Stuff You Should Know - How Perfume Works
Episode Date: February 19, 2015Women consistently rate scent as the most important factor in a man's attractiveness and men have been manipulating that for centuries with scents of all sorts. Learn about the fascinating history -- ...and, well, art -- of making perfumes in this episode. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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Welcome to Stuff You Should Know
from HowStuffWorks.com.
Hey, and welcome to the podcast.
I'm Josh Clark with Charles W. Chuck Bryant
and Jerry Jers.
That'd be great if that was her name.
Jerry, Jerry Jers.
Yeah, like Tony, Tony, Tony.
My friend used to call them Tony, Tony, I, Tony Y.
Is this spelling?
Tony, I know.
Oh, okay.
But I thought the last one was an E with a little accent.
Well, that was Tony, but he didn't say Tony accent.
I would say that's Tony.
Tony, Tony.
Well, the point is it's E-I-Y, or the three letters.
When Jerry pressed your chord,
did you think we were gonna be talking about Tony, Tony, Tony?
I never know what the heck we're gonna talk about,
for the first 30 seconds.
I would not have predicted that one.
I was gonna tell a little story,
but I'm not going to now.
What's that scent you're wearing?
It is Eau de Chuck Musk.
It's called Chusk.
In French, that means water of Chuck Musk.
Gross.
Yeah.
I'm wearing Dracar Noir.
Are you really?
No.
No.
Did you think you'd be able to smell it?
Well, yeah, sure.
I never know.
I don't want to, like, I'm very sensitive
to making fun of people and what they choose to do, you know?
I'm not making fun of anybody.
No, but I didn't want to say you're wearing cologne.
You're wearing Dracar Noir.
Gross.
I used to love Dracar Noir back when I was in seventh, eighth grade.
I believe it.
Man, alive.
Those were the cologne days.
I looked it up and I was like, what does Dracar Noir mean?
Noir, black, right?
Sure.
What is Dracar?
Apparently, Dracar or Dracar is a name for a Viking ship.
Nice.
So Dracar has kind of come into French colloquially
as like a big ship or a yacht.
So I think Dracar Noir, here's the fact of the podcast sadly,
means black yacht.
Nice.
That means you are very fine because all you see
is white yachts.
Have you ever seen a black yacht?
Nope.
That would be pretty slick.
Yeah, it'd be very hot.
That's why they don't paint yachts black, I would imagine.
Oh, yeah, I guess so.
Because they sit out in the sun all day.
So I wore Benetton colors.
I never wore that one.
And that smell today is still very evocative
because I have the bottle.
I don't know if I still had it.
I had it.
You had a keyster?
Yeah.
What?
Yeah, I keystered it in 1989.
Every once in a while, when you feel nostalgic,
you just shed it.
No, I can't find it.
Oh, where is it?
I thought you were saying you still had the bottle.
I keystered it, and I can't find it.
Oh, I see.
Somewhere in your abdomen.
Now, I had it for the longest time.
I don't think I still have it, though.
And as we'll see, Cologne can go bad.
But this was in a dark drawer, and it
seemed to smell the same to me.
Yeah, that sounded like a Perfume Industry propaganda.
Oh, to keep you like.
That it, no matter what you do to protect it,
it's still going to go bad in two years.
That's like these Vicodin are no good anymore.
Exactly.
Don't believe that for a second.
No, but definitely don't just assume
that they've downgraded in potency and take like four.
Right, although I do think Cologne and Perfume
could definitely go bad if not cared for correctly.
Right, but if you care for it correctly,
we should probably just go ahead and say,
if you keep it out of the sunlight,
keep the artificial light to a minimum,
keep it in its original bottle, supposedly,
it stays good for two years.
Yeah, yeah, that's the problem that I think is BS.
As long as you don't expose it to the outside air,
keeping it in its original bottle,
and the sunlight's not saying they're breaking
its molecular chains, it's going to be fine and stable.
Yeah, I mean, I had literally had proof on Cologne and Vicodin.
I'm happy to come out on the record about it.
That's great, man.
All right, this is a good article, I thought.
Well, a nice choice.
Yeah, I agree.
I think Perfume is surprisingly interesting.
It's one of those things where you just take for granted,
or you think like, oh, that's just for the fashionista
glitterati types or Madison Avenue folks kind of thing.
And then you dig into it, and you're like, no, that's pretty cool.
Perfume's for everyone.
Even if you don't wear it, it's still
interesting to know about.
For example, the history.
Do you read much of the history?
Yeah, it's all, you sent me some pretty cool stuff.
And this isn't necessarily Perfume,
but I guess Perfume is really anything that smells.
Yes.
It doesn't have to smell great.
Yeah, we're generally talking about Perfume
meaning like a product that you go
buy to change or enhance your scent, right?
Yeah.
But if you look around, everything is Perfumed,
unless it's specifically marketed as unscented or non-perfumed.
Yeah.
But just about everything else has some sort of perfuming to it.
Yeah, but it's got, it has to be a substance.
That's what the distinction between like a perfume
and an odor.
Yeah, yeah, like I guess the odor actually comes off
to say the plant.
Right.
The perfume is when you go to that plant
and squeeze the odor out of it, put it in a bottle,
put it on your skin.
Yeah.
Well, you don't need to put it in a bottle.
Yeah, I guess not.
You just rub those leaves all over you.
But like I said, back in the day, ancient priests,
you sent me this thing and said they burned incense
initially to cover up stinky dead animal carcasses
that they were sacrificing, which makes sense
that the Latin translation is through the smoke.
So perfume means?
Yeah, like you can smell it through the smoke of,
I guess, these burning dead animals.
Or through the smoke, you feel a lot better about sacrificing
animals because you can't smell the death.
Yeah.
The ancient Egyptians very quickly.
So like originally, these were priests using perfume
to cover up animal sacrifices.
Right.
Ancient Egyptians said, we got a better idea.
Let's use the glands from those animals to scent ourselves.
Yeah.
For loving.
Well, yeah, let's put it on our stinky parts.
Yeah, originally, it was animal sacrifice
and it went very quickly into sexuality.
And ever since then, the purpose of perfume
has remained virtually unchanged.
It is to stimulate sexuality in some form or fashion.
Yeah, especially men wearing cologne.
Yeah, and we'll get to some of those reasons in a bit.
But that's a good primer.
I never really thought about that.
But I guess you're right.
You're wearing it to smell more attractive even
on the friendship tip.
Sure.
Doesn't necessarily have to be sexual, I don't think.
Well, it depends because some of the early ingredients that
stuck around until, in some cases, the 1990s
and are still being used in other cases
are from basically the sex glands, the scent glands,
of animals.
Yeah, and this article points out,
it's like it's funny to think about the first person who
saw a skunk and said, you know what?
I'm going to get all up in that anal gland
and rub some of that on me.
Exactly.
Or the musk deer.
The musk deer, you get some of that.
The beaver produces castorium, the civet cat,
which is a Himalayan cat.
Well, that's the skunk too.
That's the skunk one?
Yeah, there's like a dozen animals that classify as civet cats.
And then ambergris.
Yeah.
Or ambergris.
I can't remember which way to pronounce it.
Let's just say both are acceptable.
We'll agree to disagree.
Ambergris.
I can't remember anyway.
It's the whale stuff.
Yes.
So supposedly, everybody said, well, it's whale vomit.
When a whale eats a squid and its beak gets kind of in its stomach
and it needs to dislodge it, it puke.
Yeah, a squid beak.
Oh, OK.
I thought there were some beaks.
Yeah, oh, it's a beak.
It's probably the most disturbing part on any animal on the planet.
The fact that a squid has a hard beak just like a bird is.
Why is it disturbing?
It just keeps me up at night.
Because a squid is like gelatinous and flimsy.
It's not supposed to have a hard beak that can break bone.
Well, I think it is supposed to.
That's wrong to me.
So if a whale has that beak in its stomach after eating a squid,
it needs to get rid of it.
So the common wisdom was that it puked up this stuff.
And that's what ambergris is.
Yeah, this is the sperm whale specifically.
Right, yeah.
And this ambergris is like this.
Well, it's just like bile and puke and that kind of thing.
But it floats on the surface of the ocean and photo degrades
and hardens and turns into this waxy substance that's actually
flammable that can have its own scent that has long been.
And it's still, in some cases, used as a major ingredient
in perfume, right?
Yeah, I think it's supposed to make
perfume stick to your body more.
Right, it's a fixative, is what it's called.
The weird thing is, is they're recently finding out
that it's possible that ambergris, it comes out
of the bottom end of the whale.
Yeah, they don't puke it up.
Not the mouth.
They poop it out.
That it's basically whale diarrhea
that you're using in your perfume.
So consider this.
Depending on the perfume and the fixatives it uses,
you could be using anal glands from a beaver
and diarrhea from a whale in order
to make yourself smell sexy.
Yeah.
What's insane, Chuck, is that it actually works.
Well, sure.
That's debatable, depending on who you are, I guess.
I hate the smell of perfume.
All perfumes.
There's not a single perfume set,
even a component of a perfume that you find pleasant.
I don't like scented perfume for women, specifically,
is what I'm talking about, as far as working sexually.
And I, because...
No, it doesn't.
I don't even mean sexually, necessarily,
that you're worked up, getting a little hotter
into the car, even just relaxing.
Not pleasing to me at all.
Really?
Nope.
Don't like it.
Are you, do you like sense of anything?
I mean, Emily makes all sorts of soaps and stuff.
Do you like any of those?
Sense?
Those are all natural.
That's the difference.
Most every perfumed product is synthetic.
It's on the market.
It depends.
For sure, the cheaper ones definitely are,
but not all of them are.
Most of them.
I mean, there's still plenty of that used like ambergris.
What's more natural than whale diarrhea?
Well, that's true.
Not here in the US, though.
We should point out it is illegal to use that in perfumes
in the US of A, because they're endangered.
Yes, but the European perfume houses still do.
But no, I'm very specifically averse to most scents,
because we don't use chemical products as much as possible.
So I don't use scented sprays, scented deodorants.
Like, febrize, to me, is the most disgusting thing
you can do to your home.
Oh, yeah?
Fabric softener, sheets, laundry detergent.
Like, nothing, nothing with scents.
I hate it.
Right.
There's nothing to me worse than like going to a hotel
and smelling scented sheets that have clearly
been washed with some kind of perfumy detergent.
What if it smells like something pleasant, though?
I mean, like, there's nothing.
Like, I understand why.
No, they're all supposed to be pleasant.
Like, this smells like lavender.
And none of it does to you.
It's just like, this is synthetic, so it feels bad to me.
It smells bad, yeah.
I got you.
But the idea, you just rattle off a bunch of uses
for perfume beyond actual perfume.
Yeah, yeah.
And that's actually kind of an old concept.
What's long been considered the seat of Europe's perfume
industry is a gross, I think, GRASSE
in the south of France.
And it's got this unusual microclimate
to where all of these wonderful plants, like jasmine
and orange blossoms and lavender and all this stuff,
can grow.
And the locals figured out, number one,
that they needed to grow the stuff,
but also to extract it in different ways.
You can extract the essential oils.
You can extract absolutes.
You can extract concretes.
But what you're doing is extracting
these odorant molecules from plants and using it to perfume.
But what they were originally using it to perfume,
and I think the 14th or 13th century, were leather gloves.
So remember Catherine de' Medici?
Oh, yeah.
She's been coming up a lot lately.
A lot, yeah.
She was given some scented gloves by the tanners of GRASSE
France, which was originally there.
That was their gig, was making leather goods.
But they stunk, like death.
So just like those ancient priests,
the people of GRASSE said, we need to perfume these.
They came up and started this whole trend of perfumed leather
gloves by sending a complimentary pair to Catherine de' Medici,
who loved them.
And then all of a sudden, bam, GRASSE
is not only making these awesome leather goods,
it becomes the perfume capital of the world
and stays that way for a very long time.
Because she essentially was the first celebrity sponsor
of a product.
Right.
She was in the copies of the local rag saying,
I love the smell of my lavender leathers.
Exactly.
That's a pretty cool story.
And so that was the heart of it all then.
Yeah, and GRASSE still makes not nearly as much as they used to,
but they still produce tons of essential oils
every year of all these wonderful plants.
Nice, yeah.
See, I'm down with the essential oils, that's different.
Right, but that stuff is frequently used in perfumes.
I mean, they might not be using it in like you're tired
or anything like that.
That's probably a synthetic scent.
Not probably.
It's absolutely a synthetic scent.
But there are still plenty of perfumes
that do use essential oils in there as a smell molecule.
Sure, well, the reason people, they don't
is because it's expensive.
Right.
All right, so let's talk a little bit about what
perfume as the stinky stuff that you use an atomizer,
if you're fancy, to spray on your body to smell sexy.
OK.
And a little bit about smell in general, I guess.
The liquid perfume that we're talking about
is basically just a concoction of alcohol and water
and these smell molecules that basically what you're smelling
is evaporation into the air.
And they do point out in the article, it's light enough
to float, but not everything that's light enough to float
has a smell.
Right.
And what do they point out?
Carbon monoxide is the common danger.
Right.
You can't smell it.
You might be dying.
That's why you have the detectors in your home.
Yeah, if all of a sudden you can't think right.
Yeah.
And there's no other reason why.
It's probably carbon monoxide leak in your house.
That's right.
There's no old bucket in around.
You should check the battery on your carbon monoxide detector.
So not only do some molecules not have a scent,
they're just not odorants.
Some odorants aren't smelled by all people.
Like apparently, natural sandalwood
is the most commonly uncensed odorant.
Yeah, the natural, original, the OG.
Right.
Yeah.
So even if you are making a perfume or something like that,
you may be making something that
can't be smelled by a significant portion of the population.
Yeah.
Which is a challenge in making perfume.
Yeah, and the whole cilantro thing.
I've posted a link to a story about that.
I know we've talked about it before.
It's like 10% of the population has a genetic marker
that thinks it tastes or tastes and smells soapy.
Yeah.
And this article points out that what's going on
is not that there's some alteration
of the smell or taste of cilantro,
but that there's a note to it missing
so that it's incomplete what people are sensing.
Right.
And therefore, they find it gross.
Yeah.
But I saw another study that showed
that 30% of odorant receptors are
different from person to person.
Take any two people, 30% of their odorant receptors
are going to be just wildly different.
Yeah.
So it is a real challenge to make a perfume that
is pleasing to enough people.
And as a result, some people have gone the opposite way,
and they're just making exactly what they think is super cool.
And if you like it, awesome.
If it smells good, great.
If not, whatever.
Right.
But that's kind of counter to the main mode of thinking
in the perfume industry, which is make.
Why is the audience is the best?
Exactly, because more people are going to buy it,
and you're going to make more money.
And if it's a really good one, it'll
be a classic that people develop like a brand loyalty to.
Yeah, sure.
And buy again and again and again year after year.
Chanel number five.
Yeah, which?
Classic perfume.
It is.
And it was the first perfume to use synthetic ingredients.
Did you know that?
I did not.
And apparently, it was not a hit right out of the gate.
It was created in the 20s for Chanel.
But it wasn't until Marilyn Monroe in an interview
in the mid-50s said that all she wears to bed
are two drops of Chanel number five,
that all of a sudden it was like forever.
The forever perfume.
So every guy bought it for his wife.
Because it would make him think of Marilyn Monroe.
But it's just stayed that way ever since,
even though the Marilyn Monroe story has been kind of lost
mostly to popular culture.
There's a documentary on Coco Chanel.
I haven't seen it yet.
It's supposed to be good.
Oh, yeah?
Yeah, have to check it out.
So perfume oil specifically is a super,
this is what we're talking about being steamed or pressed
out of a fruit or a plant or something.
It's super concentrated.
So it's going to be a 98% alcohol and 2% water.
So that's the solvent.
Yeah.
And then you take the solvent and the amount of solvent
that's combined with perfume oil,
you have different types of perfume.
Yeah, exactly.
So perfume, and it'll say this on the bottle,
if you ever read the back of a perfume bottle, which I haven't.
But a perfume, PARFUM, is at least 25% perfume oil.
Eau de parfum, 15% to 18%.
Eau de toilette or toilet water is 10%.
And Eau de cologne is.
Like 2% to 5%.
That's Axe body spray.
It's light.
It's very light.
Yeah, like body sprays.
Unless you're talking about just a straight-up cologne,
can also mean a man's scent, which is sometimes way more
than 5%.
Yeah, I think I've said this before when
I lived in Yuma, Arizona, post-college.
There was a lot of dudes wearing cologne.
And I was like, you guys are still wearing cologne, huh?
Yeah.
Like, yeah, man.
You don't wear cologne?
I was like, nope.
Where's your curve?
And yeah, it was a very strange thing to me.
Because I'm just, I don't know.
I don't see a lot of guys that wear cologne anymore.
Oh, it's definitely fallen away again.
Maybe I'm traveling in the wrong circles.
Well, in America, it was cool at first.
And then it kind of fell away.
And then thanks to Marilyn Monroe and Chanel,
it kind of came back big time.
And then it kind of peaked, I think, in the 90s for men,
especially.
But it's still going strong.
Like, one Armani, G.O.D. Armani, I think?
Can't remember what it's called.
It made like several hundred million dollars in 2006.
Is that one of the unisex ones?
No, but it's for men.
OK.
Yeah.
Yeah, I always thought that whole new, what seems new,
the unisex cologne.
I always thought that was interesting.
Well, originally.
Trying to find something for both men and women.
Right, that's a throwback, actually.
Originally, there were no gender differences
among any perfumes, especially in France,
in the French court.
Men like to smell like lilac as well.
Right.
And you know, nothing wrong with that.
Sure.
The idea that lilac is a feminine scent
is a new and social construct.
Yeah.
You know?
Or the idea that cedar is a manly scent.
That's a new and social construct, too.
And very American as well.
Sure.
So when it comes to categorizing,
like we were just talking about,
there are terms that are used in the biz.
But it's not like there's any rule about it.
It's just basically how people have grown
to talk about perfume.
Right.
They're in the business of perfume.
But generally, there are these categorizations.
Floral, that's a no-brainer.
Fruity, that's a no-brainer.
Green, that might be grassy or leafy.
I like stuff like that.
Yeah.
Like the olive oils that taste like grass,
you ever had those?
Yeah.
Man, those are good.
Or wheatgrass shot?
That is not good.
Ooh, I love it.
You don't like it?
No.
Oh, man, I love it.
It's like drinking down some grass clippings.
I think I would rather drink grass clippings than wheatgrass.
Really?
Well, it is grass clippings, actually.
Like fescue or something.
Sure.
We'll take a fescue shot, then.
I will.
Herbaceous, like herbs, woody, like wood, amber, tree resin.
Thought that was interesting.
Every time I want to say animal, like I
want to say anemaniac, for some reason, bodily smells.
That's gross.
Well, that's musk.
Yeah.
To bodily smell.
Well, but then there's musk as its own category, too,
because it's just so singular.
Right.
But I mean, there's also supposedly also, I guess, either,
I don't know if it's a subtype of musk or animalic or whatever.
But fecal is another thing, too.
Yeah.
Calvin Klein's obsession is among the perfume industry
well known as a very famous fecally perfume.
Yeah.
Yeah.
Which one?
Obsession.
Obsession.
Yeah.
Like a hugely selling, very popular perfume
being worn by people.
If you walk past someone in the perfume industry,
they're going to be like, there's
some real fecal notes to that one.
Well, they said in the top notes,
they say sometimes can be something really nasty just
to attract you.
I don't know what attract means, but I guess
to get your attention, maybe.
But that'll wear off the quickest.
Right.
It's not what lasts on your body.
Right.
Which we'll get into that in a sec.
Let me just finish this little list here.
OK, sorry.
You have the oriental, and it's proper usage here,
amber and spice.
And then a few other ones are categorized
by the actual molecules like phenolic,
might smell like tar, or lectonic, creamy, lactose,
obviously, or aldehydeic, which is fatty.
So those are the main categories.
And we will get a little bit more
into that chemistry that we teach you with right after this.
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So Chuck, we talked about perfume being diluted,
like heavily diluted.
What a ripoff.
It's almost all alcohol.
Yeah, what a rip.
The reason why, though, it's not a rip.
You would not want the perfume oil, which, again,
is just essential oils or synthetic versions of those oils,
and fixatives or synthetic versions of the fixatives.
So it might be essential oil lavender, some muskrat anal
gland, and then solvent is most of the other stuff.
It's laughing, but it's true.
And then, bam, you got a perfume right there.
But the reason why it's so dissolved
and why so much of it is alcohol is because the way
that perfumes are designed is so that the different types
of molecules, when they interact with the alcohol
and the alcohol evaporates, will evaporate
in a certain progression of time.
Yeah, I thought this is the most interesting part
of this whole thing.
The alcohol actually makes it possible
to separate those notes.
Right.
And they likened this article to hearing
all the parts of a symphony at once.
Like a lot of pleasing things all at one time
is not necessarily a good thing.
No, and that's what you would get if you stuck your face
in a one ton barrel of perfume oil.
Yeah, you might say, man, this is sweet,
but you wouldn't pick up on the subtleties of those odors.
Yeah, exactly.
But what alcohol does is it takes that concentrated form.
It not only dilutes it, but it, again,
spreads it out temporally.
So when you first put it on, you put on a little perfume,
right?
Sure.
The immediate notes, the top notes,
are what you smell immediately.
Right.
And they go from anywhere, like, immediate to maybe
a few minutes, usually.
Yeah, the first ones you'll smell and the first one
to leave your body.
Exactly.
That's the top notes.
And a perfume is designed so that as each set of notes,
and there are three, there's top, heart, and bass notes,
as each one is leaving, the next one is starting up.
So you have this basically flowing transition,
comparing it to a symphony is so apt,
because it's just like this kind of flowing melody of sense
that work together by, I guess, dissolving, evaporating
at a certain time, at a certain rate.
Yeah, and like we said before the break there,
a lot of times they will put something unpleasant
in that first top note.
And I guess it will just get your attention in the store.
Yeah, you're just like, oh, it's so fecal.
Exactly.
Or like, what was it, an anchorman?
Oh, the musk?
Yeah, it was like Puma musk.
Oh, oh, that one.
Puma urine or something?
Paul Rudd's cologne.
Yeah.
Yeah, well, I can't remember the exact line,
but like 70% of the time it works all the time.
What was it, Panther?
Yeah, it was Panther something.
Man, that was a funny movie.
And then you've got your heart notes next, right?
Yeah.
And how long did they last?
They kick in anywhere and last for starting at two minutes
to about an hour from what I saw.
And those are going to be, it can be entirely different.
It depends as we'll see what you're trying to get across.
But you could do woody top notes with a vanilla base,
or heart note, so it'll go from wood to vanilla
to lemon citrus base note, right?
Sure.
Or you could do it completely opposite.
You can just mix and match.
It's like the Oak Ridge boys.
It depends, right?
It depends on the type of molecule you use.
And as you're making synthetic odorants,
you can make a synthetic odorant that's
going to stick around as a base note,
even though if you had an essential oil of that lemon,
it would be just a top note because it's
going to go away so quick.
Yeah, and as we'll see later when you're
making these perfumes, it's a real science
of a balancing act of getting exactly what they want
because these smells, as you said, are coming and going.
And it is sort of like composing a symphony.
Again.
Again, man.
So the base note, that's the one that's
going to stick around the longest though, right?
Right.
And come out latest.
Yeah, it can come out starting usually about 30 minutes
after you put it on and can stick around for a day
if you're not careful.
And didn't you find something where
no perfume is going to smell the same on any two people?
Exactly.
Right.
Not only is it not going to smell the same on any two people,
it's going to smell different to any two people, right?
Right.
Because again, 30% of our odor receptors
are different in every single person.
Plus also, an odorant can activate different kinds
of receptors depending on the person.
And then lastly, that person is going to encode it differently.
Yeah.
Because scent is definitely its own thing
as far as our senses go.
And it's the only sense that's directly
hardwired to the brain.
So the odorant receptors go straight to the brain.
Yeah, it doesn't send it to a nerve cell that's nearby first.
Exactly.
So it's like our sense of smell is hardwired to our brain.
So it evokes some serious reaction in the brain.
And there's also a hypothesis that our brain,
the lobes of our brain, evolved from olfactory buds,
that that's what they started out as.
Oh, that would make sense.
And that it just grew and grew and grew.
And then we were all like brainstem and olfactory buds.
And then the brain grew from that,
which would be like hats off to the sense of smell,
because that's what started it all.
Interesting.
But the point is that our sense of smell, it's a big deal.
But it's different in each of us.
And when you factor in our body chemistry, our skin,
that's when it genuinely does smell differently
on different people.
Well, I would think it has to, because everyone
has a natural scent, I think, just as a person,
that's different from one another.
Exactly.
So when you put this.
So you combine it, it's got to make a different thing.
It's like if I smell like a cherry pie.
Which you do.
Throw some cool whip on me.
Which I would.
Gross.
I wouldn't do anything.
I just throw cool whip on you.
In the form of a pie to the face.
Why not?
That old gag.
But when you're putting on the perfume,
this is all coming around to this point.
There are ways to do it supposedly that will get the most
out of your perfume.
You shouldn't put it and rub it into your skin real hard.
You don't want to heat it up right away or anything like that.
No, because then you break the chains of the top notes
and you wear them out before your finger even
comes away from your skin.
Yeah.
You just kind of dab it on lightly.
Yeah, sure.
You just did the old lady move.
Dab it behind the ear, maybe?
Yeah.
Or I've seen the other lady move to do it on the wrists.
And maybe rub that together a little bit.
And then my big trick was to, because I liked the Benetton
colors.
But even back then, didn't want to be super cologne-y.
So I did the deal where I spray it in the air,
then walk through it.
That's even, I think, mentioned in this article.
Oh, is it a method?
Yeah, that's a method.
OK.
I was really onto something at 16.
I think even rubbing your wrists together, though,
would probably, no, because you don't want to generate heat.
And one of the reasons why people put it behind their ears
or on their wrists.
Stinky behind your ears for one.
That's one.
You can also smell it yourself right there.
Oh, yeah.
But if you put your fingers behind your ears
and then put them on your head or something,
you'll see that behind your ears is warm.
Yeah, sure.
On your wrists is warm.
These are pulse points, right?
So your hot blood is close to the surface of your skin.
So then that heat will start to break up.
The alcohol will make it evaporate
and will hence make those different notes come out.
That's all the heat you need.
Any friction is too much heat.
Right.
So you say no on the wrist rub.
No wrist rub.
OK.
I mean, if you want to waste your money
and just get heart and base notes and no top notes, go for it.
All right, Josh.
So let's say, I thought this was all pretty interesting to you,
actually.
Yeah.
Let's say you want to launch Joshness.
You work for Polo and you just want to do Joshness.
You're in their perfume department
and you say, guys, this is going to be a trust me on this one.
You're a top seller.
Right.
So you've got a Polo, your bosses, and they say, all right,
Josh, what we need here is a brief.
And the brief is going to outline.
Because, again, you can't say, this is a perfume
everyone's going to love because they're like,
there is no such thing.
So write up a brief.
Tell me who is going to love it.
Who it's going to appeal to.
What do you want it to smell like?
Yeah.
What do you want this to say, even?
So Tom Ford launched one.
It became very successful called Black Orchid.
And he said, I want this to smell like a man's crotch.
That was one.
Can I give you another brief?
Please.
For pure poison from Dior, the brief included,
what is it like to have something soft and hard
at the same time?
Oh, I think we all know that.
All right.
And then here's another one.
I don't know what this one was for.
That's a Viagra out as well.
So yeah, I don't know which one this is.
But one brief described what they were after as,
give us the scent of a warm cloud floating
in a fresh spring sky over Sicily,
raining titanium raindrops on a woman with emerald eyes.
That's what somebody wrote down when they were trying
to describe what scent they wanted.
Yeah.
I mean, those are legit briefs.
That's how you're supposed to do it.
Describe not just the specific scents that you want,
but what do you want it to say.
Generally, it's probably more something like classy
or prosperous or something like that.
Fecal.
Fecal.
Then you want to write out how you're going to sell it,
like what form it's going to take.
You also want to have a marketing plan.
I think we could sell this in South America
for the next five years.
They're going to go crazy for.
Yeah, exactly.
So then after that, it's going to go to a chemist,
and it's going to get mailed to what are called fragrance houses.
Well, the polo doesn't make it themselves.
They don't come up with it themselves, that is.
And the chemist is employed by the fragrance houses,
and they send this brief out to a bunch of different fragrance
houses and basically start a competition.
Yeah.
Who's going to land this account?
But what we want, see what you can do.
So this fragrance house, they do a couple of things.
They have the perfumers who they actually
are the chemists who come up with the formula.
Yeah, they've got all these scents in their head,
and they know, like, oh, I know exactly what
smells like a woman with emerald eyes.
Sure, super smellers, I would imagine.
Yeah, oh, yeah.
You know?
Yeah, there's an odor tester job out there
that's supposed to be great.
I don't know if I'd do so hot on that.
Oh, yeah, you have to have just a naturally wonderful nose.
Yeah, my nose is not naturally wonderful.
It has to make, like, a curly Q.
These fragrance houses also have,
they don't just write the formulas.
They also have the stuff in stock,
all these different ingredients in warehouses,
or they will work with another company who has it.
If they're like, we don't have, you know, papaya,
oh, did papaya, so we need to work with a company who does,
they will sub that out.
And they have these chemists that actually work with gas,
chromatography, mass spectrometry,
which we've talked about in something.
Can't remember what it was.
This can be used for other things.
It basically analyzes odorant molecules.
Yeah, to say, here's what it's made of,
and here's how you can make a synthetic version of it.
Exactly.
For cheaper.
Right, exactly.
So then you have those people,
those chemist and analyst, and then you also have
synthetic chemists who take the readouts
from the gas chromatography and say, oh, I can build this,
and then they build the synthetic molecules.
Exactly, which is just mind-blowing.
It is mind-blowing.
All of these people are employed by the fragrance houses.
That's right.
One thing that they do, we did talk earlier about,
you know, how they have this stuff in stock.
A lot of times it can be the actual oils
from pressing it and steaming it.
But there's another-
Putting a headlock.
Yeah, exactly.
There's another cool thing they have though called headspace.
And that is when, if they want an odor or fragrance,
they will put like an avocado in a jar
and suck out the air every hour or constantly for hours.
Right, and then they use gas chromatography
to analyze that.
And analyze that.
There you go.
And then somebody goes and builds that, right?
And that's what's called the headspace.
The headspace is basically a synthetic version
of an existing natural scent that somebody trademarks.
And then all of a sudden,
it becomes part of the perfume industry's repertoire.
Yeah, I mean, that's the space in the jar.
That's the literal headspace that has got the odor.
There's a dude named Christopher Brocius.
And he started a company called Demeter.
And they're known for making like really weird perfumes,
like birthday cake, baseball mitt, baby aspirin.
Just weird stuff like that.
Ooh, baby aspirin.
But what's neat is they nail it.
And one of the ways they nail it is by using,
by making headspaces,
one of the first ones they did was called soaked earth.
He took some dirt from his parents' farm,
put it in a bag and took it to New York
and threw it on the table and said, I want this.
Nice.
And they analyzed it and by God,
they came up with dirt, the smell of dirt.
Specific to his region though, I imagine.
Right, yeah, yeah.
I think Pennsylvania.
Interesting.
So I guess here we can briefly mention
that knockoff colognes and perfumes is a very common thing
because your copyright,
I mean, you can tweak your formula slightly
and it's totally legal, you know,
to sell that essentially the same thing that's just,
oh, so slightly different under a different name.
Right.
It's like the same thing as design or drugs,
except with perfumes.
Yeah.
Remember that, like the gas station,
if you love, if you like Giorgio,
you'll love whatever we're calling this.
Sure.
What was the knockoff name for Giorgio?
Giorgio.
But there was like a whole generic ripoff line called,
if you like blank, you'll love blank.
It's hilarious.
So Chuck, you take all this stuff,
you take your head space, you take your existing head space,
you take your essential oils
and you put them all together to create that emerald eye woman
who has titanium raindrops raining on her in Sicily
on a spring day.
Yeah, well, you do anywhere from 10 to 100 of them.
Each fragrance house does.
Yeah.
Then they send them to their odor testers
and the odor tester goes, no, no, no, this one's a maybe,
no, no, I like this one.
Yeah.
No, no, maybe again, yes, and then no.
And then Polo at this point
has not smelled any Joshness yet.
No.
This is all they're trying to weed out the gunk
because they don't wanna waste Polo's time.
Right.
You know?
Yeah.
They don't wanna send them 400 Joshnesses.
Exactly.
No, they wanna send them like one, maybe two and they do.
Sure.
So Polo will then get it.
Say, I like the second one,
but it's a little too strong on this one scent.
So they'll go back again.
And it's just a process basically.
Maybe they nail it on the first time.
Probably not.
But probably not.
It's a back and forth basically.
It's just like working with an editor
and they'll swap in ingredients
and they'll, you know, like we said earlier,
it's a science basically of the right combination
in the right order of evaporation.
Right.
I think it's just super interesting.
They put it through product testing, of course,
to see what people think of it
because they're not just gonna launch it out of the blue.
They want it to, like you said,
appeal to either the right demographic
or the most people possible.
Right.
And so the one that Polo decides that is Joshness.
Yeah.
They win.
The perfume house wins.
And so they get a contract to produce X number
of tons or gallons of this particular perfume.
Well, of the perfume oil.
Yeah, exactly.
The undiluted stuff.
Yeah, Polo actually produces,
they take that and produce the perfume.
Right.
They add the solvent to produce the perfume,
the eau de toilette, the eau de cologne,
all that stuff in the different concentrations.
They will probably also use it
and maybe like a deodorant, a body lotion, all that stuff.
But they deliver them in like one ton drums
of the perfume oil that you don't wanna smell
until it's been diluted.
That's right.
And then all of a sudden the Joshness
is released into the world.
Literally.
And becomes the number one selling cologne of all time.
Well, and Polo never knows the exact concoction
that makes Joshness either,
which I thought was super interesting.
Right.
It's literally the perfumer knows this little secret.
Yeah.
Exactly right.
So after this, we're gonna talk a little bit
about the science of scent
and whether or not it's something
that we're born with or that we learn.
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All right, so Chuck, why do people wear perfume?
Depends on who you ask.
Okay.
There's a lady named Rachel Hertz from Brown University.
She wrote a book called The Scent of Desire,
discovering our enigmatic sense of smell,
and she postulates that depending on how old you are
and what gender you are, you have your different reasons
that young men do it to attract women.
That's why I did it.
Older men do it out of gratitude to the women who gave it to them.
Honey, you'd smell nice with this on.
So, sure, I'll wear it, dear.
Women, depending on how old you are in the 20s,
you're more affected by, I guess, inspired by your friends
and the media.
Beyonce.
Sure.
She has her own perfume, doesn't she?
Yeah.
You know who has a surprise runaway smash hit right now?
It's Sarah Jessica Parker.
That doesn't surprise me.
It does mean a little bit.
She wouldn't surprise me in 2002,
but it is a top seller right now.
It's like a goddess to a certain age group of women, though.
Yeah.
Like still.
I guess you're right, but even still, you'd think like,
I don't know, maybe they're right in the perfume wheelhouse.
It could be an awesome smelling perfume.
I've never smelled it.
I was just surprised because, you know, you're like,
Beyonce, Derek Jeter.
Like, these are the celebrities that have the,
yeah, it's top selling, that have these top selling, like,
colognes, and then Sarah Jessica Parker.
It's just, I just don't think of her like that.
I like her.
She's great.
Yeah, I get it.
I just don't think of her as that, and I'm happy for her success.
Yeah.
She's iconic to a certain demographic.
Yeah.
Um, not to me, but she's not an icon to you.
No, she's an icon to Emily, I think.
She was a big fan of that show.
Um, women in their 30s, they say follow no particular pattern.
Here's, I don't know what they're doing.
They don't know what's going on yet.
They just like what they like, I think, is what that means.
Well, by the time they're 40, they say that's simply because they like it.
Like, I just like the way this smells, and I'm 40.
Oh, okay.
So, I'm going to just wear it.
I see.
I don't care what my husband thinks at this point,
or what my friends think at this point.
Right.
Um, in their 60s, they say women think of other people's,
which is like, their friends or loved ones say they like the way it smells.
Right.
Which is a really nice thing.
And then a lot of people choose perfumes, apparently, that their mother wore,
or in the same scent family, either knowingly or not,
but probably knowingly because there's an associative learning theory of smell.
You were saying before the break, we were going to talk about whether,
you know, smell is learned or if we're born with it,
the idea that smell is learned is called the associative learning hypothesis.
That it's learned?
Yeah.
That like we come to like smells based on social constructs,
based on experience.
There's supposedly evidence that smell learning begins in the womb, even.
Yeah.
That odorant molecules can be passed along from mother to child,
and that the stuff you're exposed to in the womb,
you can show a preference for later on down the road.
Yeah.
And Rachel Hertz is a member of that camp.
Yeah.
And by the way, I want to give a shout out.
Rachel Hertz wrote a chapter for the book Neurobiology of Sensation and Reward,
which is a gas in general, right?
Yeah.
But she wrote chapter 17, Perfume is the title of it,
and it's on the NIH website, the NCBI website.
Just search for that and it'll come up.
The whole chapter is right there and it's really interesting and exhausting.
But she is one of the ones who's like, this is a learned behavior
and lays out some really great evidence for it.
Yeah.
One of her points is that babies basically don't think anything smells bad or good.
Right.
I don't know how they know this.
I guess waffling things under a baby's face to see what kind of face they make.
Exactly right.
Including poop.
Well, yeah.
You never see the baby like curling up.
Not complaining.
No.
Yeah.
Like I'll wallow in poop.
I don't care.
I'm a baby.
Sure.
No reaction.
They just blink?
Nothing.
A couple of times?
They're delighted.
Well, plus also, other studies of adults, not even babies, have shown that the same smell can be preferred or disliked in very similar groups.
Yeah.
In the UK, the smell of wintergreen in a study after World War II was found to be just generally disliked.
Yeah.
In the US, like a decade later, the smell of wintergreen was found to be generally preferred.
Yeah.
In the US, wintergreen is used for candy and gum, and it's associated with positive stuff.
Sure.
In the UK, wintergreen was used during World War II for medicines that were used in the
field.
So there's associations with battle, war, maiming, disease.
Yeah.
Yeah.
So that's what wintergreen is to people in the UK, whereas in the US, the exact same smell is pleasant.
Right.
And, you know, I mean, it's not like the Americans and the Brits are the exact same people.
Right.
But they're in the same cohort, you know, a very similar cohort, and they showed, like,
opposite preferences, which is really great evidence for associative learning hypothesis.
Yeah.
And there's also a reason why in the early 2000s, the US Army was not able to come up with
a stink bomb that was universally upsetting to people's noses.
Yeah.
Across cultures.
Yeah.
They contracted out the Monal Chemicals Sensor Center in Philly, and they tried to curate
a universal stink bomb smell.
And they said, you know, because of cultural specific products and things, we had to avoid
anything like food related, even if we think it really stinks, some other culture might
like it.
Exactly.
So they had to basically go to, they focused on stuff with biological origins like vomit
and human waste and burnt hair.
And they made synthetic versions of all these and got some people in Philly and put them
in a hood and introduced these.
Those poor people.
I know.
I thought it was funny.
It was Philly though.
They're probably like, it's not so bad.
And introduced, they slowly infused it and they said, people thought it was the worst
thing they ever smelled.
Their heads would jerk back, they would contort with revulsion and then basically just try
and hold their breath as long as possible or take little shallow breaths.
Sounds like a great stink bomb to unleash on people in Philadelphia at least.
Yeah.
But they couldn't basically, they couldn't come up with anything that was universally
hated.
So do you remember the Air Force also tried to come up with a gay bomb that used like
some sort of perfume to turn like enemy combatants into like just gay lovers?
So silly.
It's a shame though because the stink bomb is actually really like, it's a great idea.
You know, it doesn't hurt anyone.
There's no, it's not like a chemical, like, you know, what do you call it, the sprays?
Irritant.
Yeah.
It's not an irritant in any way.
It just stinks and it would keep people out of a sensitive area if they didn't want
them there.
Well, chemical irritation is a sensation that your nose experiences along with odors.
So it is technically a stink bomb like pepper spray is a stink bomb.
Oh yeah.
Yeah.
But it has like an actual physical effect on your skin, which a stink bomb wouldn't.
But the other school of thought though is that it's, you know, it comes via evolution
basically.
Yeah.
That it's innate.
Yeah.
Which this kind of makes sense.
They both make sense to me.
I think it might be a mixture of both.
But what's his name, Gilbert?
Or Hilbert.
Hilbert.
One of the two.
If you're in the Gilbert camp though, you're going to, you're going to go with the evolution
because he points out that when we were evolving, you know, apples smell good because you're
meant to eat them and you're meant to spread the seed.
So that smell is associated with living and living well.
Right.
By eating fruits.
Conversely, the smell of poop and vomit and urine, which convey disease and bacteria
and all of the stuff you're not supposed to be with under innate hypothesis.
It would be, that's why we avoid those because we need to avoid the substances that carry
those obnoxious smells.
Makes sense.
Oh, it totally makes sense.
I just think to me the evidence is more there for associative learning.
Yeah.
I think it can be both.
I don't think it has to be mutually exclusive.
Yeah.
And I think it can be overwritten by the learning as well.
Yeah.
I think it can resonate things we have.
And I remember we did a bit on a study years ago about people looking for their mates according
to having a different immune system, which would in turn make their children immune to
more possible things.
Yeah.
More robust immunity in the kids.
Yeah.
Because you take immunity A and immunity B and put them together, you got immunity C, which
is the best of A and B, right?
Right.
And this is like a whole idea of why or how people select mates is based on that.
Which is scent based, right?
That's what they think.
Yeah.
And apparently this is evidenced by study after study after study that finds consistently
that women rate a man's scent as the number one factor in attractiveness.
More than his appearance, more than wealth, more than anything else, scent is perennially
the number one most important thing.
They think that it's possible that the reason why is because our senses are attuned, our
scent is attuned so that we can sniff out somebody with a different immune system so
we can reproduce more robust kits.
The problem is if you factor in cologne, what you're doing is deceiving that natural drive
and all of a sudden you're going to have kids with like zero immune system because the
guy was wearing cologne.
Yeah.
That makes total sense.
You don't want to confuse your potential mating mate.
It's a pretty good argument against wearing cologne.
Yeah.
And then there is the, of course, the whole does this stuff work anyway as far as being
a sexual attractant.
And there's zero scientific proof that there was any kind of aphrodisiac, acic, aphrodisiac
...
Ick.
... compound that you can concoct that will literally draw someone to you sexually as
much as they've tried and tried to advertise that subtly or not so subtly.
We are not pigs who apparently do have mating pheromones that actually work that way.
They have something called an accessory olifactory system and in pigs they have something in
their nose called the vomeronasal organ which is specifically specialized to pick up on
these molecules and we don't have them as humans.
No.
We don't have the curly tails either.
Or they say we may have them but it just doesn't work, I don't know, which is the case.
Who knows?
Maybe we just use our normal olfactory senses and it's not pheromones, it's just smells.
You know?
Sure.
Or they say maybe it'll make you think that you're more sexually attractive so that'll
make you more confident...
Exactly.
... and thus make you more sexually attractive.
Right.
I got one more thing, so I mentioned Giorgio.
Yeah.
Giorgio is a huge, hugely popular.
Maybe the number one cent of the 1980s and it was famously banned from some restaurants.
Oh, because it was so stinky?
Yes.
Wow.
Because some restaurateurs are like, if you got a couple of people wearing Giorgio in here,
it's going to overpower the smell of the food and the taste of the food so they banned
Giorgio, which all it did was accelerate sales.
Well, there are some people in this building that I wish would be banned from our elevators.
I almost never run into that anymore.
Oh boy.
I've smelled some stuff.
They're not even in the elevator car.
It's a fecal.
And I step in, I'm like, whoa.
Is it like obsession?
No, it's usually like super perfumey lady stuff.
Oh, gotcha.
Yeah.
You got anything else?
No.
I mean, there's plenty more.
Yeah.
But yeah.
Well, we've got so much time.
If you want to know more about perfume, you can type that word in the search bar at
HowStuffWorks.com.
And since I said search bar, it's time for listener mail.
That's right, I'm going to call this a little Nostradamus bit from a Canadian.
Hey, guys, I'd like to say how great, first of all, that you make my hour long commutes
to work every morning.
So thanks.
It's a pleasure to listen to the show, especially on Nostradamus.
I thought I'd give you another example of what he supposedly said, quote, from the calm
morning, the end will come when of the dancing horse, the number of circles will be nine.
That's from Nostradamus 1503.
She says, talking about circus, obviously.
She says it was said that Nostradamus predicted the end of the world and was explained as
follows.
Korea is the calm morning country.
Psy dancing, as in doing the dancing horse, is Gangnam style.
On December 21st, that song reached one million views on YouTube, nine zeros.
In summary, people were claiming that Nostradamus' prediction was the end of the world would
be on December 21st.
So that's it, guys.
Keep on doing what you do.
You do a great job, and you're always a pleasure.
And oh, the sound effects are awesome.
Kudos to Jerry.
Way to go, Jerry.
That is from Julia Kay in Toronto, Ontario, Canada.
Hey, we love Toronto, a.k.a. Toronto.
Right?
That's right.
We love it.
Well, let's see.
We want to hear from you.
Let us know about your perfume preference.
You can tweet us your favorite perfume of all time or your most hated perfume of all
time.
For more on this and thousands of other topics, visit HowStuffWorks.com.
We'll see you next time.
Hey, I'm Lance Bass, host of the new iHeart podcast, Frosted Tips with Lance Bass.
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