The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean - BIG KRIT in the Trap! With Karlous Miller Chico Bean and Clayton English!

Episode Date: February 19, 2022

Mississippi’s finest hits the trap to connect with the 85 per centers and talk about his new album! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

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and search IHeard Women's Sports to listen now. Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free. I'm Ebeney, and every Tuesday I'll be sharing all new anonymous stories that would challenge your perceptions and give you new insight on the people around you.

Every Tuesday, make sure you listen to Pretty Private from the Black Effect Podcast Network. Tune in on the IHeartRadio app, Apple Podcast, or wherever you listen to your favorite shows. I interrupt this program with some breaking news. What we're doing? We interrupted me yet. D.C. Young Fly. Tell him.

Yeah, I guess it was my fault in it that way. We're back, motherfuckles. March 4th, Atlanta, Atlanta. It was my fault anyway. Not only was my fault. It was a lot of people. There's a lot of folk got sick. So coming back, niggas.

Cut? What the fuck, man? Shit, they're just looking at it. They like, shit. They know they can cut them damn cameras off. March 4, motherfucker. Nigger walked up on me, tell my boy, y'all didn't even take my money.

I said, bitch, I ain't nobody got shit. March 4, motherfucker. I did tell them March 14th, my bad. March 4, Fox Theater, 85 South Show. You did. That's your job. Yeah, it is. Cut.

That's your job. That's your job. They should know that their ticket's good. Do it in post. They know their ticket's good, no. All right, fuck it. Your ticket's still good. Your ticket good, man.

Your ticket good, man. Hey, put this at the end. If you bought a ticket already, your shit's still good. Whatever date on it, bring it. Bring it. Let them figure it out. But you tell them, I said that the shit still still. good. But you got to sit in the same seat.

You got to sit in the same seat. March 4th. We'll see you up there. Yeah, yeah. What's on my mind is a motherfucking murder. Yeah. Go ask you motherfucking mammy if I heard her. Yeah, nigga. They're welcome back to the 8th time. Oh my God.

You have asked for me this shit for five, six years. I thought you started already. No. What the fuck? The different kind of vibe we got over here. We got a different type of vibe. We're like to make our atmosphere rolling. And then get that shit started.

Hold up, Jay Wynn. Pause that peeping right quick. Ain't nobody said play no pimper. We sitting in here and we're kicking off shit and I gotta do this because just how this episode starts, you gotta play my number one big crit song. It's a late entry to my number one. But, you know, since I'm the nigga that told the nigga to make this mom,

This is my new favorite Big Crit song. You need to play Ballad of the Bass. Oh, let's go. Now, because we have a very interesting story about this. Yeah, definitely. I know we got some 85% of us out there that can wrap their ass all. I'm gonna see if I can talk to Crick.

We can do a Ballad of the Base Challenge or something, letting them get an open version on there and we'll pick the best winner or something. I like seeing you a box of merch or some Big Crit tickets. Maybe a speaker. One speaker. One speaker.

Just one. Bluetooth. Just one. Just one. Big speaker with a Bluetooth in. Okay, Ben. I just think that'll be hard because this bitch. This bitch so hard.

I just feel like this the one for the challenge. Like it was on some online shit. Oh. Like an online challenge. This before the intro. No, this part of it. Oh, my bad. This is the intro in like if we're gonna turn into the challenge type shit.

Yeah. Entro loo. Oh, you just created some shit. You just created some shit. So my nigga Big Crick called me. Craig called me, said, those come to listen to some music. So we get to the whole, through the whole album. So I'm waiting like, okay, what are my son's at?

He's like, I ain't doing one of the other. I was like, what? It ain't a big create album in that one of the music, man. You know how much pressure you put on me when you're saying that shit? I was like, bro, I'm just going to be one, but not on this one. But, bro, the album was done. Like, I literally play him a done out, bro. He got to have them.

Got to have a motherfucker my son. Like, nah, I just need y'all do skis, bro, please. And then I dropped this shit. Me a tour. Come on, bro. He dropped that shit. He dropped this shit. Because you didn't get mad to it and it went crazy.

Yeah, because I know he got bass and he didn't know what it's going on. Like the career. Yeah, yeah, me, shit. He was like, bro, don't nobody want here none of that shit if you ain't got no my soul, bro. Until I got like four songs in. And he was like, this shit jamming, but don't nobody want him here, nothing is shit.

That's all you. I feel like every time you drop one of these, my subjoins, it's like, you just be lyrically going on. You just go in the bag. Yeah. And it's just like, you always pick a different style to go with. Don't know what I'm saying? Then that's what you're going to focus on.

I can't tell you nothing about it. All right, that's enough. We can't play the whole shit. Even though he's saying we can't. That bitch got a whole breakdown. Cric, what's been up, man? Making music, man. Rapping, stand the fuck out of the way.

New album? Yes, digital roses. Yeah. Don't die, they do not die, bro. Is that like your play into NFTs, like you let niggins know you're getting into the metaverse? We did NFTs with the re-release of Crip was here and all that. But digital roses don't die.

It's literally like, man, if you're thinking about photos, right? So we've been digital way before what we thought. So when you get old pictures from your parents, your grandparents, and just these are digital roses because you can keep it, pass it long forever and ever. They don't go away. You know what I'm saying? Like these are memories, these are like moments.

And it goes beyond the people that actually were in the picture, but the people that actually took the picture. Because normally they have a story behind it too. I remember when I was in, I took that. So that's the idea of the great auntie's house. Yeah, exactly. One of my great auntie houses here. Oh, this right down the street, boom, boom,

and we was at the pool hall, and then this is what happened. And so these stories you can keep passing down. And that's a digital rose, you know what I'm saying? And they don't die, because you keep passing them down. Hey man, tell me what it was like trying to come up out of Mississippi on the rap shit. That shit was difficult. Playing some tape me, man. Everything you do coming out of, you know, coming out of Mississippi is extra hard anyway.

That shit difficult. Yeah. Oh, look, huh? Yeah. This man got that sample from that, uh, do or die in this motherfucker. That ain't do or die? It's, I'm not yesterday. That's the sample from...

motherfucking boozy collins. I mean, but that's the original, but do what I use it, though. But niggins be going back to the original, though. Yeah. You know, you know, we need on the original, not the sample sometimes. I mean, I respect. DJ Pauls, you just don't know the song. If you listen to it, this the same as sitting back,

getting my dick suck, by the neighborhood hole. That's the same. Same sample. Real. Yep. That's the version I know, though. I'm like, man, I'm like, hold up. Yeah, okay.

That's it. I ain't do no regular list, though. You should. I should, yeah. What made you start producing, though? Because I came before beats. I mean, she was $100. Who was selling beats for $100?

That was high price. You can get them for $50. This is $19.99. You're talking about asking for a beat, but I'm going to say $100. And I was like, you know, okay, bet. I'm going to ask my dad. My dad, my dad's like, I need $100.

Like, well, for what? I need to buy Instrumental. I said, boy, what you're talking about? Straight up. It's like, I know. And this one, and I started making my own beef. And it made sense, $100, that's a lot of food. That man said, instrumental.

It's instrumental on this CD right here. Bro, that's a hundred, like, that's literally a hundred, like a hundred burgers, bro, from winters. That's a dollar. Like, you get a hundred burgers. You don't count inflation, nigga. That's like... Not now, that's my back there

and you equate this now. That's like 200, me. Yeah, it's 7% up now. Yeah, all the way, so. Fuck, we ain't spoke, yeah. So how did you, did you like, if you didn't have the money to buy the beats, where did you get the equipment to learn how to,

I mean, you know what I mean, how you make that? Well, PlayStation, PlayStation dropped this MTV music generator shit, and I started making beats. But my dad, one of those pops that bought all the EQ equipment to make music, He bought CD burners, changes, all that shit. So once I started making beats,

by that time I could EQ my beats on all the setup that he had no idea what the fuck were going on. You have to be a fucking genius, right? Because I had that same shit on PlayStation. Shout out, gadding. My idea. My idea. You probably playing the demo disc.

You probably ain't buy the whole motherfucking. Fuck you know my life like this. Because niggis, no, look. So niggins were going to motherfucking the grocery store to rip over and the, the, PlayStation magazine and just take the demo this. And so once they start asking for change, you're like, nigger, nah, fuck that.

And you just play it from the beginning. I never got paid as level one per rapper to rapper. So I know. So I didn't know what it is, but you ain't never beat that shit. I ain't ever played the full game. You're right, no. But that was the beginning.

And then my dad had C.D. Burns, he didn't know what the fuck he was doing. So I just started. PlayStation 1. Playstation 1. So the great motherfucker. So you, the MTV studio, and you just figured out how to put this shit

together, bro. Man. I know you ain't said that with the instruction book. Fuck no. I mean, 13 years old, bro, you ain't got nothing but time. Yeah, I'm fucking with that. And so memory cards back then had 25 megabytes on it. And so you can only sample one song five seconds on a memory card.

Memory cards cost $30 back. Your damn show is dead. Ooh, boy. Yeah. So that's about everybody who lived the PlayStation off because you had no memory cards. memory part. Did it get in that room warm, though. That's hot as far.

Hot as his head and you can burn a hole in the top. You can open the top, let it keep spinning. Just get to cool it up. Did it cool up and then just cold that knee down. Keep it moving. God damn, I left my memory card at the nigga house. That nigga wouldn't answer the phone. I'm like, I'm ready to go over there, my name.

It's my only memory card. All my shit, say, all you said, I had it wrote my name more. You know, you put the little stick. I got bending on that motherfucker and that nigg. He was like, no, this is my card. You can't leave them because your parents ain't buy you no one of those. And blockbuss are taking advantage of motherfuckers. They got 30 of them bitches.

They're lined up. Get these. Knowing you ain't got no card. Mm-hmm. Hell no. You had to be a fucking genius to figure that out, though. No, I was, yeah, survival. I was like, this is a way out.

All my beats was whack as fuck, too. I was just about to say, when did you get good at the shit? You were making them with a playstation control. No, that's not the case. I just whacked, 2005 when I got good. He didn't get good. He didn't ever kind of shaking. Why, yeah, what 2005, how you know you got good?

Because Fruit of Loops came out 2001. Reason came out 2002. Fruit Loose was free to, so you can fuck off on that. Then Reason came out, and it was, I was a father in band and shit. I really could understand music a little bit. What instrument you played? Tuba, bass. So Tuba is literally the sub of the band.

And I played a suzer phone, so... What the fuck is an sousophone? That's what the shit is too. That's something like some shit, Dr. Susser's made up. And he never was alone with a sousaphone. Niggins. That's the player's niggins that wrapped the horn all around. That's the shit around.

Nick, you rocking back and forth. No, no, it's a suzer phone when you're a Martian man. Oh, man. When you're all... I played football, nigga. They was all home. I played baseball. I played baseball.

You didn't want to me. It wouldn't need nothing to play a fucking sousafone at. The lies, because I can still play a suzer phone in jazz. Don't do that to me. There's one concert in the spring. They had braids in this evening. Yeah, the module of the rain. Bro, bro, backyard band got a suzer phone.

But this is what I'm saying. It ain't about a football team. How did you get, how did you take it that I was being, goddamn? You just kind of challenge the athletic. That was, I didn't know. I didn't know. I don't know about that shit. I'm saying about it.

I would never wrap a horn around. I would never do that. Go on in the selling shit. I don't know everything in the brand section. Oh, look, girl. I didn't know what a fucking super phone is. They could have been the shit where I'm traveling in the phone.

I'm fucking knew. Yeah. Oh, no. Oh, no. No. Yeah. You just see Prince with that shit, passing the sister phone.

No. No, that shit heavy as fuck. Word. That's heavy as fuck. All the reason I play that shit because you don't have to buy a tuba. You only got to buy the mouthpiece which is $75.

I mean, $75. Right. So if you broke as fucking you're trying to get in band, they're selling you fucking trumpets, trump balls, saxophones. You got to rent them shit. So everybody was like,

hey, I was asking like, can I, can I get? You know, I want to get in a band. I want to do this, do that. And it was like, no, that's too expensive. So I found the most inexperience shit that I can buy. Oh, Shady $5 a mile piece, and they give you the tuba, and they give you the Susan Fong,

and you can play that shit. So you play both of them? Fuck, yeah. I mean, it's the same shit. It's three fucking buttons. This is one wrap-around. You're marching band, and you're sitting down. Concert just, it's, it's amazing, but it's boring.

It's fuck. Ain't on marching. So they just gig you that one. Yeah, because it's big as fuck. If you want to carry this, you get out. They go to your height of stuff. They live with the cello, too. They did it up with the cello.

Violin. You gotta buy that bitch viola, you gotta buy that bitch. But cello, that guy, that bitch big as fuck. So I said fucking 6th grade walking, and I sound like an old motherfucking out, walking two miles to the crib with this big-haired cello on my back. Yo, old school floor.

That's fucking around the prohibition era. No, look at you. It's all bass instruments. Every instrument I play with bass instruments, so that's why you gotta understand my difference. That shit ain't knocked. shit ain't knocking, it ain't moving you. All the instruments I played,

you ain't even hear them until later on. It was like, damn, yeah. So did you think he was gonna be a producer or rapper, bro? Which one did you wanna be first? Did you wanna be a producer exclusively or a rapper? A rapper got me, rapper got me attention from DJs, but the producer got me in the room with everybody.

Because when you're a producer, there's no ego involved for real. You can just work, rappers want the beats, producers wanna be like, be like, oh, man, what kick drum you use? Engineers, you know, be like, hey, man, what's sub that is? But when you're rapping and there's another rap in the room, you compete in the entire time.

So producing my way all the way up to Cripples Hill was the best thing I could have done. Because that worked with so many people. You brought up competing, man. Tell me about that Mount Olympus. I killed everybody. Yeah. And I'm from this shit.

And they ain't played nowhere. Why you think that? You think that's because why they did that. geography lottery explain that you can't you know i mean you you you ain't in control where you born it but i know a lot of motherfuckers wouldn't have made would have made it out of where i'm from musically got out of truth to you and god damn david bannum yeah yeah i learned from david banner i learned from david banner that i got to produce and rap i was literally at an ex-sign wouldn't even working there my partner was working there david banner pull up in a

a red van, there's an MPC in that bitch hooked up, and he had to another city. First time I met the nigga, but I'm like, damn, he really, he's driving himself, MPC, is literally hooked up in the van. Gasped up, went on. And I heard the record with him in Noriega, Capone. I was like, oh, he's working with everybody.

PMC, I was like, damn, I need to produce and rap at the same time, because this is gonna be the move for me to venture outside of Mississippi. But a lot of motherfuck wouldn't have made it out of Mississippi. You ain't willing to travel, bro, you ain't gonna make. You got to leave.

You got to leave. And that ain't even no disrespect. It just ain't enough resources. They're the infrastructure, right? It ain't the infrastructure. Yeah. Even if you guys are telling me what you're going to do? That's what I'm saying.

It ain't set up to really be in the entertainment industry because you don't never see that. Don't nobody going to come through there? It ain't really. First time he took me to Mississippi. We riding down there and he was like, Hey, he was like, pay to watch this, Chigo. He said, he just kept saying, watch this.

You're going to see. As soon as we crossed over from Alabama and the Mississippi, the color of the concrete change. He was like, you see that thing? He said that you know you in a different place. I'm like, damn, man, we just drove through a filter. That was y'all watch the concrete thing? Yeah, you know, whatever you do,

wherever you enter Mississippi, oh, whoa, man. You come in the Mississippi, the highway brown. It's clear, it's like, so as you cross in Alabama, that shit turned like great. But as soon as you get to Mississippi, that shit brown.

And you just, you're going to Oxford. You sure had because they always late on the fucking row work. It's some different shit, bro. I'm telling you. I'm telling you. Maybe that's where you're going home, because when I'm driving the Meridian,

the roads is always gray as fuck. And I pass by this big ass, like... If you drive through Alabama and you cross into fucking, when you get to Mississippi, I don't know. It's a lot of money right now. It is. The road gets dirty.

The road get dirty. Come on, bro. I ain't necessarily saying it's dirty. I'm just saying that the highway is a different. The highway is a different. different colors. Yeah. See, it's taking a nigga like that doesn't recognize that, but he kept telling me watch this.

I'm like, ooh, we're about to see something great. What? What? Hold on. I turned around and looked out the back window. I was right, we didn't know. Do an Instagram filter. That shit.

What? True shit. No, bro. I sent it with my own eyes. Going to Oxford. I can't speak. No, bro. Okay, there you go.

I can't speak. Go in other ways. I can't speak. Yeah, bro. I don't know. No, bro. You see gray as fuck coming from where Atlanta all the way here? It's just another filter.

No. Next time you cross into Mississippi. Next time we'll see how dirty the road. It's not dirty, it's a different color. It's a different color. It's a different kind of asphalt. Okay. That's all I'm saying.

It's weather than the other ass cross-up. It's just, you can clearly see that they're like, they're using different fucking material. Whatever Mississippi is in Alabama ain't used. So I'll retain that whatever they're using is better for us then, because any time I just, drive up here from that, it's so many motherfucking, like roadblocks and we're fixing this shit.

So maybe I actually just built them because they keep fixing this shit. I know one thing, as soon as you get the Meridian, as soon as you get to Mississippi, and that motherfucking science say meridian. Is he the change? 80 miles. You're sharing the trees?

Well, when you get closer to you're gonna slow your ad down. That's cops, me. It's a police officer. It's okay. Right the state trooper. Okay. As soon as you get closer, that's a different color.

That's a different color. Different color concrete. Okay. Now, coming up out of there, though, like when you did get into that point when you was in the industry and started around these people, did they, like, shun you like,

oh, this is, you from where? Nah, get the fuck out of here. You ain't on shit. You ain't, and you had to go and do you have to go and prove yourself, or did you feel like you needed to? Yeah, I always proved myself, though. Before they even said something

was about proving myself. I remember going to New York, and then, like, that's the real reason why freestyle is like some shit I don't like, only because I was so prepared to do it back then. It was like every opportunity I'm freestyling. All the time, fuck it. Because I knew how they thought about Mississippi

and the idea of hip hop. And if I'm going to hollad death jam, if I'm in New York, then the idea of hip hop is like, oh shit, like this is super lyrical. But what they didn't realize, like you would say, the top 10 songs in my neighborhood on radio were hip hop records when I grew up. And then as I got older, it still was super hip hop

lyrical records. I remember when Nellie and Ludacris finally hit, that's when things started to change. But in the South, we had found our own way of listening to music. We weren't necessarily, UGK was the underground shit, A ball and their G, you know what I'm saying? Like Memphis music, like all that.

You can't tell us, them niggins ain't lyricians. They were liable, but they were not the top ten records that people were calling in for. No. Even if you could call it all you want, and your cousin might call in. They're not playing that record that's really popping in the city.

Because I remember we used to be excited as hell to see an eight-ball and MJG video on rap series. Like, Space Age, Prypton. That was the one that really, they played the fuck out of the shit. Un-cut. Un-Clet's playing the all the hood sheet from the side. The whole shit, they were right on.

Stay up to 12 o'clock. And don't pass up. They play shit. And then put ESPN on after the Coast Y'all on in the sleep. From everywhere. I remember they had the D.C. niggas on there with the song about the fat asses in the jeans. Time for four.

Freakia. All the complete. You know what I mean? Margo. Pasachia parasumco. For these freak-ass-a-hose. Hold on. Hold on, bro.

That was my shit. That's not going. They came from DC, bro. I didn't know what they were for. You know what they were for? But I knew them nigg was mad of gris. Yeah. You know, man, that was the D.C.

niggas, niggas from South East. Yeah, I remember that shit. You mean, it was scary as fuck. And you can see, and it's like, you know, and that's the crazy thing about odd culture. Like, you can look and see what some niggas is from where you're from, if they're really from where they're from. Like, when I see the niggas with them Timberlaks and the sloaf socks

and the jeans shorts and shit, I was like, I know those guys. Those guys look familiar. Then they got to talk, and I was like, oh, there's some D.C. niggas right there. And then when they got to say in the jeans, jeans, that's all DC girls used to wear the bongos and the

shirt purse, suitos, and all that shit. I was just curious of where people got houses that they're close together. Oh, man, that's... So me, I'm watching this thing, like, bro, everybody house so close together. I'm in the side, bro, we got grass inside. These niggas are really close together.

I don't know how to cut grass now. We ain't never had no yard. Ever, man. Lord James. You know what I'm saying? But, yeah, that was the shit, though. But, like, I know that coming out of Mississippi, I know the shit that he put me on to

just meeting him. I wasn't familiar with the culture like that, but once we went down there and, you know, the crazy part about your music, I knew you was from Mississippi, but your music was just it didn't, it was bigger than just a place. Like, when you hear you, it's like this nigga is talking about shit. Yeah, that may be put

susafone. Yeah, exactly. They're like that. Let's put Susan phones on the fucking mess. But when you go to Mississippi and you see where you are actually come from, it's like, oh my God, these niggins came from here. Yeah. Like, you get to looking around like, man,

you used a hell of a motherfucker. And man, it's a salute to you for coming up out of the family. All right. All right. All right. All right. What's your favorite Johnny Taylor's off?

Oh, shit. Disco 3,000. I ain't ever heard that one. Mine is everything's out in the open. I remember y'all put you on it in the open. Yeah, see, you don't know where Disco 3,000 is. Disco 3,000.

Yeah, take your time. All I can think of is disco later. No, it's disco 3,000, I think. How'd it go? Can't tell you, I just not. Pull the shit up. Disco 3,000. I loved it.

I get some more teetos. They ain't had no motherfuckin'clock. Where the Tito's at? Tito. My fuck in the back. How that baseball career was going, man? It went good. I had a, could have had a four.

would ride to Stillman in Alabama, didn't take it, because I had made $500 on some beats. Easy. $500. On some beats, and I was like, this is money right now. Like, shit, this gonna pay me. I thought about single A, double A, triple A. I was like, shit, I ain't doing that shit.

I'm gonna get that money right now. That money ain't come until years later, but. Well, shit, you took a gamble. You stayed down, dude. I was a catcher, left field, and my eyes got bad. This is. This is? This is.

Oh, 9-5, I'm so sorry, bro. You cheated that man at a six holes down. Not really. Oh, yeah. Jenny Taylor is a legend. Put you on some game, bro. Boy, this shit makes me want to get dressed. You got to be so cool.

Yeah, man, this shit is a little bit of that, Willie Dynamite. Show some shots out, face. You're gonna do a school music with me. I don't cut it, that's enough. That's enough. We can't play the whole thing. You know how you two work.

Welcome back to the 85 South Carolina. Hey, yeah, yeah. Yo, I didn't know where we were gone. Yeah, we're kicking shit with big credit here today, man. That's for the viewers, man. We got people watching this shit. Yeah. Hell yeah.

After you this shit, live? No, I'm just saying. No, I'm just saying. You've been drinking the tea, though. They ain't no weight on you. Well, they might well be live. It might be live when they watch it because they ain't seen it. No, but you was like, we got viewers and then, you know, he's like, welcome back, but...

We got a lot of subscribers. We just hit two minutes. Oh, yeah. Oh, thank you. See it. I see you. Big Flicks. Yeah.

Shout out to everybody who's subscribed to the app too. It's a lot of fucking people. Yeah, yeah. Yeah, we are the most requested guests. I will say that. That's funny. Yeah, they've been asking. I mean, run up one of them, man.

We all ain't gonna get Chris and drive, man. And they'd be right there, like, when you gonna be on that show? For real. Yeah, and that shit would be disturbing to me. I'd be like, bro, just give me some time. No, you had plenty of time, bro. The album is turned in, bro. I mean, yeah, boy, it's got a new single so cool.

And that's why I'm here now, because we had. I got me the video ppped out of a shit. You want to tell the story about that shit, no. You want to tell the story about that shit, no? Boy. Boy, they're going to kill me. That's not going to kill me. That's not like dogwin.

It was perfect. But, you know, he was... He shot the video while we was in the middle of filming Wiling Out. Yeah, and I still had to leave and go do them tour days too. So I left Wiling Out that day. We all did.

We all did. And then I flew back to Atlanta to do the video and then I did my part and I was waiting. I was like, shit, I gotta go. And I was like, bro, I mean, just give us a little bit more time and shit. I had to leave. The flight was leaving that.

And we just edited the nigga in and make it make sense. Yeah, I was right now. I just said like, man, run this shit, man. I was saying, I was like, damn, bro, you know. It's all got you on the next one, man. You can't have had us come through and do the... It worked that perfect. That's perfect though.

You didn't even realize that, yeah, we made it happen. Yeah. I knew it was. I was some good shit. That was your debut. All right, shout out. Yeah, yeah. You can't come up to me.

You multi. Come on. You can do it. You can do it all. You can do it all. You produce the shit. You rap, yeah. Yeah.

Yeah. Man, what you want to do? What's next? Shit, scoring movies, yes. You know, being in movies. But I love scoring movies. I love it though. I love fucking, I like having seen something.

We're doing a movie. You gonna score it? I do. I mean. We got the 85 South movie that we're about to start working with. Bro. I kill it, bro.

And you know how I kill that shit. I know. Yeah, I'm talking about feet running, all this shit, bro. Sound effects, all that shit. I do that. Say less. Now, we know we're going to have to get you to do a thing like the old Batman. Boom, bat, pow.

Oh, you want it on? Swing, pow, boom, shot, crunch, crunch. Sound man, just saying everything you just did and we'll just get it into this. Hey, man, at this point, is there anybody you want to work with that you haven't got to yet? Uh, yeah. Adele, I mean, I agree. He's still doing music. Adele want to work with you.

What happened? She wanted to work with you. Did you heard about that? Al Green. She said she told you? Nah, you know. I want to get them on one of the same record. I'm saying.

I'm telling you, Adele, she won't fuck with you. You heard him, you know. Nah, because she got the black dude now. She's trying to be blacking it up, man. She got bent too nuts. She's wearing edge control. Yeah. Okay.

But I think they took a phone. She had her shit braided. Straight back. They took her phone away after that. I'm letting you know, man. Yeah, they took a phone away after that. She fucked with you. Okay, yeah.

Coldplay. Coldplay, that's good. Because them look is a sneaker album on your phone and you ain't even gonna ask for it. That's you too. No, no, that's you too. You too, did the shit. Co-play and never snuck an album on my phone.

I'm telling you. You too do. And you can't delete that motherfucker. You too, you too, make. You try to delete that bitch if you watch. You gotta watch that bitch if you watch. class actual lawsuit to get that off of my fault. He comes with your phone on.

Would you like to get that YouTube? It come with your phone. I was like, hell yeah, drive me up, me. I think he's just apologized for that shit, though. They should. You can't make no better listen to that shit. What's music going on, man? You're saying he's...

If you are anyone that you two out of force on your fault, that's a hell yeah. You're a part of a class action lawsuit. It's a class action lawsuit going on. right now. Lord you or anyone you know. You're going to be in the angle. The shit delete my little wane.

I can't play the car to file. The shit. Bang and something. Oh, bad. So cold play. Hold up. Give me a second. Hold on.

Okay, yeah, cold play. All right. Oh, shit. Cold play. They'll do it. Yeah, they'll do it. Yeah, you're right. They would.

Um, shit. But you don't know how fucking famous you are, bro. The black keys. The black keys? Yeah, they fire, bro. They fucking fire, bro. The black keys. Still waiting to work with Pharrell, Timlin.

Yeah, I mean, it's weird, bro, because I know that a lot of people know who I am, bro, but they have yet to work with me. When you say work, do you want to rap with them, or do you want to make music for them to rap on? I mean, it goes all the same, because if they make a beat and a snare drum, I'm off. I'm going to tell them like, yo, you need to use this snare.

Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free. I'm Ebeney, and every Tuesday, I'll be sharing all new anonymous stories that would challenge your perceptions and give you new insight on the people around you. On Pretty Private, we'll explore the untold experiences of women of color who faced it all, childhood trauma, addiction, abuse, incarceration, grief, mental health struggles, and more, and found the stream to make it to the other side. My dad was shot and killed in his house. Yes, he was a drug dealer. Yes, he was a confidential informant, but he wasn't shot on a street corner.

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You discover the depths of your mother's illness, the way it has echoed and reverberated throughout your life, impacting your very legacy. Hi, I'm Danny Shapiro. And these are just a few of the profound and powerful stories I'll be mining on our 12th season of Family Secrets. With over 37 million downloads, we continue to be moved and inspired by our guests and their courageously told stories. I can't wait to share 10 powerful new episodes with you,

stories of tangled up identities, concealed truths, and the way in which family secrets almost always need to be told. I hope you'll join me and my extraordinary guests for this new season of Family Secrets. Listen to Family Secrets Season 12 on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. So I think that's what the weird part is. It's like, I get in the booth and I ain't just going to be like, oh, I'm like, oh, that kicked around kind of weak. Maybe he just kicked around. Maybe he's 8.08.

You ain't going to tell Adele that shit. What did you say it off? No, no, no. Hold on, hold on. Everything I said involved bass. Everything I said involved bass and drum percussion. So peep it. So I ain't said no about no pianos and shit, flutes and shit.

But if Adele snare is weak, I'm going to be like, yo, you need a better snare on this. You need a better kick on this. I mean, because it's not live music. You're talking about if you're going to, if she's going to put me on something, it's definitely going to be a drum program, I'm sure. What if it's not, though? What if you go on there? It's all right.

Make it from scratch. To buy lands on that. Then I don't get me a metronome and I'm good. That's straight. Give me a metron. Don't give me no program shit. If the key drum week, I'm gonna take. Snare a week, I'm gonna take.

If the bass ain't hit, I'm gonna take. So you ever bought a beat from a nigga and had to fix it? You ain't gotta say good word. And not, so people, I'll tell you this. I've collabed with people and had to fix it. So you also understand. understand so mix engineers don't get enough love and praise too well give them something yeah so i'll tell you this so so me as a mix engineer too as well as a title as a title so working with other

mix engineers shout out to ralph uh that's it in general by wolf no engineer by wolf you know what I'm saying it's kind of like they got the the specs of the drums kick snare high heads the instruments they can make all the drops so we have a lot of these drops and shit like that normally to produce didn't have that in mind. But when the rapper put the vocals on it, the mix engineers sitting there and like trying to curate a way to make the song cohesive.

So everybody loves it. Bass pops in here, snare goes away. So all of the people that I work with as mix engineers know my sound and they know what to drop out, but when the art, you'll create really like pianos to be in its hooks in the beginning. Base to be here. So that's the narrative of dynamic production.

Most producers, you can't do that before you play the record for artists. Because it's going to sound like the record is already done before they sing on it. It has to happen after. The engineer sits down, records everything, be like, you know what, their vocal was like, they got low here, but it'd be really nice if we drop everything down. And the producers would be like, you know what you write. Because niggas come in when this record really done.

And then you listen to the engineer and like, okay, bad, that makes sense. Let's do this. Fuck y'all here, don't really. No, I'm just saying. What's on the phone you know do that? No, I'm just saying. What, too, would you know, know that shit? No, you lost me with the PlayStation.

And then you took us to the Susan's for. I'm like, this thing. Yeah, man. We're just comedians, man. Explain NFTs to us when we go off. Not that's because I have no idea about that shit. But I do know that if you add, I'm just fucking with you, bro. Yeah, man.

But you just, but you just. Like, as a lyricist, though, you want to call that one of the coldest niggins like, you know what's the real, nigga, rap folk. Great a seven. Like, I'm a little round of the rap folk. Nigger that shit is like, I'm the greatest seven. What motivates you to steal after knowing all the music. Talk to the shit.

Great Seven. And all of just, you know, because after a while, once you know you dope, you really just get lapped like, man, fucking, I ain't got to prove this shit no more. We'll keep you wanting to be the greatest ever. Oh. Oh, who, who, who, you know what? Oh, because I produce, and I actually produce music. And I tell people all the time, imagine if I didn't make beats and I rap, what would I be?

You put me in the studio with any rapper, me and them, no mix engineer, no samples, no musicians, just me and them, I'm going to come out with a better album. Better album, hand down. Because I am literally the only person that produces, mixes, mixes, writes my own shit. all the time, all the time. You gotta, you gotta be. And I'm from Mississippi. Yeah. He from Mississippi.

I know, you're looking at me like, I didn't believe that shit. I was like, yeah, go, I told you. I was glad ass on. No samples, dog. Sing on that shit. That's why I be telling me. Sing on that shit, hum on that shit,

write that shit, make that shit, mix that shit, master that shit, I'd do it all. We came to do the skits on the album. People still come up to me. all the time about that shit and all the time, man, come up and talk to me about that.

But being in there, every time, every other time I've been in the studio, I give you credit for it. It's always been at least one other person there. It wasn't nobody, but me, you were losed to that motherfucker. Yes, you were handling everything, man. Everything. He was going in the booth.

Yeah, y'all do that again, come back out. I'm like, nigg, where's the hell? Is this a nigga mutant? You know what? Yeah. I mean, there's no different what y'all do, though. I mean, y'all really, it's isolated in the sense when you first started,

then you collaborate with people. But y'all, you can go out and do your own thing. But see, this is the difference between comedy and music, nigga. I gotta go out and do my whole album. I can't pick three songs and just get the fuck out of it. I gotta do this album, nigga. And the niggins who heard the album, like, nope, the album.

You skip number 15. None of you never seen me not go out on tour. I ain't never seen me. I be out there on an hour. hour and 15 minutes. I know. I gotta die. I gotta die.

Sometimes I gotta do it, and they want me to do it. No. That should be the crazy shit up. You're on stage, Jay. I'm about to get out of here. No. Yes, I don't know.

He's like, encore, fuck as you talk. Uncore. Bro. So wait, wait, what y'all say? Who work harder, though? Comedians. No.

Doing hour 15. Comedians. I don't know. It's kind of, I think, comedians. He got moved more, probably. He got moved more probably. He can take a break

whenever he wants you. They know the words. You can't do- Don't get to do your shit to get it. You're going to make to a super phone and shit. No, I'm not. Hold on. Shit.

Hold on, bro. Okay, I think this is, let's just say it 50-50. Because you just kicking it and you're walking back and forth. Bullshit. I'm doing these. I'm not the fucking tired. Boy, how many times you jump off in the stage, though? Shit.

Nick, all that, I don't allow for, comedians to jump in the crowd. I don't do that shit two times and one show by to die. You get you, I jump out there rap. Mind you, I get back on stage, run up, or jump up on the speaker. My burt is crazy.

What's happening why you jumping up on the speaker? The music is still playing. No, the music is all. No, you ain't told him to stop. I'll finish that version. Hey, it's ain't around, but dude, hey, man, you can beat. The music is all because everybody's trying to figure out where the fuck is he at. It's like, oh, bro, you good?

Yeah, I'm good. It's like, all. Then I just burnt on stage. Like, yeah, bring it back. One benefit musicians do have is you can't hear what a nigga is saying in the crowd. I'm a competitive, you do a comedy. It's one nigga that paid the least amount for his ticket.

I'm calling out he bought the cheapest ticket than his to buy. And this thing is the loudest nigga in the show. And then fuck all this shit, nigga. I get it. You know what? I get it y'all. Because what I got to do is sit and they're going to have

jamming my music music music. Y'allie's gonna have to be. They all right. He was prepared. Yeah, he was prepared. You ain't never went out there and your songs didn't work. You ain't had to switch songs, me and song. Whoa.

Whoa, don't do that. No, don't do that. Don't do that. No, I said, I opened a mic for. Oh. All this is probably harder than I opened mic for in the media. Shit. A club full of people who didn't pay to get here.

Who didn't come to see you. Bro. Who don't give a fuck if you make it or not. you make it or not. Let's rock. I'm not, no, no, let them rock. Let them rock. I want to see.

You imagine you come in and you drop your soul. And this music playing in the niggas is like, I want to let them rock. Now let them rock, though. You're rapping. You're rapping. See, that's all open-maint comedy is. But not when you performing, though.

Not when you're performing the song. I give them that one. You know, I still think it's harder for us because, you know, we can't go out and, you know, and you know, we can tell the same jokes, but we can't tell them the same way. They got music. I performed at Poole Palace, literally in the pit, pool pilots.

And I'm expressing him like, I'm from Mississippi. Like, where are you staying at? It's like, well, I'm on the north side. Boo, this is like, I'm on the north side, boo. And I said, hey, my name Critic Kyle. This is way before Big Crick. Critic Kyle, then they just kept roasting my name, bro. Rap my song, boo, bro, let me tell you something.

Got me for a dog, I had no jokes. I just rapping songs, bro. Boo, nigga, I get to New York. This is like 2000 and fucking 10. I'm rapping country shit, all that shit. Boo. Home town hero, boo. Because they wanted somebody else, bro.

Bro, I'm telling you, bro, it's literally, bro. The booze, you can't laugh nobody out of the booze because you stuck to the grid or the DJ. Drop my song, bro. Yeah, drop my song. You can't be like, hey, man, let me drop my songs. Boo. Don't get on you.

The boo is, you got to ride the boo and hope that you can perform your way to my hand. Like, hey. At least you get, as a comedian, you could just say, fuck it with the booze and just be like, I want to, look at you, bitch. How about that? Let's just go there. If I would have did that. If I would have did that in the beginning, if I would have did that in the beginning of my career,

I wouldn't be here right now. I promise you. Just like, fuck all y'all. Like, I wouldn't, it wouldn't work. Yeah. Do you know how many shows I have done that literally? Lord Jesus, the fuck you mean you wouldn't mean. But, too, that's why you ain't rapping.

Everybody, that's why you ain't. That's why you ain't rapping them. Yeah, you got to do that, bro. But I'm, I can't do that, bro. This is music here that I'm presenting. It's music, bro. Man, this is, it's like my music. It's my sousaphone.

But what I'm saying is, if you lose it, how much more could you lose? No, you can lose a lot more. That's one thing comedy will teach you. When you lose the room, you ain't lost the world. Oh shit. You can be, you can lose just because of location. That's how I know that we're different. Because as a rapper, when you lose the room,

if you go too far, you can lose the world. No, fuck that. No, you could just lose the world if you go too far in rap music. When the last time you've been to an open mic with some rappers, you see it. see it. This niggas coming out there with a baby on his shoulder,

a real live baby, nigga. Yeah. You think the nigga bullish, that he got his pregnant, baby, baby, daddy. She's busting it open. Y'all makes it over for baby daddy. Baby daddy come out there. I don't want her to go about the money,

man. I thought open mics were done. No. They still have. See? You just blew up. What was you, how else you think niggins going to get in this game? I can't say what I think about Yes, you can.

I can't. Yeah, this is a real nigger network. The white people ain't white. Okay, so if you are the, are you, if you're the finalist, three finalists over and you keep becoming the finalist for $25 and you never win, then you have to ask yourself if this is the program to get you where you need to go. That's all I'm saying. If you think smart, you're going to get smart. I've been a part of like a lot of open mics and I would get as far as being a finalist. and that $25 just keep adding up,

but I'd never win. And I come back next week, $25, you still final. That's the thing about it, though. Any type of competition like that where they're judging talent, the motherfucker with the best stick going to win. The nigger who come out with the baby on this show is going to kill y'all for $50 every week.

That's what beats. Whoever you got to have a best gimmick. No, beat producers do that. They come out with scheming. They do all, like, beat producers do all the theatres. Like they come out literally like they come out with ski man I'm gonna be dance on they beat Because it's not a rapper then

But I'm confused like you went to a rap Like open mic and somebody had a baby on that show I used to host What the fuck? That's how I'm telling him the baby With one arm and then like Raping with the other Or he was like Mike Stan baby

You don't even Because that sound like a beat I didn't went to that shit show The shit show Oh the shit show The shit show Oh nah That's the most recent shit.

But he would tell you, I'm going to doing comedy. I used to be anywhere that was a fucking microphone. I didn't host it everything that a nigga can host in this city. And I definitely used to have a fucking open mic rap night. And they used to come in that bitch.

I used to, man, I'm telling you. It was one group of niggas. It was one group of niggas. It was like, Lord Jesus. 20 of them. And if I say the song, everybody who's around going to know who is. Get you another charge and I'm going to the chain game.

But they would come to perform and they would be 20 niggas with 20 t-shirts on. They would turn that bitch up and leave. Yeah. Love. Love. That's crazy. I'm sorry you had to go through that.

That's what I'm saying. Because I just had to rap and leave once they told me I wasn't going to win. You was just there the whole time. I was just dead the whole time. I mean, yeah, because I'm going to take my first. I paid $25, I ain't had that shit back then. Yeah, that used to suck that.

But that was rapping. When I lost on Spring Street, Apache, to a nigga that had a fucking hockey mask on. I told you the nigga with the best going to win all that type of shit. But the beat I lost to was a beat I could, like any rapper could really rap to. He played some shit that was doing way too much.

See, that nigga loved. You was up being cool. Oh, the beat. You was being too cool, and the nigger was being ignorant. That's my soul of this shit. Jason Voorhees This was the first Be-bell I ever did, bro

and I lost, bro. I fucking lost it because he had a fucking like ski mask going and he was I told you all the rap was like y'all want to work

with this thing but he played this shit he won because he was he was selling this shit the best giving me going to win it's not about

if you want to do that that's 2000 and fucking nine I started making beats in 1999 why I want to do that then like I'm not No, I'm saying when you doing open mic comedy competitions and beat battles and shit like that.

No, I'm saying the nigger with the best gimmick going to always win that shit. Don't get no big mouth. That's why motherfuckers get frustrated because you think you could just show up with talent and win. That ain't enough. But we've got to sell some other shit. But we far out and keep going all right. That nigger go kill! He's going to go to the real comedy club and get booed.

All right. The whole crowd. Hey, my nick! All right! All right. The judge is doing this shit. Hey, you don't stand a chance. The whole club is all right.

All right. And you up there was telling like a motherfucker. You good. You good is the motherfucker. You're going to be like, the second place, we got Carlos Miller. The winner is. All right.

The catch-in. The same nigger beat both y'all out of them. No. I'm just saying the way that they set up these competitions and shit, man, it don't matter how fucking good you are. You gotta sell some other shit to go with it. Can't just show up with good. Outfit gotta be crazy.

Your outfit, though? Yeah. It's just a face mask, bro. Beats. Did you have a face man? Fuck, no. Exactly. All right, LRG.

I'm doing with LRG. What's your favorite beat that you do? that you didn't make, if you have. Country shit. Country shit. Yeah, country shit, my favorite. Okay, so what's your favorite beat that you didn't make if you can pick one?

Hip-hop, at least, not your favorite sound overall because I know that one deep, but your favorite hip-hop beat. Hip-hop beat? Yeah, favorite. You can do it, sole beat. Oh, you can do whatever. I sold beat. Across 110th Street.

Whoa. Come on. Come on. If I could have, I wish I could have played that. Ding, ding, ding, ding, ding. Yeah, that one, that's a cold one. That's a cold one. I was born.

What? Wait, man. Come on, man. That was the- Pless old-hundred to mind, man. Hardest, what's the, what do you think the hardest old-school beat is?

Hardest old-school beat, uh, uh, uh, uh, shoo, man. Damn, that's a good question. Take care of mama was amazing, though.

You know, I keep going, though. You know, I keep going, though. I can do this all. Curtis Mayfield Kung Fu. Yeah, that's a cold one. Curtis Mayfield. James Brown paid the cost to be the boss, man. I gotta go to.

Ben, thing, d-da-n-n-n-n-n-n-n-n-n-a-n-dha. Like that. Look at me. I can put you see. It's so many, though. Payback go hard. That big payback.

Go hard. Voyage to Atlantis. Yeah, that's a cold one. I get y'all. That's more soul. It's not fun. I gave you one. It's a, it's a.

Probably phone, but screwing chop, loose ends hanging on the string. Uh, got me hanging out. Strings now. Bad shit. It's chopped off. You go that era, then I gotta go dirty Diana, Michael Jackson. You're gonna do Michael Jackson. You gotta go into the best rock song, period.

Purple Rain screwed up. Ooh. All right, what's the best Michael Jackson beat then? Because Michael Jackson had some old fat white dudes, me. Yeah, it was cold. Some white men named people. Peter made most of them. Quincy.

Quincy. Oh, what did you? Man, go with some of Michael Jackson Produce. Yeah, I made it. I admit it. I don't know. I mean it.

You're like, I'm obsessed. The Michael Jackson songs you don't know. I produced Red Dragon, Blue Panther. Blood on the bill. That was me, the lady on the pill. Blood on the dance floor. Strong. I'm telling you, man.

Look up to Michael Jackson. The dude is one of my favorite songs, too. That beat on the dude. He's a winner because it's in, eh, eh, and that's, yeah, man. Herbie Hancock, man. He used to kill it. That nigger, yeah. He even had some instruments that was amazing.

Uh, bitchy by golly wild. Oh, yeah, that's a good one. I would say Herbert Hancock, Camilla. That's a, yeah, you put me on to that. That shit crazy. God, thank you. Nautilus go crazy. Nautilus.

Bob James. Oh, okay. Oh, okay. Uh, Michael McDonnell, a key, forget. Not in love anymore Hey man, that's when we don't discriminate Who's saying the song? No, I hear it.

We love. We love it. That nigga, forget. Oh, you made it so clear. I keep forgetting. That nigga was he, boy. I tried to find me at least one white people's song a year to add to my caroloff.

Yeah, you got to. At least one of year. Every year. I just hope they do that, too. They do. What the fuck? They like shit that you don't even know that they like. I hope they find a black.

Black songs. Nah, I think they just like what they were already inspired by. And you're like at your next show. What's your favorite black song? I ask some of the white people that be at your show. Like, what's your favorite black song? I ask all the time and the shit that they yell out song. You say black song?

Black song, yes. Because black people music. Black people music. I can't, yeah. What's your favorite race music? Yeah. All that shit in the business. Which is your favorite race record?

That sound race. I just want to say, what's your favorite, like, song? No, you got to be direct one of them. What's your favorite color song? No, what the favorite. What's your favorite. Negro spiritual, what's your favorite Negro song? But I want to be specific for you good name.

What's your favorite? Yeah. You know who got a big following in the white community from my research? Who? Two Chains. White people love two chains. And Three Six Mafia. I can see that.

The white lady wrapped that in my show. Three Six Mafia, Wild on tour. Whooping these niggas and fucking these hoarse. In the bathroom by two whole hours. I was getting real high-past out on foot. Fuck this shit. I was like white ma'am. All the shit that was said on that song, man.

She was an older one, man. All the shit that was said on that song, bro. I love the way Crunchy Black came on and shit. What's what doing with that weed? What's what doing with that shit? Bigging like a little kid. Then in the background, you hear that niggins say, Give me song.

Oh, no, niggins listen, man. But that niggas song is he said, you're a boo song. Man, this new album, digital one, album, Digital Role is don't down. Hold on, you can't ask me that after, but this nigga, get me, okay, what's your, hold on. I always say, on this show, I always say

Crunchy Black, he always underrated. That niggas jamming. It don't matter if that nigga come on and say three bars. The only nigga in his career that'll do three bars. You'll never see another nigga that'll do some crunchy black shit. And the way he come on a song with so much energy, you, I used to be cleaning in my expedition.

That's it. We didn't go feed you. Yeah, I'm wrong. Yeah, I steal. Yeah, I put your body in the field. Like, it's real, it's like, A, B, C. But that nigga just the way his voice sound. Lord Jesus.

Yeah, it's that whole people. He's my mom. I feel like Crunchy Black kinda like, I feel like him and ODB had the same energy. I can see that. You know what I'm saying? He just had that. He wasn't even the front man of the group,

but like, where he brought to the group a few times. You know, I guess it's, I guess there's a few Crunchy Black can help them out there. No, I mean, it's like, it's like Master Pete when they had to cover. I think his shit came out, but he was on the back of the cover. He was going to just put that in my life,

damn, we need to go back and look at him. You know, I have to see what he never came out. Snipe with a scope, bro. It was a nigga that was on there. He was like, he was like the sniper in the scope. The nigga never came out as an artist. Man, you got one that they never come out. Lies, Ariel, my...

What shit you were supposed to do with? What's the name? Yellow Wolf? No, that was a concept. All, and that was a concept. And what no records made for that? So everything you didn't ever make records for you to put out? Yeah.

I mean, the project, I know every record you made you ain't put out. No, but everything that we had... You never did some shit off the last time and you took off that... Me and Yellow Wolf, that we didn't have any records other than what you saw. all on three little digs. So, yeah. So this new one, like, what was the, like, you know what I'm saying? Who would you do an album with, like a joint album?

Shit, bro. That's a lot of people. I got to say Big Sun because he was in Mississippi, first off. And that's the original idea of multi-alumina. Big who? Big Sun. So he was on a lot of records. He, like, literally from Mississippi, too.

You know what I'm saying? Third Coast Representative. But I think about Cilo, I think about, Big boy If I could do an album with Bun B and we're rapping you know what I'm saying

together Have you worked with Big Gip? No You should I've been in the studio with Big Gip though Yeah Whole good at Mom

I mean all of them Oh Jesus You gotta fuck with Music soul child I was They back making music Oh man You got to do a Man do you want

Do you want to You want to do You want to put you You want to work with you He ain't even the dope is one. Man, don't do that, though. Music Soul Child. I mean, I wouldn't work with Music Child, man. He might not let you. You might think you about to work with music. You want to, I mean, Purple Wonder Love show up. This man got on Picked Fan, man. You, man, what? I'm here to tell you

right now. Okay. Once Music, Soul Child, see this shit, then we're going to do a project. First of all, he's going to be like, first of all, Perper Wonderlove is not available for studio session. But I'm just saying that because I, I mean, I mean, I, I, I mean, I, I met the OG like maybe four months ago. I was like, damn, man, this is amazing. I can't believe you didn't know this, nigga. I would have been to introduce you to him. I know him, purple, wonder, love, and about three more other niggas.

I mean, but look, I mean, I played the Superphone. He introduced us to nine of his personalities. You didn't know that shit either. Superphone? It happens when you don't know some shit about a person. But look, let me tell you something. So people, other than that, I mean, I definitely, Steepy Brown.

I need to do a record with him. I'm gonna get you his number. Yeah, I mean, I know sleepy, though. I just have done to get it. It's all good. I'm trying to speed this shit up. Maddie Frisch, Jazzy Faye. Like, I need to put out the records that we already got.

You do? Yeah. What you were doing on? I mean, shit. I mean, for y'all to be a part of the project and shit like that. Oh, we know. Hey, man, we're sorry to holding up to all this project. Y'all me, I mean.

Just know everything's going to be all right. All right. We got to win out here, ladies and gentlemen. Hey, Jack. Gonna make next week, we're gonna up the stakes to 75. Well, nah, man, this new album, man. What to get people expect from Digital Roses Don't Die, man? It's really about love, man.

So the thing about the dynamic of Digital Roses Don't Die, it first started for me about the idea of being a part of being a relationship goal. So when you, like, entertainment industry, people find you be a relationship goal, so your pictures become posted, keep getting posted. Even if you ain't with that person, it still lives on the Internet. And so I decided, well, that might be a negative component.

So I decided, it was like, you know, digital roses actually or anything that was a photo or something that was taken before that. So I have photos of my grandmama, my granddad, years ago, and, like, my grandparents, and then my dad, when he was a kid, And I was like, you know, there's the roses all. Everybody in anything that was taken before you were born that was passed down.

Yeah. Because it was before social media existed. So it wasn't a comment or caption. It was literally like a conversation with people. And like, oh, this is when you're on. And if these people are still alive, you talk to them about this actual topic or this photo. And give them their roses while they're there. Yeah.

So they keep giving you roses as you're there. And so it's a beautiful thing to. I have, now I can start my own rosebed of my family members because they keep sending me photos of my uncles and my aunts or anybody had passed. And I'm like, damn, I have a rosebed of roses. It's digital and I can pass it down to my kids and my kids beyond that.

And it doesn't die for real. Hell yeah. I'm about to turn my granddad into a mean. Let's go, bro. I was just saying, you start. Hey, bro, digital. You said what you said. Yeah.

We are digital roses, bro. Because all the pictures of my granddaddy, funny. And they can be good memes for the internet. And that would be a good way to show him love. Granddad used to wear the big draw. Yeah. Digital roads is boss. That's just a sound thing.

Everybody granddad. They were dead. Yeah, they did. If they were white, like, yeah. Very big. I love that concept, though, because I was just showing you a picture that somebody sent me from the back of the day.

And it's just the story that go behind it. And where I was in that time frame in my life, it's like to look back and to remember that time and to see how far you came from that time. It never died, those feelings, but you gotta see that to bring back those emotions. You know what I mean? I hadn't seen myself in that space since then,

so it was like, damn, bro. And they just passed down something beautiful. You gonna be like, look at this, your kids and people are, like, it's amazing, bro. And we've been digital way before where we are now. Right, that's what I'm talking about black and white digital, like, oh, I got a picture of my grandmama

and my granddaddy when they both were young. I'm like, oh, yes, this is what a rose is. You know what? I'm going to show you something that's crazy that fit that description. Hold up. You got my phone?

I'm sorry. This the mama of more time. I know we're live and shit. We're good. Look, watch this. Welcome back to the 85th television. Oh, shit, we did something. This episode is dedicated to anybody

they ever had their hair braided on the front porch over your grandma house in the summer eating a baloney sound that your little sister group with your muscle on one side. Look what the side. And the little juice, it's the last little bit. 18, you know, that last little bit.

You see how crazy that it is, bro. What happened? This is from when the first pandemic, me, 1918. Oh shit. You, bro, you, bro. See how crazy that is, bro? It's just like. My granddad and my grandmama.

Oh, that's cold right there. Bro. Oh, hell, yeah. These are this is, this is not, this is not. It's only text to you, but, bro, they had to take a picture of a picture. A picture of a picture, yeah. Man, you're talking, look at this shit.

This is going to have that little glare because you're talking to take it. Oh, yeah, because you know, you know, it's a frame, bro, like, yeah. That's how I'm on my phone. That's me and my mom. Why are you trying to tell the joke? Because I am.

I probably had just finished telling one. She's like right here. God damn it with the goddamn red-skinned Super Bowl sweatshirt on. Did y'all win, though? Yeah, they did that year. Whatever year that was. That's when you lost in my goddamn year. Them of the pictures I miss the most,

like the hood birthday party at the Tuskegee Airman part in the middle of my shit. Yeah, all the way. You get the acid wash, geez. The skeezy, whoa, whoa, whoa, the hair part? You see that, yeah, the Tuskegee Emman, that was the... You think that's why you...

No, no, it's just dodgy. I don't do my dog like that. No, what you say, it's nothing that can be done. I mean, the nigga with the front of his braids gonna talk shit, I feel... I told me what happened. You felt bad about the football. I was thinking you're making me feel

with the front of your braids. I'm here, on my shit lane, though, you know what I'm saying? Don't need a word. I'm just from here. I'm just from my shit, nigger. Don't worry about that. This is my, this is my phone. Oh, oh, whoa, whoa.

You got no ends. I mean, but what's going on for him, though? Oh, that nigga don't age. He don't, yeah, his shit's just a thing. This nigga back. This nigga actually has gotten five years younger since I've known him. Oh, it's even really Mississippi. No, that thing is.

Cherokee Indians. Y'all got to send me y'all. Shut up to Jerry. That niggins, a native nigger American. I'm just saying, what am I. I mean, you've been working on to me in the old school car. Hey, man, my old nigger. They said I've been here on earth for about 246 years.

Yeah, they said the same thing about me, but I kept my shit. No, man. You only been here 186. I've been here, two hundred and seven six. Oh, boy. Yeah, you had that. That's a d-a-dick. That's a dizz of the roles, bro.

Yeah. Oh, I'm like, bro, what game you in when you was a kid? Yeah. Oh, stop. Stop, bro, that might be a real game. It probably is. I know my lad, whatever that was. That ain't gonna, that ain't enough.

That's my fault. Hey, bro, so can we use your, can I do like a merch piece with y'all photos? Yeah, yeah. I mean, do a collab with y'all. What you want to do? Yeah. Because you got a dope-ass merch land.

line too. Yeah, I mean, I do, but I have digital roses. It's like a merch circle. So I'm going to do like a, for t-shirts, a circle, and then say a quote by anybody that. But look at all this shit we've been working on. This is us. Yeah. Yeah. Yeah. Whatever you mean. You're doing so much, all right, man. Whatever you know what I do. Yeah, I mean, but y'all got digital roses, bro. I'm just saying. I mean, you got some motherfucking rare art pieces in here, man.

I mean, yeah, you know, I paint two and drawing and talking shit, but I- You are? Yes. You look, what? You don't know that shit? Talk about that, man. No, I don't want to talk about that. You must. You must.

I'd rather wait. You must. Nah, I'd rather just deliver some shit. Like, hey, bro, put this on your wall. Oh, okay. Yeah, just, you know, we're top top. By the exercise. Hey, didn't you put some shit in the museum in Mississippi?

Oh, the Caddy Grill. The one I told something to get another. Yeah. Yeah. So you got some shit in a museum. Yeah, I got in your home state. Man, they got it. You're too humble, man.

You're too humble, man. You're too humble, man. I mean, you know, one way with a shot, Twitters Jenkins, bro, you know. Shout out to. Yeah, I got sorry. Shout out to everybody on the staff down there at the museum, man.

Stop through there. You're going in there, so. They asked me this, I don't know what to put in there. Uh, I mean, a microphone. You know what you put in there. That jacket you was wearing now. Man, now, first season of Wiling Out, Nick, that coat, whatever that crowd coach you had.

A Susan Ball sign by him? A Super Bowl. The Super Bowl. You didn't put it in that, brother. Man, they were roasted my coat the whole time, but I never got cold. Whatever your jersey was playing football, sign that. They probably threw that shit in the trash.

I know they do it in. I should play in a shit. Yeah. Now, it's around somewhere. Yeah, I believe you. The coldest nigga ever graduated from my high school. I understand. Football player, right?

Best to ever do it. When ain't gonna look you up after this? Nigger. All I gotta do is this. All I got to do is getting three movies on Netflix and I'm gonna go for. It could be one of them crazy-ass movies. Monty's cars, some shit like that.

Man, I seen you post of that shit with a nigga, what was it, a weekend in Atlanta with a big one. What a thing was a butt-knacking on the cover? It was like a half a woman. He was on a cover light Why is that on a Delta flight? On a Delta flight, bro.

I don't know, man. Bro, was you driving his car in the, like I said, saw a skin like that was my car? No, that's his car. But why you look so scared, though? You were, if somebody in the car was sure. Because everybody thought we didn't have a seatbelt zone, but they had lapped in the old school.

Bro, you look scared, though, bro. No, he was, we was. Y'all was safe? We was going. I know, but you looked scared. You were like, oh, we're good, bro. He was like, you can let the joke on, and I was like, No, you drive this shit all the time, bro.

It's all good. I do. My shit is reliable. But he didn't know that. And I thought it was like a car where you drive his car. Like, no, I'm gonna test your car out. Oh, so he wasn't used to that driving. All my own shit.

The nigga was like, yeah, okay. We gonna do this road right here. Now, we gotta get you on there. I'm not a fucking, though, you got my car. My shit got a screen in it and GPS and just, nah. I'm not too. My face not going to look like this. I wasn't scared, though.

You look like, bro. It's something to have. On the footage, you were like, oh, okay. He was hanging on. It was a part in the old school that don't exist, which could have been the seatbelt, but you're like right here. He's like, bro, we're going to keep driving,

it's all good, bro. Hey, man, you know how that shit is when you're in the old school. In the passenger seat, it seemed like he's going fast as fuck. I think I did in my arm. You had it right here. Yeah, but you look scared, though. I'm sorry.

I'm sorry. No, it's all good, but I'm not riding like, I'm sorry. Yeah, we got it. It's authentic, man. You know this. Fuck, yeah, we are we two niggins in the old school just speeding down in the band in the highway. This is a hazard.

The recipe, for you. Why don't you want to do that, though? Why not? All right, yeah. We got to take these chances, man. I don't like that. Do you understand how many niggies who've been working on their,

old school who shit ain't running, we're just happy to see another nigga make it. Yeah, I mean, get to the other side. Shout out to everybody who got them project cars out there and we're gonna have them finish this summer. Check out, project colors. One day, welcome to drive. We got some more shit on the way for ya.

That's me. That's me. You waiting on something? Yeah, I'm waiting for something. I mean, alone you something till you get on your feet. I mean, yeah, I mean, just send me three cattle like you're talking about. I will.

I'll ain't bet. I know you got money. No, that's not what. You said outside. No, you would. You was like, bro, I'm showing you some love. You independent. That nigga said I'm gonna show me some love, bro.

No, you're independent. Now, all of a sudden I got money, bro. Man, you just, you're selling. My album came out here, bro. When does it come out? Black, no. People know what the release. Hey, make sure you buy big critter new album.

Yeah. So, uh. You look at that. I don't mean, even came out yet. It'll be out real soon. Can I say the album? Yeah, about it's a real soon. Oh.

You got to come? February 18th. February 18. Two days before my birthday. It's going day. Oh, okay. Yeah. I'm in there February.

You finally came through here. Yeah. Yeah, that's dope. So you're coming down on tour? Oh, damn sure. I'm going on to. I mean, y'all know what this? Due to the introduction, man, you was playing the video.

No, no, no, not. Yeah. Before, you know, I mean, we went and shot the video and everything, man. I'm gonna hold it all today. Like my son, man. Like, how you're hoping to my son? Hey, man, you gotta do that. That's your signature shit, man.

Yeah, yeah. Keep that shit going. That's the ballad of the bass and shit like that. Keep talking your shit, bro. Thank you, bro. Can I get some merch to them? I got you. The merch is already here.

We already got you for that. We knew you was coming. Like, this is a milestone right here, because now everybody can stop coming up and ask when this nigga comes. I'll just go move with somebody else. When they're coming back. You know what, you definitely want.

You definitely are on the, you know, top of the list of people. Thank you, bro. Thank you. They've been asking for you the fucking longest, man. Maybe now I can get at least a week or just chill relaxation. You came through for a minute, man.

Yeah, I'm here, man. And I got another myself on the way. Come on. Oh, shit. We ain't got to worry about it to be. We ain't got to talk about me. So what's the next play? Shit, it's a album, rolling it out,

there's a rose don't die, and then another secret project, I leave that. Okay. I can't tell you about it. You just did, though. I didn't. I know, it's another one. It's coming out. It's coming, though.

Yeah, I mean, there will be something else. Yeah, let on here. You can tell y'all to Mississippi, niggas, y'all can have to do this shit all day. What you just said? What did you said? What did you said? What did you said?

I mean, if there's a secret, then you shouldn't have said that. You shouldn't say the motherfucker thing then. Now you're maddened and went from a secret to a room. Yeah, nah, I ain't know what's happening. It's all good though. Hey, hey, hey. I'm kidding these things. We know the secret.

Because the greatest rapper alive. That's what's up, man. Yeah. I said that. We appreciate you, nigga. Thank you. You are, man. You have to take that mindset so you can get in that zone.

Nah, but I ain't worried about the zone. I ain't worried about the zone. Oh. I just want all the people that I looked up to to feature me on records. Okay. That's all.

And most of the O.Gs have done it already. They know what it is. Or at least let me produce. But for the most part, they shunned me because I'm from Mississippi. And if I kill them on a record, then it looks bad. Oh, well.

So, as is what it is. Hey, man. I know what it feels like to not be accepted. Oh. I did. Because I, too, am from Mississippi. Hey, I taught myself how to read, right.

Who freed you, nigga, the way you talk? Free myself. Oh, my Lord Jesus. I love me to ship in the middle of the night. They didn't even know I was gone. They didn't even know I was gone. By the time they recognized I was gone, I was head first in Atlanta.

Ready to make a move. Who can I kid? Why not? As soon as they turn their back, I made a run for it. It was all alone. Ain't nobody never gave me nothing. Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free.

I'm Ebeney, and every Tuesday I'll be sharing all new anonymous stories that would challenge your perceptions and give you new insight on the people. around you. On Pretty Private, we'll explore the untold experiences of women of color who faced it all. Childhood trauma, addiction, abuse, incarceration, grief, mental health struggles, and more, and found the shrimp to make it to the other side. My dad was shot and killed in his house. Yes, he was a drug dealer. Yes, he was a confidential informant, but he wasn't shot on a street corner. He wasn't shot in the middle of a drug deal. He was shot in his house,

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You think I'm scared to go back when I ain't. Hey, man, box. No, let them keep going, bro. Let them keep going, bro. I ain't never had shit. Let's go. My daddy ain't half shit. Let's go.

It ain't have shit, neither. And they wouldn't even let my granddad even have shit. This was back when black people wasn't allowed to have shit. You got it good, and you don't even know it. I know all these opportunities that niggas won't even use them. Hey, man. But don't come talking to me about no white folks, because I know him. That's the thing of question, part of the thing is crazy, man.

I freed my goddamn set. Ain't nobody free me. Can't nobody free you neither. Oh, hi. Who? That's the world. Mom is the king, man. That's a thing with you guys, right?

Thin' from Mississippi, you got them right! And it's way more fucked up than you think it is, man. Look at me when I'm talking to you. Check on your people. Oh, this are the roses don't die. Dishol the roses! They don't, oh man, I'm a die. I'm a die from this thing with the digital roses.

Take a bitch to me. God damn, man. Niggas be rusted this shit out. We can't jail, y'all. I don't even know. I'm from Mississippi. What are your cornbread at? What are you cornbread at?

Why are you talking bread at, Nick? Why you talk so clear? No. You don't sound like you from Mississippi. You ain't even been there. You're nothing. You ain't yourself so well. You know how weird is you?

I didn't understand. Damn, it's crazy. Talk so clear. What the fuck? You're supposed to be muffled. Yeah. I don't know what they expect us to talk like down now. Yeah, well, how you feel about cities and, like, streets and shit?

You're like, big ass? Oh, it's a lot of cars. After all that traffic in them cars going every which away. Lord Jesus. Ah, that confused me. I'm just a whole country, boy. We got one road and one stop like, and everybody take daytime, and ain't nobody in a hurry.

Mosey or no, we're just going to mose it. He said, what you say? Go mose it. Oh, man, look to all the people in Mississippi, man. And you're changing every one of the years. Y'all represented it at the greatest and highest level right here. You're going to lose up.

All the way. All right, man. All right, man. You know we can do this shit all night. Clayton, English, your friends. 85 South Presents, we're going to have the dopest comedians up-and-coming comedians that you know and love.

Everybody bringing their A-game. We're making it an event. It's going to be crazy. Have that shit on when you come out. Come with your main girl. But if you can bring both, if you can bring your side in your main, if you can manage to make them work together,

who am I to stop you? So be sure to come out. It's going down. Punchline comedy club. 3652 Roswell Road, February 24, 85 South, Clayton English for friends, you know what it is, bring your friends, I'm gonna have some friends for y'all, and nobody gonna be disappointed, let's go.

There's no side, no, we just seen so many people going BT awards, years and years of people just rag on Mississippi, like as if we're too slow, bro. And we paying attention to everything. I'm like, everything they're saying, music, artists, fucking actors, performers, we're aware of it all because they shit on the so much in the early. I grew up, people like, ah, don't go to Mississippi.

But they go perform there, practice there. And it's like, damn, bro. We love y'all, we buy y'all albums, we go to Walmart, listen to y'all shit. Like, bro, we grew up on the world, but nobody wants to go there. It's just crazy, bro. And we're so aware, always aware.

Y'all changing the narrative right now in the process. You've been doing it for years, man. So keep on, don't stop. I mean, keep pushing that shit because without child, then, nigga, it'd be the same way it was. Hey, man, if you ever need somewhere to just go chill, that's the place to go, though.

I mean, that's the place to escape, man. Mississippi. Because, I mean, like, yeah. You can really just chill, bro. Especially if you get out some people, like, in the woods, y'all can go chill, like, people out in the country. Man, it's so peaceful, don't. Ain't shit going on.

You ain't worry about shit. Nothing. You're gonna eat good, smoke good. And every head night and smile is a real smile. Yeah, man. Ain't no bullshit. Yeah. Real southern hospitality.

Yeah. I agree. I didn't got that. For that exact reason right there, though, it's cause, you know, it ain't often that people come through there. So when you come through, you're gonna get extra love. You get the leftover love.

You get love, love. And you're about to leave, it'd be about 15 people standing in the yard, crying like a motherfucker. Me, Phil. So real, who am I supposed to do that type of love, niggins. They'll be safe going down at the road.

Be careful. They do come to see you off, though. And they give you a basket food. They know what they're going to eat? Man sprays and Coca-Cola's and shit. Every man. Sandwiches, turkey meat. Socks, draw, t-shirt.

Invying the sausages. All that. Pimento cheese. Add this, baby, crackers. Real niggas shit, man. Real nigga shit, man. I know this your first time in the trap. Yeah, yeah.

But don't let it be the last time. Yeah, I'm not, bro. Man, we're gonna make sure we blow the album up. Let's go. Bro, you did something with the King Molly yet? Yeah, I had to. Yeah, back. On his album, I asked him on video.

There you go. Yeah, man, I mean, that's the young home, young king, so, you know, that's your love. It's a cold nigga. Yeah, you, I mean, you were there talking shit with him. I know. I'm just getting you to say it. I know, I mean, but you got to say it too.

Nah, man, he was there in the video shoot. Yeah. They should say like, yo, did the niggins. I was the coldest niggil up there, though. I'm gonna tell you, bro. Not even close. Brer, concrete feet, always in the street. That's what you think about?

No, your outfit was kind of like, man, I was driving the sauce. Not even the stigma. The sauce and the stigma. No, foreign mystery. Oh, come on. Come on. But you know what? You know how I was talking about it.

That's not. That's not. You know how I was coming. That's what you look. That's what you look. You know how I was coming. You know how I was coming. You know.

Fuck you, Cheeky. Bro, bro. That's not how I was coming like, I saw you and him walking in the rain. That's what I was in. You may look like that. It was a lawyer.

You ain't a hair before that. What type of a nigga gonna tell me what I ain't? What type of a nigga? What type of a kid? He's ain't matched this actual drape. Like, you ain't matched your shit, man. I hit them with everything authentic. One goal change.

Chish help. Yeah. It was like, serve the ladies some nipple. That's what I'm saying. The ladies gave me the approval. You had to like, you know the shit was good because you're not trying to tell me what I ain't. No, I don't say, you had to go in the goddamn,

oh girl, I'd be in trouble if you left me now. I don't know where look for love. I just don't know how I see it. Don't look at how many aunties was on me. I know it. Role-ass women. Somebody dressed like this, so I know when they said,

Oh, he's doing role play for it. And the football part is, I posted the shit the day the video came out. These motherfuckin' thought this was my real outfit. What? Oh, Carlos, you cleaned up. If you're watching this goddamn video, do you really think I will put these

These shoes? Right now, I'm gonna. Yeah, kind of, though. It's all right. Now, it was time, it was period piece. I'm just letting you know, if I would have been around in them days. You were playing, play, play, play. For real, for real.

I'd have been around in the day. I'd have been dressed like motherfucking, my man off dead president. Y'all didn't make a soundtrack for all that shit. What did you say? My nigga, my little cutting, bro. I think we all be doing the same shit we're doing right now. They didn't do the same shit. Fuck, no, nigga.

You really want to be the thing in dead, president? Right. Down in here. The whole change, but I would have me one of them union jobs at Chevrolet or something. You think it's crazy. I got to work in the morning. I see y'all.

He's the reason my grandma old school ain't right. That damn right. I'm making $5 an hour, man. I'm working my way up to men. And they got this new shit where they got, where you can, get a piece of the company, they give you a shelf. Yeah, I got three of them, man.

I'm just going to keep letting them work up. That was goddamn cryptocurrency back in the city. See, I own this motherfucker if I just signed my name on this people. I don't know how it worked, but then the company is closed down. It's gone. Big miss. Yeah, man, that's fucking good. We see you've got these pennies stocks.

Yeah, you ain't put your money in the penit stuff, bro, no. Hey, man, digital roses don't die. Thank you, bro. Yeah. One more time. February 18th. Get ready, man. What we're talking to?

Which camera we're talking to? Pick you a camera. I'm gonna talk. I'll pick you. And you got a dope website too. Thank you, bro. Drop it, let them know. Hey, man, it's going down.

Third Court reps and all they're in there. Big Creek. Let me see where it can eat the shot. Digit Row. Don't die. Hey, you know this? Fairword, 18. Hold up.

Anybody in here got any questions? It took me seven years to get this nigga in this trap. I mean, yeah. I mean, I've been dodging y'all, y'all have a script. You know, this nigga? He's gonna talk about this. He's gonna talk about this.

Anything we need to say now. Hey, bro, what's the questions is? I got on questions. So, nays are like, we're on top. Oh, Newface got some shit for you. Whoa, what's good? O-G? That's the O-G, though.

Yeah, he brought you. I know he brought you some shit. He probably got a picture you were using a little boy or something. That nigga, the NileW to South. He is, man. Yes, he is, absolutely. Actually, he is the South. It's just a Nodwai period.

Newface is hero. Newface is hero. Newface. New face. New face was there, but new face is here. Yes, indeed. What's your brave? Come on, though.

You know, talk about the journey. Bro. When this brother was on the freshman cover. Come on. Double Excel. Come on. We got right here. When we talk about Mississippi,

talk about that meant to see him on there, with them to see a brother from Mississippi would it look like to see somebody from the south representing on covers. You know, talk about that. We got crit right here. Right here and Respect Magazine. Come on.

We got his first rating in the double XL right here. We got double XL rating in the double XL, Waka Flocka, he big him up in that. Come on, we got a crit right here. Man, you're trying to make that name, you cry. Look at him the journey, bro. It's all about your journey. These your physical roses, brother.

Come on, you face was there. Oh, shit. Got you right here. Yo. Come on. Look at this. Newface got my name. I'm a nigga feeling all right.

Say it. God. The album, autographed by your brother. You know, it's been a wonderful thing to be a part of your journey and your process. Damn, what? I salute you, brother. You know, from the South.

Man, thank you, bro. Man, that's amazing right there. Wait till we get to a part but Luface stop bringing us all the shit that's been saving of us, man. This is amazing, man. Newface, man. You love.

Bro, this picture right here, picture right here. Sit down. Let's get a picture. Let's get the picture right quick. This photo right here, bro. I don't remember this young man, bro. Word.

Bro. Because it was, bro, you got to understand. The industry is you move so fast between the drinking and the industry and the money and making. Bro, you don't remember times. I don't remember this young man right here. But I'm proud of him, bro. Shit, I bet he's looking at you like, nigger, we made it. Right?

All the way. But not prescription, this thing couldn't see shit. My G. Lord Jesus. That's crazy. Beautiful thing right there. King remembered in time. King remembered in time.

That's a digital road, right? Yeah. Yeah, from me and whoever took this photo. That's crazy, though. You from the past, looking at you in the future, boy. Yeah, bro. I wish he would just flip that turdneck down a little bit more so you can see his neck. I thought it was a Jackie.

He didn't look like this about what's going on cover. Remember how Marvin Gay was like he was mad at everybody like that? Man, look at Marvin Gaye looking at you right now. My goddamn hell. Get me fuck about it. Nah, that should have been pot now. That's a pop collar. Well, you live and you learn, man.

That's a pop collar, bro. What's the point of it? Yeah, what the fuck? That was the dreaming video shoot, so I remember that. That's hard, man. You need got the tape. Newface go hard with this shit, man. Yeah, it's disturbing.

Well, you know what we're at now, man. You gotta stop to promote everything. Yeah, I mean, like, he got everything, bro. He do, man. And I'm like, damn, bro, I really wish I could have some of shit. What you mean, you ain't nasty? Why the fuck you came? Yeah, that's shit was, yeah.

I got nasty or something like that. Oh shit, new face. Come on, bro. How did you even get this magazine, bro? Like, oh, my true planing. That was that shit. People look. That's crazy, bro.

If I fall, man, that shit was so crazy. Let me tell you about this cover, bro. Tell me about the cover, man. Bro, look at this cover. It's me, Nick Mills, Ken Lamar, Magnullet, Y, G. Fred, Godson, YG. Rest of peace, Fred, the guy, son. Yeah, side of Prince.

Bro, like, it's so many people on here that were influential, bro. Mac Miller, West and Pete, MacMacon. Straight up. Little B, little B, bass guard, Russie, Y, G. Yeah, bro, like, come on, though.

Little twist on that bitch. Don't act like a little twist to influence you, niggas. Shout out with my nigga, let me tell you, man. Hey, man, look, every year, it was a black coat. That's that said, come on, bro. That's a pro.

That was the first time people knew how I looked like them because every cover we did didn't have my face on it, that's why I had to put the crit on it. Now, and now the covers, were y'all all really in the same room? Yeah, we were all the same room. Okay, because I always look at these and be like, man, they take these pictures together. Me and Yellowwood and Tallest people in that row.

You say who and who? Meek and Yellow with photography in that row. I'm sure. So, but the weird thing is to stack it up, though, so it's kind of like, Stack it up. I don't know why'd you talk to the dog? That's what's up, man.

That's crazy. Time machine. You need you got hits, man. Moon and Stars. Who made you hold this death up on your head like this? They told me, too. I know they did. That'd be the bitches, man.

The big got their pictures now. They got my nigga hold it out there. So we're going to make it why he that tall, bro. Yeah, that's shit. It's like, yeah, yeah, and I did it. It'll give it some depth. Oh, geez. It's gonna make it have symmetry.

Yeah, I'm, you're just dwarfing little twists. We're trying to work him in. What are you doing right now? He got a show. Oh, y'all said, I'm on it. Man, I was fucking around talking shit with little twists on Ari Lennox Live. She probably didn't block both of us.

Me and Little Twits arguing about who the biggest fan. I'm naming all the old songs. He don't know nothing this shit. She's like, guys, stop it right now. Lord. Does she say it? Yes, you know how dramatic she is. Like the manna off the Muppets, man.

Yes. That's how she said. She was like, cut it out. Stop it. She's dope. You ought to do some music with her. No, no. I won't.

Oh, you won't? No, my price won up. Okay. Yeah. All right. After this show, my price is going up. I do not blame you. My shit will go up too.

Yeah. That's why every episode, my price go up. Oh, every episode? Every episode. Because the more episodes I do, the less and less I need to fuck with you. Let's go. How can we book you? You can't.

Didn't you see me book myself for a hundred shows straight? I am good. There aren't any more days left. Well, I'm supposed to stop doing my shit to go be hurt by you? No, man. Holl at Purdue. I don't know.

I don't know. Beanie Sigel says that I mean. Haile at Purdue. You don't even... So Purdue doesn't exist in your life? And I think that Purdue is the lawyer. No, he was saying, talking about them chickens.

What? Yeah, I'm saying, yeah. You go to school or something. or something, a Purdue University. Purdue. Oh, Purdue. Yeah. Oh, okay.

I know, but it could go either way. The university. Yeah. You're trying to enroll in Purdue. You know what I mean? All them niggas is gone. Yeah. That's just no one.

It's crazy. Like, I used to love these, niggas. Oh, really? Oh. Oh. Oh. Well, folks. My guys.

There you have it. No, you do your thing, man. thing, man. We have given these people so much information. Oh, they don't stop recording on. No, they never stop. Hey, man, it's going down. Third court represents all the year.

You gotta represent the Third Coast, man. Drop your social media for all the people who are out to loop. Big Crit, B-I-G, K-R-T. I thought this shit was just like. He ain't gonna be on it. Well, so, yes, I will be sometimes. I'll be telling this nigga all the time. He gets so much love around the world.

He know it. I know, I mean. And you had to come here so these people could blow your shit up. Hey, man, social media, B-I-G, K-R-I-T, Big Creek. They're going to definitely be on your ass. Yeah. Literally. They got questions.

Well, K-R-I-T stands for King Running in time. And they're going to keep asking them until you're asking them, so act like you're seeing them. All right, do. All right. What kind of subs you have in the car? Right now, in my money, Carlo, I think I got two nice-ass tens in there. I ain't mad at that. It's quiet.

Yeah. Yeah. Plus, I didn't want no extra big-ass. box. Bro, because you can't, you ain't no trunk space. Right. And I needed it to be functional.

It still gives me the base and the sound that I need without being excessive and not being, you know, a burden. Yeah. Right. It's a nice, neat set up

tucked away. Yeah. You know, a little custom package that I put together that looks real nice with the look. It sits flush. Great sound.

Stays in the car. The car is dynamited all the way through so we don't lose. Yeah, but I've used an insulator, a dynamite, so we don't lose any sound in the car. So all the sound is right there and the subs hit.

Perfect. Perfect. You know, I really take my time with this shit. I know, I know. You gotta keep some life. But you know, other than that, Mississippi niggas taking over every way you look. This is 85-7-show.

We got out here, yeah. Yeah, yeah. You know, I don't know. You're right on the top for. I got your shit up in. They got your shit. They got your shit. Bro, I was.

I ain't fucking with you, bro. They didn't get my shit out of a nigger. Nah, bro. They didn't have to do you like that. You really got Mississippi on that. Extra ass shit. But I don't really recognize that. Let's get this.

Let's get that. You don't. Who is that nigga? That's you. That's a old nigger. Appreciate you, bro. Y'all ready? Let's take that joint.

Sit down. Sit down. My bad. I thought we were standing up. I'm turning to a Mississippi niggum. Sit your ass down. Sit your ass down. Keep standing up and shot you at one more time.

You got one more time. Thank you. Making good. You know how we go. I knew I wanted to obey and submit, but I didn't fully grasp for the rest of my life what that meant. For My Heart Podcasts and Rococo, punch, this is the turning, River Road. In the woods of Minnesota, a cult leader married himself to 10 girls and forced them into a secret life of abuse. But in 2014, the youngest escaped.

Listen to the Turning River Road on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. Join IHeart Radio and Sarah Spain in celebrating the one-year anniversary of IHart women's sports. With powerful interviews and insider analysis, our shows have connected fans, with the heart of women's sports. In just one year, the network has launched 15 shows and built a community united by passion. Podcasts that amplify the voices of women in sports. Thank you for supporting IHeart Women's Sports

and our founding sponsors, Elf Beauty, Capital One, and Novartis. Just open the free IHeart app and search IHeard Women's Sports to listen now. Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free. I'm Ebeney, And every Tuesday, I'll be sharing all new anonymous stories that would challenge your perceptions and give you new insight on the people around you.

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