The Ancients - Sargon of Akkad
Episode Date: January 12, 2025Over 4,000 years ago, Sargon of Akkad carved his name into history by forging what many consider the world’s first empire. But who was this enigmatic warlord, and how did he transform from a man wit...hout a dynasty to the revered founder of the Akkadian Empire?In this episode of The Ancients, Tristan Hughes ventures to the British Museum to unravel the mysteries surrounding Sargon's legendary life. Joined by expert Assyriologist Dr. Paul Collins, they explore the origins of Akkad, the epic conquests of cities like Ur and Uruk, and the groundbreaking archaeological evidence that sheds light on Sargon's extraordinary legacy. Join us to discover how Sargon reshaped Mesopotamia and laid the foundations for one of history’s most influential civilisations.Presented by Tristan Hughes. Audio editor is Aidan Lonergan, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.Theme music from Motion Array, all other music from Epidemic SoundThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK
Transcript
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He's one of the earliest recognizable names from history, a warlord who lived more than 4,000 years ago
and forged what some have argued
was the world's first empire.
He was a king who became revered by
later generations in ancient Mesopotamia in the area of modern-day Iraq, with his story becoming
mythologised with great legends for almost every aspect of his life. And yet, the real story of
Sargon of Akkad remains steeped in mystery down to the present day. It's the Ancients on History hit. I'm Tristan Hughes, your host, and in today's episode,
we're exploring the story of Sargon of Akkad, the founder and first ruler of the Akkadian
Empire back in the third millennium BC. To talk through his life and the evidence we have surviving
for him, I was delighted to interview a good friend of mine and an esteemed deseriologist who has been on the podcast several times over the past few years covering
everything from the Sumerians to Oruk to Nineveh. I am of course talking about Dr Paul Collins,
assistant keeper of later Mesopotamia in the Department of Middle East at the British Museum.
My producer Joseph and I we headed to Paul's office at the British Museum just before
Christmas to record this episode, and I really do hope you enjoy.
Paul, welcome back. It is always a pleasure to have you on the podcast.
Thank you very much. Thrilled to be back.
And we're doing it once again in your lovely office in the British Museum. And Sargon of
Akkad, this feels like one of the first big names we have from written
history.
Well it is a big name and it's a big name in antiquity that was certainly considered
he was considered to be someone very special in ancient Mesopotamia itself. And in a way
his legacy continues the rediscovery of Sargon through the texts and some monuments have transported him into sort of superstar
status in this period as well.
Just get a bit of a superstar status and we'll kind of explore that, especially when we get
to the sources very quickly. But I mean, first of all, context, how far back are we going
with the story of Sargon?
So Sargon can be dated to the second half of the third millennium BC. So approximately
2330.
So over 4000 years ago.
From the surviving archaeology, can we date it quite precisely when he's about in that
millennium?
Yes, we can date him based on King Lys to approximately 2330 BC, thereabouts.
And whereabouts are we talking with Sargon's story? I mean, the whole region of Mesopotamia
feels such a vast region.
So Mesopotamia, of course, is modern day Iraq, the land between the Tigris and Euphrates
River. And Sargon's power base was in the centre of Mesopotamia effectively where the modern capital of Iraq, Baghdad, is located.
That's where he has his origins.
Toby So this is geographically, so with those two rivers there, I'm guessing very fertile
lands in a known as part of that fertile crescent early farming and so on. This feels it's an
ideal place where you see these extraordinary early civilizations from thousands
of years ago and then these extraordinary figures emerging too, like Sargon.
Richard Paxman So Sargon belongs to a period when the vast alluvial planes of southern Mesopotamia,
southern Iraq, immensely fertile region, crisscrossed by rivers and then modern canals,
as a word, dug to increase that fertility. Sargon is king in a period when that
region is divided between city-states. So this huge area split up between capital cities and
surrounding villages and towns dominated by individual kings. So you've got a fragmented
political world. IA That's interesting. So So population wise, do we think the majority of the population would
be in those great cities or are they spread around the countryside and those cities, they're
just the nodes of power almost?
The cities clearly become the main place for residents, I think, in the third millennium
BC. So the first great cities in the world emerging a thousand years earlier, the fourth millennium BC,
in southern Mesopotamia. And urbanisation living in cities becomes the main way in which people
live their lives.
Toby Hulme These are cities like we've actually covered in a previous episode with you. These
are cities like the fabled Uruk, aren't they?
Richard Hulme Uruk, or yes, famous names. So these are some of the world's earliest urban centres.
Toby
We delve more into that world that Sargon is born into. I'd like to take a step back
and ask about the source material that we have. For learning about this figure, this
ruler from some 4,000 years ago, what types of sources does a seriologist like yourself
have to learn more about this figure and the world he's living in?
Giles Sargon is known to us really from very, very fragmentary evidence from early on. So
from his own time, there are a few inscriptions, a few clay documents inscribed in cuneiform
in the wedge-shaped writing of Mesopotamia.
Toby That's the writing of the cuneiform, isn't
it?
Giles That's the writing of the cuneiform, isn't it? RL That's the writing, the script, written on clay tablets. We have a few references
to Sargon from his own time. There are also a few stone monuments, carved sculptures dating
to the time of Sargon, a few of which are inscribed with his name. But they really tell
us very little about the man himself and his achievements.
So what we're really reliant on are later texts, texts that claim to be copies of inscriptions on
monuments that simply no longer survive, or increasingly, fables and tales, myths and legends about this man. And our challenge is
to tease out historical information from these later accounts.
Because that's so interesting. That's also the case you get sometimes, let's say, with Arthurian
legends later emerged, like romances of the achievements. So it sounds like with Sargans,
something similar later they create these great myths, these extraordinary feats that feel
unbelievable that surround this figure and then looking at those later accounts, but also seeing
like, is there a basis of truth, at least for some of the information that survives?
That's it. I mean, the challenge is, of course, working out in between all those exciting
adventures what reflects reality a thousand or more years earlier.
And in regards to that archaeology, so not as much from his own time. So is it, as you
say, inscriptions, are they a key source of information for people to have figured out
that this figure of Sargon, he's not just this legendary person,
that there was actually a ruler called Sargon.
Well, we certainly know there was a ruler called Sargon. As I say, we have documents which are
economic in nature, they're records of transactions, and many of them are dated by a so-called year name, a classic way in which Mesopotamian rulers
determined the change of time. So each year was given a name based on a spectacular event that
had happened either the year before or earlier in the year in question. And it tells us a lot about
what they thought was important in terms of events.
And very often it's about conquests, it's about building, it's about great achievements of
individual kings.
Toby So Sagan, does he name certain years after certain military conquests or something like
that? Is that what he does?
Richard Completely. That becomes the standard way in which Mesopotamian kings order their world, order time, up until around 1500 BC and then some new.
Mason. So let's move on from the source material and go back to the world of Sargon. Do we know
much about his background or his rise to power and what the Mesopotamian world looks like as he is rising to prominence.
So teasing out from these very different types of sources, we get a sense that Sargon emerges in
this world of city-states. And the most important city-state, it seems, in the middle of the third millennium BC is the city of Kish. Located quite close to the modern city of Baghdad
in the northern half of this rich alluvial plain
of Mesopotamia, Kish had come to dominate large areas,
it seems, of the region.
And Sargon, so the texts seem to imply,
emerges out of this important political centre and establishes
his own base. However he does it, he gathers together followers in sufficient numbers that
he can rival the king of Kish in power and establish his own authority. And it is from
that authority he marches out and conquers the other city states
of southern Mesopotamia.
Toby So that's interesting. So for his own power base, he seems to be almost a usurper. So he's
not an original prince of Kish or anything like that. He gathers support. And I said, presumably
it's unclear, but seems to overthrow the rule of Kishen and becomes the leader potentially of that city.
Well, it's thought that he probably was a commoner in the sense that he's not a member
of the royal family, although it's very hard to be certain about that. It's very difficult
to be certain that he wasn't in some way related to a royal family. He, however, adopts the throne name on coming to power of Sharrow Cain, what we
describe as Sargon. And that means the king is established, or the king is legitimate,
which suggests that perhaps he wasn't.
Toby So, yes. It's more kind of affirming his status, isn't it? And he's now come
to power, but presumably if he's got these ambitions of
expansion with his soldiers, who are the other big players in the region? Surely they're not
going to be lying down when this happens. RL No, so the King of Kish, of course,
is a primary source of power in the north of the alluvial plain of Mesopotamia. But to the south
are the great cities of Ur and principally Uruk. And it is those cities that
represent as well the opposition to Sargon's authority over the entire region. And earlier
on a powerful ruler of Uruk called Lugalzagesi had gone out with his own armies and conquered neighboring city states. So you end up with
this picture of the alluvial plane divided between two great powers, Kish or with Sargon
in the north of the region, and then Lugalzagesi and his power base to the south, the old heartland of Sumer. And it is when Sargon defeats Lugalzagesi
that he can claim to be the supreme ruler over the entire alluvial plain. And it's
the first time, politically, that the region is unified.
Toby So, because it seems almost a bit of a silly question from me, but of course, the
first empire builder sometimes get associated with Sargon. Had
there been much of that there before the time of Sargon and the King of Uruk who he faces?
Will Barron There certainly have been lots of conflict.
So city-states were often in conflict with each other. It battles over access to water,
over access to trade routes, over access to farmland. So this was a common feature,
it seems, as far as the evidence we have suggests. But no one had managed to conquer the entire
region before. So that vast plains across southern Mesopotamia brought together politically
for the first time.
Toby So how does Sargon react to this achievement of defeating Lugas of Geyserland and said,
uniting the plane in one political entity?
He doesn't stop there. That's what's remarkable is that he marches both north up the River Euphrates
to places like Mari, in modern day Syria, another major city trading center, but also a powerful political
center. And he marches south to the Persian Gulf, where he conquers, so he tells us, the
region of Elam in southwest Iran. Again, a very powerful state, wealthy access to metals and stones. Quite how far his claims to conquest actually
were, we of course don't know. And it may well be that his armies are simply controlling
the trade routes and access to them. But nonetheless, he becomes immensely wealthy and his power
reaches right the way across much of the Middle East.
And does he boast of his military achievements much? Like in the surviving archaeology, do
we see him as the victorious king, like over and almost towering above his defeated enemies?
So that's a vision of kingship, which of course later compilers of accounts in Mesopotamia imagined. They saw Sargon emerging
as this great conquering hero. Whether he was as powerful as later stories tell us is
unclear. But certainly his inscriptions point to widespread conquests, but also widespread
then rebellions that followed. Mason. Well, we'll get to that in a second. I must also ask, you've mentioned how he gathers
this large army, this powerful army. I said we don't know the extent, but certainly seems
that he had a sizeable army with him for the conquest that he did do. Do we know much about
the army itself?
Dr. John B. MacKenzie. We have some images of the soldiers of Sargon. They are shown with battle axes over their shoulders
and marching in regiments with Sargon leading the way. One very fragmentary stele now in the
Louvre museums inscribed with the name of Sargon shows the king leading his forces. He's marching forward,
dressed in sort of typical Sumerian fashion
and protected by a parasol or umbrella,
marking him out as a major ruler
and his soldiers marching behind him. Forgive my ignorance, but is this the time when bronze working is being discovered?
So is it bronze weapons or is it still stone?
Do we know much about that?
Oh, bronze had been in use for tools and weapons
for many hundreds of years
by the time Sargon comes to the throne.
But certainly prestige weapons in metal
were being used by his soldiers.
Okay, so how far and wide?
I know it's debated and it's unclear,
but at least for boasts of Sargon that emerge,
how far do his conquests supposedly stretch?
Will Barron If one interprets his own
inscriptions as copied by later scribes in Mesopotamia, then they reach north as far as
modern-day Syria and south down the Persian Gulf.
Because I see words like upper sea to lower sea. Is that in reference to the Mediterranean
and the Persian Gulf?
They would certainly later would describe these two areas, the Mediterranean and the
Persian Gulf, as the two ends, as it were, of any Mesopotamian empire worth its existence. And Sargon is credited very often
with establishing that as a model that future kings should follow. Whether he actually achieved
it himself, of course, is debatable. And Paul, this all feels, regardless of the
extent of his conquests, this all feels unprecedented, the extent that he's undertaken,
that he's achieved so far.
But if it is unprecedented, and you hinted at it earlier, is it also quite unstable?
He's conquered these lands, but is it very quick before rebellions break out?
That is true.
I mean, the whole story of Sargon is one of sort of origins.
He begins it all. He's the individual who establishes a dynasty that does conquer much
of Mesopotamia. And he does so, of course, from his own power base, which is also new,
establishing his own capital city of Agade. Kish goes out the windows.
Kish is sidelined in favor of a new royal center. We call it either Agade or Akkad,
hence Sargon of Akkad. And that becomes the base from which he then marches out and conquers the
region. So that is all new. And he tells us in his own inscriptions that he had at least 5,000 men eating before him on a daily basis. So this is perhaps an
indication of some sort of standing army. And yes, that power is then a threat, of course,
to other city-states. They're conquered, but they never actually disappear. And lying behind the Agade Empire is always
the city-state structure, with dynasties attempting to rival and return to their authority.
So do we know much about Sargon, if he's got these, you know, these troublesome families
in other city-states, how does he go about kind of deciding to consolidate his control, his
rule over this empire that he has created?
Giles It seems as if Sargon establishes his control
by using the old city-state structure. So some rulers are left in place as long as they
submit to his authority. And that authority is one based on force.
The empire is held together by brute strength.
Later, his successors will introduce new forms
to hold the empire together.
New forms of administration, weights and measures,
standardization, and the introduction of,
increasingly, texts written not in Sumerian,
the traditional royal language of inscriptions in Mesopotamia, but in the language that he's
speaking, a Semitic language which we call Akkadian after his capital.
Toby And is that a game changer for the time,
capital. And is that a game changer for the time? I guess it's not the lingua franca, is it? Making that the main language of his empire. These are all things you see later on
with empires established and then making a new language, the main administrative language of an
empire. But of course, is this the first time this is done? So this also feels really significant if
he's also just implanting on these other places, right, the main bureaucratic figures, you've now got to learn this language and do
writing this way kind of thing. I think the challenge again, as always, is finding ways in
which we can understand how much this was a novelty with Sargon, or actually a development of the empire under his successors. And certainly
he succeeded by two of his sons, Rimush and Manish Tushu. And under those rulers, you
start to get consolidation and centralization of the empire much, much more effectively.
And the development of some of the most incredible art from the
ancient Near East, a court art of incredible refinement. But that comes later.
Well, we'll get to that in a moment, but let's then keep on Sargon for a bit and not jump the
gun. My apologies there for kickstarting that. But I'd like to ask a bit more about Sargon's
new capital, Akkad or Agade. I mean, do
we know much about this new capital?
Dr. Sir Michael S. Hickman We know really very little about Agade. It
was clearly a magnificent place. It is referenced in later inscriptions by later Mesopotamian
kings. But we have no idea exactly where it is. It's never been located archaeologically.
It's likely that it lies under a suburb or indeed under the centre of modern day Baghdad.
And so as a result, it may never be discovered. But if it is, then it will no doubt have some
of the most magnificent palaces and temples to have
survived. This is a bit of a tangent, but I still think it's very interesting. For myself, Paul,
like coming into Mesopotamia from the outside, originally I would have heard names like Nineveh,
Babylon, maybe Susa as well. But you've mentioned names like Kish, Lagash, Uruk. I didn't realise just the sheer
quantity of extraordinary cities that there were in ancient Mesopotamia. And is Agade
an anomaly? Do archaeologists know where most of the cities mentioned from Mesopotamia are
today or are there still quite a lot of cities that we don't know where they are
quite yet in Iraq?
We know where most of the great cities were located. Many of them have had excavations,
so we can actually know from spades in the ground, literally, that these cities existed
and they weren't just described in text. But there are certainly many cities,
names recorded in political, economic documents, which have yet to be located.
Economically, with Sargon's new empire, you mentioned earlier,
they've got the Euphrates River, the Tigris River, and he's covering a huge amount of land and fertile land as well.
What are the economic benefits that that brings Sargon? Does his new empire quickly become very
rich? We imagine he was immensely rich because of course he was controlling not just the rich
agricultural land now brought together under his control, which could be taxed centrally. And so the whole system
is based on siphoning off from each of the old city states an element of taxation to the centre,
again, part of the centralising policy. But of course, the conquests also allow him to dominate
the rivers and the roads. And that means that those exotic materials, which Mesopotamia
doesn't have, like metal and stone, can also be funnelled towards the centre. So again,
Agade may well have been the most extraordinary place with this great wealth pouring in.
Toby So this is shipping like copper in and stuff from the Mediterranean. But I guess
maybe also the Great Steppe as well. Are these all kind of areas or lapis lazuli from Afghanistan, should we be imagining?
That is the extent of trade that Sargon and his empire has, is that they have these great
connections far beyond the empire's supposed borders.
Toby Hickson Yes. And of course, trade had been
a major factor in Mesopotamian civilization for hundreds of years before that,
those trade routes. Copper actually coming at this time from up the Gulf, some places like Oman and
Iran. That was the main source. Sargon in his own inscription tells us that he had the boats of Magan, Dilmun, and Melukha dock at the keys of Agadei. And that
refers to Bahrain, the island that we know today, of course. Magan was the shoreline
of Iran and Melukha, the Indus Valley civilization. So all the way across the Indian Sea, boats would
have brought resources like Carnelian, Lapis Lazuli, but of course also copper to Agadei,
and it's to his capital that he brings them.
I'd like to ask now about some of the figures surrounding Sargon and his administration.
And first of all, before we focus on particular
figures, given the administration and recording all the stuff and controlling an empire, how
important are scribes for Sargon and for the running of his empire in his court, let's
say?
Every city state was dependent on scribes andcribes at all levels of society, from your basic accountant
who had a little bit of skill in writing to manage estates privately, but at the state
level scribes were fundamental in recording and managing the flow of goods, people, resources
in and out.
Toby And what other types of professions, what
other people would have been very close to Sargon in his court, let's say at Agade? I
mean, do we know much about the other, the job roles that were available and that were
important in an early Mesopotamian empire like Sargans. You had administrators, of course, of the palace and the treasury. But the other key
part of any Mesopotamian city were the temples. And the temples, of course, were the homes
of the gods, and it was the gods who supported the kings. And so you devoted huge resources into constructing their homes, but also of course,
furnishing them and offering them gifts. So much of the wealth that was coming into places like
Agade would have been deposited in the temple. You achieve the support of your gods and therefore,
you could achieve even greater conquests and stability. But the gods and their
worship were key. So members of the royal family would have been closely associated with the temple
complexes. We know that Ishtar, the goddess of battle and sexuality, was one of the most important goddesses for the Agade
dynasty. She's constantly referenced as a source of power and authority.
Toby So you see in the inscriptions once again
that understandably that close connection between the rulers and the gods. Is there
a sense of him portraying himself as a god-king or his successors portraying themselves as
god-kings or is that a step too far? GW. Sargon doesn't appear to present himself
in any other way other than a typical, what we describe as an early dynastic king, a king like
those of other city-states. It's just that he extends his control over a much broader area.
His successors, however, in the dynasty that follows him,
do gradually acquire more divine-like characteristics. And it's his grandson, Naramseen, who ultimately
is given the title of divine ruler. Not a god per se, he's not elevated to a god everywhere, but in his city in Agadea, a temple
is built for him where he is worshipped as a god. And therefore you have this sense of
them achieving the ultimate authority.
Toby
Over time, almost as their dynasty has been more consolidated, perhaps. Big question now,
Paul. A funny question. I think we might be
going back to his successors too with this as well. But do we have any idea what Sargon
looks like?
Paul Matz 18.1
No idea what Sargon looks like. There wasn't in Mesopotamia the idea of portraiture based
onto the physical characteristics. So most of the monuments that we have depict the ideal kingship. For
example, one of the most magnificent monuments from antiquity is a cast bronze head of what
was certainly a life-size statue.
Very recognisable. We got it on the front cover of a book right in front of us.
It's one of the most magnificent pieces of art to have survived from antiquity and expresses the
power of an Agade king. Probably not, however, Sargon, because the style suggests it belongs to
the reign of one of his successors, either his son Manushtushu or his grandson Naramseen.
It is a beautiful piece, isn't it? But what strikes me the most is the whole creation.
It's bronze statues. It's made out of bronze. It's the whole creation of the beard and the
various kind of little flicks in the beard, very pointed beard as well. It conveys a very
striking image.
Very striking and that is the point. It expresses the power of an Agadei king rather than an individual and is designed
to last for all eternity. And in fact, it was such a powerful and important image that it was then
targeted for attack. So when the Agadei empire fell, it was probably at that point mutilated.
it was probably at that point mutilated. Its ears were cut off, its eyes gouged out,
its nose flattened by a hammer,
and therefore the power of this Agade king,
hearing, sight and smell were removed,
and you removed the power of these great kings.
See figures rising and falling even after their death. Now, one other key figure which we haven't covered yet but very close to Sargon
which I'd like to talk about which is introducing his daughter and I think a
lovely way to bring this in would be if we could now first of all focus on a
particular artifact I know you know a lot about and contemporary to the time
of Sargon, please forgive me if I get the pronunciation wrong.
Kytushdu's seal, what is this?
Perfectly pronounced. You have the impression made by a cylinder seal, a carved cylinder
of stone, which had belonged to one of Sargon's daughter's officials. This impression in clay has a depiction of a deity,
of a god, but also part of a cuneiform inscription which records part of that official's name. This
indicates that the inscription tells us that they were an official in the employ of Sargon's daughter Enheduanna.
Enheduanna is perhaps one of the most famous females
from ancient Mesopotamia.
She was appointed as the high priestess
of the moon god of the city at Ur.
So Sargon appointed his daughter Enheduanna as the high priestess of the moon god at Ur. So Sargon appointed his daughter in Heduanna as the high priestess of the moon god at Ur,
stressing again the importance of temples as part of the ways in which these kings controlled their
territory. Now Heduanna had staff we know from contemporary inscriptions and impressions of seals, including hairdresser and her own
personal scribe. And she devoted her time at Aura to ruling that city on behalf of her father.
Mason- She's incredibly important to Sargon in the whole ruling of the empire. We have a lot of
source material surviving for her. Perhaps, could you say more contemporary evidence for Enheduanna compared to her father?
Toby Hickman I would say about the same.
Mason Hickman About the same, okay.
Toby Hickman So we have a very famous little sculpture,
a disc carved in relief with an image which almost certainly depicts Enheduanna in a ritual,
making a libation before what was certainly a seated figure.
It's very badly damaged.
The disc is now in the University Museum, Pennsylvania.
But the inscription on the back names Enheduanna
as the wife of the god Nanna, the moon god,
and really situates her as this really important individual
in this major political center.
In Heduanna, however, like Sargon,
much of what we know about in Heduanna
comes from later inscriptions,
and there are tales and hymns and prayers
which are attributed to Enheduanna. And they may well
have been composed by her, but almost certainly were not. And were composed at a later period
and then credited to this important, powerful woman of the third millennium. ALISTAIR So she, just like Sargon, gets these extra tales and legends added to them over
time. So it is not just Sargon, it's almost like a family tale, the story of these figures
from the distant past. They get this legendary afterlife that just adds more to their story
as the hundreds of years go on. Giles The Agade dynasty as a whole become incredibly
famous and as a result, tales and myths and legends are added to them.
Toby If we go to end Sargon's particular story
and then go on what happens afterwards, do we know much about either the length of his
rule or what happens to him at the end of his life,
how he dies, how it all ends for Sargon of Akkad?
Paul
Later texts, Sumerian so-called King lists, list Sargon in the sequence of denisties that were said
to have ruled all of Mesopotamia. And they credit Sargon with a length of reign of about 55 years. Now, it's very difficult
to know how reliable those figures are, and it may well be that he ruled for much shorter.
But it gives us a sense again of the importance placed on Sargon as a founding figure in the
creation of this unified political world. And you mentioned earlier how after his conquests there are rebellions from these particular prominent families of other city-states.
By the end of his rule, I mean from the surviving archaeology, can we tell how stable an empire he left for his sons and his successors. We have a sense that the empire was never that stable. So he certainly passed his
achievements to his successors, two sons, Rimush and Manushtushu in sequence,
and then ultimately to his grandson, Naramseen. But under each of those rulers,
there was an attempt to conquer further,
but rebellions were always lurking behind the scenes.
And under Naram-Sin,
perhaps the greatest of these Agadei rulers
who conquered even further into Syria,
as far as the mountains of Lebanon
and down the Persian Gulf to Arabia, a great
rebellion occurred according to the inscriptions under which the city-state structure once
again emerged to try and rival that unified political structure.
Toby Leeds You know, because I'd heard the name Sargon
before but I never heard the name Naram Seem. But it's interesting. So is it almost
by that point, is that the zenith of the Akkadian dynasty, the grandson of Sargon, almost like
following Genghis Khan? You have a few of the Khans following him that almost extend the empire
further before it rescinds again. Does it seem that actually with the Akkadians, with Sargon's
dynasty, it's not with him at the start that it's at its greatest extent, it that actually with the Akkadians, with Sargon's dynasty, it's not with him at the
start that it's at its greatest extent. It's actually with his grandson Naram Seen.
Will Barron If you're interested in conquest and
extent of control, then it is certainly under Naram Seen that it reaches its highest point.
But later legends credit the collapse of the Agade Empire to Naram-Sin. So it's seen as
reaching its greatest extent, but is also, in a way, hubris presses it, takes it too
far. And Naram-Sin is cursed by the gods and the Empire collapses.
Toby Olson And of course, I mean, as you kind of hinted
out there, it's not all about military conquests and
all of that with this empire. With Sargon having established this empire and the generations
that follow with the capital at Agade, culturally, how big of a shift is this period marked by?
Let's say in regards to art styles and things like that, how much of a change can you see
in the archaeology
when we get to this period of Sargon and post-Sargon?
Will Barron Artistically, it's one of the high points
of Mesopotamian civilisation. I mean, extraordinary works of art produced under this centralised
regime. And that has a legacy that lives on. So when the Agade Empire collapses, the Mesopotamian world fragments once again back
to a city-state structure. But kings now attempt to emulate the achievements of the Agade kings.
So they become a model that later kings pursue, and that produces new kingdoms and finally empires. And so in the first millennium BC, when the
Assyrian Empire is dominating the region from Egypt to Iran, a king takes the throne name
of Sargon in emulation of this early third millennium ruler.
Toby, what would you think is almost the most significant part of Sargon's legacy? Is it the fact that later
rulers see him as a role model for those who want military conquest and want to build an empire?
Or is it, you know, that wider idea of, of that artistic change and that, you know, that great age
of art that this period introduces or something else? I think the art is very specific to the Agade period.
I mean, it impacts later time, but new traditions emerge,
new styles emerge.
But certainly that idea of a centralised,
single political centre, which dominates the region
with administrative, strong centralised control, taxation. Those
are the messages that are carried into the future and future kings want to emulate.
Toby So does he deserve the title as the world's first known empire builder?
Richard That always depends how you define empire.
And many people will say the first true empire in Mesopotamia doesn't appear until
the Assyrian conquest of the first millennium BC when there is strong centralized control,
but with provincial governors. Sargon and his dynasty never quite achieved that. It's held
together by brute force. And as a result, when the Agade
Empire collapses, brute force is taken out on their monuments. That's probably why so
few of them survive.
And what happens with the legacy of Sargon? So of course, important in Mesopotamia for
hundreds, thousands of years, outside of Mesopotamia, does his legacy endure, let's
say, when the Greeks take over that part of the world, the Greeks and the Romans? Do we
know much about Sargon's later history as the centuries and millennia go on?
Giles So unlike many other Assyrian kings, sorry,
unlike many other Mesopotamian kings, Sargon's name doesn't reverberate down through time and was really only rediscovered
in the 19th century with the excavations at places like Nineveh where tablets, cuneiform
tablets recorded some of this early history or the myths associated with the Agade dynasty.
And then in the 19th century, scholars began to identify Sargon as a key figure
that marked a transition in Mesopotamian history.
Toby So do you think there will be more archaeology uncovered, particularly about Sargon, or,
let's say, discovered in an archive of a museum somewhere, more cuneiform tablets that will
mention his name? Do you think it's only a matter of time before more information comes to light about this figure?
RK Almost certainly we'll be finding more material about Sargon, contemporary evidence
from excavations in Mesopotamia itself, in Iraq. There are excavations happening at the moment that
are in third millennium levels. So at any moment it's possible a tablet will be found, which will
provide additional illumination to this extraordinary period.
Well, Paul, this has been absolutely brilliant. And we're talking about an actual figure,
we're not talking about the pyramids or Stonehenge. This is an actual ruler and seems very
important in the whole story of Mesopotamia. Are there any key messages you would like us to take
away from this chat today? Paul Cullinan, PhD Paul Cullinan, PhD
I would say go and find translations of these incredible stories about Sargon because they are
some of the most impressive creations from the ancient world of Mesopotamia.
Toby Hicks, PhD Paul Cullinan, PhD Paul Cullinan, PhD
Paul, thank you so much as always.
Well, there you go. There was Dr Paul Collins returning to the podcast to talk through the
life and legacy of Sargon of Akkad. Thank you for listening to this episode of The Ancients.
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