Something You Should Know - True Stories Behind Christmas Songs & Dangerous Decorations- Bonus Holiday Episode
Episode Date: December 16, 2025Christmas decorations are meant to be cheerful — but some have been anything but. Over the years, certain holiday decorations have turned out to be creepy, hazardous, and even deadly. This episode b...egins with some of the strangest and most dangerous examples. https://www.epa.gov/radtown/radioactivity-antiques?utm Many classic Christmas songs have surprising backstories. Brenda Lee was only 13 when she recorded Rockin’ Around the Christmas Tree. Have Yourself a Merry Little Christmas was tossed in the trash before becoming a holiday staple. Music journalist Annie Zaleski joins me to share these and many other stories. She is author of This Is Christmas, Song by Song: The Stories Behind 100 Holiday Hits (https://amzn.to/3ZomPBn). There’s a lot of myth and speculation surrounding The Twelve Days of Christmas. We take a closer look at where the song came from, what it was really about, and how much all those gifts would actually cost if you bought them today. https://www.smithsonianmag.com/smart-news/12-facts-about-12-days-christmas-180967569/ PLEASE SUPPORT OUR SPONSORS! AURA FRAMES: Visit https://AuraFrames.com and get $45 off Aura's best selling Carver Mat frames by using promo code SOMETHING at checkout. INDEED: Get a $75 sponsored job credit to get your jobs more visibility at https://Indeed.com/SOMETHING right now! QUINCE: Give and get timeless holiday staples that last this season with Quince. Go to https://Quince.com/sysk for free shipping on your order and 365 day returns! DELL: Your new Dell PC with Intel Core Ultra helps you handle a lotwhen your holiday to-dos get to be…a lot.Shop now at: https://Dell.com/deals AG1: Head to https://DrinkAG1.com/SYSK to get a FREE Welcome Kit with an AG1 Flavor Sampler and a bottle of Vitamin D3 plus K2, when you first subscribe! NOTION: Notion brings all your notes, docs, and projects into one connected space that just works . It's seamless, flexible, powerful, and actually fun to use! Try Notion, now with Notion Agent, at: https://notion.com/something PLANET VISIONARIES: In partnership with Rolex’s Perpetual Planet Initiative, this… is Planet Visionaries. Listen or watch on Apple, Spotify, YouTube, or wherever you get your podcasts. SHOPIFY: Sign up for your one-dollar-per-month trial and start selling today at https://Shopify.com/sysk Learn more about your ad choices. Visit megaphone.fm/adchoices
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Today on Something You Should Know, our third Christmas bonus episode.
You know, every year around this time, we hear the same songs at the mall on the radio, in commercials, everywhere.
Today, we have some wonderful stories about your favorite Christmas songs, including white Christmas, rocking around the Christmas tree, and Matt King Cole's The Christmas Song.
What I love about this song is that it was written during the summer.
What happened is that Mel was going to Robert's house just for, you know, a writing session, and it was a very, very hot summer day.
And he was like, you know, getting into the Christmas spirit writing this Christmas song, maybe this will cool me down.
And so they ended up writing the song in like 45 minutes.
And Nat King Cole, you know, liked the song enough that he recorded it the following year twice.
So grab some Coco, settle in, and we'll discover some fascinating facts about some Christmas songs we all know and love.
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Something you should know.
Fascinating Intel,
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and practical advice you can use
in your life.
Today, something you should know
with Mike Carruthers.
You know, I love doing these holiday
bonus episodes.
Doing them and then actually listening to them
really gets me into the holiday spirit.
They're just fun to do,
and I hope you enjoy them.
And we start this holiday bonus episode with holiday decorations.
If you think today's Christmas decorations are excessive,
well, there was a brief period when they were actually dangerous.
In the early 1900s, some Christmas ornaments and artificial snow
were made with radioactive materials, including radium.
At the time, radium was considered healthy and modern.
It glowed in the dark.
So manufacturers added it to everything, from watches to holiday decor.
People literally put faintly radioactive decorations in their living room
without knowing that it could cause all kinds of health problems.
And that wasn't the only odd Christmas decoration.
In parts of Eastern Europe, families decorated Christmas trees with fake spiderwebs,
sometimes even real spider webs.
It comes from a folk tale in which poor family,
wake up on Christmas morning to find spider webs on their tree turned into silver.
To this day, spider web ornaments are considered a symbol of good luck and prosperity in countries
like Ukraine. So once upon a time, Christmas trees were either covered with spider webs
or dangerously glowed in the dark, both of which were considered perfectly festive at the time.
And that is something you should know.
Unlike any other holiday, Christmas brings with it its own music, lots of music, songs and carols that we listen to over and over again.
Maybe you've noticed how some radio stations switch to an all-Christmas music format and seem to do it earlier and earlier every year.
And why do they do it? Because listeners like it. People love Christmas music.
And while some new songs get added to the mix every year, it is something.
the classics that we're drawn to. And those classic songs all have stories. Joining me to reveal
some of the interesting backstories to many of your favorite Christmas songs is Annie Zaleski.
She is an author, editor, and journalist with a focus on music and pop culture, and she's author
of a book called This Is Christmas Song by Song, the stories behind 100 holiday hits.
Hi, Annie, welcome to something you should know. Thanks for having me. So let's start
with why you like Christmas music so much and why you like going and investigating all the
stories behind the songs. Christmas music, I've always been a long-time fan ever since I was a small
child. And I think one of the things that I'm really fascinated by is that you can really see
the world history, social movements, and they're all reflected in Christmas music. So when
you look at the history of Christmas music across the decades, you can kind of see how American
culture has moved forward.
So let's start off with White Christmas, because it's been around a long time, it's a perennial favorite, everybody seems to like it.
What's the story with White Christmas?
You know, so that was written by Irving Berlin.
I don't think Irving Berlin needs any introduction.
He's one of the greatest composers in American history.
And he actually ended up writing it for a movie called Holiday Inn.
And that came out in 1942.
However, White Christmas came out the year before and basically emerged during the Christmas season right after World War II broke out.
The song was actually, he played it on his radio show.
The song was actually shipped to the UK that year, late 1941, to kind of provide solace for troops.
And what I just really love about this song is that it's reassuring.
You know, it's a very, he's very empathetic about it.
You know, it's a very kind of longing song.
It's full of nostalgia.
It's very wistful that with the hope that maybe one day, you know, everyone will be together.
Christmas will be better again.
And it really kind of summed up the time.
You know, it was a very anxious time in the world, a very fraught time.
Families were being separated.
And it was sort of a beacon of comfort, I guess.
Was it written for that purpose?
Was it written with soldiers in mind that one day they'll be home for Christmas or was it just fit at the time?
Yeah, it just fit at the time.
No, I mean, he wrote this movie.
So Holiday Inn had a couple of other holiday themed songs that were kind of included on the movie soundtrack.
And it did not, you know, obviously I think when World War II broke out, it was one of those right place, right time things.
The song just really summed up the mood.
So my favorite Christmas song that I love to hear, when I hear it on the radio, I think, okay, it's Christmas time, is Nat King Cole's the Christmas song.
What I love about this song, the origins that I did not realize until doing it.
this book, is that it was written during the summer. There was actually a lot of Christmas
songs that were written during the summer. And so this was written by Mel Tourmet and Robert Wells.
And actually, what happened is that Mel was going to Robert's house just for, you know, a writing
session. And it was a very, very hot summer day. It was excessively hot, as he put it. And he happened to
see on the piano, there were some lyrics that referenced Christmas carols, roasting chestnuts.
and he was like, you know, getting in the Christmas spirit, writing this Christmas song,
maybe this will cool me down.
And so they ended up writing the song in like 45 minutes.
They immediately took the song to Hollywood, and Nat King Cole, you know, liked the song
enough that he recorded it the following year twice.
Actually, he did two separate takes in 1946.
But, you know, that just, that song just sums it up right there.
You know, the, you know, that came out right as World War II ended.
And so there were a lot of people that there were getting back together.
you know, trying to recover from a very, very difficult four years.
And so that also really kind of, you know, summed up and really provided a lot of comfort
for families sort of in the opposite way that White Christmas did.
You know, what's interesting to me about that song is there have been a lot of really good
covers of that song.
I mean, a lot and some of them are really good, but they just don't quite do it the way Nat King Cole did it.
100%.
And I think that's, you know, his voice.
He had such a singular voice.
He was so deeply empathetic, and he was such a wonderful interpreter.
He really lived the songs that he sang.
And also, I think, it's such a big part of it.
He has that, I don't know what that is, that haunting thing in his voice.
You know, Sting kind of has that same thing.
There's a hauntingness about it that just makes the song.
And, you know, another song, when I hear it at Christmas, or when I hear it anywhere,
it gets stuck in my head for the rest of the day, and that is Blue Christmas by Elvis.
Oh, I love Blue Christmas. Oh, absolutely. And that came out in 1957, you know, and it's funny,
he wasn't actually the first one to do it, which I was very interested about. That had been recorded
many times before he ended up tackling it. But I think this is another one where his vocal performance
just nailed it. You know, he just nailed the, when you're not having to go to Christmas,
basically. If you're having, anyone who's having a melancholy Christmas and not having a great year,
you know, he really, he really captured it. And it's funny enough, the writer actually was
inspired by a gloomy day when he actually wrote it, Jay Johnson. And he was actually known
for penning scripts for radio shows. He wasn't necessarily a songwriter. He was commuting from Connecticut
to New York City, and it was a rainy day. And he basically wondered why someone hadn't written a
holiday song with some blues in it. And so he decided to write one himself.
And he came up with a composer friend named Billy Hayes, and they put it together.
I've certainly noticed, as I'm sure everyone has, that, you know, the Christmas classic
songs stay forever.
And there aren't a lot of new songs that really stick the way White Christmas or the
Christmas song do.
But a few have.
And recently, like Mariah Carey, I mean, she's criticized for that song, her Christmas
song, but it has stuck.
and it probably will stick for a while.
So she actually wrote it with a collaborator of hers,
Walter Afanasef, who he also co-wrote Hero in One Sweet Day.
And so they were writing a lot of songs together, you know,
and she loved Christmas.
I mean, I think that's obvious if everyone looking at it now,
she really leans into it because of this song,
but she loved Christmas.
And so she basically wrote this song, you know,
it was a silly love song, you know,
a whimsical love song, not silly, but whimsical,
that she's basically waiting
for her beloved, you know, that she's going to be underneath the Christmas tree, you know,
waiting underneath the mistletoe, waiting for them to come up. You know, and it's one of these
songs that I'm still trying to figure out why it's become so popular and why it is just endured
and why that one in particular has become a standard. And I think it's probably because, you know,
you have her, she really leans into the vocal performance. She really goes for it. And the
instrumentation as well is, you know, kind of old-fashioned. You know, you have sleigh bells,
you have piano, you know, with a little bit of a different production. That could have
come out another decade. Well, it also seems like other songs like Blue Christmas that when you hear
it, it gets stuck in your head for a while. It's, until some other song comes and bumps it out. But
it is like infectious in that way. It gets in your head. And you know what other song that gets
stuck in my head at Christmas time? And it is so hard to get rid of. And I want to ask you about
that when we come back in just a minute. Maybe it's just a phase you're going through.
Get over it.
I can't help you with that.
The next appointment is in six months.
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We're working to build a future where the path to support is clear,
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when you're flying emirates business class enjoying a good night's rest in your lie flat seat you'll see that your vacation isn't really over until your flight is over fly emirates fly better so annie another more recent christmas song that that gets stuck in my head all the time and that i can't get rid of is underneath the tree by kelly clarkson i mean i just i hear it and i can't get it out of my head and i i like it
it, but God, I wish I could think of something else.
You said that, and I immediately started singing that in my head, because, yeah, it is one
of those memorable songs that, like, her hook with that.
And, you know, it's funny, she wrote that song with Greg Kirsten, and who has a very
interesting background.
He was in a 90s band called Gagita that very few people remember, but he's done a lot of
production for mainstream pop.
And they conjured kind of the Wallace Sound Production style.
They kind of modernized it and kind of drew on that.
And, you know, basically true love makes Christmas better.
You know, I think it's not one of those timeless songs that, you know, they went with the classics and decided to go for it.
And I think her vocal performance, too, you know, she is obviously a big fan of Mariah Carey's, but also some of the other, you know, powerful songwriters and powerful vocalists, female vocalists through the years.
And there are a lot of women who have sang Christmas songs, you know, Darlene Love, obviously, the Ronnettes.
And so she's kind of in the long tradition of those very powerful women singing Christmas songs.
Let's get back to some of the classics, Have Yourself a Merry Little Christmas.
I mean, that's been around forever.
Well, I don't know if it's been around forever.
Has it been around forever?
It's been around since the 40s, which feels like forever, I guess, you know, but depending on your perspective.
I, you know, this was in Meet Me in St. Louis, which is, you know, a Judy Garland.
So it's very connected to her post-Wizard of Oz.
And what was so fascinating about the song is that it almost didn't come to be.
So the songwriters were Ralph Blaine and Hugh Martin.
And, you know, basically Hugh was writing the song and, you know, played it.
Just couldn't get the song to work.
And he threw it in the trash.
And Ralph was like, whoa, whoa, whoa, wait a second.
And he actually, you know, said, no, no, no, this is good.
And made him take it back out of the trash so they could finish it.
And, you know, even then, you know, obviously it's such a pivotal part of Meet Me in St. Louis as well.
And it actually almost didn't end up in the movie, apparently,
because they were worried that it was a little bit too, you know, dower.
So, Annie, Merry Christmas Darling by the Carpenters,
when that came out, I think it just instantly became a hit
and it has sustained for all these years.
And it's, I mean, it's her voice.
It's just the way she sings is like an angel.
Absolutely.
And I think, you know, when I was talking about female vocalists,
you know, just really nailing Christmas songs.
She really did. And this one as well, so, you know, Richard Carpenter handled the music. And Frank Pooler wrote lyrics. And people might not necessarily know who he was. What's interesting is that he wrote the song, you know, basically is a Christmas gift for a girl to get a crush on. And, you know, it didn't work out or anything. But he kind of kept the song. And he later became a teacher. He was a choral director at California State University Long Beach and met Richard and Karen Carpenter.
And basically, you know, they asked, hey, do you have any Christmas song they could perform?
And he dug out of his lyrics and Richard wrote music to it.
So, I mean, what a lovely story, you know, and he didn't realize that he was doing it.
Richard just kind of invited Frank to the studio and said, hey, I want you to listen to something.
And he put together this song.
And but, oh, yeah, I mean, Karen's performance on this is just so, I mean, there's almost no words to describe how beautiful it is.
And it's just so tender and dynamic.
And it's really, you know, that was fairly early in their career becoming hitmakers.
And I think it was definitely one of those songs that showed, you know, another side of her and just showed her depth.
One Christmas song that's fairly popular that I am not a big fan of, because I think it's cute the first time you hear it, it's not so cute.
The 700th time you've heard it is I want a hippopotamus for Christmas.
I knew you were going to say that because I did not realize what a polarizing that song was.
And so this was actually written by a man named John Rocks.
You know, he basically, he had studied music in Vienna.
You know, he wrote some Broadway songs.
And the singer was 12.
You know, her name was Gayla Peavy.
And so they, you know, she was kind of on, you know, a child star who was kind of on an upswing.
And she sang the song.
And I think what's most fascinating about this song is that the way they promoted it.
I think now it's kind of foreshadowed the way music promotion is now.
You know, so basically the whole story is, she wants a hippopod.
for Christmas. And so how they promoted the song was saying she needs, the real gala needs a hippopotamus.
And so they did all of these, you know, fundraisers and promotion. And they, they did a fundraiser.
And they actually donated, people donated $4,000, which in the early 50s, you know, I calculated it was
more than $40,000 today. And they basically found an elephant, Medilda. And they, she went to the
Oklahoma City Zoo and she lived there for decades. So it's a, it's a weird song.
and it's definitely, it's kind of all I want for Christmas is my two front teeth.
There were a lot of songs like this in the early 50s, you know, the post-World War II baby boom.
You know, children were music consumers.
And I think that was definitely one of the songs too geared toward them.
Well, and the Chipmunks Christmas song would fall into that category.
But it's such a novelty song.
Yeah, I guess you still hear it a lot at Christmas time.
But, you know, again, I can hear it once a year and that's plenty for me.
That one is so funny because it's one man and he basically, and so if people know the song, Witch Doctor, by David Seville, and he put together the chipmunk song, he bought a really real cassette recorder and manipulated the tapes to make the chipmunk voices, which honestly for the time was very forward thinking. And he basically made these characters, these chipmunks. It's funny because he actually almost did not end up on chipmunks. You know, he wasn't sure if the singer should be them or
insects. He actually thought of being butterflies, which is, or mice or rabbits. They almost
were not shipmunks, which is funny. So I want to go back because we talked about white Christmas,
which came out in the 40s, Bing Crosby and all that. But there's also, I'll be home for Christmas,
which is kind of similar in its theme and its time and the same guy sings it. So sort that out.
Oh, boy. I mean, and so this came out in 1943, which,
you know, obviously was in the middle of World War II. It was even more fraught time, I think,
than when White Christmas came out. And, you know, basically, it's less optimistic. I mean, I think,
you know, even, you know, I'll be home for Christmas. When you hear the title, you're like,
that's a promise. I'll be home there. But honestly, it's, when you actually kind of listen to the
song, the lyrics almost hint that coming home for the holidays is a fantasy, that this is something
that might not be possible, you know? I think the parenthetical is, if only in my dream,
is I think, you know, kind of, you know, basically points to that, basically, that, you know,
that there's no guarantee.
And I think this is another song that just really, really summed up the time.
And funnily enough, the song actually has a very complicated backstory because there were
lawsuits involved in terms of these songwriters.
People had shared this song and there were copyright things.
And so for a song that is just so melancholy and just, you know, so downtrodden,
there was a lot of drama and legal drama behind the scenes.
But boy, Bing just really, too, his performance and his delivery on the song, too, you know, he really, really lived this song and leaned into the melancholy.
But it was very, it was comforting in a way, you know, for people who weren't feeling great at the holidays, who were feeling like, we're feeling hopeless that things weren't going to work out, you know, he was really the soundtrack to that and really told people it's okay to feel that way.
So rock and roll changed music, but it also changed the landscape of Christmas music.
when it appeared, and I want to ask you about that in just a moment.
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So Annie, when rock and roll showed up, it produced a couple of Christmas songs like rocking
around the Christmas tree and jingle bell rock that said, hey, rock and roll is, you know,
part of the culture now. Absolutely. And, you know, jingle bell rock is another one of those when I
mentioned, you know, songwriting credits. That is a fascinating, fascinating one. Because the songwriters
who are credited are Joseph Carlton Beale and James Ross Booth. And there's not a lot of information
about them. You really have to kind of dig to find out sort of what they did. Bobby Helms over the
years has always claimed, you know, he's no longer with us. But when he was alive, he claimed,
I wrote a bunch of this stuff. I really rewrote this song. And he didn't get credit for it.
And so, but he, and he was in country music. That was so interesting is that he had had a
couple of country hits. So when he kind of came up with this song that was, you know, a little
bit, you know, it's funny because it's very early rock and roll, kind of easygoing. You can tell
that he was in country, by the way, with the instrumentation and the musician, Chapin, Garland,
was on it, big country music performer, and just really sort of being laid back and sort of
shuffling. And it's, it's just, it's one of those feel-good songs when, you know, jingle bell rock,
jingle bell rock is basically, it's people going, you know, you're going to jingle bell square,
you know, so it's, it's kind of playing up the iconography of Christmas and just kind of,
For teenagers going out and dancing, that's very much this.
Same thing with rocking around the Christmas tree, you know, and this Brenda Lee, first off, nailed it.
This was another song that she recorded right in the dead of summer.
And it was written by Johnny Marks, who is notorious because he also wrote Rudolph the Red Nose Reindeer.
And she was only like 13, right?
No, actually, you know what?
She was 12 worth, she might have even been 12.
I'd have to look up when her birthday was.
She was so young, and you wouldn't know it.
I mean, I think that's what's so incredible about that song is that, you know, she always sounded so much more sophisticated an adult than she actually was.
And I remember reading in an interview with Brenda Lee that when Home Alone came out and Home Alone features that song, that that was a real shot in the arm for the song.
100%, you know, and she said that it was a turning point, you know, and that it's really, she called it an interview, it breathed new life into the tune.
And, you know, it hit number one last year.
I mean, I think that's what's striking, you know, decades after it came out, she, you know, it basically, you know, Mariah Carey's, all I want for Christmas is you, perennally hits number one around the holiday season, and Brenda Lee did last year. Just unbelievable.
Well, as we were talking about before, you know, the all-time great Christmas songs, they don't let many new members into that list very often, but when they, but sometimes there's like the little flurry and it happened like in the end.
80s with Wham and the Eagles. Their Christmas songs are now classics. And it's funny when you
think about it, you know, that was 40 years ago now, you know, and the Eagles was almost 45 years
ago. And so, you know, when we were growing up, those songs from the 40s and 50s, those were the
classics. So yeah, they are now the classics. Wham's last Christmas is so, you know, unbelievable
because I think George Michael especially has been getting a lot more credit for his songwriting,
his production, you know, in recent years. And that song he basically wrote himself. He was at his
parents' house. And he was hanging out, you know, Andrew Ridgely, his Wham bandmate was also there.
And he basically got inspiration. And he went upstairs and he happened to have a keyboard in his
childhood bedroom and started writing the song. And then he actually ended up recording it in the
studio by himself. There was just an engineer. And he played up the instruments on it, too,
with some synthesizers and a drum machine. And, you know, that was a bassist.
a George Michael production. And that song is so funny because the interpretations of it varies so
wildly. You know, I mean, I've always said that, you know, that it's basically you run into
an X at, you know, at a Christmas time and that you go through a whirlwind of emotions,
you know, your anger, you're bitter, you're sad, you know, you're longing. And that, you know,
you're basically saying, nope, they are no longer worth my time. You know, I'm done with you.
It's time to move forward. But people have many different interpretations of that. It's very, very
interested. I've had some heated conversations with people about last Christmas, which you would
not expect for the way it sounds, being such a synth pop classic. And the Eagles? Oh, the Eagles.
And so, and I, you know, this is, it's funny that the Eagles have so many good songs. And I honestly
think this is one of my favorite Eagle songs, to be very honest. And I think it's, you know,
for starters, I think it's the vocal performances. You know, I think, obviously, their harmonies
are unparalleled. And I think this one, especially, this really highlights it. This was actually
written, though, by Charles Brown. And so, and he is, you know, he was a very, very underrated musician,
basically. You know, he was, he had started playing in the 1940s with Johnny Moore's three
Blazers, who actually had a hit with Merry Christmas Baby long before, you know, it became very
well known. And then he also fronted the Charles Brown trio. And so he, but he basically,
recorded this song for King Records, which was a very infamous and very influential record label
in Cincinnati. And so he basically, The Eagles found it and covered it. And so it had been released
decades before, and they put just a really wonderful kind of R&B, you know, rock, soft rock spin on it.
And like I said, I just, you know, I love this song. You know, I mean, I think Joe Walsh and Don
Felder, they were really, they're such powerful guitar players and they were very, very subtle.
And it was actually the first time Timothy B. Schmidt contributed bass to an Eagle song, which I think also probably contributes to the sound of it as well.
Well, I must admit, I always like hearing stories behind popular songs.
They're just so interesting to me.
And apologies to anybody who, if we didn't get to your favorite Christmas song, we only have so much time.
And there are so many songs.
I've been talking to Annie Zaleski.
She's an author, editor and journalist.
And one of her books is called This Is Christmas Song.
by song, the stories behind 100 holiday hits, and there's a link to her book at Amazon in
the show notes. Great, Annie, thanks. Merry Christmas. Thank you so much. This is fun.
Since we're talking about Christmas music, you've probably heard the song, The Twelve Days of Christmas
more times than you can count. But there's a lot to that song you may not know. First of all,
the twelve days don't actually refer to the days.
leading up to Christmas, as many people believe.
Traditionally, they begin on Christmas Day and then run through January 5th,
the eve of the Christian Feast of Epiphany.
So if you've been singing it as a countdown to Christmas, technically you're 12 days early.
And what about all those odd gifts in the song?
Well, many people have heard the story that each line of the song contains a hidden religious message,
like two turtle doves representing the Old and New Testaments.
It's an interesting idea, but historians say there's no solid evidence for that.
It seems that the song started out as a simple memory and forfeit game.
In 18th century England and France, players would take turns reciting the growing list of gifts in the song,
and if you messed up, you owed a forfeit, which was usually something silly or embarrassing.
Speaking of gifts, if someone actually sent you all the birds and all the people represented in that song
repeating each gift every day, you would end up with 364 total presents.
That includes 184 birds and 40 different entertainers to dance, leap, and pipe around your house.
And finally, the cost. Every year a financial firm publishes what they call the Christmas
price index. It's an estimate of how much it would cost to buy everything in that song. Today,
the full set of gifts would run well over $40,000, and that's without the repeating days.
If you include all the cumulative gifts, you're looking at a total somewhere in six figures.
So the next time you hear the 12 days of Christmas, remember it's not a secret code and it's not a
countdown, and it's definitely not a very practical gift list. And that is something you should know.
Hey, this was fun. This was a really fun episode to do. I hope you enjoyed it, and I hope you're
having yourself a very merry Christmas season. I'm Mike Hurruthers. Thanks for listening today to
something you should know. Do you ever find yourself lying in bed, and your brain then decides
this is the perfect time to remind you of everything? And then your brain starts racing, and you start
thinking and sleep seems impossible. This is why I really like Catherine Nicholas' podcast called
Nothing Much Happens. It's simple, it's soothing, and it works. Each episode is just a calm,
cozy bedtime story. There's no drama, nothing intense, nothing to follow, you don't have to write
anything down. It's just simple repetition and these really peaceful sensory details that give
your brain permission to settle down and go to sleep.
Millions of people use it as part of their nighttime routine, and I totally get why.
They recently did a story I love called The Guest Room.
It was all about, you know, clean sheets and fresh towels and those things I love that help me sleep.
You really should try it tonight when you go to bed.
You really should try it tonight when you go to bed.
You can listen to Nothing Much Happens wherever you get your podcasts.
Episodes every Monday and Thursday.
Oh, the Regency Era.
You might know it as the time when Bridgeton takes place,
or the time when Jane Austen wrote her books.
But the Regency Era was also an explosive time of social change, sex scandals,
and maybe the worst king in British history.
And on the Vulgar History podcast,
we're going to be looking at the balls, the gowns,
and all the scandal of the Regency era.
Vulgar History is a women's history podcast,
and our Regency Era series will be focusing on the most rebellious women of this time.
That includes Jane Austen herself, who is maybe more radical than you might have thought.
We'll also be talking about queer icons like Anne Lister, scientists like Mary Anning and Ada Lovelace,
as well as other scandalous actresses, royal mistresses, rebellious princesses,
and other lesser-known figures who made history happen in England in the Regency era.
Listen to Vulgar History wherever you get podcasts.
