Something You Should Know - The Fascinating Science of Color & What You Need to Know About Your Tap Water?
Episode Date: May 17, 2021What could possibly be the difference between all the zillions of shampoos on the market? If you want clean hair, isn’t shampoo all the same? This episode begins with a discussion on the difference ...- or lack of difference - between shampoos. https://theconversation.com/does-the-price-of-your-shampoo-affect-how-clean-your-hair-is-heres-the-science-71597 Color is a big part of our lives. We care about the color of our clothes, our walls and our cars. We love the colors in nature, we admire the beautiful blue sky or the deep red sunset. Why is color so important? Are there colors we can’t see? Are the colors I see the same as the ones you see? Joining me to discuss all of this is Adam Rogers, s senior correspondent at Wired and author of the book Full Spectrum: How the Science of Color Made Us Modern (https://amzn.to/3hlKmhH). You probably don’t worry too much about the water coming out of your tap. After all, municipal water companies are supposed to make every effort to meet strict federal standards for water quality. However, Consumer Reports recently did some random testing of municipal water around the U.S. (https://www.consumerreports.org/water-quality/how-safe-is-our-drinking-water-a0101771201/) and found some problems. Listen as investigative reporter Ryan Felton, who was lead author of the story in the May 2021 article joins me to explain some of the concerns they found and what you can do to protect yourself. It is just possible that you when you go out to your mailbox to get your mail, you may find a dryer sheet inside. Listen as I explain what it is doing in there and who put it there in the first place. https://www.reddit.com/r/YouShouldKnow/comments/n0qs06/ysk_if_you_randomly_see_a_dryer_sheet_in_the_back/ PLEASE SUPPORT OUR SPONSORS! We really enjoy The Jordan Harbinger Show and we think you will as well! There’s just SO much here. Check out https://jordanharbinger.com/start for some episode recommendations, OR search for The Jordan Harbinger Show on Apple Podcasts, Spotify or wherever you listen to podcasts. https://nuts.com is the simple and convenient way to have nutritious, delicious, healthy nuts, dried fruit, flours, grains and so many other high-quality foods delivered straight to your door! New Nuts.com customers get free shipping on your first order when you text SYSK to 64-000. So text SYSK to 64-000 to get free shipping on your first order from Nuts.com With Grove, making the switch to natural products has never been easier! Go to https://grove.co/SOMETHING and choose a free gift with your 1st order of $30 or more! Helix is offering up to $200 off all mattress orders AND two free pillows for our listeners at https://helixsleep.com/sysk Search for Home. Made., an original podcast by Rocket Mortgage that explores the meaning of home and what it can teach us about ourselves and others. Dell’s Semi Annual Sale is the perfect time to power up productivity and gaming victories. Now you can save what Dell employees save on high-performance tech. Save 17% on the latest XPS and Alienware computers with Intel Core processors. Plus, check out exclusive savings on Dell monitors, headsets and accessories for greater immersion in all you do. Upgrade today by calling 800 buy Dell, or you can visit https://dell.com/Semi Annual Sale Go Daddy lets you create your website or store for FREE right now at https://godaddy.com Discover matches all the cash back you earn on your credit card at the end of your first year automatically and is accepted at 99% of places in the U.S. that take credit cards! Learn more at https://discover.com/yes Over the last 6 years, donations made at Walgreens in support of Red Nose Day have helped positively impact over 25 million kids. You can join in helping to change the lives of kids facing poverty. To help Walgreens support even more kids, donate today at checkout or at https://Walgreens.com/RedNoseDay. https://www.geico.com Bundle your policies and save! It's Geico easy! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Today on Something You Should Know, does it really matter what shampoo you use?
Then, color.
Why is color so important?
And do you see the same colors I see?
I think if you could put your brain in my skull, but see something with my eyes, then it seems probably true.
That you would go, oh, you were calling that red, that's wild. That's not how I think of red if I think of my own idealized red.
Also, you might find a dryer sheet in your mailbox. I'll tell you why it's in there and who put it there. And consumer reports recently
tested random samples of tap water, and you may not like what they found. We specifically looked
for a newer set of chemicals known as PFAS. It's a type of chemical that's used in a lot of common
products like batteries. But in recent years, it's been found in drinking water supplies around the U.S.
All this today on Something You Should Know.
People who listen to Something You Should Know are curious about the world, looking to hear new
ideas and perspectives. So I want to tell you about a podcast that is full of new ideas and
perspectives, and one I've started listening to called Intelligence Squared.
It's the podcast where great minds meet.
Listen in for some great talks on science, tech, politics,
creativity, wellness, and a lot more.
A couple of recent examples, Mustafa Suleiman,
the CEO of Microsoft AI, discussing the future of technology.
That's pretty cool.
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Something you should know.
Fascinating intel.
The world's top experts.
And practical advice you can use in your life.
Today, Something You Should Know with Mike Carruthers.
Hi, welcome to Something You Should Know. I'm going to start today with something I've been
thinking about lately. Every time I get in the shower and I see there, we have multiple bottles
of shampoo in the shower, and I wonder, is there really any difference? Because some of those
bottles cost a lot more than some of those other
bottles. So I looked into it, and the answer as to whether or not all shampoos are the same is,
it depends on what you want from your shampoo. If, like me, all you want is clean hair,
then it turns out it doesn't really matter much which shampoo you do, according
to a study.
In the study, samples of unwashed hair were collected and tested by washing them in a
range of shampoos and then looking at them under a microscope to look at the surface
of the hair and see if any dirt or oil remained.
And the study found that all the hair samples, regardless of which shampoo was used or
how much it cost, were equally clean after washing. However, some people like a thicker shampoo.
Interestingly, thicker products do not work any better than the thinner brands, yet the general
belief is that there is a connection between the thickness of the shampoo and the quality of the shampoo,
and that encourages the shampoo industry to thicken their products.
Well, those thickening compounds cost money, and that increases the price of the shampoo.
In general, though, if what you want is clean hair, pretty much shampoo is shampoo,
and getting a cheap one can save
you quite a bit of money over the long run. And that is something you should know.
Color is a big deal to people. We agonize over what color to paint a room or what color
carpet to put down on the floor. We notice people's eye color, hair color, a beautiful blue sky, a pretty red dress, autumn in New England.
The world is full of color and we notice it and interact with those colors all the time.
But why? Why is color so important?
And do you see the same colors I see?
How do colors affect people?
Are there colors in front of us that we simply cannot see, but other creatures can? Adam
Rogers has taken a look at color and our relationship to it. Adam is senior correspondent at Wired
and author of a book called Full Spectrum, How the Science of Color Made Us Modern.
Hey, Adam, welcome.
Thank you very much. I appreciate you having me.
So why is color so important to people? Why do we notice it? Why do we incorporate it into
all areas of our life from, you know, the color on the walls to the flowers in the garden to
everything. I mean, color's a big deal. Why? Yeah, that's fascinating, isn't it? Some of it is
straight-ahead aesthetics, of course, where we attach meanings to colors that, you know,
that are completely culturally dependent. Different colors mean different things to
different people, and they mean things to individuals. They have colors that are our
favorites for some reason that have to do with our personal
experiences and what we liked as a child and what we saw as a kid. But also I think it's
something much deeper than that. All living things use color as information as well as
something aesthetic. We learn things about our environment from it. And it's really easy when
you get into evolutionary neuroscience to tell yourself just so stories about like, oh,
you know, color vision evolved so that our primate ancestors could see red fruit against the green
background of trees or something. It's probably not true because primates don't actually see color
that well. Our color vision is kind of a fluke. But the point I'm trying to make is that color
has what a lot of different fields will use this word, and they'll mean a lot of different things
by it, has salience.
It has importance.
We glean information about our environment around us from it.
And so you can imagine that there's kind of some inbuilt process in our minds and our cognition that make color a way that we infer meaning about the world. Is color really that individual or are there colors that pretty much everyone
likes or everyone dislikes? So there's a ton wrapped up in that question. Some of it is,
what colors do people, a lot of people like? So even if you do surveys of like favorite colors,
favorite in terms of the things that we find most pleasing, that we would, as you say,
have the cars painted that color. It's hard to know how much of those are revealed preferences and how much of
those are marketed. Color has been so heavily marketed and been such an important piece of the
way the stuff that human beings consume and buy, especially starting with the kind of late 19th
century and into the 20th and 21st, as marketers became more and more sophisticated about trying to get people to buy new consumables, when the technology behind those consumables doesn't
change that often, how do you try to convince somebody that something is new?
The thing that they arrived at in the early 20th century was you could make it in a different
color.
So there's some marketing push there.
The most popular color, for example, for cars, if you just go by what color cars bought the most, is white. And it has been for years.
And I find that really surprising, but I also think it's possible that's because a lot of them
go to fleets. So it's hard to know whether that's because people really like white cars,
or it's because fleets buy white cars because they're cheaper or easier to clean or
easier to hose off or whatever, right? So it's hard to know which ones are more popular for people
than others. And of course, those change over time. Every year, Pantone names the color of the year,
you know, and that's supposed to tell us something about what the national mood is or something. But
I'm not sure that it really does as much as it says something about just trends and you know when
somebody says oh websites the color for your app should be blue because people find that trustworthy
and is that is that true is blue trustworthy or is it cold i i don't know but i do think that the
the deeper question there too is whether when we talk about those colors whether the
if i say blue and you say blue if we're talking about the same blue so it may well be that even
if we both have a color that we'd identify in our heads as something that we find aesthetically pleasing, that we're both referring to kind of a different thing. hard to understand that entire chunks of the fields of linguistics and neuroscience have been built to try to both use color as a tool to understand the brain, and then also understand
the brain better to try to figure out how color works. Yeah, well, I imagine too that it makes a
difference what the color is for. You might want a color on your wall, but that doesn't mean that
that's a great color for your car. I mean, it really depends on the application.
That's such a key insight, because when researchers who understand color and understand information theory and understand neuroscience go and, for example, interview people in their own languages and try to figure out which colors they have names for and which colors they don't.
Just as a side example, in English, there's only one basic color term for blue.
A basic color term is a word that only means the color.
In English, we talk about blue.
But in Russian, they have two words, two basic color terms for blue, one referring to what an English speaker would call light blue and another one referring to what an English speaker would call dark blue.
Why do they have different words for those colors?
What level of information do they get from having those different words and why do they need different amounts of information to talk about color?
Something I've always wondered, and I think everybody has wondered, is are there colors
that we just don't see? That other creatures, other species can see colors that we can't even
imagine? There are a lot of living things out there
that can see way more colors than we do.
We're actually pretty terrible at seeing colors
in a lot of respects.
Insects and birds tend to see into the ultraviolet,
and they see those as colors,
things that are totally invisible to us.
And a lot of reptiles can perceive infrared,
a wavelength that we mostly just perceive as heat,
but they see it as a color.
But their experience of the colored world is totally different than ours, which I think is
super exciting. How do we know that? How do we know that they can see colors that we can't see?
If we can't see them, how would we know anybody else can see them?
Yeah, isn't that frustrating? One of the ways is that you can figure out what their photoreceptors
are, what peak wavelengths their photoreceptors are tuned to.
So for example, honeybees, you can dissect their eyes. You can figure out that they actually see a lot less of the things that we would call reds, and they see a lot more into the ultraviolet and
spend more time in kind of the blue-green part of the universe. I talked to a researcher who
studies butterflies, who spends a lot of time, because the butterfly eye is a super weird eye, and they see colors that we don't,
which you can imagine, because butterfly wings have all those different colors, too. It's got to
be doing something for them. And you can put out, like, test strips of colors that they'll
respond differently to, even though the human eye can't perceive the differences in them.
I've always wondered if the red I see is the red you see, that if I were
looking at a red rose, but looked at it through your eye, would I see something entirely different
than what I think of as a red rose? Isn't that enraging, that problem? In some respects, there's
no chance that the reds could be the same, because the meat that you think with is different than the meat that I think with and see with.
And so they'd have to be different.
And what we've just agreed to do, you and I both agreed to say, like, yeah, that's red, right?
You think that's red.
I think that's red.
OK, cool.
Whatever you're seeing there is red.
Whatever I'm seeing there is red.
So in that respect, it doesn't matter because we've linguistically agreed to call that red. It's only a problem. And this gets to be a problem. You see
this as a problem with any, let's say, any couple of people who live in a house together trying to
choose what color to paint the living room walls, as you've said, as one of them will say, well,
that's more of a blue green. And the other one will say, I don't know, I think that's more of
a greenish blue. And that's such a subtle distinction. I think about that a lot because
there were two Crayola crayons in that 64-pack that we grew up with, that there was a blue-green
and a green-blue. And I used to try to puzzle over what made one a blue-green and one a green-blue.
And there is a difference. And you might even be able, you and I might be able to look at those
two paint swatches or whatever and say, yeah,
those are different colors. And in fact, like before this book, I wrote a book about booze and
some of the science of alcohol. And one of the differences between a master sommelier and a
schmo like me who likes a glass of wine, but isn't a pro at tasting notes, is that the sommelier
knows a lot more words to describe
different tastes. And that's a really hard problem too. It's the same object metaphor problem that
colors have, where the words are trying, well, you know, that tastes like strawberries. What does a
strawberry taste like? Well, it tastes like strawberries. It's hard to, you can tell you
what the molecule is that's strawberry tasting, but the only way that you know what that molecule
is, is that it tastes like strawberries. And similarly with colors, if you and I are both
talking about red, and if I say, well, what color is that, though? It's like, well, it's red, it's reddish. Are they different reds? Maybe, but we're going to just agree for the sake of argument, I suppose, that we'll somehow like, you could put your brain in my skull, but see something with
my eyes, then it seems probably true that you would go, oh, you were calling that red. That's
wild. That's not how I think of red if I think of my own idealized red. Yeah, but would I say
that's my blue? Or would I say, geez, I've never seen that before? You probably don't say that's my blue.
That range of difference isn't really there.
I will say, if you do a test where you shine a colored light into a person's eye, and you give them controls of the knobs for what light that is, and you tell them to choose the perfect yellow.
So you say, okay,
tune the knobs. So not greenish and not bluish, but yellow, just yellow, a perfect yellow.
People, and you do that with hundreds of different people, you give them a chance to do that.
They'll all choose about the same yellow. But if you ask them to do the same thing with a green,
so not yellowish and not bluish, but green, getting into that grue
region of space again, their answers vary.
It's a huge variation.
So even right there, you can see that some colors maybe we'd have more agreement on than
other colors.
And that's due to just quirks of the system.
Color is the topic on the table.
And my guest is Adam Rogers, senior correspondent at Wired and author of the book Full Spectrum, How the Science of Color Made Us Modern.
Hi, I'm Jennifer, a founder of the Go Kid Go Network.
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Podcasts, Spotify, or wherever you get your podcasts. So Adam, we hear things like, you know,
this is a calming color. This is an anxiety-provoking color, as if colors generally
have an effect on people. Do they? Or, you know, there was that thing about, you know,
if you paint prisons pink that, you know, that calms prisoners down. What about that?
Yeah, that's all. Sometimes that's described as chromotherapy as well, or they'll try to use it
for therapeutic reasons. I will say my read of that science is that no, it's probably not true.
But I will say, like, a thing that maybe would make you at least
intuitively figure that's probably not right are the different cultural uses for colors,
the different cultural symbolisms. And just as a straight example, like the color white
in some Asian cultures is much more associated with funerals and grief than it is with the sort
of purity and virginity that it often is in Western cultures, right?
So totally different color meanings.
Even in North American culture, until the sort of late 1800s,
all the symbolism about pink was masculine and very macho,
and then it sort of transitioned in the late 19th and early 20th century
into being seen as something that was a more feminine color.
But there is this sense, and we've heard for a long time, that, you know, if you walk into a room that is earth tone,
that that's a more calming, natural environment, as opposed to walking into a room that's painted bright pink,
which is going to be more shocking and alarming. That humans, because we are of this earth, earth tones calm us down.
And is that all gobbledygook?
You used a couple of interesting words there.
You're talking about sort of earth tones and being sort of darker and more subtle and then
a bright pink.
But brightness and saturation and kind of value of color, that is how much color is there and how bright is it, are actually different phenomena of color than the hue itself, than the wavelength of the color.
It's harder to imagine a bright earth tone, I guess.
So it may well be that it's sort of the amount of light and the amount of saturation that we're talking about rather than the color itself.
I think probably you and I would agree that if you and I walked into a room that was And that in fact, even within my lifetime,
a room painted in avocado green and orange would have been seen as a very calming and fashionable
and relaxing living space. Whereas if I walked into it now, I would find it kind of aggressively
ugly. It does seem that humans have a unique relationship with color in the sense that we value color.
We attach value to certain colors.
We want to be surrounded by certain colors.
We admire other colors.
And other species don't seem to have anything like that relationship, at least as far as I can tell. You don't really find other species out there
that try to make colors and change the colors around them to suit.
So there's something going on there,
and that has been true of human beings
since we turned into human beings,
since we became those humans.
And you see that on the coast of South Africa
in a cave called Blombos,
where there have been a lot of really tremendous archaeological finds, finding an abalone shell. So this would be tens of thousands of years old, an abalone shell. And inside the shell, they also found signs of both ochre and trabecular bone, which is the kind of bloody, fatty bone, like you might spongy stuff like inside the spine. And the hypothesis here is that this was a workshop. They were making ochre into a pigment, into a paint, essentially, that you could color a cave wall with, or even your own
body, a person's body with. So that, you know, that predates almost every other technology,
trying to be able to make natural stuff into a color that we can use and change.
There's been an argument in kind of aesthetic circles and philosophical circles for
since the Greeks really started this argument about which was in some way respect more important
form or color, whether one of those things, whether the shape of things and the patterns of them
were somehow more true or more authentic, gave you a better perspective of what something was
in the world or what the world
looked like than colors. It's like truth and beauty, like that old philosophical question,
too. Form without color, you get meaning from it, for sure. I mean, everybody has watched a
black and white movie and understood the emotions and the story that it was conveying. And color
without form, you get feelings and an almost psychedelic vibe of colors changing, and that will make your brain do stuff.
You'll feel like you're present somewhere, but it's the two together.
It's in form, color, and in color form that give you a more fully developed and understandable world. It does seem though, not to beat a dead horse here, but that if you walk into a room that's
painted all black, you have a reaction to that.
That's a human reaction.
And I think you'd have the same reaction 40 years ago or 100 years ago as you would today.
There's something about the color, that color of a room, and maybe therefore other colors of rooms, that does affect your mind.
Well, let me suggest that you and I have both walked into rooms that were painted all black, but also were full of people dressed very elegantly,
some of them ordering $20 cocktails, and the music was playing with a very fast beat. And both of us
thought that room was super awesome. And we were very excited to be there. And it was going to be
a lot of fun because our friends were there. And similarly, we've both seen images of rooms that
were all black and thought, oh, the serial killer is about to jump out from behind that closet wall. The person who I'm watching should probably leave that room.
So I would say there's some contextual information that you probably want in that all black room.
Also, I find it interesting that you chose black there. Because when you were talking about earth
tones and pink, that becomes a complicated subject. But as soon as we start talking about
black and white, we're talking about another axis in that color space. We're talking about
an absence of light and a presence of light as well
So, you know being in darkness versus being in light I think does have a different cultural significance and a different feeling for for us if you can't see versus if you can
And in fact, it's a whole different
It's a whole different neural pathway in the brain processing how much light there is and how much light there isn't that then gets?
Reintegrated with what color that light is
somewhere in the back of the head.
In all the research you did about color,
is there something about one story
or something that really hit you that you think we should hear?
I will admit I'm now super annoying about all this stuff,
and I'll go on forever,
but I will tell one story that I I'm just fascinated by I love this the painter Mark Rothko who famously did
these fields of color you may know this art they would often look like just a big panel of one
color over another and the painting had a certain kind of often had a certain luminosity to them he
mixed his own pigments and paints and would do interesting stuff with varnishes too or not use
a varnish to make these make the the
paintings have a give you an emotional feeling when you look at them as you say that you would
there'd be a big difference between looking at a Rothko that was gray and black like a moonscape
versus one that was red and green or something like that and they were really huge they're iconic
modern art and Rothko did a series of rooms three walls would have a big giant paintings on them and
you're supposed to sit and just sort of experience them and he did one of these for harvard in this kind of dining room meeting room
that they had and then um the harvard started to use the room as much more of a regularly used
dining room they opened the windows and the sun would stream right in the paintings got damaged
because the ultraviolet light coming in damaged the pigment it turned out he used some pigments
that were particularly vulnerable to damage from ultraviolet light.
Some of the paintings got ripped because people would bump into them.
So these are super valuable Mark Rothko paintings.
They got super messed up.
Harvard finally put them in storage.
And then a few years ago, they decided to try to restore them.
Usually what you would do when you were going to do a restoration like that is you would take off the varnish and put on a new varnish.
But these didn't have any varnish on them at all.
And in restoration of paintings, the rule is you want to do as little as possible to the original you don't want to just go repaint it
because that messes it up so when they tried to show the paintings again they had this problem
they didn't know what to do about it because they couldn't fix the paintings but they also didn't
look the way they used to so what the researchers who were working on it did is they decided to use
digitally projected light what they were going to do is shine light onto the painting so that they would look like they
used to. But if you just shined a picture onto the painting, that wouldn't work because that light
would then interact with, it would bounce off and be absorbed by the, whatever was left on those
giant canvases. And so it would look totally different again. So what they had to do was take
samples of what the paintings had used to look like. So what they had accessible to them was
Rothko had painted more than three and not put them all on display. He kept one. So they had
an old one that they could look at the colors of the pigments that he had used and then essentially
restore digitally what the colors would have been. And so they went through all this process where
they could figure out, okay, here's what color we're trying to get to.
And then they could kind of subtract the color that was already on the canvases
from the color that they wanted. And this is a process that your mind and your eye
do all the time, is try to subtract the color of the illuminance, the light
around something, from the thing that you're actually seeing so that you can
infer essentially what color the thing actually is and the best example I can
give you for this just in parentheses is if I show you a picture of an egg under
red light that egg is gonna look red but you're gonna know unless there's some cue
that says it's Easter probably because there's red everywhere else in the image
that that's actually a white egg because we know what color most eggs are even
though some eggs come in brown and speckled and all that stuff I know all that but
basically your brain will do what's will do what a video camera would be white balancing, right?
We'll say like, okay, I get it.
That's not a red egg.
That's an egg.
And the light is red.
So here they had to do that actively.
They had to say, we're going to shine a light on the paintings using a digital projector
mapped to all the different regions of the paintings because there were kind of figures
in front.
There was like big purple gateways in front of big kind of dark red backgrounds we're going to shine light on it that will change the way the painting looks so that it looks the
way it used to when Rothko originally painted it and they put those on display they actually
were able to figure out how to do it and shine the digital projectors on it and they the the
thing that was most popular about the display apparently because these are big big epic
paintings you know they make the size of a room and when they finally showed them again, people would arrive to be looking at the paintings at about
four o'clock when they would turn off the projectors. So they'd be able to see the difference.
You'd be able to see this artificial recreation of what the Rothko's used to look like. And then
they would turn it off and you'd be able to see what the Rothko's look like now, which is also
not what the Rothkoos used to look like.
I love that, the kind of obsession of detail of how color works
and trying to understand how the brain and the eye perceive color
and then taking advantage of that to remake an artistic experience.
Well, when you stop and think about how important color is,
on so many different levels, how important color is to people.
It's really interesting to get some insight into why that is and how it all works. Adam Rogers has
been my guest. He is a senior correspondent at Wired, and the book is called Full Spectrum,
How the Science of Color Made Us Modern. And you'll find a link to that book in the show notes.
Thank you, Adam.
Thank you for being here. honestly honest advice. Then we have a, but am I wrong, which is for the listeners that didn't take our advice. Plus we share our hot takes on current events. Then tune in to see you next
Tuesday for our listener poll results from, but am I wrong? And finally wrap up your week with
fisting Friday, where we catch up and talk all things pop culture. Listen to don't blame me,
but am I wrong on Apple podcasts, Spotify, or wherever you get podcasts. New episodes every Monday, Tuesday, Thursday, and Friday.
Do you love Disney?
Then you are going to love our hit podcast, Disney Countdown.
I'm Megan, the Magical Millennial.
And I'm the Dapper Danielle.
On every episode of our fun and family-friendly show,
we count down our top 10 lists of all things Disney.
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So if you're looking for a healthy dose of Disney magic,
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I think there's a general sense that people in the United States have is that the tap water coming into your home is safe to drink.
Unless you live in an area that has well-documented problems with their water supply,
we have been reassured many times that your local water supply is tested, it must meet federal standards, and that it is safe
to drink.
Well, in the May 2021 issue of Consumer Reports, there's an investigative piece that seems
to show that there may be some doubt, at least in some places, about just how safe the water
is.
Ryan Felton is an investigative reporter for Consumer Reports and lead author
of this article, and he joins me to discuss this and what you can do to protect yourself.
Hey, Ryan, welcome to Something You Should Know.
Thank you so much for having me on.
So let's start by laying down some groundwork here. Explain what water you tested, where
you tested it, and what you tested
it for. Consumer Reports, we recently tested tap water of 120 locations across the United States.
We specifically looked for four particular heavy metals that are more commonly known like lead, arsenic, mercury, and cadmium, and also tested
for a newer set of chemicals known as PFAS, P-F-A-S. And it's a type of chemical that's
used in a lot of common products. Think of like batteries, for example. But in recent years, over the last 20 years, really, it's been
found in drinking water supplies around the U.S. And as more research is done into the potential
health effects of exposure to PFAS, researchers are finding a lot to be concerned about in terms of just links to a wide array of potential health issues.
So, but when your water company reports that,
and they put out their report card that they've tested their water and all is well,
does that mean everything is well in your house?
It's a very particular house-by-house specific situation.
So you wind up in a scenario where, you know, one house could have an unusually high level of lead
at one period of time in a system that reports its lead levels are safe and meet federal drinking water standards.
So it really is a challenging situation.
Then where do the contaminants come from?
If the water supply leaves the water treatment place perfectly safe,
and in your house it's got lead in it, well, where did that lead come from?
So water systems will treat for lead,
but when that water leaves the plant and gets funneled into a drinking water system,
it could pick up potentially harmful levels of lead along the way as a result of old pipes that
are in the ground. For a long time, the federal government has banned the use of lead pipes,
but there still are millions of them in the ground around the United States.
It could basically erode that pipe along the way
and basically leach lead off of the pipes
and it enters into the water by the time it hits your home.
When we get water out of our tap, how good should it be? off of the pipes and it enters into the water by the time it hits your home.
When we get water out of our tap, how good should it be? I mean, what's the goal here at the local water treatment facility? Is it crystal clear, clean, pure water,
or should we expect something less or what? One thing that I think people may sometimes when they see stories like
this, you know, I think that there's a scenario where someone might come away thinking that it's
possible to get pure, totally cleansed water. That isn't a thing. Also, if you wipe out water,
if you treat it in a way where you remove everything, you know, then you're losing some of the beneficial minerals and why we drink water in the first place.
So, I mean, that's I think one thing to underscore is that there's no perfectly pure water.
But that said, a lot of drinking water that's supplied to Americans does meet standards that are considered safe for consumption. So,
you know, to your point about what our results show, to me, it underscored the challenges that
do exist. Lead and arsenic, we had a handful of cases that were concerning, but for the most part,
they were just measurable levels that were well within federal safety safe drinking water
standards. You know, the hope would be that it would be zero for those two particular contaminants.
But for the most part, the vast majority, it was extremely small measurable levels.
I think the more concerning thing is the level of PFAS chemicals that were found
in about 40 percent of homes that were tested, the samples exceeded,
at that particular moment, standards for PFAS that scientists at organizations like Consumer
Reports and others would like to see. Because as it stands now, outside of a few particular states,
there really is no regulation in drinking water for PFAS chemicals.
So to see it show up in so many systems and to see the levels that we did,
that aspect of it is definitely concerning.
So these PFAS chemicals, for which there aren't a whole lot of standards,
do we know what the potential harms are?
What does it do to people if you ingest a lot of PFAS chemicals?
There's a wide array of things that PFAS, health concerns that PFAS have been linked to.
Thyroid issues, learning delays in children, some forms of cancer.
These are all associated links or probable causes.
And where does this stuff come from? Is there any sense of how it gets in the drinking water?
You know, one thing that we set out to do was look at known sites where PFAS contamination
has been found and military establishments, for example, these types of
chemicals are used in firefighting foam. So if you have places that do firefighting training
exercises and they spray a bunch of foam into the ground and then it gets washed out and seeps into
the ground and then, you know, makes its way into the soil and water that way. That's one example.
Other manufacturers that use it in products that rely on PFAS,
which it's a really expansive list of things,
like I said earlier, batteries, nonstick cooking pans, fast food packaging.
The main thing that they're known for is that they just don't break down, which can be beneficial for fast food packaging. The main thing is that they're known for is that they just don't
break down, which can be beneficial for fast food packaging. It's a great way to stop grease
from seeping out of your packaging. So not everybody gets their water from a city water
supply. A lot of people have their own wells on their property. Should they be concerned as well? And I think that that's one thing to underscore
too with our research and findings is that we focused on community water systems in the U.S.,
which are your typical, what people think of when they think of a public drinking water system.
But those systems don't cover the 12 to 14 million people that are estimated to be on private wells,
which are much more prone to potential issues from runoff types of contamination like what I'm describing.
So is this a problem that has to be solved at the source?
Does the city water supply or your town water supply, do they have to solve
this problem? Or knowing this, can an individual do something with filtering the water or whatever?
There's a number of products that can treat for this. One type of system that can be pricier
is known as reverse osmosis. And the way that I sort of like
to think about it is that it just kind of zaps the water of impure type chemicals. And so there are
treatment processes that exist. But I think to your point about what water filters do, it does
sort of, it does bring back a point about our findings, which is while we did have a number of systems that had concerning levels, there were many systems that had low, if not any, level of PFAS that was detectable at all.
So it is possible to treat for this and get it to levels that are within limits defined as safe by leading researchers in this area.
But if I have a water filter pitcher in my house, a typical one I would buy at the supermarket or
the drugstore or wherever, and I put tap water in it, am I good to go?
I think home filters are more typically focused on the types of other things that we
tested like lead and arsenic and those sorts of minerals that make water taste kind of heavy.
This is really a case by case sort of thing when it comes to what sort of water is coming into
your house. There are some communities that we found will offer free testing of your water.
I think that that's something to encourage for a lot of people is if it is available
to you, if you can afford it or if your community is offering free tests, I think it's a great
way to really get the clearest sense of, you know, how much peace of mind you can have.
PFAS isn't a regulated set of chemicals for the most part. So, you know,
I think actually connecting with your water system to ask questions and see what sort of
resources are available to learn about the specific water that's going into your home
is a great tool to, you know, really empower the types of decisions that people make every day
about the water that they are drinking. What about, I don't know if you looked at this, but what about bottled water? Are we safe from PFAS chemicals if we drink bottled water?
That's actually a really terrific question because one thing that started us on doing this reporting
was a series of stories that I wrote about bottled water. Because as I think most people know, when a drinking water crisis happens,
bottled water is what's immediately considered as the alternative in the interim while the crisis is addressed.
But they're surprisingly, given the size of the bottled water industry,
not that much known about it in terms of what sort of product it's putting out.
You're putting a lot of faith in the company when you buy it. Companies will release bottled
water quality reports that do some explaining, but in terms of what regulators are looking for,
it's nowhere near the level
of information that's provided about your tap water. So we actually did do a series of testing
of several, I want to say almost 50 brands of bottled water for those same sorts of chemicals.
And there was a noticeable level of PFAS in some sparkling water brands that we tested
for. There are some efforts around companies to make it known that they are testing for PFAS.
I know, for example, that Massachusetts, their regulator publishes the results of PFAS testing
among some bottled water companies. So there is some
effort to raise awareness around it. And our testing, I think, helped illuminate what sort
of problem might exist with bottled water. You know, I think for the most part, though,
the vast majority of bottled water meets standards. But generally, even though maybe
the bottled water industry doesn't
release as much information as some would like, but you're saying that based on your tests that
you're probably pretty safe with it. What our testing showed is that while bottled water is
not necessarily safer than tap water, for the specific brands that we tested, you know, from the specific lots that we
tested. The results were extremely encouraging and especially for the non-carbonated brands. Yeah.
Well, it certainly sounds as if without blowing this problem out of proportion,
it must be a problem or consumer reports wouldn't do this
testing of water and then publish the results in your magazine. So clearly this is something that
people might want to pay attention to, but so like, what do you do? The thing that I think is most
useful to be aware of is just that in some communities there are challenges. And if you
have concerns, there are people that are supposed to, if you are on a drinking water system,
be there to answer the types of questions that you might have. So if you are concerned, I would
say the best thing to do is to ask questions and find out as much information as you need to feel
comfortable from your local regulator or utility that handles your water processing.
And so just to be clear, you tested water from 120 locations around the United States.
Out of those 120 locations, how many had problems? What's the percentage?
What's the big snapshot here?
Among all the five groups of chemicals that we tested for, if you consider the fact that
most scientists would say that there's no safe level of lead, that there's no safe exposure
level to arsenic. The vast majority had
something to be concerned about. I think the levels that we saw among lead and arsenic
were for the most part within feasible safe limits. The PFAS levels, about 40% of the
locations that were tested had concerning levels of PFAS.
And that's what I think is the most important fact out of these test results.
This is one of those things, this whole thing about PFAS chemicals that's been so under the radar.
I mean, I've never heard of it before. before, and I would almost think to dismiss it as not being much, except that if Consumer
Reports does a big investigative article about it in their magazine, maybe it's something
worth paying attention to.
Ryan Felton has been my guest.
He is an investigative reporter for Consumer Reports.
He's lead author of the article about water, which you will find in the May 2021 issue of Consumer Reports.
Thanks for being here, Ryan.
It is possible that you could find a dryer sheet in your mailbox.
Apparently, letter carriers sometimes put them in there to repel bees and wasps,
who sometimes make nests in mailboxes because they
don't want to get stung. Apparently, bees and wasps don't like the strong, concentrated,
and artificial smell of dryer sheets, and they don't like the texture of them either,
so they leave. There was a thread on Reddit from a mail carrier that talked about this and how
effective he thinks it is.
I didn't find any scientific research on this, but, you know, if the guys on the front lines are using them to repel bees and wasps, they just might work.
So if you find a dryer sheet in your mailbox, your letter carrier probably put it in there, and now you know why.
And that is something you should know.
Show your support for this podcast by leaving a review and a five-star rating on Apple Podcasts.
It really helps us so we can continue to bring you all these things you should know.
I'm Mike Carruthers. Thanks for listening today to Something You Should Know.
Welcome to the small town of Chinook, where faith runs deep and secrets run deeper.
In this new thriller, religion and crime collide when a gruesome murder rocks the isolated Montana community.
Everyone is quick to point their fingers at a drug-addicted teenager, but local deputy Ruth Vogel isn't convinced.
She suspects connections to a powerful religious group.
Enter federal agent V.B. Loro,
who has been investigating a local church
for possible criminal activity.
The pair form an unlikely partnership to catch the killer,
unearthing secrets that leave Ruth torn
between her duty to the law,
her religious convictions,
and her very own family.
But something more sinister than murder is afoot,
and someone is watching Ruth. Chinook, starring Kelly Marie Tran and Sanaa Lathan.
Listen to Chinook wherever you get your podcasts.
Contained herein are the heresies of Redolph Buntwine,
erstwhile monk turned travelling medical investigator.
Join me as I study the secrets of the divine plagues
and uncover the blasphemous truth
that ours is not a loving God
and we are not its favoured children.
The heresies of Redolph Buntwine,
wherever podcasts are available.