Stuff You Should Know - Selects: Is The Uncanny Valley Real?
Episode Date: March 25, 2023In 1970, roboticist Masahiro Mori wrote an essay that said the closer robots come to lifelike, the more they unsettle humans. His theory became the Uncanny Valley, and science has been evaluating it �...�� and what makes something creepy - in recent years. Learn all about it with Josh and Chuck in this classic episode.See omnystudio.com/listener for privacy information.
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Hey everybody in this week's select. It's Josh by the way
We take a look at the uncanny Valley a theoretical phenomenon
Where robots give us the creeps as they get closer to looking human, but still don't seem quite right
And we explore academic research into the creeps, which is pretty cool. So enjoy this episode
Welcome to stuff you should know a production of I heart radio
Hey and welcome to the podcast I'm Josh Clark and there's Charles W. Chuck Bright and there's Jerry over there doing the robot
Which means this is stuff you should know
Robot stop I
Knew I'd get a laugh out of you sooner or later. Did you do the robot? Can you do the robot?
I think I've seen you do pretty bad robot. I don't know about pretty bad robot. I can do a pretty great robot
Oh, that's what you've seen. I can't do any of that stuff. Yeah, I can't really either and then really if
If if your claim to fame is like a really great robot dance, I don't know
Maybe take up some other hobbies as well kind of round that out
You don't want that to be the only thing you're good at
The right because if you list that on a dating site, you might turn
ladies off
Yeah
According to e-harmony. Yeah, that's foreshadowing. I love that one. Don't you?
Yeah, I had some issues with that hole. Oh, yeah, bit. Yeah, we'll get to that. This is tad
All right. Well, let's start at the at the beginning almost the beginning Chuck
Let's go back to 1970 which was the beginning of the greatest decade in the history of humanity
Yeah, neither one of us are born yet. I can finally even say that I'm still not even born
It must feel good. Yeah, okay. Well
Welcome to the club. I guess. Yeah, thanks and in 1970
We're not just going just anywhere in 1970. We're going to Japan in 1970. I bet Japan was pretty cool in the 70s
Yeah, a lot of bell bottoms a lot of a ninja running around still. Yeah
There were
Calculators being wielded all over the place probably it was a good time. Yeah, good time for Japan, right?
and
One of the one of the things that was going on in 1970 I could not for the life of me find what issue of
This journal it came out in what month but at some point in 1970 there was an obscure journal a Japanese
academic journal called energy and
at some point during that year it published a
A article by a Japanese roboticist and his name is Masahiro Mori. Nice. Thank you
I have a lot of practice and
Masahiro Mori
Published this article and he named it Bukimi no Tani Gen show is actually the full name of the whole thing
Yeah, and as we'll see it's kind of difficult to translate into English, right and
And it took many many years after he wrote this article for it to be translated into English for anybody
Even try to attempt it. So basically Mori was this
roboticist and he wrote this essay and at the time he just put it out there and went back to work
Started teaching more and more roboticists a whole new generation of roboticists learned under him and his his work just kind of sat there
unobserved that article I should say and then in 2005 a
Rough translation of it was leaked out. It wasn't intended for publication and the world entirely changed
Right because Masahiro Mori had in his article put his finger on something that no one had before in his
Capacities a roboticist and a human and that was
What we call today the uncanny valley?
Yeah, so that's the idea that
You're making a robot and we'll see this applies to more than just robots
But in his case you're making a robot and you want to make it look like a person
Which I guess not all roboticists do some of them like the clunky jets and style robots
Shh, you're like Rosie, but I guess if you're Mori you're you're on the path to designing life-like robots
And the closer you get to that life-like look everything's going great. Everything's going great people are like this is so cool
This is so cool. Yeah, then all of a sudden people go. Oh
Yeah, like right as it approaches its most or basically when it reaches its most life-like
Capacity that this whoever's making it can conjure people are repulsed by it. Yeah
Which is something that most people who ever hear of the uncanny valley are like yeah, you know
That's I've noticed that that's happened to me before too
But the thing is Chuck it doesn't it doesn't actually make sense right like we know a robot is a robot
Yeah, so
You know, maybe you could be afraid that it's gonna like pick you up and break you in two or something like a cartoon
But that's different than being creeped out by it like why would we be creeped out by a robot?
And this is what Mori put his finger on was
there's something to this and it doesn't make sense and
He he didn't it wasn't even just this article that he wrote he he created a graph as well
that's become quite famous that
Really kind of gets the point across more than anything else
Yeah, and he wasn't even the first person to to go over this and to put a put some thought to it
Freud of course because he liked to think about everything
He thought about a little bit and before Freud there was a a German named ants
Yencht. Oh nice. I did not realize it's how his last name should be pronounced. Yencht. It's good stuff
I think I put a T on the end, but that's he's in the middle Yench. Yeah, I think that's right. I've been saying Jench
Well, we'll have to look that up then. I think you're no, I think of the two of us you get the German down
And the he had a little term called um Heimlich
That he called it so like, you know different languages had different names for it
And you go back in time all the way back to like the 17th century and people were and I guess, you know
Robots didn't look super lifelike back then, but whatever their version of lifelike was right in the 1600s
People were like, I don't like that. Why is it looking at me? Yeah, it's got a quill and it's writing things
But like you said Mori made this graph
Because he was a roboticist and he thought, you know, let's look at this on a
Plotted out so we can stare at it and on the x-axis he
Had human likeness then on the y-axis he had affinity like whether or not you like the way this thing looks, right?
and just as we're talking about the graph went up and up as
Things got more lifelike and people like the way it looked and then at a certain point. There's that valley. There's a big dip
That really just kind of says it all right and
Again, this all makes sense intuitively, but as we'll see that's it's been very difficult to prove
And one of the reasons why it's
confounded research thus far is because it we were we're not even a hundred percent sure what Mori
Meant by some of the words he chose at least as far as translating them to English, right?
For example, Bukimi, right? Yeah, it was translated in
2005 as uncanny
But again that that original translation was not intended for publication, but it leaked out
And so uncanny valley became, you know, the the way we all think of it here in the West
But Bukimi
More closely resembles something like eerie like I've seen it explain that a word like Bukimi
Means more than uncanny is just weird or remarkable or noteworthy
It's not necessarily something that gives you the creeps Bukimi is something that that gives you the creeps like Steve Bukimi
Yeah, nice exactly
So Bukimi probably more should be should have been translated the eerie valley
but by the time an actual official translation that
Mori signed off on came out in 2012 if the cat was out of the bag
Everybody knew of it as the uncanny valley and there was no way anybody was gonna come back and be like no no
No, everybody stop calling it that it's now the eerie valley. Okay, right?
All right, and it may be one of those things where we're so used to uncanny valley now that it's hard to imagine eerie valley
But right, I think that was the issue. Yeah, like nobody's gonna go along with that
So this graph like I said it starts off on that left-hand side and this is where you have things that are super robotic
Like, you know a packaging robot in a factory, right?
that
You know apparently most people don't have fondness for I do because I love mechanical processes
Right, right. Okay, so there's there's part of the problem. It's like that's not necessarily
the the kind of feeling that
Masahiro Mori was talking about right he was like yeah, yeah
You're interested in robotics and robotic arms and the industrial processes and you love watching how it's made, right?
What he was talking about was more like
How it resembles a human and then how it makes you feel in relation to its resemblance of a human, right?
Well in that case it makes me feel nothing because it doesn't look at all like a human, right?
Okay, so that would be it about the origin of the graph
It has no resemblance to a human really and it's not eliciting any real affinity in you at all
As far as it looking like a human, right, but lots of affinity as a thing. That's just that's called props
so you go a little bit further on the graph and then you have things like
little stuffed animals and I know C3PO is a common one that's mentioned because C3PO
You know is built to look like a human. He does a great robot
Kind of talks like a human and acts like a human
But when it comes to that face and as we'll see the face is kind of the key to all this
Mm-hmm for the most part C3PO looks nothing like a human in the face, right?
So everything's still good and people love C3PO, right?
So if you're looking at the graph C3PO is going up in human likeness because he kind of you know
he's got some some commonality there and
We are feeling affinity for him based on that human likeness. So it's he's going up. Yes, okay
We're going everything's going pretty well so far, right Chuck. That's right
Okay, so then we're going to start hitting some areas where things start looking a little more human a lot more human
I would say than C3PO like say the characters in Moana or frozen
Pixar characters that kind of thing where they look like they're supposed to be human like they're based on human
But they have very exaggerated features that you would never confuse at first glance for an actual human, right?
So you they have like be a guy's small noses things that make them cute, right?
And so our affinity for them is going up as the human likeness is going up again
Things are going really well so far. That's right because in Moana and frozen
They look a little bit more like people and we like them a lot more for that reason, right?
And then like you said earlier out of nowhere
The whole thing this line that's just been going up very pleasantly
And a nice little slope just drops downward, right?
And it doesn't drop just downward it goes actually below the x-axis
Into negative territory and now this is the uncanny Valley
That's right, and that's why it has that name because it's a valley, right?
And this is where those things like really really lifelike androids live or
Or corpses live or zombies live because Mori
He he had the idea that if something's moving is even creepier than something similar to it
That's not moving so he actually created two lines on this graph
One for things that are animate and one for things that are inanimate
So if you look at this uncanny Valley on the inanimate line the non-moving line
You've got corpses are at the bottom of it, but if you look at the animate line
It's even it dips even further below than the inanimate line and at the bottom of those are zombies
So dead people up and moving around and saying brains is as creepy as it gets as far as this graph is concerned
Yeah, and he Mori wasn't the only one that Ernst Jynch that we talked about the German psychiatrist
He also talked about the fact that if you are looking at something that should not be moving and it moves
Mm-hmm. I mean, I think we can all agree that a
Baby doll that suddenly turns its head and looks at you, right?
Probably one of the creepier things you can witness, right? You know, yeah
It's about as creepy as it gets or have you ever been to an open casket funeral?
A few I'm not a fan at all. No, it is
It makes sense, you know
We've really kind of closed or put a lot of space in between us and death way more than we used to have in like the 19th
Century. Oh, they would sit up with the dead. Sure, right?
So this seems to be like kind of a holdover from that
but if you've ever been to an
Open casket funeral and have just stared at the corpse long enough like maybe it's arm or it's fingers or something
Your brain is so anticipating that they it's about to start moving that sometimes you can creep yourself out and make
Yourself think you did actually see it move. You'll also be asked to leave the funeral
Well, you shouldn't be like giving a commentary about this out loud, but you can you know, you can do it to pass the time
In the funeral if you're looking to kill some time
So here's the thing with all this
We know this happens because everyone kind of has this feeling but no one and all this research has been done and no one
Exactly sure why this happens?
so
Maury's essay and especially once it was translated a lot of research started happening in this area and
It's problematic though because
There there are a few different problems one is
Well, it's it's
Subjective this dependent variable whether you have an affinity for something is very subjective
So it's hard to kind of nail that down
Scientifically, right? All right. So the number two is human likeness, right? This is the independent variable. Yeah, and
if you have
human likeness
Like what does that mean? Like what looks human? What doesn't look human though?
Like we haven't pinned that down. So like if you can't pin these the dependent variable down and the independent variable down
It makes it really tough to study
Correct, and then there's a third one too. I love this one. Yeah, the third one is
You know the original hypothesis. It doesn't have a mathematical model that like really
Specifies the shape of this curve, right? So
It's still hypothetical I guess right which means that
So if you look at Maury's graph, it was he just basically made a line, right?
It wasn't based on any studies he'd done. The whole thing was really an essay more than anything else
So researchers who are trying to seriously study this scientifically have nothing that they're actually trying to
place their findings against which leads to
Put it puts them at risk for what's called the Texas sharpshooter fallacy. Yeah, greatest name fallacy around and
It's it's based on the idea that if you take a sharpshooter on Texas and have him shoot at the side of a barn a bunch of times
some of them are inevitably going to hit the barn and then the Texas sharpshooter walks up and then draws the bullseye around the
bullets that he already
Sunk into the side of the barn. That's the Texas sharpshooter fallacy
It's ignoring data like the ones where he missed the barn in favor of ones that fall into what you're looking for
The the bullet holes in the barn. You could do the same thing with the
Data that you get from testing the uncanny valley if you have no model to fit it into already
Yeah, I think they would have done better if they would have just instead of trying to prove something
To maybe just research and call it a thought experiment, right, you know, right?
But people are taking it seriously and we'll we'll talk about some of this research right after this Chuck. I
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All right, so we're back and despite the fact that
This is really tough to study. It's not even established that it's a real thing in everyone's mind by the way
There there are people out there who are really studying the uncanny valley and trying to pin it down
Yeah, one of these people is at Dartmouth College
Psychologists and I didn't look up there
mascot the
the
the
Pub darts the fighting pub darts at Dartmouth College. We're gonna hear from Dartmouth, but her name is Talia Wheatley
and she's done some research and has found that it's not just like
Some uniquely Western thing or American thing. It's kind of all over the world. She studied tribes in Cambodia and
They have these same sensitivities to these things that look human, but aren't human
And they've even found that and I think it kind of all comes down to the eyes
But they found just looking at the eye can be enough
Yeah
Somebody can tell whether it's a human or not just looking at a picture of the eye, right? Yeah, and that's where I think people lose
Credibility in and we'll talk about movies and sculpture and all that stuff
But they just never get you can't get the eyes right like you can't put life in lifeless eyes. Yeah
Hard they try only God can't
And
There was this other experiment where they
You know like where you can morph a face
Digitally or whatever like that Michael Jackson black or white video. Yeah, I think some people were creeped out by that even sure
But they would show this doll image and it would morph into a human face and basically they would have people mark where they
Where they thought that it would look more human than doll and it you know
It landed at about the 65% mark as far as morphing into human, which I mean you can't really apply that necessarily but just it's interesting off hand
65% point is about where the uncanny valley happened in Maury's mind
Yeah, I would think it would be higher than that. Yeah, but um, yeah, it's still super interesting
And you were saying that the eyes
You're and that's what you're betting on is that it's gonna turn out to be the eyes, right? Yeah
So trying to investigate what constitutes a human likeness
There's a researcher named Angela Tinwell and she basically says like yes
It's all about the upper facial features and that we we detect those we we
Read those and so if there's any anything that's even just slightly off and like, you know
The eyes or the brows or the wrinkles that form
That will lead to the the uncanny valley. That's the creeping part or the smile too. She also says well
Yeah, and all these things kind of come down to evolution and her point is like you can't battle millions of years of evolution
That has honed our our dumb little human brain to detect something that's off about a face, right?
It's just too much to overcome basically, right
this other researcher named
Carl F. McDormand
Who's from the University of Indiana who actually here's he's basically like dedicated his career to this now?
he found that
Certain kinds of people if you do like a personality inventory before testing for uncanny valley sensitivity
Yeah, some types of people are
Predictably more sensitive to the uncanny valley than others
Specifically, he found that very religious people that makes total sense. Yeah neurotic people. Yeah
and
People with high sensitivity to animal reminders. I don't even know what that is
It's basically anything that reminds you that hey, you're super civilized and you drive a car and you know how to play poker
But you're still an animal just as much as that ape over there is right an animal reminder
People who are sensitive to that kind of thing tend to go off on the uncanny valley as well
And then people who are anxious are more likely to experience the uncanny valley as far as McDormand is concerned
Yeah, that the anxious thing makes sense too because they're probably just more prone to be
I don't know just have a reaction to a lot of things like this, right?
But but we should say
The science in all this the fact that the independent and the dependent variable are still not defined the sciences
This this is like the scientific equivalent of that backward over-the-head half-court basketball shot
Yeah, that's the level of science that these people are carrying out at this point because they're they're a lot of them
Sadly are conducting experiments based on something that again doesn't have a set
Dependent or independent variable. So how can you do that is my question? Well, yeah, I mean because in each experiment, they're going to be using
different
stimuli
Different faces right whether it's a doll or a wax figure or a CGI character
And then they're gonna be doing different things and have different expressions and each person has their own subjective take
So it is very tough thing to kind of nail down
Yeah, and I think some of them are actually trying to form the basis of this field of study right now
They're doing the the the groundwork
But I think some of them also are like just chasing headlines like there's no better way to get get into the media cycle with your study
Then then releasing some findings on the uncanny valley. I was gonna people just like that up. Sure
They love it. One thing I thought was interesting was at Princeton
They tried this with monkeys and they found the same thing happen when they had these realistic looking but fake monkey faces
Mm-hmm the monkeys were like ah ah and turned away
It did make me think though like all the you've seen these situations where like an orphaned animal has a
Creepy puppet mother. Yeah, I know exactly what you're talking about and they seem to like that
but however and this is a bit of a spoiler but
Um
Toward the end of this article it points out that human babies don't have this reaction at first either and that it's kind of learned
So maybe that explains it maybe with the animals. I know you're talking about that that cage
Like wire monkey mother
It's super creepy. Is it black and white photo? Well, no, I mean they do it
There's all kinds of animals. Well, they'll they're have like a fake tiger or a fake duck or whatever
Huh, just so the animal will feed or I mean, it's usually an animal that that milks from the mother. I guess I see but um
It's a common thing they do for orphaned
Milk feeding or breastfed animals and they're always creepy, huh? Well, I mean to us. Yeah, but to a dumb baby monkey
They're just sweet. Give me the teeth. Yeah
There's a t-shirt
Maybe even a band name
Sweet give me the teeth. Yeah
Yeah, this kind of falls into the long band name category. Yeah, sure
But here's the thing is not everyone agrees with this
Whole thing like you said earlier, there's a man named David Hansen and he's a roboticist as well and Plano, Texas
and
He did a very very basic study
It was a survey
Where they showed
Images of two different robots that were animated to simulate human facial expressions and basically just asked hey
What do you think of this and 70% said I like them
Yeah, I can see why people had trouble with this study though. Yeah, he said not one person said they were disturbed. Yeah, okay
sounds good
For the most part though studies into the uncanny valley are like now we're finding something here
Yeah, although we should be suspicious of ones that basically show the uncanny valley
That Maury just graphed out of his like with freehand, right?
Like if you if you come across a study that shows that same thing, they're probably cherry-picking data
Are you about to say out of his butt?
There was another study Edward Schneider at SUNY Potsdam in New York, I bet they don't even have a mascot
they got together 75 characters from
cartoons and video games everyone from Mickey Mouse to Laura Croft and
Who is very attractive by the way?
She's a computer character. Yeah, I used to take my Angelina Jolie. Well. No, I'm talking about playing Tomb Raider
Yeah, I never played. Yeah when it first came out, you know, I played Tomb Raider and I was like, oh
Wow, look at her. Laura Croft is kind of hot
She well, she's she gets a lot of stuff done. That's very attractive
Not sure what that means. Well, she travels a lot. Oh, sure. She's an independent person. Yeah, that's what I meant
I was attracted to her mind and her adventures, right?
So anyway, they asked people in the study
How attractive do you think these characters are or how repulsive do you think they are?
and again there was a
A graph with a dip in it at a certain point as you would expect. Yep
careful
careful everybody
So if you're if you're a robot designer, right?
One of the things like even back in his essay written in 1970 Masahiro Mori said
There's there's problems here with movement there's problems here with the smile it has something to do with the face, right? Yeah
and
Somebody else said I don't remember who it was
but there's there always seems to be a lag time between how realistic a designer can make a robot and how
realistic a
An engineer can make that robot look. Yeah, right and that that disconnected Mori's mind was a big part of the uncanny Valley
but he also seemed to focus on the smile on the eyes and
And one of the things that's at stake like besides this just being like an interesting
Topic of discussion like there are actual real-world implications for this whole thing, right?
Like if you're a robot designer
You want to create something that's not gonna freak people out
Because the whole purpose of robots is to interact with humans and you want them to interact with humans
I should say life-like looking at robots, right? Because like Ford Motor Company is ever gonna buy an
Android that looks human to just work on an assembly line when they can get the same thing that does the same job
Cheaper when it just looks like a robotic arm or something, right?
Yeah, the whole purpose of a life-like looking robot is because that robot's being designed to interact with humans
And if you are going to run into this spot
Some people say it's not even a valley. Some people think it's insurmountable a cliff or a wall
So if you're gonna run up against this you you want to figure out how to overcome it because you don't want to creep people out with
Your creations. Well, and you don't want to spend a lot of money
to develop a
robotic Walmart greeter at every store
Because it's it's happening like this is coming people. Yeah, there's a robot called Geminoid F or
or Actroid F depending on who you ask
I've also seen her called Ellie
And she is out of this lab by a guy named Hiroshi Ishiguro
And he is probably the world's leading roboticist if you've seen any life-like android
It probably came out of this guy's lab, right? Yeah, and she is starting to get out there in the world
She's been a debriefer of soldiers coming back from war with PTSD
Based on the idea that they might share more with a robot that they knew was just a robot than they would an actual human
Yeah
She's in a play
She stars as an android good role
Right, and then there's uh Casper. There's a little robot called Casper
Yeah, Casper is a robot boy
With a great cause created to help children with autism learn to read facial emotions
Um, if you look up photos of both of these
Geminoid F
Looks great and really like Ishiguro is doing great great work. Yeah, he really is um Casper looks terrifying
Right, and so Casper is creepy, but that's not his purpose at all, right? No, of course his purpose is to
Like teach kids with autism how to connect, but if he's repelling them
Through this uncanny valley. He's defeating the purpose. Well, they should go to Ishiguro
And say hey, we have this great cause. Can you make us something that doesn't look like the stuff of nightmares?
Right, exactly. I wonder if Casper has been, um
Effective, you know, I don't know
I don't know. Oh
Now I feel bad. I didn't look into that. Well
Uh, I just I don't know. He's very creepy looking. I agree wholeheartedly. It's kind of like no, he's not finished
Get back to the drawing boy
Either that or and this is what mori said like go the other way like just make him not
Um human at all just cute or approachable, right?
So the roboticists are not the only ones who are facing this chuck
There is a I a pretty powerful moneyed contingent of people who are interested
Stakeholders in overcoming the uncanny valley or at least figuring out if it's totally
Insurmountable and that is Hollywood. Yeah, um, Hollywood has a uh, sort of a rich history
Of getting it wrong when it comes to creepy CGI characters
Um
Pixar had their very first short film actually is called tin toy
Uh, it's a little five minutes short and they showed it to this, you know, this preceded toy story and everything
Yeah, it was actually kind of like the the outline of toy stories plot
Yeah, but they showed it to test audiences and they made the mistake of making
uh, the baby billy
look too realistic and
Everyone loved tin toy and everyone hated billy. Yeah. Have you seen it? Yeah. Yeah, so I hate billy
He yeah, he's pretty hateable for sure and he is the antagonist
But he he struck some chord with viewers that the Pixar did not mean to strike right and they actually I mean this is
Extraordinarily fortunate for Pixar. Oh, sure. This is very early on in their history and um, they uh,
They learned from it. Actually, they're like, okay, note to self
Don't try to make any of these characters life like let's go a different direction. And so they came up with those
Um
Exaggerated features that that we've all just come to know and love
Yeah, which was a great great direction to go in. Yeah, obviously because they've had tons of success with that model
Right. You can make the case that it may have
Saved the the company because other companies and other movies for sure have not been nearly as fortunate
Yeah, uh, one of the first big uh, photo reel, uh, computer animated movies was final fantasy
Colen the spirits within you should never have a colon in your movie title by the way
So that was the first mistake, right? But this one was from 2001 and uh, based on the video game
and it was, uh
Off-putting to a lot of people and it was a big big bomb
For columbia pictures and but this is before
Uncanny valley had really been established before morris essay was translated. So
So reviewers didn't quite know what to say now. They would just say we've tumbled into the uncanny valley again
All right, uh, but they would say things like uh, peter travers great, uh, reviewer from rolling stone
Said at first it's fun to watch the characters
ellipsis ellipse
ellipse
But what's an ellipsis is that two of them? A couple of them
But then you notice a coldness in the eyes a mechanical quality in the movements familiar voices emerging from the mouths of replicants
He wrecked a distance
Yeah, so he's describing the uncanny valley. He just didn't have the name of it yet, right?
Um, and then a couple years later you had the polar express
Which became I think even more famous than final fantasy. Oh, totally as far as the uncanny valley goes
But again, it's like you said, you know, the reviewers didn't know how quite to put their finger on it
And I'm not quite sure how final fantasy was done, but I know that polar express
used similar, um
software and hardware to
what
um roboticists are using now
Where it's like motion capture, but rather than translating the motion to the robot
It's translating the motion into like a digital 3d rendering of the character, right? Yeah
So polar express was really
Really expressive, but not quite there
So it fell really hard in the uncanny valley and um, I think
David Germain of the Associated Press
Uh compared the kids in this heartwarming family Christmas movie to the children from village of the damned
Which is not what you want. It's not at all what the studio wanted and I think it lost a pretty decent amount of money
Yeah, uh, there was another one
And these are all by the way courtesy of robert zemeckis. He really had his
He went all in on this technology. Mm-hmm. Uh, I don't know why I think he just
I think sometimes you as an artist you can get so wrapped up
in
The coolness of wow look what we can do now
That you don't step back and look at what
You're doing like should should we be doing this?
Uh, because he also uh had a part in the uh bale wolf movie in 2007. That was a huge bomb
Um, and the new york times said this about that people who are meant to be enraged
Who are at risk of plummeting to their deaths?
Just look a little out of sorts when it was over
I felt relieved to be back in the company of uncreepy flesh and blood humans again. Mm-hmm
Sad and then uh, did you see the adventures of tin tin? Yeah, I really liked tin tin though
I did too. I think spielberg
I mean there is that uncanny valley a little bit
But uh, the story in the movie were so good. He overcame that I think I
Was about to say I think spielberg has come the closest to
To overcoming that chasm
Of anybody but did he do it through good storytelling or through the eyes? I I don't know
I don't know if it I don't know if it was a combination of the two. Um, I don't know but it is extraordinarily
It's an extraordinary so you know those that that that stuff you'll see every once
While somebody does like what beavis and butthead would actually look like in real life
Or what charlie brown would look like in real life. Fantastic, right?
So it it still is kind of got a cartoonish quality to it
That's the same thing with the tin tin movie
But it was like it was as if you were living in a dimension where humans looked
somewhat cartoonish
Is that making any sense or does that just make the whole thing even harder to understand? No, I get that
So so he somehow was like here. I'm not trying to to nail what humans look like
I'm going to take you to another world where these people live and if you lived in this world
You would look like this too. It's it's weird. It's like he he bridged an uncanny valley that doesn't exist in this dimension
Yeah, he built a temporary
Disintegrating bridge across the uncanny valley, right? I think the biggest example in recent years was or the one that got the most attention was in
Rogue one. Did you see that the Star Wars movie?
I haven't asked in any of the new Star Wars ones except for I seen the first six
I guess is okay, but none of the two new new ones. No, uh, well in
Rogue one they completely bring back to life grand Moff Tarkin
Who was played by the the deceased Peter Cushing?
And they brought him back as a character in this movie and
In the theater like when he when it first happens
He's got his back to you and it's sort of in the shadows and you're like, oh, wow like
That's pretty cool. And I didn't know that they would do that, but they
they got too comfortable I think and
showed too much
And gave them too many lines and too much light
And then it it became uncanny valley. Oh really? Oh, yeah for sure think about poor Peter Cushing's family having to see that
Yeah, I don't know
I'll bet they just weep during that that movie
Well, I'm curious about like life rights and image rights and stuff like that if they had to
Get that cleared. I don't even know there. I'm sure there's a backstory there. Oh Cushing was famously mellow
He would have taken and draw off his doobie and been like that's whatever man
Yeah, I think he spent the last year of his life on his weed farm in northern, california, right?
What about this mars needs moms? I had never ever heard of that movie and so
I went and watched the trailer and it still is like I have no idea what this is
Yeah, you know that comic strip bloom county. Well, you know, I'm a huge huge lifelong bloom county fan
Oh, okay. So berg, so maybe you know how to say the last name
It's berkeley breathed or breathed. Oh, I said breathed, but uh, I don't know if I've ever heard it said out loud
Breathed sounds nice. Let's go with that. So berkeley breathed the person the guy who did bloom county
Yeah, he wrote a book a children's book called mars needs moms and basically mars had some sort of shortage of moms
So the martians came and kidnapped human moms and it was up to the human kids to go get their moms back from mars, right?
Pretty cute little premise, but they took it and ran it through zemeckis's nightmare mill
That's what he called this company, right? Image movers digital was the was the trade name of it
But everybody knew to just steer clear of this place, right? Yeah, and this was like the apex
Or the what's the opposite of the apex the valley?
I guess so the deepest part of the cgi valley of the uncanny valley, right? It was
What what the stuff that they created it was so off
And just so spectacularly and classly off that when I guess disney came along and bought this company
They came in looked around and said we're shutting you down
This movie's it. We're not doing this anymore. What you guys are doing here is wrong
Um, and you're all going to jail. Yeah, here's my thoughts on that
I watched the trailer and it didn't look any worse than any of the other ones to me and in fact
I don't know the character's names, but there's a kid and then there's this one kind of chubby guy
In mars. Yeah, the chubby guy looked pretty good. Actually. I thought
I think this was a victim. I bet the movie sucked really bad
Yeah, and I think it was the last straw at the end of all these
Uncanny valley failures. Yeah, because this again, this is the same company that had created
A polar express. Yeah, the nightmare factory and a christmas carol did not do very well either
Yeah, so yeah, I think it it definitely bore the brunt of its predecessors as well
Yeah, I but I thought this was
As bad as it got if you ask me, I totally saw what what disney saw with this one
Yeah, anytime something is marked as the thing that killed the thing, right? It's always just the last thing
Yeah, you're right, you know, yeah
Anyway, but it could have also been the thing that saved the thing
Had they gotten it right, you know
That's true
So like I said, mori was like and every time I say mori now unless I say it like mori
Just saying mori sounds like an old jewish guy think I think of the wig salesman and good fellas
Yeah, mori
We're originators like give me money
And right leotas just in there laughing because mori's to pay falls off
Yeah, imagine that guy is the guy who came up with the uncanny valley. Okay. He gives a whole different spin to it, right?
So mori says
Um
Just don't even try guys like you're never going to be able to do this
Even if you can we're so far away from it. Yeah, this is in 1970. He was saying it and it still holds true now
Yeah, yeah, we're so far away from this that that just maybe
Put your put your emphasis elsewhere and the example he gave was say like a prosthetic hand, right?
Yeah, rather than trying to create a life like prosthetic hand that that was
In danger of creeping people out, which is the opposite of what somebody wearing a prosthetic hand wants
When they're walking around the prosthetic hand. He said, you know, maybe choose some like like wood well sanded beautifully grained wood
Yeah
In the shape of a human hand it gets the point across. This is my hand. I lost my hand
I don't have my hand, but there's nothing to be creeped out about here. It's kind of beautiful looking, isn't it?
Yeah, that was Mori's take and a lot of people side with him as well as a matter of fact
You know, I said I think at the beginning that he was already an established roboticist when he wrote the uncanny valley in
1970 and he went on to teach a lot of people roboticists or a lot of roboticists as well and
That very famous robot, uh, asimo asimo
You know the one i'm talking about
He was one of the first ones that could jog in place and he's kind of humanoid for sure
But very cute all white shiny lacquer plastic. Yeah, you've seen him before
Um, he was created by one of mori's students who clearly subscribed to mori's theory that
You you're not gonna you're not gonna overcome the uncanny valley
So just make these things exaggerated and non-human like yeah, and you'll you'll have people love your robot
Yeah, I think that's a good tech. Yeah. Uh, all right
We're gonna take another break here and then uh come back and finish up
With a little bit we're gonna take a step back and just talk generally about creepiness
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All right, so i promised that we would talk about creepiness
So that's what we'll do you promise chuck the creeps uh such a great phrase everyone says it gives me the creeps
It's just such a it just it's one of those phrases
It's a great phrase
It's a great phrase
Everyone says it gives me the creeps. It's just such a it just it's one of those phrases. It sums things up so perfectly
It's live it as a fresh bruise
and um
We have
Charles dickens to thank for this evidently because he gets credit for using the creeps
Uh and david copperfield in 1849
Uh people had had this feeling before this sort of unpleasant off
You know what it feels like to get the creeps, but they said things like eel like or clammy
Not bad
Not bad, but if you said
Ugh that thing makes me feel eel like today people would be like what the heck are you talking about right?
I think also you would use that to describe somebody who gave you the creeps as well like that guy's really clammy
You know what I mean sure well that means you're touching them though like like peter lorry
Would be clammy or eel like and some of his characters. Oh, you know peter lorry. I do too. All right
um
So everybody understands that there is such thing as the creeps, right? Mm-hmm, but
We don't understand
Why we get the creeps still to this day and again this is important and relates to the uncanny valley because
another way to put the creeps
Is negative affinity remember affinity was the x-axis. Yeah
And when the valley dropped down below the x-axis you dipped into negative affinity
You dip into the creeps the creeps exactly right so you talked about um Ernst yinch
Yeah, yeah, did I get it sure?
It was probably the first person to actually sit down and study
The creeps or creepiness. I bet he was creepy himself. I don't know. I think he was just kind of a neat thinking man, right?
so
yinch
Man, I like saying his name a lot more now
He wrote an essay in 1906 called on the psychology of the uncanny. Yeah, and that's the english translation
Um, the german word he used like you said is unheimlich. Is that right?
Uh, not in unheimlich
Unheimlich. Yeah, okay. Nice. You're getting better. Thank you
Uh, he he used that word and unheimlich is a variation of the word heimlich
Um, which is not just to say the maneuver. It means something else entirely which is homey or familiar
Right. Yeah, unheimlich is the opposite of that. It's something strange and foreign and very frequently
It's translated into uncanny here in the west. So you're here in in in england. Yeah, and he
he has uh
He thought a lot about this and one of the things that he noted which I think thought was pretty interesting
Was that people that he thought were more intellectually discriminating
Um
Are more prone to have these uncanny experiences because they're critical thinkers about the world, right? So, uh
That makes sense like just they pay attention maybe a little more
Yeah, or they're curious like they're they're like, why am I creeped out?
Let me get to the bottom of this rather than um creeped out
I'm gonna go eat a whole thing of chips ahoy and hide under the covers
Right. Uh, he also actually went even further and said it's
It's possible that all of humanity's knowledge has been accrued over these millions of years from the the
People investigating what's behind this creepiness. Yeah, it's a pretty weird and neat theory of knowledge
Well, yeah, and speaking of theories. There are a bunch of theories on
Creepiness um and why this happens and I think they're all pretty interesting
Yeah, the first one is called pathogen avoidance theory and we talked earlier about evolution
And um, this one kind of fits into that bucket
Uh, basically a warning
That we have evolved to have in our brain
It says that person is off. They are diseased even right. You don't want to go near them, right? You want to avoid that pathogen
Makes sense. Yeah, it's pretty under pretty approachable. Sure
Um, there's another one that I've seen that's I think a fairly recent and it's the idea that things
Give us the creeps when um, when they're trying to
Non-verbally mimic people. Yeah
And so like a robot doesn't do it
So we're like, oh, that's unsettling or
Somebody who you would describe as clammy or eel like maybe overdoes it a little bit. Yeah, like they're trying to fit in
It's not natural to them. Yeah, and that can give you the creep as well. That makes sense
But it doesn't really encompass everything. It's definitely not a unified theory of creepiness
It just seems to kind of inhabit one corner of the creepy spectrum
Yeah, uh, there's another one called violation of expectation. Um
This is like, you know, you've shaken hands with thousands of people over your life
but if you go and you shake a hand
And you don't know that you're going to get a prosthetic hand
It may give you the creeps. Right. Uh, and that is probably very fleeting because you might just say, oh
Oh, okay. Well, it doesn't give me the creeps now, but it's just unexpected for me
And actually you said that was fleeting, right Chuck? So I think it was huge or somebody who said
that
Creepiness what gives us the creeps one time might not give us the creeps later on
Yeah, which will kind of come into play later like Ernst Jynch basically he laid the groundwork for the study of creepiness
And it seems to have gotten a lot of it right right out of the gate
Yeah, and like you said, if it if it doesn't give you the creeps later
Then that would fit neatly into the violation of expectation because
Then you can change your expectation. Right exactly. Yes. Yes. Um, another one's mortality salience theory
It's good. Yeah, this one mori and uh, Freud both subscribed to and it basically said that um, we
When we encounter like a robot or an automaton in Freud's day
Um, they remind us of dead people
Which in turn gets our mind to thinking about how we're going to die one day
And so all of a sudden we find ourselves in the uncanny valley, right?
Which again raises another sorry for the sidetrack, but raises another of Jynch's points. Um, is
Uncanny-ness inherent in the object or is it inside the observer who's experiencing the creeps or uncanny-ness?
I think it's in the observer
Yeah, I think it is too, which would explain why it can go away when you when you come to experience it again
Yeah, like this when you go through that when you shake the same prosthetic hand again, you it's not creepy the second time
It might even be interesting or why some people might not
experience it at all like someone might sit there and
See a doll and the doll's head turns and looks at them and they're like neat
Right, how much for that doll? Which means you've just met a serial killer
And then the dolls creeped out after that
Uh, this one I like the um, even though I can never say this word for some reason anthropomorphism
Nice job dehumanization dichotomy, which basically as we attribute these human attributes to the robot
Until we realize that they don't have them
Right, so like we're looking at this robot that looks like a person
We're saying oh look it's just like a human and they're walking and they're talking and they're smiling and then oh god
Look at their eyes. Their eyes are dead. Look at the eyes. They don't they don't have any internal thoughts at all
They're not human. Yeah, and then all of a sudden on candy valley
Which is a little bit about expectation too. I think those are crossover a little I think sure
And so creepiness. I think especially the modern incarnation of creepiness
This is my these are my thoughts. They seem to be
They represent a crossroads, right where evolutionarily
Creepiness, I think
Was probably
It's it alerts us we're on alert when something's creeping us out. We're really focused on that thing right then
But we're also bound by society not to just turn and run
From anything that could conceivably be a threat
You can also take it a little further and say that
Evolutionarily speaking it would not make sense for us to turn and run from every single thing that could conceivably be a threat
Before we've identified it as a threat because we would be using up a lot of calories and energy
And we would have to find more food than we do it'd be inefficient, right?
So we're kind of bound socially to stand in place until we identify something as a threat or not in which case
During this period. That's when we experience creepiness
Yeah, and I think everyone has experienced this like you're in a coffee shop or something
And like some super creepy dude comes in
And if you're like me, you're just like, um, all right, I'm gonna I'm gonna keep my eye on that guy
I'm not gonna bolt and run, but it might stay near the door
Sure, you know, I might get my car keys ready. Yeah, exactly
Uh, it is it's this weird social contract. Um
And you know, I feel bad for people that just inherently look a little creepy
Well, yeah, let's talk about that. Yeah, so there was these there were these researchers from Knox College
Who did what they build is the first empirical study of creepiness and this is in 2016 such a great study
And um, it was an online survey very little heavy lifting, but it was a pretty pretty cool survey
it was in four parts and
um
What they found overall was that yeah, physical characteristics physical traits that are almost stereotypically linked to creepy people
Do have an effect. They are creepy
Um, as far as as the the participants in this study are concerned. Yeah
So the first section said hey, you know
What what is the likelihood that this person is creepy and there's like, you know, descriptions of them
There's 44 different behaviors, right? Yeah
Um, and the second part was the participants rated the creepiness of 21 different occupations. Love to see that list
um, the third section
It said list two hobbies that you think are creepy. I love that. They only needed two it was open-ended
And then the last section, um, the participants said whether or not they agreed with 15 statements about the nature of creepy people
Well, yeah, and overall again like they found like yes, if you have
physical traits that people find creepy like bulging eyes or
You lick your lips a lot or you know, you you arch your fingers and then just kind of tap them together a lot
Okay
It's kind of creepy but the the Knox researchers concluded that those aren't creepy necessarily in and of themselves
It's when it's in conjunction with other creepy behavior
That somebody comes across as creepy
Right
And of course the one behavior they put in here. I think that was probably universally creepy
Was someone who persistently steers the conversation toward a sexual topic, right? Yeah, you don't you don't do that
They uh, they also found no
They also found 95 of participants and this is like I think 1800 and so no 1341 people
95 of them said that men were more likely to be creepy than women. Yeah, I think that's generally true. I'd um
I don't remember getting the creeps a lot
in my life by uh
Strictly from the appearance of a woman, right?
But a lot of dudes on a weekly basis give me the creeps sure
But we we should say so there's a website called girl.com
To url.com and they went on to reddit and found a thread somewhere that they wrote a blog post about
And now we're reporting on it. So it's really come full circle
but it was a thread about how women can be creepy and it was written by dudes and um
There are some things that apparently are universally creepy
among boys
With women, right? Yeah
Women that are too needy can be creepy
Women who use baby talk too much
Or who quote never leave a guy alone
Yeah, I just uh, I'm just gonna go ahead and dump that right into the trash bin. Okay
That's my only comment on that. Okay
What about e-harmony? I mean if you come home and and uh, glin closes in your kitchen boiling your pet bunny
Well, that's a threat
Yeah, that's not even creepy. That's just a threat. Right
Although I will say in fatal attraction the um
The scene where she is sitting there
Clicking the light on and off listening to madame butterfly. Mm-hmm. That was that was kind of creepy. I was trying to think of like a
A creepy woman. I really couldn't come up with anybody. Well, these are creepy behaviors though, you know
Yeah, not like glin close close walked into the room and you're like, ooh, I don't know about that
Right, right, right. There's a difference
Right, there's a difference between genuine creepiness and
Just doing creepy things. Yeah, I think it is much harder for women to be creepy than men
Cannot think of a single actual creepy woman. No
I'd like to hear from people though. Yeah
Uh, e-harmony so we talked about reddit
Now we're gonna talk about e-harmony. Right. They had an article where they wrote advice to dudes
It was called how to avoid the creep zone. Right. Um
And their advice was
For your hobbies that you list to be just sort of vanilla. All right, don't like
And even if you are an amateur taxidermist, maybe don't put that down
Right, they said it it can be attractive for a guy to have an off the beaten path hobby
And one of the examples they gave of an off the beaten path hobby was collecting punk records
But don't get weirder than that
Yeah, and if you know taxidermy in and of itself, some people might say is super creepy
We did an episode on that other people might say no, it's just just beautiful artwork
Right, but Norman Bates was into taxidermy for a reason in psycho. Right. It was unsettling. Yeah, you know, yeah
and so um
They're the the nox people who who carried out this survey the nox university researchers
They basically said here's what we think it is here's creepiness explained
And what they explained was what can be called is the threat ambiguity
Um theory. Yeah, this this one. I think I kind of put a cherry on top on this one
Yeah, we really did like it
It's just basically where you are creeped out by something because your hackles are raised right then
And and it's because you haven't determined whether that thing's a threat or not. Yep, right
There's another one though that I
Subscribed to I think it is finally the unified theory of creepiness. I think it covers everything
And it's called the category ambiguity theory
Yeah, that was uh, now did david livingstone smith make this up or was he just championed this?
I think he made it up because he wrote about the nox researchers and said what they're talking about you can call
threat ambiguity category
Or threat ambiguity theory
With category ambiguity theory, he didn't cite anybody else. So it seemed to be his own construct
Yeah, so this is the idea. It's sort of like the threat ambiguity in that there is some confusion
but
It's not a threat like I think this dude in the coffee shop is going to kill me. It's more like
I don't know how to categorize that guy and that freaks me out, right?
And it's based on what's called
Essentialism yeah, right where if you are a member of a species of animal whether human or raccoon or tiger
There's something about you
Or there's some collection or set of things about you that that are
Totally unique to your species. Yeah, it's something you possess
Because you're a member of that species and because you're a member of that species
You possess these things and it can be very difficult to put your finger on it
But it's just one of those things that you know when you see it or know when you don't see it, right?
Yeah, and there are clear borders between these things you either have this essence fully or you don't have it at all
You're lacking it. You're missing it and something's really wrong
So in this article he used
The example of a wax dummy
Yeah, have you ever been to like Madame Tussauds? Sure. Yeah
Um, I find that the ones and again with the eyes the ones that work the best or the ones where they have sunglasses on
Oh, yeah, you know again Michael Jackson. That's right
But the whole point with these wax dummies with the eyes is
They're fixed. They're not moving around the facial expression is locked in
Uh, the skin itself, you know, they can only do so much and Madame Tussauds and museums like that are
They're the best of the best and they do look pretty good
But that's the whole point with the uncanny valley is
You can't get 99 percent there
And say we're fine. It's that one percent that still gives people the creeps
Exactly
That's and it sums up everything like the threat ambiguity could fall into this whether you're talking about robots
whether you're talking about a
Half dog half lizard combo which Livingstone sites or Livingstone Smith sites the desert. Yeah
A desert would be creepy when you saw it. Yeah, but so things that are a threat are creepy
But there's also things that are creepy that aren't a threat in this category ambiguity theory figured it out
So if that's true Chuck and David Livingstone Smith figured out what is the basis of creepiness?
We finally have the independent variable licked
And Masahiro Morty's uncanny valley graph and we can get to work. Is he still around?
Yeah, he is
I wonder if he's happy about all this
Uh, I get the impression that he's kind of like just whatever gone off on his own little thing. Okay, and he's fine
He wrote it in 1970 after all, you know, yeah, I mean almost 50 years ago. Yeah
Yeah, so he's probably up there. Yeah
Uh, you got anything else? I got nothing else. Good one. Yeah
If you want to know more about the uncanny valley, we should say this was based originally on a grabster article, too
That's right
But if you want to know more about the uncanny valley, come read that grabster article
You can type uncanny valley in the search bar at howstuffworks.com and since I said search bar is time for listener mail
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Take it away. It's a good one. Okay. I'm gonna call this one
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I'm a big fan of the show. It's informative and insightful and I find myself interested in things that I never looked at twice at before
One subject that I'd always found fascinating was the correlation between the Native American Choctaw tribe and the people of Ireland
I didn't realize that was a thing. Did you not at all? This is a story which isn't well
Okay, which isn't well known outside of some areas of Ireland and of course within the tribe
But it's a really good story of solidarity between two groups of people despite being thousands of miles apart
Less than 20 years after the Trail of Tears, which forcibly displaced thousands of natives the great famine hit Ireland
During this time, as you know, Ireland was colonized by the British and the people of Ireland were treated poorly due to the common
Misconception that Irish Catholics were a lower caliber of human
He goes on to give more examples, but just suffice to say it was not good for the Irish people during the famine
Word spread to America and to the Choctaw tribe. They sympathized with the Irish people so much that only 15 years after the Trail of Tears
They donated
$710 during 1845 to send to Ireland as part of a relief fund
This is estimated to be roughly $68,000 in today's money
This was greatly appreciated by the Irish people and after the famine the bond continued
In Cork, we have a sculpture honoring the tribute of the Choctaw people and in 1990 members of the tribe came to Ireland and walked
The famine walk in Mayo to replicate the walk that starving people made to ask the landlord for help
In 1992 an Irish commemoration group walked from Oklahoma to Mission to replicate the Trail of Tears and raised
$700,000 to help poverty in Africa
These two groups continue to work together and to this day our president has declared an honorary member of the Choctaw tribe
Along with the Quakers who fed Irish people to the point that their members ended starving themselves
The Choctaw tribe remained some of the unsung heroes of the famine story of Ireland. Sorry, it went on so long
I'm an Irish historian, so I tend to waffle. Love the show. Best of luck with yourselves
Royzen Kilroy
Fantastic
Great story. Thanks a lot Royzen. I'm quite sure that's not the actual pronunciation of your name because there's a lot of accent marks over
Letters there normally aren't. Yeah
So I apologize for that, but I nailed your last name on positive of it and Josh Clark three and a half stars
Not bad out of three and a half, right?
I remember what was star search. Is it four stars? Oh, I don't remember. I just
Just now remember there was such thing as star search. Yeah
Uh, well, uh, okay. Well, you take the end part Chuck since I took listener mail. Oh, jeez
Thanks for listening
Hey, if you want to get in touch with us, you can go to our official pages
Stuff you should know podcast. What else?
Uh, let's see if they want to send us an email. Oh, yeah
email us at stuffpodcast at howstuffworks.com
And uh, have a good day. Is that what you say? That's good enough. All right
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