Shawn Ryan Show - #249 MrBallen - Ouija Boards, Aliens Hijacking an Aircraft and Real-Life Horror Stories
Episode Date: October 30, 2025John B. Allen, known as MrBallen, is a former U.S. Navy SEAL, and storyteller specializing in strange, dark, and mysterious true stories. A graduate of the University of Massachusetts Amherst, Allen s...erved as a Navy SEAL from 2010 to 2017, completing multiple deployments including to Afghanistan, where he was wounded and medically retired. Launching his content career in 2020 on TikTok and YouTube as a form of therapy, he quickly amassed millions of followers with his engaging narratives of true crime, mysteries, and the unexplained, becoming one of YouTube's biggest storytellers. Founder of Ballen Studios, he hosts the top-rated MrBallen Podcast: Strange, Dark & Mysterious Stories and has authored graphic novels like MrBallen Presents: Strange, Dark & Mysterious: The Graphic Stories (2024) and Where Nightmares Live (2025). Through the MrBallen Foundation, established in 2022, he honors victims of violent crimes and supports their families with education, training, and financial aid. Shawn Ryan Show Sponsors: https://tryarmra.com/srs https://shawnlikesgold.com https://ROKA.com – USE CODE SRS https://shopify.com/srs https://simplisafe.com/srs https://tractorsupply.com/hometownheroes https://USCCA.com/srs https://americanfinancing.net/srs NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 866-781-8900, for details about credit costs and terms. John B. Allen Links: Website - https://ballenstudios.com YT - https://www.youtube.com/@MrBallen X - https://x.com/mrballen IG - https://www.instagram.com/mrballen TT - https://www.tiktok.com/@mrballen FB - https://www.facebook.com/mrballen Podcast - https://ballenstudios.com/shows/mrballen-podcast-strange-dark-mysterious-stories MrBallen Foundation - https://mrballen.foundation Amazon Author Page - https://www.amazon.com/stores/author/B0D98RD8HH Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
Discussion (0)
Mr. Balland.
Welcome back, man.
Thanks for having me, dude.
Dude, good to see you.
Yeah, man.
I saw him in your new, your new, well, it looks sort of the same, but it's upgraded.
A new compound, new studio.
I was in the attic the last time.
Purple.
It is purple, yeah.
It looks sort of dark, but it's purple.
But, dude, it's so beautiful.
This compound is amazing.
This is so cool.
Well, it's, uh, I've been super excited.
to show you so it looks it looks epic to it i've heard i've heard good things and it lived up to it man thank
you thank you well man i'm pumped dude you've got you've got a lot of good stuff going on now but i
thought it would be a really good idea you know to get you in here right before Halloween get some
Halloween content we're the best storytellers in the world so but um but yeah man i'm just pumped to see it's
it's been it's been what probably about a year yeah the last time we were
here we were in the attic and you were talking about coming to this place at the time but i remember
we we arrived and like sprinted to the to the studio we recorded and i went right back it was like
such a whirlwind but uh that was a great experience man i'm gonna be back here man yeah so uh just a
quick quick introduction not that you need one but um former navy seal turned master storyteller
captivating millions with tales of the strange dark and
mysterious. You've got over 10 million YouTube subs. Wow, dude.
Creator of the wildly popular Mr. Ballum podcast, which is redefined storytelling.
A New York Times best-selling author, that's new since the last time.
With your first graphic novel hitting the top of the charts and the second one where
nightmares live. Fresh off the press, you just sent me that. Thank you.
An innovator and content creation launching new formats like story.
Storytime with Mr. Ballin on YouTube, a trailblazer in the podcast world, earning consideration
for a Golden Globe nomination.
You too, dude.
Yeah.
You as well.
We both almost got nominated.
Isn't that fucking wild?
Dude, it's crazy.
Did you ever, no, all the awards that, like, we get, it's, people don't know this,
but you shamelessly put in for your own award.
So I should win this award, you know, and this is the first time that they're like, we've designated
you could win this award.
That was cool.
Did you know that was coming?
No.
I had no idea.
I saw your name and I saw our podcast and I was like, that's amazing.
Because I had no idea.
Two seals.
Look that, dude.
Just carving our own path post service, dude.
Love it.
Love it.
I love it.
Are you going?
Are you going to go in a matter of what?
I guess I think that they're going to nominate like six.
So there's 25 of us, 25 shows.
And I think it's like six get nominated.
And then obviously one wins.
I'd be pretty sick to get nominated.
nominated, show up in like a flannel
tuxedo or something
on the red carpet. Nice.
Yeah, I would definitely go to that.
That blew me. I had no idea
that I think this is the first year
they're even doing podcasts and I was like,
holy shit. Look at us, dude. Mainstream.
Isn't that crazy? It feels like
totally insane. Well, if I see you
there, I'll see you there, hopefully.
But all right, let's get, so we're going to
do some story time, some updates with
you, but first, you know, everybody gets
a gift. Usually I give
the gummy bears. I'm going to switch it up. We got these, you're going to like these, dude.
And we got our campfire session tonight. Yeah, dude. What are this? Vigilance Elite Smoor bites.
Dude, right. I'm sure the camera. There's like 700 cameras to show. Yeah. Yeah. Dude, you got to try
those. I got the gummy bears last time. Those were excellent. I smashed them immediately.
I got you another thing, too. Yeah, I can see. Last time, I didn't get to do this because, you know,
we were in a hurry, but I think you'll enjoy this one. So I got a bite.
over at SIG, his name's Jason.
Wow.
Huge fan of yours.
I think you're going to like, you got any guesses?
I think I can guess.
Well, SIG action?
Dude, thank you so much.
You know what that is?
That's SIG-226.
That is the updated SIG-226-X Legion.
This is freaking beautiful, man.
Thank you.
You like it?
Yeah, dude.
I actually, I'm in meaning.
need to get a 226 is that that's what we shot in the teams obviously i think they went to a glock now i
don't know but in the teams was the p226 dude this is this even out yet is this like the newest thing
it's out it's i think it is the newest i don't know this is uh it's out i don't know
sig cranks a lot of guns out but dude thank you so much man yeah man you're welcome holy cow
man we'll have to uh break that thing in on the break hell yeah dude thank you so much my pleasure
I have a much
lamer gift for you
Oh, I love gifts
It's not a sick pistol
But here you go
What we got here
Definitely some clothing in there
And maybe a boot
I don't know
I think you're in a book
But it's the new book
It's signed in the inside there
Where Nightmares live
Yep
The New Anthrop
Dude, I love this, man.
Like, this comics.
Yeah, dude, it's, that's a, that's a laboral love for sure, put those together.
Very cool.
Yep.
And then the flannel.
Oh.
The flannel.
So, so I got to give you the, I don't know if you, if you dabble in flannels, I obviously do.
And this, I'm not sponsored in any way by this brand, but Farity brand, which you may have
already heard about.
I know about these guys.
They make the best flannels.
And that to me.
And if you see, I got you your own color there.
So it's not like, I'm not giving, like, the red one where I wear, you can wear that in real life.
And it's just normal.
You can wear that in real life.
Dude, this is nice.
And they don't wrinkle.
You can just throw them in a bag.
Love it.
You know?
So there you go.
It's like, it's pretty equal to a sick P226.
Hey, hey.
I love flannels.
This is gorgeous, man.
Thank you so much.
You're welcome.
You're welcome.
That's nuts, man.
You know, I actually, I haven't shot since 2017.
Like, I got out of the teams.
I got out of the teams in 2017.
That's like eight years.
You haven't shot a gun?
No.
Are you an anti-gun now?
No, I just have, okay.
No, I'm not.
I just have not shot it.
So I got out and I, like, dove into, like, entrepreneurship, you know?
And, like, that's all I want to, because for me, my, my story is, like, I got medically
retired in 2017, but my, the timeline was shifted pretty aggressively.
like, hey, you know, you're going to get medically retired in part because of the injury I sustained
in Afghanistan. I had some mental stuff going on. And they're like, yep, you're going to get
med boarded out. But they gave me, I want to say it was like over a year, was my expected, like,
this is when you'll leave the military by date. But it just got moved way, way up really quickly,
still got medically retired. And so in that, so for the folks who don't know, you get, you get a
retirement check. You leave and you have some level of income, but it's, it wasn't a lot. And so,
I was suddenly out with kids and a wife and like no plan.
I was like, oh, in a year I'll figure it out when I get out because my retirement dates
over there, I'll figure it out.
And so when I got out, I had to like, you know, find a job.
And it was sort of ironic in my effort to find a job for myself, I began, like, networking
a lot and like meeting people in the city and like in New York.
And I ended up sort of putting together these networking events with the help of this guy,
Jordan, who I met in the city, he's a former investment banker, not a veteran.
civilian, and we put together these amazing networking events that were actually for me to
like meet employers and like get a job. But we brought other veterans to these events. We
brought other employers and everyone's like, wow, what a great service this is. And nobody
was approaching me to get a job because they're like, oh, this is his job. He runs this like networking
event. And I ended up doing that. You're like shit. And so I created a job that helped the people
get jobs. And then shortly after that, I got into the Mr. Malin thing. And, and,
And honestly, dude, it's just, there's not a critical part of this.
I sleepwalk like a maniac.
And so my wife has always been like, I'm worried that you're going to like shoot me.
And so in that, don't worry, I have a place to keep this.
I've been thinking about it.
And so she has been anti-gun because I, did I tell you about my prolific sleepwalking?
I think you did.
I have.
So this is according to chat GPT.
So this is not a true diagnosis.
But I've gone to sleep studies.
I've asked, I mean, I've seen sleep doctors, and no one can figure out what's going on.
Basically, I go to bed, and within about 30 minutes have fallen asleep, I am up.
This is most nights.
This is the majority of nights.
Okay, that's probably a stretch.
It's at least two or three times a week, at least.
I wake up and I'm in this half stoop, I sleep by myself.
I have alarms set to the room that I sleep in that Antonio is here, who's my security guy,
he's set special alarms.
on the doors that lead out of the house from my room.
So if I bolt at night, he's alerted to it.
And so I jump out of it and I start running,
screaming, what the fuck is going on?
Are you serious?
Dude, it's like, it's crazy.
And so to me, it's so normal, but I'm like, oh,
like I've been doing, I was doing this in the teams.
Like in Afghanistan, I was doing this,
but like, I don't think that's supposed to happen.
But like, so I get out of the military
and that was like the one thing my wife was like,
you can't have a gun.
in the house, you're going to, like, do something crazy with it. So it's a combination of
get out full civilian, full entrepreneur. But it's funny, I was actually going to say to you,
like, it's the one thing that I have let completely fall off is just shooting. And, like,
that's, I was going to ask you, like, how often are you shooting? Like, is this, like, a thing
you do every day? Because I feel like I want to reincorporate shooting into my life because
it's just something that I haven't done. And since 2017. Well, we'll start that today.
Dude, I'm probably the fucking worst shot ever right now, but I'll want to get back into it.
good either. In fact, I don't, I don't really, I love shooting guns, but what I, I'm not really
into like all the shit we used to carry in the SEAL teams, you know what I mean, I think ARs and
like, like, yeah, it's all good. I like them, but what I really like now is like the old Western
shit, like revolvers and lever actions. Yeah, that's cool. Dude, it's, it's a lot of fun.
That's awesome. But yeah, but I mean, but also like, yeah, I mean, when I left,
you know what I mean and started you know my entrepreneur journey you know I was in it started
with tactics you know I remember watching videos of you out in the forest talking about your
everyday carry they were going like super viral yeah yeah yeah so I had to shoot for that and then
and then when I you know got tired of that shit started the podcast it it kind of fell off until
well it didn't kind of fell off it fell off but then we moved here you know we got a shooting
range right off the back patio here so but i'm still pretty rusty yeah i mean like i remember in the
teams there were dudes that just like what they did is they like really kept dialed in and you can just
see it when a dude's shooting a lot it's just they're so on point they're so good and for me i was like
i was good enough to pass the test because i was a team guy you know but i didn't have that like
desire to like really become a great shot i think it was like very average if not below but enough for
the teams and now it's like it became this daunting task over time then like well if i want to
get back into it i got to do it like discreetly too i can't like go to an instructor but like you
i'm a former navy seal i got to learn how to shoot again so i was going to ask you like oh i want
to shoot with you oh shit yeah dude well we'll do that on the break but yeah dude
Halloween's right around the corner yeah last year we brought on an exorcist who was awesome
that's cool but you are you are the story
storyteller. So what, let's hear a story that, that, that you think goes along with Halloween,
something that's going to scare the shit out of people. Yeah, actually, there's, I was thinking
about it. So I knew coming here, that was a big part of this, is having some stories. And I would say
this story I'm going to tell you is, so I did it actually on the live tour. I don't think you
heard this one, though. This one was added in. It gets a big reaction from the crowd. So I've told
this in front of you know thousands of people and and this one just it's a good it's a great
story it's a great story it's a fucking horrible story but it is it is a great story it's a
it's a great it's a great lot of dark stuff going on in the world right now and
everybody's trying to dig to the bottom of it and figure out just exactly what in the hell is going
on and you know for so much misinformation out there just false stuff being spread around it's it's getting
to be impossible to dig and actually find a real truth i mean it's it's especially with social
media and mainstream media it's it's like i feel like i'm like put in this cage like where
where everything I look at is it's just all the same stuff.
It's the exact same narrative that it's getting harder and harder to find new ways
to get to the bottom of stuff.
And it's so bad that it's like it's to the point where I don't even believe my own eyes
anymore because I cannot verify what people are saying about.
all the political violence, the division, you know, and this is how you destroy a country from
the inside out. And so through this journey, I partnered with this production company called
Ironclad, and we're doing an eight-part audio series on SIOPs, on why foreign countries,
governments, maybe even our own government, would conduct a sigh up on its own people or people
of a foreign government or whoever, right? And I just think that this series is going to be
extremely important because it's going to open the eyes of people on why these things happen.
What's the motive behind it? Who's pulling the strings here? That's what we really all want to know, right?
Who is pulling the strings from behind the curtain?
So, series comes out, October 28th.
You can head over to sciopshow.com.
Order it, pre-order it today.
But I think you're going to get a lot out of this.
Who's pulling the strings?
Who's pulling them?
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All right, so in 1986, there's this family.
family. Is this real? This is totally real. This is a legit. Totally real. Okay.
There's this guy named Frank and he's got two daughters. He has an older daughter. This is
1986. This is in Pepperell, Massachusetts. So it's, then it's Western Mass. He's got two daughters.
He's got a 15-year-old daughter named Tina and a nine-year-old daughter named Karen.
And this is in, again, the fall of 86. And around this time frame, this family, the Bowens family, they had
suffered this really awful loss. So Frank's wife and the two daughters' mother had passed away
pretty unexpectedly from cancer. So she came on suddenly, she passed away, and it was this horrible
thing. And so this has happened within a few months of when this story picks up in the fall of
86. However, the part of the dynamic here is that the wife, the mother, had been, you know,
a working mom, and her income had been meaningful to the household. So the,
blue-collar family, you know, Frank and his wife's income were how they flowed at the family.
And so when she passed, not only is there, you know, all this grief in the household, you know,
of course, but there's also like a practical issue. You know, Frank now was 50% of the income is gone
and he needs to find a way to provide for his family. And so in the immediate aftermath of her
passing, Frank began taking all these extra shifts at work just to make ends meet, you know,
It's just sort of what he had to do, but as a product or a product of that was that Tina and
Karen, who were sort of just old enough for this to be okay, they, as they're dealing with
this incredible grief of losing their mom who they were very close with, they began finding
themselves alone quite a bit at their house, just alone, putting themselves to bed while their dad
is out, you know, taking late shifts at work. But they accepted this. You know, it is what it is.
their dad loves them, and he's just trying to do the right thing for the family.
So with that as the backdrop, there was this night where Frank was out at doing one of these late shifts.
This is, again, sometime in, like, September of 86, and the girls are home.
And the girls, they're so, the death of their mom is so new in some ways that they haven't quite moved to the point of acceptance.
They still almost feel like mom's going to come around the corner.
Like, it just feels unreal that she's gone.
And they just felt desperately that they just wanted to have one more interaction with their mom.
They just, it's like they felt it in their bones.
They just missed her so badly.
And so with their dad gone for the night, the older girl, Tina, the 15-year-old,
she asked the younger girl, Karen, hey, do you want to get the Ouija board out and try to contact Mom?
So for those who don't know what a Ouija board is.
This is never a good idea.
Yeah, you know. A Ouija board, it looks sort of like just a rectangular game board, and it has A through Z on it, ABC, all the letters, the alphabet. It has zero, you know, up to nine, all the digits. And you put this, it's called a planchette. It's like this little dial that has felt tips, three prongs, felt tips that it sits on. And it's got a little viewfinder in the top of it that you can look through. It's like a little looking glass down onto the board. And when you use the Ouija board, if you believe that this thing works, you know,
know, you and whoever else, let's take Tina and Karen in this instance, they would rest their
fingertips. They typically sit on opposite sides of the board. They'd rest their fingertips on the
edge of this planchette. And the idea is you don't move the planchette at all. You just like
rest your fingers on the planchette. And if there's, you know, spirits in the room, the idea is
they will, you ask a question with your fingers. Tina or Karen asks a question, you know, hey, mom,
are you here. You know, their fingers are on the planchette. And if there's a spirit in the room,
the idea is they will travel through your body
and they'll manipulate your fingertips
and they'll move the plan shed around.
Part of the reason why Ouija boards have become so popular
is it's so easy if there's a group of you
to be the one person that sort of subtly moves the plan shed
and give the impression that like there's a ghost in the room.
So it is what it is.
If you believe it or you don't,
people say that, you know,
Ouija boards are a way to talk to the dead.
What do you believe?
I don't know. I don't know if the Ouji board works.
I think that there is...
You tried one?
I have tried, yeah.
Oh shit?
Where'd you try it?
So we had one growing up.
My sisters and I would always get out the Ouija board.
And now that I'm thinking about it, that's kind of weird.
Like little.
Me and my like sisters as the young children are like having seances in our basement.
So actually I give, I'm open to it.
I'm open to it.
So anyways, these two, they're like, okay, you know, we want to try to contact mom.
And so they get their Ouija board and they're a little planchette and they go down into the basement.
and they literally set up like a seance.
You know, the basement is just like this blank slab basement.
There's like a washer dryer.
There's a couple of tools on a shelf,
but it's like a blank, you know, concrete slab basement.
And they put their Ouija board down.
They light some candles and they sit down
and they put their fingers on the planchette
and they begin asking questions, like sort of to the room.
You know, hey, mom, you know, if you're in here, you know,
give us a sign, you know, and they look at the board
and they're hoping it's going to move, but, you know, nothing happens.
And over the course of the next hour, these girls tried every combination of question that they could ask,
you know, to try to inspire the spirit of their mother to come in here and talk to them.
But no matter what they did, they just, they couldn't get the plan shut to move.
And in some ways, it was sort of devastating.
You know, they, again, they're grieving the loss of their mom.
They haven't really come to terms with it.
And this felt like hope, you know, mom's going to come through.
We know it.
She loves us, but nothing happens.
And so they end up, you know, packaging up the Ouija board and they go back upstairs and they go up to the second floor where their bedrooms are.
And by this point, their dad, Frank, he's still at work.
He's going to be out, you know, past the time they would go to bed.
And, you know, Tina's the sort of older, more responsible one.
And she's, okay, we need to go to bed.
And so the two, they go up to the second floor.
They get ready for bed and they go to their respective bedrooms.
And so they get in their beds.
The lights are off.
The house is quiet.
and they try to go to sleep.
But after maybe only 20 or 30 minutes of laying in bed,
they're both still awake, but they aren't aware of the other.
They're in different rooms, but they're both awake.
There's this tapping noise that begins to start in the house.
And, you know, at first it was sort of subtle,
and both girls would report hearing it.
But it wasn't clear if the tapping noise was, you know,
just a house sound.
You know, houses make noises.
Is it something outside?
Is it the wind?
You know, whatever it was.
But more than that, it was kind of hard to pinpoint
if it was coming from the floor they were on,
the first floor, even the basement, was it outside?
It just sort of felt like this almost omnipresent tapping sound.
And it wasn't rhythmic, it wasn't like consistent,
it was sort of sporadic, but it was constant.
So there's a tapping sound that's sort of just irregular,
but constant.
And so it was very, it caught their ear.
And so Tina, the older one, she sort of is, you know,
just doing her best to forget about it and just try to go to bed.
But Karen, the younger one, the nine-year-old, she can't sleep.
She starts feeling worried about this tapping sound.
You know, they've just done a seance in the basement, and now there's tapping in the house.
She's a kid, you know, it's scary.
And so she leaves her bedroom and she goes, you know, right over to the next room where Tina is.
And Tina is in bed.
And Karen goes in and she's like, hey, you know, Tina, do you hear the tapping sound, you know, in the house?
And Tina's like, yeah, I don't worry about it.
Like, it's no big deal.
But the two, they're just like sitting there and Tina's like trying to reassure Karen,
but the tapping, it sort of begins to intensify a little bit.
And Tina, she has this almost epiphany.
And she's like, as she's trying to tell Karen not to worry about it, the tapping is getting louder.
And she's like, you know, what if that's mom?
You know, we were just trying to contact her.
What if the seance worked?
What if mom did hear us?
Maybe she's here.
Maybe she's in the house.
she's trying to get in touch with us.
Maybe her tapping is her trying to signal us in some way.
And suddenly that hope that was dashed as their Ouija board session,
their seance hadn't worked, it's all back now.
They're suddenly riveted with this idea that the sounds they're hearing
could be their mom, who they just want their mom back so bad
that they're prepared to believe anything at this point.
Like, oh, my God, it's mom.
And so Tina and Karen, they get out of the bed,
and they walk into the hallway.
Now, to this point, they still can't quite tell
where the tapping is coming from.
from, but by the time they got into the hallway, it's clear it's not coming from the floor
they're on. It's coming from somewhere downstairs. And so they go into the dark stairwell
in the second floor hallway, and they're looking down into the stairwell, I should say, that
kind of banks around down to the first floor. And all they can hear is just this periodic
tapping. And it's coming from somewhere downstairs. And the two girls are standing at the
top of the stairs, like not really sure what to do. And Tina, the older one, just suddenly goes,
hey mom is that you
the tapping stops for a second
and then they hear a rhythmic
and then there's silence again
oh shit
there's a clear response
and the girls they think at first
that it's something
that's maybe it's coincidence
it can't be this immediate
it can't actually really be her
and so Tina again says
mom really is that you
and this time even louder
there's three taps that come back from somewhere
downstairs. Clearly, something, someone is in the house and they're interacting with the
girls and their dad's not home. But amazingly, the girls, remember, their mind state is
it's mom. This is a good thing. We're excited about this. You know, to most children, this would
be horrifying. But for them in this part of their lives, this was confirmation that their mom is
here. And it gave them an enormous amount of courage and happiness, frankly. And they're like,
Let's go down. Let's go downstairs and see what's going on. Let's see if we can, maybe mom's
down there. Who knows, right? Let's go down there. And so down the steps the girls go. And as they're
going, they're asking more questions. And they're starting to sense that the tapping, which is
louder now, they can kind of tell that it's not somewhere in the first floor. It actually sounds
like it's coming from the basement, potentially. There's a door in their kitchen on the
first floor that leads down to the basement. And it sort of sounds like the tapping's coming from
down there, maybe even coming on the backside of that door. But they're going down the stairs and
they're firing off more questions. Like, mom, like the questions they're asking.
asking are all over the place, but they're asking these questions, and each time they're getting
that three taps in response, like, they're sure it's mom. They get to the kitchen, and now they've
pinpointed, the tapping is definitely coming from the basement. The door is shut to the basement.
They go to the door, they open up the basement door, and they're looking down into like the
stereotypically, you know, terrifying basement. It's pitch black. It's wooden, creaky stairs. They can't
see anything down there. And despite how confident they were that, like, this is mom, this is where they
drew the line. They're not prepared to go all the way into the basement where it's like, that's
kind of horror movie territory. But they stood at the top of the stairs. And for an hour,
they asked their mother questions. In their mind, they're talking to their mom. They're speaking
into the basement and they're asking all sorts of questions, do you miss us? Tap, tap, tap.
You know, sometimes they'd get like four or five taps and they began to think that maybe that
meant no. And three meant yes. But they had this whole thing where they're like, it's mom.
It worked. The seance worked. But after an hour, their dad's
still not home. They've had this unbelievable experience that they've chalked up to their mom,
but then it just kind of stops. There's no more tapping. No matter what questions they ask,
it just sort of stops. And, you know, the girls, they stayed awake, you know, because they're
sort of jazzed up by what's happened here. And around this time, around the time that the tapping
has stopped, there's no more responses. Frank, their dad, comes home. And he's surprised to see
his kids awake in the kitchen. And he's like, what are you guys doing? And they're like,
oh, you wouldn't believe it, dad. It's mom. We got the Ouija board out in a seance. They kind
to explain the whole thing that happened, but they're so excited about it. And they're like,
Dad, it's, it's mom. We were talking to mom. We know it's her. It has to be her.
And now, Frank, you know, Frank also is in the process of going through what is this unbelievable,
unbelievably bad situation for him. You know, he's lost his wife. He has to work all these
extra shifts. He can't be around his daughters. He's worried about his kids. And he's seeing his
kids light up and be so excited at this idea that they're talking to their mom, that even though
he does not think for a second that there's truth to what he's telling him he doesn't think that
there was tapping he doesn't think their mom was in the house he thinks that these are kids who've lost
their mother and they've come up with some coping mechanism which is hearing you know random house
tapping sounds and they've convinced themselves it's their mother and so without any hesitation he just
goes i bet that was your mom that's wonderful you know she's she's looking out for you she'll always
be looking out for you your mom is she's here with you now she'll always be here with you your mom loves
you. And the girls are so pleased and they run up to bed, so excited to, you know, go tell their
friends the next day. So they go to bed and Frank, frankly, doesn't think much of it. He just is
like, my kids are coping with a terrible tragedy. And if they want to do that, that seems
harmless enough. So he goes to bed. Over the next few days, the tapping sounds would continue,
except they would only be heard by the girls. Frank would never hear the tapping sound. The girls
would, you know, they'd hear it coming from the basement, they'd call their dad, he'd listen,
and they wouldn't, there'd be no more taps. It was like they would disappear when Frank
showed up. But oddly enough, the tapping was no longer just happening at night and just in the
basement. The tapping was sort of happening all over the house. You know, it would happen outside
the front door, it was in the kitchen, it was in the girls' bedrooms. It was, it was everywhere.
It was like the tapping was, it was always that tap, tap, tap when they were talking to it,
but it was like all over the house. But again, every time they'd hear it,
you know, Frank, you know, wouldn't be privy to it. He couldn't hear it. Frank's still telling himself
that this is a relatively healthy coping mechanism, that it's not that big of a deal. But what ended
up happening after about three days is the girls, they had convinced themselves that this is mom,
right? This is a good thing. Well, by the third day, post-saience, when the tapping is happening
a lot, the tapping had sort of migrated primarily to the girls' bedrooms. And it was also happening
mostly at night now. So by the third day, it's sort of like all the tapping is happening in
their bedrooms. And it's namely under their bed. Like they would hear the sound underneath their
bed. And for the girls, they began to wonder why their mom would do that, because it just sort
feels like almost stereotypically terrifying for our kid. Something's under your bed. And they began
to get this feeling that maybe this isn't mom. Maybe our seance worked, but we didn't bring
mom's spirit into the house. Maybe we brought something malevolent or just something other. We don't
know. And so they're starting to question if this is really a good thing or not. And that's what
Frank picked up on. It's been a few days. Frank picks up on that. The girls no longer view this
is a good thing. And it's disrupting their sleep. And they would hear the tapping in the bed.
And Frank would come into the room. There'd be nothing there. He had no explanation. But the
girls are really spooked. And so it was at this point that Frank began taking a harder stance with
this girl. So around the third night, he just said, look, I know you're going through it right now.
and I understand that you're dealing with a lot with your mom,
but this isn't okay.
This, whatever you guys believe you're hearing with this tapping sound,
I'm telling you, you have nothing to worry about in this house,
but it's not happening, okay?
You're working yourself up over nothing,
and you need to stop it.
And if you can't, I understand,
but we're going to have to seek out professional help,
like grief counseling or something,
because it's not healthy for you all to be living in fear
of a ghost in your house that, you know, it's just not okay.
The girls are furious because they believed up until the third night that their dad accepted that the taps were real and that maybe it was their mom.
And now he's sort of come out and been like, I don't believe you and forget about it or else you're going to go to therapy.
And so it sparked like real issues between the daughters and the dad.
You know, the dad's really trying to do his best, but there's real tension here.
So following this confrontation, if you will, between Frank and his daughters or whatever you want to call it, the tension between them remained.
for the girls, they felt like they didn't have their dad support anymore, and they started to really
be fearful of even being in their house. Like, they didn't even want to be home anymore. You know,
it's like, it's terrifying when you're there. You hear these tapping sounds. And so over the next
several days, so now we're looking at like, you know, a week after the seance. So about a week
later, the girls are finding every excuse to sleep over at friend's house and just be out of their
house. And, you know, they're kind of jarring with their dad about like, did the tapping sounds
happen or not, but when they're home, they hear the tapping sounds. And so fast forward about a week,
a week post-saience. And on this particular night, the girls didn't have a place to go. They didn't
have a friend's house to crash at. Their dad was out working a late shift. And so they were there
in their home that night. There was nothing they could do about it. They had to go to bed and just
deal with it. And the tapping is happening, you know, pretty consistently at this point, not literally
at this point, but it's happening all the time. And so they're just like, okay, we're just
going to get through the night, you know, whatever. So the girls are, they're having their dinner
in the kitchen, their dad is at work, and at a certain point the tapping starts, and it's coming from
the basement. It's not the three rhythmic tapping, it's just this kind of periodic tapping that
sort of was the precursor to they could ask questions and get those rapid responses.
And Tina looks over at Karen, and she's like, you know, dad doesn't believe us. And, you know,
the last week, every time this would happen, like, he would never hear it.
He doesn't believe us.
Like, we have, we have to look into this.
Like, he's not going to look into this.
We have to.
And so there's active tapping in the basement.
The door to the basement's right off the kitchen.
And Karen is starting to get the sense that Tina's saying,
we need to go into the basement right now and go, look, because they hadn't done that yet.
They had never really actually investigated the sound.
Would you have gone down there?
Yeah.
Would you really?
As a child?
No.
No.
I'm sorry.
As an adult, me now?
Yes.
As a child then?
No way. No way.
I'd probably send my wife down.
You'll get in there.
Shut out.
And so, Tina, you know, is looking at Karen who doesn't want to do this, but Tina grabs a knife off the kitchen counter, and she's like, we have to go into the basement.
We get to see what's down there.
And Karen, she doesn't want to be up here alone.
And so she's trying to tell Tina like, no, we can't go down there, but she's like, fine.
And so she gets behind Tina, and Tina goes over to the door, and the tapping's happening downstairs.
And they open up the basement door.
and the tapping stops right away
as soon as the door opens the tapping stops.
It was going all up until that point.
Tapping stops.
And down the stairs, the girls go.
They walk down into the basement.
And the light in the basement
was one of those pull-string lights
that you have to get to in the basement.
And so it's dark in the basement.
They're like wandering through this dark basement
to get to the pull-string.
They get to the pull-string, they pull it,
and they're both like totally on edge.
And they're looking around
and they would later say,
you know, on some level,
we were like, there's got to be some logical explanation.
Like, for example, a raccoon, like, got into the house.
Wouldn't explain the responses we're getting with tapping sounds.
But as a human being, we will go to great lengths to convince ourselves that we are okay
in moments of crisis.
A lot of times before you kind of cross the threshold into, oh, my God, this is a horrible crisis,
your brain was like, no, everything's fine.
Everything's good.
Like, it's just a raccoon, and they're kind of hoping for that.
But they get down there, they pull the light.
and, you know, Tina's got her knife, and Karen's, like, tucked up behind her, and they're looking
around the basement, and I told you before, there's, like, nothing in the basement.
There's, like, a washer and dryer.
There's a wood, a shelf with some tools on it over here, but there's not even storage down there.
It's just like this vacant open space.
There's nowhere to hide, and there's nothing down there.
It is an utterly vacant space.
It's going to be a hole in the floor or something.
Well, they looked.
They looked all around the basement, and there's nothing there.
They're looking for where a raccoon could have gotten in.
But it's like, as they're looking, it's dawning on them that there isn't a clear answer here.
We've definitely heard the tapping.
Dad hasn't.
We have.
And we're down here at the source of the tapping in many ways.
And there's nothing.
And they've sort of mentally shifted to it could be malevolent.
And so they're having this big fear response.
They're like, okay, we can't be down here.
This is just horrifying.
and so they turn and begin going back upstairs and as they're walking up they notice there's
writing on the inside of the stairwell wall leading up to the first floor they're walking up the
stairs and right on the wall on the basement steps written in red is i'm in your closet come find
me oh shit and so the girls see that and obviously they sprint out of the basement they
bolt out of the house they were very friendly with their neighbor they run to their
neighbor. They're banging on the door. It's late at night. The neighbor opens the door. They're
like, what's going on? The girls are hysterical. They're like, oh, my God, there's a ghost
in our house. Like, there's writing on the walls. And, you know, the neighbor is aware of the
fact that they've lost their mother and, like, understands that this is a very difficult time
for them. And so no judgment passed, has no idea what's happening just says, get in the
house, we're going to wait for your dad. You know, you stay here and we'll wait for your dad,
you know, and he'll know what to do. And so the girls, they're just happy to be away from
their own house. Frank, not that much longer, comes home and the neighbor sees him pull into the
driveway, immediately flags him down and, you know, as gently as he can, he explains, like, hey,
so your daughters are with me, they're fine. I don't know what's going on in your house. They seem
very spooked about something to do with writing on the walls in your basement. I don't really know,
but they're very shaken up. They're at my house right now. I just want you to know.
And Frank is like, okay, like he knows what this is about. Like, this has been going on now for a
week. And really, all he's thinking is, I guess I better plan for, you know, therapy or something for my kids.
And so he goes and he tells his daughter's like, okay, I'm here. I'm going to go check the house.
Okay, you stay here. I'll go check it out. And they'll talk to you guys. And so he goes to his house.
He goes inside and he searches his whole house and there's nobody there. He goes into the basement.
And sure enough, written on the wall, it does say, I'm in your closet. Come find me. But it's written in catch up.
Like it's someone put it there. But, you know, his first thought is my daughters clearly put it there.
You know, they're the one sort of playing into this delusion here.
This is like a really unhealthy thing they've done.
And now they're like, you know, acting out this whole thing with the neighbor.
And it's becoming this big drama.
Like this is clearly some huge, you know, grief response.
And so he leaves the house not concerned in the least that this is like a real problem.
He's thinking this is this is an issue of my daughters.
Like my daughters are struggling here and they need professional help.
And so he comes back over to the neighbor's house, and he tells his girls, like, look, I
I know you're dealing with some tough stuff here, but, you know, enough is enough.
We're going to start grief therapy, like literally tomorrow.
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And the girls, you know, they did experience what they did experience.
just experienced and they're they don't even know what to make of it i mean now it's really gone from
you know this sort of tapping sound in the house to something very concrete like a almost a threatening
message left that clearly was designed for them to find but their dad doesn't believe them they're
they just they feel trapped like what do you even do and so the girls are sort of resigned you know
they've been worn down by this and they're just like fine like we'll find dad we'll do therapy
and so the girls literally like i think it was the next day started therapy and wouldn't you know
But over the coming several weeks, there was no more tapping in the house.
It was like everything went back to normal.
Peace returned to the house, if you will.
The girls were still terrified to be in the house.
But even when they were alone, you know, the tapping was gone.
And, you know, for Frank, he felt like, obviously, you know, you're in therapy now.
You know, that's, it's always been that.
It's nothing more.
It's just, it's been in your head, you know.
But it wouldn't stay that way.
So one week after the seance is when the reaffirmed, is when the.
writing on the wall showed up that I'm in your closet confined me and that's what starts the
group therapy session the following three weeks it's like peace in the house returns so at the end
of those three weeks so now effectively one month after first contact if you will the seance the
girls had at the very beginning about one month after at this point you know they haven't
forgotten they as in Frank Tina and Karen have not forgotten about the tapping they haven't
forgotten about the weird stuff but it's sort of it's no longer a thing right and they've
sort of returned to normal life. And on this day, this is like in October, I think, at this point
of 1986, Frank had taken Tina and Karen and one of their friends, a girl named Kathleen, out
to get some ice cream. And so they went out. This is in the evening time. They'd gone out. They got
ice cream. They're just living their lives, sort of like moving on with life. And they come back
to the Bowen household where they were going to spend the next hour or so before Kathleen had to go
home. And when they got home, Frank went up to the front step of his house and he's about to open
his door when he realizes that there's something off about his house. He looked into the window
and he saw there was a couple lights on inside the house that he just didn't remember leaving
on. But this is not like such a big red flag that he's like, oh my God, don't go in the house.
It's more like, oh, that's weird. You know, I don't remember leaving those on. He was pretty
conscious, I suppose, of leaving his lights off and on whenever he left the house. And he sort of looked
back at his daughters to maybe see if maybe they were going to say, oh, we left those on,
but they don't even, they don't even pick up on him thinking about this.
So he puts the lock in and he puts the key and he unlocks the door, he opens it up,
and it gets even weirder because now he sees that there's, there's a radio that's on
that was on really quietly that he can now hear, and also a TV is on.
TV's on the back of the house.
So like some lights are on TV, radio, and he also couldn't help but feel like some of the
furniture in the first floor had been moved, but like slight.
Only so much that, you know, if you lived in a place, you would notice the difference, but that's it.
If you didn't live there, you wouldn't have picked up on it.
But things seemed a little bit out of place.
And so, Frank, he sort of turns to Karen and to Tina and Kathleen, their friend, and he's like, hey, did you guys, did you leave the stuff on?
And the girls, by the way, at this point, they're seeing these things, and Tina and Karen are immediately back in that, oh my God, it's happening again.
You know, it's this thing, whatever it is.
And they're like, we didn't do that.
And so they're immediately terrified.
Kathleen has been fully read in by Tina and Karen.
They've heard about all the things they saw.
She believes it fully.
And so the three girls are like horrified.
Frank doesn't really know what to make of this.
Because remember, he believed that his girls were sort of behind this delusion.
That's what he would refer to it as.
It's just a delusion.
And therapy was the way to get out of this thing.
So he's like, I think that's still true.
But I also have to deal with the fact that this is hard to reconcile.
They were with me.
how could they have done this? And they seem genuinely scared. And so he hasn't really decided
as he's walking into the house how he's going to react to this. He's like looking at his
girls who are all scared tucked up behind him and sort of looking at the scene like, what's going
on here? And so he does this like half invested search of his house where he's not really
sure how he feels about it. He sort of walks around the house. He turns off the radio, turns off
the TV, you know, turns on the lights because now they're home. But there's nobody there.
You know, he searches the first floor, goes to the second floor, the girls are right behind him
the whole time because they're so scared.
They go down in the basement, you know, and no one's down there.
The house is quiet.
No one's there.
But after he finishes the whole search, he realizes there's actually one room that he hadn't checked yet.
Just when he had first walked in, there's this room right off the front door.
It's like the front sitting room that overlooked the front of the house.
And just because he sort of half began the search wasn't really planning it, he just sort of overlooked it.
And so he has one more room to search.
It's this front room of the house.
And so he said, okay, I'm going to go search that room.
And so, again, he searched the whole house, nobody's there.
He walks into this front room.
And when he walks in, he's basically looking at windows that overlook the front of the house.
And as soon as he walks in, he sees written on the wall above those windows is the words,
marry me, written in shaving cream.
And he walks in and he's just looking at the words.
And he's thinking to himself, my daughters, I just don't feel like this was them.
How could this be them?
I would have noticed something like this.
It just feels like this can't have been them, but he can't quite wrap his head around what that actually means.
If you accept this isn't your daughters, then everything your daughters have been saying before might also be true.
So he's, like, stuck with this almost existential crisis of like, what do you do with this?
And he's staring at the letters, and his daughter and friend are right, like literally up against his backside.
And then he hears something.
Over to his left, out of his eyesight, still in this front room, sort of tucked up against the back wall relative to how he's looking, was just a closet.
And he hears the sound of the closet opening.
And he knows his girls are right behind him.
And so he turns and out of the closet walks this figure that's wearing a dress.
They have clown makeup painted on their face.
They have a hatchet over their shoulder.
It's this man who walks out and he stares at Frank and the girls and he just points and he goes upstairs.
And he starts walking towards them with this hatchet over his shoulder.
And Frank, who, you mean, he's in complete fight or flight response here.
He just protects the girls, and he's like, go, just do what he says.
And they start going out of the front room towards the stairs that go to the second floor.
And this, you know, dress-wearing, hatchet-wielding, makeup-wearing maniac also was the dress of his dead wife.
You know, he's staring at Frank intently got this hatchet.
And he just keeps telling him, like, go, go up the stairs.
And so Frank keeps the girls between, you know, the guy, he stays between the guy and the girls,
and he gets them to go up the stairs.
And as soon as they get to the top of the stairs, Frank is still staring at the sky who's right in front of him with the hatchet.
He tells the girls going to the first bedroom.
And so Kathleen goes in, Tina goes in, Karen goes in.
And then when Frank goes in, this guy with the hatchet is just sort of methodically slowly
walking after him, like he's just taking his time.
As soon as Frank goes in and all the girls were in with him, he slams the door shut and
he holds it shut.
And suddenly there's the struggle between, you know, the hatchet-wielding maniac and Frank to open
this door.
And so they're battling at the door.
And Tina, the 15-year-old, immediately just turns.
runs to the window and jumps out of the second floor window,
leaps out of the house.
She slams to the ground, there's screaming
and all this chaos happening up in the room right above her.
She just takes off to that same neighbor's house.
And now she's in full hysterics,
screaming that somebody's in my house,
they're attacking my family, and the neighbor now consents.
This is not some delusion these girls are having.
Something horrible is happening next door.
And so they call the police.
Police show up a couple minutes later,
and when they get there, they look up at that second floor
bedroom where Frank and the girls were, and Frank is leaning out the window screaming that,
you know, there's somebody in my house. They were right at the door. I don't know where they are.
Like, they're gone. They're in my house. And so the police immediately, they get the ladder put up
and they get the girls and Frank out of the house and they usher them over to the neighbor's house.
And they're all safe. They're all fine. Traumatized, no doubt. But the guy never got into the
bedroom and at some point took off. And so Frank and the girls were okay. And so Frank, Kathleen, the
friend, Karen and Tina, they're all fine. They've been moved.
over to the other house, but now the police, they go in, you know, guns drawn to search the
house for, you know, whoever this person is who broke into their house. And so in they go,
and they searched the house. And, you know, there's no sign of any sort of disturbance of any
kind. I mean, there's nothing there. No one's in the house. They searched everywhere. They did
ultimately, though, find a hatchet that was leaned up against the back sliding glass door,
and that door was partially ajar. And so it sort of gave the impression that, you know,
this person, whoever it was, is gone. And so after, you know, this search of the house,
the police are like, look, you know, we, Frank, to Frank, they're like, we don't really know
what to tell you here. You know, we don't know where this person is. You know, your description
of them, unfortunately, it's sort of like you describe somebody wearing a costume. You know,
we don't even know what they look like, realistically. They had clown makeup on, a dress. You know,
we think they're a man. They could be a woman. We don't know how old they are. Like, we don't
know what to tell you other than it seems risky to have you stay in your house. And so for right
now, while we continue to investigate and try to figure out who this is, we want you and your
family to just stay with a relative. Just don't stay at your house. What we're going to do is we're
going to basically stake out your property and just assume that maybe this guy might come back
and maybe we'll catch them then. And then in the interim, we're going to be canvassing the town
and trying to figure out who did this to you. And Frank's like fine. And so really without taking anything
from his house. He and the girls just, they leave. They go to a relative's house. And over the next
few days, the police do canvas or they stake out Frank's property. And nobody goes in or out.
It's just the vacant home that no one's going in or out of. There's nothing. Nothing's going on.
And police are communicating that to Frank the whole time. Like, hey, you know, we've asked in town
too, and no one seems to know who this could be. Again, sort of limiting with the description of this
person. We don't really know who we're even looking for. But no one's gone into your house. And we
think at this point, you know, they're probably not going to come back. But just for safety,
you know, give it a couple more days before we let you go back in. And so this is, you know,
a couple days into this. And Frank, you know, he and his girls, they had to leave pretty abruptly.
And so they were not able to take any supplies with them. They had their toiletries and their
pillows and all those things, all their nice things. They're in the house still. And so it's
broad daylight on the third day of this. And Frank's like, you know what? I think I can pretty
much, just go over there, run in the house real quick, and just get my stuff, bring it back,
and then we'll have a couple more days, and we'll move back in. And so he drives, Frank does,
broad daylight on this, like, third day of the stakeout. He gets to his property, and he doesn't
see any police anywhere. Doesn't see any cop cars anywhere. He's thinking, oh, maybe they're unmarked
or something. I don't know, but there's like nobody parked anywhere. It just looks like his house is
here and no one's watching it. And he's like, okay, well, they're probably here somewhere.
I'm just going to run in real quick, get my stuff and leave. And so he parks in his
driveway. He gets out of his car and he starts walking towards the front door. But before he even
gets to the porch, he thinks he sees something moving in his house, up on the second floor,
that same bedroom where they had been. And, you know, he stops immediately because he's thinking,
oh, wait a minute, what if they're watching my property from in the house? Like, they didn't
specify how they were going to watch the house. And I don't want to just walk in there, you know,
to potentially an armed police officer who's waiting for an intruder. I don't want to just barge in.
And so I better like take a second and call them and really let them know, hey, I'm here before I go in.
And so he goes to the neighbor and he says, hey, let me use your phone.
He calls the police.
And he's like, hey, you know, I know you're staking out my house, but can you just confirm that you have officers in my house?
Then that's how you're watching it because that's who I think I just saw in the house.
And they're like, no one's watching your house from in the house.
They're outside the house.
And Frank's like, well, I didn't see anybody outside the house.
And the guy he was talking to was like, well, then you must have caught them at turnover.
I bet right now the police officer who's supposed to be on duty probably just arrived and you must have got there right in that like couple of minute transition time, which unfortunately does happen sometimes, but we promise somebody's there and what you ought to do is just go over there and I bet right now there's an officer watching your property. Why don't you talk to them and I'm sure they can go in and check the house for you if you want? And Frank's like, okay, that's weird because I definitely saw someone in the house, but I'll go check. And so he hangs up, he goes outside and sure enough there's a cop that's parked right outside.
the house. He goes over to the cop and he sort of explains the situation and the guy's like,
okay, you know, no one's in your house, but I will go in and look around before you go in and get
your stuff. And so Frank stays out on the curb and the officer goes up to the house. Now remember
this house, no one's going in or out. And with the exception of a couple of minutes of turnover,
when there's a little bit of a gap sometimes, this house is just vacant. Nothing's happening
in this house. The cop walks up and he gets to the door and he unlocks it. And he unlocks it.
And he opens it up, and he just cannot believe what he sees inside the house.
There were pennies glued to the ceiling all across the first floor, just like pennies.
Pennies, like the coin, pennies, glued to the ceiling all across the first floor.
And there are all these like half full champagne glasses sort of positioned all over the first floor.
And the furniture has clearly been maneuvered and arranged in sort of bizarre ways.
You know, it's just, it's totally inexplicable.
And all the guy's thinking is, we've been watching this house.
clearly somehow someone's getting in and out of this house or they're still here and I don't know
how that's possible but we don't we something's off here obviously and so instead of searching the
house he pulls out calls in backup and they do yet another complete search of this house like they
they're going to tear this place apart and figure out how the heck someone's getting in and out
and doing things inside the house with nobody noticing like what's going on here and they search
the whole house top to bottom and it's a much more thorough search this time and they cannot
find anyone. There's no sign of anybody in the house, how they got in, how they got out. It's
just this total weird mystery. And at the end of it, there were a couple of officers that were
down in the basement, you know, that like blank basement. And they're just, they're standing
there, like, frustrated. Like, how could this be happening? What's going on here? And one of them
was leaning on the washing machine. And he's like, I just don't understand how we could
have missed this. And as he's talking, the washing machine suddenly moves from his
weight being on it and he looks down and behind where the washing machine had been now that it's
been moved is a little cutout on the wall and it sort of looked like it was where the vents of the
washing machine and the dryer would go to but he sort of moved it a little bit more and he realized
that there was a big enough cutout behind these two the washer and dryer a person could
realistically fit through the hole in the wall and so they pull the the washer dryer away
and they poke their head in and they see with their flashlight there's like a
a tunnel that's been burrowed into the wall in the basement and crouched down in the corner,
looking back at them, is this dude wearing a dress.
Holy shit.
And the dude in the corner, his name was Danny LaPlante.
And I'm going to tell you about Danny LaPlant because the story, it takes a horrible turn.
This is already bad, but it gets exponentially worse.
So Danny LaPlante was this 16-year-old kid, and he clearly had humongous issues, huge issues.
six months earlier
from when he's discovered in the wall
he had had some sort of
fleeting interaction with Tina Bowen
the 15 year old
apparently he made some sort of move
on her and he felt rejected
Tina didn't recall it at all
they apparently went to school together
but she does not have a memory
of interacting with this guy ever
you know it's like I didn't even know
that he felt that way about me but he felt spurned
by her he felt rejected
and the way he handled his rejection
is he snuck into their house
right after that, so six months earlier,
burrowed a hole in their wall in the basement
and was living in their walls.
And what he was doing is, by the way,
he did not have access to their whole house
from that hole in the basement.
He only had a little crawl space
in the walls in the basement.
He was leaving the crawl space all the time
and just wandering their house with the family there.
He was spying on the family 24-7
and then at a certain point
when the girls went downstairs
and they had that seance,
Danny could tell they were having a seance to try to contact their mother.
And all those tapping sounds he made were intentional.
He was trying to pretend to be their mother to make them feel like its mom.
He was the one, he snuck into their bedrooms and was flicking the underside of their bed.
Like this guy was asking to get caught.
He never did.
But it was him, pretending to be their mom.
And then eventually he mixed it up and decided to be evil and pretended to be a malevolent spirit.
So this guy's completely psychopathic, right?
so he gets arrested and he's put in jail
and 10 months later as he's awaiting trial
he is given bond
he's allowed to leave jail
he's given bond that's the framing right
yeah bond
and while he's out on bond
he sneaks into another family's house
and for reasons that we still don't even understand now
he murdered three of the four people
in that family after living in their walls
and now he's currently in jail
and he recently was put up for a parole hearing and he was rejected and during the parole hearing
they determined that he's arguably one of if not the single most sociopathic member in the
entire prison system so that's the story of danny laplant damn how did he kill the uh the other family
he drowned them he drowned them i believe the mom was strangled and the two children he drowned
geez yeah and so if you look at this guy now if you look at videos of daniel leplant now i mean
if you were to imagine somebody capable of doing that that's what he looks like so not good dude
how do you find this stuff well that one that one's pretty pretty well like publicized i suppose
that one know about that yeah but the thing that and this is not like toot my own horn but i think that
the thing that I will do to stories that I think brings them to life a little bit is there are
stories that are told, you know, by loads of people on loads of accounts and channels and
movies and TV shows. But a lot of time there's sort of like a formula for how each one gets
told. For example, this is completely random, but like Roswell, New Mexico, I don't even
have the story in mind, but the way that story is often told is, Roswell, New Mexico is like
where aliens by the government are like kept, you know? And like, that's how you start the story.
and then you sort of back into it.
And that's how everybody tells that story.
If I was going to tell, and I'd never done this,
a story about Roswell, I would start with some anecdote
that led to this theory even existing.
I would start with somebody's experience in real time
that was potentially paranormal,
and then I would begin to connect it to Roswell in some way.
Maybe the government comes in after the fact,
and suddenly the sighting this person saw,
the government's asking questions,
and it turns out it's the agents from Roswell, New Mexico.
And so I like to find a way to tell a story where the payoff is only at the end.
You know, it's like, especially in true crime stories, which we do a lot of, so many times when you tell a story like that, it becomes, one, fixated on the antagonist, the killer, because they're the most obscene, they're the most memorable in the worst ways.
And you lead with, like, today, I'm going to tell you the story of the murder of so-and-so.
And so going into it, you sort of already know what it's going to, what the story is, and you're fixated on the killer.
And so the way I tell these stories, it's designed to be like you're in the POV of the normal people that are meant to feel relatable to you.
The people who, like the Bowen family were in the wrong place, the wrong time.
That's all, that's it.
And the other family that were killed, the Gustafsons, wrong place, wrong time.
I want you to inhabit their point of view and have the killer be almost anonymous.
This is a story where Danny LaPlante gets really named,
but the killer or like the bad thing that happens
always needs to feel like sort of this thing
that always happens in a Mr. Ballin's story.
It's this ambiguous bad thing.
It's the character in the story that I can relate to.
I can like feel their emotions.
That way by the time the bad thing happens,
it's like heart-wrenching.
You're like, oh my God, like I feel for those people, you know?
So that story gets told a ton, but it's often told with,
I'm going to tell you the story of the guy in the wall.
man we do a phenomenal job thank you that was that was a long one
holy shit living in the wall
yeah and you know what's crazy it's like this guy had parents
i think he did he was a very i don't quote i want to say a very dysfunctional
family if you can imagine so but there's there's actually these are far less
good stories but there's a shocking number of because we research this stuff
shocking number of people that have found people living in their walls. And honestly, it's usually
it's not like you can live in someone's wall. It isn't like your walls magically connect all over
your house. That's not really how it works. But there are definitely instances, especially in like
major cities of like squatters finding their way into these apartment complexes and different people's
homes. Like actually this is not even a full story, but there was this, this, there was a movie based
on this. And I'm not prepared to tell this whole story. But
There was this apartment complex I want to say it was in New York where there were all these people getting killed, like just in this massive like Section 8 style housing, like people packed on top of each other, super big high rise. All these people were getting killed. They were just turning up dead in their apartments. And, you know, nobody knew why. They just would be found dead in their apartment sort of inexplicably. And it would turn out that the way this apartment was built was really, really cheaply. In particular, the way they insulated the walls.
between each of the different units.
So, in essence, if you wanted to,
there was a way from, I think, the basement
where you could get into the inner workings
of every single...
You could get into the space
between every single apartment.
There was effectively like scaffolding very near.
Oh, my gosh.
And even worse than that,
every single apartment, their mirror
was just placed into the drywall.
It wasn't anchored at all.
And so these dudes began sneaking
into people's apartments
by just climbing in,
side of the wall, like this high-rise building and punching open the mirror.
Now they're in your apartment and killing the people in the apartment and then going back
in through the mirror.
Jeez.
And there was the, I don't know if this one was true or not, but there was one about, in a way,
it's sort of not heartwarming at all.
It's bad, but it's the closest thing to heartwarming.
I don't know if you have any heartwarming stories, John.
This one is like, there's this, there was this guy who I want to say, this might be,
I don't know if this is a true story or not,
but it's a great, you can probably look it up.
It's one of the more viral clips that's out there,
and I think it's true.
There was this guy who, he lived in the city,
it was in New York,
and I think he shot content for like a vlog or something.
I don't think he was a big influencer or anything,
but he was a type of guy who, like, filmed himself a lot.
And there was this, someone put together a compilation
of all these videos of him.
Over the course of these vlogs he was doing,
he was mentioning that he's, like,
like, man, it's the weirdest thing happened to me. Last night, like, my toothbrush was like on
the other side of the counter, you know, little things that in the vlog, he's clearly not
making a big deal out of it, but he's saying him. He's like, that's so weird. I feel like I'm losing
my mind. Like, it just here and there, he just mentioned that there were all these weird things
happening. He lives alone. He lives in a big apartment building in New York. And he eventually
starts to, like, question his own sanity. He begins to say to his followers or whatever you want to
call it. He's like, I just, something weird is happening to me. Like, I keep forgetting where I'm
putting things. You know, I keep buying things and they're, like, disappearing in particular
food and, like, weird stuff is happening in the kitchen. And so he eventually sets up a camera
in his kitchen. It's a very small, like New York City apartment of kitchen, New York City
apartment kitchen. He sits up, he says up a camera. And, you know, over the first couple of nights,
he's filming, nothing happens. He doesn't even know what he's looking for. Like, he's not going
to, oh, someone's living in my apartment with me. He's just.
like, what? Am I sleepwalking? Like, what am I doing? And then there's this one clip that's gone
crazy viral to be easy to find. It's the middle of the night and this cupboard opens and this
little woman, this little woman climbs out of the cupboard and she's like looking around and she goes
over to a sink. She hasn't even got off the counter yet. And she squats down and pees in a sink.
And she jumps down and she goes to his fridge and she starts eating all this food in his fridge. And then
she, like, goes around the house, she comes back with, like, a toothbrush, sure enough.
She, like, cleans her teeth, puts everything back.
And then she goes back into the, into the cupboard and puts everything back.
And the guy discovered it, and he was, like, horrified.
This is real, too?
Well, I don't know that this, I've seen this video, and I believe it's true.
And this guy did an interview for it.
He was like, yeah, it turns out in that cupboard, you could basically climb up, like, into
the ceiling of the apartment and hide.
But it was this woman who, and this is the heartwarming part, if you will,
I think that she had no money
She was down on her luck
She was this elderly woman
Who had literally walked into his apartment
When he left the door open one day
And just like magically found this hiding spot
And had been there for a year
So he was living in this one for a year
It's like crazy
Holy shit dude
You uncover some wild shit
Yeah man
Wow
Do you believe in paranormal stuff
I don't know
I sort of do
I think that the
what's happened is in virtue of constantly searching for stories that, you know, are credible
enough that we would share them on our shows, you sort of are exposed to a lot of stuff that's
clearly not true, especially when it comes to, like, user submissions, a lot of that stuff,
it could be true, but there's just no way I can prove any level of credibility. It's one person's
perspective type of thing. But there are definitely, there are definitely some things.
that are tough to explain.
And I think that where I go to is it's almost a cop-out to say, you know, paranormal doesn't
exist, only because all you have to do is just zoom out.
Zoom out a little bit on our species.
Zoom out a little bit on Earth.
It doesn't matter what you think of how we got here or whether there's God, whether there
isn't, or whatever your interpretation of existence and our place in it, doesn't
matter. It is undeniably, it is undeniably the case that we are this little tiny thing in this
vast space that we don't really understand. Even through every religion, we still don't really
understand. Like, we don't really know with absolute clarity who we are and what we're doing
here. We have good ideas. We have great theories. But it's undeniably part of the human experience
that we are like, yeah, we don't really know. We think we think so. I believe this, but I don't
really know. And so because of that, why is it so outlandish to think that there could be, for
example, like supernatural activity? I mean, there's, I told this story actually on the story
time with Mr. Ballin, the new show we've been doing. I told it to Tom Seguro on our first
episode. The shortened version of it is there's a story of this Mexican pilot who's this young
civilian pilot who was learning how to fly just as a civilian. He's like a 21-year-old kid,
forget his name. And he, there was the day where he was going to fly solo for the first time.
So he shows up to the airfield. I think it's called Chimala Khan, Mexico. I'm butchering the name.
He shows up, you know, he's done all his tandem or whatever you call it flights with an instructor.
Today he's going to fly in his own. And the flight path that he was going to be on was very simple.
take off, you know, do a couple of turns, come back and land, just show us you can do it,
and then, you know, you're certified. So he's not nervous. He gets in the plane. He takes off. He takes
off. I think it was like 9, 15 in the morning. I want to say this is in the 80s or 90s,
I forget, but it wasn't super recent. He takes off and everything's going fine, and he begins
making his turn. And then at a certain point, there's like this fog that rolls in. And they were
sort of aware of the fog, but the fog, like, it really came in fast. And as he's
entering this fog, he loses his visibility. And this is also at a time where the instruments
in the aircraft were pretty rudimentary. Like it was basically dead reckoning. You're sort of
looking out the window to see where you're going. This might even have been in the 60s or 70s
now that I think about it. It was not recent. And all he's got is like his compass and like his
altimeter. Like he doesn't have much going on. And he's just sort of looking out the window and
he's seeing where he's at. And he's like, okay, I'm good. He's like making his turn. But at a certain
point, he knows he needs to begin to descend to land. And he basically knows where he is. He
figures, once I go below the fog, I'm going to see the runway and I'll land. But as he tries to
descend, he realizes his craft, his airplanes, not responding. You know, it's flying. It's steady.
You know, it's not faltering, but it's not descending. And he tries to, like, pull the yoke to one
side. It's not turning right. It's not turning left. He can't do anything. He's not panicking. But as
this is happening, he realizes that, you know, the plane is not just leveled off. It actually is
beginning to climb. And he has no control over it. He's just going up. And so he goes over the
radio. He's trying to tell, you know, I guess the air traffic control of what's going on, but he doesn't
really even know what's going on other than he's lost control of his aircraft. He's in this big,
you know, cloud of fog. He's sort of, you know, losing sight of anything. And then as he's, as he's
rising, he begins to lose consciousness and finally just passes out. So he's riding up into
the clouds with no control and he passes out and so raphael pretty sure his name's raphael for the sake of
this story i'm gonna call him raphael from here on out so raphael he wakes up sort of abruptly and he's like
like looking around and immediately he takes stock of you know what's going on because he just passed out
in the cockpit a minute ago and he's flying solo pretty dangerous and he sees that his plane's still
flying he's flying level his plane's fine and the mist is all gone the fog is all gone
and he looks out his window and he sees that, you know, not only is the fog all gone,
but he's actually over a very, you know, new-looking environment.
He's flying over water.
Now, in every direction, it's water.
And, you know, he's really just happy that he hasn't crashed, you know, and he can't really
picture how he got here.
But as he's sort of taking stock and, you know, taking back control of the plane, and
now he does have control of the plane again, he realizes there's somebody trying to talk to him
on the radio.
And they're like, hey, hey, Raphael, Raphael, like, hey, what's going?
on raphael and he and he's like oh my god like i don't even know what to say to you like i don't even
know where i am and the guy over the radio is air traffic control uh off the coast of i forget
where it is some coastal city in mexico um they're like hey i've been talking to you for the last
hour or so are you are you okay and is somebody with you right now and raphael's like what like
no like it's just me i i i fell asleep i don't know how i got here and so the air traffic control guy
is very, like, suspect of what's going on.
And he's like, hey, do me a favor.
Like, turn around, like, come over here.
You're going to land right here at, you know, wherever, whatever city this is.
You're going to come land right here.
We're going to talk to you, okay?
And so he's like, thank you, you know, okay?
So he turns around and he lands.
And where he is, and now forget, I think it's three hours away.
From where he took off, where he lands is a three-hour flight away.
Let's put it that way.
I forget the name of where he lands.
So he lands, and as soon as he lands, like, he's thinking, like,
my God, I'm getting so much trouble.
I definitely didn't pass my test.
Like, this did not go well.
He gets out of his aircraft, and there's all these people waiting for him, like these
stereotypical, like in suits, like government officials, they show, that's what it looks
like.
That's the way he reports it.
And they take him.
And before he can even ask questions about what the heck just happened, they're like, hey,
you're going to come with us.
We're going to screen you and see if you're on drugs.
And also, we want to give you a psychological test to make sure you're sane.
and the whole time he's like what is going on he's trying to ask questions nobody's given him an answer
like it's these you know people in suits that just kind of whisked him away to this hospital
and he gets to the hospital and and they they give him a drug screening and he's totally sober
and they they have a psychologist talk to him who determines that he's shaken but he's he's sane
and it's only at that point that they're like all right raphael we're going to we're going to tell
you what the heck's going on here and he has no idea he's like
totally clueless what's happened here. So he took off at like 9.15 a.m. This is what they told
him. They're like, you took off at 9.15 a.m. You flew up into the cloud and then no one could find
you again. And then at about, I want to say it was like, I forget the time exactly, but it was like
an hour later or an hour and a half later called like 1030, 1045. Air traffic control off
the coast of Mexico, they picked up this blip on their radar, flying in circles out over the
water and it was Raphael and they're like what are you doing here the guy who was like hey are you
alone in the cockpit right now that guy that same air traffic control he got on the radio with raphael
and he spoke to him for an hour and they recorded his conversation and at some point in this
conversation with Raphael that Raphael doesn't remember there's a recording of this I wish I could
play for you right now where Raphael it doesn't sound like him but he's the only one in the cockpit
and it's recorded on air traffic control.
He says something to the effect of,
this is not Raphael.
We come to you from another planet.
We're using his body as a microphone.
You need to understand that your species
is on the brink of destruction,
that you're using nuclear weapons,
you're about to turn on yourselves,
and you're going to annihilate yourselves if you don't stop.
And if you don't stop,
the insinuation was entities
other than people on Earth
they're going to intervene and stop you.
It was basically like, stop fucking around on earth
and blowing shit up and killing each other
or else someone's going to have to intervene.
It's sort of like the message,
but it's said through Raphael,
and if you listen to it, even though it's in Spanish,
it sounds horrifying.
His voice sounds deep, and it's like garbily,
and it's, you can tell the air traffic control guy
as he's talking back and forth to him,
he's unnerved by it.
And then magically, at like 1030 or 1045,
when Raphael comes to in the cockpit,
his voice totally changes on the recording.
He's like, hey, what's going on?
I just woke up.
I just woke up.
So Raphael has no memory of it,
but there's a couple other anomalies
that don't really add up.
One, you have just the fact
that there's a recording of the conversation
where for an hour,
this guy is getting this weird feedback
from Raphael that sounds like
another alien species talking to him.
But also, the plane itself,
it's a three-hour flight
to get to that body of water.
water. And he had enough fuel in his plane. I want to save for like an hour's flight or two hours
flight. It was less. When they recovered his plane, he had like three quarters full tank of gas.
So just to get to where he was, even if he had flown straight, one, he didn't have enough time
because it was 9.15-ish takeoff 10.45 a.m. or whatever it was, he's found over the body of water.
That's not three hours. That's an hour and a half. So it's less than three hours. So even a fast plane
couldn't have got there in three hours, and the fuel was literally, like, too full to be there.
And so the only way you can get this story, this is sort of dramatic, but it's good for the story.
The story's not really widely talked about because it's a very scrutinized story in Mexico,
because people are like, this is the best piece of evidence that's something weird is going on.
There could be aliens out there.
This feels like proof.
The story has been buried in an archive in this.
this library in Mexico, and the way we got access to it, I kid you not, is we had to write a
handwritten letter to this Mexican library to request to use the story in the recording,
because it's the recording. That's the transcript in the recording, and then when we asked,
they had to interview us to figure out what we were using it for.
Are you, I swear to God. Are you serious?
Yeah, and they were like, whatever you do, don't make a video about it on the internet.
And here we are.
And here we are.
Yeah.
No shit.
Right?
How'd you find that one?
So we have a pretty amazing team of like researchers and we have one Sam who's our Spanish
language researcher.
And so she will specifically read news sources that are, you know, Spanish language that we
don't necessarily have access to.
And she just found it.
Yeah.
I guess people were talking about it on the interwebs, if you will.
Man, that is wild.
Yeah, you know.
Have you had any paranormal stuff happen to you?
Yeah, I mean, I had the, I had, it's a long one.
I don't know if you want to hear a long one.
I have a long story.
How much time have we got?
We got, we got, we got, we got all the time in the world.
Yeah, so we, I do.
I have like, I have one thing that happened to me that I, I don't even know if it's paranormal or not.
I would say that it likely feels close.
And in a way, people think it's like the reason I started doing Mr. Ballin, but it's totally coincidental.
I have exactly one time that I had something strange happened to me.
And it also happens to be one of the first stories I told on the Internet that went pretty viral.
But it's not why I do this.
It's just happenstance.
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So when I was 16 years old, I was big into snowboarding, and I had these two buddies of mine who both were named Nick.
And one of them, his nickname was Wolf, like the animal wolf.
And so for the sake of the story, there's Nick and there's Wolf.
And the three of us, we snowboarded together all the time.
So I grew up just south of Boston, Massachusetts, and I lived in a town called Quincy.
And it's, you know, Massachusetts is not known for its rugged mountain peaks.
And so there's really nowhere to go snowboarding.
But there was this place called Blue Hills.
It's this little ski resort, ski resort.
It's literally a hill, hence the name Blue Hills, in Milton, Massachusetts.
And, you know, they pump snow onto it.
And it's, no kidding, just a little tiny hill.
And we loved that we were there all the time, taught snowboarding there.
You know, it was like, that was our place.
And the winter, me, Nick and Wolfe were there all the time.
And, but every winter, from the time I was like maybe 12, so 12, 13, 14, 14, 15, 16,
the one big trip we would take is Nick, Nick's family had a cabin in New Hampshire up in the White Mountains.
And for us, that was like the one time where we'd go stay at the cabin.
And for like a weekend or a few days, we would go snowboarding at like real mountains in New Hampshire,
which compared to Blue Hills and Massachusetts, these were like, you know, Mount Everest.
It was amazing.
And so we really looked forward to that trip every single year.
But when I was 16, we had a trip plan.
to go up to this cabin.
And their cabin itself, it's located up on this old abandoned ski resort, which matters
to the story.
Basically, they built all these little cabins on, I think it's called King Pine was the name
of the resort before it shut down.
But there's all these cabins that were built, you know, for the ski resort.
But then the ski resort shut down, and a lot of the cabins got demolished.
Nobody really kept them, or they were sold off or whatever.
But there was a few that kept their cabin on these old abandoned mountains.
And there's really like very little in the way of public service that goes up there so the roads get all nasty and stuff.
But it was like cool to be living on the side of the mountain.
But anyhow, we had a trip to go up there planned.
And sort of out of left field, Nick's father passed away.
It was, honestly, I think it was a heart attack, but it was very abrupt.
And when we would go to this trip, this annual trip up to this cabin, it was always me.
wolf
Nick and then Nick's mom and dad
and they were like this
perfect couple
you know they loved each other so much
they were so much fun to be around just like the most
motherly fatherly group
and they loved that cabin
especially the dad
the dad I don't think he built it but he was like
always you know he was very handy
fixing it up you know he's a man's man
rugged guy
and so when when I found out
that Nick's dad had died
you know I really didn't care about
the ski trip snowboard trip i'm like of course we're not doing that you know how could we it was like
literally a couple of days away you know there's not a chance we're going to do that and i remember
uh i talked to wolf separately so not the guy whose dad died and i said hey you know just between you
and i obviously we're not going to go you know right and he's like yeah no way but um i ended up getting a
call from from nick and nick is he was always like a very stoic guy sort of like a tough
Wyatt reserve kind of guy. And he's like, hey, like showing almost no emotion or anything.
He's like, hey, you know, we're just, we're just going to go. We're going to go on the trip
anyways. And I remember thinking that I actually really didn't want to because like I'm thinking
about how uncomfortable that's going to be. The absence of his father is going to be so obvious.
But I also was thinking that, you know, for all I know, this is their way of like, you know,
sort of honoring his late father. He loved the cabin. And maybe a
It's one of those things where it's like he would want us to go, you know, still do the trip.
And so I called Wolf separately, and he sort of agreed that he's like, I feel like it's our
responsibility to go and be supportive and just let this be whatever it is.
You know, it's not meant to be a fun vacation.
It's meant to be there for the family and just go.
And so me and Wolf agree to go with Nick.
And the deal is it's going to be the three of us, the three friends, Nick's mom, like usual.
And then she had two much older sons.
were in their 30s at the time, we're 16.
I hadn't met them before.
I knew they existed, but the rumor was
that they would be joining us at the cabin,
presumably the night we got there.
We were gonna be there for three nights.
They were gonna join us.
And so without even telling Wolf or I,
we sort of understood that they're going there
to sort of fill the obvious gap left behind
by Nick Stad's absence.
And so that's sort of what we think we're walking into.
And so the day comes, just a couple of days later,
It's just a couple of days later, you know, Nick's, Nick's mom comes and picks me up, and it's
me, Wolf and Nick in the back seat. It's a big SUV. And, you know, Nick's mom is driving
and the front passenger seat is, you know, conspicuously empty. That's where the dad would sit.
And so, you know, up to New Hampshire, we go. And, you know, at this point, I am, I've embraced
the situation and I'm just looking to be a good friend. So is Wolf. We just go up there.
It is what it is. So we go up to the cabin.
And a couple more points about the cabin that are sort of important for the story is the cabin itself is situated on a mountain.
It's built on a mountain.
If you think about how you'd build a level house on a slope, you've got to sort of put half the house, if you will, out on stilts to keep it up supported.
And then the other half is sort of effectively built into the mountain, you know, to build something on a slope.
I guess I hope that makes sense.
And so that's how this one's built.
Basically, half the house was sort of jutting off the mountain with big stilts and a big wrap-round porch that went
around the outside and then sort of like a section of the house was sort of burrowed into the
mountain. And when you drive up this mountain, you'd turn onto a little access road and you'd be
approaching the house sort of looking at it from a profile view. You'd see on the left side is the
stilted side and the right side is the side buried in the mountain. The door is right in front of you
as you pull up to it. The door to get into the cabin, you actually have to step onto the wrap
around porch and take a few steps. And then there's a door that leads directly into the side of
the cabin. And once you step inside, you're standing quite literally between the kitchen on your
right where there's linoleum under your right foot. And on your left is this shag carpet where the
dining room is. So you step in and you're straddling these two rooms. There's also sleigh bells
that they kept on the door. So anytime you opened it, you could always hear it opening. And so
you walk into the cabin and there's just like one big open room it's called an open floor plan it's a very small
cabin so kitchen over here dining room here with a table in it and if you just kept walking straight
towards the back of this cabin again not very big you'd enter the living room there's no wall demarcating it
you just sort of get to a couch with a tv on the back of the cabin and if you turned around in that back
of the cabin and looked up you'd see a lofted second floor and basically at the back side of the
cabin, there's stairs that go up to the second floor. So it's just a lofted second floor. That's
where the mom and dad, that's where they would sleep. And then where we would sleep is when you first
walk in and you got the kitchen on your right, you got the dining room on your left. If you walk
like halfway through the cabin and you stopped and you turn right, you're now looking into the
mountain that direction. There's a single hallway that goes straight down and then makes us tiny little
left and there's one bedroom that is where we would sleep. And when you go into that bedroom,
You'd walk in.
It's a corner fed room, if you will, for our military days.
And immediately on your right is a bunk bed.
I would sleep on the lower bunk, Wolf would sleep on the top bunk, and then with basically
all the remaining space in the room, it's not a very big room, was like a queen-sized bed
where Nick would sleep.
And there was just enough space where you could walk between the queen size and the bunk bed,
a little row there.
So all that will make sense once we get into the story or what really happens.
So anyways, we get up to the mountain, we get to the cabin, we put our stuff down, and right
away, you know, even though it's midday, we head out to add a tash.
I think that's the name of the mountain we went to and we snowboard all day and it's, it's
great, you know, even though it's a sad trip, it was wonderful to be out on the mountain.
And then we come back and at this point we were told that the brother, one of the two older
brothers was likely going to be there late at night.
He was coming in from some trip he had.
And so basically, he was going to get there, but it was going to be late at night, likely after we fell asleep.
So there's no reason to stay up for him.
And so we were at the cabin, and the three of us are like, man, let's just, like, go to bed right now.
It's like seven or eight o'clock.
Let's just go to bed.
And we can get up super early and, like, hit the mountain and snowboard all day tomorrow.
It's going to be awesome.
And so we go in our bedroom.
And the other two fall asleep, like, immediately.
But I just, like, can't sleep.
There's no reason for it.
Just couldn't sleep.
I was excited. And I had like a PlayStation 1 in there. And I was playing like SSX tricky, that little snowboarding game, just crushing video games. I just couldn't sleep. But finally I'm like, all right, I got to, I got to go to bed. So I turn it off. And I get into the bunk. And it's, it's truly pitch black inside this room where the room has, it's been built into the mountain. You know, that's it's, it's not some secret room, it's just the way the cabin is constructed. There's no windows. You know, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's, it's
it's bunkered in the mountain and so there's no light coming in and it's the middle of the night
and the only light in the room was just a digital clock that had a little red dial to a little
red digital face that was the only light in the room um but it's like truly like a pitch black room
and so i'm laying there and uh i still can't sleep and my feet are closest to the door and wolf
is the same orientation above me and nick is the same orientation next to me and uh i'm laying there
and at a certain point
I hear footsteps out on the wraparound porch
and I didn't hear a car approach
I also wasn't like actively listening
for sounds outside I was trying to fall asleep
but I just I remember hearing these footsteps
on the wraparound porch
and you know I think that
I mentioned it before in another story
it's amazing what your brain will do
I've seen this in this particular story
and I've also seen it
you know, in the military where you're met with like overwhelming evidence that something bad
is happening, but your brain is like, nope, everything is fine. And like, it's the middle of the
night on a mountain and I'm hearing footsteps in the wrap around porch. And so my brain immediately
jumps to, oh, it's next brother. It has to be next brother. It's like two, three in the morning right now.
We knew he was going to be here. I've never met him. And it's funny, my go-to thought was
I'm going to pretend to be asleep
because I don't want to have a social interaction
with this dude right now
never met him before
it's like three in the morning
I was going to walk in and be like yo get up
let's chat let's meet you know
like he's not going to do that
but that's all I'm thinking I'm like
I just do your best like a sleep impression
and so I'm sitting there
and I hear these footsteps
and they're out on the porch
which is elevated off the grounds
it's pretty echoy and it's like silent in the house
beyond that
and so the footsteps they stop outside the door
the door that leads in to the kitchen in the living room.
And I hear the door open and I can hear the sound of the sleigh bells on the door ringing.
So it makes sense.
The door is opening.
He's here.
And the first thing that I noticed that seemed off was I didn't hear the door shut again.
I just heard it open.
And the footsteps, when they're out on the wraparound porch, that is an elevated wooden platform,
makes sense that they would like echo in a sense or you would hear them.
the cabin is not echoey there's shag carpet and it's like cement slab it's you don't hear people's
footsteps but when the footsteps came into the cabin i continued to hear them like they were echoing
almost like they were out on the wraparound porch and so footsteps wrap around porch the door opens
the sleigh bells the footsteps come into the cabin and they're like echoing through
echo's not even the right word they're loud like i can hear like a thump with you
each step. And I'm telling myself it has to be one of an ex-brothers. That's all it can be.
There's no other explanation here because any alternative is awful. There's no other good
alternative. And so the footsteps are moving. And I had this weird thought that I can only
describe this way. It was almost like I could see in my mind's eye where they were in the house,
whoever, whatever this was, it was like I was intimately aware, probably because I was
having like a fight or flight reaction and my my brain was going crazy it was like with every step
it was like I could see the feet like moving exactly where they were in the cabin and I could tell
as the footsteps you know hard stomped through the cabin they stopped and I knew they were stopping
right at the point where you would turn and you would if you wanted to you'd walk down the hallway
that led to us there's no other once you'd come down this hallway we're the only room that's left right
and so I'm picturing in my mind like okay this has got to be next brother but like what's going on here
why do I have this weird thought about this the footsteps stop at that point and they turn and they begin
walking down the hallway towards our room our door shut it's pitch dark beyond the little red light in the room
and I at this point I'm starting to wonder like okay I don't know if this could be next brother
this just this feels awkward it feels wrong the door's not shut like what's up with these
footsteps being this loud? Is this an intruder? Is it a, is it a predator? I don't know. Is it an
animal that's come into the house? Like, all these thoughts are going through my head and they're all
bad. And I remember having this almost paralyzing fear come over me as the footsteps began coming
down the hall. Because all I'm thinking is, in a moment here, invariably, it seems like the
door is going to open and I'm going to have to have some sort of interaction with whoever, whatever
this is. Wolf and Nick are dead asleep. And I'm so,
scared with fear. I can't make a sound. I'm so scared. I'm so scared. And so I'm laying there and the
footsteps come down the hallway and then they stop right outside the door. So it comes down the hallway
and it turns and it's facing the doorway that's shut. And I'm looking towards the foot of my bed,
the bunk bed now and there's a space between the top bunk and where I'm laying. And so I have a little
bit of a view on this door that's on the wall here. I can see the door and the door opens inwardly
and it's so dark. But like my mind, I'm like, I know where the door is. I know like, even though I can't
see it. I know if anybody comes in, they're going to be right there. And so I'm laying here,
staring down through the slat in my bunk bed. The door opens, and this dark, tall figure
walks into the room. And each step is like this thunderous boom as it's walking into the room.
Like, it's echoing through the whole house it feels like. Like, I'm amazed no one else has
woken up to it. And I see it walk past, and I'm going to explain this, I see it walk past the slats in
the bed or that space in the bed and the room is like pitch black there's really no light coming
in even when the door opened up there's a tiny bit of light from the digital clock but there's
virtually no light and i could practically perfectly make out a dark silhouette within a dark room it
was like i could see it clear as day as if there was a light being shown on it this tall dark figure
that walks past the bed and i'm laying here and my view is partially obscured by the top bunk over here
Like I can see Nick on the bed there.
I can basically see the whole room.
But if you're standing real close to the bed and you were to walk down the row and you were taller than the top bunk, let's say, I couldn't actually see you unless I moved my head and looked up at you.
So I'm laying here and this thing walks into the room, it turns at the foot of the bed and it begins marching down the space between where I'm laying and where Nick is laying.
And it's so tall that from my perspective, I can only like see.
its thighs, if you will, like its hips would be above the top bunk.
Like, it doesn't feel physically possible that it's so tall.
And it marches right next to me, and it stops.
And I'm laying there, sweating bullets.
I honestly don't think I've been more scared in my life.
I don't think I've ever been more scared.
And I'm all I remember thinking, I said it in the YouTube video that I told it,
it became like a meme within my community of fans.
I was like, very earnestly, I was like, all I could think was,
please God, whatever or whoever you are, don't bend down here and look at me because it'll
ruin my life to like have to interact with you.
But I'm laying there.
All I'm thinking is, oh my God, like don't interact with me.
Don't like, I know this is not your next brother.
I don't know who or what this is.
But it like turned away from me, almost like a military facing movement because it had marched
down the way and it turned away from me.
Now it's looking out over next.
Nick's bed. I'm frozen, like paralyzed. I was helpless. He could have destroyed me. I couldn't do
anything. And it like bowed forward into Nick. It like bent forward into Nick and then
disappeared into the ground. Just was gone. And, you know, in a movie, let's say, I think you
might be like, oh, now it's safe. The ghost melted into the floor. We can run away now.
All good, everybody. Right. But like in real life, I'm like, where did it go?
oh, where is it?
That's not how, that's not normal, you know?
There's so many questions.
Like, what do I do now?
And so I'm laying in bed wondering if it's going to like poke its head up and look at me.
And again, it's like, this horrible, horrible thing.
And so I just laid there in bed waiting for whatever or whoever this was to reemerge.
And I didn't move.
And I'm like frozen solid, just so scared.
And at a certain point when nothing happened in the room, I must have fallen asleep.
That's the only explanation because it's like this great.
area post seeing it to when I wake up. But I basically come to or wake up very shortly after
this. I only could have slept for like an hour, tops. And I realized that Nick and Wolf are both up
out of the bed. It's just me. There's a little bit of light in there. And I can hear out in the
kitchen the sound of Nick's mom like doing her morning routine. And I'm so relieved. Like there's
the room is safe again. I'm up out of the bed. And I go running. I'm sorry, Nick and Wolf,
they're still in their bedroom. But I can hear Nick's mom. That's actually important. So I wake up. I
hear Nick's mom, Nick and Wolfe are still in bed. I know it's safe now. I pop out of bed and I run
into the kitchen or I go into the kitchen and I'm about to like tell her. I had all these questions
you know, I wanted to say to her. I mean, I'm 16. I'm a kid. You know, I need some reassurance
from an adult. But I instantly was like, wait a minute. She has just lost her husband like a
couple days ago. And I am going to come dangerously close to potentially having a sort of
offensive conversation if I start being like, oh, I think I saw a ghost last night in my room.
Who do you think it is? You know what I mean? So I just was like, how do I approach this?
How old are you? I was 16. But I was like, oh, I have the perfect thing to ask. It's like,
go in the kitchen and I'm like shaking up because I know this happened. This was not like some
fleeting dream. Like something happened.
And I say to her, I'm like, hey, and she's making coffee doing her thing.
And I'm like, hey, did your sons, your older sons, did one of them show up last night?
And she sort of looked at me and she just didn't say anything.
And I'm like, were they here?
Do they stop by at any point?
And she goes, no.
And I just, I clearly had a reaction to that.
She could see a reaction from me.
I was like, let down.
Like, that was my one silver bullet.
Maybe that was Nick's brother being really.
weird last night, you know?
And she looks at me and she's like, John, it's okay.
It was just my husband.
I heard him last night too.
And I got to tell you, that was not a reassuring thing to hear from a parent.
It caught me so flat-footed because it's like I haven't even, I came out there looking
like shit.
I came out there looking like I had seen a ghost.
I clearly was probing about something that happened last night.
I'm asking, I'm doubling down on, was your son here?
She just sort of said it.
And I didn't even know what to do.
And so I just was like, I can't talk to her.
I don't want to talk to her about this.
I don't even know what to say or do.
I'm just going to sit down.
I began like drinking like 10 cups of coffee,
just like doing anything to take my mind off this.
And then not long after, Wolf and Nick came out of the bedroom.
And they came over.
Nick's doing his own thing. And I pulled Wolf aside. And I just told him outright. I was like,
dude, dude, this would happen last night. And he's like, fuck, dude. Like, I don't know what to tell you.
That's horrifying. Sucks, dude. Like, I don't know what to tell you, you know. But I told him and I'm
like, I'm telling you, I don't know what to make of it. And I said, that's what Nick's mom said.
Like, I think she's referencing whatever happened to me. And he was, like, freaked out by it.
But he's also like, I don't know, man. Like, there's got to be an explanation here, you know?
and so I sort of took the stance of this is something I'm not going to understand and I'm just
going to act like everything's normal. Let's just have a normal day of snowboarding and assume that
this is okay. Somehow or another, this is okay. And so we do our morning routine. We go snowboarding
for the day and pretty quickly, once I'm out of the cabin and we're snowboarding, like it was like
it all evaporated from my mind. I forgot about it. Had a great day of riding, you know,
And then at the end of the night, when it was time to come home, the one thing I did do is I said to Nick and Wolf, I'm like, hey, tonight when we're back there, because we have two more nights at this cabin, I'm like, can you guys just like let me fall asleep first before you?
Let me enter the slumber realm ahead of you.
And they're like, oh, yeah, definitely.
We'll definitely do that for you.
And so we get back to the cabin and I checked in with Nick's mom.
I said, hey, tonight we're expecting your sons, or one of them.
And she's like, yeah, they're probably going to be here tonight.
And I'm like, okay, these elusive brothers, I guess they're going to be here tonight.
And so I'm in bed at like seven.
I'm in my bed.
I barely slept the night before, and I'm like just trying to go to bed.
And I remember the one thing that I did that made it feel like more real.
As I put in the springs underneath the bed above me, I put a knife like slotted into the springs, you know, to protect myself.
but I'm like, nothing's going to happen.
I'm fine.
And so I lay there in bed and I cannot fall asleep.
Because I'm doing that whole like, oh, my God, I need to fall asleep before them.
Like, I can't be awake.
And so it is impossible to sleep.
And eventually, you know, Nick and Wolf are like, dude, we're going to bed.
It's like midnight.
We're going to bed.
We're not just going to sit here until you do.
And I'm like, fine.
I'm like kicking their bed and like trying to keep them up.
But eventually they fell asleep.
And once again, I am alone in the room wide awake.
It's dark.
With a knife.
Oh, I got my stupid knife right above me.
And I'm laying there and time was just going by.
And at some point, maybe two, three in the morning,
I remember hearing the sound of the steps out on the wraparound porch.
And it was the same.
It happened again?
I'm laying there and I hear the sound on the wraparound porch.
And because I've now had one experience, the first night,
this feels the same.
And it just, it defies everything we think we understand about how the way, the way the world works, the way things work.
And I was just instantly in that paralysis state that like so scared I can't move.
Like I'm dead.
And I'm looking up with this fucking knife that I can't even move my arm to get, you know.
And I'm laying there.
And I hear the footsteps in the porch.
I hear the door.
It opens the sleigh bells.
One other thing that I failed to mention in the floor.
first night is another thing is as soon as the door open and there were sleigh bells,
I also heard a pot fall to the linoleum floor.
That was the first night that did happen.
It happened again, second night.
So it's like a mirror image.
It's the same thing happening two nights in a row, like exactly the same.
And then I hear these loud footsteps as, you know, this thing I can like see it in my mind's
eye as like walking through the house, the cabin.
It stops, it turns and begins walking down the hallway towards our room.
And it's the same as the night before.
I know it's not one of Nick's brothers.
Like, this is an intruder.
Like, I don't know what this is, and I'm horrified.
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The door opens up, and again, it's this tall figure that walks into the room.
I see it's like hips, if you will, like through the slot of the bed above me and mine.
It's so tall, I can't see it.
It marches past me next to the bed.
And then again, same as the night before.
You know, I'm praying it doesn't look at me and ruin my life.
it turns away from me and bows into Nick and vanishes.
And so it's really the same thing in a row,
the same thing two nights in a row and not comforting.
Like worse,
it only made it more real that it had happened again.
And I'm still laying there wondering where it went.
It isn't like, oh, don't worry yesterday.
It vanished.
It'll vanish today.
You know, like it was the same.
It was like replay.
And I, again, laid there, could barely sleep,
eventually at a sheer exhaustion from snowboarding all day, barely sleeping. I did fall asleep.
And then I woke up at a certain point. And again, I hear Nick's mom out in the kitchen.
This time, that morning, when I got out of bed and went in there, I didn't care at all about being
offensive. Didn't care in the least. I walked out there and I was like hysterical.
Like, I don't even know what to say to you. Like, please tell me your sons were here.
And like, I just tell her everything. And the whole time, she's looking at me. And she's
she's a wonderful woman. She's so, like, motherly, so nice. She's just like, I could almost
feel like she felt bad for me or something. Like, she's listening to me. She's not dismissing me,
but she's just letting me do my cathartic, like, ranting about how terrified I am and what the
fuck's going on here. I want to leave. And at the end of it, she's just like, John, it's really
okay. It's just my husband. I heard him here last night. I heard him here the night before.
It's fine. Like, that's what I'm hearing from the adult in the house. And,
And it was just like, this, this is not all right.
And I remember on that morning, we have one more night at this house still.
And it gets worse, actually.
Somehow it gets worse.
I was like, I want to go home.
I just want to fucking go home.
I don't want to be here.
But this is a trip that I have looked forward.
I look forward.
This is like the one big trip.
Like my family didn't have a lot of money or anything.
This was like a big deal to get to go do this big trip.
This was awesome.
And it was like all I talked about.
And so the idea.
that I'd be calling my folks up, like, yo, drive to New Hampshire, pick me up and bring me home, because I'm seeing ghosts in a fucking ghost.
It just felt like too.
And then it also, it was like, I don't know how this will be interpreted long term.
You know, am I being totally insensitive to the fact that I went here to support the family who's lost their dad?
And I'm claiming a ghost scared me off.
It just, it was a lot.
And I grappled with it.
And I remember I talked openly to everybody, to the mom, to, to nils.
to Wolf, I'm like, I'm just, I'm just going to stay.
Like, I was, like, openly saying that I wanted to get the fuck out of here, but I'm, I'll
just stay.
It's one more night.
I'll stay with you guys.
It is what it is.
It was a weird morning.
It was so weird because she's, like, almost reassured to hear me confirming what she
thinks she's hearing.
I don't even know.
It was, like, good for her.
She wanted to talk about this.
And I didn't want to talk about it.
And Nick, the son of the deceased, he's, like, totally doesn't want to hear any of it.
And Wolf is, like, very scared now.
he's like getting worked up by it was just a very weird thing but anyways we got one more night
and i'm like god just got to get through one more night of this awful experience and so that day
after doing our weird breakfast routine you know we we found out one that the brothers were not
going to be stopping by after all turns out you know it didn't really matter but they were not
going to be stopping by so that night the one more night i had i didn't even have like a a thing
to cling on to that could be the reason behind these sounds um but before his mom next
mom drove us to the mountain that day, we made a very small pit stop at this woodworking shop that was
near the cabin. She was picking up a new coffee table that they were going to place in the cabin
at the foot of the stairs that led up to the second floor, the lofted area. And she just needed me and Nick and
Wolf to literally lift it, put it in the Jeep. And so we go to the woodworking shop. We get this new
coffee table, this beautiful wood coffee table. We put it in the SUV. We go to the mountain. We do our
snowboarding for the day. And I honestly was so checked out. I didn't really care. I just wanted to get
time to pass. I just wanted to be done. We come back from snowboarding. We get picked up. And when we
get back to the cabin, Nick's mom had us offload this heavy coffee table and walk it in. And we
put it by the foot of the stairs that led to the second floor. And then we went to bed. And I,
again instructed nick and wolf like stay awake let me sleep but they didn't they fell asleep i'm awake
in the room by myself and i'm just furious that was that way anger was the feeling i had i felt so mad
like i'm in this position how can i be in this position what have i done here this is the third
guy this is the worst and so i'm laying there and sure enough it's like three in the morning and i
hear those fucking steps on the wrap around porch and it's like i'm losing my mind like i don't even know
there's no way to react to this this is awful and so i'm terrified i'm looking at my stupid knife and the
door it opens i hear the sleigh bells the pot falls the linoleum it's the third night in a row
this is like crazy the footsteps come into the cabin but this night something new happens
when the footsteps reached that point where they would turn and come down the hallway to where
our bedroom was instead of that they kept walking to the very back of the first floor of the cabin and
Again, it's almost like in my mind's eye, I could, like, see exactly where they were moving in the house based on how loud the thumps were or whatever.
And it was really, actually, surprisingly, way more terrifying when I, when I figured out or when I could sense here that this thing was not going to be following the pattern.
You know, as awful as the pattern was, come into the room, bowing to Nick, and I'm terrified all night.
I didn't die at the end of it.
Like, things were contained.
but now it's like something new is happening
and it suddenly was like
this thing has the capacity to like
sink into the ground like what's going on
here and the footsteps go past that turn point
and it goes to the very back of the first floor
and there's a pause
and then I hear the footsteps going up the stairs
to the second floor where Nick's mom is
and so I hear the footsteps
and it's like basically right above us
and at a certain point the footsteps just stop
and I spent the rest of the night
laying there, looking up at the bunk above me, waiting for this entity to float through the ceiling
and, like, come down to me.
It's, it's bowed into the ground the day before.
So it's like all night.
I'm just laying there so scared.
This is the worst night of the three.
You know, I didn't hear any more sounds after that.
At a certain point, I must have dosed off again because it's like I'm on fumes at this point.
I wake up, it's super early, you know, earlier than the past two mornings I'd gotten up with probably
like four in the morning and Nick and Wolf are still asleep in their bed. It's still pretty
dark, but I can hear something out in the living space. And it sounded like Nick's mom.
And it sounded like she was crying. Frankly, didn't fucking care. Just wanted to leave.
Got out of bed and I went out there and it was like, I'm not even looking for explanations.
I'm not looking to talk about this. I can just be done. I can go out here and we can just
leap and I go out of the hallway and I look over to the kitchen where I expect her to be and she's
not there. She's over on the stairs like leading up to the second floor and she's definitely crying
and I look over at her and before I can ask anything, she just goes, John, come here. And she's
standing over that coffee table that we had put at the foot of the stairs the day before.
And I walk over to her and she's crying and I sense that she's not crying tears of sadness.
She's happy. These are happy tears. And I'm getting ready.
ready to ask questions here, but she just stops me and points at the surface of the coffee
table.
And I look at the coffee table and etched into the wood is the words, I love you.
And she goes, I didn't write that.
Holy shit, dude.
What?
And so I will say the conclusion to this story is, this ended my relationship with everybody
in the story.
I didn't, this is it.
that's the end of the relationship with these people this was so traumatic for me it was like well
i'll just never talk to any of you again and i'm thinking like think of the the the answers
for what could have happened range pretty much that it's like okay let's let's go through the
exercise of perhaps nick's mom in in the state of grief that she is in somehow picked up on
that i had had some sort of nightmare or whatever and
took it upon herself to pretend that she, too, had, like, seen a ghost or something, right?
Mm-hmm.
Why would you do that to me?
One would be a question.
But, two, like, I didn't give up that I saw anything on that first morning.
It isn't like I walked out and said, hey, last night, I heard somebody walking around the cabin.
Was it your son?
I tried to ask, as, like, diplomatically, I'm sure I had a look.
I'm sure I looked scared.
How could she have possibly thought, oh, I know what this is?
He must have had a thought that if somebody was walking around the cabin last night,
I'm going to capitalize on that and pretend that it's my husband.
And it was so immediate that she agreed with me and said,
that was my husband, then it's okay.
It's just, it doesn't mean it's not possible.
In fact, if there's any rational explanation,
it's that she out of grief and sadness did this to make it feel like her husband
was still around.
But even that, like, I don't know.
I don't know if you could do it that quickly and that well.
It's possible.
It's certainly possible.
But then it's like, what's the alternative?
It wasn't me.
Certainly wasn't me.
And I'm the guy that sleepwalks.
I'm the guy that has all the reason in the world to say, oh, no, like, there's probably, this was, this was my mind.
This was, but it's not.
It was corroborated.
That is wild.
You've never spoken to them again.
Wolf a little bit, Nick, zero, his mom's zero.
I mean, the little bit is about the fact that I've told this story.
Yeah, yeah.
Holy shit.
And it's funny, like, the reason we cut ties, or I did, it wasn't malice.
It was like, dude, we can't get over this.
Yeah.
This is not something I'm able to get over.
Dude, we've had some stuff happen.
Yeah?
Yeah, we had Tim, who's behind one of these cameras here.
He was there for it.
Elijah, he was, he's upstairs.
he was up he was there for we so before i did the podcast thing i was like basically throwing
shit at the wall to see what stuck because i was so tired of tactics and uh i was just i was
done with it and so i was one of my ideas was uh oh i know we're going to do like this
reality tv survival scenario series or whatever right so first one i did was um tim was there
Like I said, Elijah was there.
Tim was one of the contestants.
It was like, hey, you got 50 bucks or 100 bucks or something.
End of the world's happening.
We're going to Bass Pro, and you have to buy everything that you would need to survive on a time limit.
So we rented this cabin, this old, like, Civil War cabin out in this area called College Grove.
It's like 20, 30 minutes from here.
and but you know this is you know franklin you know this area this is front lines civil war there's
a lot yeah yeah lots of confederate union cemeteries around lots of buildings where you know
that were there were there were shot up blood stains on the floor lots of ghost stuff around here
there's ghost ghost tours all over town anyways we go to this old cabin a little bit of a back story so
it took my wife and I over a year to find a place to live here and when we were moving up from
Florida. We just kept getting outbid by Californians. This is like the big migration. Oh,
really? And we just couldn't afford it. And so I looked at my wife and I was like, I'm getting
tired of putting in offers on houses and getting outbid. Like, just the shit's getting depressing. This is our
seventh trip up here let's just go get a cabin out in the woods enjoy the you know enjoy tennessee
for the you know for the rest of the this trip and then we'll go and find some place to move in
florida that's that's out of the city so we go to this cabin run it's awesome it's out in the middle
of nowhere it's in this you know cow pasture like out in the rolling hills family owns it's an
Airbnb family owns it that's it's that's that's you know who knows the the farm has been in
their family for generations I'm like this was pretty fucking cool it's like one of those old
school log homes you know and um I woke up and I kept like I woke up in the middle of the
night and I just kept hearing this banging on the roof and I'm like wasn't you know wake
Katie up and I'm like what is that nothing she didn't hear anything she's like maybe maybe
it was a squirrel I'm like no there's no squirrel
that makes this sound on the roof.
And I'm like, all right, well, whatever, maybe I'm dreaming.
Maybe I had a dream or something, but who knows?
So I don't really think much of it.
Fast forward a couple of years.
We're out there for this event.
You know, we're doing the, we're doing the survival series.
And so we do the, we set up this cabin and we put, you know,
the vigilance elite sign up and for some branding.
And we're getting it ready to shoot the debrief because we're going to grab all
a shit from Bassboro come back. They're going to present it. I'm going to grade the two
consistants. And we're like trying to plug in the sign and we're plugging in these lamps and
trying to build this, you know, kind of a set. And none of the electricals make it sense. But it
doesn't hit me. I'm like, that's weird. I plug the sign in here. Doesn't work. Plug the lamp
in does work. Plug the sign in over there. It does, you know, and it'd be just weird electrical
shit going on. But I don't really think anything of it. So we go out.
go to bass pro
bass pro is probably an hour away
we do the exercise comeback
they're presenting all this stuff
like all the stuff that they
bought with the budget
and we had only rented the air
Airbnb for
for uh what it was like
for the day
and um
we're in the middle of this debrief
we're supposed to be out by 6 p.m.
And I'm like
I'm facing the wind
A similar cabin sounds like very similar to what you were in.
Everything, it's one big room, right?
Kitchens in the room, dining rooms in the room, TV, fireplace.
And then there's a spiral staircase that goes up to a loft.
But the loft isn't enclosed.
You know, you could lean over the, you know, see downstairs.
So it's all one big room minus the bathroom.
We have this little table set up.
And we start hearing footsteps.
And I thought the footsteps were
were outside.
This shit's on camera.
Oh, really?
Because we're filming this stuff.
Yeah, there's a video up on our channel that shows this.
And so you see me in the debrief and these guys are talking and you just see my face all of a sudden.
And I like go like this and I'm looking out the front door.
But I see my, I thought I saw somebody else's reflection.
but it's it wound up being mine while I'm hearing footsteps and you just see my face go like
what the fuck and then I and then the reflection turns into my reflection but on the camera
so the footsteps were upstairs I thought it was the was the porch you know it's a wooden porch
out there. It's past six.
I figure this is probably
the owners coming to
say like, hey guys, we've got a wedding
coming up tomorrow. You've got to get the hell out of here.
Oh, my God.
We pull the camera footage.
Well, first, like, then I look up
all three of us that are
on camera, all look up at the
exact same time.
And you hear these fucking footsteps.
And I like, I look
Look at Tim and Adam and I'm like, did you guys just fucking hear that?
My wife was there.
Elijah was there behind the camera.
We had a marketer there that was behind.
Every single person in the room is looking up going, what the fuck was that?
We packed the shit up.
I'm like, get the fuck out of here.
Like right now, we're fuck this.
We're not even going to finish.
Get out of here.
so we load up all the camera shit
load up the microphones
put the furniture back
I can't even remember
did we go upstairs
and even look
he goes
yeah
so we pack all this shit up
dude I did not even want to look
at the cabin
because there's a there's on the top
in the loft
which is where like the bedroom is
where me and my wife
were sleeping when I heard the
banging on the roof
there's a little
little window and you have to close
this gate. I'm like, I'm not
even fucking looking in that damn
window. I don't want to, I don't give a
shit. I have guns. It's not
going to kill whatever's up there.
So we
so we haul,
high tail it back to my house.
Immediately pull the footage. I'm like,
pull the footage. Let's see what that
shit was.
On the footage, if I remember
correctly, you do not hear the footsteps.
Do you remember this? Do you hear the
footsteps we have it we'll pull it I'm gonna have a question so I'm gonna have both of
you step outside I'm gonna bring each one of you in every time there's a
footstep you can hear the static in the camera so be like god
I call my best friend.
We're like, we're all blown away.
We're like, holy shit.
There's a fucking ghost in there.
And I call my best friend later that night.
And I'm like, hey, John, check this shit out.
Listen to this.
What do you think of this?
I tell him the whole story.
He goes, pull up.
He goes, look, pull up the Airbnb.
Pull it up right now.
And just see what the reviews say.
And I'm like, oh, great idea.
Yeah. We pull up the fucking reviews, dude, and it is don't bang on the walls. They bang back. Don't show up after dark because the entire place comes alive. It was just review after review, after review of people's haunted stories in that cabin. Haven't been back there since.
Holy shit.
Fuck that.
Dude, that's crazy.
I know. I could have swore I told you this. I may have told you this in the last episode.
Because I was like, we should do John's episode at that fucking cabin when you came here.
But, dude, yeah.
The fact of there were those reviews, that's crazy.
It's wild, dude.
I will, well, when this comes, we'll put the footage in in the episode so you can see it.
That's nuts.
I'd love to see that.
Yeah, but I believe in paranormal stuff.
It scares this shit out of me still today at 43 years old.
So that would be to feel like how maybe it was something, maybe it was this, but then to see the reviews, that that's what confirms your nightmare.
Dude. Yep. That's the thing. I got more for you. I'll tell you. I'd love to hear it.
I'll tell you tonight at the campfire session. But, well, hey, man, I really appreciate all the stories. And it's good to get in the Halloween spirit, you know, a couple days beforehand. So thank you. Thank you for coming.
For the SIG, dude.
You kidding me?
Hey, let's go.
Let's go burn it down real quick.
Let's do it.
Thanks, bro.
Cool.
That's awesome.
Thank you.
Thanks, bro.
