The 85 South Show with Karlous Miller, DC Young Fly and Chico Bean - Young Buck & Drumma Boy in the Trap! W/ Karlous Mller and Chico Bean
Episode Date: April 16, 2021Young Buck and Drumma Boy - two of Tennessee's finest, stop thru the trap to chop it up with Karlous Miller and Chico Bean! Young Buck details the start of his career with Cash Money Records and tells... the story of doing a talent show for rappers in the prison. Drumma Boy explains why he's come together with Young Buck to work on their new project " Back On My Buck Sh*T Volume 3" and breaks down all the hits he has produced!Plus Young Buck explains why he didn't wear the G Unit tank top! This is the coldest podcast!LISTEN TO THE PRJOECT!https://music.apple.com/nz/album/back...Hit Our Website for more info: https://www.85southshow.com/Get our custom merchandise: https://85apparelco.com/Subscribe To our Channel: bitly.com/85tubeWATCH KARLOUS' MILLER's COMEDY SPECIAL! https://vimeo.com/ondemand/karlousmil...FOLLOW THE CREWKARLOUS MILLER - https://www.facebook.com/karlousm/DCYOUNGFLY - https://www.facebook.com/DcYoungFly1/CHICO BEAN - https://www.facebook.com/OldSchoolFool/Director - JOE T. NEWMAN - www.ayoungplayer.comProducer CHAD OUBRE - https://www.instagram.com/chadoubre/Producer - LANCE CRAYTON - https://www.instagram.com/cat_corleone_It's Jon - https://www.instagram.com/holaj_o_n/ Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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Jay Witt, give me some, give me some Gatdown, give me some of that.
Nashville, Box Shevitt, 215, some sixies on that bitch, but they just stuck on there.
They're rubbing like a motherfucker.
Coming down.
Hey, come.
Titching pull is squeaking like a motherfucker.
But they bitch all motor.
That's tough.
Yeah, play me something just like that.
That's all I need.
Yeah.
Oh.
This feels like when you got to warm your breakfast up.
Like somebody at the house cooked.
And you woke up late.
You woke up.
It's all right.
Somebody got to be warmed up.
Yeah.
Yeah.
That's what that feel like.
This feels like when you finish with DUI school
Graduation DUI school years
Yeah
You know what I mean?
Yeah
We just been fine to get me hit the road
Yeah
So as you get your car in the DUI school
And start your shit up
I'm talking about
You just got your license back
Yeah
I'm talking about when your baby mom
call and she's like
Nevermind
Ain't no matter what that
Nevermind go to
That's just a good head, what?
Don't you love what the motherfucking cancel on you?
Hell, yeah.
Some people get in their feelings.
I love one of the motherfuckers.
Don't worry about it.
We ain't going no more.
Appreciate you anyway.
He don't even care about what he's ever, man.
Yeah, I don't know, right.
Don't even matter.
Yeah.
I fuck with that.
We ain't here, though.
We ain't here.
We got a special today, man.
What you're talking about?
This special way.
Br, you never know who's going to be in the trap with us.
It did.
You feel me?
Bray, you look outside.
He just be niggies outside.
rolling up and seeing blue.
Oh, boy, I'm glad you're saying something.
Right.
Nah, but we got some real niggies in hell with us today, man.
First of all, we got one of the coldest motherfucking producers
in the motherfucking game right here,
just sitting here chatting.
This nigga be air with him.
I talk to anything you know, brother.
I believe.
Hell, boy.
I show this nigga how to hit the beat machine.
Come on, man.
Man, hey, I repeat insane way, man.
Big bro, man.
Insane Wayne.
I want to be here if we're going for people, bro.
We're trying to talk about all that.
Then, we got
motherfucking cash bills on.
Ooh. You dig?
This nigga got so much
rap game history.
You can mention G-Unit.
You can mention cash money.
Keep on.
Man, you can mention Dr. Drake.
You can mention
niggas like him.
You can mention all of them
niggins.
And he was really right there with him,
ready to knock something out about it.
And in the studio,
Ready to wrap a circle around the nigger, too.
Oh, my mom.
Man, this nigga had a motherfucking anthem
with two hip-hop legends
dishing each other on that motherfucking, man.
Man, if you don't know what I'm talking about,
talking about the coldest niggas ever to come out of cashbill,
he's the one who let you know that they were ten and...
Yes, sir.
You feel it?
None of other.
Young Buck, A.K.A. Buck Boy.
And I'm broke.
I brought my night some of the Bible awards with me today,
I brought me in the Bible.
I brought the fourth in the night.
Yeah, what a fool's at, d'ning.
Cut the music.
Since you brought it up first, check this out.
When the streets heard, we don't know what happened
and we ain't going to ask you what happened.
When we heard what allegedly happened,
every nigga who even thought that it was a been in your position
like, that nigger was not wrong.
You're supposed to do shit like that
That's the billions
That's the bank roll right there
We will figure out the rest of this shit
Come get me
And they did
You made sure I'm still right here
On 85%
I did something right
You was not wrong
Shout out to Dr. Dre
For real
You did
And even 50
You feel what I'm saying
Because he was like man
You know
I got you too
So that situation
I was able to just
You know walk through
It was one of those situations where, you know, shit happened.
Honestly, I didn't not know what the commotion was about at that time.
Right.
It was me and Banks backstage about to bring out a war for Snoop.
And just the commotion popped out.
You know, I don't know, man.
Somehow a forked just back to me out of nowhere.
Right.
You feel me?
And, you know, I made it through that situation, man, blessed it.
Like a real nigga, well, you got to do that.
Because at some point, your real-nick instinct is going to kick in and be like, get to the motherfucker in a house.
Hold on one second.
Check the mic.
Send the lady.
Check, check.
Your big-ass chain has fucked the microphone up.
Your big-ass chain.
He got that big-ass chain.
You got a big-ass chain.
The big-ass chain.
He had a, he got a, he got a big-ass chain.
He got it from on the street
He got a big ass chain
And on the camera you see
He got a big ass chain
You heard me bitch in right
He got a big ass chain
And nothing fucked up to Mike
I had a chain on so big
That bitch was big as a crib
I had some diamonds in that bitch
It looked just like where your grandma live
Yeah
Saving up your money for a bigger chain
Everything on my neck
Don't stand a chain
I'm trying to stay in my lane.
I should have wore a little chain.
But you didn't.
I brought a big-ass chain.
He brought a big-ass chain.
A big-chain like no other,
and I remember that chain from all this album cover.
He's got a big-ass chain.
You ain't lying, my nigga.
I just figured I'm on 85 inside, my nigga.
And I put up in this motherfuckling thing bang.
I said, I'm going to wear my big-assie.
Man, listen, that's something to me say.
That's it, big-ass chain.
Big-ass chain up.
Fucking get talked about.
Man, listen, you know what I mean?
We had ran into each other so many
different places, man, literally in the mall,
hotels, nigger, and all
always, whenever I see him, me by itself,
I'm by myself, and it's always, what's up,
nigger? But I got a question, man.
I've been wanting to ask you this, but every time I ran
until we was moving, and I've been wondering
this for a long time. When you
said, welcome to kids.
Was you smoking a blunt or taking the shit, nigga?
Because that was the strongest.
Welcome to Cashville, motherfuckers.
I was like, Nick, I'm never going there.
Listen to how you saying that shit.
Welcome to Cashville, motherfuckers.
And that beat drop in.
That's one of the coldest songs, like,
and that was the first song on the CD.
You know what I mean?
I come from a small town where organized crime is the rule.
You kill niggas without permission.
Niggas gonna kill you.
We bang them rags too.
two red and blue
That shit ain't only out there on the west side
food
That's it man that nigga
That nigga says man nigga
The South ain't safe no more
So get a gun
And pray to God that you make it
2C21
I was like okay
I'm not going to
That ain't what dolly potting
That's talking about
That's somewhere different
Is the first nigga
To make a pre-ass
Whopin' anthem
This nigga had a song
That came on
Before the nigga start fighting
I hate talking buddy
About to get his ass thorn
the fuck happened before that
he was talking
that's a classic
that's all the tape
fucking record
bro when you heard
these niggas
sitting their verses back
did you even put together
that they was talking about each other
no you know
I'm shout out to both of them
even to this day
tip and looter
but when I created
that record at the time
you know
my first mind
of getting the feature
was to stretch out the tip
bro do you know that
About 30 niggas jumped on that remix.
Yeah, man.
That's how you know you got one of them ones
when everybody wants to be on that.
Everybody on that one.
That beat was so hard.
Man.
Who was like, who was that?
Because that was actually...
Who wasn't that on that beat?
DJ Paul.
DJ Paul, man.
And, uh...
Memphis, niggas.
We actually got a whole tape.
This dropping in, uh, right after back on my books with volume three that I got out now.
Me and DJ Paul just, uh, wrapped up our tape is title,
Unispectus.
So it's one of them ones that got that same stump type of flavor.
Yeah.
You know, even creating that record, man, I had reached out the tip to put a verse on there.
And when he sent the verse back, it was really that bar that he had on there.
You know what I'm saying?
That made me be like, me getting beat down.
That's ludicrous.
Yeah.
So I was letting different motherfuckers head and shit.
And me and two chains is one.
with each other and we was real close
at that time too
I had let him hit a record and he was like
yo bro you got to let Luda hit this shit
and you know honestly I didn't even really
have no idea that they was
you know having what little issues or whatever
at the time
but when I let Luda here
you know what I'm saying he was just like
fuck man shit bro I got to jump on this shit right
here I'm like hell yeah
you know what I'm saying
And, you know, it was more or less when Luda heard it, he was, I think he heard more than just that bar where Tilt was kind of speaking and saying whatever he felt.
But out of respect, I jumped back at Tilt first and was like, yo, man, listen, Luda heard the record.
He wanted to jump on it.
You ain't got no problem, Tilt was like, nah, shot it, man, let him, you know, go here and let him do his thing.
So, you know, the record came out.
And I really respect that record to this very day
because to me it was one of those records where, you know,
you got two legendary artists, you know,
going back and forth on one record,
but it stayed on wax, stay hip-hopping.
There was nothing that got out of hand
and, you know, turned into any kind of real beef, I think.
Honestly, by the time I went to put the project,
put that album out, Luda and TIP had, I think,
reconciled whatever situations that they had,
so the label wasn't really there for Tilt's verse
still being on the record.
So last minute I had to, you know, throw game on that.
Game was like the newest edition of the G-U
and he needed that look for a while.
I felt like, shit, game, I'm putting you on this motherfucker,
you know, in regards of replacing Tilt,
with it, but the record had already blowed up.
So, like you said, there's so many different versions of it.
You know, I heard another fucking version of it the other day, like,
damn, nigga, I ain't know you was on here, too.
Naga, it's everybody in those south jumped on that month.
I remember, I seen the interview with Tip were talking about.
This one was still wearing his head's like this.
He had the grill, and he was like, well, I laid my verse down first.
And if I would have heard the verse that he laid, then I heard a different record.
I'm like, ooh, nigga, he was in a cave with something.
And then just the nigger
And then just the niggie of me
Was like, I wonder what he would have seen
If he'd have heard that shit
Yeah
But I salute to the fullest
Because, you know, even when he
Like I say, I stepped
I had a stretch back out to him
It was like, yo Luda want to jump on it
And I'm sure
Somewhere in the line he had to feel like
Ludo was going
Throw some type of shot or say something
And he could have easily
You know, been a bitch-ass nigga
He said, no man
Take me off
of it, but he laid the flow
there for Luter to come and Luter
done what he'd done. And like I say, man, that's
one of my favorite records that I've
created. Just for
that back story, that's like, that shit
gonna live forever. You'll never, like,
you probably never see two rappers
like that, you know, that's, like you said,
that's in the middle of a lyrical
disagreement. That most people didn't even know
what's really going on until it's in.
A lyrical job.
That's a literal. I think we need more
stuff in these generations.
The only thing we didn't seem since that.
But see, them niggas, like, they ain't never going to let that shit go.
And that's the worst part about it.
They're cool.
They ain't cool.
They ain't cool.
Niggas ain't cool.
Tracking me?
Niggas ain't cool.
Niggas ain't cool.
Those niggas is cool before they fill out.
Not a thing.
Just because the niggas ain't into it, don't.
We are all right.
We ain't cool.
I'm saying, these niggas can never be cool.
Yeah, yeah.
We get some money.
But we ain't get into that shit.
They don't that shit slide no more.
We ain't finished.
just fun to be
buddy button type shit
is just for the
I guess for the check
for the business
and not even a check
I guess
I don't know
about the nigger situation
to be honest with you
but you know
I just think
hip hop need more
of those type of
competitors
that competitors
you know
a lot of people
we have in different
situations
and having
you know
different problems
with each other
as rappers and shit
and you know
a lot of it
resorts
into
You know, how many diamonds your motherfucker can buy more than you or whatever accolades come along with how many records of.
Now, how many streams a motherfucker got versus anything.
I wouldn't even play that shit no more.
Niggins didn't hit a billion.
Big fit.
If you're behind any, niggas, you lost that one.
But I think from what you just said, my question to you is the game bred for that anymore.
Because I think a lot of that probably was lost in the way.
of people seeing what happened with guys that was really active
and going to get active when they got to the point
where you ran into each other
and a lot of people probably ain't built for that no more.
So do you think that the game is bred for competitive energy?
You know, honestly, man, I would just, I would say
this generation right now has kind of steered itself into
having to feel like they have to match some of the shit
that they say in the records.
and, you know, even rap in itself
It's just a competitive game
And it's like, it reminds me of a boxing match, really
Because everybody fighting to be number one
No matter what, everybody chasing to be, you know,
the biggest, the biggest that they can be with it.
I just feel like this generation right here
That we're dealing with,
Forrest and youngsters that you see winning
And some of the issues that they have
It's resorted into
hands-on violence, but it was no different in the same way when we was there.
I think it's room for it.
I think it's room for it, but it would have to be the conflict of two artists
both looking to go down that route versus then the route that we used to be
with what we're seeing playing out right now.
And that's motherfuckers getting killed, man.
You know, motherfucker's, have differences, and you see a motherfucker and, you know.
it's about
you know
who gonna catch your body
type of thing now
so if we take the bodies
to the to the bars
you understand what I'm saying
even with G unit
and the beginning of
at least my time amongst being with G unit
it was based on real life
the issues that was going on
with real life issues
involved with say a 50 or whatever
so you know when we had
those vests and shit like that on
It was for real
It wasn't, you know, for the camera
It was really
Niggas trying to protect their life
At any moment she can go down
Yeah, you know what I'm saying
And you put that on record
Faults bulldog small enough
To fit in the nigger boots
So it's whatever whenever, whatever you want to do
I'm like, okay, these niggas
But I saw a clip
On the internet of Yartu
Talking to Big You
And salute to him
And he was telling the story
You know, I mean I don't know
If you want to get into the actual
story or what happened, but just
seeing that you were willing to be
as active as you were, my question
to you is, as an artist,
do you feel like that's something
that's necessary in the game now
as it was back then to be
somebody that was really willing to go
and show that these words that I'm speaking
are legit?
You know, it depends on the situation
in the individuals that you're dealing with.
In my situation, I would say,
you know, yeah, because
I've always been involved in real life issues around the music
so it wasn't like I felt like I could resort to
just allowing certain shit to go down
and you can put in certain situations
where it's not just about your life
but it's about everybody's life that you will
you understand and if it's any man or anybody in my eyes
if you feel like your life is being threatened
you're gonna do whatever it takes to
to make sure
you know
you maintain that life
you know of yours
I love living
you know so I just
I've been putting in situations where you know
I feel like my life is threatened
I'm gonna do whatever I gotta do to survive
where I gotta make it home to my
kids home period
and um like I say
a lot of this shit is just based
on the energy of the individuals that you
have your issues with.
Speaking of issues,
bro,
tell me when you
start teaching
drama boy how to
make them beats
and shit.
Nah,
he's talking to
make no beat
straight up and down.
This nigga won't even
teach me
how to make
the fucking beat
right there.
I'll be watching
no more,
Nick,
I cook this shit
right up
in front of you
god damn
and you see
facts.
Niggas see the
recipe.
Right.
Well, shit,
let's from start
to finish book.
How you get
in the game,
bro?
You got a lot
you got a long history,
bro.
People think it
just
A lot of the younger generation
don't think it just started with the unit.
But, nigga, you was putting shit down before that, even.
Fakes.
I was one of the ones where, you know,
I came in the game
the first individuals
that I was basically
around was cash money.
How old were you when you got it?
I was around 14 years old, man, 14, 15.
But Wayne didn't even have a dress.
The niggins still had the baby fro like yours.
Oh, word.
It wasn't like mine.
It wasn't like mine.
I'm the only nigger with one like mine that took in this time.
I'm the only young nigga with this.
I ain't nobody else got this.
Me and Maurice White.
That's it.
Real facts, though, but, you know, they had came to my city.
We was always big fans of that music.
As far as me and my circle, the niggas of that, I came up with.
One of my partners had picked up a CD.
I think it was Chopper City in the ghetto.
It was like what.
Probably one.
Bad, so class.
The orange, like big-ass bullets was goddamn falling out of the sky and shit.
And homie now, you know, they had that wave throughout the South, you feel me?
Yeah.
We was just fans picked up the CD one day, and my partner had caught.
I was a youngster, you know, in the backseat.
My other partners and shit, you know, they was kind of the ones who rotated my city and shit like that.
So they was jokingly, you know, man, I'm on the back of this motherfucker.
You know what I'm saying?
And called the number.
It's like, man, what child niggas want to come down here to the field?
And whatever it was, it was pennies and shit.
Niggas was like, what?
Y'all needs to come in tomorrow.
And they didn't come, but it ended up being like a week or two later.
Niggas called themselves trying to put a show together and shit.
A bunch of doughboy niggins don't know nothing about the game.
But, you know, get a venue, got them niggas to come to the city.
And when they touched down, baby was.
really fucked up or how young we
was and really
active. Really active
like that. So
I think that really
was the motivation for him
to
you know
build a bond
at the time with my
surroundings and they end up
booking the studio
my brother from another
mother lit Jimmy had got in touch
with me somehow. Niggas didn't have
no cell phone but he
got in touch with somebody to pick me up
and bring me over to the studio, walked in the studio.
First, my scene was juvenile.
I'm like, damn, that that nigga go right there.
You feel what I'm saying?
And went on the end, and it was BG, juvenile, Turk, Wayne.
And then the nigga, baby, walked up to me as a youngster.
First word to this very day, I never forget it.
He said, spit something, little one.
And like I say, man, I was already in the streets full flesh just trying to find a,
a fucking way
but music was always
my thing from day one
so when the nigga told me to spit
my head fucking
do you remember what you spit
I don't I couldn't even
I couldn't even tell you that shit
to this day that's a dope shit
it wasn't one thing
because what happened was when I spit
he immediately told LeWain
hey come in there
spit something
so me and LeWang battled it out
and I tell
niggas I didn't win what I
won nigga you did
because, you know, walking from that situation
the next day I was getting a call
from my partner saying,
yo, baby, won't want us to come to New Orleans with him.
You want to give you a situation.
So my life started basically
from Cajville to New Orleans at that moment.
I left, I was supposed to be in school,
you know what I'm saying, around that time?
With school, never was my thing.
Never?
It never was.
Never. Not even in, like, first grade.
I believe his name.
School was never my thing.
First grade. First grade. First grade, I didn't, on my mommy.
Even in first grade, I ain't really fucked with school, man.
I mean, you know, it just was one of them things.
Like, my childhood was for real coming up on some, you know,
I come from a single parent background,
and it was about really trying to keep the fucking lights and water on in real life.
You know, you know, they're right.
Happers come through and be having them.
Everybody got a struggle story.
But my struggle in my life,
it kind of is there for
like, niggins know what I come from
throughout my city. I come from nothing.
You did? So I really, that's what forced me in the streets
at a young age, just trying to kind of help my moms
get out of the situation that I was brought up in.
Yeah.
It was about hustling.
I was one of the niggas of you to cut every nigga
in the neighborhood grass,
the trash and shit, pumping gas until it, before a nigga ever picked up a peck trying
to do anything with it.
I just was one of them ones just trying to make a dollar to be able to provide.
But again, man, it was, my journey started with cash money.
Times where a baby would drop Wayne and Turk off at school, and I ride around with him,
you know, doing our thing, just trying to make shit happen.
I come from real solid circle of individuals and shit, so.
You know, even in Juvenile's home video, the yellow Ferrari and things like that, those were our vehicles.
We poured them vehicles there to...
Nick, you had a yellow Ferrari if he was 14?
No, nigga, it was in the circle, though, so you might as well say...
Basically, yeah, you did.
No wonder you ain't fucked with school.
Bitch, I got a Ferrari house.
No, you don't.
Yes, I did.
But yeah, it was in the circle, so, you know, shit like that.
Like I say, man, we really, really...
come from the streets
and all that good shit
and from there
the difference is
I can give you
all of the different stories
in regards of coming up
with cash money
but I can't play you
no music
that where I was actually
what I was there for
you know my my situation
was based on
me coming to cash money
to do a deal
and it turned out
to being
in my mind
where I was kind of like
pushed to the back
not because baby
didn't want to
get to me or whatever. It's just that
they shit. They blew up. They blew up so
fast. So, you know, he had to focus on
what was working versus trying to break a brand
new artist. But I never
was a tag alone, niggas, so
it forced me to have to go back
and make a decision with themselves.
Am I going to
you know, I'm 18, 19
years old now. You know, these
niggas, all I wanted was
an opportunity to be heard. Let the
world, let the streets be the judge.
me. Right. And it was just, I had records, but none of them was actually getting pushed to the
world or none of that shit. So I made a decision to come back home to cash real and start my own
independent push. You dig what I'm saying? I felt like I had built the name for my, from my city
by just being amongst them. You know what I'm saying? So, shit, man, when put me a little
CD together back then, I think it cost $300 to press up a thousand CD.
Damn, that was a good deal.
Yeah, I'm sending $10 apiece.
You do the mail.
I slowed down from doing whatever I was doing
just because I read my,
the music started really paying me.
I love the hustle.
Yeah.
The hands-on money was really being more,
started making more sense to me
because I put my life on the line for less, lesser.
So that's where the hustle came in
and just starting to understand the whole independent game.
and, you know, really pushing myself
to get to where I'm at.
And like I say, that led back to me coming
with cash money,
but it didn't work out.
And I actually was with juvenile
when I ran into 50
and started my situation with G, you did, what I'm saying?
Burr, how crazy was that to be the only dude
from the South in the group
with some dudes from New York?
That shit was,
It's crazy experience
Just to be honest with you
It was one of those things
Where I felt like
Never felt like I had nothing to prove
But I always felt like I got to hold my own
And I'm not just doing it for me
But I'm doing it for the South
You get what I'm saying
What I come from
And, you know
It was almost like this
Competitiveness
That we have created
Amongst each other
You understand
And everybody
Wanted to
kind of outdo each other
but in a good way
on the records
so you know
in that era
in that time
the energy
was in a different place
of music in itself
let me ask you this
like you were coming up
in a time
where the perception was
dudes from the South
weren't lyrical
or killing the rap
and you really had to face that
as like an uphill
like an obstacle in the game
as a rapper from the South
that was the number one
criticism that they tried to throw
and like you always been a lyrical dude
who went out the way to say some shit
like do you still feel like
they're sleeping on the South
lyricism at that time up until
now or what?
I think a lot of the
I think a lot of the youngsters now
has adapted
a lot of other
things than just the lyricism
from the South.
You know, we dress
We dressed the way we dress.
You know what I'm saying?
We shined the way we shine.
For me, in that time, it wasn't about other things that now put you in front of this camera
and you can kind of blow up other than actually being able to have bars.
You did what I'm saying?
And I felt like it was a point of time where we didn't get that burn, that play from the East Coast that we really deserve.
as artists. Pimsy used to be very, very
outspoken on that situation.
Country rap tune. Yeah, big facts.
Rest in peace of pimp, he's one of the first ones that I
met as well as a youngster trying to get my ass on.
Niggia, your childhood was better than you.
The nigga had a Lamborghini, Matt Pempsie, grew up.
So I'm 15, jump off the bus with cash money.
Pimsy pumping gas.
Yeah, what the fuck you doing on that tour bus, my life?
He's out here fucking with the rap game, man.
It's crazy because, rest of peace to my partner,
the biz, man, he's no longer living.
He took me to Pimp C House.
And I was, honestly, it's crazy you say that
because I was on 15 and 16 years old.
And he brought me to Pimp, you know,
even while I was still amongst cash money.
But we were still kind of moving around
and just, you know, filling this rap shit out, period.
And when he brought me to Pimp,
Pimp said something to me that stuck with me
and still stick with me through my whole life and career.
And then, Pimp said,
I can't ask no nigga to starve, Bees.
And that right there was one of the realest things.
At the time, I was kind of like,
what do you mean?
He can't ask me to starve.
And then he told me, you know what I mean?
He was like, you're dope.
You're going to get the way you got to go.
I just would be asking you to starve,
Because we're dealing with our own situation right now.
At the time, they was going to do shit with jive and shit.
You know what I'm saying?
So that led me to, you know what I'm saying,
respecting him enough to know that he didn't take advantage of me being young
and naive to the game and just run me down the loop.
He gave me real game.
That shit right there made me, you know.
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My dad was shot and killed in his house.
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No the difference, because I ran
into a lot of bullshit at the same time.
The motherfucker's selling you dreams, and I was
negative them bought some of them sold dreams, too.
That's what I was about to ask you next crazy.
I was unable to put me out.
I'd have been the bathroom with that nigger furrow.
Man, let the little nick come to my house.
He's in the bad room.
My goddamn furrow in the mirror of mine.
Who what?
What was it about you as a youngster that made these old hustling-ass gangstass niggas
take you everywhere and let you be a grown-ass-nigger amongst all these goddamn hustlers?
Big facts.
I mean, shit, I was one of them, too.
You did what I'm saying?
And shit, I ain't looked like I was young.
I used to put it this way, man.
I look like a grown man.
I look like a grown-d-ass man.
Full being.
Yeah, he's 12, but just me.
You don't want to smoke
As young nigga, trust me
But I can rap
You know, man
You know, coming from these streets
And shit like that
It's just
Nika seen something in me
And that's what
Got me to really where I met now
It's the hustlers
It's the older guys that seem more
Than just me being in the streets
You know what I'm saying?
Even though I was in the streets,
I still had
these older guys that was in the streets
a little bit harder than me
that didn't want me to be there.
They didn't want me to go down there route.
And they knew and felt that I knew how to rap
so whatever connections or whoever they know
they was just trying to give me something different
and the shit ended up paying off to what it is now, you know?
So at what moment, going through all of that
that you just went through, at what moment did you feel like
I'm here, I finally got here, I did it?
Oh, man.
When I, when I, when, when 50 gave me my opportunity of being amongst your unit, you know, the first time I honestly, truly felt it was when I had got that call from Shaw Money at that time and he was like, yo, 50 want to put the, the, um, bloodhound record on this, on this get rich a doctor.
trying the album. That was a record I already
had. You understand what I'm saying?
50 basically got that record.
Kept my
verse on it. You know what I mean?
And put him a couple
verses and shit on the record.
Sung the hook that was already there
and put me on the album.
But when Shai Money was
like, yo, nigga,
M loves the record and he
mentioned it. I said, who?
Right.
That nigga was like,
M loves the record.
I'm actually mixed bloodhound.
And that moment right there, like I say,
M was the fucking, like he is now,
you know, one of the gigantics into this shit.
And I knew then that, yeah, I'm going to go,
I'm trying to make the best out of it.
I think the icing on the cake out of all of that shit
was when we, when I got that plane ticket
to come to Earth.
LA and record
you know
and I happen to be in a studio
recording in LA
first time that me in 50 now
had basically got in the studio
to record
we started immediately on the
G unit project
and one of the first songs we created was
G'd up
and that track was produced by
Dr. Drey so it was like I was in the
booth doing my shit
and I was
you know thinking
some shit to say
and then I heard my fucker was like
yo
said like this
and I was one of them niggas
like nigger don't tell me how to say
nothing like I'm saying that I'm
laughing I was nine
nigg I'll be there
who's what I said
school
who was that
you hear what I'm saying
but when I looked up at
that nigga Dr. Dre was leaned over
the big ass board
looking at a nigga
director I'm
Shit, man, how you want me to say it, nigga?
I'm talking about what you say.
How you want me to say it, bro?
But yeah, bro, to actually be in that circle of with Dre and M,
you know, it's just shit that I cherish to this very day.
Like, you know, that was that I've arrived feeling.
Yeah.
You know what I'm saying?
It is what it is.
When you started recording, you know what I mean, welcome to Cashville.
Like, and that, you know, I'm not just saying that's you here.
That's personally my favorite solo record of all of the G-U.
It's like it was you and Lloyd Banks, but then, you know what I mean?
As I listen to it now, I identify more with that record.
You know what I mean?
So when you started to record that, was that your first time ever going in and saying I'm recording a record that's mine?
Thanks.
It's crazy because my process of making that record was different than what was going on through G-Unit at that time.
You know, going off into my solo, I had already seen the processes of how 50 created the Get Richard D. Tran to beg for mercy.
And then here comes the solo pause.
and I just said I'm going to do something that
everybody else wasn't doing
so I told shot to start
giving me my music
on a CD without me knowing
who the producers was I want to pick the music
for the music instead of actually
picking the producers from the name
you know what I'm saying like
and that right there was one of the methods
that you know what I'm saying
I still kind of follow today of course
we ain't got CDs but
what I was about to say
what I got from that
though was the fact of
when I created
straight out of Cajville
I had no idea who the
actual producers was of the record
so once I made
you know when I'm getting to the end
of this tape I started
going and seeing who
produced this who produced that and
and things like that.
You realize I just created a whole project
with pretty much guys that didn't have a big name.
You understand?
So I put a lot and gave a lot of producers
that was trying to be heard a shot
by just having that method
as well as kept my goddamn budget low.
You feel what I'm saying?
And created one of the most
low, low budgeted records
that was done in G-unit period in the sense
I was able to recoup off
for that whole album
in the first two weeks
you did what I'm saying
straight up
you got
I'm about to say
speaking of our producers
speaking of producers
speaking of producers
we got one of the coldest
producers
nigger
you know what I mean
I mean some of the best beats
that you ever going to hear
like and
me
who you
Oh, just drop a few.
For those you don't know, give a couple of the world.
They're standing that.
You think motherfuckers be knowing, but they don't be knowing until you tell them.
What's in my pocket, dog?
Big Face Hunters.
Better stop playing with me, man.
I'm right around, I'm getting.
I'm right, round, around, I'm getting.
Smoking on Dysotic.
My girl, they got no stomach.
You know what I'm saying?
You got to know that.
You can look at my dad.
I put on.
When you like to, you can look at my dad winning.
whenever you know what I'm saying
no love
August I've seen a nigga Minaj
I mean
shouty
keep on negative
tea pain
you know what I'm saying
we come in the game
you know what I'm saying
or
no hands
walk the wall
you know what you do it
you're like what you do
you got classic records
drum on front
you know what I'm saying
Bird man
that gentleman
you know what I'm saying
Bird man we popin
NBA young boy
yeah
are you definitely
buying
You know, the rest of everything.
What I'm saying?
My friend of right.
First record ever coming up with Goddy.
You know what I'm saying?
I did four records on the life album.
Then we follow up back to the basics with,
when you see me, shot,
poppy, call it, Daniel, holler.
That's what I'm sorry.
Been a long time coming.
A lot of dope running.
I'm trying to dodge you, Casey.
They should be a boy, your own guy.
They should have in Tennessee.
Come on.
So my mama.
Go back to the basics.
It's the intro to my life
Intro to my world
You ain't Chris
The Pops you in the white girl
Hold on, give me a bottle
Man the nigger gets to stand it on the goddamn couch
I'm gonna chill in my glocks
They cockrocks in a matchbox
That niggum went crazy on that middle
And you was in your bag too
Oh man, y'all nigga
I would like, you know what I was like
You know what I was saying
When I bumped in the guy for the first time
I'm probably like 17
Well y'all niggas is just
Man, niggas, and you're a failure.
You know, when you did it, about a time, you're grown.
Sit your ass down.
Damn, these niggas out here waiting, they're 30 to have a drink.
The kid was only second go-round about something.
Then 17, I jumped off the point of time.
Man, we were in failures.
You knicker's elementary school with Lamborghinis and shit.
I had a bite, nigga.
I had a work hard.
Your name is outside.
Man, look, when I'm telling you, I can.
came up on the line. R.R.P. and
San Wayne. You got to understand. My brother
14 year older than me. So a
nigga who cut her, chop her. You know
what I'm saying? Got all the cheeks. You know what I'm
saying? You got the wicks, got the clothes. I'm wearing
big brother. This is the first thing I want to be like, walk,
like talk, like all of it.
You know what I'm saying? You know what I'm saying? And it's a cheekhole
because he's doing beats for Tila.
You know what I'm saying? So I'm
I'll say, bro, I got some shit too.
You know what I'm saying? Shout out to Anzee
a red boy. You know what I'm saying? Man, it's
born beat. You know what I'm saying? Do a lot of things.
He was the manager for Teele.
So he was like, man, come on, man, play something.
I mean, I end up playing five beats.
End up with three beats on Tila album.
So because my brother getting $2,500 a beat,
I get $2,500 to beat.
That's $7,500.
Three beats.
I did Tennessee.
We wanging.
And, man, what's on?
Tennessee.
Tennessee, 23s.
We keep it clean.
I ain't Tennessee.
In the land of good and good at Tennessee.
That's me on the hook.
I'm fucking 17, 18, man.
This is my first song on the radio, so this shit took off.
We had the Tennessee Titans, blah, blah, blah, you know what I mean?
And my, I put Godi, gangster boo, criminal man, Tila.
Bro, I want your haystack.
Criminal man.
You know what I'm saying?
You know what I'm all on one track, bro.
Hey, stack one of the most slept on rappers in the whole.
Side.
Oh, sorry.
Come on, man.
You don't come with that niggins.
That Tennessee connection, you know what I mean, like, you coming from Nashville or you coming from Memphis, like, y'all at Tennessee got a strong culture, man.
Even to this day, some of the hottest young niggins, who know what I mean, out of Memphis, you know what I mean?
He sent me my urs, my ass 70, I woke up with 70 and my urge.
And you know what it's like, you know what I'm saying?
You know what I'm going to be.
I'm going to be all the way silent with y'all, like, I give a lot of credit when it comes to, because,
I'm from Casville, Nashville, and he's from Memphis.
We're three hours away.
Right.
And it's always, and it used to be in probably here and there,
where there was this separation between the two cities.
Okay, we didn't really just get along like that.
It was one of those things I think was bred it from the penitentiary.
It's everywhere.
It's the same way everywhere you go.
It's like D.C. and Baltimore, niggas.
We call it a niggis country type shit.
You did we all country
But
You know
One of the records that really broke the mold
And
And kind of bringing
Us together
Was the state fly record
That me
A ball and MJG
Juicy J
DJ Paul did
That's why
That record was bigger
Than what people know
Because it was the first time
Where we had
You know
Somebody from my
From last
From Nashville and Memphis together.
Yeah, you came right.
I'm going to be in a nigger, too.
You're like, them niggins just might let me smoke for free.
I don't know why.
They can plug all the way in all right.
Then we've been waiting on ball and G and three since Marley to get together.
Right, you know what I'm saying?
Because Memphis, the city, they love and hate, quote-unquote, you know what I'm saying?
So, you know, I always try to bring that unification in.
You know what I mean?
Let me mix this shit up.
Let me bring.
Like, you see what Atlanta doing?
Like, you know what I just, I always look at Atlanta, like,
damn, they got this shit down, pack how they blend and merge
and make this shit everybody eat.
You know what I mean?
So I just implemented that, even with Welcome to my city,
coming out with, came, came up with Dolf.
I mean, came up with Goddy, but still introducing Dolf.
Right.
You know what I'm saying?
And just, mine, it's crazy.
Working with Jesus, working with Gucci.
I first heard that.
Man, you know, you're at 8 plus.
Hold up, bro.
I heard Buck.
online telling the crazy story
about how DJ Paul sent
Project Pat to pick you up, man?
Big fear.
Dang.
That's the name.
Bro, I think you're going to get to these.
We got a lot of shit to bring that.
Welcome back to the 85 South Shore.
Look, yeah.
I don't know where you're in
life, but right now we're talking
some real motherfucking pimp shit,
rap shit.
Tennessee Titans over here.
And that's when we got up in the building with us.
We got young bucks.
drop ball
yeah man
and we really just
running it down
but I gotta hear
this story
in person man
you said
DJ Paul
said Project Pat
to pick you up
yeah man
from where
the private
yeah
that's all the person
we're in the project
Pat
hey
Project
Patrick Pat
right quick
which one
you know
I got you
it
but you know
it's crazy
as big a day
he was riding
with that nigga, name was Lou Buck.
And then he was a little nigga,
his name was
Little Buck. And it's crazy
about how that situation happened because
I was actually with Baby when I
met DJ Paul.
I was on a, I think we
was on some type of tour
at the time and we was coming
through Memphis and Baby was
like, yo, nigga, this is what
I got coming. You did what I'm saying?
And Buck come and spit something
for these nigg. And
I ended up spitting and Paul was like
Nicky you're from
you're from Tennessee
I'm like yeah now
I'm from Cairnsville I was a youngster
so you know
when my situation
like I say I was kind of moving around
one day
I had got a call because I had
kept in touch with Paul
and he was like
man I'm
I need you on this record
and I'm like what? He was like
man, I'm, Pat from to come pick you up.
And that's like three and a half hours away.
I'm like, he's like, where you want me to tell him to come?
I said, tell that nigga to meet me at the Burger King Park allowed across from Joe Johnson.
And hell, yeah, he poured up in a black navigator, man.
Pat was, of course, big as fuck at that time.
And it was like, man, I rode back to fucking Memphis with this nigga.
And like I say, it was one of the dopest experiences as a youngster that I had.
You're a man to ride back with Project Pack.
Hell, no, niggins see some shit.
Because he probably fresh down at him.
All the truth.
There's no license in the car.
Don't know who's a sudden in the back.
But if you look in the car so you know, I've got to strap.
You're like, you know what?
Put on the man.
I'm going to get behind him, man.
No one smashing out.
Throwing a little boy out the window.
I don't know who asked him out.
You're not a little boy driving because I'm shooting out the window, bro.
I don't know who I didn't hit, but I didn't know what killed the hole.
Then at the end is always, then we made it safely with the project in the back.
Hey, one thing is you going to happen in the president?
He's going to make it back safely to the stand spot, the chapter of the loop.
That's the best thing you like about rappers, bro, when they tell stories.
Them of your favorite rappers, when you listen to this shit, pay attention to that shit.
I guarantee your favorite rapper, he'll tell you a story.
But I end up dropping a record from that, though.
He came and got me out.
A lot of people don't know.
I was on the hypnotized posse song.
He was like 20 niggas on the goddamn song.
But he, Paul heard something from when he had heard me rap from him,
end up giving the opportunity since the nigger Pat to pick me up.
And we've been locked in ever since, bro, to be solid with you.
He did.
He's one of them ones that's always to have my back like drummer, you know,
through my ups and downs and shit like that, bro,
and all these different things I haven't been through in the game.
You know, them two are the ones that Sawways gave me that motivation.
Like, you got to keep going, you know what I mean?
You got to keep doing this shit.
He's making history right now, bro.
He just, he got records with Gucci and Jesus.
And that, out of all the versus battles that didn't happen,
I feel like that one was the most impactful.
Prolific, yeah.
You feel what I'm saying?
It finally got so icy.
To see it performed.
I never thought that was.
to happen for real.
Now, being as though, you,
both of y'all, for that matter,
you didn't got so much rich history
with so many artists. Was there any
point where you realized you were one of
the people that you grew up being around for
an artist? Like, did you ever had that moment
when somebody came and saw you and was like,
oh shit, young buck, and you
ended up helping them and giving them the same game
that a lot of these guys and gave you?
Big facts, man. I've watched
this shit happen.
You know, with me and numerous artists, man,
And I love seeing little 42 Doug do his thing.
Me and his father, you know, come up in the streets together.
And, you know, I remember 42 just being really in the streets
and really, really trying to find a way.
You know what I'm saying?
And I never could present no kind of opportunity to him
for me being and going through my own thing.
But I watched them and I would tell him, you know,
you got this shit, you're going to do your shit.
You know what I mean?
just stay down, just keep pushing, and to watch him, you know,
walking to get his situation with, with Godhead.
Even with Young Dolphin, his producer, bandplay,
I gave him, you know, his push to the game in a sense
by just giving him that opportunity to rap on his tracks.
You know, I was going through so many different situations
where he was a youngster that was like almost understood the fact
you know I scratch your back you scratch mine so it was like I'm rapping on your music
and I used to always tell them you know if opportunity to resist itself take advantage of it
I'm trying to get myself through these contract issues and things like that and now he's
producing you know multiple hits for young dog you know what I'm saying so I mean I can go on
for days bro it's just like I've always been one of them ones that's never been stingy
with giving the knowledge.
I don't call it game
because games is meant to be played.
I give them a motherfucker
true honest knowledge
of what I've learned
and try to give a person
an honest opinion.
You understand to whatever they
looking to do
whether it's something that I like or don't.
You know what I'm saying?
Yeah.
You know, I just try to keep it as solid as possible,
you know, with these dudes
because of
and keep it
where, you know,
some of the same people
you see going up,
man, you don't do this shit right.
You'll see them same people
on your way down.
So I try to not burn
no bridges and shit
with niggies and shit
and keep it silent.
But the way this game
is kind of built,
you know,
you have a lot of times,
a lot of people
get in positions of power
and they tend to
either forget
or don't acknowledge
what got them.
there. So I just try to stay
as humble and just stay
as focused as possible.
And that's what I would encourage a lot of these
dudes that come from
nothing to something.
Getting positions of power,
you know, just, you know,
take your blessing.
For what it really is, it's a blessing.
You know, to
go from point A to point
B or finally get the way
you're trying to go. But just don't
take it for granted.
Yeah, hell yeah
We see that shit
Wait a lot of time
These dudes take this shit for granted
You know
Through all the downs
That you went through
You were just speaking on that
What kept the game
From souring for you
You know I mean
Like because through all that you
Didn't been through
That the public
And seeing you go through
Let alone what you didn't
Been through that you ain't
And don't nobody know about
What kept you
Steely
Fuck that shit
Yeah
You know what I'm saying
It's my motivation
I got a good solid brothers like drummer you know what I'm saying
individuals like you know this did know who I really am
outside of some of the shit to get pushed in the public
or have been pushed in the public and I find myself at one point of time
trying to fight public opinion with a lot of bullshit
and had to just realize I'm never going to win that battle
so I'm type of nigger well with a lot of this shit you know
I've never had nothing to prove what you see is what you
get who I really am is who I really am but I've been in front of a lot of shit that's been
tangled and twisted and I try to be the one to untwisted shit because I stand for
something and I realize man I can't it's never going to work that way so honestly letting go
and let God in my situation has got me you know where I'm at outside of just having damn
good music quality street music consistently you know
It's always, I've always felt like I haven't got my just due.
You know, I haven't truly felt like I've got my just due as a solo artist.
I've been blessed to have a platinum album.
You understand what I'm saying.
And, you know, platinum albums by being amongst a group.
But me as an artist, I still got so much more to offer.
I always look to
rapper is almost a stepping stone
to get off in the shit
that I like to do
or want to do
movies and different things like that
so it's just so much more
in the game
that I got to give
You need a cookbook man
Straight up
Audio cookbook
All right
You read it as a fucking young book
Two motherfucking eggs
With your hard-haired
egg
Put the butter in the skillet
You don't listen to shit
nobody too
Let me produce it
I got to
Speaking on what you just said
About public perception
Rest and peace of nip
I heard a nip quote
Where he said
Would you
You know
He read something
And said
Would you rather be at war
With yourself
And at peace with the world
Or at peace with yourself
And at war with the world
Big fact
So you know what I mean
I think that's something
That you know
People need to listen to
Because from somebody like you
Who went through so much bullshit
publicly
You know what I mean
You pick whichever situation
You want to say
You know I mean
You know who you are
and being content in that
is something that you need to fight
because now public perception
is different than it's ever been
when you first got in the game
niggas said something about you
it might take you a couple days or weeks
for you to even hear
what a motherfucker's said now
every time you pick up your phone
and it's right there in front of you
you know what I mean
or read or somebody
with the same bullshit
I mean like I say man
I know who I am
and I also know I'm not perfect
but I've learned that I put myself
in certain positions
to have to deal with a lot of bullshit.
So I've just learned how to kind of channel and figure out on correcting my wrongs
versus trying to figure out how to correct y'all.
See, you dig what I'm saying, or whoever feel, you know, it's any kind of wrongs.
I'd rather focus on self and see what the fuck I did or what I'm doing wrong.
People are going to say and do whatever the fuck they want to, period.
Everybody ain't meant to like you.
So I don't want to be liked by all you motherfuckers anyway.
The hate, I need some of the hate.
The hate is like shoot of my fire anyway.
So I just learned to, like I say,
focus on doing what I got to fucking do
and turn a lot of the negative
make it work for myself.
You know what I'm saying?
Because a lot of times I've realized, you know,
it's a problem when they're not talking.
about you. You know, one of the things
that I will say that
this project that
me and drummer boy got out right now
back on my Buckship Volume 3
it's a little bit more than just a
solid project.
We, you know, charted at
number 6. You did what I'm saying
through our iTunes and the Steadymore
rising and gone and all of that
good stuff. But one thing
drummer told me about this
tape in regards to
all of the bullshit that like you said i've had to you know endure and go through he said buck man
you know this kind of more than just just the fucking solid-ass tape we're showing niggins brotherhood
you know you're bringing that brotherhood back to things you know what i'm saying because
you know when it's really your brother you dig what i'm saying whether he's up or down bro
you're supposed to be your brother exactly what i'm saying
And that's one of the things that stick to me in regards to what you're getting when you get me in drummer boy.
You know what I'm saying, together.
It's not just about him being a dope-ass producer, me being a dope-ass rapper.
It's just more to it when you got real-life shit that come along with me and shit like that that you get me from this latest project that we just dropped.
Trauma boy, what was your process putting this, putting it together?
I just got the phone call, like, you know what I mean?
Like, what's you doing, nigga?
Like, you said, a nigga cooking heat, you know what I mean?
So if a nigga just randomly called you, you'll just be making,
brother shit.
Yeah, like, you know what I mean?
Like, even, even where.
They ain't just over here making some of the best shit.
If the phone ring, like, you know, I ain't even, anytime 6-1-5, call me,
ain't too many people call me from 615, to be honest with you.
It was a new number.
And I ain't, I knew at some point bro was gonna call me.
Right.
Through everything that were going on, you know what I'm saying?
So, you know, shit, I seen 615 to pick that motherfucker up.
I knew it with that, nigga.
You know what I'm saying?
Pick out the farm.
Shit, what you doing, me?
Cooking up, what's up, nigga, you good?
You're good?
You ready to shake that shit out?
You know what I mean?
Like I'm an uplifter, bro.
I'm a big brother.
I work at the YMCA.
I'm from the volunteers.
Thank you, man.
Yeah.
You know,
all right?
You know what I'm saying?
You know,
when I was 15,
I started a goodwill chapter.
We had the bike
buyback program.
We were buying back bikes
from choosing in the community.
community so they'll have a sense of
self-worth to know what I was like
to sell something for cash
my grandfather was
a principal
by bike
so it was like a lot
of shit that I learned from him on like
just how to be therapeutic
and help
people figure out what the fuck
they got going on
what because you know what I'm saying
sometimes it can be a lot of shit going on
hell yeah not just a producer in music you're producing
life it takes something to produce that
to be able to, you know what I mean?
Real life to do.
Like, first thing I'm going to do is listen to your music.
I bet what you got, what you've been recorded.
He played me some records.
He got down, been doing in Nashville,
just so I can see where a nigga mine at.
You know what I'm saying?
We see what the story is.
So how we're going, how we're going to tell that motherfucker?
Yeah.
And him, he picky is a motherfucker on beat,
so you got to come with.
He won't straight, trap, hard shit.
Did you know that he thought you were picky?
I did.
I'm picking the knife.
Give it my knife, niggins.
Give it my knife, niggins.
No, you know what I'm giving the knife.
Give it a knife, dude.
Oh, I'm picky, honey.
Yeah, he wants the knife. No, don't give it to him.
But that's what you want, bro.
Like, like, jeez-y-tilt.
They're specific.
You know, Drake, shit, a lot of niggas that I don't work with,
they were very specific on what they want.
They feel a certain type.
way. You know what I'm saying? If you're angry,
if you're mad at the world, you
do-da-da-da-da-da, bro, you want some shit that
matches how you feel. You ever have a gangstead
and they're like, hey, bro, can you put some little horns
in there?
I mean, like, when we first
started, I was mad at the bitch, but I feel
like, I don't have no problem.
You know what I'm saying? Like, at the end of the
day, you got to look at it, like,
I'm going to work for hire.
Yeah. So I work for you.
I dive into your world.
Bro, you know these new rappers be on pills and shit
Hey, big, bro, you can put some doves in that bitch.
And I'm putting them on the money's in there.
I didn't want to hit a wings.
Hey, this is going to sound hard as a mother.
Big brother, that shit is going to sign crazy.
Put the gold wings in that beat.
Hey. That's great.
Hold on.
I'm fin of going back in the boot.
Shoot that knee in.
Put the wings up.
And he said, I want to hit a bird.
I just want to hit a wing.
We did that.
Hey, we did that.
I forget the name of the song, but we did it with Goochie.
I remember it was one of the Ferrari Boys songs.
We put the...
Chicken talking, some shit.
Yeah, one of them, motherfucker.
That's hard.
Doom, do you.
Y'all brought the girl bird in that motherfucker?
Yeah, yeah.
Had to loop it.
That motherfucker hard.
Nah, man, honestly, though, the process, especially with creating back on my book shit,
I give drum a lot of cause.
credit, I tell him, man, you should be a drummer boy,
aka the conductor,
because he's one of the niggas where,
you know, I may have an idea
in my head from when I'm listening to the beat.
Yeah, he make that shit from the future.
Like, listen to that shit that he was naming that he did.
That's that shit that don't never get old.
That's that real,
even the nigger make music.
So I tell this, nigga.
And that's don't.
Slip that with that, that's dead in no face.
You feel of me?
It just told me something.
They're standing ovation.
Yeah, shit, no, no, no.
Yeah, a nigga had to tell him that shit.
Hey, hey, hey, hey, hey, hey.
Put some claps in that, motherfucker, nigga.
Not regular claps, I'm a graduation clap.
Hey, real quick, though.
That's another, you.
I'm talking about picking.
When your car is making a strange noise,
no matter what it is,
you can't just pretend it's not happening.
That's an interesting sound.
It's like your mental health.
If you're struggling and feeling overwhelmed, it's important to do something about it.
It can be as simple as talking to someone, or just taking a deep, calming breath to ground yourself.
Because once you start to address the problem, you can go so much further.
The Huntsman Mental Health Institute and the Ad Council have resources available for you at loveyourmind today.org.
Adventure should never come with a pause button.
Remember the movie pass era?
Where you could watch all the movies you wanted for just $9?
It made zero cents, and I could not stop thinking.
about it. I'm Bridget Todd, host of the tech podcast, there are no girls on the internet. On this
new season, I'm talking to the innovators who are left out of the tech headlines, like the visionary
behind a movie pass, Black founder Stacey Spikes, who was pushed out of movie pass the company
that he founded. His story is wild, and it's currently the subject of a juicy new HBO documentary.
We dive into how culture connects us. When you go to France, or you go to England, or you go to
Hong Kong. Those kids are wearing Jordans. They're wearing Kobe's shirt. They're watching
Black Panther. And the challenges of being a Black founder. Close your eyes and tell me what a tech
founder looks like. They're not going to describe someone who looks like me and they're not going to
describe someone who looks like you. I created There Are No Girls on the Internet because the future
belongs to all of us. So listen to There Are No Girls on the Internet on the IHurt Radio app, Apple Podcasts,
or wherever you get your podcasts. Welcome to Pretty Private with Ebeney, the podcast. The
podcast where silence is broken and stories are set free.
I'm Ebeney and every Tuesday I'll be sharing all new anonymous stories that would challenge
your perceptions and give you new insight on the people around you.
On Pretty Private, we'll explore the untold experiences of women of color who faced it all,
childhood trauma, addiction, abuse, incarceration, grief, mental health struggles, and more
and found the shrimp to make it to the other side.
My dad was shot and killed in his house.
Yes, he was a drug dealer.
Yes, he was a confidential informant, but he wasn't shot on a street corner.
He wasn't shot in the middle of a drug deal.
He was shot in his house, unarmed.
Pretty Private isn't just a podcast.
It's your personal guide for turning storylines into lifelines.
Every Tuesday, make sure you listen to Pretty Private from the Black Effect Podcast Network.
Tune in on the IHeart Radio app, Apple Podcast, or wherever.
you listen to your favorite shows.
Bro, the night before Gigi turning in
motivation 101, trap motivation
one-on-one. I'm turning
in. He calling
the shit out of me. Bro, what we're going to do
with this beat? What we're going to do with this beat? I had
sold the original beat to stand in an ovation
six months prior.
You know what I'm saying? So I got down, took one version. I stay in
Stone Mountain. I'm driving the patchwork.
You know what I mean? A little 40, 30-minute drive.
Pull up with the first.
verse. I got to redo the beat. He said, you got to come get the aqua pro. So I redo the
shit, go back. He ain't fuck with the first verse. You know what I'm saying? So I got to
drive back to Stone Mountain, redo another beat, pull up with the second verse. That ain't it. That's
close. So on the way back, then I listened to the whole trap by mixtape. And I noticed it
in every goddamn beat he had horns in that motherfucker. So I was like, I bet that's the first
sound that I goddamn did.
And I came with the horns, put the claps in their motherfuckers.
That shit sounded good with the, hey.
Jesus, I know you're the snowman.
You're going to have to get gas, man.
I came back.
I came back to pass work.
It was about six in the morning.
Leslie wrapping up the last meet.
Coach Kay in there.
You know what I'm saying?
And, bro, that was literally the first time I heard Jesus say,
ha, ha.
Before the athlete of ever even came out.
I swear to God, you know what I'm saying?
And that was my first platinum plaque.
Amen, that's a little.
Bro, the lesson in that motherfucking story is so deep.
I told you, this nigga made Netflix.
I do, man.
Like, even like I was saying, I process, bro,
I'll have something going on in my head,
and I just then learned that, you know,
whatever it is that I'm hearing,
drummer what you hit at this beat.
And he'll give you.
a fucking melody or something
that you just wasn't
it just wasn't it.
So I'd be like, damn,
you know,
what if I put this with what I'm already
thinking too? You see what I'm saying?
And that's how a lot of it get created.
I just like to hear his input
outside of just making the beat
because, you know,
a motherfucker would be having these different melodies
and shit as producers and shit
going through their heads. And sometimes
the melodies be totally different from where
I'm going at, and I've been able to implement a lot of it into what I'm doing, too.
That's what the whole collaboration part come in there is like, that's, like you said,
you're good at what you're doing.
He's great, you know, y'all both great in your own meetings, but it's like, when y'all
coming together, that's where the creativity flows.
It ain't just similar to beat, I rap on the bitch, and now we got a song.
It's like, you got to collaborate.
It's like, nigga, what you feel like.
Oh, niggum need them do?
Hold on.
And that's literally what we do, you know, that's what we've been doing from.
the gate. Like, man, when we came in the game, like, it was, you know, a lot of people
hadn't seen two people do the shit that we've done, you know what I'm saying? And then
doing this with three of us, you know what I'm saying? And being on stage, it's never
rehearsed. It's just, we get on stage and we just... And collaborate. And collaborate.
And putting them, you know what I'm saying? It's crazy. Like, like, like you said,
melody is something. I love, I love melody, man. That's one of my big thing. I'm a music connoisseur,
but melody is something that's major like and that's sure they want to ride with me that type of shit you know i mean and that's why like like for example young thug is one of my favorite artists just because that nigg is incredible my nigga just because of the sounds and it's like what the f
that nigga's dope you know what i mean to be able to do that it's like and then to do that on your own is one but to be able to collaborate with somebody else who has a whole other pocket of whatever they're thinking about and you be able to bring it together that's when you make some dope shit man
Put them wings on that bitch
Man, man, you fly away
You know what I mean
With some hawks in them all for real
So like
You look
After this project
Now that you didn't done that
Do you still have the desire to
Like you said you feel like you ain't got your just dude
Do you still want that
That superstardom
Yeah man
This shit
You know my fire has never burnt out
You know it might have went low
But it's never burnt the fuck out
This shit
me up to the point where I feel
better. I feel like I'm
grown even better than I was
even in my G-Uity years.
You did what I'm saying, which was my younger
years. I don't see no fucking
retiring in all that shit
for me no time
soon. Don't retire. Fuck that.
They always want
the rappers to retire
niggins. Mick Jagger, 97 years
old.
I still don't say
come on everybody.
This shit boy. Hey, man.
I said I'm doing it like that.
I still hear.
Everybody, but you're happy to the air, I put your teeth it out.
You didn't remember this song because I can't fucking remember it.
You did?
We don't only not hate that about it.
If you remember the words, sing them, I play the song.
You know what I mean?
I hate that about hip-pop.
We are only as big as the genre is.
It's more grown niggas than young niggas.
Yeah, and it's like, as big as the genre is,
it's like, it's always like, all that nigger old.
He washed that white.
But any other genre of music,
of music, you see
the country artists and motherfuck
be performing for 50 years
you know what I mean, and selling out crowds
and it's still, it's space for that
for hip-hop because we create the
music that creates the
climate of the world. So it's like
we, but I think we do it to ourselves
as connoisseurs where we just automatically
say, oh, young buck,
oh, that nigger, well, where G-Unit, that shit
ain't cool no more. Yes, it is.
Motherfucker, take a listen. You know what I mean?
It's still something there that you can gain from
Right, because every job site in the world got at least one nigga who still wear a G-Unit genius.
It's a nigga who got up this morning and wore some G-U and jeans.
Oh, it's a nigga right now.
One of them tank top's on right now.
He took it off for some bitches.
The tank top was a motherfucker.
I wouldn't put that in a little tank top right next to the new race.
I ain't never seen a year.
I wouldn't wearing the tank top.
Their tape top was strictly for 50.
Nobody else.
That man is like he made their tape top just for him.
It was a un-knit.
We had the V-Nact 50 came with the U-Ns tank.
A 50-top.
You feel me?
That's some shit.
That's some shit that I can proudly say I never own.
Yeah.
That shit looked like a field goal post to me when you looked at a nigga one.
Yeah, bro.
Honestly.
I just didn't fuck with it.
I didn't fuck with your tank top.
You know, that shit was just straight.
like some shit you were after you're going to get a skin graft.
Oh shit.
Yo, that niggas is crazy.
But the sneakers, no, niggas, though, niggins.
I ain't on front.
The jean on the sneakers.
sneakers I fuck with the sneakers crazy bro I remember one time that 50 took the deal from us man
like it was like uh we we had got like a quarter million foot to out of Reebok in regards to
me and other other members of the group 50 basically put us in the mix it was his sneaker deal
but he worked his hand to kind of get us a situation out of it well but the problem was that 50
wanted us the way these I was about to say y'all wouldn't win
him, niggas, he said y'all wasn't wearing them.
They don't know.
Nah, niggas was wearing.
Chico, we was wearing the motherfucker.
I wear them every goddamn.
Man, and then we got to go to the bad dude
in these motherfuckers.
Take a child with these motherfuckers.
If you're not going to wear the tank top,
nigger, you better wear the shoes.
Let me get the camera.
Reebok for $250,000, I would throw away all my other shoes.
Hey, man.
Give us the 85.
Yeah, what I'm wearing them.
Watch how he's making that motherfucker.
I ain't never taking them all.
I ain't wearing a shit.
bandit football game
I was in
hard bottoms on them
bitches and wham the church
You do, nigga
It's a nigga with another
pair of shoes on
man and just
be mad
for no fucking reason
Oh, that's a reason
But what the fuck
You got on join
to my nigga
You can't even dunk
Put on the goddamn
See you
What's the god's wrong with you
Wedding bitches
When I think about this shit
I see the word
What a shit?
What is that?
You know, man, it took you this long.
You was dead ass, bro.
Why in the fuck was I wearing them Gucci's, bro?
They didn't give you no fucking $2,000, bro.
Ain't no way in the world.
You don't wear the shoes.
We got a fucking trunk.
You probably would still give him money.
Right.
Real my Lord and a motherfucker.
I still win him right now.
I'm going to get a chick coming when he's 6 to 6.
Ain't no way in hell like I got to wear them fucking shoes to church.
Well, they're not coming?
No, I wasn't.
going to church a lot of times
in the way.
You ain't never just
a nigga.
Nigga,
nigga got to wear these motherfuckers
everywhere.
Nick, I'm telling you.
Them, I'm walking out
door on the back of the motherfuckers
out of the shower.
What's up, the child?
My home got married.
You know what I wore?
8.5 south, honey.
I don't take my shit off.
Oh, a
nigger working in a hospital
with them.
Hey, nigger, if I work
as witties, I'm putting the
slip-resistant bottoms
on my motherfuckers job.
I'm not going.
I'm not wearing nothing but the G-U is that you diggers was tripping.
I'm talking about the thing about it is a nigger might have more
when ain't nobody around
and this nigga know a nigga ain't got them on.
You feel me?
You got 20-in-the-house, bro.
Nick in the house, bro.
Just trying on shit.
Oh, you ain't got some goddamn slewit on, huh?
No.
No, no, nigga.
You're speaking of endorsement, let me put these backwoods right here.
You did?
No, fuck that.
I'd have had a crime with pulling them on.
Y'all seen that clip of Dr. Dre with all the Air Force Ones that have been me with the G-U-U-Nus, that's it.
Everywhere I go, nigga, everybody, you can't come around me if you ain't got a morning.
We are smoking backwards.
Change your shoes.
But, nigga, you had, y'all had your own shoe.
Like, that's a huge dream, nigga, and your own shoe.
That's too good.
It is a blessing.
That's too good.
Wait till I get mine.
Oh, nigga, listen, they give us our weak.
Boy, I don't get fuck what company it is.
niggas sakoni come on with it
whoever I don't give a fuck pony
nigga whoever
Who else who got called
Who was calling people niggas
Tell them to call me
Any company that didn't get in trouble
For calling the niggas
If they want to fix that
Call this nigga
Hey the Papa Johns
Hey nigga you get the pepperoni on the tongue
You can take it on and put the sausage
on that motherfucker boy we have make
them bitches go
Come on man
Tell you
But see that's what I say y'all you
You have lived a lot of hood dreams
already, man. So I know you say you don't
feel like you got your just dude. But over
here, we like to let niggins know who they is
just in case they might have forgotten. You cold
and legendary. If it was a stop
the day, nigga, they got to put a statue up
but you and K's real, man.
I accept that, bro.
I actually know where I would want them to put
that motherfucker up in, too.
And the same poplar project, Pat picked
you up. Oh, mama. Mama.
And they got to have a plan.
They need to put that
motherfucker right in front of
of the fucking, well, we just got a big museum
that's honoring all the African music and shit around
throughout my way, African-American Museum
that's big.
Shout out some of the hoods in Nashville.
Oh man, we got basically size, east side, south side,
west side, north side.
That's all of them.
You know what I'm saying, basically.
It's split out in the fore.
You want to be.
It's pockets all in between that shit,
street names and shit.
like that, but, uh, we fuck with Nashville.
Whenever we come through that, they don't matter how many shows it is.
They're selling them out.
I don't know if it's the same people or what.
My last show before the pandemic was in Nashville.
That was the last show I did.
March 8, 2020.
Two shows on a Sunday night.
They sold both them bitches out.
I didn't work again in the whole 2020.
It's tough.
So thank you, Nashville.
Believe that.
Believe that.
You know, I,
It's a thing about where I come from Nashville is that, you know, predominantly we know for country music.
You see what I'm saying?
And for real, for real.
But if you go, you know, a mile in any direction.
There's so many nags, man.
There you go.
You go a mile from any direction, north-east, south, west, you're going to land in the hood.
You dig what I'm saying.
And I know there's one thing that is.
shocked on white people too
is that
niggas be going
all that country music
shit and still be
niggins
I don't give a fuck
we in here
two of them
phone of cakes
hell you're talking about
turning their hand wings up
yeah exactly
but you know
it's just things like that
that
I'm me being
basically
one of the
one of the
the only artists
to actually sell
a million records
coming from there
at this point
it opened a lot of doors
but like I say
it's still a lot of doors
has got to be broke down
like I was speaking on
we got an African American museum
and we got
slots of every fucking different
artists and it ain't even a fucking
slide of mind
like how y'all gonna
have a fucking African American
museum of music
and don't even have
the individual
the only individual
that come from the city
so my old probably
Googled you.
You get one
No, that boy
got the fight down there.
Every day, every day.
Every time I see
this motherfucker
he snatching somebody.
No, no, he got a calm back.
And then something
happened with Dr. Dre and
him, and we just don't want
to get called up
and all that mess.
There you go.
It's just a politics.
He's about getting
some of them old motherfuckers
out of there.
It's coming, no.
Trust and believe.
Because you still out here
laying down the groundwork
and still laying down,
you ain't done yet.
You know what I'm saying?
Back on that book.
shit. Yeah, you're still doing it, so
you're still laying down the foundation
that, you know, they're going to have to respect
because, you know, a million or anything is
a lot. I don't get a fuck, what you say.
This thing is sold a million records, wouldn't they
cost $20? When you really
had to go stand outside
in line to get their own fucking,
when they came with the book in them, and
you get to read and see the pictures and shit,
that's real. That's right.
That's why. Credits.
You wonder, and you wonder
why the fucking tours them
is about to be almost sold, the fucking
Now, my back on my book shit, well, back on my book shit tour, it's being book crazy.
You know what I mean?
So any of the promoters just tap in, try to get you a date.
You did, what I'm saying?
We kind of really been, really, this album and this tape is just kind of lit that flame back up.
I actually dropped a tape a week before back on my bookshed volume three.
So I had two tapes on the charts.
The other one is titled, The Vaccine, you know,
the vaccine
Oh shit
You gotta get it
Get it
We just go on
Get up in that mess
But make sure y'all go get the vaccine
I'm talking about the music
All right
You got to get this shit down
You can't say the V word
You can't even say that
You better use virginity
I mean, yeah
Get the virginity
But yeah bro
We're actually about to run
Around the world
On the back on my bug shit tour
Still excited
You got any features on the
Hold up you got new features
Toal buses and shit
Yeah man
On back on my Bucket Volume 3
We got a few features on that
One of the
One of my favorite records is with Boosie
Like he said, Burner
Shout out to Burner and shit
And all of the
Smoking that motherfucker
You're doing right now
Shout out to him and his brands
Sodom
You gotta come through here
Manor
You gotta come through here, nigga
Chico was the first nigga that put me up on Sada baby.
Sada hard, in real life, too.
Like, I fuck with T. Grisley and Sada.
We actually got a record that we have recorded
and put them both on the record.
You're moving for that shit now at this point out.
Yeah, I mean, well, at the time we recorded,
they were rocking together.
There wasn't nothing that I put together, none of that.
But, yeah, man, that shit is dope.
Shout out the Scoob of Steen.
Even with the record that Berners on, him and Scott Storch produced it.
And that was something different.
For me, you know what I'm saying?
Drummer Boy and Scott Stores, collaborated.
I was just chilling out like, nigga, and shit.
You're in L.A.
You're like, I'm out here, nigga.
I have been working with Scott Stores.
People, everybody has seen that we were working.
Scott Stores just rich as a fuck, like.
That's crazy.
After what he went through.
I still can't believe it.
Still got all the money back.
You got to be a bad motherfucker to go through that.
And get all the bread back.
So salute the Scott Stork
Still can't believe
Yeah
My singer
With DeRez Deshawn
Yeah that's bitch
At DeRez de Sean
Cole
For like three days straight
We did 12 beats
That mixtape he did
With Slim Duncan
Still one of my favorite
Joyce man
That what's the name
Of that song
Off that mixtape
Yeah I know man
This shit crazy
My life is amazing
Everything putting on
Yeah that's my shit
I fuck with that
You know
The Riz is a solid dude bro
I really appreciate that boy music as well
I tell you one of my favorites
well he is my favorite artist in rap
next to Tupac
and I plan on
you know working with him
and I always got to give him his fly
with every chance I get in that's Scarface
Yeah now the funeral is over
And all the tears have dried up
Knickers in the coop in the back getting fired up
Ready to pull the pistol on the nigga that smoke my homie
And now for an ice so now your life is what you owe me
My nigga
I just feel like
Faces
That nigga
This is my favorite
Scarface line
Nobody knows my name
They only know my face
Only for real of my nigger
They call me Scarface
I was like
That's your name then
But Jay
Face is one of the greatest
Especially from the South man
Ever
But for us period
But for us period
You know
I just feel like
Face is one of the ones
It's one of our
Real Deal profits
It's the living profits.
A poet.
A poet that still...
Man, I met this bitch one time.
I had to fuck this bitch one time.
That nigga said that.
I met this bitch so fine.
I had to fuck this bitch one time.
And they're my homies, man.
That my homies is one of my favorite joys.
I thought it's small time.
Doak game.
Cocaine.
Then the rocks on the block I'm never broke, man.
I got a pocket full of stone.
UGK now is just like always been.
And like I say, these are my rumors would kind of create what we got going on.
A ball.
A ball, names.
I always bring up A ball one nigg and they start talking about.
Larisys, boy, that thing is called south, man.
A lot of these youngsters, man, you bring them some of this shit, they like.
It ain't they thought that they ain't never heard.
Not at all.
Not at all.
It's for us to educate me.
Right.
Take the time and go listen.
Go listen to shit.
I'm talking about some shit that's real life.
They're sticking to you forever.
And my man, Matt Basement, that really.
I'm talking about
because I'm being from the city
I'm from D.C. We was influenced
a lot by Southern music because we had
Gogo. We had our own music. So
a lot of it was influencing. You know, just the
streets. They was talking about the shit that was going
on. So we was little boys
in the basement listening to Ghetto
dope and Scarface and
U.G.K. and all these different people
and, you know what I mean?
When I hear people say that the South
doesn't got no lyricism and they ain't got no
you crazy as fuck, you ever heard these
niggas on these records?
they're telling real stories.
So much drama in the nigger life.
I have to take the scene
to grow out home
and check my closets at night.
Not afraid of the dog.
For real.
Just what the dog has.
Killers with their face mask
trying to get my safe cash
if I catch them shit
I blast nigga hell yeah.
Because if they catch me up
in their shit,
I'm a dead man.
This nigga ate all the coach.
Right.
And then like you were talking about
Tennessee, the way he kept murder
is one of my favorite
Top 3 versus
ever, nigga.
The way that thing came on.
Both of the niggas went crazy.
That's one of the best songs ever.
Still, PFC, bitch.
So what the fuck is up?
Putting potter on the streets,
cause I got big fucking nuts.
Coming back with wheeze an Anna in a flea wood lack.
I deserve niggas shit to put their fiends on their back.
Got the pines going for four,
because you know I just think too.
Nigger bought 30 from me, so I front in 42.
Come on.
He'll proper seven hundred times, sister two.
24-8 is what I get.
So, nigger, fuck what you do.
If I told you cocaine numbers, you would think I was not.
Youngest niggas 22 was talking about their retirement.
Man, sign this nigga.
right now.
I'm telling you.
But he can talk about you,
Diggas.
He should have put that in the verse.
I know the nigga 14 with a yellow
Lamborghini.
You're still,
to this day,
he ain't heard of rapper be obliged,
nigga.
MJG,
the first nigga to be obliged.
I be obliged
if you step outside.
I'm not coming after that.
Whatever that thing got outside.
Let me show you how old MJG was.
This nigger said, heat from your feet keeps me warm.
What woman you know got warm feet, nigga?
Not yet.
That nigger was lying so much.
No, she might have took her socks off.
No, nigger, women feet be fresh coming up off the socks.
The niggas said he would be obliged.
If you step outside.
Man, I'm talking about that was real pimping, bro.
Real.
Liking, he's the money.
Plipping holes in style.
Come on, man.
Ain't that what y'all do, man?
We grew up on that, man.
Same, man.
The first Memphis song I ever loved in my life
was the original
looking for the chewing.
Oh, yeah.
Looking for the chewing.
I'm still, I'm always looking for the chewing.
And that's what I be doing.
Come on, bro.
Oh, man, for that ass.
Titt is the original.
Skinny, nigga.
It's in the house.
That's that shit.
Yeah, that's why I, that's why you say
talking with a gay and live.
North Memphis.
Sucker's down barrier.
It's certain niggas that we're just going to talk to
like, you guys have to charge it.
Like Project Pat, like this
D's nigga, I met Pat in the airport.
Man, this nigga talked for 45 minutes
standing at the luggage droid.
They got both our bags just spinning around.
But you had Pat, but, hey man,
did that shit really happen
that hot summer's night when you was kicking
in with poncho, nigga?
Like, it's just those records
really impacted.
I'm gonna fuck him up, though.
Wait till you listen to Tom's ski mass.
Oh, come on.
You, nigger, you didn't put me on the time scheme, man.
Man, dead men call him.
IndoG, nigga.
And little blunt.
Endo Ging.
Now, when I die, die, get I got to die, remember me?
Barlet, bonnet.
Now, what about, what?
Born and die.
Fresh out of wound, 1973.
Cleve fly.
And O.G.
Oh, that's a nigga, him.
He just put out a remix, Michael Jackson.
Oh, yeah, yeah, yeah.
I don't know to snort cocaine.
I got two old verses to the wrong.
Real.
Can me no one's home?
I never need it alone.
I'm like this.
It's crazy, man.
I got to go check it out.
You got to see.
This is the funniest shit.
Floppy's going cold.
Fuggy Town mega blunts.
I got to smoke.
That's the old shit.
But see, I think that that's one thing I don't think to South get the credit for,
the influence that it's always had on the sound.
Big fake.
Always.
Even back there, you can get it now.
Even when, I mean, now, yeah, it took over everything.
Like, that's why, you know, people like Jay-Z, I, you know, I respect Jigga
because he was one of them dudes that was the New York dudes.
They had it, you know, him, Noriega, all them dudes that was fucking with Southern.
Norrie always been on Southern, like, he always did features with Southern rappers.
That's why I think that nigga don't even realize how big his fan base is in the South.
The South has been running shit now for 20 years.
Yeah, it's close.
I know Norrie for a long time as well.
I made no way back when I was with juvenile
on to come up trying to make it, you know what I mean?
Man, you gotta write a book, Buck.
Right for real, man, I know.
Young Buck's book.
Documentary.
I started, I started writing a book in the penitentiary.
You know what I'm saying?
I had, I want to capture my experience
by being a celebrity behind the walls.
That's the actual name of it.
You know, I end up going to the federal penitentiary.
I bet you woke the mainline, didn't you?
You better know.
Yes, sir.
There's no other way for me.
Like I say, my experience of prison was a little bit different because I did it backwards, you know.
When I was really in the streets doing a lot, you know what I mean?
I was blessed to make it through.
But then once I became a fucking full-fledged celebrity, I find myself waking up in the fucking penitenti.
You did what I'm saying?
So the experience that I had from prison was a little bit different because everybody knows who you all.
you know regardless
so you know
some motherfuckers
fuck with you
and some motherfuckers
don't
you dig what I'm saying
they hate to see you
making stow every time
against
against
who do
who do you hate the shit
for my
right
more debaicates
they got stores
everywhere
right
I had my own
snoring
niggas
making big stole
every week
spreads
every day
but the impact
that I did
do
I'll share this
which I real quick
in prison
that I really cherish myself for, was being a person.
Like I said, I had school and education with my thing.
I fell in there, got my GED in prison and all of that.
You know what I'm saying?
And I watch me motivate and do some things that I realized from the guys in prison
that's never been done, a lot of older guys.
had you know 40 some years he was 20 some men already shit like that but i noticed started
noticing the influence that i had on the prison period and i got smart enough fast enough
to to start uh bringing my energy towards the wardens and shit like that to try to get them to do
things that they had never done and it worked uh i was running into so many different
artists is in prison.
Really?
The rap.
Niggas probably was raw as fucking.
The coldest niggas I've ever heard in my life is in prison.
No cap.
I heard niggas in prison that was so cold to the point where I had to figure out a way to at least,
you know, some of them had life sentences.
Some of them had so long that, you know, you don't know what's going to, how it's going to play out for me.
But I knew I had an influence in prison.
So what I did was reached out to a couple guards and shit that they used to be solid enough for me to at least try to get something going.
And they actually let me start having a music class in prison.
And basically I was getting all these guys together that were niggas that would come and want to rap for me and shit.
Like this nigga cold, this nigga cold.
And we were able to put together a talent show, a whole show.
show in prison. And, uh, man, the warden had greenlighted on allowing us to do this on the actual
basketball court on the yard of the prison. They brought in fucking cordless mics and big
fucking speakers like concert speakers and sit it up around the actual basketball court.
That bitch was cold as fuck, those biggest rap about wild shit. My braw's always clean.
fucking thing
and I ain't never had to watch my shit
in the same
his ass knickles
the shit was crazy
though man because
you know you got a lot of gang
a lot of politics
a lot of you know
different nationalities
and different races and individuals
but it was the first time
at least the prison that I was in
Yazoo Federal Penitential
where you
actually seen everybody
on the yard
it was so bad
I actually come from a prison where it was a compound.
And in the federal prison, you have lows, mediums, and the U.S.P.
Max.
You know, they basically had to shut down the medium and the U.S.P to have enough guards to come.
Do the talent show.
Because everybody had came out on the yard, and that's something that they never experienced at one time.
and it was a day where they allowed
loud
loud niggas to be kind of free
in there you know
you look around the prison yard
and you see big clouds of smoke
going up like in this motherfucker
and wasn't no gauze pumping down
rushing on niggas niggas got
you know hooch
and every time you're all kinds of shit
but niggas got the experience
feeling what a concert
felt like you understand
what I'm saying and I put it in a place
of, you know, almost kind of
hosting the situation and this rapper
this rapper and your audience
was the other prisoners
and if they fuck with it
you know, it was
just like niggas became
celebrities in prison
from that moment on. The next
day, you know, niggas is
having all kind of shit
by just kind of creating
that ambience of
oh, that nigger rap, that nigga cold.
You know,
I'm saying and a lot of dudes
was on their way out and I felt like
that's the least that I could have did was
you know get them as heard as much
as possible so you know
shit like that man bringing shit like that
to the table you know
this shit that uh you know
you don't expect
nothing like this going to
fucking prison but you realize
when you get there at least I did
I gotta make the best out of
this situation make the most of that
you know you say you don't get your credit
You didn't went and made history in jail.
You didn't went and did to Apollo in the federal penitentiary.
Big face.
I don't know how many niggins that rap or otherwise can say that they did that.
You know what I mean?
Like, that's something that needs to be.
I'm glad you said.
That shit never heard.
I bet it was a nigga in there just doing acopella doing the beat on his chest.
Yeah.
I don't have plenty of them niggas.
What's that nigga name?
I'm sick soups.
Six soups.
That's my rap name.
Six suits, man.
Six suits in this bitch
You know I'm ripping cell block six
I came up in this bitch
From 94 got out in 96
Came back in that bitch
In 97 then I took it
Oh
98 to 99
Man I had to hold it on
Then I went to court in early 2000
With no ever days
Then they came back in
O2 and gave a nigga a longer
Six suit that ain't never
Six
I feel like a living
Six
I got my knife up on my chance right now
See, sick, sick, sick for
Six suits in this bitch, all right, my
man
Let me take shit too far
Hey, nigga, we do what?
Yeah, I did it's cold
Nick, six soups
This name is cold
Man, man, man, man.
Raman Raymond, nigga, I'm
Raman Raymond, and you six soups?
It's not Raman Nooke.
No, I'm Ramin Ramin'clock.
Man, man.
I can just get out the hole, but I wrote
some shit while I was down there.
Yeah, right.
Rom and Ray, next up, you got Buck.
Next up, we got a...
Robin Raymond and Raymond is sick soups.
They're coming up to do their thing.
Six soup.
You heard, hey, man, I just want to do a few jokes, man.
They ain't going to be here long.
You heard about the dude in the shower.
Oh, they're telling me to cut the jokes.
Good.
That was good.
Man, this is telling us in this.
Tonight, yeah.
I'm going to do here.
I ain't going to be all weekend.
I'm going to be available.
I got one.
I got away.
What do you call everybody in the yard tonight?
What's that?
Not guilty.
Oh, my God.
You're on pie.
I'm killing y'all.
No, not with the jokes.
Nick, I'm killing.
Oh, God.
The shit as I get.
But not tonight.
Not you're right.
All right.
If you're fucking way to put your second in.
They said, do you want to tell some jokes tonight?
I said, I take a stab, man.
You hit me.
That one kills in Cleveland, just like I did.
As y'all can see, I got it on lock.
When they're asking me how to show from tonight, I'm gonna tell him.
Goddance.
Oh, shit, man.
But you know, bro, like, money couldn't pay for that type of insurance, but a big fact, man.
And it's just like to still be relevant, bro, right now is a blessing as well.
I know so many motherfucking artists right now
that was around in the peak of G-Unit
that just was here
that's no longer around
so I pride myself on just trying to stay relevant
keep pushing, keep getting good music out there
and come fucking with y'all crazy
yeah it's all right now
my nigga that is the coldest shit
hell man well they can find that
new tape at
all platform it's on everything
Everything.
Back on my bug shit, look, check this out.
Volume three.
This is the 85 South show.
Travel Edition, Young Buck,
Joe boy, is your man Carlos.
And I happen to beat you going to be.
And we have this bitch.
Oh, honey, my niggins.
Back like a spine.
Don't shit, man.
Y'all niggins don't.
Y'all niggins is a cold-hack.
Y'all niggins are.
Oh, yeah, we're about to think of shit.
Get in there, Roy.
All right, on three, one, two, three.
One, two, three.
Yeah, it is.
One buck, take my nose, bro.
Let me get over here, right.
You got to get that.
Let me get over here, right.
Hey, let me see my other phone.
Oh, oh.
Jack getting spilled the bill.
Oh, shit.
Two of them.
Hey, there.
Bird.
Put it in here.
Put it in here, sir, right now.
But what?
You know what I'm gonna say? Recalibrate, man.
This shit.
Yeah, I'm gonna have to go on, man, yeah.
Yeah, yeah, yeah.
Yeah, yeah.
Yeah, yeah.
Yeah, yeah, man, you know.
Okay.
Don't go on me.
Oh, man, I can't depressed.
Hey, it's great.
Yeah, yeah, I say, Dan, I call him myself why hey, you?
All right.
Yeah, let me get a couple.
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I knew I wanted to obey and submit,
but I didn't fully grasp for the rest of my life what that meant.
For My Heart Podcasts and Rococo Punch, this is the Turning, River Road.
In the woods of Minnesota, a cult leader married himself to 10 girls
and forced them into a secret life of abuse.
But in 2014, the youngest escaped.
Listen to the Turning River Road on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts.
Welcome to Pretty Private with Ebeney, the podcast where silence is broken and stories are set free.
I'm Ebeney, and every Tuesday I'll be sharing all new anonymous stories that would challenge your perceptions and give you new insight on the people around you.
Every Tuesday, make sure you listen to Pretty Private from the Black Effect Podcast Network.
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