Stuff You Should Know - Bridges: Nature Abhors Them
Episode Date: June 11, 2015From prehistoric logs across streams to the 102-mile Kunshan Grand Bridge, nature works ceaselessly to take down spans. Learn about the fascinating ins and outs of bridge design and building and the m...ind-boggling challenges structural engineers face. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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Hey, I'm Lance Bass, host of the new iHeart podcast Frosted Tips with Lance Bass.
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HowStuffWorks.com. Hey and welcome to the podcast. I'm Josh Clark with Charles W. Chuck Bryant with Jerry Rowland, with me,
Josh Clark. This is Stuff You Should Know featuring Josh Clark. About to say you never
introduce yourself and then you done did it twice. Three times. Oh yeah, you always introduce yourself.
But you never say your last name. I think that's what struck me. No, I say I'm Josh Clark.
Do you? Yeah, every time. I should listen to these sometimes. Yeah. That explains the glazed over
look in your eyes whenever we start. Bridges. Yeah. Is that your intro? Yep. I like them.
Maybe we can add like a scat drummer on top of that. We have that kind of when we're doing
listener mail. There's a little bit of D. Oh yeah. Well, that's not scat drumming. I would say
that's more of a shuffle. Scats like. Yeah, like that? Yeah, you should get Hodgeman to scat for
you sometime. He's good. Oh, I'll bet he's good at it. Yeah. A lot of boop-boop-boos going on when
he's scatting. Any jazz hands? No. It's not exactly Manhattan transfer level. Oh, he's intermediate?
Yeah. Yeah. So again, Bridges. Yeah, you know, I bet we're going to hear from some folks because
there are bridge enthusiasts. Yeah. Which I think is kind of neat. Yeah. Well, I mean, they're like
modern marvels of engineering. And actually, there's some ancient marvels of engineering too.
As far as they're about to say that, dude. They are. Yeah. Basically, I was talking to
our pal, Adam, the architect. Oh, the bridge builder? No. Yeah. He's a building builder.
Or a building designer. Yeah. I don't know if he actually knows how to build the buildings. He
just knows how to tell other people how to build. I bet Adam can't swing a hammer.
He was saying that basically, the structural engineers who design bridges are just straight
up geniuses. Oh, I'm sure. Like it requires basically a genius to factor in all of this stuff.
Yeah. Anyone can design a building. You know, those are four walls and a bunch of floors.
Right. Put a roof on it. Bridge, though. It's different. Yes, right. Aren't walls really?
There can be. Bridges of Madison County. They had walls. Oh, yeah, they have walls.
I was going to mention the bridges of Madison County. Yeah, I love those. That'd be a beam bridge,
I guess. Yeah. With a truss. Right. A top truss. What's the top truss film?
A through truss. Yeah, through truss. And then below that, if there were below, it'd be a deck
truss. But I don't know if that counts as a truss. It's more just like a house on top of the bridge.
I bet there's structural support there. I guess. I thought it was mainly just to keep the rain
off of you when you cross the bridge. Like just an extra little thank you for crossing the bridge.
I thought it was just to draw in lackey tourists who wanted to have their picture made.
Another famous bridge, the one that the headless horseman couldn't cross in
the Legend of Sleepy Hollow. Oh, yeah. Wouldn't that a bridge? Sure. Trolls of under bridges.
Bats. Draw bridges are pretty cool. Yeah. Have you ever seen Maximum Overdrive,
the beginning of that movie? It's been many, many years. I saw it again in the 80s.
I saw it again very recently, like this year, and it is maybe better than it was before.
It holds up as a crappy movie still. Yes. Yeah. The whole soundtrack is ACDC, by the way,
which you should love. Whole soundtrack. I do love that, and I do remember that. And didn't
Stephen King direct that? Yep. Which he doesn't do much, right? No. But maybe it's only one.
It's definitely his first. Interesting. But there's a great draw bridge scene in there.
Did someone jump it, jump the span as it raised? No. I think their car fell in or their truck
fell in. Okay. Because usually the draw bridge scene is like, I can make it. No. This one was,
you're all doomed. Yeah. Time at the draw bridge scene. Gotcha. And let me also recommend Budapest
for bridges. You mean I went to Budapest a couple of years ago? Yeah. I went there like
20 years ago. Okay. So yeah, you know, the bridges are amazing. I think like five.
Yeah. Because they connect the two sides. Yeah. Buda and Pest, right? And each one is totally
different. Like it's just a completely different design. Yeah. And they're just all gorgeous.
Yeah. Let's just start with a bunch of bridge recommendations. I'm going to recommend the
city of Pittsburgh. Oh, yeah. I went to a baseball game there, and it's just gorgeous. Those
beautiful bridges that you can see from the baseball stadium and the river. That was when we
were shooting a Toyota commercial. That's right. Yeah. I stayed in the hotel and just ate
dog pennear. No, chicken dog. Right. Just like a cord of it. But you could see the baseball stadium
out your hotel window. Yeah. And I saw some bridges too. Yeah. You walk across the bridge
to get there. Right. Or at least we did. What else? Any other bridges? No. Well, Brooklyn Bridge.
Sure. Golden Gate Bridge. Yeah. Those are like the famous ones. They're barely even worth mentioning.
Yeah. But the Brooklyn Bridge is for your money, which is free. It's a pretty great thing to do,
to walk across it. It's just beautiful. I have never done that. Yeah, you should do it. Even
the Geico lizard did it, and I haven't. That guy's like Australian or something. Well, maybe we
should just animate you and have you walk across it. One more thing. If you want to know more
about the Brooklyn Bridge, I don't remember which one we talked about it in, but there is a really
cool documentary about the Brooklyn Bridge and its building. Yeah. By Ken Burns. Oh, wow. I
believe it's on Netflix. I'll have to check that out then. Yep. Cause I like Ken Burns and Brooklyn
Bridges. Yeah. All right. You ready? Yeah, man. So bridges have been around for a very long time.
This article is by Robert Lam and another dude named Michael Morrissey together. Yeah. I believe
they were locked away in a closet for like a couple of months while they worked this out together.
Well, one of the first ones talking about ancient bridges that they mentioned in here,
the Arcadico Bridge in ancient Greece. Did you see that thing? No. It's really neat. I mean,
it still stands. It's a 3,000-year-old bridge and it's just kind of cool to think about,
you know, ancient civilizations and ancient times. People said, well, I want to get over there.
Right. And I'm here. Yeah. And so let's build something to do that. I need something to walk on.
Yeah. Or drive my car over. It's that simple. I saw that I saw the world's oldest bridge that's
still in use is in Turkey over the Millis River, I believe. Yeah. From 850 BCE. Do you know what
that one's how it's constructed? It is a single stone slab arch. Okay. No. It is a stone slab
single arch. Yeah. That makes sense. Yeah. Very basic. Yeah. But the arch, it's super old,
but it's still in use today. Oh, yeah. Because whoever figured it out came upon this very elegant
solution to a lot of problems that a bridge poses. Because as you were saying, when you come upon,
like a river or a creek or something, you say, I'm on this side and I need to be on the other side,
so I need something to walk across. Yeah. Okay. That's a basic solution. But the further and
further you get, the more and more problems, like as bridge billers say, most span, most problems.
Yeah. I guess what we should have said is I want to walk across and live. I want to walk all the
way across. Right. I don't want to fall down. No. I don't want to get halfway across and have it
snap. Right. So over the years, as people have come upon problems where you are going to build a
bridge that will snap and kill you, they've come up with solutions to prevent that from happening.
That's pretty much the pursuit of bridge building. Yeah. Is coming up with ways to prevent a bridge
from collapsing. Yeah. And a lot of trial and error over the years. Yeah. You know. And a lot of real
significant disasters. In fact, there's a Time Magazine slideshow called Worst Bridge Collapses
in Past 100 Years. And it's got all these photos of collapsed bridges and little descriptions and
the number of fatalities and everything. But it's really interesting. All these different
bridges have collapsed and failed for all these different reasons. Well, and after each one,
it's very sad, of course, but after each one, someone goes, oh, well, we should do this for
the next one. Right. We should not forget that bolt next time. Well, that could be human error
true. That's happened. Yeah. I'm sure. All right. So should we start off with the bats?
B-A-T-S. Beams, arches, trusses, and suspensions are the main components,
structural components of a bridge. It's very simple. Boom. That's it. That's all you needed
to do to construct your own bridge. And with these four things, you can make
almost any kind of bridge. We're going to cover mainly beam bridges, arch bridges,
truss bridges, suspension bridges, and then the super cool looking cable-stayed bridge.
It is super cool. Probably my favorite looking bridge in the world that I came across in
researching this is a cable-stayed bridge, the one that's in the article. Oh, yeah. They look
like sales. It's gorgeous. The big triangle is rising up. It's lovely. Yeah. But they look a
little more modern to me. They don't have that classic architecture like the Brooklyn Bridge
does or like the Tower Bridge in London. Yeah. I think that's why I like it. Yeah. You like the
modern look. Yeah. Yeah. You're a modern guy. I'm super modern. All right. They point out in the
article, which is very key. What you talked about, the span of the bridge is the distance
between the supports. And that's where it all goes down, basically. Yes. That's got to be strong
there. Those are something that every single bridge has, is a span and at least one support.
Most likely two. Yeah. And there's different, the reason that there are different types of
bridges is because different bridge designs that bats designs. What is it? Beams, arches,
trusses and suspension. They provide stability for varying span lengths. Yeah. So like a beam,
if you have like a 50 foot span, just put a like a very long log over the span and there you go.
There's your bridge. Yeah. But as you get further and further along, you have more and more problems
supporting that span. So you need different types of solutions and the different length of the span
calls usually for a specific type of bridge design. Yeah. And generally it'll, I mean,
there's a lot of overlap, of course, but beam bridges tend to be the shortest followed by
arch bridges and then suspension bridges. Right. And I think those, the cable state bridges is
kind of a suspension bridge. So that counts. Yeah. It's like a kind of a variation. Yeah. But those
are, they can be very long as well. Yeah. Yeah. Not quite as long as suspension bridges though.
From what I understand in this, the suspension bridge affords the longest span. Okay. So you got
a big long span. It's, it's suspension time. Yeah. And they're also super expensive.
Yeah. Suspension bridges. Because all the bridge builders know that you got a long span that you're
trying to cross. You probably got some deep pockets and they're going to milk you for it. Oh yeah.
Every penny. Yeah. Yeah. Like you need a suspension bridge. I'm your guy. Yeah. All right. So let's
talk about, there are a lot of different forces that can act on a bridge to make it not as stable.
We'll cover a few of the other ones later, but the main two here early on are tension
and compression. Yeah. And the very easy way to think about these two things is tension is like,
if you, if you and I are pulling a rope, like you're on one end and I'm on the other,
we're going to pull that sucker tight and I'm going to fall over due to your massive strength.
I'm pretty huge. But there will be some tension in that rope. Yeah. And maybe between us.
After you fall down. Yeah. And I'd start laughing. There would be tension. Sure. But tension is the
lengthening of something. Yes. Compression is the shortening of something. Yeah. Like a spring
collapse. Right. So it's easy to visualize when you're talking like springs and ropes and that
kind of thing. But if you're talking about just a single deck of a bridge, which you think of as
one piece, it's tough to, it starts to get tough to visualize it until you realize that you have
to look at like a bridge deck, like the roadway on the bridge as really having a top and a bottom.
Yes. And forces while the compression acts in the downward motion on the top and the tension acts
from the underneath coming up on the bottom. Right. So the bottom of the bridge underneath it
of the deck is going to be spread out under the force of tension where on top, where it's being
pushed down, compressed, that's compression. Yeah. And they kind of in a weird way work together,
even though they're sort of opposite things. They're definitely related. Yeah. Right. And what
will happen is if these, if you aren't a very good bridge builder, buckling will occur when it's
compressed on the top. Yeah. And snapping can occur on the bottom when tension is at work.
That's right. All sounds very confusing. But if you just, I gotta do is like put your hand out
and look at it. Right. You know. And so, or if you take and push down on your hand or on your hand.
Right. You know what I'm saying? Sure. Like that. Yeah. Like that. The whole thing becomes
very, very evident when you look at a beam bridge. Right. The most basic form of a bridge.
Like if you dropped a log over a river. Right. And this thing, this article used the example
of like taking a pair of milk crates and putting like a two by four across them. Right. Let's do
that. If you put like a bowling ball on a bowling ball stand so it doesn't roll around. Yeah,
that'd be awkward. On top of the, on top or right in the middle of your two by four, which
makes up your beam bridge deck. Right. You're going to see that it bows. And what you're seeing is
that on the top, it's being compressed on the bottom. It's being tensed. Right. Yeah. And what
you've just done is add a load to that bridge. And there's two kinds of loads to start out with.
There's a dead load, which is the weight of the bridge and all of its materials combined. Yeah.
And then there's a live load, which is say like the cars and the people and the trains and everything
that, that add the extra weight while they're moving across it and everything. And as you add
this extra load, first of all, the bridge is already dealing with its dead load. It's got to
hold that up. That's job number one for a bridge. Yeah. Like if you had a 300 foot two by four and
two milk crates, it's going to sag in the middle just naturally. Right. And it might even break.
And there have been bridges that have been built that where the guy forgot to carry the one or
whatever. Yeah. And they couldn't stand up under their own weight and they collapsed from their
own weight. They collapsed from the dead load. So job number one of a bridge is to support its own
weight. Job number 1.1 is to support all of the live load, the traffic that goes across it as well.
That's right. And the two ways that you're going to do this to counteract tension and compression
are dissipation and transference force. Yeah. Or transferring the force. So with dissipation,
you spread out that force equally. You spread out over a wide area. And with transferring,
you move the area of weakness to an area of strength. Right. Which is pretty simple. Yeah.
They're kind of tough to distinguish sometimes. Yeah. You know what I mean? But for example,
the best example of dissipation is the arch, which we'll talk about how that works in a second.
Yeah. But suspension bridges are best at transferring the tension and compression forces.
That's right. So if you're talking about a beam bridge, that most basic kind,
the other thing they're going to do to make it stronger, of course, is use,
back in the old days, use wood, then later iron, and then steel, maybe some concrete mixed in.
But the size of the beam is going to be really important, like the height of the beam
is important. Because the top is going to experience stress. The bottom is going to
experience stress. In the middle, not as much. So a good eye beam, a good tall eye beam is what
you want. Yeah. And I didn't realize that that's why eye beams are made like eye beams. I didn't
really know. It makes perfect sense. Because the center of the deck or the beam or whatever,
any kind of beam, is going to experience the least amount of compression or tension. It's
really the top or the bottom. Yeah. So you don't have to put quite as much material into the center
of the beam as you do the top and the bottom to prevent buckling and snapping. That's right.
So with the beam bridge, you're going to add what's called a truss to make it stronger.
We'll talk about trusses more, but it's basically a triangulated strength. And you'll see a truss
if you've ever seen like a train bridge, like you see a truss on top. Or like in areas where
they get a lot of snow, roof supports will frequently be trusses. Yeah. And that's a
three truss on top. We already said. And if it's underneath, then it is the deck truss. Right.
And you can have both, but usually like with the railroads, you'll see like that top truss.
Not the same as a trestle. That's different. Right. That's like a roller coaster.
You know, right. So after this break, why don't we talk more about truss bridges? Nice.
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So Chuck, no joke. Trusts are one of my favorite things now. It's pretty neat.
After doing some research into them, I'm like, I love trusts. You're a trust guy. Yeah. And it's
because they're so elegant and simple. They're elegantly simple, basically. So I saw this really
great explanation where it was on Make Magazine. And I think it was called Ask Make, How Do Trusts
Work? Pretty straightforward. And it basically had a great graphic of using popsicle sticks,
right? Okay. Let's say you make a square out of popsicle sticks and you join the popsicle sticks
together at the corners where the ends all meet. Yeah, a little Elmer's Paste, maybe.
Makes sense. Seems pretty supportive, right? But when you press down on any one of those joints,
which is where the load's going to be centered, or distributed most, remember the ends,
the square shifts to the side, and all of a sudden you have a rhombus. Well, a rhombus is
inherently less structurally sound than a square, which is why you very rarely see rhombuses in
architecture, right? With a triangle, when you press down at any one of the joints, it distributes
that compression or tension directly through the center of the beam. So the triangle stays totally
rigid. And when you add the more triangles you add, the more support you have. So they're basically
as far as the shape goes, the superconductor of transferring or distributing compression or tension.
Yeah, that's a good way to put it. And that's why when you see that train
trestle on that has that truss on top, it's got all those beautiful diagonal
pieces of metal. And it's not just for looks, even though it is cool looking.
No, one of the other great things about a truss is that it's like just three steel beams,
or three whatever aluminum beams. They're just three pieces of metal, usually, fixed together.
And that's the other key that I left out. They have to be connected at the ends,
equally distributed from each end, right? So let's say you drill a hole to rivet one side
of the truss to another or one end of the truss to another end. The other end has to be equally
far away. Right. Do you see what I'm saying? Yeah, yeah. Okay. They wouldn't just be like,
oh, I'll just drill that other one wherever. So anyway, you have to, the place where the
truss sides joined together has to be on the ends. Yeah. And then, but one of the things
that it allows for is for wind to blow through it easily. Oh, sure. That's a huge point about
trusses. Yeah. They're not solid in that they don't, they don't put up a lot of resistance to
when they allow it to flow through, which is really kind of what you want. We'll see
when you're building bridges. Yeah, I think even the covered bridges have,
it's more of a lattice type thing on the sides, right? Yes. It's not solid, is it? That'd be dumb.
A covered bridge? Yeah. Yeah, they're solid. I thought the walls were usually like a lattice,
so wind could pass through now. And they had a roof and like a latticey side. Is that right?
Yeah, maybe there's all kinds. Yeah. I think those are just to keep the rain off. Oh, yeah.
That's what you said earlier. You keep shooting down the, the theory of the structure of things.
Yeah. But anyway, trusses rock, I guess is what I'm trying to say. Yes. There's your t-shirt. Trusses
rock. So are we at arches? Did we say that they frequently use trusses to support beam bridges?
Yeah. Okay. Arches. Now, when we say a bridge is an arch bridge, the deck is not some big hill
that you drive over. The deck is flat. The arch is underneath. Right. Yeah. Yeah. And you can
have a single arch if your span isn't along, or you can have a big one with like six or eight arches.
Although I've seen, I think there are like short arch bridges that actually do go up and down. Oh,
sure. You know, like if there's natural arch bridges, like rock formations or like that,
and that's why they're still standing. There's, there's, there's a bridge that forms like a
perfect circle. So like when, when you see it reflected in the water, it just looks like a
circle. Oh, neat. Isn't that neat? Yeah. Arch bridges are pretty cool too. They're no trusses,
but they're beautiful in their own way. Yeah, that's true. So the arch is obviously semi-circular.
And like you said, if it meets the water and reflects nicely, fully circular, fully circular.
And the entire form is going to divert weight onto what are called abutments. And this is what
takes on the pressure. It's like, I mean, if it's just a single arch, those abutments are
probably going to be part of the earth on one side or the other. Yeah. And the whole point
of an abutment is when you press down on an arch or when, you know, gravity pushes down on it or
it's compressed, that force goes downward and it makes the sides of the arch go out. Yeah. Those
abutments press inward so that the force of compression just goes straight down through
the arch circle, the semi-circle and into the earth or into the ground or whatever. Yeah. And
and it's the arch, the, what I thought was interesting, it's really all about fighting
that compression. There isn't a lot of tension right that comes into play with an arch bridge.
I think the tension is grows more and more possible when the degree of the arch or arch grows.
Okay. Yeah. So that could come into play. It can, but for the most part, when you're building an
arch, you have to worry about compression more than tension. Gotcha. Yeah. So there's stylistically
and artistically design-wise, there are all kinds of arches, Baroque arches, Renaissance arches,
Roman arches, they were the Romans built, you know, arch bridges that are still standing today.
Yeah. Have you been to Rome? Yeah. Man, it's just like you're walking along and all of a sudden
you look to your left and there's like a 2000 year old aqueduct, you know, 1500 year old arch
just sitting there. Yeah. I remember the first time I went to Europe coming back and being sort
of like bummed out. Yeah. You know, because we're walking along and there's Burger King,
right? You know, yeah. This house is 200 years old and we're like, she could have Rome. I know
my house is like 80 years old and it seems super old. Yeah. Nothing. Not by Roman standards. No,
but you know, a little drafty in those 1000 year old apartments. Yeah, but it's so neat though,
because I mean, like there's so much old surviving stuff that not all of it's even
meant to be preserved. Some of it's just like just there. It's not like a part of a park or
an historic exhibit. It's just part of the city. Yeah. You know. Yeah. I've heard other tourists
complaining about how dirty Rome is and I'm always just like, come on. It's like focusing on the wrong
part. It's been around for a long time. Yeah. Oh yeah, that too. Yeah. And also, yeah, don't be
stupid and just look around you like they're complaining in front of a 2000 year old fountain.
I didn't notice that was particularly dirty. I mean, it wasn't any more dirty than like New York
or anything. Yeah. Any other big city? Yeah. But the thing with the arch it though, very stable
once you get it built, but the building process is tricky because until you connect those two ends,
that's what gives it its strength. So until that happens, it's a little dicey.
Yeah. Oh yeah. Got to have some scaffolding to find. Yeah. And they used to build wood
scaffold and supports to hold the thing and then you just would build it in.
Now they use suspension cables like I think the biggest arch bridge on the planet is West
Virginia's New River Gorge Bridge. Man, that thing is unbelievable. It really is. And what's cool
is when you look at it, it just, it uses the cliff walls or the walls of the gorge as the
abutments. Beautiful stuff. Super strong. And that's where we're going to talk about that
in our base jumping. I know. That's the fact that ties these two podcasts together. That's
where they have bridge day. Talk about elegantly simple. So suspension bridges for my money are
where it's at. I think they deserve their own episode. Oh yeah. I'm pretty much there. They're
that complex. Like this is just the briefest overview of bridges in general, but especially
with suspension bridges, it feels like there's just so much going on with those things. Yeah,
I agree. I mean, Kim Burns did like an eight hour long documentary on the Brooklyn Bridge alone.
Yeah, that's true. He's a deep diver. He really is. We're over of you guys. Yeah. With a giant
helmet to go over his giant haircut. He does have pretty big hair, doesn't he? All right. So suspension
bridges, we mentioned, of course, Golden Gate Bridge and the Brooklyn Bridge. This is when you
have your deck, your roadway is suspended by cables between can be a number of them, but
two, at least two tall towers that are supporting all of this weight and compression is pushing down,
traveling up through those cables and transferring all that compression through all those lovely
cables. Right. So I mean, another way to look at it is exactly what it sounds like. It's the
bridge is suspended from cables, right? Yeah. But if you really start looking into what it's doing,
it's not just holding these things up. What's going on is there's a transfer of that natural
compression of the deck up through the lines, up through the cables, up to the towers, which like
you said, send them down to the earth, right? So the towers that hold the bridge up are at the same
time distributing or dissipating the forces of compression that are trying to pull the bridge
down into the water below it. Yes. And the tension you also have to deal with as well,
and apparently you deal with that using another part of the structure of suspension bridges,
which are called anchorages. Yeah. Now that's just what the towers connected to at the base,
right? No. So it's like other anchorages is like the abutment, essentially. Yes. Yeah. Yeah. They're
like left and right. They're like a suspension bridges abutments. Whereas as you get closer
to the middle of the bridges, that's where the towers are. Yeah. But on the very ends, like
say where the roadway hits the bridge, you're going to have a massive piece of rock or massive
piece of concrete. And those are the anchorages. And you have horizontal cables that distribute
the compression from the bottom of the bridge to the anchorages. And those transfer those
into the earth. Yeah. And you might also, depending on the size of your suspension bridge, have to
have that below deck truss as well to help stiffen the deck. And if you're going to have a 4,000 foot
bridge, you're going to have all kinds of trusses and decks and cables. And I think I finally figured
out what it is about bridges that I love is that the structural design that it needs to be strong
also happens to be beautiful. Yeah. You know what I mean? Like the way the cables are arranged,
it's not like they're like, oh, this looks great. It's like, well, it has to be like this. But it
also happens to be very striking. Like Grace Jones. You know what I mean? Yeah. Absolutely. So
suspension bridges are your favorite, huh? I like them because they have so much going on. I like
trusses because they're so elegantly simple. And they're just tough as nails. There's a bridge
for everyone, I think. There really is. The cable stayed bridge. And we should say that suspension
bridges, when you think of a suspension bridge, you probably think of the Golden Gate Bridge or
something like that, right? Yeah. Just a classic suspension bridge. Two towers, two anchorages,
lots of suspension cables to suspension bridge. And you think, well, then they're probably
pretty new. Wrong. Suspension bridges have been found in various forms for hundreds of years at
least. And apparently the Inca were masters at building rope suspension bridges out of woven
grass. Crazy, man. Yeah. 1500s. They discovered the Spanish conquistadors stumbled upon these.
We're like, what in the world is going on here? Right. Because the smart Europeans didn't figure
this out for another like few hundred years after that. That's right. The Inca still have one of
these bridges intact. It spans 90 feet. And they remake it every year as part of a three-day
festival. Oh, really? Nice. Which is why it's still intact. Because a woven grass rope bridge
doesn't last all that long necessarily, even though when it's fresh and new, it's strong.
Yeah. As an expiration date. Right, you're saying. But apparently, as we'll learn,
all bridges have an expiration date. All right. Well, we'll take a break then with that tease
and talk about the cable stay bridge and then how you might die on a bridge one day.
I'm Mangesh Atikular. And to be honest, I don't believe in astrology. But from the moment I was
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trying to tell me to stop running and pay attention. Because maybe there is magic in the stars,
if you're willing to look for it. So I rounded up some friends and we dove in and let me tell you,
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K-pop. But just when I thought I had a handle on this sweet and curious show about astrology,
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And my whole view on astrology, it changed. Whether you're a skeptic or a believer,
I think your ideas are going to change too. Listen to Skyline Drive and the iHeart Radio app,
Apple Podcast, or wherever you get your podcasts.
Attention Bachelor Nation. He's back. The man who hosted some of America's most dramatic
TV moments returns with a brand new Tell All podcast. The most dramatic podcast ever with Chris
Harrison. It's going to be difficult at times. It'll be funny. We'll push the envelope. But I
promise you this, we have a lot to talk about. For two decades, Chris Harrison saw it all.
And now he's sharing the things he can't unsee. I'm looking forward to getting this off my shoulders
and repairing this, moving forward, and letting everybody hear from me. What does Chris Harrison
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All right. So we're on to your favorite, my friend, the super sleek, modern looking
cable state bridge, which is actually, actually, actually has been around since like World War
II. Yeah. But the idea, which is still modern, the idea came from a dude named Faust Ranchic.
Yeah, man. And he was a contemporary of Kepler and Brahe. And he basically came up with the
first design for a cable state bridge back in the 16th century. So what's the nuts and bolts of this
thing? So basically, it is a rather than two towers, like a suspension bridge uses, a cable
state bridge uses one tower. Well, not always. There's plenty of them that have more than one, but
okay. But for a particular span of bridge, there's one tower supporting that one span, right? So
it's basically you can't use it for as long of a span as a suspension bridge. But if you have a
slightly shorter span, and you don't want to spend quite as much money, and you don't want as many
wires up there and everything, you can go with a cable state bridge. So you have one, usually one
tower holding up all the cables and the cables can either all connect to one point,
which is called a radial pattern. Yeah. Right. So it's like, all these different
cables are connecting on the bridge deck at different points. Yeah. But they're all connecting
at about a single point on the tower. Again, architecturally lovely. Very neat looking. Yeah.
And then another way that you can do it is in a parallel pattern. So they're connected at
different points on the deck, and they connected different points on the tower. And that's the
case with the Erasmus Bridge, which I think is the most beautiful bridge in the world,
San Holland. Oh, wow. Wow, that didn't surprise me. I mean, look at that thing. Look at that.
Pow. Oh, yeah. That's something else. Yeah. I wish you guys could see this. Well,
they can look at it. It doesn't look like a very Dutch though. No, it looks very...
It's like the New Holland, I guess. Yeah, New Amsterdam. I'm just picturing like Holland,
I think of, you know, wooden windmills. Oh, and like tulips and stuff like that.
Yeah. Sure. Yeah, this is modern Holland for sure. It looks like something that would be in like
Sydney, Australia. Well, they have great bridge, too. They do. Maybe that's what I'm thinking.
Living bridge... Are you done with those? Well, I was going to say another design for
cable stay bridge looks a lot like a sailboat. Yeah. With the tower standing straight up,
and then on each side, cable's going down at a diagonal from it to make it look like a sailboat
sail. Right. And mast. And again, for structural integrity, more than anything. Right.
Living bridges? Sure. Well, I guess we should say cable stay bridges are...
They can't be as long as suspension bridges, but they can be pretty long. Yeah. Like up to
close to 3,000 feet. But that's what I'm saying. Like if you have a shorter span and you don't
want to use as many materials and hence spend as much money, cable stay bridge is a great
alternative. Yeah. I wonder when cities... I wonder what the considerations are.
Like money, what you... I would guess money first and foremost.
Money, what you'd probably is best for the land. But I also bet that architecture comes into play
like how it looks in the cityscape, don't you think? Yeah. Like usually a city will have some
sort of... We'll accept several designs, competing designs. And then probably, well, like in
Atlanta's case with the 17th street bridge, goes with the cheapest one. And then half of it falls
down onto traffic later, like a couple years later. Did that happen? Yeah. When? Like two years ago.
Really? Yeah, man. It was a big deal. Luckily, it happened at like four in the morning or five
in the morning. But like when you're walking on the bridge, you know the side stuff? Yeah.
One whole side fell over onto 75 below, onto the connector right below. Yeah, I kind of remember
that. Yeah. But it's an ugly bridge to begin with, really. And dude, if you're listening,
the guy who designed it, I'm sorry, I don't mean to insult your work. But I... But do better.
It just... The city could have done better, I think. Yeah. But I think what it came down to,
I'm sure, was all of these are beautiful, but we're just going to spend the money on this one.
Right. You know? Or whoever got the biggest kickback or wherever that came from.
Not to be cynical. Living bridges? Yeah, we're talking about that.
But if you go to Northern India to the... Here we go. The Meghalaya region. I think that was good.
All right. Close enough. They have something pretty remarkable. And they're called living bridges.
And what they did was, it's so rainy there that all of their natural bridges were having a hard
time staying intact because of all the moisture. Yeah, for monsoon season. Yeah. And that's,
you know, you can't have a natural bridge with that much water. So they said, why don't we
take these tree roots and grow them out of the ground and span a river over the course of
years and years and years. Right. And then basically plant it on the other side
into the ground. And this is now a natural tree root bridge. Right. It's like giant living bonsai.
Like they were training roots to go a certain way. And they would take a tree, a felled tree
and split it in half and use that as the guide. Yeah. Right. It's like the structure. So they
were building an arch, but they weren't making an arch. Like sort of a temporary bridge. Exactly.
And they let the roots grow along that. And like they would plan these things out or they do plan
these things out over the course of like a decade. Yeah. And I get the impression it's the whole
town's responsibility. At least some people in the town's responsibility to make sure that if you see
your roots starting to go down in the wrong place, you just pluck it up and put it back on that fell
log that's guiding it across the way. Yeah. It's pretty neat. Like it requires patience, obviously,
but it also, um, I imagine just once a day, someone walks down and's like, yep, looking good. Yeah.
And then just walks away again. Pets the bridge says keep growing. I'll walk across in 10 years,
buddy. And apparently those things can last up to 50 years or the largest one that they have
up to 100 feet, which is 30 meters for our friends in India. Crazy. And it can bear the
weight of 50 people. And last up to 500 years, not 50. That's what I said. Oh, I thought you said
50. I said 50 people. Well, it's crazy. Like you got to Google these things. Yeah, they're very
pretty. Very pretty. It looks very, um, dark crystal-y. Oh, yeah, totally. You know what I mean?
But they're not unsettling at all. No. Like the dark crystal. Right. Which, by the way, if you're
ever in Atlanta, sometimes people say, hey, I'm coming to Atlanta. Yeah. What should I do?
Go to the Center for Poppetry Arts. Agreed. And just look at their free exhibit, which includes a
full-size skexie. It's terrifying. Yeah, they have, we've talked about this before. They have
Emmett Otter on display as well. That's right. Yeah. For me, that was pretty, pretty magnificent.
Oh, it meant a lot for Emmett Otter to meet you, too. Um, they're doing, actually, I saw it was
just at the Museum of the Moving Image in Queens. Oh, yeah. I saw you post something about that.
Yeah, they have a Mad Men exhibit right now. It's pretty neat. But, um, it was pretty cool. They,
I was not there in time for the Jim Henson one. They're putting that in place, I think, for later.
It's coming. It's coming. Let's go. You didn't miss it yet. Well, yeah, I'll just go back.
We went to the Yoko Ono exhibit at, uh, MoMA. Uh-huh. Awesome. She's something else. Dude,
she's got a pretty cool mind. Yeah. She had, she had this one display and it was titled Three Spoons
and it was just four spoons in a row. It wasn't three. No. I love that stuff. Yeah. So I, I recommend
that as well. I'm not a fan of her music, though. I actually got turned on to her music in the
listening room there. Classic Ono band. It's crazy. It is weird stuff, but I kind of like it.
I mean, she's definitely one of the, the most like original thinkers, you know, out there.
And she's been at it for a while. Like a lot of the stuff went back to the 60s,
like the early 60s. Yeah. And talk about weathering criticism and still just being like,
screw you. I'm Yoko Ono. I don't care what you say. Well, she was exonerated too recently.
Remember Paul McCartney came out and said like, it was not Yoko Ono that broke up the Beatles.
So stop saying that. It just took him like 50 years to come out and say it. Yeah. Yeah.
She's like, would it kill you? Right. You've told me privately many times, but
we'll press release. Just tweet it. All right. So we talked about compression and
tension being the two main forces. There are quite a few other forces, dozens even,
that can act on a bridge in a negative way. And the scariest one for my money is torsion.
If you've ever seen the video, it's a very famous video of the bridge. What is it? The Tacoma?
The Tacoma Narrows Bridge. Tacoma Narrows Bridge when it looks like a wet noodle
twisting in the wind. Yeah. It was 1940. It's nuts. And they have like footage of this whole
thing just undergoing this destruction that kept just going on and on and on. And finally,
the bridges comes down. Yeah. The craziest part is when you're watching it, you just think,
oh man, look at that thing. It's nuts. And thank God there's no one on it. And then you see
like a dude walking on it in a car. Yeah. A guy ran. There was a dog. There was one car in there
and there was a dog trapped in the car. And some guy ran and got the dog. Oh, he did. Yes.
Pretty great heroic stuff. Sure. Then later on, I don't know if it's the same guy and another guy
or just two completely new guys. They're just walking along it. This is after a whole section
has fallen into the river. Yeah. But the section they're walking on is still swaying.
Or they're like, get away from the bridge. Step back from the bridge, man.
So that's torsion at work. Yeah. And that's a big problem that designers of suspension bridges
face because you have a deck that's being held from, it's being held aloft by cables, right?
It's not like fixed to anything below it necessarily. Yeah. I mean, it's being suspended.
So just like on like a rope bridge or something like that, it sways very easily, right? Yeah.
Those towers are strong, but it's not directly connected to those towers. Right. So if you have
a swaying bridge in between them, right? And the thing is swaying back and forth. But if
one side starts to sway over the other side, then all of a sudden you have an opposing circular force
and that's torsion. And that can basically rip the bridge in two, which is shear.
Yeah. Well, that's the other awful thing that can happen. It can just snap. Well,
not snap, I guess, but just break into two parts. Yeah. Well, I mean,
snapping is the result of compression. Yeah. Shearing would be what it's called technically.
Yeah, exactly. Where two, the same span of bridge has the two opposing forces acting on it at once
in opposite directions. And it goes, it makes that terrible sound.
Yeah. If you want to combat torsion, many ways to do this, you're probably going to have a
deck truss going on to help out. Truss saves the day.
Deck truss saves the day. You're going to have, you're going to do a wind tunnel test
if it's a modern bridge beforehand. Well, you're going to make a model.
Yeah. And do tests and see like, how does wind affect this bridge and what do we need to do?
But the thing is with the Tacoma Narrows bridge in particular, they did tests.
They had that thing rated with standing winds of up to 120 miles an hour. But the winds that day
that brought it down were only 40 miles an hour. And for a long time they were like, what happened?
And somebody said, you know what it was? It was a mechanical resonance.
It was, yeah, the deck truss was not sufficient for the span.
That was part of it.
And the way that the wind hit it and the angle calls the final thing, like you just mentioned,
resonance, which is sort of, it's a vibration basically that gets out of hand.
So resonance to me, I think deserves its own podcast too. It's awesome. Everything,
especially anything that we build from an airplane to a bridge to a watch.
It has a certain frequency where it will really pick up force, really absorbed force.
It'll run through it, right? So let's say that your bridge has a resonance
that's like at a frequency of 10. That's probably a totally ridiculous number that I just said.
But let's say it's 10, right? And then let's say that wind comes at it at 40 miles an hour at
just the right angle and it makes it sway at a frequency of nine. Well, that bridge is going
to be, it's just going to sit there and sway. Not a big problem. If that wind hits it at just
the right angle at just the right speed and it starts swaying at 11, it's still not quite a
problem. But if it gets it just right and it starts it swaying at 10, all of a sudden those
sways are going to become more and more pronounced because all that energy is flowing through at
its maximum potential at its freest flow because it's hitting the bridge at its natural resonance,
right? Yeah. And that's what caused the Tacoma Narrows Bridge to come down. Because once that
thing starts going, there's no coming back from it. Oh, yeah. Well, you can see it happening.
It gets worse and worse. Exactly. And that's because it hit it at just the right frequency.
Yeah. They liken it in the article, which I think is pretty down to earth of a
snowball rolling downhill. Exactly. It just keeps getting worse and worse and you can't stop it.
But isn't that bizarre that a bridge has a natural resonance, a natural frequency?
I don't think so. I would assume it would vibrate. Yeah. It did not occur to me at all. And I was
talking to Adam about this too. And I was like, so I saw that building designers, bridge designers,
they will fine tune like a structure so that it resonates at a frequency that it's probably never
going to encounter from an earthquake or from winds or whatever. I'm like, how do you do that?
And apparently it comes down to the building materials you use, the shapes you use to form
the structure, the way you join those shapes together. And you can basically say, I'm giving
this building a frequency of 1.5, whereas I know all of the wind in the area and the ground movement
from an earthquake is going to make it vibrate at a frequency of seven. So it'll be fine.
Yeah. And one way, like you said, they can do that is by not having one,
by shortening the sections of the deck, let's say. And that way, the vibration,
when you have these overlapping plates and smaller sections,
it's going to create enough friction to disrupt their frequency.
Right. It'll change the frequency that the bridge is moving at. But I mean,
and not just bridges too, you have to take this into account like airplanes, right?
Sure. You can't use engines on airplanes that create vibrations at a frequency that's at the
natural resonance of the airplane body. The airplane body is going to come apart just from
turning the engines on. Yeah. Could you imagine seeing the airplane wings starting to flap
like harder and harder? Right. But apparently the more common thing when you have a disaster,
a catastrophe from a resonance, a mechanical resonance problem, it's like one bolt is like,
I can't take it anymore and stops. And then that leads to a cascade of failures that ultimately
has the bridge coming down. Yeah. Interesting. I think that's fascinating. I had no idea that
you had to worry about frequencies and vibrations. Maybe that's why all the bridges you've built
have collapsed. They collapsed pretty easy. Well, if you've ever heard the old... They go down like
a French boxer. I don't know what that means. I don't need it. But it was a Glass Joe reference.
Remember him? Mike Tyson's Punch Out? Oh, no. What's that one of the guys? The first guy you encounter?
He says... He was French. Glass Joe. Oh, gotcha. He said a glass jaw. And he went down just like a
sack of potatoes. So easy. Man. Well, which was it? A sack of potatoes or a French boxer? He was
both. He went down like a sack of French potatoes? Yes. French fries. Right. My bridges go down like
a French boxer, but Glass Joe, the French boxer, went down like a sack of potatoes. Gotcha.
Ergo, my bridges go down like a sack of potatoes. If you've ever heard the old wives tale that like
an army marching across a bridge in step can cause enough vibration to take down that bridge,
it's true. That could happen. If they do it at the right frequency, right? Yeah. In wartime,
they will break step. In other words, their rhythm isn't all the same to avoid that scenario.
And there was a bridge disaster I saw in that Time Magazine slide show where that happened.
And there were there were a pair of Skywalk bridges inside the Hyatt Regency Kansas City
hotel in the lobby. They were just like, you know, raised bridges going through the lobby.
And they collapsed in 1981 and killed like a bunch of people because of 30 something people
people marching dancing. They were dancing on the on the Skywalk. And you think like
well up to today or yesterday when I started researching this, right? Like I just thought
that's weight or pressure or something like everybody's dancing. It didn't it never occurred
to me that the rhythm had something to do. Oh, really? Yeah, I'd always heard that. Well,
you're far more advanced than I am in structural engineering, my friend. Not that it's just always
heard that like, you know, even a bunch of kittens walking across could cause that. And the reason
they said kittens, of course, is so it has nothing to do with weight, right? Because kittens don't
weigh nothing. And consequently, I think Lionel Richie had to change the name of the song because
of the accident. I think originally it was a little what a feeling when you're dancing on the
Skywalk. And he had to change it to ceiling. And everyone was like, that's weird. It's on a ceiling,
but it rhymes. It's like, yeah, but nobody ever died from dancing on the ceiling. I guess the
final thing we should mention is that weather. Obviously, we'll play a big impact. We already
talked about wind. But over the years, the materials they use and the design has gone in to take
account things like wind and what, sun damage? I don't know. I think the freeze thought cycle is
huge. Yeah, salt. Sure. Salt exposure. If it's going over like a salty body of water. Yeah,
that makes sense. Yeah, there's a lot of things that are trying to bring a bridge down. Nature
abhors a bridge basically, as much as a vacuum. I've got one, which got there's probably around
630,000 bridges in the US alone, because there was 617,935 in the 2002 census. And they add them,
they were adding them at about 1,000 a year, maybe 900 a year. Wow. That's just the US. The
world's longest bridge completed in 2010, the Dan Yang Kun Shan Bridge. I think I've seen pictures
of that. It serves as a railway bridge for the Beijing and Shanghai Railway. It's 102-mile long
bridge. That's nutty. Over water. I'm a big fan of cities with multiple water bridges.
Sure. Well, that's why you liked Pittsburgh. Pittsburgh, Portland, Budapest. Yeah. I'm a big
fan. Atlanta doesn't, you know, we have bridges, but it's not like you have to go to the Chattahoochee
River or the lakes. Nobody goes to the Chattahoochee, you know? What? Sure. I got one more thing. I
want to shout out to PBS's Build It Big website, which is like beyond 90s as far as websites go,
but it was extremely helpful in understanding the forces that work on bridges, different types
of bridges, different specific bridges. Yeah. Great website. And thanks to Adam, I guess. He
got some information from him. Yeah, thanks, Adam. Was he into talking to you about it or was he on
the other end going, oh my God, Josh, shut up. I'm watching Tim and Eric. He was into talking
about it. I figured he would be. Yeah. And I actually have to shout out to you, too,
because I told you we were building bridges, or, well, we were talking about bridges.
She sent me a bunch of stuff on popsicle bridges. Apparently there's a Indiegogo
for the world's strongest or Canada's strongest popsicle bridge. Wow. Yeah. They're trying to
build that. Yes. And they have like six grand already. Man. Out of popsicle sticks. Good for
them. So that's everybody getting shouted out to all over the place in this one, huh? Yeah. That's
nice stuff. Bam. If you want to know more about bridges, you can type that word into the search
bar at howstuffworks.com. And since I said search bar, it's time for listener mail.
I'm going to call this, I get a couple of street gang responses. We'll read over the next couple
of shows. Okay. Here's one. I had to write in about your street gangs episode as it was interesting,
pertains to my job. Short version is that I work for a hospital-based program, and we see every
gunshot wound victim and stab wound victim who comes through, which is about four to 500 a year,
and about 10% of those are gang involved. You guys have mentioned how you found the number of
gangs to be hard to believe, but I think you may be thinking of a street gangs as one entity that
has strict borders and lots of people. In my experience, larger gangs will sometimes incorporate
smaller gangs, and sometimes larger gangs will split off into many, many smaller groups.
People go in and out of gangs and are sometimes affiliated with more than one. Currently, we
have about at least 70 in our city alone, and a substantial amount of those have less than 20
members, so like many gangs. Not super gangs. According to this paper on street gangs in
Boston, 18% of the gangs in the city have less than 10 members, and 34% have 10 to 19 members.
So while the numbers you gave seem shockingly high, they also seem to be in step with the
current climate, and that is from Ariana. And what city did she say? You know, I don't see that.
I don't think she said, I don't know if it was Boston or if she just referenced Boston. Well,
thanks a lot, Ariana. We appreciate that email, and yeah, keep them coming. We want to know more
about gangs. I just had the impression the whole time that like one way or another, we were officially
or unofficially misinformed. We may be. And also, let us know who's the coolest famous person you've
ever met. You can tweet to us at syskpodcast. You can join us on facebook.com slash stuff you
should know. You can put it in an email to stuffpodcast.howstuffworks.com. And as always,
join us at our home on the web, stuffyoushouldknow.com.
For more on this and thousands of other topics, visit howstuffworks.com.
On the podcast, hey dude, the 90s called David Lasher and Christine Taylor,
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