The Big Picture - ‘Kingdom of the Planet of the Apes’ and the 'Apes' Movie Rankings
Episode Date: May 14, 2024Sean and Amanda are joined by Van Lathan to discuss the new installment in the ‘Planet of the Apes’ franchise, the enduring power of the ‘Apes’ IP, and how it relates to modern IP storytelling... (1:00). Finally, they rank the 10 films in the franchise (1:05:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Van Lathan Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices
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camera get groceries delivered across the gta from real canadian superstore with pc express
shop online for super prices and super savings try it today and get up to 75 I'm Sean Fennessy.
I'm Amanda Dobbins.
And this is the Big Picture, a conversation show about apes.
The big winner at the weekend box office was Kingdom of the Planet of the Apes.
So we're diving into
the new film,
which is the 10th movie
in the Apes franchise.
Did you know that?
10th?
Yes.
The 4th.
Oh, you're talking about overall.
Overall.
10 movies.
Oh, yeah, yeah, yeah.
That's right.
So there have been 10 so far.
Van Leithen is here.
What's up, guys?
Big fan of the Apes franchise.
Love it.
You've already recorded
one podcast about
the Kingdom of the Planet of the Apes, but we wanted you here for already recorded one podcast about the kingdom of the planet of the Apes
but we wanted you here
for a wider discussion
of this franchise.
Was that Midnight Boys?
Yeah, it was Midnight Boys.
When do I get
a Midnight Boys invite?
You guys,
we've actually
called you guys out.
We want you guys on here.
I know, but I feel like
it's mostly directed at Sean.
No.
And that seems fair to me.
Right.
And I would love to come
when it felt appropriate. When we could meet in the middle. So, I think there's synergy me. Right. And I would love to come when it felt appropriate,
when we could meet in the middle.
So I think there's synergy here.
Okay.
And I wanted to propose this.
This was one of the reasons
why I wanted to come.
Yeah.
I think we should do
a big picture Midnight Boys crossover
for Deadpool versus Wolverine.
Yeah, I'm with it.
I'm so with it.
And because Sean got me right
about the fact that you guys
have been very, very serious
in covering the Deadpool movies.
You love the Deadpool movies.
Well, I do.
Yeah, you're pointing at one person here.
And this Deadpool movie
is one of the most consequential movies
in big Hollywood studio history
in a long time.
Many people are saying
it's the most important movie
in the history of the Midnight Boys.
That if this goes sideways,
we're in trouble.
What is the show?
What are you guys doing?
Are you pivoting to crocheting?
Will you be covering?
What else could you cover
on the show?
Could be Anime Corner.
Charles would love that.
Cricket.
I'm into Cricket now.
Cricket.
Microsoft Flight Simulator.
All of these things
I'm into now.
I'd like to go back
to Cricket for a second.
Yeah.
Are you watching or playing? Watching. Okay. How long did it take you to learn all the rules? I'm into now. I'd like to go back to cricket for a second. Yeah. Are you watching or playing?
Watching.
Okay.
How long did it take you to learn all the rules?
I don't know them.
Okay, good.
I don't know what happened.
That makes me feel better.
You just like to watch.
It's a fun sport to look at.
I can't remember where I was.
Man, Caligula was somewhere.
And I'm not even going to try to remember.
And the only thing we could get on TV was cricket
because we were out of the country.
Yeah.
And I was trying to watch something on ESPN and it was literally ESPN of that region.
And so it was cricket all day long.
24-7.
Yeah.
And I just watched it.
Whatever sport was on, I'll watch it.
And now I'm kind of into cricket.
Okay.
Let's discuss that strategy when you pivot to cricket on Midnight Boys and just how to execute on that.
Because there's a wide international audience.
They go international.
Yeah, that's great.
I don't know stateside how the show will do.
Big in the West Indies, big in India, big in England.
We would dominate here.
World tour.
Midnight Boys world tour.
World tour, yeah.
You want to spend nine weeks in India?
Probably not, but I would go there for maybe one week.
Yeah, sure.
Sure.
I would do two.
Two weeks in India, live from Mumbai?
Yeah.
You think they would have us?
You think they'd listen to the big picture?
I have no idea, but I've never been to India.
I'm curious.
Maybe jam session world tour.
I'd like to see the world.
Yeah.
Did you guys cover any Bollywood?
I'm learning a lot about Bollywood.
Not really.
You know, I think we're probably overdue for a more expansive.
We talked a lot about RRR when it came out,
which is really more Tollywood.
But we could stand.
Frankly, we would need an expert.
I'm no expert.
Are you an expert in Bollywood?
I don't think so.
I remember when I watched Slumdog Millionaire,
I was so surprised at the end
because the movie was very grounded,
very, it was one of those movies where I went,
oh my God, what a story.
And then in the credits, they began to dance.
The dancing, yeah.
And I was like, what the fuck is going on?
It's a tradition.
It's a tradition.
And then I learned more about it.
I did not know anything about Bollywood.
Then I learned about Bollywood.
I learned about Nollywood over in Nigeria.
Lots of different woods out there.
Yeah.
There's, of course, The Wood, one of our favorite movies.
There you go.
Yeah, Sean, you're on the
uh okay apes so this is the i guess the relaunch of this franchise new director for the fourth time
for i yeah for the fourth time the fourth relaunch the fourth relaunch which is
remarkable to think about the first movie was 1968. The previous trilogy,
I think is generally very well liked,
very well reviewed.
I think,
I was trying to think about the franchise hierarchy
in terms of quality in the world.
You guys talk about this all the time too,
but it's like,
to me,
it's kind of Mission Impossible,
John Wick.
Apes is not really far behind
for me personally,
my favorites.
And I have a lot of affection,
especially for them two Matt Reeves movies
that came out in 14 and 17.
This movie feels closer to those two
than anything that had come before that.
It's directed by Wes Ball,
who is best known for directing
Chris Ryan's favorite trilogy,
the Maze Runner films.
You seen those?
Seen one of them.
Me too.
I've only seen one now.
They're actually
good it's okay it's good i mean it's a fun it was doing the ya boom yeah and it's as serious
i guess hunger games would be it's it's a pretty serious ya movie it takes itself pretty seriously
which i dug about i thought it was cool yeah in that realm of movies it's definitely better than
your divergence um yeah that was a tough that's a tough
one for everyone involved but it's it's sorry miles teller if you're listening i thought the
first one actually just had a lot in common with kingdom of the planet of the apes where it's like
a very constructed world a lot of jungle atmosphere survival story people on the move um lots of
digital effects happening but set in the natural world which is kind of hard to pull off.
Kingdom of the Planet of the Apes, I thought, looked very good.
Agree.
Beautifully rendered.
It's a movie that is almost entirely apes, which is a challenge.
We talked about this when we even saw the trailer.
We were like, can they pull this off?
In general, a little disappointed by this movie.
I was expecting to like it more than I did.
Amanda, what did you think? I was a little bored by this movie i was expecting to like it more than i did uh amanda what did you think i was a little bored as well i don't think that i expected to like it as much as you did
because the trailer did give tell that this was more of a it was it was about the apes you were
just like out there in the jungle and a little bit closer to war of the planet of the eights which
is the third matt reeves, well, the
third in the last trilogy and the second Matt Reeves movie, and is really just like apes
fighting for a while. And that's cool, and it looks really good, and there's a lot of
technical craft and achievement that goes into that. But I find that that is not what interests
me about these franchises.
So once you get past the setup of this movie,
I was like, okay, they got to go from point A to point B.
And it takes a very long time for this movie.
It's two and a half hours long.
So I dug it, but I understand what you guys are talking about.
I think what I dug about the movie,
because I gave it an 8 out of 10 over on the Midnight Voice,
which is solid plus, you know what I dug about the movie, because I gave it an 8 out of 10 over on the Midnight Voice, which is solid plus.
You know what I mean?
Like, not elite, but hey, I'm still interested, basically.
That's what I'm saying. the first three movies, the two Matt Reeves ones and then the other one is that the difference in the franchise
is that there's no
big human star
to ground and anchor the movie.
So it's not,
this is not,
obviously they had
Hugh shall not be named
in the first movie
and then it-
Voldemort was in the first movie?
He was in the first movie.
No, Franco was in it.
But there's no like,
okay, go see this movie.
Caesar was the star.
And Andy Serkis playing Caesar.
The second film is
Jason Clarke and Keri Russell
and Gary Oldman.
It's a pretty loaded cast
of human actors.
Human actors.
And then you have Woody Harrelson
in the third one.
So they always give you
big time human actors,
but it's not their movie.
Right.
I thought no Caesar
in this movie
was a big challenge for them because
you have to reorient this whole world around apes that we don't have very much history with we
remember caesar when he was flipping around like the whole nine blah blah he's dead it's 300 years
later i thought judging it through that lens as a reset for the franchise I thought they did a pretty good job of pointing the story in a new direction.
However, the movie itself at times lagged. At times you're wondering, what are we doing here?
Charles Holmes saying, but I liked it enough because I'm invested enough into the world.
Yeah, I like the world too. I'm kind of obsessed with these movies. I think that's why
I was disappointed. I just had high expectations because I really expect
something great from these movies.
Because even the first five movies,
the original 60s and 70s movies,
even when their production values
are low and they're silly,
there's so many ideas in them.
And there's some ideas
in this movie,
but it's not as deep
as I was hoping it would be.
It's a little bit more,
like you said,
it's a real journey adventure movie.
It's an experiential movie.
It's like, would you like to hang out with the apes for a really long time
and find out what it's like to be in the ape society?
And my answer to that is like, eh.
I'm interested in the ideas in these movies as parables about humanity,
but also society.
They're very clever.
And this was, again, beautifully rendered,
but it was just kind of like,
well, sometimes bad things happen
in like the ape community
and then you got to go find the wise ape
and then you got to, you know,
find the key or whatever that was.
What was it?
The, what do you mean?
The, like the disk drive?
The SATCOM key.
Yeah, the SATCOM key.
Can I cape for the movie for a second?
Yeah, of course.
I'm going to cape for the movie a little bit.
I'm glad you're here.
Keep the energy up.
So, this is what I would say.
The movie is ambitious in the fact that they are obviously throwing some competing concepts at you.
You know what I mean?
The bad apes in this movie are very human.
Sure.
They're human-coded.
They have advanced technology.
The good apes here, the Eagle Clan, they're nativists.
So that goes back to this whole thing that people do in movies sometimes, which means the native people are inherently good because of the symbiosis they have to the land and all of that.
And they know how to use it. And then the people that come along with the technology,
they're always bad because they're going to be exploitive.
And they actually put apes into slavery here.
This is some real heavy real life symbolism that's going on.
Progress is defined by, you know,
destroying civilizations and wrecking people's lives.
Domination, all of that.
They want guns.
Right.
They want to, they're going for the worst parts of humanity.
Then you have a weird human in there
that's got a foot in both worlds.
And then you have humans
that have lost all their language and stuff.
The movie, when you parse it out,
is throwing a lot at you.
I think it does a great job
of sort of bifurcating and trifurcating
on whatever,
all the little different things that it's doing.
I think any one part of it.
But I think the melding of it is where the movie loses itself.
Like, who am I supposed to care about at one point?
When the proto-humans came out, I thought, oh, okay,
well, now we're going to get to see what has happened to us.
They're gone.
There's almost no reason to have them in the movie
except to show that they exist for some reason.
Just that there is an enemy.
Yeah.
And to make the bad apes seem worse.
So I think what I appreciated
was the blueprint of the film
to get us into the new world.
I don't think that anyone that watched it
would be like,
yo, I was completely invested
into every different part
of what the movie was trying to do.
And I also liked Noah a lot.
See, this is where I...
You don't like Noah.
I just didn't...
You mentioned that the movie
is missing Caesar,
which is, of course,
the lead ape from the previous trilogy
portrayed by Andy Serkis.
If you care about this kind of thing,
it's widely considered
one of the great motion capture performances ever.
That's literally a digitally created character
that has a genuine arc over those three movies
that you watch change,
that you watch change its perspective,
develop, have like literally a political philosophy.
I mean, it's a pretty interesting development
of that kind of a character.
Noah, and this is really ultimately my issue with the movie,
which is written by Josh Friedman,
who is the writer of the Avatar sequels.
The story you just described about the more primitive society
versus the advanced society,
very much baked into the Avatar story.
Very much baked into the classical adventure
Campbellian hero's journey story
is that this movie-
What the hell does Campbellian mean?
Joseph Campbell is the author of the hero's journey theory
and writing that explains- See what the hell I'm talking about? That's Sean Finnessy right there. movie is cambellian me joseph campbell is the author of the hero's journey theory and and
writing that that explains see what the hell i'm talking about that's sean finnish right there but
it's it's i think i think i'm up here i think i'm playing in the same weight class i'm fighting you
are you are but you're explaining why you like something and and why i'm a little disappointed
by it but but it it relates i, specifically to what we've seen before.
The movie that I could not stop thinking about while watching this movie was Star Wars A New Hope.
So the framework of this movie and Star Wars A New Hope, a dramatic raid on a family's home.
An inexperienced but naturally gifted young member of a small clan encounters a wizened monk who worships at the altar of an ancient religion. Together they encounter a chosen woman
looking to lead a rebellion
before together they confront an empire of zealots
who use might to control their world
led by a speechifying history-obsessed dictator.
An epic battle ensues for the fate of the world.
That's Star Wars.
Yeah.
It's true.
Star Wars is great.
I love Star Wars.
Yeah, though you're missing Han Solo.
This is it. And then you're also, frankly,
your Leia comparison is spot on,
but that ain't Leia.
Like, that is a character that is not developed or at all compelling.
I fully agree with you.
This is actually...
Look at me with the Star Wars.
We're missing some ingredients
that elevate what is just framework.
Like, what i just described
is framework that happens in many many movies so i like you mentioned um this primitive civil
society is like apocalypto is kind of a movie that is like this i've seen that comparison made to
this movie a lot too the mel gibson movie that movie is technically brilliant but kind of boring
to me in some ways because it only does what Kingdom of the Planet
of the Apes is doing
in terms of the storytelling.
It glides on ambition.
Yes.
Apocalypto.
So it's tough
because the craft
of the movie
is crazy.
Like even if you look
at the Matt Reeves movies
where you're like,
wow, in seven years
we've actually made
a lot of progress.
These apes like
look better than they did
back then.
Yeah, they totally do.
We're really hard
on digital effects
a lot of times
and I thought that
this movie looked great. No, I do as well. Like, they totally did. We're really hard on digital effects a lot of times. And I thought that this movie looked great.
No, I do as well.
Like, I, and blended, and you're just, you're not sitting there picking apart, like, oh,
that's, it is fully realized.
But, I mean, again, it has that avatar thing where you can't deny the, like, the technical
prowess, but you're like, okay, now i'm just like in this world random world
that you created and they're whether it's like their whales or they're like you know elon musk
monkeys or whatever and i'm like and i'm like and we can all learn things from this you know like i
i see what you're trying to tell me about our world in this world but i don't mean to say immersive as as in a derogatory way
but there is something almost like the losing yourself in this world is prioritized over the
tying it to to this world so i'm gonna ask you guys to make a guess yeah did i like avatar to
the way of water i feel like you didn't. You loved it.
I knew that.
No, of course you did.
Yeah.
I knew that.
I liked it.
I definitely liked it.
Give me blue pills.
Save the whales.
Animals, animals, animals.
I don't know if you guys know how much I'm into animals.
Animals, animals, animals.
Out of here.
Easy work.
Done.
So, so, so, like, easy.
Take my money. Can't wait till the next one so um
uh so the reason why i i like to know him is because by the end of our time with caesar
caesar was one of the greatest leaders in movie history caesar had like like you said a political
point of view a cultural point of view, a cultural point of view. He had an understanding, a complete, not dominance,
but he was a leader and not a boss.
Like Caesar.
Like his namesake, yeah.
Yeah, exactly.
I think it was very smart to take that Luke Skywalker prototype,
that monkey everyman, ape everyman, and reorient the movie around him he seemed to be in
peril every step that he took he at times was annoyingly weak but seriously like his namesake
yeah i mean you know definitely that's part of it it's right there yeah it's like and um i thought
that he got enough you couldn't we couldn't redo caesar's arc when we first meet
caesar obviously caesar is like an actual regular ape right he had nothing yeah he's patient zero
yeah yeah um but i thought the fact that i was invested into noah and i was invested into
the eagle clan and that i was there with him i forgot i was well so i and i like i
respect that's what you that's why you're like your heart is very big and has rooms for lots of
animals and i for the first 30 minutes was like now i gotta care about birds too you know and i
was just like oh you hate birds like did jonathan franzen write this like what are we you're like
are you scared of birds?
Yeah, I don't trust birds.
Are you fucking kidding me? It's tough.
It's tough with birds.
And I think this movie actually respects the power of birds.
It does.
But I'm like, oh, Jesus, you know?
In the first 10 minutes of the movie, I was literally sitting down there.
Jomie was next to me.
I was like, man, they got birds.
I'm done.
I love animals.
And so.
Have you ever done any falconry?
I would never.
No.
Oh.
Because it's scary?
Tell me more.
Yeah.
Okay.
It's like, I love to watch.
I would love to watch.
So you also respect them?
Yeah.
But like, okay.
So we share a respect for the power of the animal.
Oh, yeah.
But you're drawn towards it.
Oh, I watch eagle videos all day.
I don't want to meet the eagle.
There are very few animals that I want to meet.
Same.
Yeah, I don't want to meet them.
But I like the way, because I don't think I should be able to meet them.
I think that zoos are wrong.
Yeah.
And there's a big debate that we've had on how to learn.
You're not going to retread it, the whole deal.
But...
I remember this.
Yeah.
We had two different people that made the case for why we need zoos
and then why zoos suck.
Anyway.
You're going to have to explain that to my daughter
because the zoo is a very important place for her.
It's a big deal for kids.
Actually, I was taken by both arguments.
It's fine.
But this was kind of like a story at the zoo for me.
You sure?
With eagles and apes and they had tasers and the whole nine.
So I really got into the movie.
When we left and we were talking about it,
and even on The Midnight Boys when you listened to us,
I enjoyed the film, but there's like not going to be,
I can understand the parts of it that people couldn't connect with it was very
long at times it lost you i think the no the uh the may character is just a very poorly written
and thin character completely one of one of the one of the kind of most almost absent-minded
odd characters that i've seen in a movie that was this big in a long, long time?
Well, you know, the movie, this one more so than any of the Reeves movies or even the Tim Burton movie,
has a lot of callbacks, like Easter eggs, to the original films.
And the May character is originally called Nova because Nova is the name of the female character opposite Charlton Heston in the first film.
Who does not speak. Who does not speak. And then Heston in the first film. Who does not speak.
Who does not speak.
And then comes back in the second movie and also does not speak.
Right.
So, you know, she's a prop in that movie.
And she's very beautiful.
The actress who plays her, the actress who plays Freya Allen, who plays Mae.
Right.
Okay, Nova is also very beautiful.
But you would think if they were making a comment on that and the joke about Nova being an undeveloped female character
who's like eye candy
in the original film
that they would
maybe flesh out
May a little bit
that we would better
understand her experience
her point of view
on the world
what it is that
she's trying to do
I do think
I had a little bit
of that like
Marvel energy
at the end of the movie
where I was like
I kind of want to see
what's happening next
like I kind of want to know
you know the end of the movie where I was like I was kind of bored for the like final 45 minutes of the movie where I was like, I kind of want to see what's happening next. Like, I kind of want to know the end of the movie where I was like,
I was kind of bored for the, like,
final 45 minutes of the movie.
And then I was like, shit, what are they going to do with the
apes now?
I mean, they've just,
they've flipped the franchise around, right?
And so they, like, very clearly at the end of this
movie are setting up
spoiler warning that may finds the other humans and she puts the disc drive
or whatever the hell that is into the sat nav and you know they talked to fort wayne indiana
or whatever they are and it's like okay now she is going to reconnect with human people
and maybe learn about all that.
So it's sort of like they're setting up movie two
to be like the YA Planet of the Apes about her.
And she is like a very, very, she's younger.
It is like, it is YA, it's undercoded.
Yeah, yeah, yeah yeah she's Jennifer Lawrence
I'll tell you
that will fail you think
oh no no no
if they orient the movie
around that character
that's not gonna work
yeah
and let me tell you
but Noah as her opposite
because that's what
the movie is setting up
and we are like
we have spoiled the movie
and I deeply apologize
we'll put a spoiler warning
before we get into this
part of the discussion
if you haven't seen it yet
but
no it's okay
55 million dollars worth of people saw it a lot of people saw it it's a very very
big and i want to talk about that too but i think the idea of restarting the war and then maybe
showing us a world in which like the humans get power back there's interesting potential for more
ideas in the movie i felt like the big ideas of this movie
were just like a little bit rehashed from previous films.
It was like, oh, so people who seize power
by manipulating and building fascistic societies
where they convince their lesser educated citizens
to follow great leaders who are actually doing evil things.
Like it was just kind of very
101 like that whole the elon musk ape played very well i thought by kevin durant i thought
kevin durant was great he's he's a meme now he's a what isn't he a meme now no no who's the meme
who's the meme there's a new character that's a meme one of the one of the apes is you guys
haven't been on i haven't seen this no seen this. No. What does it mean?
Ape X?
Yeah.
Sorry.
We can't even do that.
You're on apex.com?
Okay, well, now I have to pull up.
Here, show me.
You have the cast list.
Pull it up for me.
Rock, not Rocka.
No, not Rocka.
Rocka was my favorite, obviously.
Rocka is amazing.
The movie kind of dies a little bit
when Rocka leaves.
There was no reason, in my opinion,
to off Rocka. I thought he should come back at the was no reason, in my opinion, to off Raka.
I thought he should come back at the end.
Yeah, I thought Raka was going to survive.
There's no reason to off Raka.
Raka, to me, was such an important character because he was actually the connection
between the old society of apes that Caesar represented
and Noah, and he was preserving language.
Yes.
And so to me, when I was like, why?
That's kind of like an Obi-Wan Kenobi situation, although Obi-Wan stays around.
Yes.
Well, he reappears, you know, in different form, which I thought for sure they were going
to do that.
I thought for sure they were going to reintroduce Raka, maybe in some sort of different form,
but that he would come back and get on the ship near the end of the movie, and they didn't
do that.
But there's Raka, there's Suna,
who was Noah's love interest.
Anaya, the best friend?
No, so I figured out, so it's Koba from the old franchise.
Oh, Koba.
Yeah, Koba has been memed,
but which is also maybe telling
that none of these characters got memed.
It had to be an old name.
Koba in heat holding a machine gun, though,
during the bank heist.
It's really good.
My favorite was Maurice from the last franchise.
That's the big...
Not the orangutan, but...
I think it's the orangutan.
But he's nice.
Yeah.
He's like Caesar's concilator.
Yeah, yeah, yeah.
So I went deep into War of the Planet of the Apes,
like Dawn of the Planet...
What's the name of this one again?
Kingdom. Kingdom of the Planet of the Apes. like Dawn of the Planet. What's the name of this one again? Kingdom.
Kingdom of the Planet of the Apes.
So I went deep into this on Twitter.
And there's a whole Reddit that I got connected to
that talks about the fact that Proximus
might be the descendants of Nova,
or whatever his name is.
Or what's his name?
Coba.
Coba.
Oh, interesting. There are people that are talking about family lines, Noba or whatever his name is or what's his name Coba Coba oh interesting
there are people
that are talking about
family lines
the tree
who are Caesar's descendants
who are these
is this guy
Caesar's descendant
no
it's probably Coba's descendant
and all of that
when I get lore heavy
that's what gets me
if I spend a day
into going deep
into the movie
you'll never
I'll never get away from it
I spent at least
two years on Cloverfield.
Two years.
Just different theories about Cloverfield.
And what have you found?
What have you discovered?
Nothing came of it.
Everything that we thought was going to happen
with Cloverfield,
none of it happened.
JJ abandoned us.
Like nothing that we thought.
I guarantee you there'll be another Cloverfield movie.
Well, it's been a long time.
That is a brand.
They did it, but they've tried.
10 Cloverfield Lane was pretty good.
That was good.
It was really good.
Paradox is not good.
Not great.
But back to this, though.
So the real thing that bothered me,
obviously what you're saying is
now there's going to be a fight for the surface of the Earth
between the apes and the humans, right?
Number one, the apes are completely overmatched. It's not going to be much of a fight for the surface of the earth between the apes and the humans, right? Number one, the apes are completely overmatched.
It's not going to be much of a fight, right?
If they have gotten technology back, humans will win.
Yes, the apes are going to be completely overmatched.
And number two, they established that there is no greater ape society,
that the apes are very clan dependent and they're warring amongst themselves.
And so I don't think that the movie did a good job.
I'm interested in the future of it,
but I honestly thought that the weirdest choice
of all the choices they made
was to make her going after a sat key
and then there's humans that still have technology.
They're cleaning themselves
of any type of the virus is still out there i thought that was oddly placed and weird i thought
that humans that to bring the movie back around to where it's human centered at the end to where
our mission to regrain the world is the center of the film almost it ends with that was odd and i was like no human get
away with the human okay if anything i'd be more interested in human beings relearning the world
and stuff like that so the more that i started to understand that she was kind of she had a mission
and then william h macy was there as some sort of human slave intellectual concubine. I kind of enjoyed that. Yeah, but I'm saying...
Just happy to see him, yeah.
That part of it, especially after 300 years,
I was...
That's the part of it that I wasn't into as much.
So related to that,
I was thinking about this the whole time
in the final hour of the movie.
I was like, so humans are still intelligent?
Like, there are some humans who are still intelligent,
who are still seeking modes of technology
and advancement.
They're trying to regain.
They're fighting to survive
but they're trying to regain
their power in a discreet way.
But apes
in 300 years
I think it's 300 years
in the future
have not really evolved.
Not at all.
Even though
some of them
have been sprung from Caesar
and Coba
and these apes that were advancing
like over the course of 10 or 20 years in the original trilogy so like why why is that does
evolution not work in the same way after they've gotten the shot that caesar's mom or dad got at
the beginning of the first film maybe they all haven't gotten the shot yet you know it's like
but aren't they also supposed to be teaching each other like this is how societies form right and
this is how evolution works well maybe it hasn't gotten there yet and maybe also the fact that the
tribes of apes have different abilities and then also different political beliefs and structures you know is
to van's point about how the you know the native tribe that is close to the land is always like
the wholesome one so maybe they aren't maybe they aren't as evolved yet but it's trying to teach us
that there's different meanings of the word evolved. By the time Mark Wahlberg...
Was this a pocket science corner that just happened?
Yeah, thank you so much.
Sure, yeah.
Tell us about evolution.
Tell Joe Rogan about it.
By the time we...
By the time Mark Wahlberg got there,
they full on had human slaves.
Right.
You know what I mean?
Like, it was...
They had a whole...
They built a society.
They built a society they built a society
of intelligence
and then at the end
they got the goddamn
Abraham Lincoln
that's fire
that movie is
that movie is terrible
but the final minute
I was like
wow
same thing as this movie
I was like
fuck yes
ape Lincoln
that's elite
the power
and like
sometimes the flaw
of these movies
is that at some point for all of them once you've gotten the premise and like sometimes the flaw of these movies is that at some point for all of them
once you've gotten the premise and the big ideas for a while they're just like all like roman in
the wilderness fighting each other and then you can skip to the last five minutes so for example
i i did text sean doing my reaction i was like do i have to finish the tim burton one like i
i like really can't um and i no, but then we still could have
this moment here on the pod
where we talk about Abe Lincoln.
Right, but then I fast forwarded
to the last five minutes
and I was just like,
whoa!
And then I kept going.
So that was such a wondrous
moment in the theater
because the only Planet of the Apes
movie I had ever seen
before then
was the Charlton Heston one.
Doji, yeah.
And it's such,
like, everybody knows about that.
You're watching it
with your parents
and they're like,
watch, watch, watch this. Watch this. Top five ending top five ending yeah yeah right they blew it up yeah all right
and so i knew they weren't gonna do that yeah so i actually i'm in the movie and i'm like what are
they gonna do like how are they gonna do this like what how are they gonna do it and they actually
managed to make me have an oh shit moment. I was like, oh my God.
It's really good.
It's really, really good.
It's preceded by two hours of dreck.
I did none of it.
It is one of the biggest misses that I can remember.
It was such a big deal.
Everyone was going apeshit.
We were.
We were so fired up.
We could not wait.
And the movie just, I was like god damn this sucks
I assume this is true for you
I know it's not really true for you
but to that moment
Tim Burton
is on
the biggest heater
like in movie history
he's like in the
Billy Wilder
like
Ilya Kazan zone
of like
15 years
of making movies
that I like consecutively
and then he makes that movie
it doesn't succeed.
It gets crucified by critics.
And he basically never makes
another good movie ever again.
Until,
and this is why
I'm just like,
protect your heart.
I know.
Do you know about this?
Sean is just like
the number one hype man
for Beetlejuice Beetlejuice.
That's not true.
Because he went to CinemaCon
in Las Vegas.
Oh, you saw it?
No, I just,
I didn't.
I saw an extended clip.
How could it be bad?
It looked really good.
I don't know what to say.
It's impossible that the movie could be bad.
But like, Sean is like on the ground in Vegas
being like, I'm hearing Beetlejuice, Beetlejuice.
It's the movie of the fall to me and Chris.
And we're just like, what is happening?
I should be texting this shit to you
because you'll give me sincere hype back.
So it's, I can't remember, I remember.
Then it came back
and he was like,
the most important thing
that happened at CinemaCon
was Beetlejuice,
Beetlejuice.
And I was like,
no,
it was the Joker 2 trailer,
but continue.
So Beetlejuice,
Beetlejuice,
it can't fail.
It won't be bad.
I'm calling it right now.
Okay.
It's impossible
for the movie to be bad.
I was very fired up
because it was like
all practical effects.
It was like not CGI effects. But we just
talked at great length
about the expectations
for Planet of the Apes
and how excited.
You are right.
You are right.
And I just
and I say this with love
and protecting yourselves.
You know,
let's just
I'll be destroyed.
Okay.
If it's bad.
Yeah.
Just because
But we've seen so many
legacy sequels that stink.
Like it's possible.
It is. But I've seen so many legacy sequels that stink. Like it's possible. It is.
But I also, the legacy sequel has, it's like always a heat check to me.
I don't really, when your guy takes a heat check shot, you go, had to try it.
Mm-hmm.
Had to try it.
Yep.
So when you decide.
I say that all the time.
When a heat check shot.
When you pull up.
Yeah.
So when you come back years later, there have been some bad ones.
I'm like, they had to go back to the well at some point.
Beetlejuice, Beetlejuice.
I just, I think that the fact that Michael Keaton has had such a career resurgence in the last, what is it?
10?
Since Birdman.
Since Birdman.
I think it's perfect right now.
I love Michael Keaton so much.
So I'm happy for him.
He was so excited in Vegas he was like I just want you to know that
these people here with me these are the real people he was like a Trump rally he was like
I can't believe how proud I am to be a part of this franchise what was the Batman movie he was
in recently where he was just like spaghetti against the the wall. He was having a fun time. He was doing great. Well, that was
a fan favorite movie of 2023.
Oh, yeah.
That's one of my worst takes.
I like that you came out
for it, though.
You know, you were like,
you can't hurt me.
I was too deep in, man.
Yeah.
Have you pulled yourself out?
I was, at this point,
I've been deprogrammed
a little bit.
Really?
Yeah.
Charles got to you.
No, not Charles.
Charles, I have to make sure that i
play an adequate foil for charles yeah or else it'll be fire don't pull the curtain back too
much you know yeah but but um i wanted to love the flash so much guys i really remember and it it it
colored i had to like that was a look in the mirror moment for me so I was like are you a real person because I wanted
to love the movie
so much
and there were parts
of the movie
that I actually did like
but the fly sucks
I'm sorry
yeah they put
their babies in a microwave
so that was tough for me
that wasn't great
but Michael Keaton
is the best thing
about the movie
I hate that
I hate that so much
we're just like
what the fuck
but Michael Keaton
you know had the
I'm going for it energy when no one else was really going for it.
So maybe it'll be great.
Well, he was in a different movie.
Sure.
He was in a movie that in its inception was supposed to be a lot more about him than it actually was.
So he was actually in a different.
He was in his movie.
He was in his movie relaunching his Batman.
Was Ben Affleck also in The Flash as Batman?
No, it's Clooney who shows up at the end.
Clooney shows up at the end.
No, isn't Ben Affleck in the Batmobile?
Doesn't he like show up in the window?
Oh, yeah, maybe you're right.
Maybe you're right.
He does.
Don't tell me where Ben Affleck is
and doesn't show up, okay?
Yeah, he does.
All right.
At the beginning, it's Ben Affleck,
it's Batfleck that's doing his thing.
Okay, well, there was that.
Great Batman, by the way.
Great Batman?
He was a good Batman,
ill-served by the material, in my opinion.
Yeah.
And the suit.
Would like to have seen him in Matt Reeves' Batman, personally.
I'm not the biggest Matt Reeves Batman fan in the world.
Well, we'll come back to that.
Yeah, we will.
Because we're going to talk about Matt Reeves.
So, Apes.
This movie did really well.
Yeah.
$55 million after...
Actually, when you came in here today, you were like,
everybody's freaking out about Fall Guy.
Yeah.
Fall Guy seems to have set panic in Hollywood.
Is Ryan Gosling a star?
Why aren't some of her movies hitting?
And then this movie just like did well.
Not amazingly well.
Yeah.
I saw the, do you see the tickets sold list of Apes movies in the last 10 years?
There was like some data that was like 15,000 for the Tim Burton movies.
And then it was like 9,000 and then 7,000, 6,000.
This one is the lowest number of tickets sold,
but it actually made a good bit of money
because premium screens we've been talking about,
tickets cost more now.
There clearly will be another movie.
It also did very well internationally.
I think the movie did much better
than people thought it was going to do.
It more or less hit what it was projected to do,
which I think is a win.
I mean, because the project, think is a win i mean because the
predict the shout out to to bellany because the projections are one thing right and that's like
data that you guys have that we have and we know but i think sometimes people there's a flop
feeling yeah there's a feeling of a movie's presence right like fall guy i think to a lot of people just felt like a hit
it felt like a hit and then when it doesn't hit people go oh when they get a little uncomfortable
planet of the apes felt like it was going to be there was going to be a tepid response to it
i don't know that people out there thought that the response to the apes franchise was going to
be as robust as it was because when i send it around
to people they go oh and they go 55 domestic 126 oh people like these movies that's good and to be
honest with you the movies have been much more successful than they've been given cultural credit
for like it's a very very healthy franchise it's sturdy it's a very, very healthy franchise. It's sturdy. It's very reliable.
Right, right.
So I think
a lot of people have been,
even though it tracked
about where it was supposed
to debut,
I think a lot of people
have been pleasantly surprised
that so many people
are talking about it
and liked it and would see it.
Yeah.
It's not as showy
as something like
The Fall Guy has to be
because you're, like,
you're trying to get people in the theaters on the basis of Ryan Gosling and Emily Blunt and there's more riding on it yeah
and it's this is like well there are people who like to see the Apes movies and they will come
to the Apes movies and then they came to the Apes movies and it's kind of like wow sometimes business
works it does underscore something that we talk about a lot, too, that I feel like bleeds into the Midnight Boys a lot as well,
which is that eventizing is the most important thing.
And a new Apes movie, the first Apes movie in seven years is a thing.
It is a very reliable brand.
You know, one thing that is actually a good benefit of streaming,
and I'm very critical of streaming, as you guys know,
is that all ten or all nine Apes movies are on Hulu.
So if you want to go
back to war for the planet of the apes before going to see this just to be like who was caesar
again it's very easy to do that if you want to get as i've seen a lot of people like on letterboxd
are just like watching every apes movie just like me in the last five weeks just to be like oh yeah
this actually is a really interesting artifact of the last 70 years of movies that the fact that
something like this has held on while other
things have struggled. There hasn't been a
Star Wars movie in a long time now.
I guess there's going to be the Filoni movie.
The idea that there's another Apes movie before
another Star Wars movie is fascinating.
But it is what you guys are saying.
There's a group of people that are like, I like this.
These movies don't cost that much. It's not that
complicated to make one. There's definitely
going to be at least a few more after the success of this one, which I find interesting.
Wes Ball probably not going to be the director of the next one because he's directing the Zelda movie.
X, did you know that?
Yeah, I did know that.
I knew that the Zelda movie was coming.
I didn't know he was directing it.
Who's going to be Zelda?
Timothy Chalamet?
Did you?
Isn't Timothy Chalamet?
No, he's not in Link.
What are you?
Who's connected to that?
I don't think that they have cast anyone yet.
They have not cast Zelda?
Cast him as Link.
What is the legend of Zelda?
Like, what is her legend?
Why not?
Tell me what it is.
That's a good question.
Go ahead.
Tell me the legend.
It's a very good question.
What is this?
Did you play the game?
Did you ever play the original game?
I think I must have once or twice, but not long enough to know the story.
As I do, I know what's up with Mario and Luigi, right?
Did you play the OG Legend of Zelda?
I've played every game that came out.
Well, then tell me.
I don't really know.
I remember very vividly.
This is crucial information if we're going to make a movie about it.
You just, I remember they had, they had the gold one.
And you had to have like, add some shit to your Nintendo for it.
I loved the gold cartridge.
I had the gold.
That was so, so cool.
Okay.
Once again.
There's a Triforce.
How are we turning this into a movie? There's a Triforce. Okay. Yeah. Once again, there's a triforce.
There's a triforce.
Okay. It's like a,
it's like a golden triangle.
Okay.
Link has got to go get this thing and he's got to defeat Ganon.
Who's a horrible monster.
So it's Lord has imprisoned.
It's very Lord of the Rings.
Zelda.
Okay.
Very Lord of the Rings.
Yeah.
Yeah.
Yeah.
It's,
I mean,
it's got nothing to do with the story.
It's just about like Link moving around this world,
shooting swords at dudes.
you're making a narrative feature film about it.
Well,
there's obviously been,
I mean,
I was playing it in like 1987.
I was playing it literally living on GSRI and Baton Rouge.
We're talking years and years.
Literally 40 years ago
was Zelda Nintendo?
it was Nintendo
so this is the big Nintendo movie after Super Mario Brothers
but they
there have been
20 Zelda games maybe more
30 Zelda games
it's a huge franchise in video games
Ocarina of Time I think is the most legendary one
like a not a witch but like a like what are her supernatural is she a supernatural is she
like the it's about link i know but then who is zelda the princess oh okay and so the princess
protects the thing she's being held hostage and the thing. But not in every game, though.
I'm just looking for some...
I'm on Zelda wiki.
I laughed at the question,
but honestly,
I've played all of these games
and I really couldn't articulate...
Amanda is here for a reason.
She's just asking
the important questions.
It's a Princess Peach situation?
Nah, Princess Peach
has more agency than Zelda.
She does.
That's tough.
Yeah, she does.
Do you think that this will be a Zelda empowerment movie?
It probably will be.
I have to read you this.
I don't understand why this has been phrased this way,
but this is very important.
So first of all, the first paragraph on the Zelda wiki
describing Princess Zelda is physical appearance.
That's the first thing that you hear about.
Here's how she's described.
Princess Zelda is slender
and light-skinned.
Okay.
Wow.
See?
Nobody else is asking questions
and this is what happens.
Hurry.
What the fuck is going on?
That's an interesting way
to open this.
What?
So she's Zendaya.
I guess.
Why is she like me?
Why is she?
What?
Now, that would be some casting.
That would be casting.
Get them back together.
Yeah.
Timmy and Zendaya?
Yeah.
But we have to give her agency this time.
Josh O'Connor as Link?
Oh, yes.
Yeah, yeah, yeah.
Sounds good.
I'm into it.
Okay.
I'm really glad we got here.
Did you like Challengers?
Yeah, I did.
Okay, good.
I did.
Challengers did it for me. Okay great it's like that guy no i'll say about the apes is is that
your star wars point got my mind turning around the apes it's a it's low risk it's low it's a
low risk franchise like if you make an apes movie and people love it they love it if people don't dig it as much it's like all right cool franchises like star wars is so consequential that they get
their asses fucking kicked when the fans don't like something that they did right so like with
apes and it's probably a lesson for star wars fans with apes you'll probably get a lot more movies more consistently because they can
make movies that people kind of like. Your whole life isn't riding. Your whole summer isn't riding
on whether or not you dug the latest Apes movie. You can just go there, eat some popcorn, have a
good time, be like, hey, that was really cool. Or I was a little lukewarm on that and you can leave.
The Star Wars people are skittish because like whatever they do
we are on their asses.
I think the reason for that
and I think you're
100% right
is because
Star Wars
is
like this generational
talisman that
parents hand down
to their kids
you know that has been
stretched.
Now the franchises
themselves are pretty
similar in age
68 versus 77
for the first Star Wars
but Planet of the
apes feels so old and star wars has been so omnipresent in our lives in the 21st century
in a way that the apes movies just weren't you know like 13 years went between the burton one
or 10 years between the burton one and the rupert wyatt one and the characters don't ever stay the
same like you get sure a lot of cornelius and Zira in the 70s ones,
but for the most part, it's not about Luke Skywalker or Han Solo or Leia
and pulling the thread of those stories along.
Like, they change them out.
They don't have, like, this Star Wars money-making burden, right?
Like, they can exchange, like, or interchange characters
because, like, they don't need to make sure that the Rey doll can, like, stay on the shelves.
Yeah.
That it corresponds to the something.
Which is, like, you know, and I think, like, Star Wars has been loaded with all of that because it was so successful.
And they were like, hey, look at all this money that we can make off of it.
Whereas Apes, it is, it's a little more modest to Van's point.
It's like, okay, well, we'll make this.
And, like, maybe we can make, like, okay, well, we'll make this and maybe we can make a healthy return,
but it's not going to be the thing that Bob Iger is yelling about to shareholders on a call or
whatever, which unfortunately is a major part of how these decisions are made. It is, but that
makes it fascinating that it keeps coming back too, because it's mostly coming back just to be
a movie. There isn't like a world of franchise merchandising
around the Apes movie in the same way.
No Apes World at Disney or at Universal Studios.
No rides, no Happy Meals.
It's almost diet IP.
Yeah.
In a way.
But you'd never think that it would be thriving.
Yeah, but that makes it sound lesser.
No, no, no, no.
Well, it is.
When I say lesser, I mean, when we think of IP now, we think of like, I don't know, like
Titan type of IP.
Because like really, even Fall Guys kind of died IP.
It is.
It is.
Yeah.
It's like, can you buy like a Godzilla themed nail polish?
Yeah, exactly.
I don't know.
Can you?
I don't know, but you can buy pretty much every other movie at this point has like an
SC or like OPI nail tie-in.
We should do a nail polish episode.
Top five nail polishes.
Yeah, I'd love to.
We could also get manicures on.
I'm in.
Yeah, okay, great.
IP rankings would be interesting.
I mean, Star Wars has got to be a big swing.
I thought, well, but there's quality versus strength.
Because that's really what I was saying at the top.
Where for me, there's a very reliable group of movies.
Like James Bond, certain eras of James Bond
are very reliable
but James Bond
is so up and down
it's so
actor dependent
director dependent
filmmaker dependent
and almost like
era dependent
like if you're in the 80s
and it's trying to compete
with Star Wars
it's like
James Bond's not built
to do that
you know what I mean
it's much more well suited
to the 60s
or as an antidote
to the rise of franchise entertainment
in the 2010s
where it's like,
this actually feels way more real
up against Star Wars and Marvel
and all that other stuff.
Anyway,
the Apes ones are interesting though
because like,
they actually do have ideas.
All of the movies,
with the exception of the Burton movie,
has some kind of idea
circling inside
of it that i dare say is like bold i really think that the idea of like uh culture confusion and the
way that power operates and violent societies versus peaceful societies you know i re-watched
escape from the planet of the apes last night which is the third one that some people think
is the second best apes movie and i like that one. That one was really cool.
And it's all set in,
you know,
contemporary America
and the apes
at the end of the second film,
like three of the apes
escape in time travel
to our society.
Yeah.
And the whole movie
is about celebrity.
And it's about like
what happens when
an alien effectively
like comes to the planet,
speaks our language,
can communicate with us
and how we commodify them,
objectify them.
Like, you know,
it's a low budget
science fiction movie
from the 70s.
Right.
And a lot of it is like
just set in a courtroom,
you know.
Yeah, it's like a fish
out of water comedy.
Yeah, yeah, yeah.
But it's got philosophy in it.
Totally.
It's very engaging.
And then again,
like the last three minutes
are so fucked up.
Yeah. And I mean, do you remember? So I haven't seen that movie. But what I have seen though and then again like the last three minutes are so fucked up yeah
and I mean
do you remember
so I haven't seen that movie
but what I have seen though
are clips
of just the apes
dropping knowledge
yeah
like you know what I mean
so like
on humanity
so like
there's
they're talking
and they're giving lessons
to humans and stuff
yeah so that's sort of
what I feel like
that's kind of what I was getting at
when I was like
why aren't the apes more advanced
than these Kingdom movies?
Because we've seen
that at a future date,
they do become more advanced.
Yeah, but it's like,
it's like 5,000 AD or something.
Is that what it is?
Is it that far?
I think it,
it might not be that far,
but it is like several thousand years
that both Charlton Heston
and then like Cornelius and Zira
are jumping back and forth through. And they really do make a point of like an escape of the planet of the apes. that both Charlton Heston and then like Cornelius and Zira are,
are jumping back and forth through.
And they,
and they really do make a point of like an escape of planet of the apes.
It's like the seventies.
Right.
You know?
Right.
So,
you know,
I think there's something interesting that we're kind of just hitting on by
just talking about the movie and talking around it is,
I don't want to know what you guys think about this.
Um,
because you're,
you guys is show is, uh, uh it's how can i put it you guys
are very movie focused and explain that everybody's like of course it's movie focused well when we're
on the midnight boys and talking we're normally talking about the whole thing so we'll talk about
what was made and then we'll go okay what does this mean for the MCU? Or what does this mean for Star Wars?
What does this mean for this?
But this gets into the actual film, which is interesting here because this movie was a little bit probably of a letdown for a lot of people.
Or it wasn't a slam dunk. indicative of the health of not just the IP, but of the franchise itself as a table setter,
as an hors d'oeuvre for like a new Apes franchise?
Yeah, the next 10 years.
Does it work for you guys in that sense?
I am curious what happens next, to Sean's point, because in the last five minutes,
they do that thing, they marvelize it or you
know and like that's kind of unfair to all the other apes movies that creates new continuity
yeah yeah yeah that manage in the last five minutes to really hook you and I do think that
there is something interesting that they have done here which is like they've sort of flipped
it where you start with the apes and then an ape society, and then you're going to investigate human society next.
Yeah.
And so how does that work with our understandings of, like, these two societies and how they've interacted in all the other movies?
And, like, can you switch the alliances?
And, like, are we supposed to be rooting for the humans and like you know that like that's that's interesting and i'm curious on like a storytelling level whether they can pull that off um you know
and whether that works as like a larger iteration of the franchise to your point about like the next
episode i like you know do i tend to be more about, like, the next episode. I, like, you know, do...
I tend to be more interested
in, like, the stories
with the humans
as opposed to the apes.
So in that sense, sure.
I don't know whether, though,
like, they'll be able
to pull it off.
Yeah.
So I'm like,
it's cool that they tried.
And I, you know,
I'm always curious to see.
If someone tries, I'll see it.
But I don't know whether
this kind of feels like
the prequel
that normally gets made
after all the movies
that they made first
that we're all kind of like,
I don't really know
whether I needed
like the prequel to this.
Yeah,
I think it's well put.
Carlitos way rise to power.
Yeah,
and then
even though
whenever they do that,
we're like,
why don't they just
make things in order?
You know?
So,
we can never be happy,
but I don't know
whether they've set up
enough juice
for like,
the main series.
Does that make sense?
An inherent flaw
for me,
for your question,
is that I'm just
going to see
every franchise movie
no matter what.
So,
I can't earnestly be like, yeah, now I'm definitely going to check every franchise movie no matter what. So I can't earnestly be like,
yeah, now I'm definitely
going to check out this new film,
which is just frankly
not good service
for the listeners of this show
because I'm just going to see it.
I'm going to be 72 years old
not making a movie podcast.
I'm going to be like,
new Apes movie?
I'm going to go check that out.
Checking it out.
Even if it sucks.
Even if I've been told
by my best friend
that it sucks,
I'm still going to go see it.
Right.
So even though I think they did kind of ace the last five minutes of the movie it wouldn't affect I think what it is affecting again this is very personal to me is in 2.7 years when the next
apes movie comes out I'm not gonna be as excited to have this conversation we're having about this
franchise and these kinds of movies and what it has done and then you know force us to rank all 10 movies it's just not going to seem
as fresh yeah but that's just the product of where we are in this and if we were doing the show in
2014 we might have felt the same way when dawn of the planet of the apes came out that right there
is where we agree with the movie that's probably the thing i it did enough yeah for me to be like
oh okay now i want to see this world now i want to get into this world i do think if i get a very human apes
movie the next one yeah i don't care about them down there trying to move around old satellites
i'm over it okay they blew up the they they created the virus the pilot got on the plane
you had your chance yeah fucked it up this is a than Thanos was right take, yeah. It's over. Yeah.
Let's see what the apes got.
Yeah.
Okay?
They've had 300 years.
They haven't done much.
They haven't done anything.
Okay?
They taught some eagles how to bring the fish.
They haven't done anything.
Okay? So I'm not at all saying the apes, they haven't put together a constitution.
There's no, like, they haven't done anything a constitution there's no like they haven't
they haven't done anything
they got no ape plays
they got no ape spots
I feel like Proximus'
election was very rigged
it probably was
like big Arizona energy
going on
in the Proximus election
you don't know
about the arts
community
in that society
listen they had a very
like you know
the birds
there was going to be
a whole coming of age
ceremony
you think they
have good podcasts what a podcast their pods could be good could be good the one guy that they had
that was into the arts yeah they made this motherfucker live underground or whatever
they had one guy that was trying to refine the asses or rock right yeah that's the best idea
in the movie though is the manipulation of knowledge for Proximus versus Raka.
That's the best.
That's the thing in the movie
that works the most.
That's why when they took Raka away
and then they were like,
oh, Proximus,
he's going to take human knowledge
and manipulate it to lead the apes.
I thought that was clever.
I wish that there was a moment
where you could almost like
see them having that debate.
They don't let us have that.
So two things.
One, I didn't think
that what was in the vault
was going to be weapons.
I didn't think that was going to
be that i thought it was going to be something a little rogan pods well well could be because
remember book of eli yeah the whole time you don't know what it is that he wants and he wants a bible
because he's like if i can give them scripture then i can do the whole thing i thought it was
going to be something a little bit more profound than that now she said she wanted something that
was very important it ended up being a SATCOM key, which
I don't even, that was, I don't even
know how well that works. But I will say
this. So MacGuffin-y, so like,
what is the hidden key?
The key, and then you give it to them, and now they can talk
and they couldn't do it before.
There's something to be said about how fast
the apes will evolve now, though,
because they have Rocker's Library.
So he goes down there and he's like, look, let me tell you about Caesar.
They have something that sort of coalesce around an idea of a time and a great leader.
And they have all of this stuff.
I don't know if he taught him how to read.
Maybe don't kill Raka.
Maybe don't kill Raka.
They did it because then they have to read the children's books.
And they're like, these are symbols.
And it's just like, it's not Curious George because clearly they weren't licensing that.
It's Curious George, but George is a human.
No, in the children's book they're reading.
It's about like, it's about like a zoo.
And about animals and apes like being imprisoned. And they're like totally horrified, but they're just reading the pictures um but it's not curious george again because they didn't want to pay the
money did you like the callback to the doll that made the same noise as the doll from the original
apes movie did you clock that i did sure yeah you know you know you're not really fond of an easter
egg you don't like easter eggs well most of them aren't easter to me. You know, it's like most of the time it's just sailing right on by.
Yeah, they're just eggs.
They just got yolk in them.
Or it's just.
Just a splat.
Or it's just details.
And I love detail.
You know, that makes the rich tapestry of cinema and life.
Certainly.
Many people are saying that.
But like, I don't really love doing a lot of homework.
Oh, man.
I watch.
I know.
You do a ton of homework.
I watch videos on there and it's like, hey, 33 Easter eggs.
And the ladies want.
I watch all of them.
Yeah.
Oh, my God.
How did I miss that?
What?
What is going?
How did I miss that?
Jesus.
It's right there on the shelf.
Like, I watch them all.
Yeah.
And I just have to.
I spend my internet time other ways.
So. Do you think of yourself
as often smarter
than the filmmakers
um
cause I think
I think Van
expresses
like a wonder
at what they're able
to accomplish
the fact that she hesitated
I know
but this is the thing
Amanda is my favorite
the fact that she
the fact that she hesitated.
She was like, probably.
No.
I mean, sometimes, sure.
Sometimes I'm just like, guys, you didn't have this.
But listen, that's true of any human endeavor.
Sometimes the people just don't got it.
Most of the time, I feel that I am smarter than their
what they imagine
the audience to be
which is not saying
that I'm smarter
than the audience itself
audience itself
I just feel like
I'm being talked down to
and
this comes up a lot
in a lot of franchise movies
yeah for sure
well yeah
you have a lot of humility
about this
but I also by the way
in a good way
where you're sort of like
I'm willing to
more you're more willing to accept intention. You know, when you say like somebody puts an
Easter egg in a movie, you're more willing to be excited about what it could mean. You know what
that's about? It's about, and we, we joke about this on the Midnight Boys, but it's true. It's
about being a long suffering nerd. And what I mean by that is that, like, so you grew up in the 80s.
I was born in 1980, right?
So you grew up in the 80s
and you find something that you love
and then you got to work for it.
Yeah.
Like, I mean, you have to work for it.
So Star Wars drops,
all the Star Wars movies had come out
basically before,
83 was the last one
and I didn't obviously see that one.
I'm getting into Star Wars 87, 88, getting into the whole thing and then there's nothing else out there so i'm going to get
books i'm looking at comic books i'm traveling to the comic store to get all my comics i'm
connecting with other people then the internet comes around you have to find a tribe you have to work for this so nobody was giving it to you so now when a director or a
filmmaker does something and they put a little thing that you would recognize from all the work
that you had to do from all of the searching that you had to do something that only you're gonna
know something that's gonna call back to that you just go thanks and and
you just go wow that's oh i really appreciate that i like it too and when that happens for me
in a film i feel the same way but i was not you know yeah it's like my list of Easter eggs is a very different, like my list of Easter eggs is like the body cream that Zendaya uses in Challengers in the scene against Mike.
You know, and they do like an insert shot of this like very fancy, it's Augustinus Bader.
Like, you know, it's really funny.
I'm only saying the brands, they will send it to her.
No, because for a certain group of people who are probably not listening to this podcast because they're doing other things, like, that is that.
That's like, oh, hey.
Oh, they know that.
That's your Easter egg.
Same also when they use, like, the Cincinnati Applebee's in that movie, which is, like, a longtime, like, tennis institution.
And, like, everyone, all the players do go there before the Cincinnati Open.
So I see it.
I just, most of the time, I, like, I just don do go there before the Cincinnati Open. So I see it.
I just,
most of the time,
I like,
I just don't know what anyone's talking about.
You know,
I don't know the legend of Zelda.
Yeah.
You know what?
That was not like such a deep cut.
It's like one of the best selling
video games in the 1980s.
Well,
but I don't know the legend.
You know,
that's what I'm saying.
We're still learning every day.
I don't know that much
about the legend.
Me neither.
I play every game,
but you're asking questions
I don't know how to answer.
But that's, this is actually really relevant to this era of franchise entertainment
because there's two ways of experiencing this stuff.
There is, in the 80s, most people that were experiencing it were just like,
I went to the movies or I watched my TV show.
I had a great time and that was it.
For me, I was very much like you.
I have vivid memories.
I was eight minutes away from a Tower Records Barnes & Noble.
So after school, if I didn't have sports, I would walk down and I would spend an hour or more
wandering around Tower looking at every record. And then I would go over to Barnes & Noble. And
I remember this so vividly. I'm like 10 years old, 11 years old. But just sitting on the floor,
because there are no seats at Barnes & Noble, and looking at like the Star Wars encyclopedia books.
Do you remember these
that were published?
That were just like
the characters,
the planets,
the events.
All the languages.
Yeah.
All the races
and like the creatures.
And you know,
I'm 10 years old,
11 years old.
And I was like,
where did this all come from?
Like who wrote this?
Like is this,
this stuff was in the movie
for 10 seconds.
Yeah.
And then they built
this entire world out of it. Now, now contemporarily, we just pulled up the Zelda wiki is, this stuff was in the movie for 10 seconds. Yeah. And then they built this entire world out of it.
Now,
now,
contemporarily,
we just pulled up
the Zelda wiki.
Like,
this stuff has all been
canonized,
library sized.
It doesn't work the same way,
but in the fucking bookstore,
and this book was like $38,
so I couldn't buy it.
So I just had to read
the whole book
in the bookstore
on the ground.
Yeah, sure.
And I,
that wasn't me.
I was in the home
of a police
officer so we were not stealing books that's you you stole it by read by sitting and reading yeah
i think i was creating community within the bookstore it's not a library okay i was told
this maybe it's not they tell they kick you out yeah see this is the difference it's a race thing
oh yeah it's not a library yeah go to like hey this is not a library
you can't just read that book
I'm like
that's so interesting
I never got that
you really think that's
because I was a white kid
I have no fucking clue
yeah
maybe they were just cool
at my Barnes and Noble
or maybe it's because
I did it
like four or five times a week
yeah that's true
the more you're there
they were like
this is not a library
I was like
this seems like a library to me
it's a lot of fucking books.
Get out of here.
Get out!
So I left.
But anyway, you stole it.
Go ahead.
I never stole it.
I read it calmly, quietly.
And I did never buy it.
So I guess they did kind of steal the information, the knowledge.
Much like Proximus is stealing the knowledge from William H. Macy in the film Kingdom of the Planet of the Apes.
Wow.
Amanda actually, speaking of homework, she did the homework.
She went back and she watched a lot of Olive
did you make it through Olive
mhm
all 10
mhm
I did
okay
Jesus
I had seen
certainly
the first one
obviously
all three of the
recent trilogy
yep
you'd never seen Burton
you didn't go see that
no I didn't go see it
Burton was my
2001 birthday movie oh
that's really tough for you um i had seen clips of like mark walberg looking confused you know
that's every movie which is every movie yeah um so i guess i'd seen five four or five out of the
nine about half oh okay and i had maybe seen snippets of like the other original five.
You know, there are like images and moments because these are very foundational.
So you see things and you're like, oh, yeah, I remember that.
First one was a very big deal for me.
Sure, yeah.
And like all of movies?
Yeah.
Well, personally, because very, very big Rod Serling fan. And so
when I discovered Twilight Zone as
a teenager, just went
and consumed everything that he did.
It's so odd.
It's almost like sometimes we had the
same life. We're very similar with our taste.
When I started watching
the Twilight Zone, I
became
obsessed with Rod Serling. Just the prolific amount that he could
write, the concepts, the way he would construct story in short form, his ability to write
something that's equally terrifying, beautiful, thought-provoking, how almost every episode said
something about the human condition.
I'm talking about something about birth,
something about death,
something about your place in the world.
I just became obsessed with him,
like obsessed with his life,
wondering why there hasn't been
like a definitive biopic done on him.
It's a good question.
It's a really good, I mean,
he was a complicated guy,
but not like a bad person.
They're not like these like terrible things
that happened to him.
He was just consumed with his work. Like super consumed like these like terrible things that happen to him. He was just consumed
with his work.
Like super consumed.
Yeah.
He lived inside of his writing.
One of the reasons
I went to Ithaca College
is because he graduated
from Ithaca College.
I just,
I thought he was
still is one of one,
totally unto himself.
And if you look at like
his more serious
and dramatic writing
that happened in like
Playhouse 90
on live television
in the 50s.
Which was before,
which predated.
Before Twilight Zone.
Just incredible
dramatic fusion
of like
what was happening
in contemporary literature
at the time,
some genre storytelling,
and then he,
you know,
evolves into becoming
this kind of like
showrunner king
before such a thing existed.
He's kind of the first
showrunner king.
He literally was
on the TV show
that he created every week,
which is fascinating
unto itself.
Anyway, he wrote a script adapting this Pierre Boulet novel. They kind of like junked the script. They kind of rewrote the whole thing, except the world that was built, more or less,
the framework of the world and the ending. And that's what's retained. And of course, the ending
is what everybody remembers from the movie.
And Rod Serling has written literally 300 cool endings, which most people can't write one.
Right.
And he is the grandmaster of doing that. And it is different, materially different from the novel and the way that the novel ends.
And then that comes to define, as you were saying, like every movie now, you're kind of like, I should at least see what the last five minutes look like.
Right, right.
It sets up an interesting world and, like, questions and ideas.
And then everyone, like, fights for a while.
And then there is some spectacular twist ending.
So were there any big revelations watching the 70s movies that you were like, oh, this is, these are better than I thought, worse than I thought?
No, they were better.
They were definitely better than I thought.
And, you know, they each did have, like, they were better. They were definitely better than I thought. And, you know,
they each did have like a discreet idea, even if like the production value is like people walking
around in masks, which is fine. But somehow the fact that like with distance, I'm not that concerned
about the production value. I don't like expect it to be, you to be like the West Ball 2024 version.
You muted your eyes, as I say.
Yeah, but then you actually really
can focus in on, okay, oh, so this
one is about nuclear war
and this one is about celebrity and
this one is about racial hierarchies
and this one is about prison.
And they're also
much shorter. They're all
90 minutes.'re all 90 minutes
God bless them
like those I haven't seen
like I saw the first one
and then I come back
and Tim Burton
yeah
I think you
I think they're all
worth checking out
they do get clearly
as opposed to
contemporary Hollywood
they get lower in budget
the further along you go
and you can really tell
by the time you get to
Battle for the Planet of the Apes
you're like that's the fifth one.
You're like, this was made very cheaply.
And it's more or less like a hand-to-hand combat war movie.
Yeah.
I did not watch the entirety of this movie.
I was like, okay, I get it.
To me, the Burton one is the worst one.
Yes.
Battle is the second worst one.
I think that's probably true.
I think Beneath the Planet of the apes is like
they try it's got such a bleak ending that i have to give it like sure super bonus points but but
really until the ending it is like rewarmed planet of the apes it has that very common second
installment in a franchise thing where it's like let's's just run it back. Yes. You know, let's do it again.
Beneath the Planet of Apes is the second movie.
The first 45 minutes of the movie is, as Amanda said,
a complete rehash of the previous story with Charlton Heston,
where he's literally going, he crash lands on the planet.
He's looking for the Charlton Heston character.
He's a part of a rescue mission.
He immediately gets captured by the apes.
He stands trial.
Everything that happens in the first film.
Right.
And at the 45-minute mark,
he, along with some rebel apes
who are helping him,
basically discover
that there's an underground society
where humans,
kind of mutant humans live.
Okay.
And they worship an atomic bomb.
And, and...
Like a real bomb.
It's like underground,
like in Queens or something.
Yes.
Because they're living underground in the old subway.
There's like subway signs.
Yeah, yeah, yeah.
And the final 45 minutes of the movie is really weird.
Where they're like surrounded by these mutant humans.
And they have telepathic powers.
Yeah, they can.
And there's a lot going on with them.
They've been somehow distorted by the exposure to the nuclear energy.
The radiation has gotten to them.
But,
and then the movie ends
very darkly.
Right.
I,
for its boldness,
I think it's cool.
It's not as fun,
it's,
because you're right,
it's like,
it's a real slog
through the first half of it.
And it is like,
it's like three-fourths baked,
right?
It's not totally,
it's,
half-baked is unfair, but it takes a while for it to get to its new idea. Do you think it's like three-fourths baked, right? It's not totally, half-baked is unfair,
but it takes a while
for it to get to its new idea.
Do you think it's better or worse
than the James Franco movie?
So I rewatched this one,
and like a tough thing,
among all the other things
that we apparently overlooked
about James Franco,
is the fact that like that,
that man cannot act like.
Not a good actor.
You don't like him.
Well,
he was very good as like the pretty funny guy in all the stoner movies.
But like this man is trying to solve all Alzheimer's.
And like respectfully,
like that is,
that is one of the reasons that we,
instead of Alzheimer's got like
a human ending like pandemic you know it's because it was james franco so i don't buy him as a
scientist that's pretty tough i think the setup of the story in that movie is really good it's
really smart the idea and i mean you know not to like and Hathaway it, but like it is 10 years before like the actual, like an actual pandemic that.
Right.
You know, watching it now is interesting in that way.
And like kind of frustrating because they do basically yada yada the pandemic.
They do.
Like the very end of.
You're talking about like, yeah.
Yeah.
Because Rise of the Planet of the Apes, which is that movie, is like, it has the amazing Golden Gate Bridge, which is that movie is like it has the amazing Golden Gate Bridge
which is another
really good part of it
the Golden Gate Bridge scene
very similar to
Beneath
where it's like
the first 45 minutes
you're like okay
this is like a movie
set in a laboratory
and we're not really
getting to know the characters
beyond John Lithgow
and James Franco
like Frida Pinto
is just like a zero
in that movie
like the most non-written
character ever
it was just like a
they just threw in it
okay people
you were beautiful from Slumdog yeah it's just not developed at all you know the thing that works about that movie was like the most non-written character ever. It was just like a, they just threw in it. Okay, people know her from Slumdog. You were beautiful from Slumdog.
Yeah, it's just not developed at all.
The thing that works about that movie to me,
if you get into James Franco and Caesar,
if you just get into that, then the movie works.
I agree.
Yeah, and that part of it does work,
even though like him being like, we need the gene, you know?
You're just like, no.
Like they have him wearing glasses at some point. It gene, you know, it's like, no. Yeah.
Like they haven't worn glasses at some point.
It's like,
no,
no,
no,
no,
no.
But all the setup is,
is really good.
So I,
despite the Franco Ness of it,
it's like pretty interesting.
Would you put it at seven?
Where are you writing this in the.
Yeah.
So planet of the apes from 2001,
the burn remake to me is the worst.
That's the last one.
That's the worst.
I can't be completely involved because I haven't seen three of them yeah but we'll hold your hand through the also rise of the planet of the apes is like the first
circus performance yeah yeah there is a lot of good stuff there so i would put it before so i
would do beneath the planet of the apes at eight and Rise of the Planet of the Apes at 7.
I agree.
I would really like to see the movie between Rise of the Planet of the Apes and what's the next one?
Dawn of the Planet of the Apes.
Which is like basically Contagion, but.
It's interesting that you say that though, because there is a 70s movie that is kind of like that. So like Conquest of the Planet of the Apes, which is a movie that is set
basically in the immediate aftermath of Escape,
which is the movie that is about celebrity.
Right.
Oh, it's like it's 91 is when they set it.
It features a character named Caesar.
Yeah, Caesar.
Yes, which is clearly the inspiration for the Caesar.
I knew that.
I knew that Caesar was in the old ones.
And when he came back,
I thought for some reason,
maybe it was the same Caesar. It's not not but it feels like it is at times did they did they get into
this on the the parentage websites like no who caesar is no so here's what happens at the end of
conquest of the planet of the apes which is the apes zero and cornelius this is the end of escape yeah yeah
this is like the literally like the last three minutes after they've traveled back in time like
been treated like celebrities but then there's someone who doesn't trust the fact that they're
talking intelligent you know sure um they're both killed and you think
that their baby
is killed
but in fact
they had switched
they'd done a baby swap
baby swap
like you know
like you do
like you do
when they were at the circus
yeah
because they had to go
you know
they had to go
they'd parade them around
and humiliate them
so their baby
with by the way this movie has basically been a comedy for the first 75 minutes yeah yeah yeah oh They had to go, they parade them around and humiliate them. And so their baby with...
By the way, this movie has basically been a comedy for the first 75 minutes.
Yeah, yeah, yeah.
Oh.
And then there's a violent act and a baby swap.
Right.
They kill them both.
They die.
They kill them both.
And they kill a baby ape.
And you think that like the lineage of intelligent apes...
Is gone.
Is gone.
But it turns out because of the baby swap that their baby is still at the circus.
And that's Caesar.
And that's Caesar.
Wow.
So I think Escape and Conquest are probably in six and five for me.
I don't know how you feel about Dawn and War.
I know you're not as into those as I am.
Yeah.
And I'm really, I like Dawn more than War.
Yeah. I'm not surprised here.
Because War has a little bit of Kingdom of the Planet Apes.
Like, not problem, but it's just, it's serving you a different thing, which is just.
War is an action movie.
Yeah, it's an action movie within a bunch of minutes.
It's very Apocalypse Now, though.
Like, it's just very grave and intense and violent.
And very, it's an ugly type of feeling movie.
And like, you know, it looks very good.
But again, like I am more interested
in the conceits of the movies
than just like watching them battle it out.
But that's a preference thing.
I completely forgot to slot Kingdom.
Where does Kingdom go?
That's the question.
I love Kingdom.
You did.
You loved it more than any of the Reeves or Rupert Wyatt movies?
So, real quick, just so I know.
So, it's Rise is Franco.
Yes.
Then it's Dawn.
Those titles should be flipped based on how the stories are told.
Right.
Yes.
Rise, Dawn, and then Kingdom is…
And War 4.
War 4. Then Kingdom. Oh, then Kingdom is what And War 4. War 4.
Then Kingdom.
Oh, then Kingdom is what we just did.
Yeah.
War is what I was saying.
I was saying I loved...
Right.
No, I loved War for the Planet of the Apes.
I loved Dawn of the Planet of the Apes.
I would probably put...
What do you think about what I'm doing here?
Kingdom is fourth, for sure.
So of the contemporary apes movies,
let me reorient myself. Of the contemporary apes movies... I completely agree. Kingdom is fourth, for sure. So of the contemporary Apes movies, let me reorient myself.
Of the contemporary Apes movies,
I completely agree.
Kingdom is fourth.
To me, I like Rise more than you guys do.
Sean just put Kingdom behind Rise.
Okay.
And I agree with that.
This is the first five,
and then we can discuss the next five.
Despite James Franco,
I like Rise more than the most recent one.
And I am affected by the Caesar-human relationships.
And he's trying to save his dad.
Yeah, and the whole time.
There's great moments.
The moment when the neighbor, when John Lithgow gets in the car.
And then the neighbor comes out.
And he starts wagging his finger in his face.
And Caesar breaks out.
And then he chases the neighbor.
There's just great.
That's like an intimate portrayal
of this world too.
It's not just like
a big nasty war movie.
Right, and honestly,
that movie was so much better
than I thought it was going to be.
That's what it is.
All of these movies are like that.
Yeah, I went to that movie
thinking, okay,
I'll check this out.
And I was like,
oh, the movie was so much better
than I thought it was going to be.
And then when they did
the thing at the end,
I was like, wait a minute.
Oh, okay. Yeah. And I was like, wait a minute. Oh, okay.
Yeah.
I was like, oh, so we're moving forward.
Like we're, we're, we're.
Yeah, yeah, yeah.
Because we're going to the planet of the apes is the thing.
I thought Caesar and them were going to get smart
and then just take over the world.
That's what I thought was going to happen.
But nah, because there's not no nuclear bomb.
So I was, that ending actually surprised me.
I was like, oh, shit.
And then it was credits and the whole nine.
Kind of reminded me of Zack's movie where during the credits,
we thought they got away, but then the zombies killed them all.
Dawn of the Dead?
Yeah.
You pointed at me and said Zack, and I was like,
did my husband make a movie?
Are you on a first name basis with Zack Snyder?
No. Did you see Rebel Moon Part basis with Zack Snyder? No.
Did you see
Rebel Moon Part 2?
Yes.
The Scargiver?
The Scargiver.
I saw it.
What'd you think?
It was fucking...
It was an abor...
It was fucking...
Okay.
It's bad.
It wasn't good.
The movie is fucking terrible.
I haven't watched it.
I haven't logged it.
Nor have I.
Have you seen The Idea of You?
No.
What's that?
It's the Anne Hathaway movie
on Amazon.
I saw that. did you watch it i
saw the fucking billboard for it well okay that's not watching the movie i know i would love to hear
your thoughts i feel like by seeing the billboard i saw the whole movie it's very white lady and
silver lake coded yeah oh so i like i genuinely would you liked it i had i think i liked it more
he liked it more but that's just because what What is it about? Is it a May-December situation?
Yeah.
Yes.
If the young woman...
I'm sorry, an older woman.
She's 40.
She turns 40 in the movie.
A deeply old woman.
Starts having a relationship with basically Harry Styles from One Direction.
Good?
I mean, fun to watch. You and Kalika should watch it and then report back. I'll check it out. Yeah. I? I mean, fun to watch.
Like, you and Kalika should watch it
and then report back.
I'll check it out.
Yeah.
I enjoyed it.
Okay, here's the 10 through 6.
Okay, cool.
Planet of the Apes, 2001 Burton.
Battle for the Planet of the Apes from 1973,
which is the least of the 70s movies.
Beneath the Planet of the Apes,
the very crazy but very flawed
direct sequel to the original.
Kingdom of the Planet of the Apes, the film we just talked about in this episode. Rise of the Planet of the Apes. Be very crazy, but very flawed direct sequel to the original. Kingdom of the Planet of the Apes,
the film we just talked about
in this episode.
Rise of the Planet of the Apes
at six.
This is the James Franco
reintroduction to the Apes franchise.
So now we've got
left on the board.
The OG Planet of the Apes 68.
Escape from the Planet of the Apes,
which is the third film
in the franchise, 1971.
Conquest of the Planet of the Apes,
the fourth film,
also 1971.
Dawn of the Planet of the Apes, the first Matt Reeves movie. And War for the Planet of the Apes, the fourth film, also 1971. Dawn of the Planet of
the Apes, the first Matt Reeves movie. And War for the Planet of the Apes, the second Matt Reeves
movie. So Conquest is the prison riot? Correct. Okay. I mean, in my personal preference, War of
the Planet of the Apes would be next, but I know that that's not acceptable. I said
I said I know
that that is not acceptable.
Do you like Conquest
more than Escape?
I like Escape more.
Okay, me too.
I think Escape is a really
cool thing that
more franchises
should try
which is like a hard
genre pivot
inside the franchise
where they're like
this is a comedy now.
Let me ask a bigger question.
Actually, I love it
when they do that too. Logan
kind of did that. It did. That's a great example.
Yeah. Let me ask
a bigger question. Is it
accepted that
the Matt Reeves movies
as a whole
are better than the movies
from the 70s?
I think it would be healthy
to stack them like Reeves than 70s, Reeves than 70s? I mean, can you just... I think it would be healthy to stack them
like Reeves,
then 70s,
Reeves,
then 70s,
or some version of that
because they're just,
their intentions
are totally different.
Okay.
The tones are totally different.
The Reeves movies
are so serious.
Like,
they're so self-serious,
but he is so gifted
as a craftsperson
that I think it justifies
that tonal choice, which is way
far afield from what all these movies were up
until this point. These were like B-movie
exploitation movies, you know?
Like 70s Logan's Run type of shit.
Very much in that vein.
And these movies are so critical
in the history of movies because they elevated
R.I.P. by the way, Roger
Corman, what Roger Corman's doing in the 50s
where he's like, I'm gonna give you 10 grand, make the way, Roger Corman. What Roger Corman's doing in the 50s, where he's like,
I'm going to give you 10 grand, make a movie about a giant ant. These movies are like a slight step
up from that in budget, but they're like also Rod Serling wrote it. And I think one of the reasons
why we are where we are in our culture, much to Amanda Chagrin at times, but much to the delight
of the Midnight Boys is because of movies like the original Planet of the Apes. So I see those 70s movies
as very important.
I see some of what's bad
about modern franchise culture
in the Matt Reeves movies.
I see what you mean.
But I still love those movies.
Sorry if I'm like
philosophizing too much about this,
but I've thought about it a lot.
That's fine.
I'm just trying to,
I'm task oriented right now.
Okay, so.
So do you want to put
Conquest at five?
I believe Conquest at five.
Okay.
I will allow War at four.
Great.
Is that a deal?
That's a deal.
Are you comfortable with War at four?
I am.
Okay.
Do you prefer Dawn of the Planet of the Apes
to War of the Planet of the Apes?
To me, it literally goes backwards
in which those movies came out.
That's your ranking?
For those four movies.
So you prefer...
Actually, no, I put Dawn at one.
Okay, that's great.
Yeah, I put Dawn at one,
but I have Rise at two.
I probably have a connection
to that movie that's like more...
I have Rise at two.
I love Rise of the Planet of the Apes.
I really, really, really love the movie.
Rise just has too much stuff like
Juan Franco being a little bit miscast
to Frida Pinto
just like sitting in a car
with Franco
driving around doing stuff.
No, I understand the situation.
The whole David Oyelowo stuff
where like...
Him being like the evil lab guy
and all of that stuff.
Right, right.
Doing all the presentation.
But I mean,
when they do the presentation
and then the ape crashes
through the PowerPoint,
his deck is really...
That part's cool.
That's good.
Yeah.
Rupert Wyatt like
kind of never to be heard from again.
Yeah.
Where's he at?
He made one movie after this
for Focus
that bombed.
Oh, that's the
Will Smith joint?
No, no.
No, not the movie Focus
the studio Focus.
Oh, okay.
But he also
you know, he also directed
the remake of The Gambler
starring Mark Wahlberg.
Is that the one
where
he
does a lot of philosophizing? Yeah. He speaks about Shakespeare of The Gambler starring Mark Wahlberg. Is that the one where he does
a lot of philosophizing?
Yeah, he speaks
about Shakespeare
and explains to Brie Larson
how the universe works.
It's an important movie.
Okay, so that leaves us
with...
Is Escape 3
and Dawn 2?
I think so, yeah.
Yeah, okay.
So Escape is the 71 movie
that is about celebrity,
which I think
you should check out.
I'd like to know what you think of that movie.
Yeah, I'm going to watch them.
I think you'll enjoy it.
And then I think Dawn of the Planet of the Apes is two,
which is the Jason Clarke, Kerry Russell movie.
That's a great movie.
It's really about this like, basically, can we get along?
Yeah.
Is the idea of that movie.
That's a movie that glues the world together, by the way.
Really interesting movie.
Conceptually, it's the movie where Caesar becomes what Caesaresar is where you understand how the apes view each other where
the humans are at this point that's the movie that kind of glues it together it's kind of
rise is almost a prequel yeah it reminded me of what you were saying where it's like the prequel
that you make after you've made movies i would really like to see the like the prequel that you make after you've made movies. I would really like to see the actual pandemic movie in the middle.
Rise is a prequel.
Oh, you want to see Ape Contagion.
Right.
Yeah.
Humans dying as apes slowly build their society.
Slowly build their society.
Station Eleven, Apes.
Yes.
Okay.
That would be good.
The original, anything you want to share before we wrap up about the original?
The original is very good.
It's very good.
There are 20 minutes in there good it's very good there
are 20 minutes in there where it's just like charlton heston going from one place to another
very similar to this new film and the woman not speaking nova not talking like that was indicative
of movies at that time it is yeah you know charlton heston naked for most of this we're mostly naked
for most of this movie and like his grizzled handsome way. We just, we got to get back there.
You know?
You know,
we were talking about men earlier
and Kevin Costner.
He was a man.
He was a man.
But you know,
it's like,
he's not,
he's not bulking.
You know?
There's no,
there's no steroids.
He's just like a dude.
Yeah.
And,
and he,
he looks a little old,
but also he looks really handsome.
No protein shakes.
No machinery
that he's working on.
John Heston, John Wayne,
Kirk Douglas.
Yeah.
Like, man.
Yeah.
How are their politics?
Nice.
You know,
it's a movie that obviously
has a genius conceit
and one of the best
endings ever.
Yeah.
And like I said,
I think really
authentically influenced
where movies would go for 50 years.
So you got to give it credit.
It is just a formative,
like ridiculously important science fiction movie.
You just, it's, yeah,
you have to see it.
That's why I was thrilled
that Tim Burton was going to take a shot.
But even at that time, I was kind of like, I don't know, man.
I was like, I don't know.
But I was so into it.
Ape Lincoln?
Ape Lincoln was dope.
The apes come over.
You've seen it.
Yeah.
Tim Burton?
Yeah.
No, I watched the end again.
The apes come over.
They all like, it's the ape capital police.
5-0.
Yeah.
It's 5-0.
I'm like, oh, what?
What's going on?
It's really great.
That's how they should have ended Civil War.
That's funny.
Okay, our official Planet of the Apes movie rankings.
Number one, Planet of the Apes, the Tim Burton version.
Sorry, number 10, Planet of the Apes, 2001.
Number nine, Battle for the Planet of the Apes.
Number eight, Beneath the Planet of the Apes.
Number seven, Kingdom of the Planet of the Apes. Number six, Rise of the planet of the apes number eight beneath the planet of the apes number seven kingdom of the planet of the apes number six rise of the planet of the apes number
five conquest of the planet of the apes number four war for the planet of the apes number three
escape from the planet of the apes number two dawn of the planet of the apes number one planet
of the apes i've never seen another movie that has the words of the twice in its title other than an
apes movie can you think of another movie as of the twice there might be one i couldn't think of
anything i i cannot either i was just thinking of the title of kingdom of the planet of the apes
that's a weird title of the apes yeah kind of strange in its construction. At least it's not doing like the colon hyphen.
That's true.
Semi-colon, you know, thing that we're doing everywhere else in movies right now.
Apes colon. Don of them.
I'll tell you what.
I used to like comparing.
So it was Avengers, Age of Ultron.
Remember that?
Because everybody was doing that.
The colon thing was a big deal.
And then what's her name?
Drop that movie where she never got any older.
Remember that joint?
The Age of Adaline?
Yeah.
I used to like.
Blake Lively?
Yeah.
Yeah.
And Harrison Ford?
Age movies.
Did you ever see Age of Adaline?
Of course.
Yeah, of course.
Did you like it?
Not really.
I like movies like that.
You mean like Benjamin Button?
I love those types of I'm old throughout the ages.
Oh, do you remember?
Hold on before we go.
Yeah.
Do you remember Tuck Everlasting?
I read that book when I was in middle school.
Come on.
I don't think I ever saw the movie.
Oh, Tuck Everlasting was crazy.
Who wrote Tuck Everlasting?
I'm still doing it now.
Tuck Everlasting.
The people when they got the, they keep drinking from the fountain.
Yeah, pretty good book.
And they, oh, I didn't even know it was a book.
I just saw it because what's his name was in the movie.
Natalie Babbitt.
That's the author.
You know what jacked Tuck Everlasting so bad?
What?
Twilight.
Oh, yeah.
Twilight and the family living in the house together is so Tuck Everlasting.
I'm sure people made that comp when the Twilight books were coming out.
Then at the end of Tuck Everlasting starts off and they're in the old days and at the end he's riding on like a motorcycle.
Yeah.
I'm going to watch Tuck Everlasting.
I don't, you saw the movie?
I don't think I did because as I was just Googling it, it's Alexis Bledel from Gilmore Girls.
Yeah, but the guy that's in the movie, he was a heartthrob of the time.
Jonathan Jackson?
Oh, wow. Jonathan Jackson. He was a heartthrob of the time. Jonathan Jackson? Oh, wow.
Jonathan Jackson.
Yeah, he was a heartthrob
of the time.
This is quite a cast.
William Hurt's in it, right?
William Hurt,
Sissy Spacek,
Ben Kingsley,
Amy Irving.
Yeah, Tuck Everlast.
Victor Garber.
They thought it was
going to be a thing.
I'm like,
oh, they got William Hurt
in this.
I checked it out
and it was, you know,
a lot less serious
than I expected it to be.
Yeah.
Tuck Everlast. I'm going to be but that's okay yeah it took everything
I'm gonna watch this movie
Van Lathan
co-host of the Midnight Boys
Higher Learning
you can hear him
on the rewatchables
what other pods you on?
I pop up everywhere
support me
did you
did you
well we eagerly await
our invite to the Midnight Boys
yeah
Amanda is neither
Midnight nor a boy
but she could show up
on that show. Is there
another franchise or any
movie coming out in the next six months
that you want to be back here for?
Several. Well,
actually, you know what? I got to be honest
with you. Beetlejuice, Beetlejuice.
Beetlejuice, Beetlejuice. Okay. You can
come back, Sean, up because Chris
and I haven't been supportive. They've been
mocking me for weeks.
I'm not going to tell a story now, but I'll tell you guys a story about my experience with the screenwriter of Beetlejuice when we do the podcast.
Okay, wow.
That's an incredible tease.
We'll see you in three months?
Four months.
Four months.
Okay, tough.
Amanda Dobbins, thank you.
Thank you to Jack Sanders.
Thank you to Corey McConnell
for their crack work this morning
on the video team.
Thanks to Bobby Wagner,
our producer,
for this episode of this podcast
and all episodes.
Please stay tuned.
Later this week on The Big Picture,
a very special draft.
Me, Amanda, and Chris Ryan
will be drafting
the best action set pieces
in movie history.
Oh.
Yeah.
Any suggestions?
Yeah. So suggestions? Yeah.
So,
a couple of different suggestions.
Mission Impossible.
Which one?
The first one.
The CIA?
May or may not be on my long list.
The CIA when he comes down
on the thing?
Yeah, no, that's iconic.
Sure, yeah.
I was, I love
Yeah, absolutely.
that.
I mean,
I would bring some
some others up
but like Mel
Mel let me down
why Mel why
you thinking Lethal Weapon
or Mad Max
I'm thinking Braveheart
wow
oh
okay
interesting
I'm thinking Braveheart
maybe we'll see if Chris
only drafts Mel Gibson movies
that would be so great
could happen
we'll see you later this week.