the hormonal thing that is in the gum,
it messes, and I'm saying hormonal
is like a stand in for like brain juice,
you know what I mean?
And the hormonal thing, it triggers like the fluid glands
in the body, like fluid production.
Yeah, yeah, yeah, fluid production,
and that makes her expand out.
Okay, that doesn't make sense.
I think it-
Because you can't create,
you're not creating fluid in the body.
Okay, this is the problem.
You can't create matter.
You could move fluid into the third space.
So that, I mean, that's a question I would have,
like functionally, where are we imagining
that all this juice that she is now full with?
You're saying it's dimensional.
Where is it?
You're saying it's a dimensional shift.
Well, because if it's in, is it inside her physical stomach?
Like did the gum went into her stomach?
The organ in her stomach.
I'm not talking about that part of your body
that people sometimes refer to broadly as the stomach.
I'm talking about the organ.
If the juice is all inside the stomach
and that is her stomach expanding,
that doesn't make sense based on how she appears.
Because she turns into a perfectly round blueberry.
Your stomach expanding would not do that.
It would just cause your abdomen to expand.
And eventually your stomach would rupture, by the way.
So that doesn't make sense.
So is she somehow third spacing all of her fluid, meaning all of the fluid that's
contained within her vasculature, her veins and arteries?
Is it leaking out, which does happen, right?
That's how you get swelling in your legs.
If you've seen your legs get puffy sometimes,
or if you have a condition that causes you to get swelling,
you third space it, meaning it moves from where it's supposed
to to the third space inside the tissues,
inside your interstitial tissues and everything,
where it's not really supposed to be.
Okay, and we have methods for removing fluid
from that third space already,
because it's something that physiologically
and pathologically happens in the human body already.
It's not juice, it's cellular fluid,
which is very different.
But the ways that we can remove it,
if it is in the third space,
is either through diuretics at times.
I don't know that this would necessarily work on juice,
though, because we're talking about
a different osmotic balance.
I will say though, she says in this version of the script
that she feels like she has to use the bathroom.
She does?
Which makes me feel like that one,
maybe that should be the script, it's a really wild one.
Second, that she, maybe that would help,
maybe that would alleviate the situation with that red X.
Now the other question is,
is it expanding inside her colon somehow?
Which I don't know how it would,
like it could not transit that quickly.
At that point, again, the swelling picture,
the visible picture doesn't make sense,
but then like laxatives,
but that, I don't think that answers our question.
I think what you're probably looking at-
I was getting deja vu, and do you know why?
We've had an almost identical conversation
about the Incredible Hulk.
Yes, we have.
What is expanding?
We centered on interdimensional, isn't that right?
Like it's being sucked from it.
Isn't that what it is, canon?
It was, it's like canon come out clean.
It's an interdimensional thing.
Interdimensional matter being sucked in.
That's such a cheat.
That's such a deus ex machina.
But then, other than diuretics, the other thing,
and I think that this is what he's sort of referencing
when he talks about sending you to the juicing room,
compression.
Another way, if you have swelling in your legs,
that we might advise you to alleviate it,
is with compression stockings,
or sometimes with things like lymphedema,
where you accumulate lymphatic fluid
in different parts of your body,
we can do special compression wrapping.
That's not something you should try on your own.
There are specialists who are trained in compression wraps
so that you don't make things worse,
you make things better.
But like, if you had people who like work
at a lymphedema clinic
and know how to do compressive dressings,
you could probably alleviate a lot of the swelling
in her limbs.
Central compression is a bigger problem.
So I think you would need the use of diuretics.
I don't think elevation is gonna work
because her whole body's swollen.
Yeah.
But I can see a reality where you could alleviate
some of that swelling using traditional medical methods.
What about the damage to the epidermis?
What about the damage?
Well, when the swelling-
She's blue, she might still be blue.
She might still be blue, but didn't she get all stretched out
and her skin get all stretched out?
Well, she might, and I mean,
if the swelling was that severe,
she may have excess skin afterwards,
but I'm talking about survival,
and that's not a huge deal if she survives,
but then she's got some excess.
I mean, there's surgeries for that too.
That happens with a lot of weight loss as well.
So you could have that down the road.
I don't have any fix for the blue.
The blue seems very quick onset.
And unless it's sort of like a jaundice picture,
in which case like something is not being cleared
by the liver or the kidneys.
And so it's backing up and accumulating in the skin,
and then after that pressure's alleviated
and the kidneys or liver, whatever,
could function properly, then it is gone.
But I would bet she's gonna be blue permanently.
My, my, my, two naughty little children gone.
Two.
Three.
Well, yeah, but Charlie doesn't.
Yeah, Charlie makes it.
Three good little children left.
All right, I'm gonna tell you about Veruca,
which is different from the movie,
but before we do that,
we've gotta go to the billing department.
Let's go.
The medicines, the medicines
that escalate my carbs for the mouth.
People say not to judge a fish by its ability to climb a tree. Which is why here on Just the Zoo of Us, we judge them by so much more.
We rate animals out of 10 in the categories of effectiveness, ingenuity, and aesthetics,
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Like a pigeon's ability to tell a Monet from a Picasso, or
a polar bear's ability to play basketball.
Guest experts like biologists, ecologists, and more join us to share their unique insight
into the animal's world.
Listen with friends and family of all ages on MaximumFun.org or wherever you get podcasts. and then talk to Dan. But we are only humans, so no promises.
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Varukha Saul wants the world. She wants the whole world.
Varukha Saul in the movie, of course, falls down the bad nut shoot.
Bad egg. It's an egg. It down the bad nut shoot, bad egg.
It's an egg in the movie.
It's an egg, it's a little confusing
because she is judged as a bad egg
by the nut testing squirrels.
So I think the nut testing squirrels
are using bad egg metaphorically.
No, they call her a bad nut.
I'm saying in the original book
by noted bad person Roald Dahl.
Oh, I didn't know that.
See, and I thought she was,
I mean, cause there's golden geese
that decide she's a bad egg.
Right.
And in our version,
there are giant squirrels that decide she's a bad nut.
Yes.
Yes.
And then when they decide she's a bad nut. Yes. Yes. Yes.
And then when they decide she's a bad nut,
she doesn't just fall down the bad nut chute.
Right.
Not in this version.
Nope.
Is this true to the book?
I don't think so.
In this version,
the Oompa Loompas and giant squirrels,
which all of the Oompa Loompas become giant squirrels
in this scene for us.
Why not?
Whatever.
They get tails and ears and these cute little aprons with nuts in them. All of the Oompa Loompas become giant squirrels in this scene for us. Why not? Whatever.
They get tails and ears and these cute little aprons
with nuts in them.
Anyway, they rip her limb from limb on stage.
Pretty intense.
Yeah, we do not know, no actors are harmed
in the making of this show.
We have a doll.
But that is how Varuka meets her end. She literally has
her arms and legs ripped off by giant squirrels on stage and then arms legs
torso with head still connected. The head is not removed. Boy this was a point in
rehearsal last night as the head was attempted to be removed and I was in the
audience yelling stop! Not the head. It's on there.
The head stays, but all of these pieces are then thrown down the bad nut shoot.
And there's a reference that she'll be reassembled
with a glue stick.
Right.
This one's the easiest, I think.
Oh yeah?
Well, okay.
Defending, I guess, right?
Well, we can reattach limbs.
We do that.
We do that.
We already do that.
Can we reattach a head?
We've already done that?
No, okay.
Internal decapitation can happen
where the spine is broken in the right place
where we would call it an internal decapitation.
Now, when you hear the word decapitation,
you imagine head in one part of the room,
body in another. An internal decapitation, you imagine like head in one part of the room, body in another.
An internal decapitation.
Can I say, honey, stop.
Stop right there.
When I imagine decapitation,
I imagine head in one room, body in another?
Well, I'm just saying like distance
in physical space between- What is wrong with you?
Well, nobody thinks decapitation
and you would still look at it.
Why are you imagining it anyway?
But when you do, why have you imagined
this Saw style puzzle, doctor?
I'm just saying that once the head,
once we've severed, once we've severed like, you know,
all those major vessels and all of the spinal cord
and all of, I mean, like your trachea and your esophagus.
And I mean, there's a lot of, listen, listen.
For all of you future medical students
or current medical students,
there's a lot of stuff in the neck.
There's so many things in the neck
and you got to memorize them all.
You got to know what they're all called
and where they are and what they connect to. And when they go wrong, you got to know them all. You got to know what they're all called and where they are and what they connect to.
And when they go wrong,
you got to know about what that means.
There's so much stuff in the neck.
So much stuff.
Anyway, so once like the neck is completely severed,
like obviously no, that's not fixable.
But this doesn't happen.
So we don't have to,
what I'm talking about is when the bones break
in a certain way in the neck,
we call that an internal decapitation.
But like your head is still,
like if I'm looking at you, you look fine. It's just the bones are broken in a certain way in the neck. We call that an internal decapitation, but like your head is still,
like if I'm looking at you, you look fine.
It's just the bones are broken in a certain way.
That can happen.
Okay.
Okay, anyway.
No, she is not decapitated.
Her arms and legs are torn off.
Those can be reattached.
So this is like, now obviously we don't use a glue stick.
We use like surgery.
We use, you know.
You all use surgical glue.
Sutures and.
Sometimes glue.
Not for this. If you have like a minor skin laceration,
we might use surgical glue.
But no, we do not use it for reattaching an arm.
So if you reattach an arm,
are you using like needle and thread still?
Well, inside, inside, you're gonna need to use
some sort of hardware to do that, to attach the bones,
right, because joints have been torn. And so all of the other structures You're gonna need to use some sort of hardware to do that to attach the bones, right?
Because joints have been torn and so all of the all of the other structures that support a joint because the bones are up against
Each other but then you've got all of the musculature and the ligaments and the tendons and everything that connects everything together
All of that has been ripped asunder and so you're gonna have to reattach all of that and I'm probably put some hardware in place
Too are those considered bionics or does there have to be someach all of that and then probably put some hardware in place too. Are those considered bionics
or does there have to be some more functionality
before it's considered that?
Yeah, I think, I do not believe we consider it,
just replacing,
because we already replaced joints, right?
We already have fake knees and fake shoulders
and all this stuff.
Fake hips, these are not bionics.
This is just a, usually like some metal doing
what the joint normally does.
Fascinating.
Anyway, I'm guaranteeing you're going to need some of that.
An orthopedic surgeon could do all this.
The only thing you got to consider is the blood loss.
Yeah.
That's a major amount of blood loss that can occur all at once.
And so you would need to immediately staunch the bleeding from all four open wounds.
I got us all four.
And those four limbs need to be placed on ice,
like ASAP for them to be viable, to be reattached.
So I don't know, like the bad nut shoot in the movie,
they say it ends in the incinerator, that's a problem.
Yeah, but we're-
Where does the bad nut shoot end in our show?
It's kind of vague.
We still got to build it.
So I don't know yet.
We'll see what we have time to do.
But assuming that the Oompa Loompas could arrive
with ice fast enough, you'd be okay.
And if she needs a transfusion,
I know somewhere where we can get a bunch
of glucose rich blood that was just poured in
from another dimension that's just sitting there that they juiced out of violet
so they could give Veruca a transfusion
of that incredible nutrient rich blood.
That was not blood, but okay.
We don't know if it was.
She was not filled with blood.
I'm just saying.
You think of all the options,
that's what violet Beauregard is filling up.
That is the grossest possible,
the most disturbing option you could have picked.
Honey, the idea that anybody would think it's anything else is so wild
To me, I've of course always the same is blood. It's juice. How's she making juice? We don't make juice
We make blood or pretend it's pretend interdimensional. Okay, finally Mike TV
Ah Mike TV now, this is interesting
Because he gets shrugged down
Through TV raise. Well, he doesn't yet. I can't I can't Now this is interesting because he gets shrunk down
through TV rays.
Well, he doesn't yet.
But we're still working on it.
I can't answer this one.
It's all pretend.
It's not all pretend.
It is pretend.
We can't shrink people.
We don't have the ability to shrink people.
So I don't, listen, the way that they,
okay, so he gets shrunk.
Imagine I'm tiny, okay?
Okay, let me ask you this.
Okay, we do have an antelope for this.
Astronauts.
They don't get shrunk.
They get smaller in space,
and when they come back to Earth, they're smaller.
How do we fix that?
What do you mean they get smaller?
They're shorter, astronauts are shorter
when they get back to Earth.
Well, no, what you're talking about is
they don't have gravity,
and that has an effect on the human skeleton
to function without gravity for a long time.
And it can cause muscular atrophy.
That's why they have to do all those special exercises.
Cause it can cause your muscles to atrophy
and you can have trouble walking when you return
if you don't, even if you do all that stuff,
I'm assuming there's still problems.
You're taller when you get back, not shorter, taller.
Cause of the lack of gravity's pull, right?
You're a little bit taller.
Everything's stretched out?
Yeah, astronauts get taller in space.
This is true.
Okay.
But it can add up.
It should level out.
Listen, it can add up to two inches
to a six foot tall astronaut.
That's wild.
So, here's what I'm saying.
Are we imagining that the Wonka vision
is just actually an incredible gravitational field
that pulls Mike TV down into a tiny version of himself?
Yes, and there's only one solve for it.
This is ground control to Major Mike.
We gotta send him up.
Do you think that's what happens?
I know that in the sequel book
to Charlie and the Chocolate Factory,
like the amazing glass Wonka Vade or whatever it is,
I've never read it, but our, well, our Willy Wonka
in our show has read it and our Charlie Bucket
has now read it and they have both discussed it near me,
so I have heard about it.
I know so much, everyone is discussing Willy Wonka
and Charlie and the Chocolate Factory,
all versions of this and theories all the time.
Everyone is very into this.
And so I hear all of this, even if I'm not consuming it,
but I guess they go to outer space in the sequel.
So maybe that's why they go, to take my TV.
To stretch them out.
Because clearly what they talk about,
like they're gonna take them to the taffy room
and stretch them out. We don't do that., like they're gonna take him to the taffy room and stretch him out.
We don't do that.
Well, I don't even think we say that.
Actually in this version,
Ms. TV is fine with it.
Yeah, she's thrilled
because she's got her little boy back.
Says she puts him in her purse and leaves.
And is happy.
And has no interest.
And wants to be reassured that it will not be undone.
So there is no fix in our show.
I will say that in-
But I mean, he's alive, he's fine.
In the case of the astronauts,
it regulates after a couple months.
So maybe Mike will just gradually go back.
Gradually go back.
Gradually go back.
So what we're saying is remove gravity.
Our fix for Mike is send him to space and remove gravity.
Well, no, because we're assuming that he was exposed
through Wonka Vision to a super field of gravity,
as they say.
And so returning to Earth's gravity
will gradually return him to his normal height,
just like that.
But if we wanna do it faster,
so that by the end of the show,
we can have him walk across the stage
and reassure the children that he's fine,
we gotta send him to outer space
and then bring him back.
Gotta be space.
All right, let's let Gil know.
All right.
That's our actor who's playing.
Hey folks, thank you so much for hanging in there with us.
We hope you enjoyed yourself for this half hour.
I know I have, this has actually been the most fun.
I shouldn't say that.
It's a joy, it's a joy.
Theater is a joy and it's a gift.
And we hope that you can make it.
If you can come this weekend or next, it'd be cool.
It's in a park venue.
You're not familiar.
Yeah, you can sit outside, bring a cooler.
Because we had some people come from outside Huntington.
We did.
It's an outside park amphitheater.
So it's like bring your own lawn chairs
or blankets or whatever.
We don't have seating.
You just find your spot.
You can bring a cooler or a picnic basket or whatever,
food and drink and make a whole evening of it.
There's like a kids' pre-show that our kids are in
where they do like Broadway songs.
We'll be there.
My dad's grandpa Joe, so he'll be there.
It's gonna be fun.
Come on out.
You'll see us running around backstage
and in the wings trying to fix things
at the last minute, probably.
Please feel free to say hi.
That is gonna do it for us for this week.
Thanks to taxpayers for the use of their song,
Medicines, as the intro now to our program.
And thanks to you for listening.
That's gonna do it.
Until next time, my name is Justin McElroy.
I'm Sydney McElroy.
As always, don't drill a hole in your head. All right!
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