Song Exploder - Clairo - Alewife

Episode Date: October 2, 2019

Claire Cotrill is a singer, songwriter, and producer who goes by the name Clairo. She started releasing music in 2014 as a teenager. A few years later, songs she had uploaded to YouTube had racked up over 40 million views. This year, Clairo put out her debut album, Immunity. She’s recently performed on Ellen and Jimmy Kimmel, and played arenas, opening for Khalid. In this episode, Clairo breaks down her song “Alewife.” I spoke to Claire and her co-producer Rostam Batmanglij about how the song was made. songexploder.net/clairo

You're listening to Song Exploder, where musicians take apart their songs, and piece by piece, tell the story of how they were made. My name is Rishi Kesh, Hereway. Before we begin, there are a couple things I wanted to mention about the episode you're about to hear. First of all, if you have an Amazon Echo Smart Speaker, you might want to disable it or turn it off or something, because you're going to hear the name Alexa in this episode a few times. And if your speaker's an earshot, it's probably going to do a whole thing. Secondly, on a serious note, this episode deals in part with thoughts. of suicide. So please be careful and be mindful. Also, if you're having thoughts of suicide yourself, confidential help is available for free. You can call the National Suicide Prevention Lifeline

at 800-273 Talk. That's 800-273 talk. You can also text the crisis text line. Just text the word hello to 741-741. You are not alone. I'll put a link up to these resources on the Song Exploder website. If you want to join me in making you a donation to the American Foundation for Suicide Prevention, you can find the info on the website as well. I'll mention it again at the end of this episode. All right, here we go. Claire Cottrell is a singer, songwriter, and producer who goes by the name Clero. She started releasing music in 2014. A few years later, songs she'd uploaded to YouTube had racked up over 40 million views. This year, Clero put out her debut album, Immunity. She's recently performed on Ellen and Jimmy Kimmel,

and played arenas opening for Khalid. In this episode, Clero breaks down her song, Alewife. I spoke to Claire and her co-producer Rostom But Monglage, who's formerly of the band Vampire Weekend, and whose other producing credits include Haim, Maggie Rogers, and Charlie XX. Here's Clero on Song Exploder. My name is Claire Cottrell, also known as Clero. This song was born at Truth Studios in Los Angeles.

I spent a month out in Los Angeles writing the record, and I just spent every day in this studio, occasionally landing on songs. So I was writing some guitar and came up with... I had been talking to my best friend, Alexa, at the time, just texting her while I was doing guitar. She was there for me in a really difficult time. I was going through a lot of depression and anxiety

throughout middle school and high school, and it really hit a low point in eighth grade. It got to a point where it was like, I just couldn't really leave my room. I wasn't really even close with Alex at the time, but I remember talking to her one night, telling her that, you know, I didn't want to be here anymore. It was a rough night for me.

It was like I was afraid of what was going to happen. And before I knew it, there were police officers at my door because Alexa had called for them. You know, she was with me the whole night calling me and texting me and trying to be there for me, which is something I had never had in my whole life, never had a best friend like that or someone who would drop everything to make sure that I was okay,

especially at that time. And for a while, I was mad that there were police officers involved, and that I had to go to therapy and that it was this whole ordeal. But without her, I have no idea how my life would be now. So when I was writing the guitar, I just decided that it was time for me to talk about this experience. Less about how sad it was and more about how grateful I am for Alexa. I just was like too impatient to go into the booth and record the vocals.

record the vocals. So I just decided to pull out the good old voice memos. The only reason I recorded it on my phone was to send her the song so that she knew that I had written a song about it. My name is Alexa. I was sitting in the dining room with my mom and I get a text from Claire and she goes, I wrote a song about you and I was like, okay, wait what? And she sent me the demo and I go, okay mom, I'm going to play something Claire sent me. And I play it off my phone and we both just started crying. It's been so... I just felt so many things going through my body of just all these emotions. And it took me back to the night that that song was about, which we don't really talk about a lot, but we know that it was there. It still felt pretty fresh to talk about.

I guess I was 13 at the time and I'm 21 now. It's something that my family and I talked about, but never really brought up unless we had to. Never really brought it up to my friends, especially in music. It made me feel really seen to write a song about that specific night. And then I recorded it for real with a drum machine. I had been listening to a lot of Elliott Smith, and it was important for me to double track The vocals, I think, that was like one of my favorite things about Elliot Smith's music. Now it was kind of like the evolved demo before Rostom was involved.

My name is Rostom about Monglage. I was at a party and someone mentioned Claire's music and they were like, have you heard Clero? And then I went home and I listened to her music. When I was like, whoa, there's something about this person's voice. It sounded like a voice that I had heard my whole life or something. Like it felt familiar in a way. And I was drawn to it.

So then I think I just DM'd her and just said, Hey, what's up? I like your music. I was shocked. I didn't even think he knew I existed. That was like a, just a big moment for me. Just because I've always been such a big fan. So I think we were both kind of like, should we try to make some music? Claire brought me the session.

of the songs that she'd started on her own. And I hadn't actually had very much experience working in that way, where the vocals are recorded and the artist says, I don't want to re-record the vocals. I'm happy with them. So all the vocals on the song are the ones that Claire recorded at Truth. She is such a huge part. of not just the songwriting of this song, which she wrote,

but also the production. I loved getting these songs from Claire and getting the whole ProTools session and to sit together in a room and really take something that she had started the production and then put our heads together. So all the guitar on this song, Alewife, is played by Claire. The one thing I asked her to do when we got to my studio

was to replay her electric guitar parts on acoustic guitar. because to me, that pushed it more into the world of Elliot Smith. Just because the songs that I connect the most strongly with are his acoustic guitar songs. Yeah, exactly. After we recorded the acoustics, I started playing the chords on the piano. I didn't know that that could be the start of the song. It was just kind of like another way of activating the chords. I was thinking like there's something about the way that the chord progression interacts with the vocal melody that's really powerful.

So I didn't change anything, the rhythm or I don't think I didn't change any of the chords. I just kind of activated them differently on the piano. It felt really good to hear the piano with guitar for the first time. As soon as I heard this song, I was kind of like picturing a drummer holding it down. on the tom with the 16th notes, that image just popped into my mind. So when we were in the studio together, that's how I kind of started the beat

with just that tom. Boom, boom, boom, boom, boom. All the individual samples are recorded with a tape machine. And there's three different velocities and three different samples for every velocity. So for each hit, there's nine different samples that you could trigger with your keyboard. So even though the drums aren't real,

because it actually, when you hear it in isolation, it does kind of sound fake. But if you hear it in the song, it doesn't sound fake. They sound like they could be real. I think the drums are everything. Halfway through the song, there's a hi-hat that comes in. It's just like a drummer clamping the two high hats together. It kind of opens up this portal where you can hear the beat a few different ways. That's the kind of stuff that I'm always trying to do with the drum.

just trying to make you hear rhythm differently throughout the song. So it's like a chapter, you know, it's like a new chapter unfolds where suddenly this hi-hat comes in and it's keeping time in a different way and it's adding an emphasis in a different place. This movement. The chords don't change throughout the whole song. And there's no, like, bridge. There's no real structure to the song.

and I always tend to do that. But Rossum was never afraid of that. He always found ways to bring movement into the song. I mean, one of the biggest things about this whole record in general was taking songs that were almost there and then bringing them there. Rosten was so great at not taking away the things that I had made, but just elevating them.

Yeah, so that electric guitar is still actually in the song. I copied and pasted it over to the very end of the song, and then I also put a fuzz distortion effect. I guess what I like most about the song is that there are moments that are so soft, but then there's also really harsh moments, like the distortion. Having that both on one song is really special to me,

because tying it to the lyrics, this experience can feel really soft and personal and hard to talk about, but then those emotions can also feel really harsh and can feel like, Like, everything's crashing down on you. And having both of those moments in the song did a lot for me, because it is that gray area.

The last line, you know I'll be all right. Eighth grade was never that tight. It's like just adding some humor into something that's just the least humorous thing in the world. Because I find my most favorite songs are just honest doesn't necessarily feel like everything has to rhyme or everything has to sound like a groundbreaking lyric you can just talk directly to the person listening and they can understand talking to them like your friend or like someone that you're actually telling the story to is

important but it's also important to acknowledge that like no one liked eighth grade no one anyone who does like eighth grade is a psychopath The original title for the song was 8th grade, and naming it El Wife became really important. I mentioned El Wife only once in the song, and it's not necessarily about it. El Wife was a train station in Massachusetts that I would drive to from my small town. I'd park there, and I would take the tea to different parts of the city. Wherever I wanted to go, I could get there. from ill wife.

I think the reason why I started this song with those words was because it just became this kind of portal to a different world. Growing up in a small town of like 5,000 people can be really hard to feel understood. And when I started to be more involved in the music scene in Boston, going to house shows, like meeting kids from there,

and going to flea markets and meeting kids there, just like talking to them about music and them knowing the same stuff I know. That was the first time I was like, whoa, I live in a really small town, and there are so many people in the world that are just like me. It's like 30 minutes from ill wife from the 13-year-old me. I'm like, damn, that's so far.

I don't have a car. I don't drive. My mom won't drive me 30 minutes to a train station. But then now, it's like, wow, I was only 30 minutes from this place that opened up so much for me. A lot of my growing up was in solitude. And something that I just never did was I never changed for other people. And I think that's what drove a lot of people away. I think that's what made me want to seclude myself.

But yeah, I just kind of like until Alexa, I just felt kind of lost. She just like really gave me the confidence to continue to be myself and she's the reason why I even pursued music in a lot of ways. It's really important that I talk about how amazing people like Alexa are and how a lot of people have those people. Whether they know it or not, there's someone like Alexa that would come out of the woodwork to make sure that you're okay.

And that was what I wanted to. to say the most. It's kind of like a love song to her. Back in November, on my birthday last year, she sent me the sweetest message and acknowledged that night everything that had happened

and wrote this really heartfelt message to me, kind of thanking me for our friendship and how without what had happened that night, things probably would have been very different and, you know, maybe she wouldn't have been here. But when the album

came out, and I took the time to put in my headphones and sit down and just be with the song. And it made me so emotional, but so thankful that I had this friendship with such an incredible person. And I will forever be grateful for what she did. There's nothing more, nothing less. It's just grateful forever. And now, here's Alewife by Clarell in its entirety. It's SongExploder.com.net for more information. information about Claro and Rostom, you'll also find a link to buy or stream L-wife. Thanks so much to Alexa for speaking to me for this episode as well. And again, if you're

having thoughts about suicide, or if you're worried about a friend or loved one, or if you'd like emotional support, the National Suicide Prevention Lifeline is available 24-7 across the U.S. You can find out more at Suicide Prevention Lifeline.org. And you can call 800273 talk, or text the word hello to 741-741. If you'd like to make a donation to the American Foundation for Suicide Prevention, their website is afsp.org. Song Exploder is made by me, Rishi-Kesh-Hirway, along with producer Christian Coons. Olivia Wood helped with production assistants. Carlos Lerma is our illustrator. For most of this year, filling in for me has been guest host, Tao Wynn. She'll be back next episode. Song Exploder is a proud member of Radiotopia from PRX,

a curated collective of independent creative podcasts. You can learn about all of our shows at Radiotopia.fm. You can also follow Song Exploder on Facebook, Instagram, and Twitter at Song Exploder. I'm Rishi Keishy Sheerway. Thanks for listening.