TED Talks Daily - Going viral taught me the internet is broken — but fixable | Deja Foxx
Episode Date: October 6, 2025Digital strategist Deja Foxx went viral for speaking up at a town meeting — and then learned the harsh cost of being in social media’s crosshairs. She welcomes us to the “girl internet,” a gro...wing ecosystem of women-led platforms that prioritize privacy, community and respect. "We’re building a new, better way of being online, no matter your generation or your gender," she says.TED Talks Daily is nominated for the Signal Award for Best Conversation Starter Podcast. Vote here!Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.
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Too many students are packed into overcrowded classrooms in Ontario schools,
and it's hurting their ability to learn.
But instead of helping our kids,
the Ford government is playing politics,
taking over school boards and silencing local voices.
It shouldn't be this way.
Tell the Ford government to get serious about tackling overcrowded classrooms
because smaller classes would make a big difference for our kids.
Go to Building Better Schools.ca.
A message from the Elementary Teachers Federation of Ontario.
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You're listening to TED Talks Daily,
where we bring you new ideas and conversations
to spark your curiosity every day.
I'm your host, Elise Hugh.
Deja Fox was 16 years old when she went viral online,
and it turned her life upside down.
In her talk, the activist and content creator
shares the good and bad sides of online fame.
and how it led her to recognize the importance of women-owned and led social media platforms.
To create a safer, more equitable, and more inclusive online world,
Deja says we must build the girl internet of the future.
After her talk, check out my interview with Deja on this feed.
We sat down while on site at the TED conference in Vancouver in 2025
for our Beyond the Talk interview series to learn more about her work.
I was born and raised in Tucson, Arizona by a single mom,
and when I was 15 years old, I moved out because of her struggles with substance abuse.
The next year, 2017, while living with my boyfriend and his family,
my senator, voted to strip the funding that I needed
when I walked into a clinic with no money, no insurance,
and no parents to walk out with the birth control I needed
to take control of my body, my future.
It was personal, and I told him so
at a town hall meeting in Mesa.
I asked, if birth control was helping me to be successful,
reach for higher education,
why would he deny me the American dream?
Millions of people saw that video overnight.
I had gone viral.
My life went from private to public,
requests from CNN rolled in to go live.
The Washington Post called me the new face of Planned Parenthood.
Social media put me, a 16-year-old girl working at a gas station,
on even footing in the public discourse with the United States Senator.
My world has opened up in unimaginable ways because of social media,
both good and bad.
And in the nearly decade since,
it's made possible things I couldn't have even imagined.
But I've seen the dark side of insidious algorithms
and the ways that companies profit from them.
Like the day in 2021
when a stranger labeled me the enemy.
Four days later,
hundreds of thousands of impressions,
60,000 likes, 4,000 retweets, 600 replies later,
and this cyber mob had filled my DMs
and comments across all social media platforms.
And now I need you to be in my shoes for a second,
20 years old, isolated by an ongoing pandemic,
and to reach for your phone, first thing in the morning,
because it's also your alarm,
to wake up to threats to your personal safety
and information.
have a notification center full of comments
about how you look and speculation on an identity
that you, yourself, are only just coming to build.
Social media platforms didn't have a solution
for the hate that they facilitated,
but young people in my community did.
Maya and I met on Instagram through Gen Z Girl Gang.
That's the digital collective I founded out of a community.
my dorm in 2019, and ever since we've been committed to redefining the practice of sisterhood
in digital spaces. In 2021, we had never met in real life. But when I needed her, she was there.
She sent me a text, a lifeline, if I can be honest with you, send me your passwords.
She went in and deleted hateful comments and DMs before I could ever even see them.
knowing that otherwise I would be forced to open, experience,
and clear each and every one alone.
We deserve respect for our rights, privacy, and safety by design,
not as an afterthought.
And clear protections against hate and harassment
that are informed by our experiences,
standing up for ourselves and our friends.
I've seen countless gestures like this one in my time running this digital collective.
In our pandemic support chats,
girls who had never met volunteered their stimulus checks
to help a long-distance bestie in need.
They've shared thousands of internships, job opportunities,
fellowships that have become career-making moments,
first jobs for women they may never meet.
And big tech wasn't coming to save us,
but girls like my friends just might.
In my experience, it is teenage girls
that are the digital strategists of our time
in an internet not built for us.
We have built narrative and political power
one viral video at a time.
We've developed survival strategies like Maya
to protect ourselves and our friends,
and we're not stopping there.
We're building a new, better way of being online,
no matter your generation or your gender,
so let me be the first to welcome you to the girl internet.
Archive of her own was founded in 2008.
If you ask almost any girl my age about it,
she'll respond with the story of her introduction to the internet
via its sometimes salacious fan works.
but even more subversive is its structure.
A non-commercial, non-profit archive run by an elected board,
completely volunteer-powered, supporting a user base of over 8 million,
and its legacy brings us new, younger builders like Sarah Nakvi,
whose experience running One Direction Stan accounts as a teenager
has transformed into an AI-powered, VC-backed search engine for the fan girls called Lore.
And then there's sunroom where the girls get paid to exist.
Think only fans, personalized, monetized content,
but for everyone from fitness instructors to career coaches,
and yes, obviously hot girls.
But with content moderation done through a woman's lens
and zero tolerance for harassment and hate speech,
and if you still have questions about the digital world that we're building,
there's DM.
founded by an all-women team,
it's built to feel like you're asking questions
in the girls' restroom at 1 a.m.
Founded in 2023, it has a user base of over 100,000
and saw an increase by 700% in searches
in the days following the U.S. presidential inauguration in 2025,
and that's no surprise,
because a quarter of their searches
are about reproductive health.
and they're serious about our privacy,
guaranteeing anonymous searching in a moment
where major platforms are censoring women's health information.
And respect for their consumers and creators
is actually built into their business model.
They reward conversations that train their algorithm with gems.
They work a lot like credit card points.
You can use them at your favorite brands
or as donations to the causes you care about.
I even saw a dad of two little girls,
coming to DM to ask for advice.
He came away with everything from book recommendations
to affirmations from fellow users.
So while these apps are built by and for the girls,
their benefits go far beyond.
They model an internet with respect,
control, ownership.
And they have more in common than just being built by women.
They model a new, better architecture
for a digital world that we are building.
And this matters,
because in a world where 39% of adults under 30
get their news on TikTok,
this isn't some frivolous teenage pastime,
this is the new public square.
And we should not be forced to participate
and hate-for-profit business models
just to participate in that public discourse.
This year alone, we've seen migrations
from TikTok to Red Note,
Twitter, to blue sky,
as entrenched as the current platforms may seem,
they're not permanent.
These social media platforms
that influence the policies of countries,
entire economies are, by and large, younger than me.
And I was born in 2000.
Not to mention that many of the men who founded them
were younger than me, too,
and in the case of Facebook, at least,
at its origin, was more interested
in rating their female classmates
than democratizing who gets to participate
in our political and public discourse.
I stand in front of you today
because of the internet.
The college essay that I wrote on my phone
earned me a place at my dream university
on a full ride the first of my family to go to college.
A DM, a direct message on Instagram,
led to a job on a history-making presidential campaign.
And the following that I have built online
has turned into the support I needed
to launch my very first run for office.
I believe in the promise of the Internet.
And I'm asking you to join my generation to fight for it.
Let's build our digital future together.
Thank you.
That was Deja Fox, speaking at TED 2025.
If you're curious about Ted's curation, find out more at TED.com.
slash curation guidelines.
And that's it for today.
TED Talks Daily is part of the TED Audio Collective.
This talk was fact-checked by the TED Research Team
and produced and edited by our team,
Martha Estefanos, Oliver Friedman, Brian Green,
Lucy Little, and Tonica Sung Marnivong.
This episode was mixed by Christopher Faisi Bogan.
Additional support from Emma Tobner and Daniela Balareso.
I'm Elise Hu. I'll be back tomorrow
with a fresh idea for your feed.
Thanks for listening.
On October 17th
I'm an angel, see the wings?
Don't miss the new comedy Good Fortune starring Seth Rogen,
Aziz Ansari, and Keanu Reeves.
Critics rave.
It's heaven sent.
Don't you have a budget, guardian angel?
Kind of.
You were very unhelpful.
Good fortune, directed by Aziz Ansari.
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