Scary Horror Stories by Dr. NoSleep - I Work at a Motel Where No One Ever Checks Out | Part 2

Episode Date: May 20, 2026

Listen to all 3 parts now with a 7-day FREE TRIAL of Dr. NoSleep Premium: ⁠⁠https://www.patreon.com/cw/drnosleep⁠⁠ – Cancel anytime. No commitment. At Perkins Place Motel, no one ever c...hecks out—and when a murdered guest refuses to stay gone, the vacancy meant for someone new becomes a nightmare the whole motel must answer for. But as loyal handyman Jensen is drawn deeper into the Perkins’ brutal “policies,” the truth behind the motel may be even more horrifying than the guests trapped inside it. Huge thanks to our sponsors: BetterHelp: Sign up now and get 10% off at⁠ ⁠⁠⁠betterhelp.com/dns⁠⁠. Quince: Go to ⁠quince.com/dns⁠ for free shipping and 365-day returns. Shopify: Sign up for your $1 per month trial today at ⁠shopify.com/dns⁠. Author: Jake Bible Check out Jake's latest collection of stories, They All Bleed: Ten NoSleep Stories, Volume Two ⁠https://www.amazon.com/dp/B0G96H432Y⁠ * * * CONTENT DISCLAIMER: This episode contains explicit content not limited to intense themes, strong language, and depictions of violence intended for adults. Parental guidance is strongly advised for children under the age of 18. Listener discretion is advised.  #drnosleep #scarystories #horrorstories #doctornosleep #horrorpodcast #horror Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 From Disney and Pixar, Toy Story is back. Woody! I came here as fast as they could. It's been too long, Cowboy. Featuring Taylor Swift's all-new-new-song, I knew it, I knew you. I remember I loved you. Came back when it mattered I saw you.
Starting point is 00:00:15 Our mission on this planet is to make a child happy. Man, it's been a while, but I knew it, I knew you. You make us proud to be toys. Disney and Pixar's Toy Story 5, now playing only in theaters, to get available now. Want to listen to the full three-part series today without waiting? Start your seven-day free trial of Dr. No Sleep Premium now. Just go to patreon.com slash DR. No Sleep to sign up.
Starting point is 00:00:44 Cancel any time, no commitment. That's patreon.com slash D.R. No Sleep. Part two. Housekeeping. Hold your horses, Jensen. Mrs. Plum snaps when I come rushing into the motel office, shouting about room 24. I'm busy with guests. Miss Belinda stands at the office desk, leaning as far away from Mr. Caldwell as possible,
Starting point is 00:01:10 who is busy smirking at her in that Mr. Caldwell way that makes everyone uncomfortable. It even makes the people in my head uncomfortable. Right, people in my head? Very uncomfortable. I know, Mrs. P., but there's an issue with room 24. What issue? Miss Belinda asks. I'm switching to that room. Mrs. Plum and I were just discussing the issue.
Starting point is 00:01:33 Discussing! I have yet to make a problem. determination as to whether or not you shall switch rooms. It all depends on who our new guest is. About that new guest, Mr. Caldwell says, I'd like to make a request if I could. He sneers at Miss Belinda, which makes me think of doing bad things to him. I never would, of course. Harming a guest is against policy. A request, since the current guests are too uptight to know how to have a little fun. Mr. Caldwell continues. What kind of choices are we looking at? Do you have a brochure or a binder with the candidates, I'd love to see some head shots, and some body shots, if you know what I mean.
Starting point is 00:02:10 Spice it up around here a bit. Mr. Caldwell? Mrs. Plum asks. Yes, ma'am. Get out of my office now, please. I do not enjoy or condone what you are insinuating. You will leave now. You will also leave our young female guests alone.
Starting point is 00:02:27 Hey, now, no need to be all weird about things, Mrs. Plum. I was just being inappropriate. She smiles. and I force myself not to gasp. It's not her good smile. No, sir. Although a guest has recently been dispatched, and the next dispatching isn't scheduled for quite some time,
Starting point is 00:02:45 I can make an exception. Should I make an exception, Mr. Caldwell? No, ma'am. He answers immediately and hurries to the office door. I was only joking around anyway. You know that right? He looks to me. Tell them, Jensen.
Starting point is 00:02:59 I was just joking around. Sure, Mr. Caldwell. Whatever you say. I reply, wringing my hands. I'm not good with confrontation. I mean, sometimes you people in my head can get a little spicy, as they say. But I know that you don't mean nothing by it. Mr. Caldwell?
Starting point is 00:03:17 Mrs. Plum says. Right. Sorry again. I'll be on my way. He leaves quickly. Okay, Mrs. P., you have to... I start to say. Jensen, I am with a guest.
Starting point is 00:03:30 Please wait for your turn. But Mrs. Plum, Like I said, there's a problem with room 24. Jensen, I will not warn you again. Step over to the wall and wait. Mr. Sparks is still occupying the room. My words echo around the office. Mrs. Plum narrows her eyes at me.
Starting point is 00:03:50 Miss Belinda puts both hands to her mouth, her eyes wide with shock. I know how she feels. The silence in the office is thick with yuck. Do you feel it too, people in my head? I bet you do. Speak. Jensen. Mrs. Plum says to me. Okay, yes, speak. I take a deep breath. So, I was going to clean the room,
Starting point is 00:04:13 but then Miss Belinda came up, and we talked. Then Mr. Caldwell came up, and we talked. Then Mr. Amalfi showed up and was angry about the dust on his TV. Did he ever come by? Anyway, doesn't matter. So, what about the dust on his TV? Mrs. Plum asks, Do I need to have a word with housekeeping? Oh, no. I have a whole note conversation. going on with housekeeping. I'll leave another one. If they are not living up to the Perkins standards, then that is a problem, Jensen. You would alert me to any possible problems, right, Jensen? Oh, yes, of course, Mrs. P., but like I was saying, Mr. Amalfi came up and we talked. Then I was able to get into the room. I swallow hard. I saw the mess and was going to clean it all up.
Starting point is 00:04:59 But then the toilet flushed. The toilet flushed? Yes. Who flushed it? Mr. Sparks did. He hasn't vacated the room. You said that. I don't believe a word of it. Mr. Sparks was properly dispatched. Miss Belinda shivers at the word dispatched, but Mrs. Plum doesn't seem to notice and keeps on talking. Once a guest has been dispatched, Jensen, they no longer exist. Not on this plane, not on any plane. I used to love flying on planes, Miss Belinda says. I am sure you did, dear. Mrs. Plum responds. Then she lets out a slow breath. Jensen, what is this really about?
Starting point is 00:05:41 Really about Mrs. P? I don't follow. Obviously, you have an issue with cleaning room 24. Sounds to me like you procrastinated for some time. Using conversations with guests as an excuse not to do your job. What? Oh no, Mrs. P. That's not the case at all. Mr. Sparks is still in room 24. Or, he's not looking so great if I might say so, but he certainly has not been dispatched.
Starting point is 00:06:09 Are you saying I don't know how to do my job? I gasp and press myself against the wall. No, Mrs. P., I'd never say anything of the sort. Then why make something like this up? I didn't make it up, gosh darn it! Miss Belinda's eyebrows shoot up at my use of profanity. Mrs. Plum only shakes her head. Go clean the room, Jensen.
Starting point is 00:06:31 I do not know what your intention was with this little. interaction, but we'll discuss it later." She smiles at Miss Belinda. After our guest and I finish conducting our business. I could keep arguing. I should keep arguing. But Mrs. Plum sure seems to have made up her mind, which gets me to wondering if maybe I'm mistaken after all.
Starting point is 00:06:52 Mr. Sparks was dispatched by Mrs. Plum. There's no way he's still in room 24. That just is impossible. Sorry for bothering you, Mrs. P., I say and bow my head as I walk to the office door. Same to you, Miss Belinda. I'll go clean the room now. Mrs. Plum doesn't even acknowledge my leaving the office, which I probably deserve, having interrupted her dealings with Miss Belinda. My fault, my fault, I muttered, right? It's my fault. You don't have to answer that, people in my head. It's what they call a rhetorical question. I crossed the parking lot and hurry down the cement
Starting point is 00:07:29 walkway, aimed straight for room 24. When a screen gets my attention, I see Miss Wanamaker backing out of the doorway of room 24. Oh no! Miss Wanamaker, what have you done? I shout and run as fast as I can down the cement walkway until I reach her. She is shaking and crying. What happened? Why is he like that? She whispers when I reach her. Hey, come on now, Babs. It's me.
Starting point is 00:07:53 Charlie, Charlie Sparks. We've been practically neighbors forever now. Mr. Sparks says as he steps into the doorway. Then he sees me and smiles. Hey, Jensen, you get my fresh betting, buddy? I, uh, no, sir, I didn't. Um... I don't know what to say. If you people in my head want to chime in, go for it.
Starting point is 00:08:15 Someone needs to tell Mrs. Plum, Miss Wanamaker says. I did. Okay, good. Is she on her way? Not exactly. Mr. Sparks laughs. She didn't believe you, did she, buddy? I shake my head. Typical Plum. Oh, well. She'll come around. soon. It's not like she can fill the room if it isn't vacant.
Starting point is 00:08:36 He sneezes and a strip of skin plops off onto the cement. Bless you, I say. Miss Wanamaker screams and runs to her room, slamming the door behind her so hard, I worry I'll have to check the frame for cracks. Mr. Sparks and I stand awkwardly for a minute. Um, do you mind if I continue cleaning? I ask. Go for it, buddy. Someone's got to fix this mess of a room. Thanks. Then I look around for my trash car. Where'd my... Cooper. Mr. Spark says.
Starting point is 00:09:07 My shoulders slump. Are you sure? Pretty sure. Watched him grab it and roll away laughing. Why were you laughing? Nobody. He was laughing. Cooper was.
Starting point is 00:09:19 Oh, right. I sigh and looked toward the end of the Perkins. I'll be right back. Take your time. I'm not going anywhere. Yes, and that's the problem. But I don't dare say that. That thought is just for you, people in my head.
Starting point is 00:09:35 I walk down to the far end of the motel, climb the stairs, then stop at room 329. Taking a deep breath, I knock. No! A gruff voice shouts. Mr. Cooper? It's Jensen. No response. I take another deep breath. Um, I need my trash cart, please. You can't have it, you, poob!
Starting point is 00:09:57 Mr. Cooper shouts. Go away. I can't go away, sir. I need to clean a room. The door jerks open and a middle-aged man wearing only boxer shorts and a t-shirt that reads, Hell is a state of mind, and I'm the governor.
Starting point is 00:10:11 What did you say? He snarls. I need my trash cart, sir. After that? After what? After you said you needed your trash card. Why do you need your trash card? I need to clean room 24.
Starting point is 00:10:26 That's where the trash card was when I took it. I know. I left it there. But room 24 isn't vacant. I saw that sparks guy in there. He didn't look so hot. He was dispatched. By who?
Starting point is 00:10:38 A blind juggler using chainsaws? Um, no. By Mrs. Plum. It, um, didn't take. No shit. I stand in wait while Mr. Cooper eyes me. May I have my trash cart back, please? I try to look past him into his room, but he shifts and blocks my view.
Starting point is 00:10:57 I don't have your damn trash card. Oh, um, Do you know where it is? Of course I do. I told you I took it, you stupid boob. Mr. Cooper can't be quite mean when he wants to, and he seems to want to a lot. Can you tell me where the card is, please, Mr. Cooper?
Starting point is 00:11:14 Mrs. Plum is going to be pretty darn cross with me if I don't keep cleaning room 24. How you're going to clean a room that isn't vacant, huh? You think of that? Oh, as you people in my head all know, I have thought about that. A lot. But I'm not getting into this with him.
Starting point is 00:11:30 Mr. Cooper growls, hawks up a lugie, and tries to spit it past my shoulder and out under the walkway. He misses. I choose not to look at my right shoulder. Fine. I'll tell you since he won't go away, you stupid boob, Mr. Cooper shouts. I fed it to room 3.30. You happy now? While I suspected guests might be listening to our conversation, since it is quite a loud conversation, especially from Mr. Cooper's side, it's the collective gasp I hear. that confirms the eavesdropping. The man grins at the attention. Yep, you heard me right. I fed the whole damn cart to room 3.30, except for that bloody bedspread. I'm keeping that. You hear me?
Starting point is 00:12:13 I gulp and try to come to grips with what he's told me. You, you fed my trash cart to room 330? Why? Because none of you boobs ever feed that damn void. All night and all day I hear that rumbling emptiness. It's hard to sleep or watch my donkey-borne when all I can hear is moan, rumble, grumble, moan, rumble, grumble. Would it kill you boobs to feed it regularly? Mr. Cooper has a point. I wish he didn't, but he does. My apologies, Mr. Cooper. I didn't know it was disturbing you so. I leaned back and turned a look at room 3.30. When you say you fed it? Oh, that cart's gone, kid. gone for good. Unless you want to go spielunking into the void,
Starting point is 00:12:59 you can forget about that trash cart. Well, that's unfortunate. Not for me. I got a bloody bed spread, and hopefully I'll get a good night's sleep without that damn room bitching and moaning. He slams the time in my face. Okay then.
Starting point is 00:13:14 Goodbye, Mr. Cooper. Thank you. I say to the closed door. I give room 3.30 a last look, then hurry downstairs. Starting a business always sounds exciting until you realize how many little things you suddenly have to figure out. We've experienced that firsthand with no-sleep coffee. Getting the idea was the fun part, but then came building the website, making it look professional, adding products,
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Starting point is 00:14:41 Please play responsibly. If you have questions or concerns about your gambling or someone close to you, please contact Connects Ontario at 1-866-531-2600 to speak to an advisor. free of charge. BetMGM operates pursuant to an operating agreement with Eye Gaming, Ontario. I have to sneak my way around the back of the Perkins to get to the supply room that connects behind the main office. I'm sneaking because if Mrs. Plum finds out that I lost a trash cart, well, she will not be pleased with me to say the least.
Starting point is 00:15:11 Finding my spare, which has a bad wheel and smells of 20-year-old axe body spray and even older moldy gym shorts, I ease it out of the supply room. hurry back around the Perkins until I'm in the parking lot once more. I pause and look toward the office, but I don't see an angry Mrs. Peek come roaring after me. So I pushed the card over to room 24. That Cooper is a piece of work, right? Mr. Sparks says when I rolled the spare cart up to open his door. He frowns.
Starting point is 00:15:40 Where's your other card? You let Mr. Cooper take it. I reply with a little attitude. I instantly feel bad about it. Sorry, Mr. Sparks. Didn't mean to get upset. It's all good, buddy. Don't sweat it.
Starting point is 00:15:54 I smile and give him an apologetic nod. Then I start in on cleaning up the broken lamp and the cracked TV and the decimated alarm clock. When I open the closet, Mr. Sparks grabs me with a blood-tacky hand. Hold up now, Jensen. Sorry, Mr. Sparks, but Mrs. Plum says I have to clean the room. That means removing all of your personal belongings. To hell with that! Permission rescinded, Jensen.
Starting point is 00:16:19 you may leave now. Um, but Mr. Sparks, Mrs. Plum said for me, don't care. Get out. Man, some people can just be difficult. Not you people in my head. No, you are all wonderful, delightful folks. Reluctantly, I leave room 24 and roll the spare card off the cement sidewalk and across the parking lot. At least I can empty the little bit I was able to clean up.
Starting point is 00:16:47 Jensen! Mrs. Plum shouts. I turn around and see her storming toward me. Yes, Mrs. P. Where do you think you're going? I can tell that the cart is not full. Why is it not full if you just cleaned out room 24? Mr. Sparks wouldn't let me take his personal belongings.
Starting point is 00:17:04 Wouldn't let you? Wouldn't let you? Need I remind you that he is no longer a guest here at the Perkins? He has been dispatched. I start to agree with her because that's the safest thing to do. But then I look inside my backup trash cart and see what little trash I was able to take from room 24. I'm sorry, Mrs. P., but you are wrong.
Starting point is 00:17:25 Mr. Sparks has not been dispatched, and if you would go to his room and look for yourself, you'd see that I am right. Her eyes go wide, and she takes a step back. That sounds like sass! And we have a no-sass policy here at the Perkins, Jenkins. You know that! It's not sass, ma'am.
Starting point is 00:17:45 It's the truth. I aim my chin at room 24. Go see for yourself, please. If I'm wrong, I'll willingly take any punishment I deserve. You certainly will, Jensen. You certainly will. She glares at me, then turns to face the room. All right, let's see about this. If he is not in that room, Jensen, things will not go well for you.
Starting point is 00:18:07 I understand, Mrs. P., but he's in there. She sniffs loudly, then stompes toward room 24. I look about and see faces ducked behind curtains in several rooms. It's quite a show this evening at the Perkins. Quite a show indeed. Whistling some tune I heard in my head one day, I walked the cart around the east side of the Perkins and over to the pair of dumpsters sitting behind a broken fence and collapsed gate. I really should fix this fence and gate. But I just can't seem to find the time.
Starting point is 00:18:39 The dumpsters are overflowing, and I have to be careful to place all the trash from room 24 on top of the the precarious piles. A mumble comes from inside the left dumpster, then a loud belch, and the trash shifts violently, spilling several items out onto the ground. I hurriedly toss the bits back up onto the file, then almost run away with my spare trash cart. It's never a good idea to wake a sleeping dumpster. I learned that the hard way once. Back in the parking lot, I stand and look about. I'm sure what to do next. I mean, I have plenty of work. I'm simply not sure where to start. Jensen! Oh, right, room 24 in Mrs. Plum.
Starting point is 00:19:18 I roll my spare trash cart that way, having to stop several times to kick the bad wheel back into place. I'll add fixing the wheel to my list of tasks. Jensen, you are lucky that you have a role to play here at the Perkins, or I would put you out on your behind this very instant. Mrs. Plum shouts at me. I'm sorry, Mrs. Plum, but why would I be put out of my behind? Because, like I told you,
Starting point is 00:19:42 Mr. Sparks has been dispatched. He is not in that room, Jensen, and I am not pleased with how you have wasted my time. She storms off before I can reply. I glance into the room, still a mess, still very bloody. But I don't see Mr. Sparks anywhere. Okay, people in my head. You have to be honest with me. Did I imagine Mr. Sparks still being here?
Starting point is 00:20:05 You'd tell me if I did imagine him, right? Okay. Where do I start? I say out loud as I turned in a... circle and assess all the damage. Probably should wash the blood off the walls first. Hey Jensen, that you? I scream and jump, looking about for the source of the voice. Mr. Sparks? Is she gone? Yes. Okay, good. The bed shifts, the mattress lifts, and Mr. Sparks comes crawling out of the frame. He's not graceful about it and leaves a few strips of skin behind before he collapses
Starting point is 00:20:38 onto the bloody floor. He laughs and looks up at me. Man, I thought she was going to find me for sure. Um, Mr. Sparks, hiding from Mrs. Plum isn't going to work. She will find you eventually because a new guest will be staying in this room. What will you do then? Keep hiding under the bed? Technically, buddy, I'd be hiding inside the bed since it's a closed frame. I don't believe that will make much difference in the long run, Mr. Sparks.
Starting point is 00:21:06 He rolls his eyes. No, I suppose it won't. But a guy has to try. He holds out of hand, the one with three fingers. Help a guy up? Um, sure. I try not to cringe when I grasp his mangled hand. Pulling hard, I help him to his feet.
Starting point is 00:21:23 He stares at the blood on the wall above the bed. She really did a number on me, didn't she? He asks, but I don't answer. It's one of those rhetorical questions, like I talked to you people in my head about before. Right, Jensen? Oh, dear, maybe it isn't rhetorical. Right about what, Mr. Sparks?
Starting point is 00:21:44 That Mrs. Plum did a number on me. He waves his three-fingered hand in my face, then taps a strip of skin dangling from his neck. She just went to town. Is it always like this when she dispatches someone? I guess so. I don't see the actual dispatching. I only clean up afterwards.
Starting point is 00:22:03 But is there all this blood and violence? Most definitely. I've seen rooms ten times worse than this. Seriously? Damn. There's a knock at the door, and we both turned to see Miss Belinda standing in the open doorway. Oh, wow, Jensen.
Starting point is 00:22:20 You weren't kidding. He did refuse to be dispatched, she says, stepping into the room. Surprisingly, she closes the door behind her. How'd you do it, Charlie? How'd you stop her from dispatching you? Oh, it was simple, really. Mr. Spark says, then frowns.
Starting point is 00:22:36 He cocks his head and narrows his eyes. I mean, I think it was. Huh, you know what? I don't actually remember how I avoided getting dispatched. Well, that's not good, Miss Belinda says. You should remember something as important as that. I know, right? Mr. Sparks chuckles and glances at the bathroom.
Starting point is 00:22:56 She came into my room, told me it was time to leave, and I told her to kiss my ass because I'm not checking out. We never check out, Miss Belinda says. Exactly, and that's what I said. She didn't care because she said I wasn't checking out. I was being dispatched. He swallows, and I can see his esophagus through a hole in his neck. Then it got really nasty, and the next thing I knew, I woke up in the bathtub.
Starting point is 00:23:22 The bathtub? Let me see, Miss Belinda says. Maybe there's a clue in there that we can... The door bursts open, and Mrs. Plum is standing there. I knew it! She yells, a machete in her hand. I knew you were hiding. I could smell your fear! Mrs. P? Is that my machete? Please be careful with that. It's my last one. Mrs. Deckwood broke my spare when she attacked Mr. Hush, Jensen. This is important Perkins' business. Yes, ma'am. She points the machete at Mr. Sparks. You are coming with me. I am going to have to decline that invitation, Mr. Sparks says. He pushes me away and tries to lift the mattress.
Starting point is 00:24:02 I'll be in here. I will not go willingly. Just try to get me out to dispatch me. Dispatch you? Oh, we are well past that point, Mr. Sparse. Mrs. Plum says with a laugh. Then she looks at Miss Belinda. Your request to move rooms has been denied. Please return to your forever and permanent room now, Miss Belinda. Miss Belinda doesn't argue. She does look very sad and disappointed, though.
Starting point is 00:24:26 That was awful mean of Mrs. Plum to deny Miss Belinda's request like that. I try to catch her eye and wave, but Miss Belinda keeps her head down and squeezes past Mrs. Plum. The machete aims at Mr. Sparks as he clumsily tries to lift the mattress up so he can hide inside the bed, although it can't really be called hiding if we all know where he is. What do you think, people in my head? Is it hiding or not? Stop that, you fool! Hiding in there will not stop what is going to happen to you.
Starting point is 00:24:56 Mrs. Plum leans out of the room and looks to her left. Housekeeping! Oh, come on! Mr. Spark shouts, still struggling with the mattress. Do you have to call those crazy? Ah! Six women wrapped in soiled bed sheets from head to toe, race into the room, and grab Mr. Sparks by his arms,
Starting point is 00:25:14 by his legs, by his crotch area, and lift him over their heads. He screams and thrashes and cries the whole time, but I know he's just wasting his time and energy. When housekeeping has a hold of you, you go where they take you. That's just Perkins' policy. They carry him out the door and off to the right. His screams echo across the parking lot. And I know doors are opening and heads are sticking out to see what the commot
Starting point is 00:25:36 motion is. That was awful, I whisper. You, Jensen. Mrs. Plum turns the machete in my direction. I cringe and draw away. Oh, stop that. I'm not going to harm you. You're not?
Starting point is 00:25:49 No, you fool. I want to apologize for not believing you earlier. My face twitches at those words. I'm not sure I've ever heard an apology for Mrs. Plum before. Have you, people in my head? Oh, what am I saying? If I haven't heard it, then you haven't heard it. That may not be perfect.
Starting point is 00:26:06 but it is science. I know that much. Well, aren't you going to say something? Mrs. Plum asks, waving the machete about. Oh, yes, of course. Thank you, Mrs. P. I appreciate that. Good. She turns on her heels and aims the machete out toward the parking lot. Come along, Jensen. Time to visit room 3.30. Mr. Sparks now has an appointment with the void.
Starting point is 00:26:31 She walks off like a general going to war, leaving me to stand there with my mouth hanging open. I slowly close it and shout, We're going where and doing what with Mr. Sparks? Thanks for tuning in. If you enjoyed the story, be sure to follow or subscribe and share the show with a fellow horror fan. I'll see you in the next one.

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