Solved Murders - True Crime Stories - The Girl Who Hated Mondays The Chilling True Story of Brenda Ann Spencer PART4 #48

Episode Date: January 10, 2026

#horrorstories #reddithorrorstories #ScaryStories #creepypasta #horrortales #truecrime #brendaannspencer #darklegacy #psychologicalthriller #realhorrorstory Part 4 of “The Girl Who Hated Mondays –... The Chilling True Story of Brenda Ann Spencer” concludes the haunting saga of the teenage girl whose crime shocked a nation. Years after the shooting, Brenda’s story remains one of the most disturbing examples of youth violence in America. This final chapter delves into her life behind bars, the remorse—or lack thereof—she’s shown, and how her infamous quote became a haunting symbol of senseless brutality. As society continues to debate whether Brenda was a victim of circumstance or pure evil, her case serves as a grim reminder of what happens when warning signs are ignored and darkness is left to grow unchecked. horrorstories, reddithorrorstories, scarystories, horrorstory, creepypasta, horrortales, truecrime, brendaannspencer, realhorrorstory, darklegacy, psychologicalthriller, americancrime, trueevent, schoolshooting, tragedy, prisonlife, criminalpsychology, evilmind, shockingtruecrime, mediaimpact

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Starting point is 00:00:00 The girl who wanted out. When Brenda first got to prison, she was just another case number in the system, a teenage shooter who'd grown into an adult behind gray walls and endless routines. Doctors there quickly confirmed what had already been hinted at years earlier, she had a brain injury. Something deep in her temporal lobe, a scar from the accident she'd had as a kid. That injury, mixed with years of neglect and untreated trauma, had shaped her in ways no one could really untangu. So they gave her meds, a cocktail to keep her depression and epilepsy under control. The pills dulled her edges, made her quieter, slower. Some of the guards said she looked like she was floating through the days, half awake, half somewhere else.
Starting point is 00:00:48 Still, Brenda found something to hold on to. At some point during her time in custody, she got a job repairing small electronic equipment. radio's, CD players, old tape recorders, things most people had forgotten about. Funny how that worked out. She'd once wanted a cassette recorder so badly, and now she was fixing them for others. Life had a cruel sense of irony. Her behavior in prison was mostly calm. No major fights, no scandals.
Starting point is 00:01:21 Just a thin red-haired woman trying to get through each day. That quietness probably helped her case, because by 1993, more than a decade into her sentence, the parole board considered her for early release. Her public defender back then, a man who'd seen all kinds of criminals, said he honestly believed Brenda didn't fully know what she was doing on that tragic morning. He argued that she wasn't a monster, just a deeply lost girl who'd spiraled. According to him, by the early 90s, Brenda was no longer a woman. a threat to anyone. But life isn't a movie, and even though the law said she was eligible
Starting point is 00:02:00 for parole, that didn't mean anyone was lining up to defend her. Her lawyer wasn't hired to represent her in that hearing. She went in alone, older but still carrying that weight from the past that refused to leave her shoulders. Around that time, she gave a rare interview from behind bars. It wasn't flashy, just a small prison-approved conversation with a reporter who'd been following her story for years. What surprised people most wasn't what she said, but how she said it. Her voice was softer, almost timid, and she didn't sound like the cold, emotionless teen who once said she hated Mondays. When the journalist asked what she wanted to do if she ever got out, Brenda hesitated. Then she said something like, I'd like to go to school, get a job, maybe work
Starting point is 00:02:50 with kids or something. Her English was clumsy, but the message was clear. She wanted a normal life. Classes. Work. Maybe a chance to help instead of harm. But then, as the questions got heavier, she started slipping into contradictions. She insisted she barely remembered what happened that morning, claimed she'd been high, that she'd been taking drugs for days before the shooting. Yet, everyone knew the toxicology reports from 1979 didn't support that. They'd found whiskey and medication, sure, but not the heavy narcotics she was talking about. It sounded like she was trying to rewrite the past, or maybe protect herself from remembering it too clearly. Still, she wanted to clear her name in some way. She hated how
Starting point is 00:03:42 the media had frozen her in time, that one image of the freckled red-haired girl with a cold stare, famous for the line, I don't like Mondays. She said she never meant it the way. She said she never meant it it sounded. That it was just sarcasm, something she blurted out under pressure. But by then, the quote had become legend, a phrase attached to her like a curse. Despite her words, despite her fragile new image, Brenda didn't get out. The board denied parole. The officials were polite, but firm. They told her she hadn't shown enough remorse or understanding of what she'd done. And honestly, they were right in a way, she still sounded detached, disconnected from the reality of her victims. At the hearing, some victim's relatives spoke out too.
Starting point is 00:04:32 They said the pain hadn't faded, not even after all those years. They couldn't stand the thought of her walking free while they still had empty chairs at their tables. Statistics were even brought up, numbers showing that in California, almost no one convicted of murders like hers got parole before. before 2011. So Brenda stayed where she was. Time passed, and so did more hearings. December 2015 rolled around, and she went before the parole board again, her fourth time. And again, she was denied.
Starting point is 00:05:07 Each time, the reasoning was almost identical, lack of genuine remorse, lack of empathy. The families of her victims, especially the widow and children of Burton, made sure sure their voices were heard. They attended every hearing, submitted letters, and made statements about how that day in 1979 had changed their lives forever. They weren't vindictive, they were just unwilling to let their loved ones' memories be overshadowed by sympathy for the person who caused the tragedy. During one of those hearings, the deputy district attorney stood up and said Brenda's actions were absolutely cold-blooded. Harsh words, but that's how people still saw her, not as a damaged woman, but as the teenage shooter frozen in the worst act of her
Starting point is 00:05:53 life. That day, Brenda cried throughout the session, real, uncontrollable sobbing that lasted the entire time. Some thought it was a sign of guilt. Others said it was manipulation. The parole board, however, saw it differently, as emotional instability. They decided she still wasn't ready. In 2020, she tried again. Another denial. This time they told her the next opportunity wouldn't come until 2025. Five more years in the same endless loop of medication, routine, and regret. But the consequences of what she'd done didn't end with her prison sentence. They rippled outward, through time, through families, through a community that never truly healed. A few years after the shooting, the school where everything happened could no longer bear the weight of its own history. Enrollment had dropped drastically. Parents didn't want their kids walking the same halls where blood had once stained the floors. So the district made a decision, relocate.
Starting point is 00:07:03 The building itself became a ghost, a monument to something no one wanted to remember. For a while, the old school just sat there, abandoned. Windows boarded up, graffiti creeping along the walls. Locals said that driving past it gave them chills. Some swore you could still feel the sadness lingering in the air, as if the walls themselves were still echoing the screams from that morning. Eventually, it was demolished. The land was sold, and new houses went up.
Starting point is 00:07:35 But even then, people couldn't just forget. The developer, maybe out of guilt or maybe out of respect, put up a small monument dedicated to the victims, Burton and Mike, the two men who'd lost their lives. Later, neighbors added another memorial, paid for by the community itself. A simple plaque, some flowers, a promise to remember. As for the survivors, many of them carried invisible scars. Charles, one of the students wounded that day, still has a faint scar across his chest. He said in interviews that every time he looks,
Starting point is 00:08:12 in the mirror, it reminds him of what he survived, and what others didn't. He remembers being in the ambulance, looking over and seeing Mike's lifeless body beside him. That image has never left him. What strange is that Charles always believed Brenda shot at him specifically because of what he was wearing, a blue feathered vest, his favorite color. Years later, when he heard that Brenda had once said she enjoyed watching the feathers, explode into the air when she fired her rifle, it only confirmed his suspicion. Other kids who wore down jackets that day were also targeted. The randomness of it was almost poetic in its cruelty. And that wasn't the only chilling detail that came out over time. The negotiator, the same man who eventually talked her into surrendering
Starting point is 00:09:01 with the promise of a hamburger, revealed that during their conversation, Brenda had told him she once shot a rabbit in the neck from almost 23 meters away. She was proud of her aim. She'd also compared the kids and the rescuers that mourning to a herd of cows, saying they made easy targets because they clustered around the injured. Hearing that years later sent shivers through everyone who'd been there. It wasn't just a random act of madness, there was a cold, observational cruelty in it, the kind that makes people wonder how much of her calmness was really detachment and how much was darkness. But time changes things, even if it doesn't erase them. Charles eventually found a way to rebuild his life. He got married, had kids, and made peace
Starting point is 00:09:48 with his past, or at least, as much peace as anyone can after something like that. He says he's happy now, though he still keeps an eye on his surroundings, still gets uneasy around sudden noises or suspicious movements. Mary, another survivor, struggled for years with nightmares. Every time she heard the sound of fireworks or popping balloons, her body would tense up. She spent months in therapy trying to reclaim a sense of safety. What helped her most, she said, was her older brother's patience. He sat with her night after night, explaining that guns themselves weren't evil, that danger
Starting point is 00:10:27 came from the people who used them. Slowly, she learned to separate her fear of weapons from her fear of what had happened. Officer Robert, the man who ran toward the chaos that morning, became a quiet hero in his community. He received a Medal of Valor for his bravery, for sprinting straight into danger while others were frozen in shock. He tried to pull kids to safety, to stop the bleeding, to do something in a situation where everything felt impossible. To this day, his name comes up in local stories whenever people talk about courage. By October 2024, Brenda was still behind bars at the California Institution for women. Decades had passed.
Starting point is 00:11:12 The world outside was unrecognizable, technology, culture, even the way people talked about violence had changed. But inside, time had barely moved. The same gates, the same cells, the same thing. hum of fluorescent lights. She was in her 60s now, her once red hair streaked with gray. Her eyes, behind those thick glasses, still carried the weight of a past that refused to fade. She knew her next chance at parole was coming in 2025, and this time, maybe, she thought things could be different. But the truth is, nobody knows. There are people who still argue about her, psychologists, journalists, old classmates. Some say she was a victim of her environment, that her father's neglect,
Starting point is 00:12:02 the head injury, and years of loneliness pushed her to the edge. Others insist she knew exactly what she was doing, that she chose cruelty over reason. Maybe the truth is somewhere in between. When you look at Brenda's story from start to finish, it's not just about one terrible act. It's about how a thousand little things, bad choices, missed signs, broken families, can add up to disaster. It's about what happens when a cry for help goes unanswered for too long. Her victim's families never stopped grieving, but many of them found ways to live again. Some moved away. Some stayed and tried to turn pain into purpose. The neighborhood around the old school eventually became just another suburb, kids playing out.
Starting point is 00:12:51 outside, dogs barking, sprinklers clicking on at sunset. But for the people who remember, there's always that shadow. That knowledge that tragedy once lived there. And as for Brenda, she remains in that in-between space. Not free, but not forgotten either. Every few years, her name resurfaces, a headline, a news story, a true crime documentary. re-argue the same questions, was she evil? Broken? Both? The truth is, maybe it doesn't matter anymore. Because for the survivors, for the families, for the town, the story already wrote itself
Starting point is 00:13:35 decades ago. Still, there's something haunting about the image of her now, an aging woman in a pale prison uniform, sitting in the yard under a gray California sky, listening to the faint music coming from a distant radio. Maybe it's a pop song, something she might have tried to record on a cassette long ago. Maybe she hums along. Maybe, in her mind, she's back in her room before it all went wrong, dreaming about music, about freedom, about something simple and normal. And maybe that's the saddest part of all, that beneath the headlines, beneath the horror, there's still a trace of that lonely kid who just wanted to tape songs off the radio. The end.

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