Screaming in the Cloud - Find and Eject the Wizards with Danielle Baskin
Episode Date: December 15, 2021About DanielleDanielle Baskin is a serial entrepreneur and multimedia artist whose work has been featured in The New York Times, The Guardian, NPR, The New Yorker, WSJ, and more. She's also t...he CEO of Dialup, a globally acclaimed voice-chat app.Links:Dialup: https://dialup.comTwitter: https://twitter.com/djbaskinCofounder Quest: https://cofounder.questPersonal Website: https://daniellebaskin.com
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Hello, and welcome to Screaming in the Cloud, with your host, Chief Cloud Economist at the
Duckbill Group, Corey Quinn.
This weekly show features conversations with people doing interesting work in the world
of cloud, thoughtful commentary on the state of the technical world, and ridiculous titles
for which Corey refuses to apologize.
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N-E-T-L-I-F-Y dot com. Welcome to Screaming in the Cloud. I'm Corey Quinn. It's always fun when I get the opportunity to talk to people whose work
inspires me and makes me reflect more deeply upon how I go about doing things in various ways.
Now, for folks who have been following my journey for a while, it's pretty clear that humor plays a
big part in this, but that is not something that I usually talk about with respect to
whose humor inspires me.
Today, that's going to change a little bit. My guest is Danielle Baskin, who, among so many
other things, is the CEO of a company called Dial Up, but more notably is renowned for pulling a
bunch of, I don't know if we'd call them pranks. I don't know if we would call them performance art.
I don't know if we would call them shitposting in real life,
but they are all amazing.
Danielle, thank you so much for joining me.
How do you describe what it is that you do?
Thanks for having me.
Yeah, I've used a few different terms.
I've called it situation design.
I've called it serious jokes.
I have called what I do business art.
But you know, all the things you said,
shitposting IRL, that's part of it, too. It's been an absolute pleasure to just watch
what you've done since I first became aware of you, which our mutual friend Chloe Condon first
pointed me in your general direction with, like, or you think you're funny, you should watch what
Danielle is doing. That's not how she framed it, but that's what I took from it because I'm incredibly egotistical, which is now basically a brand
slash core personality trait. There you have it. And I encountered you for the first time in person,
I believe only time to date, at, I believe it was Oracle Open World on the expo floor.
She had been talking about you a couple of days before, and I saw someone who could only be
you because you were dressed as a seer to be at Oracle Open World. The joke should be clear to
folks, but we'll explain it later for the folks who might need to replay that a bit. And I staggered
up to you with, hey, are you Chloe's friend? Let me give listeners here some advice through counterexample. Don't do that.
It makes you look like a sketchy person who has no clue how social graces work.
No one is any context.
And as soon as you said no, I realized, oh, I came across as a loon.
I am going to say, never mind my mistake and walk away like a sensible person will after bungling an introduction
like that. I'm not usually that inartful about these things. I don't know what the hell happened,
but it happens often when we meet people that we consider celebrities. Sorry, for some of us,
that's you. Yeah. Also, you know, in fairness to you, I was probably fully immersed in character,
you know, being my wizard self.
And so I was not there to, you know, be pulled back to reality.
For some context, I was at Oracle Open Worlds because I made a thing called, same exact name, oracleopenworld.org.
But it's a divination conference for oracles, for fortune tellers, for wizards, for seers.
And it happened at the exact same place in time.
So there was a whole crew of people
dressed up with capes and robes
and tall pointy hats
doing tarot readings
and practicing our divination skills.
Now, I could wind up applying
about two dozen different adjectives to Oracle,
but playful is absolutely not one of them.
I would not ever accuse Oracle, or frankly,
any large company of that scale, of having anything even remotely resembling a sense of humor.
As someone who does have to factor in the not-that-remote possibility of getting kicked
out of events that I attend, how do you handle that and not find yourself, you know, arrested?
Oh, we were kicked out every single time. I've done this for four years.
The first year we were kicked out
just because we didn't have badges.
Like I made up our own conference lanyard.
Of course, there's security issues with that.
So the next year,
and we were pushed out onto the sidewalk,
but I wanted to be inside the conference
and closer to the building.
But the next year, I did like a two-layer conference badge.
So I put like the real one underneath the fake one.
So if security went up to us, we had the right to be there.
But what sort of happened, so like the first year we got kicked out was because we were all distributed.
Maybe there was like 20 of us.
Sometimes we were together.
Sometimes we were, you know Maybe there was like 20 of us. Sometimes we were together. Sometimes we
were having our own adventures. And my friend Brian decided to do a seance for the Deloitte
team. Well, that's Deloitteful. Tell me more. Brian has never done a seance before, but
he's a good improv actor and also a spiritual person. So this is like perfect for him.
But he asked the Deloitte team if they wanted to do a seance.
They were like, sure, because I think they didn't have anything going.
I mean, people are bored at this conference.
Oh, of course they are.
Especially if your boss flew you there to stand at your booth and you've been saying the same thing over and over again.
You're looking for something interesting. So he like grabs the pillows from a lounge area
and little tea light candles and makes a whole like circle
so that the team can sit down.
And he's wearing like a bright rainbow cape
and he stands in the middle.
And he could have like a booming voice if he wants to.
So he just starts riffing and going.
He just goes into seance mode.
And this was enough to trigger like security noticing
that something really weird
was happening. And when they went, they come over and say, what the hell is this? And the answer
was Kubernetes. I said, everyone can blame. If you get in trouble, just blame me. Just say like,
I'm, you know, I'm doing this with my friend Danielle and have them talk to me. I didn't
want to like, you know, I wanted more people to come and be wizards. I don't want them to worry
about it. So I will take all of the issues on me. But he said that he should talk to his manager, Danielle, or I don't know. He said
something that made it seem like we were all part of a company, which then makes it seem like our
whole project was secret guerrilla marketing for something. And we didn't pay for a booth.
We were not selling anything. We were just trolling or not trolling.
I mean, we're having our own divination summit. We were genuinely-
You were virally marketing is the right answer. And from my perspective-
Yeah, no, I wasn't doing viral marketing. But they think anything that's unusual and getting
people's attention has the ultimate goal of selling something, which is not a philosophy I live by.
Now, it feels like the weird counterintuitive thing here
is the way to get the blessing of everyone from this
would have, the only step you missed
was charging Deloitte for doing it at their booth
because it attracts attention.
Oh, sure.
I mean, Oracle should have been paying us
a lot of money for entertaining people.
And actually, like, genuinely,
I had some real heart-to-heart conversations
with people who wanted to have
a tarot reading about how should they talk to their boss about not listening to them.
And this is something magical that happens. When you are dressed up in costume and you are acting
really weird, people feel like they can say anything because you're acting way more unusual
than them. So it sort of takes away people's barriers. So people are very honest with me
about their situation. People, you know,
had questions about their family.
But anyway, I was like in the middle
of a heart-to-heart tarot reading
and security at Oracle was alerted
to find anyone with a cape,
like find the wizard,
find the wizards and kick them out
because they didn't pay to be here.
There's some weird marketing thing happened.
Find and eject the wizards
is probably the most surreal thing that they have been told that year. Oh yeah. And they didn't know why, like the
message, why did not transmit to all the security, but they were just told to find us like two guards
with their walkie talkies in their uniforms went up to me and they had to escort me off the premise,
which means we had to like walk through the conference together. And I asked them why. And they're like, we don't know. We were just told
to find you. Imagine them trying to find you, stopping and asking people, excuse me, have you
seen the wizard? It is hard to be taken seriously when asking questions like that.
Totally, totally. So yeah, unfortunately, we had to leave. And that has consistently happened
because I've done it four times. And the final year I went, there was a message before the event
even started that you're not allowed to wear a cape. The fact that you can have actual changes
made to company policy for large scale, incredibly expensive events like that is a sign that you've
made it. But it doesn't even point to any particular incident.
But yeah, it's cool to have this sort of lore.
When I asked, you know, in the last year I went,
I asked why can't we wear a cape?
And one of the event organizers, security,
I don't know what her role was,
but she said there was an incident the previous year.
Which she was talking about me and my friends.
Of course, that is the best part of it.
It's just lore that something once happened
with these like dark spirits
that tried to mess up the Oracle conference
with their magic.
Times change and events evolve.
Years ago, I attended an AWS summit
with a large protest sign that said on it,
AMI has three syllables.
And it got a bit of an eyebrow raise
from people at the door,
but okay, great.
Then people started protesting those events
for one of the very many reasons
people have to protest Amazon
and they keep piling more in that pile all the time,
which is neither here nor there.
And I realized, okay,
I can't do that anymore
because regardless of what the sign says,
I will get tackled at the door
for trying to bring something like that in.
And I don't try and actively disrupt keynotes. So, okay, it's time to move on and not get myself
viewed through certain lenses that are unhelpful. It's always a question of moving on and trying to
top what I did previous years. Weren't you also at Dreamforce wearing pajamas?
I did a few things at Dreamforce. One year, I literally set up a tent. They spend millions of dollars on
beautiful fake trees and rocks. And also, Dreamforce gets taken over every time the event
occurs. I did a few things. I thought I should like make it seem like this is real nature. So
I brought camping gear and a tent and just like, you know, brought a hiking backpack in and just
set it up in the middle of the conference floor, you know, by a waterfall. But there were like people in suits
networking around me that did not ask me any questions. And I just like stayed in the tent.
But then I decided to list it on Airbnb. So inside my tent, I was making an Airbnb listing,
telling people that they could stay at Dreamforce and, you know, explore the beautiful nature there.
That took like an hour and a half to get kicked out. The emails that you must have back and forth with places like Airbnb's customer support line and the rest have got to be legendary
at this point. I mean, I get interesting cease and desists. I wish there was more dialogue. I mean,
with Airbnb, I just got my listing taken down and I couldn't talk to
a human and even when I
got kicked out of Dreamforce
they wanted me to leave immediately
I totally snuck in I didn't have a badge or anything
so I guess
they're in the right for that but
the second year at Dreamforce
I wore a ghillie suit so I hid
so I stayed a little bit after
the conference ended by like hiding as a bush.
That is both amazing and probably terrifying
for the worker that encountered you
while trying to clean up.
Oh, I mean, often employees,
like, it depends.
Some people find my pranks really delightful
because it shakes up their day.
Security guards also find this amusing.
There's some type of organizer
that absolutely hates my pranks. There's something to be said for self-selecting your own audience.
One question that I'm sure you get, if I get it, I know you get it, where it's difficult for people
to sometimes draw the line between the fun, whimsical things that
you do as pranks and the actual things that you do. A great example of this is something you've
been doing for, I think, four years now, the decruiter. Yeah, the decruiter, a service that's
the opposite of a recruiter. In the first reInvent, AWS had a slide that was apparently made the night
before or something, and they misspelled security as decurity.
From that perspective, what's a decruiter?
Yes, I love decurity as a way to talk about infiltrating a space.
Like, no, I'm a decurity officer.
But yeah, a decruiter is basically a service where you talk to us to find out if you should quit your job. Instead of finding out if you
should work at a place or figuring out what opportunities there are, we discuss the unemployed
life or the in between, like either being self-employed between jobs, switching careers.
It's a whole spectrum, but there's a few recruiters and we're all like very experienced,
not having an employer or working for a company.
And so we ask people that, like, how would you spend your free time?
Like, what's your financial situation?
Are you able to afford leaving?
I mean, it gets pretty personal, but it's highly specific therapy.
But we also don't have a high acceptance rate.
I've only decruited like 15% of people that I've talked to.
Most of them realize that, oh, there's a lot of things I would have to do if I didn't have a job
and I'm just going to stay where I am. Well, I think a lot of people think that as soon as they
leave their job, like a lot of other things in their life will magically transform or they'll
finally be able to do their creative project they've always wanted to do, which is, you know,
this is true some percentage of the time, but I always encourage people to do things outside of work and
not seek their whole fulfillment through their job. There's plenty of time where you can explore
other ideas and even overlap them to make sure that like when you quit, you have things lined
up. But a lot of people don't know how to answer, what would you do if you suddenly left tomorrow
and could just float for three months?
What would you do?
And if people give me a good answer,
and this is similar to like, you know,
an actual job interview, I was like,
why are you excited about working at this company?
If people give me a good answer, that's a conversation.
But a lot of people have no idea,
but they're just stuck in a situation where
there's things they could do in their outside of work life that would make them feel happier.
And so that's why it's sort of like therapy. But there's a lot of internal company issues that I
talk about. A common reason that people want to leave is that they love their role. They love the
company's mission, but they do not like their manager. But their manager is like really good friends with the CEO and they absolutely can't
say anything. This is so common. They always say that people quit, they'll quit jobs, they quit
managers. And there is something to be said for that. Yeah, it's scary for people to speak up or
who do you write a letter to? How do you secretly talk with your team about it? Are you the only one feeling that way?
Typically, the people that are most nervous
about saying anything are kind of young.
They're in their early 20s
and they feel like they can't say anything.
But I encourage them to come up with a strategy
for making change within their corporation.
But sometimes it's not worth it.
If there's tons of other opportunities for them,
it's not worth them fixing their company.
It is also, I think, not incumbent upon people to fix their entire corporate culture unless they're
at a somewhat higher executive level. And that's a fun thing. TheDecruiter.com,
we'll definitely throw a link to that in the show notes, and I'll start driving people to it when
they ask me for advice on these things. But then you decided, okay, that's fun. You're one of those
people I feel has a bit of the same alignment that I do, which is why do one thing when I can do a bunch of things?
And you decided, ah, you're going to do a startup. And what is the best thing that you can do that
really can capitalize on emerging cultural trends? That's right, getting millennials to
make phone calls to each other. Tell me about that story.
Yeah, it's not just millennials, though. I'm millennial, so a lot of millennials use dial-up.
But yeah, I mean, dial-up started as a project where basically me and a friend set up a robocall
between ourselves. So like a bot would call our phones, and if we would pick up, we'd both be
connected, but neither of us was actually calling each other. So it was a way to just, you know, always be catching up with each other.
And so many friends asked me if they could join the robocalls.
And that was sort of the seed of dial-up is getting serendipitous phone calls throughout
the day that connect you to a person that you might know or might want to meet because
there's some overlap of interest or overlap of somebody you know. And it grew from me and 20 friends to now 31,000 people who are actively using it all over the
world. And these conversations can be really incredible. I mean, sometimes people stay on
the phone for four hours. People have like flown out to meet each other. I get notes every day of
like how a call has impacted someone. So that's what I'm up to now, but I'm trying to do
more interesting things with voice technology. I just like realize, oh, the voice as a medium,
it's just transports you to other worlds. You have space to imagine. I mean, you listening,
people listening to this podcast right now, they're not seeing us, but they probably are
imagining us what our rooms look like, what we look like.
They're imagining the stories that we're telling them without the distraction of video.
And so I want to do more interesting things with intimate audio, not broadcast stuff,
like not like clubhouse or spaces or anything like that, but just more interesting ways to
connect people in one-on-ones. Something I've noticed is that the voice has a power that text does not. It makes
it easier to remember that there's a human on the other side of things. It is far easier for me to
send off an incendiary tweet at someone than it is for me to call them up and then berate them.
Not really my style. And the more three-dimensional someone becomes in various capacities and the
higher bandwidth the communication takes on, I think the easier it is to remember that most people who don't work at Facebook wake up in the morning hoping to do a
good job today and extending empathy to the rest of the world. That's an important thing.
Yeah, for sure. It's incredible that humans can detect emotional qualities in a voice call.
It's hard to describe why, but people can detect pauses and little
mutters, and you can sort of know when someone's laughing or when someone's listening, even though
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Taking a glance at dialup.com, it appears to be a completely free service. You mentioned
that it has 30,000 folks involved. Are you taking the VC model of, we're going to get a whole bunch
of users first and then figure out how to make money later? Sometimes it works super well. Other
times it basically becomes Docker retold. I've been thinking about this a lot and I swing back
and forth. Right now, dial-up is its own thing,
connecting strangers. It's free, though I do have some paying clients because I do serendipitous
one-on-ones within organizations. I've got a secret B2B page. And so that is a little bit
of revenue. Right now, I'm trying to sort of expand beyond dial-up and make a new thing. In which case, I am leaning more towards building
a sustainable and profitable company rather than do the raise VC money until you die model.
I think it's long past time to disrupt the trope of starving artist. What about well-paid artist?
It seems like that would inspire and empower people to create a lot more art when they're
not worrying about freezing to death. And to that end, or presumably to that end, you are in the process
of looking for a co-founder in what is arguably the most Danielle Baskin possible way. How are
you doing it? Oh, yeah. Okay. So, you know, I could have done a regular LinkedIn post linking
to a Google Doc, but that is not my style.
And as a self-employed person, I can't, you know, reach out to old co-workers and be like,
oh, you were on my team a few years ago. What are you up to now? So I'm sort of under-networked.
And I thought I should make a game that sort of explains what I'm doing, but have people discover
the game in an interesting way. So I bought a bunch of floppy disks.
I have like a floppy disk dealer outside of LA.
For those who are not millennials and are in fact younger than that,
and of course, let's not forget Gen X,
the baby boom generation, the silent generation,
which I can only assume is comprised entirely
of people who represent big companies
from a PR point of view
because they never comment on anything.
What is a floppy disk for someone who was born in, I don't know, 2005? Oh, a floppy disk is how you would run software
on your computer. A USB stick with no capacity you can wreck with a magnet. Yes, it's like a
flat, wide USB stick, but it only contains... 1.44 megabytes on the three and a half inch version.
I think some of them then went up to 2.88.
Ooh. You can't even fit a picture.
Yeah. A modern picture. You could do a super low resolution pixel art.
This picture of grandma has a whopping eight pixels in it. Okay, great, I guess. Yeah. And more complex software would be like eight floppy disks that you have to, you know,
insert disk A, insert disk B.
Anti-piracy warnings in that day of don't copy that floppy.
It was a seminal thing for a long time.
I have in my game.
It says don't make illegal copies of this game.
But my game is not literally on the floppy disk.
All floppy disks come with pretty interesting artwork on the label.
There's like a little space for a sticker.
And because I have hundreds of floppy disks,
I sort of looked at, I had a ton of design inspiration.
So I made floppy disks in the aesthetic of the other ones
that say Co-Founder Quest, like it's this game,
and it leads you to a website.
And I scattered these in strategic places around the Bay Area.
And I also mailed some to people outside of the Bay Area.
And if you stumble across this in person or on the internet,
it leads you to this adventure game that's around seven minutes to play.
But it really explains what I want to do with dial-up and explains me
and explains my aesthetic and the sort of playful experiences that I'm into without telling you.
So you get to really experience it.
And then at the end, it basically leads you to like a job description and tells you to reach out to me if you're interested.
I was independent for years, and I finally decided to take on a business partner.
And as it turns out, Mike Julian, who's the CEO of the Duckville Group, and I go back
10 years.
He's my best friend.
I kept correcting him.
He introduced me as his friend.
I said, no, Mike, your best friend.
Then I got him on audio at one point saying, oh, Corey Quinn, he's my best friend.
And I have that on my soundboard, and I play it every time he gets uppity.
But that's the sort of nonsense that's important in a co-founder relationship.
It is a marriage in some respects.
Oh, for sure.
It's a business entity.
Each one of you can destroy the other financially
in different ways.
You have to have shared values.
The idea of speed dating your way
through finding some random co-founder,
like it's a job application on some level,
has always struck me as a little dissonant.
I like the approach you're taking of,
this is who I am and how I go about things. If this aligns, then we should talk.
And if you don't like this, you're not going to like any of the rest of this.
For sure. I'm definitely self-selecting with like who would actually reach out after playing,
but I also understand I'm not going to find a co-founder like, you know, in a few weeks,
I'm just starting conversations with people and then seeing who I should continue talking to or seeing if we could do like a mini project together. Yeah,
it's weird. It's a very intense relationship. That's why people do end up becoming co-founders
with someone that they already know who's a friend. And it's possible I already know my
co-founder and they've been in front of me this whole time. I think these sorts of moments happen. But I also think that it's cool
to totally expand your network
and meet someone who maybe has an overlap in spirit,
but as someone that you would have never otherwise met
and that there could be this, you know,
great overlap or convergence there.
And so I wanted to like cast a very wide net
with who this would reach,
but it's still like going to be
a multi-month-long
process, or longer. It's not these one-off projects that are the most interesting part to me.
It is the sheer variety and consistency of this. During the pandemic, I believe, you wound up
having the verified checkmark badges for houses. And fill out this form if you want one for folks in San
Francisco. Absolutely. Of course I filled that out. And then I read a fairly bad take news article on
it of a bunch of people fell for this prank. No, absolutely not. If people are familiar with your
work, then they know exactly what they're getting into with something like this. And you support
the kinds of things you want to see more of in the world. I didn't fall for anything. I wanted to see where it led. And that's how I feel about
everything. Yeah. You appreciated the joke. Yeah. Yeah. I think people who are familiar with my work
understand that I take jokes very seriously. So it's not simply like, usually it's not just a
website that's like, ha, this was a trick. It's more of like an ongoing theater piece.
So I actually did go through all of the applicants for the Blue Check Homes. Oh,
for some context, I made a website where you could apply to have like a blue verified badge
and a plaster crest put on your house if you are a, you know, a dignified, authentic person that
lives in the house. So I'm interviewing, I narrowed it
down to 50 people from all the applicants and I'm going through and interviewing people with a
committee, but I'm recording all of the interviews because I think this will make like an interesting
mini documentary. And then I'm actually making one and installing one, but I'm documenting all of it.
When I started it, for a lot of projects, I don't have the ending planned yet. I like the sort of joke to unfold on
the internet in real time and then figure out what the next thing I should do from there is
and continue the project in a sort of curious, exploratory mindset as opposed to just saying,
all right, the joke is done. What is your process for coming up with this stuff?
Because for me, the most intimidating thing I ever see in the course of a week is not the
inevitable cease and desist I get from every large cloud company for everything I do, but rather an
empty page where it's, all right, time for me to write a humorous blog post or start drafting the
bones of a Twitter thread or start writing my resignation. And if I don't come up with an idea
by the end of it, I'll submit it. Like, where does the creative process start from with you?
Yeah, I rarely have creative brainstorm sessions. I'm a person who thinks of a million bad ideas.
And then like, there's one good one, like just my mind leaps to a ton of ideas.
I rarely write down ideas. I don't do any sort of, I mean, you might imagine I'm in a room of
like whiteboards and post-it notes, workshopping things and like, you know, doing creative
brainstorm sessions, but I don't. I think I act upon the things that I feel just extremely excited
about and feel like I must do this immediately. It's hard to explain, but with a lot of my ideas,
I just feel this this surge of energy.
I have to do this because no one else will do it, and it's funny at this moment.
And if I don't feel that way, I kind of don't do anything and see if the idea keeps reemerging.
With a lot of ideas, I maybe thought of it a year ago, and it just kept resurfacing.
But I don't force myself to churn out creative projects,
if that makes sense. People have told me that my work reminds them of mischief. It's like as a
company that like puts out a prank on a Tuesday every two weeks. Not familiar with them, but there
have been like a whole bunch of flash mob groups and other folks who effectively just wind up being
professional pranksters, which I love the concept. Yeah, yeah, for sure.
And I do turn out a lot of pranks, and I even have my own prank calendar.
I'm not strict with my own deadlines, and I also think timing is important.
So you might think of a good idea, but then it's just the spirit of the zeitgeist doesn't want you to do it that week.
And so, I mean, I improvise the things that I want to launch.
And I mostly do things that I just feel are rich in something I could explore.
Like with Co-Founder Quest, I was always on the fence about it because it feels to me
annoying to tell people you're trying to hire someone or just like put yourself out there
and, you know, be pitching your startup.
So I was like kind of nervous about that.
But I also thought if I leave a floppy disk in the park and then put a picture on the internet,
it'll lead to something. Like there's something that it will lead to. It might lead to finding
a co-founder. It might lead to meeting interesting people. And also I've never built an interactive
game with audio. And so I was interested in learning that. But yeah, I tend to land on
ideas that I think are like rich in terms of things I was interested in learning that. But yeah, I tend to land on ideas that I
think are like rich in terms of things I could learn and things that I could turn into more
immersive theater and things that keep resurfacing as opposed to keeping myself on a strict schedule
of creative ideas, if that makes sense. It makes a lot of sense. And it's one of those
things that is not commonly understood for those
of us who came up in the nose to the grindstone, 40 hours a week, have a work ethic. Even if you're
not busy, look busy. Sometimes work looks a lot more like getting up and going to a coffee shop
and meeting some stranger from the internet than it does sitting down churning out code.
For sure. And I think that it is important to continue being
in conversations with people. I think good ideas emerge while you're in the middle of talking and
you realize your own limitations and ideas when you have to explain things to other people. Well,
something might be very clear in your head. As soon as there's a person you don't know and they
ask you, what are you working on? You realize, oh, there's so many gaps. It made perfect sense to me, but there's a lot of gaps. So yeah,
I think it's important to stay in dialogue and also have to explain yourself to new people
instead of just sort of making ideas in a vacuum. I want to thank you for being so generous with
your time and talking to me about all the various things you have going on. If people want to follow
along and learn more about what you're up to, where can they find you? Yeah, I post a lot of my projects
on Twitter. So I'm at DJ Baskin. If you want to play co-founder quest, it's co-founder.quest.
That is an actual domain. And I also have a website, danielbaskin.com, which has a lot of my projects, many of which we didn't discuss.
I also do, similar to Oracle OpenWorld, I like to host pop-up events that involve lots of people trolling.
So if you want to get involved in anything you see, I'm happy, always happy to bring more wizards on board.
And we will, of course, put links to that in the show notes. Danielle, thank you so much for taking
the time to speak with me today. Oh, yeah. Thanks for having me. It was great talking with you.
Danielle Baskin, CEO of Dial-Up and oh, so very much more. I'm cloud economist Corey Quinn,
and this is Screaming in the Cloud. If you've enjoyed this podcast, please leave a five-star
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