Scary Horror Stories by Dr. NoSleep - My Dad Left Me His Cabin in the Woods. The Basement Door's Nailed Shut.

Episode Date: July 15, 2026

A midnight call shatters Jude’s world with news of his father’s death, pulling him back into the family pain he thought he’d buried long ago. Drawn to a remote cabin his father secretly owned, J...ude uncovers a letter that was never meant for him — and realizes some doors in his family were never meant to be opened. Huge thanks to our sponsors: BetterHelp: Sign up now and get 10% off at ⁠betterhelp.com/dns⁠. Shopify: You don’t need anyone’s approval to make a living. Build your own business with a free trial at shopify.com/dns Author:  Jake Bible Check out Jake's latest collection of stories, They All Bleed: Ten NoSleep Stories, Volume Two https://www.amazon.com/dp/B0G96H432Y Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 The first ever all-electric 2026 Subaru Trail Seeker is the EV for the Trail Obsessed, with up to 444 kilometers on a full charge and DC fast charging from 10 to 80% in about 30 minutes in ideal conditions. Plus, ample ground clearance and symmetrical all-wheel drive make the 2026 Trail Seeker the most capable EV Subaru has ever built. Test drive it at your local Subaru dealer or visit Subaru.ca. Hey y'all. It's Kelly Clarkson with Wayfair. Ever order furniture online and wonder what if? Like, what if it doesn't hold up? That sofa was four days old. You should have ordered from Wayfair. With Wayfair, there's no what if. Just style you love and quality you can trust. Visit Wayfair. Every style, every home. The call wakes me at three in the morning. The witching hour, as my mother used to say, back when I had a mother, back before it all went wrong. Hello?
Starting point is 00:00:59 I ask. Suspicious of the understanding. unknown caller ID. My head is groggy, my voice, a harsh rasp. I cough a few times to clear the flam. Hello? Who is this? Mr. Stevens? Jude Stevens? A man asks. Yes? Who is this? Do you know what time it is? I'm sorry, Mr. Stevens, but this is Sergeant Mickelson with the state police. I have some unfortunate news. I'm sorry to tell you that your father was killed in a car accident early this evening. What? No. That can't be. We had dinner earlier this evening. Yes, sir, I am sorry. Preliminary findings suggest he had a heart attack or stroke while driving home from a neighborhood bar, but we won't know for sure until the coroner releases his findings. Can you come by later this morning to make a positive ID?
Starting point is 00:01:52 The coroner's office opens at nine. I'm in a haze. I did literally just have dinner with my dad. Ribs at Victor's. He'd mentioned that he was going to meet some friends to play pool, and I said that sounded great and to have fun, to say hi to the guys for me. That's the last time we spoke. Mr. Stevens, are you still there? There's a muffled voice followed by.
Starting point is 00:02:16 Yeah, I think I hear him breathing. Mr. Stevens? Hello? Yes. Yes, I'm sorry. I just... Oh, I understand, sir. I'll leave your name at the coroner's front desk.
Starting point is 00:02:28 They'll show you straight to your father. I am sorry. sir. You have my deepest condolences. Yes. Um, thank you. I hang up and sit in my bed for a long while. Thinking of those ribs and the pitcher of cold Pilsner my dad and I had shared. It was a great evening, and they aren't always great. Through the years, most dinners with my dad were torture. He'd come home from work and just sit in silence as he ate, then go watch TV. She lost her mind, then lost her life, and it tore him apart. It tore us both apart.
Starting point is 00:03:10 There was a day, sophomore year of high school, when my dad picked me up and said he wanted to go get milkshakes. I knew my dad. I knew that when he changed the routine, something was going on, something unpleasant. Here he go. The waitress, Monica said, setting my strawberry milkshake in front of me.
Starting point is 00:03:29 Then she slid my dad's chocolate shake in front of him while he sat across for me. staring out the window. I had the mad extra malt. I hate malt. I cried. I know. I'm kidding.
Starting point is 00:03:42 No malt. You two enjoy. My dad said nothing as she walked away. I took a sip. It was great. Like it always was at Herb's diner. Dad continued to stare out the window, ignoring his chocolate milkshake. Always chocolate.
Starting point is 00:03:58 Dad? I asked, pushing my milkshake aside. What's going on? Why does something have to be going on? He asked, tearing his eyes away from the riveting view of the diner's parking lot. Can't I spend some time sharing a shake with you without there being something going on? Dad, he gave me a sad smile, then laughed. Okay, okay.
Starting point is 00:04:22 Yes, there's something you need to know. He took a long drink of his shake, then started coughing. I got up to slap his back, but he waved me off. Went down the wrong pipe. He chuckled when he finally could speak again. Phew, I hate it when that happens. Dad, what is it? He took a deep breath.
Starting point is 00:04:45 His eyes found mine. Your mother won't be coming home, he said. I sat there the taste of strawberry milkshake turning bitter on my tongue and frowned at my dad. A million questions swirled in my head. But, my voice faltered, and I had to focus to make my lips and tongue work. But you said she'd only be gone for a couple of weeks, that she'd be back home soon, that she'd get better. I know what I said. He stared down at his milkshake, then pushed it away.
Starting point is 00:05:18 You can have this. I didn't respond. His attention returned to the parking lot. I waited. My dad wasn't a man of many words. He said the right things when he needed to, but deep, heartfelt conversations weren't his forte. Not that he was closed off, he wasn't. It was just that he held a lot of the family pain, and I think he didn't want it to spill out onto me.
Starting point is 00:05:43 The few sips of milkshake in my stomach churned and threatened to come back up. I sipped air through my lips to calm my suddenly roiling guts. What aren't you telling me? I asked, shaking my head. The doctor said she'd get better. Could get better, not would get better. He rolled his eyes. They made sure I knew the difference when I argued that point, too. So?
Starting point is 00:06:07 What? She's staying at that Augustine asylum for the rest of her life? Um, no. He cleared his throat, tried to speak, cleared his throat again, all while refusing to look me in the eye. Not for the rest of her life, because... His voice trailed off. And I realized at that moment that my dad was really not all right. He had been doing a great job of holding it together.
Starting point is 00:06:31 But he was cracking fast. Let's get out of here, I said. His hand shot out and grabbed my wrist, pinning my arm to the table as he stared at me. She bit off the nose of another patient, then tried to strangle the second one before they could pull her off and sedate her. Images of my mother screaming at me in the kitchen, while dinner boiled over and the smoke detector blared filled my head. I could see her clear as day, a melted spatula in her hand. her face a mess of badly applied makeup and dried bits of whatever she'd eaten for lunch or breakfast. I could smell the flames, the burnt plastic, the blood as I looked down to see my pinky finger dangling by a thread.
Starting point is 00:07:12 She nearly chopped it off when I'd reached for a carrot stick on the cutting board. Then my mom wrapped me in her arms and apologized over and over and over, her tears wetting the top of my head while my hand dripped blood. I am so sorry, Jude. I never want to hurt you. You're my special boy. My very special boy, you'll always be there for me and I'll always be there for you." I shook the memory off and looked around. The other diner customers were staring and even Big Herb watched us closely from the kitchen's order window. Let's go. I snapped and yanked my arm away. Dad, everyone is staring. I want to go.
Starting point is 00:07:50 He got a look in his eye, then shook his head. Glancing about the diner, he saw the concerned faces, with a few of those faces changing from concerned to bordering unhastal. Oh, crap, crap, crap, crap, crap. Sorry, Jude. I'm so sorry. He stood up and threw some cash on the table, then caught Big Herb's eye. Sorry about that. Rough day.
Starting point is 00:08:13 Big Herb nodded, but didn't say anything. All eyes were on us as we left. Once back in the truck, I asked, Can we go see her? He laughed and rubbed his face. Man. I screwed this up. Then he looked over at me, tears falling down his cheeks.
Starting point is 00:08:31 No, Jude, we can't go see her. She's dead. Your mother killed herself. Dad started up the truck and drove us home without saying another word. This episode is brought to you by Accenture. When your advertising operations fall out of sync, everything else follows. Spotify and Accenture are working together to reinvent the rhythm of ad sales, Using automation, analytics, and smarter workflows to simplify campaign delivery and access better data across the business.
Starting point is 00:09:05 The result? Less time spent on operations, more time connecting brands with the moments and fandoms that matter most. Learn more at Accenture.com slash Spotify. My name is Peter Parker, but I'm also Spider-Man. This July, we're faced with a threat. That can be anyone. The world may have forgotten Peter Parker. I'm just a neighbor, friendly neighbor. But he hasn't forgotten them.
Starting point is 00:09:32 Sometimes Spider-Man has to do the hard thing. That's my responsibility. Talk to Banner? I didn't know you could get that big. Spider-Man, brand-new day. In theaters, July 31st. Seeing my father on the metal slab, all laid out with only a thin sheet covering most of his body is tough.
Starting point is 00:09:54 Even after all the hell I've been through in life, you just can't prepare yourself for something like this, especially with how his face looks. What's wrong with him? I ask the coroner's assistant. Sir? His face? Why is it like that?
Starting point is 00:10:11 All, uh, freaky looking? That's really a question for the coroner. He looks around, then leans close. But if you ask me, he got scared. That's fright. Fright? Seriously? Like he was scared to death?
Starting point is 00:10:27 When the assistant doesn't argue? argue with me. I laugh. You have to be kidding. This is a joke, right? No, sir. I've seen it plenty of times. I'm not saying he was scared to death, like whatever frightened him was the cause. But he was scared at the end. He was driving, so he may have realized what was happening, whether it was a heart attack or stroke, and panicked at the end. But I'm not kidding when I say whatever he saw terrified him. Jesus. That's nuts. Not the most nuts we're not.
Starting point is 00:10:59 seen, I can tell you that. He laughed. I didn't. He cleared his throat. Um, sorry, but I need your official verbal acknowledgement that this is your father. Yes, that's him, I say. Do we need to sign anything? Yes, I have paperwork ready for you. This way. It takes about 30 minutes, and after, I decide that despite it still being a couple of hours before lunch, I'm going to have a damn milkshake. When I pull up to Herbs Diner, I sit for a moment and stare at the restaurant. This isn't where Dad and I had just eaten dinner, but despite some bad memories, it's our spot. Or it was. I get out and walk inside. Hey Jude, Monica says. Good to see you. How's your pop?
Starting point is 00:11:48 My dad died last night. I say it walked to our usual booth. What? Monica exclaims and tosses a stack of menus onto a table in front of a startled family as she follows me. How? When? They think it was a heart attack, maybe a stroke. Something scared him while driving home last night after playing pool. Oh my God. You poor thing!
Starting point is 00:12:11 She presses her hand to her chest. You order whatever you want, sweetie. It's on little herb and me. Monica married into the business. Best thing they could have happened to herbs. Thanks. Um, can I get a milkshake? Strawberry?
Starting point is 00:12:27 Coming right up, sweetie. She is off and into the kitchen way faster than her trademark, casual saunter. I watch her and can just barely hear her crying to Little Herb. When I look away, I see some regulars. Their face is filled with sympathy. Luckily, they give me space. Except for one older woman sitting toward the back, she's staring at me with huge, wide open eyes.
Starting point is 00:12:52 I look out the window at the parking lot. When I look back, she's still staring at. me. Here you go, sweetie, Monica says, blocking my view of the woman as she sets my milkshake down. Extra large, double-wipped cream, just how you used to get it when you were a kid. Thanks. And I had little herb throw on a burger for you. She holds her hand up before I can argue. If you don't eat it now, take it home with you. You need to keep your strength up. Waitress? The man from the table with the family calls. Can we order now? Monica pats my shoulder.
Starting point is 00:13:26 You hang out here as long as you want, sweetie. Then she's off to take the family's order. The woman in the back is gone. I glance around, but don't see her anywhere. Just waiting on the paperwork to clear probate. Which shouldn't take long since your father hasn't excellently drawn up will. He grins at me like I'd find his joke funny, since he's the one who drew up the will.
Starting point is 00:13:52 I don't find it funny, and his grin falls away after a couple of seconds of dead silence. To cut to the chase, it all goes to you, obviously, everything. He rummages through a stack of papers and pulls out a thick envelope. He slides it across his desk. Here, your father clearly stated that the cabin goes to you immediately if anything happens to him. We set up a trust so that probate wouldn't delay anything.
Starting point is 00:14:17 The deed and keys are in the envelope. He said to... He digs through the pile of papers again, finding what he was looking for. It's a piece of lined paper that looks at. It looks like it has my dad's handwriting on it. He said to go there right away. That's what he wanted instead of any service or funeral. He wanted you to go alone right away.
Starting point is 00:14:37 I laugh. You must have the wrong family's will, because we don't have a cabin. The lawyer cocks his head and checks the stack of papers. No, this is the Stevens estate paperwork. I am quite correct. He opens the envelope and pulls out the deed. 16 acres out at Sawmill Gap, a two-room cabin with a springhouse and two outbuildings, purchased outright in 2006.
Starting point is 00:15:03 2006? I was a sophomore in high school. That was the year my... He waits for me to continue. Then I can tell he makes the connection. Realizing 2006 was also the year my mother took her own life. Yes, about that, he says without mentioning my mom. He checks the lined paper again. He left a letter there for you to read. A letter? In the cabin I never knew about?
Starting point is 00:15:30 Um, yes. I take the deed and keys, thank the lawyer, and get the hell out of there. Sitting with a beer in my hands, I stare at the envelope with the cabin deed and keys in it. I've tried to open it several times. The first attempt was four beers ago. Taking a deep breath, I grabbed the envelope and dump the deed and keys out onto the coffee table. Sawmill Gap. Why does that sound familiar?
Starting point is 00:16:00 My phone rings, and I jump, nearly spilling my beer. Hello? Are you this evening? I'm sorry, but who is this? Station facility. Where your mother resides? I have been trying to get a hold of your father, but he didn't pick up. That's when I tried his emergency contact, which is his lawyer,
Starting point is 00:16:30 who told me the awful news. I am so sorry for your loss. Only two of her words land in my brain. Mother and resides. My mother is dead, I say. Yes, well, we are still, um, separating bodies from the Dwyer was so hot that it's been hard to get in there right away. Ambiguous news, but it needed to make you aware of what was happening.
Starting point is 00:16:59 We hope she made it out of the building and as in the surrounding woods. We have found a few patients there so far, so, as I said, we are hopeful, but we are also realistic. A horn honks outside. And I hear a man shout. Get out of the damn road, you're nuts. Still unsure about what is happening on this call, I stand and go to the window.
Starting point is 00:17:21 A car is speeding off with a man sticking his hand out the window, giving someone the finger. I think I see a person by the lamp post. Are they waving? Mr. Stevens? I blink and shake my head. The person has gone. Must have been a shadow.
Starting point is 00:17:38 What? Yes. I turn away from the window. Um, I'm sorry. But I'm really confused. My mother died back in 2006. Was. As I said, we're still sorting things out, 2006.
Starting point is 00:18:10 I can say that with certainty. She's been a patient here for two decades now. A very troubled patient, which I'm afraid may be why your father kept that from you. My knees go weak, and I have to sit down fast. My mother is alive? But she may also be dead, except by a fire. not because she killed herself 20 years ago? Killed herself?
Starting point is 00:18:39 Something slips through my confusion and surprise. Wait, Augustine Institute. That's close to Sawmill Gap, right? Yes, it is. There's some great fidget in the fishing when he'd visit your mother. I believe he stayed somewhere close to Sawmill Gap. It's only a 15-minute drive from the Augustine Institute. My eyes lock onto the deed and keys.
Starting point is 00:19:04 I take a deep breath. Do you need anything else for me? Do I need to come there and sign anything? Sure, what has happened to your mother? I promise to contact you the moment we know. Yes, please do that. I hang up and keep staring at the deed and keys. Then I grab both, bolt up from the couch, and head to my bedroom.
Starting point is 00:19:27 I throw some clothes and toiletries in a bag, then race outside and hop in my car. In my rear view mirror, I can see the spot where I thought I saw the woman standing there, waving. There's no one. I shake it off and get going. I have a four-hour drive ahead of me. Almost there, I finally stopped to pee and get a coffee at a gas station. Just as I pull into the parking lot, I notice a road sign stating that Augustine Mental Health Institution
Starting point is 00:19:56 and Rehabilitation Facility is only 13 miles ahead. What do you know about the Augustine Institute? I ask, the cashier as she rings up my breakfast of coffee, water, a Danish, and two bags of jerky. The Nut House? I know it burned down. She shakes her head. Her part of it did.
Starting point is 00:20:14 It was wild around here for a few days. Wild how? Freaking loonies wandering around. Some came walking out of the woods and tried to come inside here. No, sir, I locked the door fast. One of them even stole a car. It was the owner's son's car. He'd left it overnight because he had way too many four locoes.
Starting point is 00:20:33 He was pissed. Need a receipt? Um, no. Thank you. Have a good day. Keep too. And be careful out there. They still haven't found everyone. I nod, smile, and hurry to my car, more eager than ever to get to this unknown cabin and the supposed letter waiting there for me. On my way, I passed the turn for the Augustine Institute,
Starting point is 00:20:56 but suppressed the urge to go check it out. The director said she'd call me. By the time I reached the cabin, I don't know what to think. My head is a mess, but the cabin looks nice. The place is small, well maintained. In fact, it looks like Dad had put some work into it, keeping the place up over the years. Years that he never told me that he owned a damn cabin. I fished the keys out of the envelope, climb the porch, and unlock the front door. The inside is as put together as the outside. The furniture is old but in good shape. No damp or mildewy smell. I flip a light switch and am surprised when a lamp turns on. The place has power. What it doesn't have, is an envelope with my name on it.
Starting point is 00:21:42 I searched the cabin, top to bottom. No envelope anywhere. What the hell? I mumbled just as my phone rings. Yeah, I answer. It's nothing but static and noise with the far-off voice shouting. Dude? Yes?
Starting point is 00:21:57 I can barely hear you. Who is this? Mother's lawyer. Great. Where's the letter? You said there was a letter? More static. What?
Starting point is 00:22:11 I can't understand you. My phone makes three beats. and the call drops. I check, and there is one bar, then no service, then one bar, than no service. I hunt through the entire cabin for a landline, even though I don't remember seeing one while I was searching for the missing letter. I do find a basement door, however. I try it, but it won't open. I have to laugh. The obvious reason it won't open is the fact that it's nailed shut, which makes no sense whatsoever. I remember seeing a toolbox in the closet during my two fruitless searches and immediately fetch it. There's no hammer, but there's a pry bar at the bottom.
Starting point is 00:22:54 I get to work. By the time I'm finished getting the nails out of the door, I'm covered in sweat and dust, and it's three in the morning. The witching hour. The door opens with a squeak, and the stairs are lost in complete darkness after the first three steps. I feel around for a light switch, find one, and flick it. The stairs light up, and I descend, putting the back of my hand to my nose, warding off an unpleasant odor that fills the basement. It's like air freshener trying to cover up rotten garbage. Looking around, there's nothing much to see, some shelves, some boxes, and a recliner off in the corner. It's back to me. Weird. A creek from above tears my attention away from the recliner. I glance at the basement ceiling and can almost track the movement as someone
Starting point is 00:23:42 walks across the floor up there. Hello? I shout. Maybe the lawyer says, sent the police to check on me, since I couldn't understand whatever he was trying to say. Hello? The footsteps pause, then suddenly race to the basement door. It slammed shut. I'm sort of stunned, unsure of what to do for a couple of seconds. Then I sprint up the stairs. I try the door, but it's too late.
Starting point is 00:24:05 It's being braced by something. It doesn't budge at all. What the hell? Hammering starts instantly. Hey! I shout, throwing my shoulder against the door. It still doesn't budge. Hey, stop that.
Starting point is 00:24:17 Let me out. The hammering continues. Then silence. I try to force the door again, but it is solidly nailed shut now. Hey, open this door. God damn it! There's a light tapping, like fingertips drumming on the other side. We lock up the ones we love.
Starting point is 00:24:35 A woman whispers from the other side of the door. That's how we keep them safe. My insides become liquid, and I seriously worry I'm going to crap myself because... Because I know that voice. Mom? We lock family up to keep them safe. Mom? Mom, is that you?
Starting point is 00:24:55 Go say hello to your father. He's been waiting for you. Footsteps walk away from the door, and I faintly hear. We lack family up to keep them safe. I pound on the door but stop after a few minutes. Checking my phone, I see zero bars, not even an SOS symbol. I hurry back down the stairs. There has to be a way out.
Starting point is 00:25:17 A window or storm door or something. But there's nothing. No door, no window. Just shelves with some old camping gear. And the recliner. Go say hello to your father. He's been waiting for you. That's what she said.
Starting point is 00:25:31 Oh God. I walked to the recliner, pausing a few steps behind it. The smell is way worse. Sucking it up, I keep walking until I'm standing in front of the chair. Dad. Covered in bright green pine tree-shaped air fresheners. His face, frozen with terror, an envelope in his lap. I opened the envelope and read the letter.
Starting point is 00:25:53 It tells me everything. How he didn't want me to suffer anymore. So he took the burden of my mom fully on his shoulders, coming up often to visit her. Placing the letter back in the envelope, I put back on my father's corpse. Then I plop my ass down on the floor, dazed. Well, I suppose I'm no longer an orphan. I have a mom again, glancing toward the basement door. I realize that's not exactly a good thing.
Starting point is 00:26:21 Thanks for tuning in. If you enjoyed the story, be sure to follow or subscribe and share the show with a fellow horror fan. I'll see you in the next one.

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