The Adam and Dr. Drew Show - #1936 You Can Write That Music with a Head Injury

Episode Date: November 1, 2024

Adam kicks off the last show of the week with the latest Lou Reed tribute, Dr. Drew tries to figure out the mathematics behind the great magnet, and producer Kyle explores the musical side of the crystal brain. Plus, they take a caller from Boston who drives them down a musical route, then another call in the middle of a house remodel, and Adam hails Drew a cab to the clouds. Leave us a voicemail: SpeakPipe.com/AdamandDrDrew OR Click the microphone at top of the homepage, AdamandDrDrew.com

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Pluto TV. Stream now, pay never. Hey fans of freedom and open discussion, I'm heading over to Substack and there's an ad-free audio and video version of the Adam Perola show that's going to be waiting there. In the near future, you'll even be able to watch ACS live unedited as we recorded participate in the show via live chat that'll be coming up very soon. You also get an ad free version of the Adam Pearl and Dr. Drew show. You also get an exclusive to my new podcast beat it out where I share unpolished ideas with my

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Dr. Drew Pinsky. You're listening to the Adam and Dr. Drew Pinsky you're listening to The Adam and Dr. Drew show yeah get it on got to get on a judge That juice for first size specialist if bird for fertilizer over there in New York City Hey, bird fertilizer It remind yeah something. Hey, all right. I got, I got a couple music related things, but, and we got a call. We'll talk to Justin in a minute, so hang on, Justin. Also, I wanna know how this works.

And, well, no. I wanna know what you chalk this up to all right, okay Okay, okay Okay Kyle Emmy remember I told you Kyle that there was a tweet from David Wilde from Rolling Stone and So before we reveal the tweet David Wild used to be a friend

of the show and then Trump got elected and then never spoke to him again. Right. So. I remember that. Good dude except for that part. Okay. But And he also He was invited to come back a time or two and made some excuse about Being threatened by my fans or something. But really his answer was why don't you have your best friend Dinesh D'Souza come on the show? Right my best friend. Okay, Dinesh D'Souza has been on two times in 16 years All right, but he's my best buddy. All right, that's how they roll, fine. I spent a decent amount of time with the new assistant

and producer and beyond, Kyle. And we were going to the Home Depot, this was on a Friday of last week. And we're going to Home Depot, getting some stuff. I was driving my truck. I never drive my truck, but I got a big dually. And I was in the dually. You didn't know that.

Yeah. Well, the dually is for towing race cars and that kind of stuff. But anyway, it's a big diesel dually. I'm not really used to driving it. But I hopped in the diesel, I told Kyle to hop in, and we were driving about, and Kyle and I were talking music as we enjoy music,

and Kyle was in a band, plays a six string bass, which is something you don't see very often. And we were just sort of swapping music stories. And I said, you know, the most, the only part about music I hate is that all music critics must love Lou Reed. Lou Reed cannot sing and he cannot write songs and he sucks, which is fine.

The recent tribute to Lou Reed wasn't there or something? Hold on. There was a recent tribute to Lou Reed? I don't know, I've heard his name lately. Go ahead, keep going. Oh, you have? Where you hear his name? Well, all right, forget it. I'm not basing this on any recent Lou Reed tributes.

And I don't think Kyle has heard any recent, because it didn't come up. I've just said, these guys, music critics, love Lou Reed. And they love the Beastie Boys. And I argue with all of them all the time. But either way. So then, we did about 20 minutes about how much Lou Reed sucked.

And then Kyle was reminding me that they collaborated, Lou Reed collaborated with Metallica and then made them suck too. So a band that didn't suck had to suck because now they're playing with Lou Reed, right? And then I did 20 minutes on blowhard, Rolling Stone, music reviewers, loving Lou Reed. Okay, that was Friday at four in the afternoon.

On Saturday, I was scrolling through my stuff and I came through I came to a text from David Wilde who's a music reviewer for Rolling Stone magazine now I don't know when this was posted Kyle was this posted on Saturday at some point? But. Yep, Saturday at 2 p.m. All right, so less than 24 hours after I did 20 minutes about Rolling Stone music critics loving Lou Reed. Wow. I just somehow turn on my phone

and I see a tweet from David Wild that reads, 11 years ago tomorrow, you know, it's a big historic 11th coming up, Drew, 11 years ago tomorrow, Lou Reed passed on. This great track from Lou's 1992 concept album, Magic and Loss, is one of my favorite songs ever about life and death.

Lou was so good. So here's the question. Why 24 hours before that, less than 24 hours before that, was I thinking about David Wilde, thinking about Rolling Stone, thinking about blowhard music critics, all having their fucking up the ass of Lou Reed. Why did I do 20 minutes on that with Kyle? Is it just complete, complete coincidence? Was there some inkling I was having? I mean, by the way, this tweet is like I created it to make my point.

Yes. And, well, a couple things. A, great magnet, number one. Yes, the great magnet, but how does that work? B, mathematics sometimes determines some of this, my mathematical colleagues tell me. C, you were about to celebrate his demise, the date of his funeral, as you do every year. Maybe you can... Me buying decorations for the Lou Reed cannot create music anymore.

Party I throw. Your yearly affair. Also, it's random. It's not his 10th anniversary of his death and it's not today. It's tomorrow is his 11th. So if you'd asked me that, um, I don't know, 20 or 15 or 20 years ago, I would have gone, ah, you must've seen something somewhere, got into your consciousness without you being aware of it.

Now I fucking don't know. I've lived another 20 years since I thought that way and I, no idea. I've seen lots more examples of that in my life since then. Yeah, I agree. Kyle, do you find that bizarre? You've done this often. You haven't told the story of us driving,

talking about music towards the airport with UFO. Shit, I gotta write that down. Yeah, you brought up UFO on the car ride. driving talking about music towards the airport with UFO. I gotta write that down. Yeah, you brought up UFO on the car ride. You played me some UFO. And then the concert I attended that night, they got the crowd ready with a UFO song, Dr. Doctor. I did a half hour on UFO while Kyle was driving

to the concert. He was dropping us off at the airport and then going to see, who you seeing? Iron Maiden. Iron Maiden. And for some reason I went off on a UFO tangent and played five of their songs. And then he dropped us off and then he went to the arena and then they played a UFO song Before the band walked out That was crazy walkout song. Well, it's crazy because it's an obscure band Yeah

Yeah, I forgot about that one Yes. All right. That is two times Kyle in two weeks that i've Tapped in what what what are we calling that then I don't know psychic impressions I crystal brain crystal brain well there's an element

that there's an element that's true about it but there's also that is the UFO payoff was two hours after you dropped us off at the airport. And the David Wild blowing smoke up the ass of the corpse of Lou Reed is less than 24 hours after I made these proclamations and they're both random proclamations. They didn't need to be made. So here's a, this is back to my old way of looking at these coincidences that it's something in our brain lines up. A Reddit subreddit shows up immediately with the following title, why does Iron Maiden

always open with Dr. Doctor by UFO? That's interesting except for I would have no idea that Iron Maiden did it. Maybe it's your musical head. And it goes on to say, UFO had a huge influence on Maiden, and particularly the bass player. Oh, Kyle plays bass. Well, it's interesting, except for I don't know anything about Iron Maiden, and I've never talked about them

or listened to their music. So I don't know anything about Iron Maiden. That's my... Interesting. Now, if I'd gone to an Iron Maiden concert Then this would totally make sense. Yes. All right. Let's see. You got a quick call up here Talk to Justin Justin 37 Boston What's up guys? I've been listening you since I was 12 years old

You were literally sex ed for me when I was kept out of the class. Thanks. That was hilarious. But why don't you come to Boston? Why do you hate Boston? Is it TV 12? I love Boston. It's been a while. Hang on.

I lived in New England for four years and I lived in Boston particularly in 1979. But we did a New England tour about 10 years ago. Where were you? Wow. All these things 10 years ago. Where were you? Well, he sings 10 years ago. Probably in graduate school or drinking. Also I think Boston used to open for UFO. Oh, no. No.

Blue Reed is terrible by the way. As a musician, you could write that music with a head injury. Play, thank you, play I Love You Suzanne or whatever that Lou Reed had a couple of hits. We need to go to Boston, Justin, make it happen. I love Boston. Make it happen. I'll get out there. So other musical thing I was telling you about was.

You said I couldn't dance. But now I'm back to let you know that I can really make romance You do what you gotta do You do everything you can You do what you wanna do Hey, but I love you, Suzanne You do anything once You try anything twice You do what you gotta do Hey, but I hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey,

hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, You broke my heart and you made me cry. You said I couldn't dance. But now I'm back to let you know that I can really make romance.

You do what you gotta do to get so busy. I love the lyrics here. You do anything once. You try something twice. Jesus fucking Christ is he bad. God. Listen, I don't mind that he's bad. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha They can't do it and they can't do it with the Beastie Boys either. But it but the same way no one on CNN could go. I don't know. Maybe Ivermectin works. I don't know. I'm not a doctor. Why don't you talk to your doctor? I don't know anything. That's right. They all know something. It's weird. It reminds you of that song.

Uh huh. Uh huh. Uh huh. Yeah. Yeah. OK. Well, listen, what they'll tell you is they'll go, that's not a Lou Reed song I like. All right, but did you hear any musicality? Did you hear any ability to sing? No. Okay.

No. All right, but now someone who can sing, Charlie Rich. And the reason I brought this up to you when we were talking on the phone the other day is this was a hit behind closed doors, 1973. Oh, you're gonna, okay, go ahead. And there's, I will just play it to you. Listen to it.

["London's Got a Little Lamb"] Already better than Lou Reed. His music. Well, look, people could play instruments. You know this one, Kyle? Oh yeah, Kyle knows music. Emmy doesn't know this one. Not at all.

I know what everyone knows. She doesn't make a scene in a crowd. People talk to her. But when they turn out the lights, I know she'll be leaving with me. So he's saying she doesn't make a scene in a crowd. And when we get behind closed doors, and she lets her hair hang low. Listen, Daryl. And she makes me glad that I'm a man. Oh, Lord, oh, knows what goes on behind closed doors. But it's not the chorus.

It's this part where he's explaining a lot of these songs, I tell you Drew, had my woman knew her place. She'd make a scene. My baby makes me smile. Lord, won't you make me smile. Here's the point. This is Adam being a truffle pig. See now, this song would be called My Bitch Fights at Airports.

That's what the tooth if Charlie pride Rich if Charlie Rich was a little hell alive today, and he was cutting an album He's he'd be calling bitches be fighting at the airport. Oh My bitch wears slippers she loves going out in slippers. She's heavy set and wearing juicy sweatpants. But when she gets some news that the airport bars out of booze, well, then it's throw in time she punches the bitch at southwest

bitches be fighting at airports because they knew they always knew I told the Drew that goes that's not very ladylike now remember a little lady wouldn't act that way members a lot of do not No, no, no, no, no. No. No They kind of knew They could get weaponized pretty fast Now we just said go do whatever you want whenever you want and don't listen to anybody else Do not let some guy tell you anything. And now, bitches be fighting at the airport. Hey, I'm Adam Kroll.

That's Brad Williams and Jay Leno. Hey, everybody. Over there, we're doing our third annual comedy, Fantasy Camp. That's going to be January 23rd through the 26th, right in Hollywood, California. Where else would it be? These guys are going to be there.

So remember, two out of every three comments, make it big. Oh, one and a half. Do I get paid for this? Please tell me I get paid for this. Go to comedyfantasycamp.com and get in on the fun. Is there Emmy? There is a bumper sticker. I sent it to Joe and it's in our computer somewhere and I can't, I think I showed it to you Drew. It should be fighting a fear.

Well if Charlie Rich was to write a song 50 years later. I can't get over it. That's what he would write. Okay. Well something's going on Drew because every guy I talk to I go, is it just me or every time I see someone fighting on YouTube it's women. Like there's more women fighting than men. Well because men get the sandbox. They get smashed in the face when they're young, by another male. They know that shit did not go. Yes. There was a bumper sticker drew,

and it read, like, quiet women never make history, or something like that. And I was like, oh, yeah, it was on a dude's car, too, which is the sad part. I hope he's just trying to get a blow job. Well-behaved women seldom make history. That's what we're saying. Well-behaved seldom make history.

But this is the rallying call of 2024, like fucking getting everyone's, you know, this is Aunt Esther yelling, getting everyone's face, right? I'm sorry, did you say this was on a dude's car? Yes. Jesus. Yeah, scary. All right, Drew, what are you doing?

Looking for something on your phone? No, I'm looking for this lady up, this Laurel Ulrich. Yeah. Interesting. I'm sure my grandmother would have loved her. Oh yes, born 1938, yes, yes. Yes, oh, I'm sure my grandmother would have loved her. Oh yes, born 1938. Yes, yes. Yes.

Oh, I'm sure. If only, hopefully she was a lesbian. Then my grandmother would really love her. Professor at Harvard. Perfect. Hero. Hero. Alright.

Oh. Yeah? A midwife's tale? No, okay. Alright, let me midwife's tail No, okay. All right. Okay. All right Let me talk to Dell Dell

Hey, how's it going guys? Good Going on. Oh just Working on a house up here in Santa Barbara listening. What are you doing? Keep going on? Right now I'm prepping bearing wall. We're gonna open it up throwing a 12 inch 14 and a half foot PSL. Oh, like a glue lamb beam or a para lamb beam? Yeah, the PSL, it's like the, you know, the parallel strength lumber, engineered lumber. Yeah, they call this, listen, they call those glue lambs or Paralams.

Well, a glue lamb, a glue lamb is a bunch, is just regular dimensional lumber laminated together, splured together, pressed together. Yeah, and then you've got your LVL, which is just a bunch of plywood sandwiched together. And then there's Paralams, which is, it's the difference between steak and sausage or something, or whatever.

All right, so you're gonna put a beam in a bearing wall. I mean, you're putting a beam instead of a bearing wall. Opening up, right, right. Yeah. Doing the open floor plan that everyone's going for. Are you bearing the beam in the ceiling or is it gonna come down and you're gonna soften around it? No, they don't want to pay for that

So, you know, it's so funny. I drew I always say this like they go I want the beam Level with the ceiling so I don't see the beam, you know coming down off the ceiling and you go, alright Well, that's gonna cost a lot more and they go. Well, I don't want that Of course You don't want to pay for it. then you're going to see the beam. That's how it's going to work. Yeah, because then you got to go up and you got to individually hang every joist on that beam.

It's a pain. How big's the span? This is 14 and a half foot. Okay. It's pretty sizable. All right. You know what he's talking about, Drew? Get rid of the bearing wall. He's doing sizable. All right. You know what he's talking about, Jeremy? Get rid of the bearing wall.

He's doing the open floor plan. He's getting rid of a wall that has a load on it. So you gotta put a beam up there to pick up the load. Yes. Okay. I just said, I've seen you do that. Maybe your big garage, that giant beam you had to put up. That is true. All right, what do you got for me, Dell or us? Well, to continue on the music front, before I get into my medical, I just want to, I'm a longtime listener and a gem of the seventies that I can't recall you ever

of the 70s that I can't recall you ever talking about, Gordon Lightfoot. You want to talk about a guy who really has some good respect for the 70s woman in his lyrics. I have seen Gordon Lightfoot in concert and I've talked about Gordon Lightfoot quite a bit into a microphone, but it has been a while. And whenever these guys talk about all these songs about women in the early 70s, I just immediately go, oh shit, he's talking about a 14 year old. Oh shit.

You know what I mean? Because so often they were. Yeah. It could be. Yeah. The one that I pulled up was from sundown Yep All better than Lou Reed all better than Lou Reed

These things were playing everywhere back then. Yes. That's what should shock you everywhere If you could read my mind girl. Oh yeah. Yeah. Did he do the one about the Yes. Cats in the Cradle. No.

No, who was that? No, that's The Wreck of the Edmund Fitzgerald. Yeah. Of course. Cats in the Cradle is... What's his name? There's two guys that I keep confusing. There's

Harry Chapin and then there's another Chapin. One was actually kind of a weird little genius. Not Harry, I think is right. No, Harry Nielsen. Harry Nielsen and Harry Chapin are the two. Harry Nielsen was the genius. Who sung the cab song?

Was that Harry Nielsen? I think it was Harry Nielsen. Son of the greatest song. Del? Yes. You got me going on songs now, so I'm gonna put you up. I'm gonna say goodbye to you. Hey, before you launch into it,

I looked into this Ulrich woman. She was a stringent, strident Mormon. Wow. Interesting, and was in the BYU Board of Directors and didn't come to history until the 80s, even though she got degrees in journalism early, journalism shocking. But there you go, interesting.

There's a great, one of the greatest stoniest songs, like 70 stoniest songs that drew you with love was Taxi. And it's the story, I think it's Harry Nielsen, but it could be Harry Chapin. I loved all of Nielsen's stuff and I don't remember. Oh, then it's Chapin. Harry Chapin. I loved all of Nielsen's stuff and I don't remember. Oh, then it's Chapin. Harry Chapin. Harry Chapin's like, it's a story about a- You see the documentary on Nielsen?

It's great. Yeah. I recommend it, okay. It's the story about a guy who used to date a chick and then she moved off to Hollywood and became a big star. And now he drives a taxi and one day years later, he picks her up. Yes. And then at the end he's like,

she goes to a big home and the footlights and the woodhills and I get my cab and I drive when I'm stoned. Frisco. One more fair to make my night. Oh yeah, that's it. Lady up ahead wave to flag me down. She got in at the light. He also says it didn't narrow it down for me, but you know this one, Kyle? No! Oh, it's Greg. He goes, he says his own name in this song. He goes, she says, Harry, keep the change at the end.

Oh yeah. Listen, arrangement. Come on! Full orchestra, man. No, no luis. Listen arrangement come on No, no lury Familiar droves where I've seen a face before that's right, but you said I'm sure you're mistaken And she didn't say anything more But it turns out they dated it took a while, but she looked in the mirror rear view she glanced at the license for my name a

Smile seemed to come to her slowly. It was a sad smile I just skipped to the end where he's getting high. How are you hairy? He's using his head. This is six and a half minutes in. She lives in a big home. And she said we must get together But I knew it never be arranged Then she had me $20 for a 250 fair she said Harry keep the change Tell the story Another man might have been angry And another man might have been hurt I'm too big for that

But another man never would let her go I started to build my shirt Now here's the part And she walked away in silence It's strange how you never know He's weaving a tail, man. They both got what they wanted. But he's just driving a hack. Is that what he wanted?

Maybe he'll explain, Drew. Oh, Jesus. All right. He was going to learn to fly. He's in a cab in New York. Very ground-breaking. He's acting happy. He's flying

Taking tips and getting stoned He's banked I go fly So high Well, stone I'm sure his dispatcher would love to hear about this. Okay. All right.

He's getting high, Drew, man. Come on. He's flying in his taxi, man. That's his dream. His dream is $1.75 an hour of getting baked, dude. Do what I want to do. That's right, man. We're going to get high, man.

That's what we're going to do. Yeah. She wanted to be an actor. She wanted to be an actress. She wanted to be an actor. She wanted to be an actor. She wanted to be an actor. She wanted to be an actor. She wanted to be an actor. She wanted to be an dude. Do what I want to do. That's right man. We're gonna get high man. That's what we're gonna do. Yeah. She wanted to be an actress.

She achieved his dream. He wanted to be a pilot but he drives a taxi now but he's baked. Well you can't smoke weed and be a pilot so he had to make the choice and he's made the cool choice. So here are two things. Looking at it now people are like, oh my God, but he really meant that was the cool thing. A. B. Everything was so depressing. Maudlin. Fucking depressing. 1972. Remember how that music would weigh on you when you were 17 or 20. Oh my God. Yeah. When I'm stoned. He used his name two or three times in that. Yeah. He must've driven a cab at some point.

How else do you write that song? It's seven minutes long. By the way, and that would get played on the radio. You never heard that song, huh? played on the radio. You never heard that song, huh? Ah, yeah, yeah. You could get into it a little bit. Well, certainly, at least so you knew

how we were thinking in 1972. That whole thing, she remembered Drew. She's in her big mansion acting happy. Yes, right. He's actually happy because he's big. He's free acting happy. Yes, right. He's actually happy because he's big. He's free, man. Free, yeah. He gets to drive a piece of shit cab

and live in a piece of shit apartment, but she's miserable in her gilded cage, man, because money can't solve it. I grew up on a steady diet of like, money, money doesn't, yeah, okay, but maybe we could get a fucking box spring. Maybe that that maybe we could use some money and get a box spring how about that or comforter or something you know what I mean something or like a steak or something something I'm not saying we need a Rolls Royce with a chauffeur but a

little money for some stuff you know like when the Super Bowl motross comes into town, you guys could buy me a ticket and then I could go watch like that kind of money. That is big, my big money. That we could go out to dinner sometime or something like that. Or again, or again, a box spring, something. Or maybe we could own a microwave oven or something like that. You know, just a little money, or maybe some air conditioning How about a car how about a carport that we could park the car under that didn't have air conditioning So didn't get baked by the Sun all day. How about that kind of money weeds the weeds in the front?

Yeah, how about how about a little sod money? Jesus Christ 70 suck so bad. Why are we doing this again? We're doing it again. We're doing it again We're doing it again. They called it Ecology now back then they didn't talk about environmental anything part of the college big I was big in ecology remember the flag the green stripe Yeah, college you flag with a sort of sideways infinity circle that was my flag, man Yeah, there's a green we had a sign. We had a whole thing. My mom was into ecology listen We were gonna be acid rain. We was gonna be famine. There was gonna be no oil for sure

And an ice age. There you go. Here it comes. All right I'll be at Kimmel's Club coming up November 14 two shows over there and I'm going to big bear Drew's friends are coming out. Yep. That's the 15th and the 16th. Oh Hmm. I gotta look at that. Something's up at that. I'll figure that out Nothing you guys did in the booth Drew. I got a mcro.com for all live shows. What do you got? You're asked dr. Rumble subscribe there rumble so Until next time, and pro for Dr. Drew,

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