Sixteenth Minute (of Fame) - i love my curvy wife, pt. 2
Episode Date: August 27, 2024This week, the curvy wife saga concludes. Jamie talks to Cate Navarrete of the Body Positivity Alliance and Tigress Osborn of the National Association to Advance Fat Acceptance about where this momen...t falls in the decades-long history of fat activism, and how mainstream media narratives tend to depoliticize civil rights issues. Also, Jamie mumbles the lyrics to "Hot Wife" by curvy wife guy to herself. Also, Jamie learns what "hotwife" means. *airhorn* Learn about NAAFA here: https://naafa.org/ Follow Tigress here: https://www.instagram.com/iofthetigress/?hl=en Learn about the Body Positivity Alliance here: https://bodypositivealliance.org/ Learn about Cate here: https://bodypositivealliance.org/team-and-board/cate-navarrete Read Tigress's original essay here: https://naafa.org/blog-archive/black-history-always For more on the history of fat activism and body positivity, start here (curated by the amazing Aubrey Gordon of Maintenance Phase!): https://www.yourfatfriend.com/fat-reading-listSee omnystudio.com/listener for privacy information.
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Welcome back to 16th minute, the show where we talk to the internet's characters of the day from time gone by to see what their moment says about the internet and about us.
My name's Jamie Loftus, and everyone is always shocked to learn that I am actually six feet tall, which is unfortunate to admit here, but I think it is because my personality scans a hard five, six.
But I use it to my advantage.
It's how I get people to tell me so many secrets.
And today, we are continuing our discussion of the Curvy Wife Saga of 2017.
Now, if you haven't listened to Part 1 of this episode and aren't familiar with the story,
I would say, go back.
You gotta go back.
This episode isn't going to make a hell of a lot of sense without at least the context
from the first part of the series.
Last week, I recapped the story of I Love My Curvy Wife in detail and spoke to
curvy wife guy himself, Robbie Tripp.
So again, if you haven't heard any part of the first episode, it would make more sense to
just go back.
But for those returning, you already know that in the summer of 2017, a Utah man named
Robbie Tripp posted a photo of himself and his wife, his wife, Sarah Tripp at the beach.
Sarah at the time was an influencer of in-betweeners, or as she clarified, people who wore sizes
that were between extremely thin models presented in the media and the plus-size section.
And this post was heard around the world.
I love this woman and her curvy body.
As a teenager, I was often teased by my friends for my attraction to girls on the thicker side.
It keeps going from there.
Again, you can listen to part one.
And the curvy wife post went through what listeners of this show will now recognize as a pretty typical main character
experience. Step one, the post goes viral. Step two, it gets a lot of positive attention. Step three,
a significant wave of backlash and negative attention. Step four, optional but common, the surfacing
of old offensive posts from the main character. Step five, the public apology and disavowal of said
posts. And ultimately, what they do to maintain and build on this notoriety. And this all depends on who the
main character is and whether they have aspirations to stick around. Some people just want to return to
their lives. Think 30 to 50 feral hogs guy. Think coffee wife. But others, like Robbie and Sarah,
already had big ambitions in the influencing space. After the curvy wife post, Sarah Tripp continued
to build her fashion and lifestyle commentary brand under the sassy red lipstick banner and launched a series
of bathing suit line collaborations. Meanwhile, Curvy Wife husband, Robbie
trip became a rapper who just released the song Hot Wife. And by the way, after part one,
a bunch of you commented, does he know what Hot Wife means? And then I had to look it up,
and now I know what it means. And I resent you all for sharing that with me. Airhorn,
please. It's undeniable that there were elements of this story that really had staying power.
People were talking about the curvy wife post for months and years after the original post.
And the phrase, I love my curvy wife, has more or less entered the permanent
lexicon of people who were online and engaged with the story at the time. And the reason it's still
around is because during its original circulation, this story, intentionally or not, touched a lot
of nerves, including but not limited to how men can talk about and objectify women. The idea
perpetuated by the media that one should be praised for being attracted to fat people, how fat or
curvy women are portrayed by the media, the terms curvy or fat, and what that meant to
the person that was saying or receiving them, and the wide range of feelings on how those terms
are used personally and politically, and quite frankly, a very specific strain of millennial
cringe. And I'll be honest, I did not love the curvy wife post when it came out or now,
but I was glad to have the opportunity to talk with Robbie Tripp about his thinking behind
posting it in the first place, because it's my job to give main characters their chance to
speak on their 15 minutes of fame and reflect. It's just that our conversation didn't really
change my mind. In our interview, Robbie took repeated jabs at white female millennial snarky
bloggers in New York, which I personally feel is a lot of qualifiers added to dress up the fact
that he seemed upset at any woman or really any person who was frustrated by his post and said
something about it. And again, plenty of people took no issue at the post. Many felt empowered by it.
I've heard from a few people to this effect, and I don't mean to negate that viewpoint,
but disliking the curvy wife post had nothing to do with being anti-man or being a specific
type of person. I looked back on the backlash. It was coming from a pretty diverse group of
very online people. So, yeah, make of that what you will, and let's move on, because I think
there's a more interesting angle to discuss the curvy wife moment from this week. And regardless
of my feelings, Robbie and Sarah love each other. They recently celebrated.
10 years of marriage and their marriage is honestly not something I'm interested in dissecting
no matter how many Instagram comments I get about it, lest I be characterized as a white millennial
snark blogger from New York, which is only 40% true. I want to talk in this episode about why
the curvy wife post really struck a chord during this backlash and how that connects to how we
talk about other people's bodies and fat and curvy bodies specifically. Because even if I understand that
Sarah Tripp does not mind that her husband made this post about her,
I still cannot find a read of this post that doesn't feel centered around Robbie's feelings
and comes off as condescending to the quote-unquote curvy women he is addressing in the post.
And a lot of people felt this same way.
Body positivity and fat liberation movements had been going on for decades at the time of this post,
but had, in many activists' opinion, been co-opted and depoliticized
by mainstream culture in a way to either sell you things or tacitly make people feel either bad
or confident enough about their bodies to buy something and nothing more.
To feel good about your body when you weren't thin was a brave act all of a sudden.
The same way that Robbie saying he loved his wife was treated as commendable and not the bare minimum
from a loving spouse.
And this was a narrative that was really pushed by media outlets in the early days of this story.
and that much is outside of Robbie's control.
Even the term body positivity put pressure on people to feel good about their bodies to demonstrate their worth and morality
when very few people have a day-to-day, simple relationship with their body.
A lot of people talking about body positivity 10 years ago are now talking about body neutrality.
And so today, I want to dig a little deeper, understand this story outside of the realm of Robbie Tripp and talk to body positivity.
positivity and fat activists to see why after seven years this story still prompts such a response.
Buckle in. Curvy Wife Guy Robbie Tripp and Curvy Wife Sarah Tripp. Your 16th minute continues now.
Then give me a little more
More
Let me see me a minute of fame
Sixteen minute of fame
Sixteen minute of fame
Sixteen minute of face
One more minute of me
I'm not so bad
Welcome back. I thought I was doing a little bit. And it made me cry for truly, three hours. If you haven't read Charlotte's Web recently, it is the most beautiful piece of American writing I've ever encountered, hadn't read it since I was seven. And it just has so much to say. And it just has so much to say.
about life and death and purpose and here I am Jamie's book club. Please read this book for second
graders. Again, you won't regret it. But let's get back to the episode. And so today, we are
continuing our discussion of the infamous curvy wife post of 2017. And once more, at the top of this
episode, I do just want to say that if this post works for you, that's totally fine. But this week,
I want to examine the backlash to this story more clearly. Not every story I cover,
has backlash that, at least in my opinion, warrants a closer look. But in the case of this story,
I think it also offers an opportunity to take a look at what body positivity and fat activism
meant at this moment and what it means now. I'll be speaking with Tigris Osborne of Naffa,
the National Association to Advance Fat Acceptance, and Kate Navarrete of the Body Positivity
Alliance. But before we jump into my talk with Kate, I wanted to give a quick snapshot of where
attitudes toward body positivity and fat liberation stood around the time that the curvy wife story
went viral. And this is going to be a pretty rapid fire history. So for more nuanced and
detailed work on this movement, I'll link a few more works in the description as well.
Fat liberation movements, which have gone by a number of names, including fat acceptance,
fat empowerment, and fat pride, have been in the mainstream discourse since the 1960s and is often
characterized in movements alongside the major feminist movements of the last hundred or so
years. In 1967, fat power activists staged a demonstration in Central Park where over 50 people
eight held signs with pictures of Twiggy and set diet books on fire, pretty punk rock. Then
Nafo was founded in 1969 by engineer Bill Fabry, who started the volunteer-driven group in
response to the discrimination his wife faced in her day-to-day life. A spinoff of this group called
The Fat Underground began in 1972. Texts like Fat Power, Whatever You Weigh is Right by Llewellyn
Loudorback in 1970, and Fat as a Feminist issue by Susie Orbach in 78, continued to push
the movement forward, along with Nafa's own fat manifesto in 1973, which demanded, quote,
equal rights for fat people in all areas of life, unquote.
These groups were certainly considered radical at the time, but they were also often criticized as being flawed in the same ways that the feminist movements they worked alongside with were.
While fat activism was and is considered a civil rights issue, Nava had neglected to meaningfully include non-white people and black people specifically under the guise that fat activism was not needed as much in those communities, something the organization has strived to rectify since.
Here I'm going to quote Tigris Osborne, the current executive director of NAFA, writing in a blog post on the NAFWA website about how discouraging it was to see a dearth of people who looked like her when she first got involved in fat activism.
And since I'm interviewing Tigris later in this episode, I asked if she'd read her own words.
So I'm going to share with you something that I wrote for the newsletter for the National Association to Advanced Fat Acceptance or NAFA a couple of years ago.
And as I'm reading it now in 2024, it still really holds true.
Here's what I wrote.
Some key moments we identify as the roots of fat lib are really, really white moments.
And throughout the history of the documented, organized fat activist movement,
what's often not documented, especially before the modern era,
are the black people who were there.
I've been going through old NAFA newsletters from the 70s,
And so far, I've only seen one visibly black person who was unidentified in the photos.
A couple years later, side note, I've seen only a handful more as I continue that project of reviewing our old newsletters.
Back to what I wrote.
I haven't tracked them down yet, and I don't know if I will ever be able to track down that person.
Maybe this person was having the time of their life at NAFA events.
But, hey, sometimes I've had a great time despite being the only black person.
in a place, but at other times I've been incredibly uncomfortable,
but made the best of it, and other times I've just been uncomfortable.
I've felt all of those things as a black person in NAFA in the 2010s and 2020s,
so I can imagine what I would have felt in NAFA in other decades.
We see black leadership in other social justice movements at the time of NAFAS founding.
What does whiteness have to do with why we don't see black leadership or even much
black participation in early NAFA.
What does anti-blackness have to do with it?
Is there simply more urgency of other issues for black folks then, now?
Or is there discomfort in these spaces for black people?
Then, now.
Or are black people simply not interested in NAFA?
Then? Now?
These questions feel rhetorical, but they're not.
By the 90s, fat activists were picketing in front of the
the White House and becoming increasingly critical of the rampant fatphobia present in mainstream media.
The 90s and 2000s are notable for rampant fat phobia that, whether you like millennials or not,
did a hell of a lot of damage on how everyone, but particularly women and femmes, were conditioned to perceive
themselves.
Anecdotally, I started dieting when I was eight years old.
This was the era of Kate Moss's grand ode to internalize fat phobia.
Nothing tastes as good as skinny feels and gave way to online communities that were centered around encouraging each other's eating disorders.
And while NAFA had a persistent issue with a lack of black leadership and members, fat activism was increasingly spearheaded by black and queer communities when it moved online.
I remember hearing this poem from poet Sonia Renee Taylor when it first went viral in 2011.
The body is not an apology.
Let it not be, forget me not fixed to mattress when night threatens to leave the room empty as the belly of a crow.
The body is not an apology.
Do not present it as a disassembled rifle when he is yet to prove himself more than common intruder.
The body is not an apology.
Let it not be common as oil, ash, or toilet.
Let it not be small as gravel, stain, or teeth.
Let it not be mountain when it is sand.
Let it not be ocean when it is grass.
Let it not be shaken, flattened, or raised in contrition.
The body is not an apology.
I'll link the full poem in the description.
It's really beautiful.
But even after fat activism moves online,
there are similarities between fat activism and feminist activism
during this period of time.
In previous decades, fat activism had been either mocked or dismissed by mainstream outlets,
but by the 2000s, the distinct online communities built led mainstream advertisers to view it as an opportunity.
What if we took this notion that all bodies are worthy of love,
remove the politics from that notion, and sold it back to consumers?
It's not quite that simple, but after the success of the original run of Dove's
real beauty ads, starting in 2004, body positivity, stripped of politics, became an increasingly
common marketing tactic.
The original dove soap ads were rooted in the language of body positivity, but didn't
really offer any solution or action toward it outside a visual representation and buying dove
soap.
How long have we been chasing someone else's idea of beauty?
Maybe one size fits all hair.
doesn't fit you.
We discover the beauty of your own hair.
Discover dove shampoos and conditioners.
But these ads were really effective.
After the first series of ads featuring a group of women that were comparatively more diverse in race and age and less thin than women you were used to seeing in soap ads, dove sales went up 700%.
That's an ad from 2004.
campaign has lasted over 20 years now. Different eras of dove ads single out the ways that other
brands Photoshop and marginalize their representatives to make the consumer feel bad about themselves
and more recently have made short documentaries about how girls become critical of their appearance
beginning at a very young age. And I don't mean to dismiss this campaign outright because this is all
true and makes a demonstrable difference to have out in the mainstream. But the common refrain is
that cannot be the end game.
It's not enough.
So after Dove's success, other brands jumped on board the SS body positivity,
including brands that had been notoriously fat-phobic in the past,
looking at you Victoria's Secret.
What am I most proud of?
Myself.
Proud to be who I am.
Proud to be.
Proud to be.
Brands like Airy, O'Leay, and famously Barbie in 2015,
suddenly featured a wider range of body types than ever before,
and every time it prompted controversy in the mainstream media,
because in one sense, this was a wider range of body representation
than mainstream audiences were used to seeing,
but there was never a political goal attached to this representation.
The goal was to sell products more effectively.
And it's during this era of body positivity in the early to mid-20s
that Sarah Tripp launches her blog, Sassy Red Lipstick.
And it was a fashion blog.
It wasn't launched with the intention of being a source for body positivity.
But over the years, Sarah would often be candid about her relationship with her body
and being this quote unquote in between her, making a name for herself in an industry and an
influencing space that was obsessively thin.
She wasn't trying to or explicitly doing activist work.
She was speaking honestly about her own experience.
experiences. And certainly as the blog continued, she opened the floor to women of all sizes. So
body positivity was discussed, but it wasn't like she was doing on the ground organization work and
wasn't aspiring to. She was and is an influencer who loves her body. And that's great. But it does
provide some context for when the trips were suddenly made the faces of American body positivity
why some fat liberation activists were kind of annoyed about it. Because not only were the
Tripp's not activists, there was also this glaring issue of inclusivity and this persistent issue
of cis white bodies within fat activism being centered. Sarah Tripp is a cis white woman from a lot
of money. And while that doesn't negate any body discrimination she's experienced in her life,
it does make a difference in the ways that she and her husband were subsequently able to turn this
into a career. Because as has become obvious over time, the way that black and brown women are
treated online and in the real world is with continued degrees of mistrust,
negging, and even violence.
Thankfully, there are and always have been many people working in that space that aren't
cis white people.
I don't mean to erase them.
I am curious to ask whether this story would have gotten the attention and media
prioritization it did if the couple and the bodies at its center weren't cis, straight, and white.
And I can't stress this enough.
This is not Sarah's fault.
She was just trying to exist and have a career online, and this became a launching point that she told Rebecca Jennings was very uncomfortable and anxiety-inducing for her.
Because Sarah wasn't inviting this conversation about her body and didn't personally prompt it.
It was her husband and the media who started this conversation.
So on one end, her body is being centered without her consent by the media, and on the other end, there were fat activists who seemed frustrated with Sarah's body,
were not being fat enough to warrant such an outsized discussion.
And so, my next interview was with a person who had an especially fresh perspective on the curvy wife saga
because she was a child when the story happened.
My interview with Kate Navarate when we come back.
Welcome to Pretty Private with Ebenei, the podcast where silence is broken and stories are set
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your perceptions and give you new insight on the people around you. On Pretty Private, we'll explore
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Welcome back to 16th minute.
I found a white eyebrow hair this morning.
And here is my interview with Kate Navarrete of the Body Positivity Alliance.
This interview has been edited for time and clarity.
Enjoy.
My name is Kate Navarrete.
I am the founder and executive director of Body Positive Alliance, which is a nonprofit organization
dedicated to promoting the representation, fair treatment, and equity of all bodies, regardless
of appearance or identity. We started back in 2019 as a local high school club and have since
expanded to a nonprofit and have been operating for about four years now as a 501C3. And in my
personal life. I am a current undergraduate student at Emory University. I'm a business major and I'm super
passionate about all things pop culture and I think that what we're about to talk about today dives really
deep into that and I'm excited to chat. I know that you are, so you're a college student and we're
talking about a story that happened seven years ago now. The Curvy Wife saga, you were a full child
for this. I think I was about 12 when this happened. Yeah, I think I think
I think 12.
That is painful to hear, but the truth is the truth.
So were you familiar with this story at all?
I was not.
No, this is all news to me.
I'm really interested to get your take as a first time I Love My Curvy Wife Saga Experiencer.
What do you make of this story?
What's really interesting is that at first glance, I think in the line of work that I do,
I was really quick to judge.
I think that at first glance it seemed kind of odd,
whereas I think for people who maybe don't have as much exposure to body positivity
would jump toward more reaction of admiration or praise,
which I think is what a lot of people did at the time.
It seems like when this came out,
there were certainly some good components to what was posted.
I mean, this bringing attention to how,
women are marginalized based on narrow appearance ideals or fighting conventional norms of
attractiveness and supporting the idea that you can experience love regardless of what you look
like, you know, even like finding things that traditionally aren't considered attractive
like fatness in the Western world, attractive. I thought there were good nuggets. Overall,
I just thought it was really odd. From just a personal lens of
It felt weird for this to be coming from the perspective of this woman's husband.
I think that was what stood out to me immediately as something that was a bit off-putting
because if this was a woman speaking to her experience, dealing with body image, and talking
about her journey, marrying someone who more narrowly falls in line with those ideals on the, like,
male end of the spectrum and then also, you know, over, again, like overcoming this personal
struggle. That would be something that I think would be really endearing and really positive for
people to see. But just this whole idea that it was coming from him and it was using such,
I wouldn't say vulgar is the right word, but using just language that was so body focused and
also at the same time giving himself kind of a pat on the back for liking curvier women
when that's just something that some people do, I think was, it was a bit odd. I think I'm teetering
on icky, but for the time being just with what I've seen, it has felt kind of odd. If this was
a post by a woman talking about her own body, I feel like it's not even a news story.
it's a man talking about his wife like you're saying. Right. It feels like a very conventional
trend cycle slash media headline, whatever you want to call it. It seems like he's kind of
made a career off of this almost. You know, I look at his profile here. He's about half a million
followers. He has continued to produce content around liking curvy women and celebrating
curvy women. But again, it just feels really objectifying. It's weird.
It's weird that this is coming from a male perspective because it's not exactly like either he's celebrating men or, you know, people who like identify within the confines of his gender identity.
He is exclusively celebrating women in a way that I think a lot of people would interpret as fetishizing people with this particular body type.
And I think, again, it's great to challenge norms of romantic attraction and challenge beauty
standards and challenge the way that we're perceiving bodies.
But again, it's really hard to do that without objectifying people.
And especially when he's looking at it through clearly such a sexual gaze.
And again, there's also this added component of he considers himself brave for this,
which to me is so ridiculous.
Like, you are not brave for finding your wife attractive, you know, if anything like credits should go to her for her, however, she has navigated the world.
And also, I just want to say, too, she is, you know, not the largest woman in the world, right?
Like, she pretty much has, like, I'm, you know, I've seen her and, you know, I'm not going to, like, label her body one way or the other.
I believe in individual autonomy there.
But from what we can see on the census data
of the average size of an American woman,
pretty standard, right?
And I completely understand that
the ways in which women are portrayed in the media
versus what the actual average American woman looks like,
there's a huge discrepancy there.
I will never discount that.
And in fact, I will do everything I can to challenge that.
Again, this attribution of bravery, courage for liking this woman,
That's where I kind of feel the fetishizing coming in because it feels like despite you being
considered ugly to everyone else, I still love you. And men, if you like ugly women out there
like I do, it's okay. It's still perpetuating a narrow confine of beauty rather than trying
to expand it. And, you know, that is one approach. I don't think liberation comes from
expanding the definition of beauty. I think it comes from deconstructing
beauty in its totality. But, and then it also kind of begs the question, if I'm sitting here
criticizing it, then how can we really tackle all these systems or all these nuances with one
individual's response? We can't, we can't. He can't accomplish everything and I can't expect
him to. But again, I think my overall thought here is just that it's uncomfortable that this
came from her husband's perspective instead of her own. Because I think that just again,
perpetuates objectification and misogyny, honestly, that beauty standards create and
uphold. Something that always rubs me the wrong way about this story is just her, like Sarah Trips
removal from the story. Because at the time this was posted, she was, you know, I think she had
a couple hundred thousand followers. And she was an influencer for, I think she called it at a time,
like in between sizes where she was between plus size and it's like normal store sizes
in the way that it was presented and that was sort of her whole beat was exploring that and like
how do I find clothes that fit me if you have the same sort of frustration while shopping here is what
I do so she was directly interacting with this yeah it's also what you said too about her
having this her own internet personality and you know propagating
something that's coming from really personal and probably pretty painful experience of trying
to navigate shopping as a non-standard size woman, that's something that should deserve
way more attention than, you know, a man calling his wife hot, right? Like, why are we, even Tess
Holiday said in an article with people, why are we giving men trophies? Why are we giving men trophies
for being attracted to women who don't fit conventional beauty standards?
I think also if people are only attracted to what is considered conventionally beautiful
or the beauty standard, that should signal to us that there is so much more we need to address
and that there are so many problems out there in our society that need to be tackled.
And I think that's part of what he's saying, right?
Like the fact that he was quote unquote bullied for liking women who didn't fit this conventional
norm. But again, he, there's been some other stuff that's come up. He has made transphobic
tweets in the past. And I'm not sure what he did necessarily to rectify that, but he's made
transphobic tweets towards trans women specifically. And that's something where I think to myself,
if you're not going to support all women, then you're just sort of narrowly opening the door for a
woman who's maybe like myself closer to like a size 12 or whatever, you know, come
through the door and then quickly shutting it for everyone else. Right. It's not incremental
progress that just kind of creates a debate around incremental progress. But I, yeah, I just found
it, I just found it really hypocritical. Like you are questioning and criticizing these beauty
standards, but then also simultaneously putting messaging out there that would indicate that you
don't support all women. And that again, you're maintaining that narrow beauty.
ideal or just narrow idea of womanhood to to some extent. Women just aren't appreciated in the media
or listened to in the media in the same way that men are. And so when a man decides it's okay
for a woman to love her body, then we're allowed to love our body. Right? Like we need
permission to feel attractive or to feel worthy of love. And that's exactly what this post
exemplifies. And it's so transparent as to what the media cares about, which is the perspectives
of men, white men at that, white straight men. That's incredibly frustrating. And he's making a
career out of this, which is, I mean, just kind of disgusting, if I'm being honest.
This is clearly the wrong approach. Can you tell me a little bit about the work that you've been doing
and how it sort of evolved in the four years that you've been doing it? Definitely.
I got my start doing body positive advocacy work really inspired by my personal struggle with body image
and ultimately the struggle of the people around me.
I noticed that this was an issue that was really pervasive in my community.
And I started a body positive club as a sophomore in high school and drew like a pretty, right,
just like a decent community.
It was friends.
I like got my favorite English teacher to sign on.
as our sponsor. It was very casual. And we just had an opportunity to talk about body image in a way
that I hadn't really done before. And in a way that I had increasingly started engaging with
online because I was really trying at this point to recover from my eating disorders. And so what
ended up happening was the pandemic hit around March of my sophomore year of high school. And I started
doing public advocacy work online. Not dissimilar from what Sarah Tripp was doing. I was advocating for
body positivity on TikTok. I amassed a small but mighty following from that. And I got some really
cool opportunities because of it. But I just was led to this place of feeling very objectified and
especially being that young, being 15 and 16 and doing this work. It felt a bit uncomfortable
for me to be doing, especially so new into my recovery. And ultimately, I wanted to do something more
substantive. And so the path I took then was to expand my organization from just a club to a
nonprofit. And we've been operating as a nonprofit ever since. You know, I started a podcast surrounding it,
speaking with activists in the space. And really over time developed a broader understanding of
body positivity that went beyond feel good about yourself. And, you know, we can, we can help you
with your relationship with food to what are the systems in place that are making people feel
bad about their bodies and also contributing to the oppression of people based on their physical
appearance and how can we address, educate about those and deconstruct them.
And so our work now focuses much more on the socio-political context of body positivity,
as is true with the original intention of the movement, which emerged as a byproduct of fat,
liberation during the civil rights era in the United States. And I really found that this approach
just opened my eyes in a way that I had previously not been exposed to in a way that surface level
and mainstream body positivity is failing to encompass. And it's because this part of the movement
and this radical part of the movement, it's not as palatable and it's not as digestible as
some of the mainstream messaging that we're seeing.
And so while it's great to say that everyone is beautiful,
we should also be challenging the idea of beauty in and of itself, right?
The idea that we need to be beautiful or need to expand this definition of beauty.
And it's tough because in the society we live in,
expanding the definition of beauty is really the most realistic path forward to liberation,
right?
Like representation and the importance of representation.
But also behind the scenes,
there need to be people who are,
deconstructing this idea altogether. And so my messaging now more so revolves around the idea
that you should be allowed to feel good about yourself and feel good about the way you look,
but you should also know that you are worthy and you are good beyond the way that you look.
And so I think in this respect, I understand, I don't know, I wouldn't say necessarily understand his
intention. But I understand why his wife was okay with it happening and what maybe felt like
positive validation for her. And I want to say this without being patronizing or like infantilizing
her. I also think, though, that there is arguably a need for transparency and the real
motivations behind maintaining this. And is that something that's monetary or is that something that's
the basis of ideology. Because if it's based on ideology, that could use some correcting,
right? Multiple, multiple things can be true at the same time. The last thing I wanted to ask you about,
I'm 10 years older than you, but also so much of the way that I perceived my body for better and for
worse, like the internet both empowered and encouraged an eating disorder that was, you know,
raged for me throughout high school into college, and the internet was instrumental in me
finding people that were extremely, like, critical in my recovering and healing from it.
I would love to hear a little bit about, you know, whether it's your experience or people you've
spoken with through your advocacy, how, you know, we conceive our bodies with the internet, how, and
if you have any feelings on how to form a healthier relationship with perceiving your body on the
internet. Totally. And I really resonate with what you said. The internet was arguably a large
contributor to my body image struggles and why I developed my eating disorders, but it also,
again, like you said, was instrumental in recovery. Some of the early recovery influencers that I
found, especially because I was recovering during the pandemic, exposing myself to this,
changed the trajectory of my life. And I'm so eternally grateful for that. And I think
that a lot of my life has been spent trying to navigate what social media can look like
in my life. And that's a journey that I'm still on. I've been on social media for more than half
of my life now. I got my Instagram account when I was nine years old. And I'm now again,
like I said, funny. I've been around the internet for a while now. And I've also, I've taken
breaks from it. I think there's no shame in taking a break from social media. There's
constant fear of missing out, but I promise that there is, there's so much more to life than
what is on a screen. And I also think that something that I've done, because often I think
this guilt of sometimes, you know, as someone who struggle with binge eating disorder,
find myself kind of replicating the same behaviors when I'm using social media, which is to say
that I am scrolling for a really long time and then I feel really guilty about it. So I delete
social media the next day and then I re-download it and then the same cycle repeats over and over.
And something that I really tried to incorporate recently is setting aside like five,
10 minutes, maybe 15 each day to go on social media and making that time intentional.
And it doesn't have to be the same time every day, but making the time that you're spending
on social media intentional rather than a passive scroll, you know, while you're waiting in line
for, you know, a public bathroom or just like, you know, you're sitting at lunch and your friend
hasn't showed up yet. In these waiting moments, I think can be something that plagues our mental
health, but being intentional about it is something that's really important. And I also think,
to the same degree, be intentional about what you're consuming. If you are looking at people,
even friends, who make you feel bad about yourself, I think the mute feature is great for
friends because you don't have to unfollow them, but you also don't have to see their
content. I do this with people. I'm not going to name names. But if there's people that you follow,
even that you're friends with that you're close to and you love and adore that you look at their
Instagram and think, oh my gosh, I need to look like that. Then mute them. It's okay. Set boundaries.
Put yourself first. You know, I think that's what's really important here. And sometimes it's really
difficult to control what we see. And I also, I'm going to be realistic, right? We live in an age,
And especially when you're my age, like a college student, you need to be on social media for clubs and for communication and whatever it may be, especially in my case, like maintaining long distance friendships, which I'm sure a lot of us who, you know, our adults can relate to.
And so I see the value in it.
And I think that suggesting we all deleted entirely is not productive or feasible.
But again, being intentional with your usage, moderate.
your usage is really the biggest thing that I can offer as a piece of advice.
And also just know that we're all figuring it out, being kind to yourself and knowing that
even if you doomscroll, you don't have to completely cut yourself off. It's okay.
And we're all figuring this out together. And we're all guinea pigs in this new age of
communication and life. And it'll take some getting used to for sure.
Thanks so much to Kate. And you can learn more about the
Body Positivity Alliance in the description.
When we come back, Tigris Osborne of Nafah.
Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free.
I'm Ebeney, and every Tuesday I'll be sharing all new anonymous stories that would challenge
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On Pretty Private, we'll explore the untold experiences of women of color who faced it all, childhood trauma, addiction, abuse, incarceration, grief, mental health struggles, and more, and found the shrimp to make it to the other side.
My dad was shot and killed in his house.
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Pretty Private isn't just a podcast.
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Every Tuesday, make sure you listen to Pretty Private from the Black Effect Podcast Network.
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My name is Ed. Everyone say, hello, Ed.
I'm from a very rural background myself.
My dad is a farmer, and my mom is a cousin.
What do you get when a true crime producer walks into a comedy club?
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Welcome back to 16th Minute.
I have been watching YouTube videos theorizing about why Mormon influencers specifically are so successful, and it's blowing my mind.
And this is part two of our Curvy Wife series.
My final talk is with Tigris Osborne, the executive director of the National Association to Advance Fat Acceptance.
She's been entrenched in fat activism for a long time.
She's a Gen Xer and has a different free and post internet take on this story.
And as always, this interview has been edited for time and clarity.
Here's our chat.
I am Tigris Osborne.
I am the executive director of NAFA, the National Association to Advanced Fat Acceptance.
So yeah, we've already sort of started diving into the Kirby Wife saga.
Were you aware of this story when it first has?
happened. I was. I wasn't following it super closely because to me it was just like just another
fat admirer guy talking on the internet and I'd seen a lot of that over my years. Before I became
involved with NAFA and became, you know, more of an activist and advocate in the fat space,
I was a plus size nightclub promoter. And so I started a club in Oakland in 2008 called
Full Figure Entertainment that was, you know, a nightclub party for plus size women. We used to say
full-bodied ladies and their friends and fans of all sizes. And so I was exposed to a lot of guys
who are sort of like waving the flag of like, I love big women. And so to me, he was just like
another guy waving the flag of I love big women. And the main thing I remember thinking at the time was
your wife is not even that big, dude. This is not, like, you're really going to die on this hill
of I love big women. And she's only big compared to like the most mainstream of beauty standards.
So that's what I remember my reaction being at the time.
That's something that I've heard come up a lot, and it totally makes sense.
And I feel like it does even more to pull curvy wife into this story kind of against her will.
Yeah, and there's always that sort of question of where the male gaze fits into body positivity, right?
Like how much are feelings, and especially at that point in the trajectory of body positivity.
So like how much our feelings are influenced by what men think of our bodies and or how much we do not care or only care when it's our own man but don't need anybody else kind of going around making pronouncements.
And, you know, I think people have a lot of really mixed reactions to a moment like that based on where they are in the trajectory of learning to, you know, love and embrace their body for whatever it is.
And, you know, body positivity is interesting because we've been using the phrase body positivity for decades, like fat activists and, you know, and other advocates for sort of body freedom have been talking about body positivity for decades. The organization, the body positive is, I think, 25 years old. But when we think of body positivity, we're really talking about what happened on Tumblr and Instagram around body positivity in the 2010-ish era.
And so in that time, body positivity went from being sort of the most rebellious bodies,
the, you know, the Bipug people and the queer people and the disabled people and the people
with, you know, visible differences in their bodies and faces.
And then, you know, sort of like inched its way over to people who kind of look like models already,
but are just a tiny bit bigger or a tiny bit different in some way.
And I think those folks need positivity, too.
They're living in the same culture as the rest of us.
But the way that they are disenfranchised from the culture is a little bit different or sometimes drastically different.
And so I think a lot of reaction from people in fat activist community, if they knew anything about curvy wife guy, was that sort of like, here we go again, centering someone who is barely outside of the norm and making a whole big deal about that.
And then, you know, especially folks who have a more feminist or womanist orientation, we're just sort of like, and we got to be validated by some dude, right?
Right.
This is something I've wanted to get a little more into because you've been working in this space for so long now, that moment in the 2010s where body positivity is kind of corporatized.
I feel like in the way that we see a lot of movements corporatized and, you know, how you see pride flags outside of banks and all of that.
this stuff, right? How did you have to move with that moment? Because this story feels sort of
like a very kind of sanitized presentation of anything. And so I'm curious, you know, how you
sort of navigated that shift. Sanitized is an interesting word. I think I think the word I would
use is depoliticized, like, or apolitical. It's just like, I'm going to say a nice thing about
bodies. I'm not going to talk about any of the politics of why we don't usually say nice things.
about bodies or how these bodies are actually treated out in the world, like, or the access.
Like, I'm not out there, you know, fighting for more access for my wife so that she can have
better clothes or, you know, more job opportunities as a plus size person.
I just love her and I want to sing about that.
And like, I want to sing about how I love myself too.
I'm not hating on this man for loving his wife.
I mean, there is a little bit of a sort of like, you actually want a lot of congratulations for
something that you are just supposed to do.
But there's, so there's a little bit of that.
But in terms of like how it sort of represents what happened with body positivity,
part of the challenge is we want the concepts of body positivity or in our case,
you know, fat liberation, fat activism, fat rights movement.
We want the concepts to get more mainstream.
That's the point of the work.
But when they get more mainstream without any of the politics still attached,
what you get is like a really hollow version of what it is, right?
I want anthems.
I want to shake my butt to songs that sound like they are written by people who want to see me shake my butt.
Although I still question with him whether he actually wants to see me shake my butt at, you know, my size 26 butt is not the same as his wife's butt.
But that's neither here nor there.
Like, you know, I want the fun times and the good times too, but then I want the people behind that to show up when there is real work.
So, like, I want the Robbies of the world to sing the anthem and then to also give money to fat activist causes and show up when there's a rally and sign the petitions and do the testimony.
Like, you know, you could do I Love My Curvy Wife as a Senate testimony when we're fighting for a civil rights law, right?
And that's kind of what it is, the same thing with the sort of mainstreaming of body positivity.
It takes all of the fun parts.
It takes all the feel-good parts and blows them up,
but it leaves all of the work behind,
all of the struggle and commitment.
But that is where body positivity started, right?
It started with, again, fat activists, queer people,
especially, like, leadership from black women and femmes in internet spaces
and from feminists and queer women and non-binary femmes
and, like, you know, all of these folks who are living on the margins,
folks who are disenfranchised from our systems of power.
If you leave all those folks behind, then what you have is just a bunch of slogans and a feel-good campaign.
So it's the liberation aspect in the political work that is sort of absent from these kinds of stories.
And I'm curious also how this applies to a media perspective, because something that always kind of struck me about this story is that, yes, Robbie made this post, but no one forced the media to cover.
it in the way that it did.
Yeah, I mean, it really became a sort of like a juggernaut of, you know,
like this little body positivity moment or whatever.
And I think some of that was just the media fumbling around looking for anything to
capitalize on the popularity of body positivity.
And, you know, and it's a little bit of a, as they say, a dog bites man story, right?
Like we're, you know, we're supposed to be like, what?
He actually loves something that everybody else.
doesn't love and we're supposed to be like, oh my God, he's such a hero for standing up for his
wife this way. And a lot of people genuinely felt like that. You know, a lot of people genuinely,
like, revisiting the story and seeing comments from people about how it made them feel to finally
have somebody not be closeted about liking a person who was like them. Because a lot of
plus-size women in particular, and I'm sure that this happens across like genders and
sexual orientations in some way, but I think especially like heterosexual women dealing with
cisgender men, there are a lot of plus-sized women who have experienced the dude who likes
them in the dark, but who does not like them in public, you know, who will not tell his family
and friends, who will not, certainly won't make a big pronouncement about it. And there are a lot of
guys who have genuinely been, like, harassed by their friends or, you know, or, you know, or
left out of social situations because that was their preference.
You know, I've known guys like that.
I had a partner who spent years with his friends, like, teasing him all the time because
he liked bigger girls.
And even at NAFA, you know, our origin story as a civil rights organization is a story of a man
who was passionately in love with his wife and wanted to make a better world for her
because he was seeing all the ways that anti-fatness was affecting her.
like emotional landscape, but also was affecting her in the practical world.
And he was thinking about things like the jobs she was confined to when she wanted to get a job in their town.
And he was thinking about things like wanting to buy her a blouse for their anniversary
and not being able to find anything at all in the town where they live that would fit her.
But he will also talk about being a very young man and his friends talking, you know, teasing him for wanting to take a chebby girl to the prom.
He's 82 years old.
And when he tells that story about the prom date he wanted to go on, you can feel the way that he felt, you know, othered and shamed by the other boys in his life.
And that that's a story that a lot of men who date fat women have.
And so I think it was really affirming for a lot of women, the, you know, the curvy wife letter.
But I also think it was affirming for a lot of guys.
And there is something important and powerful about that.
we just have to do more with it than like a two-minute segment on the Today Show,
patting him on the back for loving his wife, right?
Right.
And because it's the internet.
Some people, you know, have talked about curvy wife guy as if he should be, you know,
drawn and quartered.
Others have been overly defensive of him.
And then there's people at the heart of this story.
So it's just inherently a mess.
Yeah.
And I'm just like, I don't want to, like, I don't want to be the champion of,
curvy wife guy, but I also don't want to be the crucifier of curvy wife guy.
Like, I think, especially for folks who've never been introduced to a more radical
politic or even a politic at all around body acceptance, body liberation, body sovereignty,
like people who would be like, what are you talking about when you say those things?
It just feels like a really nice thing sometimes if you are the person who's always been told
you weren't good enough by the media, by your family, by other people you tried to
date, whatever, to see somebody kind of champion the, like, I think you're good enough.
And I think it's still true, like, looking at his stuff now, like, was looking, I was looking
at his YouTube channel, and I just wandered into the comments. And, you know, the folks who
are following him now, you know, there's no, like, let's have a meaningful conversation about
whether this is objectification of women or whatever. There's mostly just people being like,
I feel so relieved to know someone feels like this or it's about time to hear some of the guys who feel like this actually admit that they feel like this instead of slinking off into a corner somewhere or you know being real obvious when they're trying to holler at me but then when I want to go out to brunch they don't want to go right so you become the you become the guy who is the champion for curvy girls but all you do is make booty anthems okay I mean
We need some booty anthems. That's great.
You know, what do you do when you do want to take your curvy wife out to brunch and the restaurant doesn't have a chair that fits her?
What are you doing about, what are you doing about that?
Are you that dude? Are you, are you that partner?
You know, there are a lot of couples like Robbie and Sarah.
And there are a lot of guys who their response to having been told that their attraction or adoration of larger women, whatever range of that larger means.
Like, there are a lot of those guys who have been, like, their reaction to having been told that they were wrong is to double down on it.
And they've got the, I love my, you know, I love curvy women t-shirt.
And they've got, and there is an audience for that.
There's an audience for people who see the guy in the I love curvy women t-shirt and are like, hooray, finally someone.
And then there's like a whole segment of people who are like, oh, my God, hear this guy.
Like, you know, how is he trying to manipulate women with this?
or how is he trying to make himself popular with this?
Or how is he like, it's never, you know,
there are a lot of reactions of like,
it's not actually about the women.
It's all about him.
And I think that was part of the real-time reaction from a lot of people.
I would love to take some time to talk about what NAFA is doing and has done
that does address that political angle.
Because for whatever reason, if this story, like, appealed to someone at the time,
but did, like, lack that political angle, let's get them into it.
Let's talk about it.
Yeah, and to be fair, I want to also just, like, be transparent that there are lots of moments
in NAFA's history where NAFA was doing the feel good thing, where NAFA was just, you know,
doing the community building thing of connecting people, including connecting people for dating.
I mean, historically, there was actually a program called NAFA date that was about helping match people to, you know, to someone that they wanted to be with,
or there were people who would come to NAFA conventions, you know, helping.
to find the love of their life. They weren't coming to, you know, to see how we can protest at the
airport for better airline seating. Naffa was doing that, but there were people who were coming
that were not that. And sometimes there were quite toxic people who were coming, who were not that.
We didn't perfect that at Nafa either just because our origin story starts in a, you know,
starts in a place with a romantic couple that was actually, where the partner actually did show up
as a real ally. That's not what all the dudes did, right? That's not what all the people did.
But what we hope we are doing better today is approaching things in a much more intersectional way
so that everything at NAFA is not built around heterosexual dating relationships.
And I would like to see more cisgender men come around to help do the work.
And what some of the work looks like is just fun community building stuff
because we need places to celebrate fat bodies.
And at NAFA, we always use the word fat.
We really believe in destigmatizing that word by using it in neutral and celebratory ways.
And wherever you are in this sort of spectrum of fatness, like you're welcome in our spaces,
but we want to always remember that the people who are on the larger end of that spectrum
are facing different kind of societal barriers and different kind of systemic challenges
than people who are more like Sarah the curvy wife, right?
We want to always remember that in our work.
One of the things that we are doing is working on legislative change.
So we co-founded the campaign for size free.
with our friends at Flair, which is the Fat Legal Advocacy Organization,
and it works towards supporting the passage of laws
that add height and weight to protected classes under anti-discrimination law.
The political work that we're doing within the system is all about that.
It's all about, you know, advancing civil rights law
so that big bodies are protected by those laws.
And we also know that legislation and liberation are not the same thing, right?
and that working within the system can only do so much.
So we try to support other kinds of grassroots organizing a small and definitely under-resourced movement.
I mean, another thing we're doing is talking a lot about getting more funding for this very important issue.
So many people think of, they just think of body positivity, and they think body positivity has solved everything for larger people.
They either think body positivity or OZMPIC is going to be the solution to every person.
to every problem that fat people face.
And neither of those things are true.
So we work a lot on narrative change just to get people to change their minds,
but we also work on narrative change to get people to understand that this is a movement that
needs funding, just like other social justice movements need funding.
The last question I had was, because this is a story that is now seven years old,
which is, but yeah, the story is from 2017, now we're in 2024.
in that span of time-ish, have you noticed any meaningful changes in the way media handles
these stories? Has it improved? Has it worsened? How do you feel? Well, I mean, one thing the media
did since 2017, between 2017 and now, is just decide that Lizzo was the solution to everything.
Like, Lizzo is fat representation or Lizzo is, you know, curvy representation. That's all we need.
So if we've done our Lizzo story, we don't have to talk about anything else.
else. And, you know, that's complicated, right? There are a lot of complications around Lizzo for a variety of reasons. And from a like purely representation standard, love it. We've also seen a lot more representation in body positivity. We've seen some of those, you know, businesses that sort of co-opted body positivity and helped corporatize it, I think was the word you use. We've seen some of them be a little bit, a little, little, little bit responsive to the feedback that they were not doing enough. Don't you think?
gets so much better now. And like, yes and no, if you, can you name anyone curvy other than
Lizzo? Because if you can't, then we're not on equal status with other, you know, celebrities.
And I don't, I don't want all of our definition of success to be built around celebrity culture
either. But, you know, but like, but this is the world we live in, right? And representation
matters. And we're still dramatically underrepresented, especially compared to our percentage
of the population. We hear all the time about, you know,
you know, how many Americans are fat, and then we don't see any fat Americans. So that's not
representation. So it's sort of like, we've had some advances in talking about this stuff. I mean,
I think there's been a lot of sort of two steps, you know, forward, two steps back. And of course,
I am loath to talk about this as the Ozympic era, but the reality is we are living in the
the world of Ozympic and all of its ripple effects.
And the way that that dominates the media has tremendous impact on how we see fat people,
whether we think it's okay to be fat,
whether we think it's fat people's own fault that they're fat.
And also it dominates the politics because a lot of the money and energy is going
into like the insurance companies and the pharmaceutical companies fighting over
who's going to make the,
whose billions of dollars matter the most in terms of covering these drugs.
And then it gets left behind in politics.
politics is, no, there's not a miracle solution that gets rid of all the fat people, we still
need to actually do political work to make sure that fat people are treated as equal members
of our community. So, you know, I wonder what would have happened if Curvy Wife Guy had
debuted in the Ozzympic era. It is good to see people like, like pretty big girl
movement, the dance troupe, or like, we do have some anthems that are coming actually from female
performers, not from men objectifying women or even, you know, celebrating women.
But, like, people like El Baez, who's just got a, you know, I got to love my body anthem that is all about her loving her body.
It's not actually about men looking at her body and deciding whether they love it or not, right?
There's a little bit more celebration of that, space for that, acceptance of that, TikTok viralness of that, you know.
And, you know, you can ask questions about all of those things, too, but at least there's more of a diversity of voice.
especially younger millennials and Gen Zs are better at sort of, you know, looking at the media
stories and being like, okay, but what else though? Or, okay, but what's behind this?
And I do think that there is some generational difference in reaction. It's not only a
generational difference, but like, you know, in reaction to things like the actual curvy wife
guy post or just the sort of like the career of curvy wife guy.
after the fact. Like, I do think that there is some, like, we never got to see anything even
remotely like this reaction from folks, you know, like my Gen X cohort and folks who are older
that can't even imagine a moment like that than there is from people who've seen those
moments throughout their life, and they might still want to deconstruct the moment or
critique the moment or, you know, whatever, but at least it's not the first time they've
ever heard of it, right? If you've lived your entire life on social media, it's probably not the only
time you've ever seen a guy be like, I love big girls, right? Right, right. And so there is a little
bit of a difference there that, again, I wouldn't attribute only to generation, but I do think that
that is part of the impact on how differently some folks see it. We do have more dialogue around
like the male gaze and, you know, and how media feeds it.
or upholds it or whatever, and where we just don't care.
There's like a lot more, especially in social media,
a lot more self-created media by women and femmes that is about how that's very nice
for you that you love curvy girls.
Go over there somewhere and do your thing, right?
Because over here, we don't care what you think.
We're just here to do that.
We're just living our best lives with or without you and what you think.
Right.
I think there's a little bit more space for that.
anthems. I think there's a little bit more space
for the people who don't care about the anthems.
I mean, I do think there is
something to think about, too, in the
virulness of this and the fact that it was
a white couple.
You know, like there's always
an aspect of
race in how
we think about which bodies are appropriate
or whose bodies are desirable.
You know, and there is
this stereotype that also
we saw in
a viral moment around
has holiday years ago that had to do
with people's assumptions about
black men loving bigger women.
And I do wonder
if a black husband had written that,
if people would have just been like,
yeah, well, that's what black guys think and moved on.
Like if, you know, that racial element
where it's like, what?
A white guy who likes big butts and he cannot lie?
Like, if there's like a, you know,
I think it's important to consider the question
both in terms of his race and hers.
about where that contributed it to the moment blowing up in the way it did.
And if, you know, if that could have happened with different races involved,
definitely if it could have happened with, you know,
different sexual orientations involved, you know,
if this had been, you know, a gay man writing about how he loved his curvy husband,
like would we have seen that on morning talk shows?
No, right?
So, you know, there's not, it goes way beyond this dude and his wife.
and their viral moment, you know, at the same time that he was going viral for that,
there were, you know, hundreds and, I would say, thousands of men all over the country
going to places like my nightclub looking for the curvy girl of their dreams.
Right.
Or looking for the super fat woman of their dreams, not just the sort of like, you know,
barely bigger than socially acceptable curvy girl, but like actually looking for and
preferencing, you know, much larger folks. And he's just like, you know, he became the poster
child for something that's not just about him. And there's way more nuance in the thousands
of relationships that develop out of, you know, that develop with those guys, at least in some
of them, right? Some of them are just going to be caricatures. And he's kind of a character. He's
kind of caricature at this point to me. If we got to hear more stories and see more stories about
fat people in love, then it wouldn't seem like such, and other people in love with fat people,
people of all sizes in love with fat people, then it wouldn't seem like such a breath of fresh air
to people when we got to hear like the one guy who wrote a long caption on Instagram say that
he likes his wife. Thank you so much to Tigris, and you can read more about her work and follow
her and NAFA at the links in the description.
And this concludes our two-part series on the Curvy Wife saga.
And again, I realize that it is impossible to summarize the history of the Fat Liberation Movement
in the space of one podcast episode.
So I encourage you to check out the links in the description and learn more.
And to close out, I have a confession to make.
I've had Big Girl Banger by Robbie Tripp stuck in my head for three weeks.
see you next time here's your moment of fun uh got a hot wife real nice oh got a hot wife
what a good life what a hot wife real nice hot wife good life okay I've lost I've lost I've
the thread. I can't talk this fast.
16th Minute is a production of Cool Zone Media and I Heart Radio.
It is written, hosted, and produced by me, Jamie Loftus.
Our executive producers are Sophie Lichten and Robert Evans.
The Amazing Ian Johnson is our supervising producer and our editor.
Our theme song is by Sad 13.
And pet shoutouts to our dog producer Anderson.
my cats flea and casper and my pet rock bird who will out with us all bye
welcome to pretty private with ebbinay the podcast where silence is broken and stories are set
free i'm ebonye and every tuesday i'll be sharing all new anonymous stories that would
challenge your perceptions and give you new insight on the people around you every tuesday
make sure you listen to Pretty Private
from the Black Effect Podcast Network.
Tune in on the IHeart Radio app,
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