Ten Percent Happier with Dan Harris - A Toolkit for a Noisy Mind: How John Green Manages Anxiety, Depression, and Intrusive Thoughts
Episode Date: March 25, 2026Plus, how the bestselling author writes his way out of despair. John Green is the award-winning, #1 bestselling author of books including Looking for Alaska, The Fault in Our Stars, Turtles All the... Way Down, and The Anthropocene Reviewed. With his brother, Hank, John has co-created many online video projects, including Vlogbrothers and the educational channel Crash Course. His most recent book is Everything Is Tuberculosis. In this episode we talk about: John's toolkit for managing thought spirals and dispair Why he wrote a whole book about the thing that terrifies him How he maintains hope in a chaotic and unfair world Finding the "self" Shame reduction through naming What John learned from his time as a chaplain in a pediatric hospital His current view of God And the question of how much––or how little––we should be sharing about ourselves with other people Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel Join Dan and Emmy Award-winning journalist Allison Gilbert at 92NY on May 17th for a live conversation about how mindfulness can deepen connection and combat loneliness, available in person and via streaming. Register here. Join Dan, Sebene Selassie and Jeff Warren for Meditation Party, a 3-day immersive retreat at the Omega Institute in Rhinebeck, NY, October 16–18, 2026. Register here. To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris
Transcript
Discussion (0)
This is the 10% Happier Podcast. I'm Dan Harris.
Hello, my fellow suffering beings. How we doing?
Today we've got a wide-ranging, super interesting, and in its own way, very practical
conversation with the writer and YouTuber John Green, who has a lot of experience, way too much
experience, I think he would say, in managing anxiety, depression, and intrusive thoughts.
We're going to do a deep dive into his toolkit for managing the aforementioned, which includes a lot of effective strategies.
We're also going to talk about his view of God, how he maintains hope in a chaotic and unfair world,
and why he wrote a whole book recently about the thing that terrifies him.
Many of you know John Green, but for those of you who don't, he's the author of many, many best-selling books,
including Looking for Alaska, The Fault in Our Stars, and Turtles All the Way Down.
He's not only a writer.
He does a ton of stuff on YouTube with his brother Hank.
John has created something called Vlog Brothers and also an educational channel called Crash Course.
So John's coming up.
Before we dive in, though, heads up.
We're in the middle of a five-day meditation challenge over on my new meditation app, 10% with Dan Harris.
And it's not too late to join.
The challenge is called Even You Can Meditate.
Every day it features a new meditation from the great Sebenace-Silasi.
And then twice during the course of the five days, we do live video sessions where you can
ask questions of me and Seb. The first video session already happened, but you're not too late
to join the second one. And don't worry if you sign up after the fact, this challenge will be
available on demand in perpetuity. Again, it's available exclusively over on the 10% with Dan Harris app.
Head on over to Danharris.com to join us. I should mention that this challenge is actually designed
in part to celebrate a new audiobook or Audible Original that Seb and I co-wrote and co-recorded.
That book is also called Even You Can Meditate.
And if you want to check it out, you should go to audible.com.
One last thing to say on the promotional tip, I am doing a live event in New York City.
I would love to see you there.
It's at the 92nd Street, Why, on May 17th.
You can meditate with me in person.
I'll be guiding a meditation and then taking your questions and talking all about how to fit this practice into your life.
And especially focusing on how it could be helpful at a time when so many of us feel so anxious.
and angry. I'll put a link in the show notes. Seriously, I would love to see you there.
Okay, we'll get started with John Green right after this.
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Rates subject to change.
John Green, welcome to the show.
Thanks for having me.
Pleasure.
I started a podcast this way recently.
I'm going to try it again with you.
And I asked this question in the opposite of a perfunctory, casual way.
I'm just curious, how are you?
you've been incredibly candid about ups and downs psychologically.
So just like today, how are you doing?
Today I'm doing really well, which is certainly not a guarantee.
I wouldn't have told you that earlier in the week because there are ups and downs.
I've lived with OCD for most of my life.
I've had periods of major depression.
Right now, all of that feels a little distant.
It feels very well under control.
It feels like I'm able.
to live the life I want to live.
But I also know that as the old Liberian proverb goes,
no condition is permanent.
The Buddha could have said that.
It's interesting to know it's an insight arrived at in Liberia as well.
I noticed that you said a couple of days ago you might have felt differently.
So this is really subject to change.
Yeah, I just think a few days ago I was having a lot more stress
in my personal and professional life.
And so things were a little more hectic.
little more challenging, but the blessing of building a set of tools in your life that you can use
to help with mental health problems, and I've had now 25 years of getting to work on this stuff,
is that the periods of challenge don't go away, but for me, the intensity of them can shrink
and also the length of them can shrink. And I wish that I'd known that when I was younger,
because I feel like when I was in my 20s,
it always felt to me so permanent.
Depression felt utterly permanent.
It felt as permanent as the sun.
And in my periods of depression,
it would feel like there was no escape from it
and there was no future.
I mean, I can't say this universally,
but now I think with the benefit of,
like I said, the toolkit and also,
I think just maturation,
I understand that these things can be really intense and really challenging, but I can also have
a rich full life at the same time.
And knowing that, like, knowing that it's possible to live with mental illness and also
have a good life is really important for me.
I think it's important just for everybody to know whether they have a diagnosis like major
depression or OCD or that just worried well that a good life can.
include, inevitably will include ups and downs.
Yeah.
Yeah, no big ones.
I'll definitely want to get into your toolkit in a pretty big way.
But before we go there, I'd be curious to hear a little bit more about your situation.
You mentioned depression.
You mentioned OCD.
Are they separate?
Is one the product of another?
How does it work as far as you can tell?
I'm definitely not an expert.
I don't want to pretend to be an expert.
don't come to me for expert advice on anything, let alone mental health. But my own experience
has been, and I think this is backed up by research, that OCD is pretty highly correlated with
major depression and anxiety disorders. And so people who have OCD often also have
concomitant depression or anxiety problems. For a long time, OCD was classified as an anxiety
disorder, and now it's classified a little differently. I don't know how much did it
depend on those classifications. I think my personal experience has been that not being able to
close the loop on a thought spiral is extremely anxiety-provoking. If, for example, I have a passing
thought that there might be a radon problem in my house, and I can't get rid of that thought,
and I can't reassure myself, and I can't close the loop on that thought by finding certainty that there
isn't a radon problem in my house, even by installing a radon detector or calling the National
Radon Federation or whatever. And then it comes to a point where I'm using these compulsive
behaviors, making phone calls, checking, checking, you know, reinstalling different radon detectors,
etc. That's a response to the overwhelming anxiety, and the anxiety is born of the fact that I don't
want my family to die. I don't want my family to die of radon poisoning or whatever else it is.
OCD tends to strike what we love the most and what we care about the most.
It tends to strike us in the places that are the most relevant to us.
And for me, that's the health and well-being of my family a lot of times or the health and well-being of myself.
And that's what I have to manage, I guess.
Like I said, great benefit of having that toolkit is that it's easier to manage.
But, yeah, it's been incredibly hard over the years.
I'm sorry, that really sucks.
I have some people I'm very close to, extremely close to, who have received the diagnosis of OCD,
so I have some familiarity with it.
But just for those who don't, you talked about these thought loops, these thought spirals.
I can say, and I think this is quite common, that I get into those occasionally, like, for me,
it's always very self-centered.
Am I losing my hair?
And I just can't fucking stop thinking about it.
or I looked fad, I think, in some recent picture,
and I'm just going down the rabbit hole
and I literally lose sleep about it.
Or we have a dip in our podcast numbers
and I start thinking I'm going to have to sell the house
or whatever it is.
My understanding, and you'll tell me,
if I'm wrong about this,
is that OCD is that normal thing,
but just exponentially worse.
Yeah, just where it completely takes over
your ability to be conscious in the world.
so that I can't read a menu, let alone a book.
There's this great end of St. Vincent Malay poem, I quote sometimes.
I think she's talking about depression, but it works for OCD2.
She says, night falls fast, today is in the past, blown from the dark hill hither to my door,
three flakes, then four arrive, then many more.
And it's like that for me.
It's like there's like three snowflakes of thoughts, and then a fourth one,
and then it's an absolute white blinding blizzard,
where I just can't think about anything else.
I can't distract myself from the thought.
There's a reason for me that the O comes first in OCD,
that the obsessive thoughts come first,
and then the compulsive behaviors are really born
of a desire to control that fear in some way,
trying to find some way to handle the obsessive fear,
some way to reassure yourself, some way to calm down.
And the problem is that over time,
those strategies that you develop, those compulsive behaviors you develop to try to deal with
these obsessive thoughts, they become quite isolating, at times quite paralyzing and overwhelming
on their own as well. I could imagine that both the obsession and the compulsivity would be
isolating because they're driving you deeper into the tunnel of yourself. Yeah, no, everyone else
lives on planet Earth and I live on planet. My family is about to die from radon poisoning.
Right. It's amazing to me how much you have gotten done and continue to get done with these incredible books you've produced and this YouTube juggernaut, never mind building and sustaining a family. I just find that very impressive. I don't know if this is a question, but I want to say, I find it very impressive how much you've been able to get done.
This is a more ordinary story than people think it is. I think a lot of us who live with serious mental
illness also have rich and fulfilling lives. And there are times when chronic illness really controls
what you're able to do and that's very frustrating. I get really, really frustrated when I'm less
productive than I want to be or when I feel like being unwell is hampering my ability to be in the
world. But there's a lot of ways to be in the world. And I think narrow constructions of productivity,
writing X number of books or making Y number of videos,
really can I think sometimes distract us from what's really productive.
There's a great line in one of my brother's books where he writes
that you will always be unhappy until you realize that one of the things you need to produce
is your own joy.
And that's something that I maybe haven't focused on enough
in terms of my thinking about production.
So I don't want to just think about, oh, I produce videos and books.
I want to think about how I also produce memorand,
and experiences and joy and richness and connection with other people.
A lot of people will be familiar with your brother, Hank, your best friend, partner in crime.
Do you think he was saying that we need to take care of ourselves before we can be productive?
In other words, if we understand productivity, even from a reductive standpoint of getting shit done in the world,
actually joy makes sense even within that POV because you're just really not going to be good at what you're
doing without the joy. Yeah, and also alongside the other stuff, that there needs to be a measure of joy
within the work itself, I think. You know, I'm really lucky that a lot of the work I do, not just
working on books, but also working on a crash course with a team of people, is also joyful work.
It's work that deepens my connections with other people that feels fulfilling.
I find a lot of consolation and encouragement in a sense of purpose.
And when I don't feel a strong sense of purpose, it's pretty hard for me to even get out of bed in the morning.
But when I do, it's a lot easier.
A lot of things that would otherwise overwhelm me can kind of fall by the wayside because I can tell myself, well, I know why I'm doing this.
I know why I'm on book tour.
I know why I'm getting out of bed in the morning.
I know I'm making podcasts and videos and stuff.
And when I have that clear sense of purpose, it's a lot easier for me.
Well, it feels like now we've kind of stepped into the toolkit.
And again, with the caveat that you're not a mental health professional,
we're just talking about what you personally do to keep your shit together to the best of your ability.
And it sounds like you just listed two things that are related.
Maybe three things.
Creative work, a sense of purpose.
and then doing it with a team you enjoy working with.
Yeah, my great friend, the late Paul Farmer,
who co-founded Partners in Health,
said almost everything that you do in your life that's valuable
will be done in partnership.
And I found that to be true.
Even writing a book, which feels like a very lonely ivory tower kind of work,
is in fact deeply collaborative,
deeply collaborative with my editor, with my publicist,
with the marketing team,
with the people who lay out the book
and decide the font and everything and the cover
and all of that collaboration.
work is really, really important, and it doesn't exist separate from the writing process for me,
but as part of it. And then making YouTube videos is inherently collaborative as well because it requires a team of people. I mean,
I still make vlog brothers videos alone in my basement by myself every Tuesday. But even that's a
collaboration because it's a collaboration with the audience, a collaboration with my brother.
I do find a lot of encouragement in collaboration and in creative work. I used to think that the only
purpose of creative work was to reach an audience and to, you know, that it had to be made as a gift
for the audience and that that was the point of it. These days I find myself thinking that in fact,
there's a lot that I get from it, and that's okay. In fact, that's good. I would write novels,
even if they were for an audience of zero, because I find a lot of fulfillment in it. I really enjoy
it and I really learn from it. I learn about myself. I learn about other people. For me, writing fiction
is a mirror in the sense that, of course, it's coming from me, and I'm the one writing it,
and so it's revealing to me of my own the deeper rooms of myself.
But it's also a window. It's a window into what other people's lives might be like,
a window into trying to imagine that other people have just as complex and multitudeness and
experience as I do.
I absolutely believe that creative work can be an antidote to all manner of despair.
and yet I'm curious to ask somebody who is himself in the middle of finishing up a book.
I find that it also produces despair.
Yeah, that's fair enough.
It's really hard.
It is hard, especially when you're trying to finish something.
For me, the initial drafting, the initial writing of a story or a book is full of discovery
and intoxicating intrigue, and there's real thrill in it.
And then even in the first set of revisions or so, you're still discovering so much about the story and you're still finding connections to other worlds.
Like when I was writing my most recent book, Everything is tuberculosis.
I remember in revision, I was really trying to balance the story of this young boy trying to survive multi-drug resistant tuberculosis with the history of this disease that's killed so many billions of people.
And I was still really enjoying that.
And then by the third draft or so, it was just drudgery.
It was really trying to get it right, not for myself or my personal fulfillment, but for the reader,
which is, of course, extremely important.
But it is really frustrating.
And there are times when you're doing creative work when it's super frustrating because you can't figure out a way into it.
You can't figure out what you're trying to do.
And that's really, really hard.
But hard is not the opposite of fun.
and I try to remind myself of that.
Hard is not the opposite of fulfilling.
Hard is just the opposite of easy.
And there are lots of things that are hard
that are also worthy.
I want to signal to the listener
that I have not lost the thread.
We will come back to John's toolkit
because I think that will be of high interest
for this audience.
But you did mention your recent book,
everything is tuberculosis.
And we're going to read a little bit
from one passage that my A.C.
producer on this episode, Eleanor identified. So this is a couple paragraphs. Brace yourself.
I should acknowledge, I guess, that one reason I'm interested in TB is that I have obsessive
compulsive disorder, and my particular obsessive worries tend to circle around microbes and illness.
Before the germ theory of disease, we did not know that around half the cells in my body do not,
in fact, belong to my body. They are bacteria and other microscopic organisms colonizing me.
And to one degree or another, these microorganisms can also control the body, shaping the body's contours by making it gain or lose weight,
sickening the body, killing the body.
There's even emerging evidence that one's microbiome may have a relationship with thought itself through the gut brain information access,
meaning that at least some of my thoughts may belong not to me but to the microorganisms in my digestive tract.
Research indicates that certain gut microbiomes are associated with major depression and anxiety disorders.
In fact, it's possible that my particular microbiome is at least partly responsible for my OCD,
meaning that the microbes are the reason I'm so deeply afraid of microbes.
This is a fascinating reading, and you just makes me wonder, like,
why would you want to dedicate yourself to a book about the thing that terrifies you?
Well, I'm interested in it, for lack of a better term.
There's a great Virginia Woolf line where she writes about how.
given the extent to which illness has shaped our lives and has shaped our communities, you would
think that great epics would be written about it alongside love and war and the other great
topics of epic literature. And yet relatively rarely do we write and read about illness.
I've always, I guess, been of that Virginia Woolf persuasion that we should write and read
about it more and think about it more. Now, I sometimes think about it unhealthfully, but I want to
understand it. I want to understand it because I want to understand myself, but I also want to
understand my community and my social order. Like, what does it mean to live in a world where a
million people die every year of a disease we've known how to cure since the 1950s? What does
that say about us? What does that say about the world we share in the world we might share instead?
But I also want to write about it because it does just fascinate me. Illness fascinates me the
temporariness of us and everything we love fascinates me and I haven't fully reconciled myself to it.
What does it say about us that hundreds of thousands of people are dying all the time from this
disease that we know how to cure? And at the same time, you know, our government, the United States
government, both of us are citizens of the United States. Our government has pulled back from
funding global health in ways that appear to be directly leading to fatalities.
don't think you need to say appear to be. I think it is. And we saw hundreds of thousands of people
get their treatment interrupted. And we know that when your treatment for tuberculosis is interrupted,
so it takes about four months of daily antibiotics, usually to cure TB. And if we don't get those
medicines to someone every day, and there's a period where they don't take any medicine, it's
quite likely that they'll develop drug resistance. And that's a real, real challenge, especially in the
case of extensive drug resistance. That can make TB much harder to cure, and in some cases,
in some communities, make it impossible. And so we're losing 4,000 people a day to tuberculosis,
but I think that as a result of the pullback in the next few years, we'll see more people
dying of TB rather than less. And that'll really be the first time since the 18th century
that the number of people dying of tuberculosis goes up instead of down.
And that really is an indictment of the way we distribute resources, not just in the United States,
to be clear, but also in other wealthy countries. Ultimately, TB exists because we allow it to
exist. And that's what I wanted to write about. There's all kinds of things in life that are just unfair.
It's not fair that I have OCD. It's not fair that my brother had cancer a couple years ago.
It's not fair that kids die of cancer. All kinds of things in life are unfair. But when we have the
tools to do something about injustice and we don't use those tools, that makes me especially
angry and frustrated because it's not just that it's unfair because we don't know what to do.
It's unfair and we do know what to do.
We're just choosing not to do it.
Yeah, I think another word you could describe aside from it being unfair and cruel is stupid.
It's not like we don't share the planet with the other people with this communicable disease.
Exactly, yeah. I mean, it is really stupid to allow tuberculosis to still be a thing. You know, it gives
tuberculosis a lot of opportunities to develop further drug resistance and eventually it could develop
resistance to all our tools. And we could go back to a world like the one we lived in 90 years ago,
where my great uncle, Stokes Goodrich, died of tuberculosis in a sanatorium in North Carolina.
That is not unthinkable. It's stupid, it's callous. I guess what's most interesting and
distressing to me is that it reveals this deep truth about humans, which is that we know in our guts
that all human lives are equally valuable and equally multitudinous and equally complex and rich.
And yet we don't build systems that reflect that reality. Some of that is because of the nature
of structural impoverishment going back for centuries. Some of it is because when lives feel
distant from ours, because people may not speak the same language or may not use the same tools of the
social internet, it's easier to dismiss those lives. But ultimately, that's a failure of empathy.
I mean, we do have some technology problems when it comes to tuberculosis and other communicable
diseases. But the biggest challenge we have is an empathy challenge. Coming up more from John Green's
toolkit, we talk about the very tricky and interesting question of how you find yourself. And we
talk about how to reduce shame through naming. I'll let him explain that. Have you ever invested in something
That seemed incredible at first, but did not live up to the hype.
That happened to be back in the 90s when I invested in a company that made the Palm Pilot.
People of a certain age will remember those.
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Anyway, lost a little money on that.
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code happier at checkout. So the other thing that great passage I just from you that I just
read back to you, the other thing that it raises, this seems to come up.
a lot in your work and in your interviews is the insubstantiality, the unfindability of the self.
Like, how can John call himself fully John if his microbe is populated by other beings?
Indeed, half the cells that are made up of me are not mine.
Yeah, that's a little distressing to me.
I have a hard time with that one.
But of course, self is incredibly complicated.
Self is, in many ways, an illusion.
Like, I'm not the same person I was 30 years ago.
I don't have many of the same cells.
I don't have a lot of the same worldview.
I've grown and changed a lot, and I hope that I can say the same 30 years from now.
Self is a story that we tell ourselves, and we need to make it an expansive story
so that we're not stuck being the self that we were five or 10 or 20 years ago.
We don't want to get stuck in that story so much that we don't keep an open mind to be able to
change and grow. So if there's a positive to me from the fact that half the cells in my body aren't
mine, if there's an upside to it, if there's an upside to the fact that the soul is not something
that you can go into the body and pull out with a pair of tweezers, it's the fact that that
means that myself is also malleable. Myself can also change and grow. And that's actually
an encouragement, I think. So I try to see the upside of that, even if at times I do feel a certain
body horror in the fact that I'm stuck inside of a body with half the cells being microbes.
Yeah, and I think you've written about the fact that there's some mental horror of wondering,
you know, as somebody who experiences a lot of thought spirals, I believe you've put it, like,
who's the captain of this ship? If I can't even claim these thoughts as my own, I clearly can't control
them. Yeah, I mean, that understanding that I'm not in control of my
own thoughts is a hard thing to swallow for me. But of course I'm not. And the thing about thoughts
is that they're just thoughts. OCD and other disorders like it tell you the lie that your thoughts
are somehow incredibly powerful, that if you think your parents are going to die, they're going to
die. That if you think you're poisoning your family with radon, you probably are. Or at least you can't
fully reassure yourself that you aren't. But thoughts are just thoughts. Thoughts come and go.
people have all kinds of weird thoughts all the time all day long.
And, of course, the right thing to do when you have an unusual or distressing thought,
I've heard therapists say that it's like you're standing on the side of the street and you're
watching cars drive by.
And the right thing to do is you see a weird car and you just let it drive by.
And you're like, well, that was a weird car.
I bet there will be another car in a minute that'll be a different looking car.
But of course, what I do is I'm like, I got to get in that car and figure out what's going on.
And that's the wrong strategy.
Have you learned better strategies over time?
Yeah, I mean, definitely understanding that thoughts are not as powerful or as important as I believe them to be, or as, you know, I'm inclined to believe them to be, is it powerful for me?
Understanding that intellectually is, of course, different than being able to fully internalize it.
But understanding it intellectually is a gift and one that I take pretty seriously because I do.
find that knowing that as a ground of being is helpful,
just as knowing that myself is a story I tell myself is helpful,
because then I can kind of change the story if I need to.
Do you have a story you're currently telling yourself?
Is this like an exercise in some way?
Yeah, Dan, I'm just a dad from Indianapolis.
That's the story I'm currently telling myself.
Just a husband and dad trying to make his way in Indianapolis.
That's a really interesting question. I mean, I never want to put all my identity eggs into one basket.
For a long time, I thought of myself, like, I'm just a writer or just a public person. And if my value as a public person goes down, that means my value goes down. And if my value as a writer goes down or my books don't sell as well, that means I'm not as valuable as a person. And so I'm kidding when I say, I just want to think of myself as a dad from Indianapolis. But at the same time, I'm not totally kidding, because,
Those are the most important identities to me is, you know, my identity as a parent, as a spouse, as a son, as a brother.
Those core relationships are really where I want to put most of my eggs.
And then the eggs that need to go into the professional basket, they're important, but they aren't nearly as important as whether or not I'm taking care of the basics.
I really relate to what you're saying.
You and I are broadly speaking in the same industry as, I guess, content creators or whatever you want to call it.
And yet I'm embarrassed to admit, but I'm doing it anyway that most of the time my anxiety centers
around the stuff that matters less, meaning, as I referenced earlier, when the podcast
doesn't have a good month or I put out a book and it doesn't do that well.
I'm clearly consciously and subconsciously putting my eggs in the professional basket
when it's not the most important basket.
It's not the most important thing, but it is the easiest to measure, right?
Like, nobody tells you like your dad points are like 8% down this month.
And as a result, it'll probably continue to go 8% down next month, and then pretty soon you'll be out of business.
Nobody tells you that.
The good and the terrible thing about the Internet is that it's made all of this stuff very easy to measure,
and it's really easy to conflate what's easy to measure with what's important.
Man, that is true.
Back to this, the mystery of the self, I as a practicing Buddhist really see it through a Buddhist lens. Have you encountered much of the Buddhist thought and philosophy and practice around the self?
No, not a lot. I mean, I know a little bit about non-attachment, but I don't know a lot about the self. So can you educate me?
Well, I mean, it's just, I think you kind of nailed it to a certain extent when you said before that seeing the insubstantiality, the mystery of the self is good news.
because then you have the ability to change.
And in my understanding of the Dharma,
which is basically just the fancy way of saying
the teachings of the Buddha,
that is the foundational insight,
or at least one of them.
The other is what your Liberian friends have noticed too,
which is that everything's changing all the time.
And of course, that bounces right back to the self.
If everything's changing all the time,
how can there be a solid self?
Definitionally, there cannot be.
So that is the thing to let go of.
It's very hard to do, but through practice, you can.
I'll give you one quick one, and it came to mind when you were talking before about your intellectual grasp of the fact that thoughts are insubstantial, but being merely intellectual is only of limited comfort.
You can, I think, make it more visceral, and this I'm going to steal from my longtime Buddhist teacher, Joseph Goldstein, which is just to ask yourself the question when you notice that you're in a flurry of noxious thoughts.
Like, what is a thought?
Check it out.
Go check it out.
Don't just rest in the knowledge that there's no substance to us.
Like, go look for it.
And that can produce, at least in my experience, some visceral understanding of the insubstantiality.
Is any of that land?
Yeah, no, that really resonates with me.
It can be very helpful because I think a lot of people come to Buddhism for the stress relief,
but wash up on the rocky shores of this brain-breaking idea of the self-being an illusion.
but it on this level then becomes very practical.
Like I don't have to take my thoughts so seriously.
That's liberating.
Yeah, for sure.
And that they pass and there will be other thoughts behind it.
Indeed.
All right, let's talk about some of your other strategies in the aforementioned toolkit.
On my list here, that is the product of doing some research.
I see something labeled shame reduction through naming.
Does that ring a bell for you?
And if so, what does it mean?
It means, I think, the great Mr. Rogers line, anything mentionable is manageable.
And anything not mentionable tends to be not manageable.
And so for me, a lot of the challenge of writing and living in the world is finding form for the
formless, finding some kind of ability to give language to the way down deep stuff that's
really abstract.
And for me, that's where shame lives. That's where embarrassment lives. And if I can bring that
forth into the world and allow it to see light through giving it form or giving it some kind of
structure, then it becomes manageable. So how does that work on a moment-to-moment basis?
Well, I guess I can give you one example. Like, when I was writing my book Turtles all the way down,
which is about a young woman with OCD, her OCD is very different from mine, but, you know, we both
have the same disorder and we both struggle with a lot of the same stuff. I was trying to find
some way of not just saying what it's like. It's easy to say what pain is like. We almost always
use similes when we talk about pain. It's like a stabbing in my neck. It's like a hammer on my head,
whatever. But it's hard to say what it is. It's very hard to give direct form for pain, whether
it's psychic or physical. And that was sort of the challenge I set for myself with turtles all the way
down. And what I really wanted to do was bring forth my own shame by giving it language. Language
like, for instance, thought spirals. That idea wasn't inevitable or natural. Like, that's one way of
conceiving of it. There are lots of other ways. But language like that, and then also in the novel to
find structural solutions, find ways that, you know, Aza's internal voice can be loud enough
in the mind of the reader that the reader can experience some of what she's going through.
so that they're not just empathizing with her,
they are on some level experiencing what she's experiencing.
I made a note of anything mentionable as manageable.
That Mr. Rogers, he had a lot of good stuff.
He did.
It also kind of is consonant with my understanding of a meditation practice,
which is you sit and watch your mind,
either informal meditation or as you're just walking around the world,
and you notice hatred's coming up or fear.
and just the act of labeling it in the moment
creates enough distance so that you're not in it.
Yeah.
I cannot tell you how many times that has come to my rescue.
And I could also not tell you how many times
I have failed to do it and done a bunch of dumb shit.
Another thing on my list is,
and this has kind of come up obliquely,
but I think it makes sense to name it explicitly,
helping other people.
For you, I believe you've found
that one way to manage your own psychological struggles is to turn your attention outward.
Yeah, absolutely. There is only so much work I can do within myself and find fulfillment in it.
I also have to turn out to the world. And I know that's not true for everyone, but it is for me.
I need to turn out to the world and act in the world as best I can on problems.
And one of the challenges of that for me is that, you know, in the information landscape we all share now, there's a new problem every day. There's a new crisis turning our heads this way and that, and it's hard. The horrors abound in every direction. And that's true. All those horrors are real. It's not that they aren't real. It's just that if I'm looking in every direction at once, if I'm thinking about tuberculosis and malaria and climate change and HIV AIDS and and COVID and and and and and and and and and and forever,
I don't know what to do with myself.
I get overwhelmed and I get paralyzed and I have complete decision paralysis
and it's hard for me to even get out of bed and function.
What I've found is that taking a long-term view of long-term problems
is really helpful.
My brother likes to say that bad news usually happens all at once
and good news happens slowly.
If we were to really report the most important news story every day,
I would argue that the front page of the New York Times, every single day for the last 30 years, would read fewer children died today than any day in the last 5,000 years.
And that's been true almost every day for the last 30 years, right? We've reduced the number of people who die under the age of five from 12 million the year I graduated from college to 5 million last year. It's an incredible, incredible achievement. It wasn't natural. It wasn't normal. It wasn't ordinary. It wasn't going to happen anyway. It happened.
because hundreds of millions of people work around the world to make it happen. And that long-term
change has happened very, very slowly, infuriatingly slowly. It should be happening faster. We still
lose millions of kids every year needlessly. And so I don't want to pretend that, like, this isn't a
crisis. It is a crisis, but it's a crisis that can get better when we work on it, when we share
our attention to it. And whether it's maternal health or tuberculosis or climate change or
or any other big problem we share,
we can see these problems get better
when we work on them together.
And that outward focus and that long-term way of looking
and a systemic way of thinking about these problems
is really key for me,
really key to my fulfillment and happiness as a person.
Because the other thing is that then you're working
with interesting people and interesting problems,
which is fun.
It's fun, it's interesting.
It's interesting to think about
how to lower barriers to educational access
through something like Crash Course.
It's interesting to think about how to improve maternal and child health
and deeply impoverished communities like Sierra Leone,
where the government is desperate to be working on these problems
but just doesn't have the resources to do it.
It's really interesting, fulfilling work.
And I get to participate with thousands or tens of thousands of people
and working on those problems, and it's pretty fun, actually.
One of my glib little lines is the view is so much better
when you pull your head out of your ass.
Yeah.
I just see that over and over again.
And you and your brother have done a great job of really rallying your audience to,
and I believe these are your words, decrease the suck, but like as a team.
Yeah, yeah.
You're not going to decrease that much suck in the world by yourself,
but you can decrease a lot of suck in the world in collaboration and partnership with other people.
During this course of this conversation, we've touched on the bugs in human nature,
to be a little cute, we have an overabundance of bad bugs of tuberculosis because of the bugs in
human nature where we can be selfish and otherwise people, et cetera, et cetera. But then there's also the
features in the human operating system you've also touched on, which is well-intentioned people
working together in collaboration have brought down child mortality in some quite striking ways.
Given all of that, like where does that leave you in terms of your POV on our species?
Well, I'm broadly in favor of humans, which used to be a fairly well-established fact, but I think now is a bit countercultural. I'm not sure everybody agrees with me, but I'm quite in favor of humans. I think our capacity for wonder is extraordinary. I think our curiosity is extraordinary, but most of all, I think our capacity for collaboration is very, very special. You know, ants are great collaborators, too, but they don't have our brain power. I've been thinking about this because I live in Indian
which is the home of Kurt Vonnegut, the great American novelist, one of my favorite writers,
hugely influential person in my own creative and personal life. But there were aspects of
Vonnegut's work that really bothered me. There was one novel that he wrote in the 80s, I think,
called Galapagos. When someone would die in the novel, he would glibly say, well, they weren't
going to write Beethoven's Ninth Symphony anyway. And it's true, they weren't. I'm not either,
you're not either. And on that level, most people don't matter that much.
they weren't going to write Beethoven's Ninth Symphony anyway.
But the thing is, we only need one person to write Beethoven's Ninth Symphony.
What we really need are people to hear it, people to listen to it, people to be transformed by it.
And that's the gift.
It's not that it's some tragedy, like imagining a world without people is some tragedy
because nobody will be around to write the next Beethoven's Ninth Symphony.
It's a tragedy because no one will be around to hear Beethoven's Ninth Symphony.
trees, I think, falling in the woods will still make a sound, but Billy Holiday records won't.
And I really like us. I don't know that we are good news. I understand that we are a horror,
that we have committed unspeakable atrocities against each other, against other forms of life.
I don't mean to sound polyana-ish about this. But I think we can be good news for each other. I really do.
I agree.
Coming up, John talks about what he learned from his time as a chaplain in a pediatric hospital, a searing experience, his current view of God, the question of hope, and the question of how much or how little we should be sharing about ourselves with other people.
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I've asked about your view of the species.
I'm curious, like, what your view is metaphysically.
Like I understand in your younger years, you spent time training to be an Episcopal minister and also chaplain and children's cancer ward, I believe, which then I think went on to be the inspiration for your huge novel, Fultonar Stars, which became a movie.
So I'd love to hear a little bit of that story, but also like, where are you on God these days?
Yeah, so I worked as a chaplain at a children's hospital and did know a lot of kids who were really sick or who died, not just of cancer, but of accidents, of other illnesses. I was briefly in discernment, as we say, for the ministry. I'm still a Christian. I still am Episcopalian. I still work from within that religious tradition and find it helpful to work from within that religious tradition.
I don't, and this drives people bonkers when I say it, but I don't know how else to say it. I'm not
really that interested in the question of whether God is really real in the way that like a table
is really real. Actually, quite like a table, tables are constructed. If God is a construct or whether
God is a construct or a derivation is not the most interesting question in the world to me. What is
really interesting to me, I realize this separates me from a lot of people in my faith tradition,
But what is really interesting for me is what God wants in the world and what God wants from us in the world.
I mean, I'm interested in ideas of heaven in a metaphysical way.
I'm interested in what would be useful ways of recycling consciousness or maintaining consciousness.
I mean, I guess I think about that stuff sometimes.
But what I'm most interested in is what God wants from the world in my religious tradition.
And that's pretty clearly laid out for me in the gospel.
So, you know, it's pretty clearly laid out that wherever I see the sick or the imprisoned or those without clothes or resources, I see God.
It's pretty clear to me that the last shall be first and the meek should inherit the earth.
And for me, it's laid out in the gospels in a fairly straightforward way.
If you're not totally convinced that God is real, how do you know that the gospels are based on what he wants to see in the world?
Oh, I don't.
I mean, it's definitely a belief.
It's definitely a belief.
I haven't derived my theological worldview the way that you derive Newton's second law.
It's definitely a belief system and a theological system.
And that system, I guess maybe because I'm American,
I don't feel like it has to extrapolate out to everyone.
I feel like I can be quite individualistic about my theology.
Yeah, no, that makes complete sense.
I think I was just getting at, like, what you said before about God being a construct,
and it may be that our understanding of what he wants in the world is also a construct,
but maybe a useful one because we're kind of channeling the best aspects of the human mind in that process?
Yeah, and if you put Jesus at the center of history as Christians tend to,
then Jesus' teachings take on an outsize role in your imagining of the moral universe.
But I do think that for me, it doesn't really matter.
how exactly we came to this place. I'm happy to be there, I guess. Back to your time in the
Children's Hospital, I think you've described it as the Axis Monday or like the sort of access
of the world for you of your life. Like there's kind of a before and after. You say a little bit more
about why that is. Yeah. I mean, you know, I was 22 years old and spent six months being with people
on the worst days of their lives. And I have so much respect for people who work in children's
so much respect for people who work in children's hospitals for longer than six months who don't bomb out of it like I did
because it's hard work. It's hard to be with people as they lose their kids. It's hard to be with kids as they lose their lives.
And for me, it challenged really everything that I thought I knew about the world. I knew abstractly, of course, that life isn't fair and that there's both luck-based and structure-based.
injustice, but it's different to see it up close. And I never forgot it. You know, I never got over it. I
never have been able to put it behind me. And on some level, I don't want to put it behind me. I want
to grapple with the world as I saw it there. I want to grapple with the world as it really is. And
that's the world. I mean, I remember one of my chaplaincy supervisors saying that it's important
to remember that it's natural and normal for children to die. That historically half of
children died. Half of children died before the age of five. You know, most people who've been
born in the history of the world, most modern humans who've been born in the last 300,000
years, never lived to see the age of 20. And so I want to grapple with that world as it is. It makes
me not want to live in a natural world. I don't want to live in a world that's in a state of nature.
I want to live in a world that's shaped by empathy and by collaboration and by hard human work to
make life better, especially for the most vulnerable among us and who is more vulnerable than a
child. Well said. So after that experience, you stopped pursuing the Episcopal ministry.
Did that experience kind of shake your conviction in the existence of God? Oh, yeah. I mean,
it shaped my conviction about everything. I didn't emerge from that with really any understanding.
of a moral universe, I felt and still feel that the world either is random or behaves precisely
as if it were. The world either is indifferent to human concerns or behaves as if it were.
And, you know, I need to build a worldview that incorporates that and that still finds a way
to be hopeful. You brought me exactly where I was thinking I was going to go next, which is
that word hope, which can be triggering or saccharine for folks. What do you mean by hope because it
does come up in your public utterances, not infrequently. What do you mean by that and, like,
how do you generate it? I'd say I mean two things. One is that I mean hope that life can get better
for ourselves and for each other and for the most vulnerable people among us. Now, I don't believe,
of course, that hope is always rewarded, but I do believe that hope is always justified. And then the
second thing that I mean is a more existential hope, the idea that forgiveness is available to
of us at all times, the idea that all of us are worthy of that forgiveness, I mean forgiveness
from other people, but also forgiveness from the universe or however you want to construct it,
that that's the idea of radical hope, that even unto death and beyond death, that there is cause
for belief that we're going to be okay, one way or another.
I am both a big believer in hope and very suspicious of a lot of constructions of hope,
because I think sometimes I don't want to be hope-pilled.
Like when I'm going through a hard time,
I don't want to be told like everything's going to work out.
Well, and everything isn't going to work out.
I'm going to die, and everyone I love is going to die.
So hearing everything is going to work out just fine
is not very helpful when you're going through a dark night of the soul,
when you're going through a really difficult time.
Hearing that everything happens for a reason doesn't help me.
In fact, it frustrates me because you tell me the reason why this kid died.
you tell me the reason why people are suffering.
You tell me the reason, you know, I have a hard time with that one, personally.
I know it helps a lot of people, and I don't mean to judge them, but it just doesn't work for me.
What I mean by hope is that I want to find a kind of hope that can hold up to reality as I find it,
that can withstand the pressures and darknesses of reality.
And I do find that.
I find it in community.
I find it in the fact that we've reduced the number of children who die by 60% in the last 25%.
in the last 25 years. I find it all over the place. I find stories of hope, stories of people
helping each other, extraordinary acts of generosity and sacrifice among humans. I think that's the
part of our story that I want to lift up when I think about hope. Again, amen. One last question
I had for you just in preparing for this, something stuck out to me. You were being interviewed
by the New York Times recently, and you talked about the importance of not losing the magic of our
teenage selves.
Yeah.
Can you just say a little bit more about that?
There are two things about being a teenager that I find interesting.
And I want to be clear, being a teenager was terrible.
And so I don't want to go back to being a teenager.
So I do want to lose a lot of our teenage selves, right?
Like, there's a lot that you can put behind you as you grow and change into this new
imagined self, as we've been talking about.
But there are two things about being a teenager that I do want to hold on to.
And the first is first.
The first time you fall in love, it's so intense.
It feels not just like it's unprecedented in your own life, but it's like it's unprecedented in human history.
The first time you're grappling with grief, the first time you're asking big questions about meaning and suffering and what we owe each other and what we owe ourselves.
Like, there's such a lack of irony in those pursuits.
There's such an open and honest earnestness in them.
I don't want to lose that.
I really want to hold on to that earnestness.
And I know that like earnestness can be cringy and it can feel a little, you know, just.
I had this dog years ago, this wonderful dog, Willie.
And Willie would roll over and he would show us his belly,
and I would always think,
what an incredibly vulnerable making thing that is to do?
Like, that's where I could stab you.
And yet you trust me with this.
And there's something about being really earnest
that is a similar thing where you have to show your belly to the world
and it makes you nervous,
and it can make other people uncomfortable too,
but I think there's real value in it.
And then the other thing I don't want to lose
about my teenage self or my teenage experience,
is the way I loved other people.
I loved my friends in high school.
I went to a boarding school in Alabama,
and so I spent 24 hours a day with my friends and with my enemies.
And I loved the people I loved with such a ferocity.
I loved them so much.
I would never say that I loved them, of course,
but I loved them so much,
and I thought they were so cool,
and I loved being with them,
and I loved learning about them,
and it came from a place of real curiosity with no judgment,
And I want to hold on to that.
I want to hold on to the way I loved when I was a teenager.
Picked up my 11-year-old at school the other day.
And this is only his second year at the school.
And he got in the car and said, I love this place so much.
Oh, that's great.
Yeah, it's amazing.
Oh, that's such a great feeling as a parent, too.
You're like, oh, I did it.
Yes.
At least for one moment.
You know, when listening to you talk about loving your friends with that ferocity in high school,
Like I, for much of my adult life, just got so focused on my career that I let my friendships lapse and kind of woke up to this four or five years ago and have done a lot of work to reestablish that.
I'm going to a party tonight.
And getting back in touch with that has been incredibly moving for me.
Yeah, it's so fulfilling.
I've been thinking about it.
I mean, I'm so dependent upon my friends.
reliant upon them, but also they're relying upon me. Like, I've got this buddy, I won't name him,
because he'd probably be embarrassed by this, but he can solve any problem I have. Like, you know,
I have a problem with the kid's treehouse or something, and he'll come over and just, like,
fix it in five minutes. And I spent a whole day trying to figure out how to get the ladder to work
right. And he can solve all my problems. And one day he called me and he was like, hey,
can you go to the doctor with me? I just feel like I need a patient advocate. And I feel like you'd be a
good one. And I was like, I am a great patient advocate. I will go to the doctor. And I will go to
the doctor with you and you will be duly astonished by my brilliance as a patient advocate.
Like, there is something that I can give you back. And so there's a lot of joy in that for me.
Yes. Yeah, I have a friend who everybody calls him, Doug can fix it. Yeah, very similar friend.
What's on your mind these days? What else is on your mind that we haven't covered? What are you
working on? What are you interested in? I'm writing a new novel. I'm writing a novel about two kids in a
movie. I'm interested in Hollywood, but I'm interested in Hollywood as a lens into the world that we all live in now,
where we're all sort of commodifying aspects of ourselves and packaging them up and then
selling them for free to Instagram audiences and TikTok and podcast audiences and what that means,
what we lose in that process, what we gain from it, whether that exchange is valuable or
whether most of the value ends up getting captured by for-profit companies. So I've been writing that
novel, I mean, I've really been writing it since like 2018, but I've been very focused on it for the last
couple of years, and that's been really fun. And then I'm just trying to think a lot about the world,
the world around me. I'm trying to get outside of myself and literally touch grass, get off the
internet a little bit and go for walks, and I live near the White River here in Indianapolis,
which is, to me, anyway, the most beautiful river in the world and just being able to walk along
the White River and be alone with my thoughts and know that those thoughts aren't quite as powerful
as I once believe they were is a nice, just a nice way to go about being alive.
You have a Leslie Knope-level Indiana patriotism, don't you?
I do. I am a big, we have our problems, Dan. I don't wish to, I don't wish to minimize the
extent to which Indiana has its problems. But I really do love Indianapolis. I really love this town,
and I love the people in it, and I'm grateful to the people who stay, even when it's difficult sometimes to stay.
I feel a lot of a deep, deep connection to this place. I'm not a native. I moved here in 2007 for my wife's job,
very much a trailing spouse, and Sarah got a job here, and so we just moved here, but I love it. I really do.
Yeah, I wouldn't want to be anywhere else.
This novel your writing, is it at all based in any kind of ambivalence you have about being such a prominent player on the internet yourself?
For sure, yeah. I mean, there's no getting around the complex feelings I have about my own participation in the social internet. I have complex feelings about it because I feel like the social internet is not always a positive force in people's lives. Like I want my participation in it to be a positive force in people's lives, but I don't know that it is a positive force in the social order. In fact, I think it's been pretty destructive in a lot of ways. And I don't see it getting better. But also there's an ambivalence about what I've given up, what I've given up in the process of,
talking about my mental health,
talking about other aspects of my private life,
when you share something, you lose it.
It isn't yours anymore.
And there are blessings in that, of course.
You know, I mean, there are tremendous blessings.
I know that so many people have reached out to me,
especially after reading turtles all the way down
and told me how much it meant to them
and that they could relate to it
and help them to feel less alone
or help them to understand somebody in their lives
who lives with mental health problems.
And that's a gift.
I mean, a huge gift.
And yet at the same time, it's hard to get around the fact that I've lost something in that process.
And so I do have ambivalent feelings about it, but true ambivalence where I understand the upsides and the downsides, and I don't know where I land on it.
So part of you thinks that maybe you would be better off if your personal struggles stayed personal?
Parts of me would be better off, for sure.
But at the same time, and a lot of my personal struggles are,
personal. I mean, it's the other thing, right? Like, there's a lot I don't share. And then I think, well, if I
shared some of that, it might be helpful to people in the same way it's been helpful to people as I shared
my OCD or depression experiences. Problem with it is that to what extent do you have an obligation to the
public and to what extent do you have an obligation to yourself? And I don't have an easy answer for that.
I definitely do feel like I have an obligation to the public, but I think I might have a bigger
obligation to myself. Well, we have all benefited from your generosity in this regard.
Anything else that you were hoping that we would get to that we haven't managed to get to?
No, this has been such a great, wide-ranging conversation. What a thrill. It's a huge pleasure
to have you on. Thank you very much. Really appreciate it. It's a pleasure to meet you.
Now, it's been such a pleasure to talk with you. Thanks again, John. It was so cool to meet him.
I really like that guy. Just a quick reminder. We're in the middle of
a very cool new meditation challenge over on my new ish meditation app 10% with dan harris challenge
is called even you can meditate we're a couple days in but it's not too late to join and also it's
always going to be available on demand i'm doing this with seven a salasi as part of the challenge
and there's one more of these left we're doing video check-ins where you can ask us questions
head on over to dan harris dot com to download the app i would appreciate your support and finally
thank you to everybody who works so hard on this show our producers are terra and
Anderson and Eleanor Vasili.
Our recording and engineering is handled by the great folks over at Pod People.
Lauren Smith is our managing producer.
Marissa Schneiderman is our senior producer.
DJ Kashmir is our executive producer.
And Nick Thorburn of the band Islands wrote our theme.
