Ten Percent Happier with Dan Harris - 93: Ethan Nichtern, 'The Dharma of The Princess Bride'
Episode Date: August 16, 2017"I don’t claim that ['The Princess Bride'] is a Buddhist story, but I do think it has some Buddhist elements," Ethan Nichtern said. "It's a deconstructed fairytale that's... really about tr...ying to navigate relationships from this space of compassionately not knowing." Nichtern, a senior teacher in the Shambhala Buddhist tradition, uses moments from the cult-classic movie in his upcoming book, "The Dharma of The Princess Bride," out Sept. 12, to illustrate his personal life -- he says his father's best friend is actor Christopher Guest, who plays the notorious "six-fingered man" -- and to discuss having compassion when figuring out relationships. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Hey there, the guest this week is awesome Ethan Nick turn. He is a long time meditation teacher.
All those pretty young guy, but he was as you'll hear.
And he's very interesting on this front.
He was raised in a Buddhist community, a very interesting one,
and controversial one.
And so he'll talk about that.
And he's got a book which is gonna sound lighthearted
to you when I tell you what the title is,
but actually it is much deeper than you might expect.
The book is called The Dharma of the Princess Bride, and he talks about how the Princess
Bride, which is a cult favorite movie, which I love, and I think you're hard pressed to
find somebody who doesn't love if they haven't seen it.
He talks about the Buddhist themes, and especially as it pertains to relationships in this movie, in his book about the movie.
So before we get to that in the discussion, we talk a lot about his personal history
which has some very interesting twists and turns.
So here he is, Ethan Nickter.
From ABC, this is the 10% happier podcast.
I'm Dan Harris.
So you got a lot going on?
Yeah.
Yeah.
Book and baby simultaneously.
How long before this moment did you, did your wife give birth?
One week.
One week.
As he is, one week.
Isabella Atlas is one week old as we record this
that's huge yeah huge it's really pretty small but she's small she's small only in stature right
but not in terms of I'm sure her vocal capacity gravitational pull yes gravitational pull
so is that everybody's healthy and happy? Everybody's very healthy.
Marissa, my wife gave it like kind of the everybody in the delivery room was kind of very inspired
by the way she handled the whole situation.
And everybody's healthy and Izzy was three weeks early, which was surprised, but happens.
And so it was nice to get used to spontaneous,
spontaneously arising phenomenon, we might say.
You're putting it in a Buddhist context already.
So, I mean, let's dive right into it.
I want to talk about your book,
but I'd love some background on you.
How did you start, how did you come to meditation?
You came by it as I know, very honestly,
but tell the listeners yeah so I I think there's a term for us
which maybe you're already pretty familiar with Dharma Brat Dharma Brat when
your parents are Western Buddhist people I don't think they call you a
Dharma Brat if you're you know from Tibet and your parents were Buddhist I think
they just call you a Buddhist person. But in the West, especially in the United States, if your parents were Buddhists,
my parents were both students of Choyam Trungpa Rinpoche, who was the founder of the Shambhala
tradition, one of the big voices of Buddhism coming to North America, especially Tibetan Buddhism.
And we've had previous guests who grew up in that lineage including your friend, Lord your Rinsler. Yes. Choyam, Trunkpa, Rinpoche, fascinating guy, controversial dude.
For sure.
For sure.
We can talk about him at some point if you want, but anyway, I didn't mean to interrupt,
but just filling out the picture.
Yeah.
So, let's see.
A few of these things are noted in my book, but I grew up here in New York City.
I lived the first two years of my life.
My parents moved from Los Angeles
then to a meditation center in Vermont.
So that's where I was a baby to toddler.
And then moved back to New York City
where my father was from.
And so group here in Manhattan as a Buddhist kid.
So I took my first class in meditation
around fourth or fifth grade, which was really boring.
It was led by one of the senior teachers,
Acharya's in the Shambhala tradition, Eric Speagle.
So I give him quite a lot of props
for putting up with a group of small group of kids.
I remember the girl in front of me
complained that I was breathing too loudly,
which made me feel bad because I had asthma.
Um, and, you know, didn't really get into it
because I was a kid and it was boring,
but there was a sort of awareness of being from a tradition
that was really interested in the mind.
And in high school, I started meditating.
Did a few weekend meditation retreats,
but really started doing it kind of on my own.
Like I would after school go into my room and like say,
I was taking a nap, but then meditate for like 15 minutes.
And then as I say in this book, it was, you know,
really when the first time I got dumped
after my freshman year in college,
that's when I decided I was a Buddhist.
So you got a big taste of groundlessness and said, all right, I'm gonna, I'm gonna,
I'm gonna latch onto this thing.
Yeah, yeah, it was really, I mean, it was, I think college was in very interesting time
for relationship to this just because, you know, you're studying all these ideas about
the way the world works.
In my case, also studying some ideas about the way the world can be deconstructed,
how much our views and solid views determine narrative of reality,
so kind of studying Western ideas of how that can be undercut.
And also just realizing that most of us were depressed or angry
or coming into our own, and trying
to figure out how to be humans.
Even going to an Ivy League school like Brown University, you realize, well, we are not,
I mean, I think it's changing now.
My high school actually has multiple meditation classes now, but you realize that we're not
always taught how to just
deal with our own minds.
And so it was very powerful to develop my own relationship.
And my parents, who had a lot of issues with each other, they were both really good at
letting me find it on my own.
So presenting it, offering possibilities to study or to, you know, go to the Shambhala
Center or other places like that.
But just really letting me come to practice and study on my own.
And I think they were both kind of surprised when I got so into it in college.
It's interesting because I'm interested in that.
A couple of things about that.
One is, you know, as a parent myself, and now you're a new parent, I've wondered about how or whether I should introduce
this practice to my son,
because if I force it, or if you or I force it too hard,
or force it at all, frankly,
it's likely to get rejected.
Yeah, that's true.
But you also wanna share this thing that's useful.
So it's a tricky, you're raising a dharma brat.
So it's a question of like, how do you handle that?
Yeah, yeah, it's, I don't know what the third generation
is called.
We have to come up with that name.
Dharma legacy.
Dharma brat squared, maybe.
Yeah, exactly.
But yeah, I mean, I think the, you know,
so my first real introduction to meditation
was when I was about nine probably.
And I do remember the notion that the mind is kind of like its own arena.
So I don't know when is the right age for a kid to start meditating.
Maybe just, I think they're doing a lot of studies about regulating a parasympathetic nervous
system and things like that that probably apply to children pretty young.
But I remember just the awareness that the world of thoughts and emotions was related to but separate from the outside world that one didn't necessarily describe the other.
Like, I mean, it's a very simple realization, but just the realization that you can think something, and it's not
the event that's occurring, is felt very powerful to actually realize that there's some play
with a world of perception, cognition, emotion that needs to be understood and experienced
in its own right. So I
Think I mean, I wonder what age you could just introduce a child to the idea that they're thinking and they can actually just watch their thoughts You know, there's one meditation
That one of my teachers Dr. Gail and Ferguson introduced called the thought party
Where you just imagine that a thought coming in is like a guest at a dinner party
or a guest at a party and notice how they're dressed
or what their behavior is and just kind of observe them
in a more playful space just to realize
that thoughts are something that come
and then reside for a while and then go away.
So those kinds of more playful exercises
I bet can be really helpful.
For sure.
There's lots to this.
I just know nothing about it, but it's coming down the pike for both of us.
It is, for sure.
So, but the other thing you said about your parents is interesting, is they had trouble
dealing with one another, and I know that around the time you saw the princess bride, which
is what we're going to get to soon, it was shortly after their divorce.
And that's just interesting to me that you can do the amount of meditation that I assumed
They had done in Buddhist practice and study and all that and yet you can have real problems in relationship
Oh, yeah, I mean, I think that like any other world the Buddhist world is full of examples of people who
as I say less pleasantly
You know suck at relationships, which is really all of us from a certain
point of view. So yeah, 1987, 1988, that was fourth grade and that was kind of a crazy
year in my world and one of the things that happened was my Buddhist parents breaking
up. It was actually after the first time I saw the Princess Pride because it was the
next summer. But yeah, it's really interesting to realize that I think there's a lot of
myth-making about relationships, which is why I wanted to write a book about relationships
that also had a playful kind of pop culture and personal experience or memoir edge.
You know, and I think from the Western side of things, there's this myth of like a rom-com myth,
like you're gonna find your partner,
and then credits roll and you're cool, you know?
And on the Eastern side of things,
I think there's this myth that these people
who maybe have been in monasteries or been in caves
or been in forests,
meditating for most of their lives,
that they must know a lot about intimate relationships,
friendship or romance or family. And really when you are a modern practitioner, these are a lot of
times the things that people are struggling with the most. And there's an assumption that somebody
else, somebody more spiritual, somebody maybe more Buddhist or more mindful, at least,
knows how to deal with relationships better, like that there's a master of relationships,
you know, like a Yoda or something of relationships, and I think that can be a really harmful assumption,
because that's the first premise in my book is that there's no such thing as a relationship expert,
which is not to say that there aren't great relationship therapists.
I'm just pointing that the notion of expertise is sort of this notion of having mastered
something.
And relationship is at least two people.
So an expert is one person.
So literally the term is an oxymoron.
And so I was explaining this to my father,
who's a really wonderful person and Buddhist teacher and musician. And he said, so what
you is what you're trying to say that a relationship is relinquishing your expertise. And I said,
yes, that's exactly what I'm trying to say. A relationship is the relinquishing of your own
expertise. Well, it reminds me of the whole Zen thing
about not knowing.
Yes, yeah, so beginner's mind.
Beginner's mind exactly.
And so it's interesting in the Western times.
Just explain, sorry, I think that term out there,
but can you, because it's your the guy who actually knows
what he's talking about, like me.
He's explained what I allegedly meant by that.
I've heard you use that trick before, Dan,
where you're the one who doesn't know anything,
even though you've kind of dedicated your whole life to this stuff now, and you're a well-known
journalist.
Yeah, but I forget knowing.
Pretty easily.
So, my understanding of where not knowing is coming from is there's a term in Sanskrit
prajna, P-A-R-J-N-A, is usually the way it's transliterated.
And that term, and sometimes in the Tibetan system they say it means
the highest knowing, but that a more literal translation could be like pre-knowing, like
before knowing or before certainty. And it refers to kind of a space of perceptive curiosity
that hasn't made assumptions yet. That's clear that knows what it might be looking for,
but is open.
It is really open.
I mean, from a certain standpoint,
I think this is kind of a true journalist's mind.
It's really like, I know what it might be,
but I haven't made jump to a conclusion yet.
And so before knowing or not knowing,
or and I believe Suzuki Rochi,
that was his term beginner's mind, No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, curious, but willing to not know.
How does that play out in relationships?
I mean, it's so interesting, I think,
the assumptions we make about any space of relationships,
friendship, parenting now, romance,
which is the big second section of the book,
the search for Buttercup, The Search for Your Buttercup,
or Studmuffin to even out the genders. And I think it actually starts before we even get into relationship with other people, the thing that meditation is so good at is taking a not knowing
approach to relationship with yourself, like to actually acknowledge, and I think sometimes this is hard because
we feel like we have to move through the world, being so certain about who we are,
what our profile is, what our brand is, what our identity is, what our resume is,
to just say, who is this person? What is it like to have a body and thoughts and emotions?
And so I think it's referring to a not knowing
that's strong rather than weak,
but it's really hard to sell this in Western culture
because I think knowing is so much our,
you know, I think we've seen this recently
that the person who claims to know,
even if what they're saying is a hundred percent false. I have no idea who you're referring to
That that claim to know something and be strong about knowing seems to carry a lot of weight in our world
So so I have a few more questions just on the on the biographical tip
Before we get into the book, which I know
I keep postponing, but you're an interesting dude, so I'd like to just run this down.
Let's talk about Trump for a second.
Yeah.
Trump, I appreciate that the teacher in whose lineage you grew up.
I just want to say for now, it's that I'm by no means an expert.
I've read a little a
little bit of his writing i watched
that movie about him uh... what's that called crazy wisdom
uh...
and uh... i think i hope i'm saying this accurately you'll just correct me if i
say anything if i step outside of the lines of accuracy here but
uh... i think the source of
of his
his being controversial is that on the one hand, I think widely recognized
as a brilliant teacher and somebody who achieved a lot in meditation.
I don't know how you can measure that, but just who is an a meditative adept.
But also arguably drank himself to death and had some
dalliances with his followers, including, you know, wives of
followers and outside of his own, romantic, outside of his own
marriage, and also could say and do some pretty outrageous
things that hurt people's feelings. So what is all of the foregoing accurate and
what is your view of the man now? Well, after that non-expertise talk, I'm definitely
not an expert on him. Did you know him? He was nine when I died. You were nine when he
was, yeah. But he was pretty young. He was in his 40s. He was 47 or 48. Wow. Yeah. All right. Yeah.
He, I consider that young now that I'm 46.
Yeah. Yeah. I just turned 39. So yeah, it's, it's nice to, it's nice to be the age of
your heroes, isn't he?
He'll always something like that.
I could suddenly be the other worst. It's not so nice.
But yeah, I mean mean a very interesting figure.
He was the memories I have of him.
He was very kind.
I was supposedly around him a lot as a baby,
because my father was the director for two years of
Carmen Chilling, the retreat center in Northern Vermont,
that he founded.
And so I don't have any memories other than like this kind, kind of high-pitched voice
Tibetan man who sort of looked like an
Middle-aged or old British man with this oxonian accent and sort of a feminine voice
Very stable, very deep eyes
It's important to note I am not his student. I'm a student of his son, Sakagami Pumse,
who's the head of the Shimalistry.
And he's apparently very, very, very, very different.
Energetically, very different.
You know, the way I think of Chugin Trinpa energetically, I've always related to him as
like a great artist.
I mean, I think when I read his books, there are some things that um, really uh, blow my mind and some things that I'm like, and I don't really understand
what you're saying here. I mean, a lot of his books are taken from lectures, which as an
as an author, that's a weird way to publish books, I have to say, because as somebody who
also gives a lot of lectures, it's a different style of orating or presentation.
I mean, you probably know this as well.
And so it's sometimes his language can come across as brilliant,
sometimes it comes across as opaque.
In terms of the controversy,
I mean, I think my parents might be better people to talk to.
He definitely, and this is the difference between him and his son, longevity was definitely
not his priority.
So, it wasn't just my understanding alcohol.
It was also just that he dedicated from 1970 to 1987.
I don't think he slept very much.
He was really, he was working on so many different projects.
And one thing I find really interesting about him is that compared to some other meditation
teachers, the range of societal aspects that he was interested in from Dharma art to flower
arranging to poetry, to creating a non-violent military meditation.
That's in the movie Crazy Wisdom, which I recommend people watch.
So he's doing something very different from other teachers.
Would I study with him personally?
I really don't know.
I do remember it, you know, and this relates to my book, that that year, 1987, when he died, there was definitely a feeling of among my parent and my parents' friends of him leaving
too soon.
And he also, one thing I really respect is he has some of the most loyal students I've
ever seen.
I mean, let's be honest for a moment, my generation doesn't commit to much unless you
can do it on Facebook, which is not true of everyone, but to generate a small group of
students who just really have tried to practice what he taught and really connect with him
feels very powerful.
But what about the ethical lapses?
Yeah.
Well, again, what some would view as ethical lapses?
Yeah, I mean, I think the main thing that I would consider an ethical laps in my rule
book, and just so you know, there are very clear ethical guidelines now for teachers in
the Shambhala tradition in terms of relating with our personal students, et cetera.
But you know, there's always different views on ethics, right?
So my understanding of what an ethical laps is is when you're either causing harm to somebody,
obviously, but if you're saying you're doing one thing and doing another thing.
So I don't know that much about him not being transparent with what he said
he was doing and I don't know much about him forcing people to do anything.
I don't think I've heard that. Yeah. So again, I think, you know, what I would say is if
you read one book that's important to read to understand
him is the book born in Tibet, which is actually one of the ones I think he wrote.
It was one of his first books.
And it was about him fleeing the Chinese Communist's full invasion in 1959 and being 19 or 20 years
old.
Because he was the incarnate llama,
he led this party of like 300 people out of Tibet
over the Himalayas.
It was a 10 month journey.
Most of them were either died or were captured.
At a certain point, they were boiling their boots
to, because the leather in the boots had a little bit
of nutrition that they could
have a thin soup and maybe get some nourishment and survive.
And I think only 15 or 20 people from the party made it to India to refuge.
So, like just think about what we know psychologically about the trauma that that would cause.
And I just find it powerful that that's the person who
became this bad leader of several thousand Western people.
And spend the rest of his life claiming that a wake in mind
and basic goodness were the nature of humanity.
So I don't think this happens a lot in Shambhala,
but being a trauma survivor has to play
into his story, and some kind of transformation of trauma into crazy wisdom is the way I make
sense of it.
But I don't think you have to be able to make sense of everything that somebody you respect
did, you know.
But it would be good to talk to somebody who knew him better.
But yeah, there is a powerful presence and absence dichotomy in his energy in my life.
Like he definitely is, I always like to say it this way in terms of lineage.
He's definitely, you know, at the end of return of the Jedi when all the dead Jedi are
holographically there and the fourth. He's definitely a Jedi in the forest for me. Yeah.
Am I one of the Ewoks? I'm seeing. Yeah. I'm like a furry little entertaining character.
I think you're a little more Han Solo than you give us. Okay. Cool. I like that. Thank you.
So, so you just to pick up in your chronology here,
you left us in college where you had gotten
into meditation, your parents were surprised.
Now you are an established writer
and a teacher with your own organization,
the interdependence project.
How did you get from there, college,
to here now full-time meditation?
So let'stime meditation teacher.
Yeah, so college really solidified my identity as a Buddhist and I did a lot of the
later stages of the Shambhala path becoming a Vajrayana practitioner right after college.
And I was at that point. Just a defined Vajrayana that is basically the term that the technical term to describe Tibetan practice.
Yeah, it's not the only place, but yet Tibet is the main and Tibetan lineages.
You know, the main thing that defines Vajrayana practice is it's the last sort of body of teachings.
And what's sometimes talked about in more stages, but is usually talked about in a three bodies of practice group of teachings and what's sometimes talked about in more stages, but is usually talked about in a three bodies of practice group of teachings that you kind of move into sequentially.
And the Vajrayana is the one that has different practices where you directly go to the nature
of awakened mind or different ceremonies.
It means that you view awakened mind as something that's already happening rather than like
when I get less neurotic after 10 more years of retreat, I will be able to maybe glimpse what the great masters.
So you take the view, Vajrayana is usually described as taking the fruition as the path.
The fruit is the path.
Yes.
In other words, if you start to believe that you do actually have awakened nature, which
is like in more, I guess, to use the academic term exoteric Mahayana traditions, awakened
nature is like viewed as a seed or a potential.
And then Vajrayana says, well, if you have a seed, it means the fruit must have already
sprouted because the only thing that leaves seeds is fruit.
So what if you could actually be introduced to a way of a group of ceremonies or visualizations
that actually takes the view that you are already awake and then work with playing with
that?
And these ceremonies of visualizations are sometimes referred to as tantra.
Yes.
So if I just, again, correct me,
I'm always ginger when talking about Buddhist doctrine and dogma,
because I know a little, but enough to be dangerous.
So the three schools generally are described as teravata,
which is the old school, maayana, which developed later,
and then Vajrayana, which comes out of Mahayana.
And one of the criticisms of Terevada, the old school,
which is the one in which I've sort of come up,
although my teacher, Joseph Goldstein,
mixes in Vajrayana stuff into his teaching.
One of the criticisms of this Terevada way
is that enlightenment is as you can kind of think of it as like this hill. And the enlightenment's at the One of the criticisms of this teravada way is that enlightenment is
as you can kind of think of it as like this hill. And the enlightenment is at the top of
the hill and you are hopelessly at the bottom, you got to get all this concentration together
and really be able to see so clearly into your moment-to-moment experience that eventually
you have this experience of Nirvana a couple of times and then maybe you're enlightened.
Whereas if you get all the way to the Vajrayana
school in which you've studied, it's like no, no actually it's right here right now. You can get
right to it through these special practices and traditions and rituals. Yeah. And that doesn't
mean it's stable or that doesn't mean there isn't work to do. It's just that the ideas that you actually work with flickering in and out of that style
of small moments many times.
Yeah.
Just taste it and then try to re-up that taste.
Yeah.
So one of the terms that's used in Vajrayana practice from the Tibetan term is Rigpa, which
means something like primordial or uncreated awareness.
And so it's that notion that you can actually work with,
rather than like how am I confused, or how am I screwed up, or neurotic,
you work with what knows that I'm confused.
This is a basic phrase that actually, I believe this is a paraphrase of a Chogium Trunca quote
that's often misquoted or misatt-attributed to another llama is he said
that which knows confusion cannot be confused. So if you work with the
knower rather than the to use my half Yiddish lineage the schmutz, if you work
with what sees the schmutz rather than the schmutz itself,
then you can actually gain confidence that you are fundamentally okay.
So many of these tonnetic practices are secret, but this one is not secret, and Joseph
Goldstein talks about this a lot.
So we do the basic teravada practice of just kind of watching the breath coming in and
going out.
Then I'll mix in this thing where we're just taking
from Vajrayana from a school of Vajrayana known as Zogchen.
D-Z-O-G-C-H-E-N, if you want to look it up.
And it's a really simple practice actually.
That will help people understand what it is
you're talking about, which is kind of close your your eyes and listen to whatever sounds are coming up.
So it might be some sort of hiss in the background of the audio here.
It just may be my voice.
It might be your dog barking, your kid crying, graphic, whatever.
And then the next move is just to look for what's hearing.
What's hearing?
And in that sometimes, you took me a long time
for me to get a taste of the rigpa
that I think you were talking about,
and maybe I'm diluting myself that I even got the taste.
But just a little, and it's nothing complicated.
It's actually, the harder you look,
actually, the more you're getting in your own way.
It's actually right there on the surface,
and they're like, oh yeah.
There's nothing to find.
Right? There is no little Dan Hummunculus in there that's actually hearing all these sounds.
It's like, I have no idea.
It's a huge mystery.
What is hearing this?
You're like brushing up against the mystery of human consciousness or actually just consciousness.
So anyway, I just said a lot, but you think I'm on my own point.
Yeah.
So the Zogch head and tradition is one of two sort of bodies
of teachings on what's called the nature of mind.
The other is Mahamudra.
I don't know why in the West, but Mahamudra is a Sanskrit word.
It's Chagchen and Tibetan and Zogchen is a Tibetan word.
So why one is called by, it's Tibetan name, the other by Sanskrit.
I don't know why.
In Shambhalla, we have a cycle of teachings
called windhorse meditation, which I could say could also be a kind of nature of mind meditation.
The reason it gets confusing is that a lot of the Vajrayar and teachings are secret in the sense
that there's sort of a context and a curriculum for introduction into them, but the ways that the
public mindfulness practices that you could learn
if you go to the Shambhala Center or something like that are taught are drawn from the nature of mind meditation.
So it's like you can practice what we call shamata meditation, which is mindfulness of breath,
noticing thoughts, noticing emotions, noticing
awareness.
And a lot of the instructions are actually drawn from the Mahamudra and Zogchim traditions.
So some of the teachings are hidden in plain sight.
And then some of the ceremonies for embodying what's called sacred world are more initiated, but it's not meant to be some
like, you know, some club with it.
It's more that there's kind of a sequence of context and that there's also a commitment
to compassion, a commitment to benefiting both oneself and others that one has sort of
deepened with before, because, you know, once you start playing, as I talked
about in this book, like, once you start playing with the idea that the mind really is like
a movie theater, and once you realize that you're kind of both the director and the projection,
you're both projector and projection, if you don't have a really good intention for working
with that, you could screw up yourself and others. So there's a commitment to liberation from confusion, to kind of a basic path of self-honesty,
and there's a commitment to a kind of path of working to benefit both self and others,
and then there's a commitment to working with a specific teacher.
And in the, this is a word that's often overused in our westernization of these eastern concepts.
But in Vajrayana or Tantra, the word guru refers not just to any teacher,
but the teacher you're specifically working with on the nature of mind meditations
and the visualization and mantra ceremonies.
So I'm a Buddhist teacher, but I'm not a guru because I'm not the main person people work with on that kind of practice. So
in our
lexicon and the west guru just means you're good at something
right? Exactly.
The original intention.
All right, so we've talked a lot about your your personal story and I've been delaying for no real reason other than that I'm just curious
about you.
Although I knew some of this because we know each other for a minute, but let's talk about
the Dharma of the Princess Bride, what the coolest fairy tale of our time can teach us about
Buddhism and relationships.
Why the Princess Bride?
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A lot of people hear the title of the book and they're just like, I get it.
First of all, I mean, just from the pop culture standpoint, this is one of the biggest narratives of our time.
This sort of notion of a deconstructed postmodern, hilarious, but incredibly poignant fairy tale.
But, you know, the last book that I wrote with the same publisher, F.S FSG. The Road Home was really kind of my, hopefully, 21st century, personally
relevant sort of overview of the Buddhist teachings, especially from the modern
Shambhala perspective. And the next book I wanted to write was something a little bit
more creative about relationships. And I definitely didn't want to write a dogmatic
book about relationships because there's no such thing as a relationship expert. I wanted to share this notion that we really do have to work with these myths
that can be pretty painful. One that we're supposed to know everything about relationships
and it's supposed to be a story book or that some other master knows about relationships.
And I wanted to write something that also honored,
you know, that spiritual teachings
happen within a cultural context.
So I think that part came from my publisher,
my first book, One City, was a small publisher wisdom.
And they had recently published a book called
The Darm of Star Wars.
Yes, yes, yes, yes.
Yeah, I interviewed that guy once.
Which was more kind of like, you know,
analyzing the Jedi code
from a Buddhist perspective a little bit more
like a manual rather than sort of a personal take on something.
So I remember saying if I ever did something like this,
it would be about the Princess Bride,
which is one of my favorite movies.
And I think the Princess Bride, I don't claim that it is a Buddhist story,
but I do think it has some Buddhist elements.
And it's really more about trying to learn about relationships over 30 years, because
the 30th anniversary is September 25th, and just sort of loving a piece of pop culture
over that time.
But the reason I do think the Princess Bride is sort of Buddhist is that it's a deconstructed fairytale, right?
So a lot of the work we do in Buddhist thought is about taking a narrative that feels solid that we might not even notice that we're living within a narrative, right?
You might not even notice being at ABC News that like a lot of the stories we tell fit a certain
structure of the way a story is supposed to be told. So there's a classic
fairytale story and a certain structure of the way a story is supposed to be told. So there's a classic fairy tale story, and the Princess Bride kind of demolishes that story, but is still
like a completely coherent fairy tale at the same time,
which is why it's so brilliant.
And it's a deconstruction unlike other deconstructed fairy
tales.
Like I'd argue that Game of Thrones is also deconstructed fairy tale like there's no real heroes
Everybody's just killing everybody. It's a very nihilistic
I would argue that Game of Thrones is a very Trump era deconstructed fairy tale. I love Game of Thrones so much
It's it's so cool. It's I think I I read, and this might just be some shard of faulty memory,
but I thought I read that actually,
he based that on worrying European civilizations
and just kind of put it in a cooler context.
Yeah, yeah.
And maybe, I mean, maybe it'll come back to,
you know, it seems like,
I mean, I think season 7 is just getting started
as we record this.
Might come back to the future as female.
There are heroes who believe in something and life is preserved and people like each
other.
But for the first six seasons, it's anytime you're rooting for somebody to have some values
that are of, they just get slaughtered you know so it's it's kind of a nihilistic
deconstruction whereas I would say that um because one thing about this because one thing they do brilliantly from storytelling to what they do a million things
really but the person who actually ends up having some values is the person who starts off by trying to kill a child in the first episode, right?
So the King Slayer, who they morph him from a pure bad guy, it's just something close to a pure
good guy over the course of the first six seasons. That is a narrative toward a force.
A null shut up. Okay, no, I think it's beautiful, but I don't, you know, the Princess bride,
and I think the reason,
you know, it's really interesting how it's grown
in popularity from being a movie that didn't actually
really do that well, to being like,
probably one of the biggest movies of the late 20th century.
Huge cultural touchstone for sure.
I would say that it's an optimistic deconstruction.
And for sort of the postmodern and contemporary era
that we're living in, where people don't believe in fixed narratives quite as much or wouldn't like to say we believe.
The notion of a deconstruction that leads you towards true love, you know, and that's what Rob Reiner said that that's the whole point is it's about a grandfather in the movie version, at least a grandfather coming to convince his grandson through just dealing with his
bratty-ness, talk about a non-Dharma brat, the grandson in that movie, that true
love is what life is all about. So it gives you all the poignant sarcastic
twists and turns, but you know only there's two deaths in the movie, that's true.
My father's best friend being one of the people who died.
The Six Fingered Man.
Christopher Guest.
Christopher Guest.
One of your reveals on the first page of the book
is that your dad was really close with Christopher Guest.
So, well, I always thought it was British
because I saw a spinal tab too many times.
His family's British.
Okay.
Yeah, his father was British.
But, and he was actually a member of Parliament for
he inherited his his father's seat in Parliament, which on top of his other pretty amazing resume
of of mockumentaries and other great comedic brilliances. But yeah, so I I just there's something very poetic about the movie and also
poetic about realizing that like no matter what happens it happens in the popular culture of this time and I think
Sometimes, you know studying for example the life of the Buddha
You know who is not the only awakened being who's ever existed. It's so determined by his own personal makeup and the world that he lived in that it's
really hard to figure out like what would that story look like if it happened to another
place in time.
So what about the Princess Bride is most, what are the biggest Buddhist slash relationship
lessons to take out of this film?
Yeah.
So, well, first of all, it's sort of where it fits into my personal narrative, which
is that it, the reason I got into it was because my father's best friend growing, he also
grew up in New York City and his best friend since early childhood was, and still one of
his very best friends was the actor Christopher Guest.
So that's, you know, the idea that my dad's friend played a bad guy was kind of
amazing and hilarious. And that year was this year that Cholgim Trunk would died, that my parents got
divorced, that my grandparents, my grandfather and his wife committed suicide together. So that,
I was gonna ask you about that. Yeah. They committed suicide together. What was going on there?
My grandfather had fairly advanced Parkinson's,
and he was a pediatrician turned psychiatrist,
and I think he just decided he had had enough,
and the interesting part was that his wife,
my step-grandmother, went with him,
and yeah, it was just a very powerful kind of decision.
So, traumatic year for a nine-year-old? Yeah, for anybody year for a nine-year-old?
Yeah.
For anybody, especially a nine-year-old.
Yeah.
And you also had some social issues at school?
Yeah.
Was social issues at a very hippie civil rights era school
founded on Martin Luther King's beliefs,
I was, as I say, in the first, in the introduction,
the second least popular kid in my class.
And in a very unbutus moment, I told my friend that year
who was the least popular kid in the class
that we couldn't hang out anymore.
So, you know, I'm very interested in in terms of my
parallel narrative along loving this movie,
which I'll get back to the Buddhist moments.
One is allowed long digressions on this podcast,
so just go. That's cool. This is like a four hour episode. Yeah, yeah, take a time.
I'm very interested in this space where people are trying to be good, mindful, spiritual,
compassionate people, and we don't always know what to do. And there aren't actually teachings in the realm of psychology or the realm of Eastern
spirituality or Western spirituality about like how to handle, like how should
one be a Buddhist kid or how should two Buddhist parents who realize that their
relationships not working like my parents break up skillfully or should they
stay together because they made a commitment
or something like that?
How would one commit suicide skillfully?
What are the responsibilities of a Buddhist teacher
to students, et cetera, as you brought up with Joe
Guim Trinclah?
And then, I think later, talking about a Buddhist view
of friendship, romance, and family, and using
moments from the movie to kind of illustrate my own path with that.
And I think the basic premise of the book is the Princess Bride comes in as kind of this
playful, cultural narrative that's meant a lot to me and meant a lot to a lot of other
people.
But it's really about trying to navigate relationships from this space of compassionately not knowing. So if you just want me to give the spoiler, sometimes
people think that the most Buddhist line in the movie is when Wesley, who's the
man in black or the dread pirate, Robert said that moment, says to his beloved
buttercup who he's angry at. Life is pain-hinus, anyone who says
different is selling something. But I think it's not quite the most Buddhist
line because life is not just pain, but life includes pain. But the most
Buddhist line in the movie I think is Fezic, Andre the Giants character, when the
man in black is coming up the cliffs of insanity and Inigo, Montoya has agreed to to duel him
and Fesec says to his best friend Inigo,
you be careful, people in masks cannot be trusted.
That I think is the most Buddhist line of the movie.
But tell me why. Because I think for me the path of mindfulness
is about becoming more and more transparent with ourselves
and who we are, and that's where actual presence and compassion and confidence in oneself.
You're taking back the term on masking.
Yeah, I mean, I do think that's what I think a lot of times people give up on meditation
because they're like, okay, now I get to go through the world.
I have this stressful life in the world.
And I get to give myself a better mask. Like I get to give myself a better defense system.
Let it take a breath.
Let it take a breath.
And to realize, and this is where I actually love
the teachings of Chokim Trunkpa, this notion of becoming
more and more tender and more available to the world
through practice and more authentic.
You know, that's really one of the words that in the Shambhala tradition we talk about most often is authentic presence.
That's almost synonymous with this often misunderstood term, anata or anatman egolessness.
How do you just be authentically you?
And so that was, it was really important to share a lot
of my personal struggles with friendship, romance,
and family in the book, because I do think sometimes
with both psychological and spiritual masters,
the practices, the role of the teacher
or the therapist is the master teacher or the therapist is the master or the master is like non-disclosure and
There's a there's a reason for not disclosing your own process because it might take
the the focus off of the student or the client, but I actually think a lot of times we try to come across
as a mirror for other people and we just end up looking like a brick wall.
And I think for me, you know, with my teacher, when he talks about his own personal process,
you know, when I've worked in therapy, actually hearing what the process is like for someone
else, especially when you have all these myths about,
like, there's this notion that the Dalai Lama
must be great in relationships.
Well, I mean, I think the Dalai Lama
is a great human being, a great teacher,
but I'm hoping he would be the first to admit
he's not that good at romantic relationships
by, he's a monk, you know?
So, and then you have this sort of Western romcom, which that's the other beautiful thing
about the Princess Bride, is it totally kind of annihilates a romcom scenario by naming
the Object of Afection Buttercup, which is just hilarious.
It's in a very male-dominated film, that's like the ultimate kind of undercutting of
the Objectification of women of just making the whole thing ridiculous. I think we really have to work
with like how do we become more and more vulnerable, authentic, and present with
not knowing rather than like let's use mindfulness to create a new mask or a
new defense mechanism because people who try it realize that doesn't work pretty
quickly and they either blame the practice or blame themselves.
And I think that's why people quit, to be honest.
What's the Buddhist take on, have fun storming the castle?
That's the title of the conclusion of the book.
I think it's a notion of joy, and just like actually the joy of direct experience and actually
Experiencing things directly and I'm looking at life as more of
Game than or as Chogun Trunk. I like to call it a cosmic joke rather than like
Something that's so intensely serious. That's a great take on it. Yeah, I was asking the question as a joke
But no, that's a great answer that it. I was asking the question as a joke, but you gave a great answer.
That is the title of the conclusion of this book.
That is how I would say one should approach
the issue of striving and ambition in our lives.
All right, just see it as like your storm in the castle,
Billy Crystal's exhorting you to have fun while doing it
and realize that it's kind of a game
and not a game at the same time.
Exactly.
Yeah.
Yeah.
So there's a lot.
If you pull a lot of, I mean, that's the thing about this movie.
And it's just meme central, right?
I mean, it's just, that's always my experience is like that when you even mention the movie,
I mean, some people haven't seen it.
And it's interesting. That's embarrassing. Some people haven't seen it and it's interesting that's embarrassing some people haven't seen it they
know and they are in person like i know i should have been you didn't like
the movie
uh... actually uh... my friend donken trussle
uh... said he wrote a blurb for the uh... for the book and he said that if you
read my book
before getting into uh... horrible relationship with someone who loved the
princess bride he probably would like the movie.
So I took that as like super high price.
Tainted circumstances.
I think, well, I think the things we like
dislike our contextual to our own experiences, right?
So that's the interplay of the memoir aspect
of the book too.
Have you met someone who didn't like it?
No, and I have to say, in preparing for this interview
to the extent that we're prepared, which is embarrassing.
I realized that I actually attended, it was in part, I was part of the orchestration of
a for Good Morning America of a reunion of the cast.
The Princess, right, a couple of years ago that I had completely forgotten I had done.
I would say it was back in like 2009 or 10 or something like that.
So Billy Crystal was there.
Was it for the 25th anniversary?
I have no idea.
Probably.
I don't know if you remember, but many minutes ago in some other conversation, part of
some other tangent we were on, I said, I have a terrible memory.
I really have a terrible memory.
So I don't know why.
I don't even remember the other actors who were there.
It was the woman who's now in House of Cards.
Robin Wright.
Yes, she was there.
And also in Wonder Woman.
Yes, she was a great Wonder Woman.
Wonder Woman is a great movie, by the way.
I have not seen it yet.
Oh, it's really good.
You've been a little busy.
But I have to say, my wife and I are big getaways
as we go see movies together.
And we both really liked Wonder Woman.
It's really good.
So they're cool.
And they handle the, now we're really off in detention,
but they handled the feminism part of it
in such a really cool, subversive and often funny way.
Anyway, Robin Wright was there
and a few of the other actors were there
and it was really cool to sit with them.
And Billy Crystal, like, totally goes for it.
He'll say all of his lines,
and he's as awesome as he might suspect.
Wonderful.
Yeah, I did get a chance to talk to Christopher Guest about the movie.
I got a chance to talk to another friend to many Patanken for a really.
He didn't show up at this reunion.
He's a is he what's he like?
I think he's amazing.
He was he was super kind.
I mean, he does he have a Buddhist practice?
So he's a he's a meditator. Yeah. He refers to himself as a jubu. Yeah.
And, uh, get him on this podcast. All right. I would love to have many
been hanging on his back. I will. I will. I'm a huge admirer of his. Yeah. I'm a big,
I'm a, I'm a big, uh, homeland. My wife loves, loves him. Great. Sure. And, uh, yeah. I mean,
I, I think it's kind of, he actually said,
I told him the first line of my book, you know,
the famous line that Inigo says,
hello to the six-finger man, hello,
my name is Inigo Montoya, you killed my father,
prepare to die.
So the first line of the Dharma, the Princess Bride,
is hello, my name is Ethan Nickturn,
the six-finger man was my father's best friend,
prepare to read.
And I said that to him,
and he said, well, I'm getting a little bit choked up because he is apparently a fairly intensive
method actor. And he said that he was, I can't remember how old he said he was when he was filming,
but the Prince has cried. But he said he spent a few months
before convincing himself that the six-finger man
had actually killed his father.
Not Amigo's father, Mandy Patengen's father.
And so the reason I talked to Mandy Patengen
is because he had written this op-ed piece for time,
because, you know, who wanted the biggest,
this is one of the funniest sort of interconnected
interdependent aspects of this movie to me.
One of the biggest fans of the Princess Bride is.
Senator Ted Cruz, you can look this up on YouTube or anything.
Does amazing impressions of pretty much all the characters.
I really liked his Miracle Max impression.
He's like wowing the Oklahoma City newspaper board with his Princess
bride impressions and Mandy Patenghen who's a more New York progressive person as
a my. I think what he wrote was it irritated him and but he really used it
as a commentary
on how the movie's not really about revenge, even though his character is seeking revenge
against my father's best friend, which is another interesting interconnection, and how
he really realized that revenge doesn't work through reflecting on the on the movie. And you know I took a
playful swipe at Ted Cruz impersonating Miracle Max because you know when Miracle
Max's heart is touched by true love in the movie and this very clearly happens
he does offer accessible health care to the poor. Ted Cruz not so much. So you
know I think there's a,
it's interesting how the narratives that we love
allow and they sort of mask a lot of like,
cognitive dissonance, that's the other thing
is you can love something and realize like,
oh wow, that's interesting.
Like, I don't know that Atlas shrugged,
you know, as a kid reading that, would know that
that's a huge libertarian.
Bob Red, Atlas Shrugged as a kid.
Or as a college kid.
College kid.
Still tough to get through it.
Yeah.
It was tough to get through.
Yeah.
In closing, I just want to point out that, well, you believe, and I agree with you, that
Romcoms can sometimes set up faulty expectations about romance, you know as you said before you find your
Perfect match and then the credits roll
For a guy who's struggled quite openly with relationships things are working out reasonably well for you
I mean seven days ago. You had a baby. You got this book coming out. You're happy marriage. It's like
You know, I'm not bad. I know it's you know, it not like credit's rolling or anything like that, but you know, muzzle.
Yeah, no, and so it's, it's thank you so much.
Yeah, Marissa, I refer to her as the real Buttercup,
which is, you know, because Buttercup is,
it's a myth, the notion that you're going to,
and I think that's what the title Buttercup refers to
is this notion of objectification,
of sort of the deification of romance,
which Buddhism is a non-theistic religion,
religion really, or tradition,
I don't really consider it a religion,
refers to this notion that we're not gonna find
an external savior, like we are gonna find support,
we might find support from the cosmos,
who knows the rules that really govern the cosmos
But nothing's really gonna save us from dealing with our own heart and mind and that's a central
premise to to Buddhist thought and every Buddhist practice and so
Really the romcom myth is played against this notion of how we actually you know
Even though we live in an increasingly agnostic atheistic society there, that a lot of people think like, I mean, a lot of people think the new iPhone is going to save them,
you know, and that's the way that the press conference that unveils the new iPhone often goes down,
like it's actually looks like a church gathering. But we often feel like if I find the right person,
I won't have to deal with myself anymore. And so I love Buttercup, and I talk about the quest for Buttercup in interesting late
20th or early 21st century Buddhist context.
I love the way that it kind of undercuts that quest for salvation.
So then I do refer to my wife, who I've been with for the last four wonderful years,
Marissa as the real Buttercup, just to bring another layer of irony to the whole thing. And she does have eyes like the sea after a storm. But
things are going well. Yeah, she's and I'm very I'm incredibly she's a
meditator and I identify as a Buddhist as well. You know we have in some ways
very similar spiritual paths I think in some ways, very similar spiritual paths,
I think in some ways, very distinct,
but I'm super impressed.
And, you know, she's a very creative person.
She works full time.
I do have to say I am super impressed
by what working mothers actually do.
That is completely uncredited.
Just the notion that you are a completely equal person in this world
And then all of a sudden it's almost like a transformer your body just turns into this factory and
You know sort of regulator for another human experience and she's just she's handled that process like kind of
Kind of like are you just showing off? You know?
so
You know and we often don't understand each other, you know, she's a Libra, she likes
her world very well organized, I'm a cancer, so I get my feelings hurt sometimes, and but I
think we have really good, I think that is the key to mastering a relationship is finding
the mode of communication that works for you and
developing the trust to actually want to commit to it.
So we've been married for a little over a year and Sharon Salzburg officiated our wedding.
I call her the impressive clergywoman.
She must pronounce marriage.
But it's been really wonderful. And I think
a lot of my struggles with just sort of learning who I am and learning how to be, communicate
and really looking at the beauty of relationships has really, yeah, led to a really workable,
if not awakened, then at least, awakening relationship relationship. So yeah, I feel very lucky.
Congrats on everything.
Thank you for being such a great guest,
even though you're seven days out from having a baby
and I'm sure sleep deprived and my best too,
is he and your wife?
Thank you so much.
It's great to be here.
Okay, that does it for another edition of the 10%
Happier Podcast. If you liked it, please take a minute to subscribe, Okay, that does it for another edition of the 10% happier podcast.
If you liked it, please take a minute to subscribe, rate us.
Also if you want to suggest topics, you think we should cover or guests that we should bring
in, hit me up on Twitter at Dan B. Harris.
Importantly, I want to thank the people who produced this podcast, Lauren Efron, Josh
Cohan, and the rest of the folks here at ABC, who helped make this thing possible.
We have tons of other podcasts.
You can check them out at abcnewspodcast.com.
I'll talk to you next Wednesday.
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