The Big Picture - The Slasher Movie Hall of Fame, With Alex Ross Perry
Episode Date: October 23, 2024Sean is joined by Alex Ross Perry to discuss his new film ‘Pavements’ and the film festival hamster wheel (1:00). They then analyze the state of the slasher film subgenre (10:00) and the year in h...orror. Later, they run through the decades to build their slasher movie hall of fame (47:00), assessing the merits of stone-cold classics like ‘Halloween’ and ‘Texas Chainsaw Massacre,’ as well as 90s era masterpieces like ‘Scream.’ Host: Sean Fennessey Guest: Alex Ross Perry Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices
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i'm sean fennessey and this is the big picture a conversation show
about slashers we have a very special halloween episode, Extravaganza, starring multi-time champion of the podcast, Alex Ross-Perry, writer, director, amateur professional podcaster.
Hi, Alex.
Happy to be here. You're in New York.
I'm here in New York.
Which is very exciting.
Yeah.
And big picture fans are everywhere.
Is that true?
Well, I told you this last year. They approached you at the New York Film Festival, approach me, maybe now this year you as well.
Happens again this year.
I did.
Just encounter rabid fans out in the world.
I did have a man put his arm on my shoulder on the subway
to interrupt me whilst listening to my AirPods.
Wasn't the ideal experience I was looking for on the subway,
but you know what?
He was a super nice guy.
I've met a lot of nice people this week.
Yeah, such as? What else you got?? He was a super nice guy. I've met a lot of nice people this week. Yeah, such as?
What else you got?
Just a lot of brutalist boys.
Just a lot of bros.
I sat next to a guy
before a screening of Queer.
Shout out to Trevor.
His name is Trevor.
And Trevor saw me
looking for a seat
at the screening.
He signaled to me
to come and sit with him.
And I sat down
and the first thing
he said to me,
and you will appreciate this, is,
yo man, did you see the Sarah?
The Albert Sarah documentary that is currently playing
at the New York Film Festival.
And he was like, you got to get in there.
The vibes are incredible.
And he was a cinema bro.
He was a true cinema bro.
Do you think at this point now, Monday,
after opening weekend, it's undeniable
that all the Joker bros from a couple years ago
are just shifting their allegiance to the Brutalist? Like, this's undeniable that all the Joker bros from a couple years ago are just shifting their allegiance to the Brutalist.
Like, this seems undeniable to me.
That's going to pick up the mantle of, like, that exact kind of guy.
I hope that's not true.
Because they've grown up a little bit.
That's true.
It's been five years.
Yeah, they've had a couple years to mature, and now they've gone.
Like, they're done with Arthur Fleck, and they're moving on to Brady.
Can I be their Arthur Fleck?
That's really the question.
I mean, I think Brady is.
Okay.
All right.
Well, where do I figure into this situation?
Does Joker have a sidekick?
Am I the Commissioner Gordon in this circumstance?
Okay.
Sure.
That's cool.
You're here at NYFF because you have a film.
Yeah.
Which I don't want to talk too much about your film because it's coming out next year.
Sure.
But you have been on the Whirlwind Festival Tour. Pavements, your new quasi-biopic, quasi-musical hagiography of the band Pavement.
And you were at Venice, and now you're at the New York Film Festival.
You're going to be at more festivals over the next few months.
This is a weird thing.
What is it like to have been on the road with the movie?
Well, I've only just been in New York, and this is where I live.
So it's not really the road with the movie? Well, if only just Venice and New York. Okay. And this is where I live. So it's not really the road yet.
But if people want to come see it at BFI London,
I don't know when this comes out.
Does this episode come out in a minute?
When's BFI?
It's like the 16th, 17th, and 18th.
Of October?
Yeah.
That'll be over by the time this airs.
Okay, so this is like closer.
Don't come to BFI.
Well, hopefully people came.
Okay.
I know you have a footprint at the Prince Charles
where the movie's playing.
Oh, is that where it's playing?
Yeah, one of the screenings is there's exciting so i'm excited yeah it's
playing at afi fest in la okay and like dozens of others that are going to be fun that i probably
won't be at but um why are we doing this here when we could have done it when you're coming for afi
fest i don't know we fucked this i'm only there for like a day and a half okay that's why and i
do to what we're going to talk about i I do want to try to finally see Universal Horror Nights, which I've never been to.
You know what?
I haven't either.
Okay, so.
Maybe we should go.
I have two nights in LA, the night of the screening and another night.
Okay.
And that is currently my only plan, unless I go alone, which was my plan.
Maybe we could figure this out.
We should figure that out.
I've never been.
Supposedly, it's fun.
You know, it's fun.
Like, festivals are a funny thing like we're
discussing for you for people in your position for amanda at venice last year you get to see
four or five movies a day which is really my preference um you're secretly one of us despite
being an artist yeah but i never have time for like my obligations always preclude quadruple
features nor do i have the energy or stamina at this point in my life.
But if I'm traveling and I'm away from family, I could easily get in more movies in a day than I would.
It's flattering, always.
I mean, it's what you want to just have that invitation to come and present the work.
I guess I always tell filmmakers who are younger some advice.
What do you think of festivals?
It's like just think of them as distribution.
Like you say it'll come out next year and it will by and large.
But there's many places where it will touch down now for a festival
and that will be the only time people in that city get a chance to see it.
And perhaps people in that city, everyone who wants to see it can see it at two screenings. It doesn't need to play for a week. Do you think there's like an
optimized way to see it? Like, is it better to go to a festival screening of a movie than just to
see it at your local AMC or your local art house? I guess so. I don't know if we'll ever play in an
AMC. And you know, some festivals are in AMCs though, so. Did Listen Up Philip get into the
AMCs? No, no definitely not I think that
our Chicago International
Film Festival screening
is at either an AMC
or a
equivalent chain
just some festivals
are there
okay
you know it's funny like
it's a music
documentary-ish
obviously like
a theater is a fun way
to watch it
but it's not like these
at this point
it's not like there's a lot of these things in theaters. So like, you're kind of making it
knowing that, and I say this as a rabid consumer of such films. Like, I probably haven't seen one
in the theater in 10 years. Interesting. Nor have most people. Let's not encourage people to not go
see them in theaters. Well, just a lot of them don't play in theaters. It's not even that I see
one come out. And I guess that's not true. I saw Meet Me in the Bathroom in theaters. Well, just a lot of them don't play in theaters. It's not even that I see one come out. And I guess that's not true.
I saw Meet Me in the Bathroom in theaters.
Okay.
It was released by our same distributor, Utopia.
And that was really fun.
It was a really nice screening.
And hopefully we can have fun events with discussions when the movie comes out.
But, you know, most people by and large, like a lot of things, a two-hour documentary about
a band or an artist or a celebrity
that's really not a theatrical component these days yeah and that's just how it is like most
distributors don't specialize in it that kind of 90s 2000s documentary boom just doesn't really
exist and the ones that play are these like kind of feel-good pieces of marketing that you know
you don't take seriously i don't take seriously so i don't take seriously, so I don't go see them.
Makes sense.
It's a good thing though.
I mean, I know.
I mean, your film will be streaming.
Yeah.
I mean, I love the movie, obviously.
I've been hearing about it for a very long time.
I'm very happy that it exists.
It also like, I actively work on music documentaries.
They're very hard to do.
And this movie understands them and completely disassembles and annihilates them, which great yeah i hope so chris ryan saw it he did chris ryan one of the
biggest pavement fans alive came to the concert that we had which was nice was where i met him
after microphoning with him many times what do you think what was it like to be in his presence
it's very exciting yeah i just i didn't know he's going to be there so it was nice you didn't make
it i think that was when you flew here.
I would have liked to have seen the band,
but I've seen, I saw them in 2010.
So I feel like I checked off my pavement reunion situation.
No, it's fun.
Like for me, I love the New York Film Festival
and I love many things, you know, respect from afar.
The goal was like, you have to make a thing that is not,
you know, how many of these kinds of movies play at these kinds of festivals?
Two a year, maybe?
Like, it's just, it's not really where these things land.
But that's where we wanted to land.
So this little acceptance run is like, yeah, we made a film.
We didn't make a promotional piece of marketing content that just is designed only for half-watching consumption on Netflix.
We made a movie that is a movie. It'll be a movie however people watch it.
What's more nerve-wracking for you? Is it waiting to see if a film gets into a festival or
seeing the reception of the movie at the festival? Because at Pavements,
the first night at Alice Tully Hall, the movie played great. People seemed to love it.
Yeah. Best screening we'll ever have, I'm sure. Think so? Well,
we'll never be in a room that big again. Right. 1,200 people or so. Everyone knows that the band
and many participants are there and you've got people on the crew applauding for their names
and their collaboration. That's true. It's definitely what you want. I think I walked
into that night feeling pretty confident.
It's a nice room to claim ownership of for three hours.
Nerve-wracking.
I mean, it's funny.
I know Amanda likes, you know, you're the lord of Letterboxd.
Am I?
That's what she says.
Okay.
Unconfirmed.
It's funny now, like, that has become such a forceful part of film response that, as I, erroneously, I thought that Bobby had written something on it, but I guess it was someone else.
Possibly with the same name.
We should look into this.
It's still on there.
Is there a shadow Bobby?
I swear to God, it was like, I swear to God, in like the roundup that we got sent, it was like, Bobby Wagner, Letterboxd comment, like, I don't want to freak you guys out,
but Greta Gerwig is in this movie.
And I was like, that seems like something he would say.
It does seem like something I would say.
It's definitely not what I said about the movie.
There might be someone with the same name.
But like, finding out my identity has been stolen
live on the Big Picture Podcast.
It's always something new.
But it's almost like, you kind of feel now,
like, I didn't really know this
because like the last time I did a movie was six years ago.
But now with this, like so many of people's responses and engagement is 11.30 p.m. screening at this theater with the director introducing.
Like it's so personal that I kind of feel like it's turning like filmmakers into Uber drivers where you're like, thanks, guys.
Just like, please leave a rating like you know if your experience was good today like five stars would really help us out um you know like if you have any problems like please like you know
you don't have to like you don't have to voice your problems like maybe just don't give the you
know like it's sort of becoming like this amplified thing but like but like it's cool because it's real time.
Like, you know, listen up, fill up at Sundance.
People are just searching for the movie on Twitter.
Right.
And it's like, who cares?
And like now this is so much more geared towards movie discussion.
I have been asked if I can have comments I've left on a Letterboxd review cited on a poster for the marketing materials.
For Megalopolis.
Well, yeah, me and Steven Soderbergh collectively
had a different reaction to that movie.
But, you know, I kind of want to be like, fuck off.
Like, I'm obviously just having fun in this environment,
but some people take that app differently.
So the responses are fine.
I mean, it's all good.
Like, I just want people to take it seriously,
but not that seriously because we didn't take,
you know, it's not a very serious movie.
But I hope people watch it.
And I appreciate a few minutes to talk about it.
You have a huge reach.
And this will only help people feel like the movie is coming.
It is coming.
Yeah, it's coming.
Utopia and then Mubi is doing other places around the world and streaming.
And I'm just glad it's over.
Congratulations.
So long as like the Chris Ryans of the world, the diehard Pavement fans,
who show up and say,
I haven't seen them since 97.
We missed two reunion tours.
That's how ground floor he is.
So long as people like that see it for what it is,
I think we did a fine job.
Okay, how do I elegantly pivot to slashers?
It's an important question.
Well, you don't have to.
I mean, slasher, you know,
this could just be a conversation that somebody...
Stumbled into? Like a boring conversation at the beginning of a slasher movie and then like turns out like you know then there you go you did it the doorbell
rings and it's like what's going on yeah um i wanted to talk with you about slashers for a
variety of reasons one i think you're a world-class expert on all things horror we were just down at
kim's video recording a video and talking about horror movies um uh in
addition to being an expert i find that slashers are in this really interesting place they obviously
have i guess arguably a hundred year lineage but maybe something closer to like a 70 year lineage
in movies and they the two interesting ones can't have come out this year um the first of course is
uh terrifier 3 which is the third film in the terrifier series not come out this year. The first, of course, is Terrifier 3,
which is the third film in the Terrifier series.
It has not come out.
Or is it screened?
By this moment,
it will be out.
Oh, okay.
Okay.
So,
there's Terrifier 3,
which is a Damien Leone.
I still haven't seen two.
I've only seen the first one,
so I don't know.
Really?
Yeah.
Okay.
Well, I'll fill you in.
I assumed you hadn't seen three too,
but, you know.
Yeah, I'm kind of hoping
that someone screens
two and three together.
I think that that is happening.
I just missed it.
You know who I think
is doing that?
Fathom Events?
AMC.
Okay, great.
Which is hilarious
when you understand
what the Terrifier films are.
But that's kind of where
Terrifier made all of its money.
It did.
It was in those mainstream.
It played like 800 theaters
and somehow made,
I think north of $12 million,
Terrifier 2,
which made it really
one of the independent horror events of the decade.
And now the third film in the series is coming out this month.
And it's sort of like a true blue slasher in extremis.
Like it is so absurdly over stylized in its kill sequences and so gory that, you know, the marketing is always oriented around people getting really sick and vomiting in the aisles.
I've seen the third movie.
I liked the third movie not as much as the second film.
The second film does feature this, like,
remarkable centerpiece kill sequence in a bedroom.
The first one has, like, a totally remarkable centerpiece.
This new one, the best kill sequence in my opinion.
Well, there are two.
There's, like, shower kill scene that is excellent,
and then the opening scene is amazing. But then that movie is really more in your like
standard if you're obsessed with the tom savini's of the world you kind of marvel at the practical
effects and then the other one is in a violent nature have you seen in a violent nature i did
finally catch up with it yeah it's like like everything i miss it and then i'm eager for it
to come out and then we waited long enough that my wife was like,
well, now we just have to wait until it's horror season. Like we're not going to watch this movie
in August if we can just wait a month and then watch it when the Halloween decorations are up.
So we watched it fairly recently. So In a Violent Nature is directed by Chris Nash. It's his
debut feature. I had him on the show, I think in May when the movie first came out. I just had to
have that interview, like sitting on there waiting. I was like, I'll see the movie at some point
and I'll just listen to this.
Did you hear it?
Yeah, as soon as I like,
maybe the day after I finally watched it,
I was like, now I can finally listen to this interview.
You're a good friend.
So that movie is sort of a deconstruction,
sort of a big wet kiss to the slasher movie.
And they operate like both kind of
on the fringes of the mainstream horror.
I would say those two movies live.
And slashers over time have been some of the most popular horror movies.
And so at times they have been like really the outskirts of the genre.
Like what's your relationship to the genre in general?
Well, I'll say like, is this coming out?
Are you guys doing like your, you know, I'll send you a message and be like what's like the halloween recommendations episode this year that'll be the weekend before the week before this episode
comes out um because you know i look forward to that uh chris and i will be doing it i promise
helps me helps me fill in the gaps so i do miss things um you know it's funny like i think as is
obvious for me and for anybody like as we were just talking about when you and Chris came to film down at the
Kim's video collection that I've sort of resuscitated in a,
in a,
you know,
the killer's back for another,
another sequel kind of way.
It was kind of a Jason S return.
Yeah.
Down at the Alamo in Manhattan with Sean Price Williams and bringing the
collection that we used to work
with back
as we were talking about
with you guys down there
like
if you're a teenager
and you're getting into
horror movies
this is where you go
this is chapter one
maybe you're
seeing
Poltergeist
or some other
totemic
haunted movie
but by and large, most people's curriculum
of the beginning of their horror life is,
I should see these 10 horror movies,
these five movies that are slashers.
So they're just kind of fundamental.
I mean, you know, there's not a lot you can...
If you've made it this far,
you probably don't need us to talk about
what slashers mean to us.
But to me, they're just like
they're the purest they're the the best oftentimes they're the simplest oh this reminds me i have a
present for you oh that i can give you on mic oh my gosh my backpack i'll get it um i forgot about
the present uh that i deliberately wanted to you know give you during the show for good content
material especially now that we have video. Is it slasher related?
Sure.
Yeah.
Okay.
What do you say about something that's like inextricably linked from your love of a genre
that you love deeply?
That's unrelated to what we're talking about.
That's a Pavement Museum sticker that, or a magnet.
But, you know, you'll remember what this is, but.
Oh, yes, of course.
I forgot.
So this is a Profundo Rosso, a.k.a. Deep Red, button.
That's a magnet.
There's a button stuck to the back of it.
Oh, wow.
Okay.
And this is also Deep Red.
This is not Kill Baby Kill, right?
That's right.
Yeah.
Okay.
So this is obviously the Dario Argento movie.
Yeah.
And you got this where?
I got this for you in Rome, where I was on my way to Venice.
Argento, I guess in 88 or so, 89, started a video store in Rome.
And then the basement of it is a chamber of horrors with props from his films and many other films he produced or worked on or films made by protégés of his.
And I went there and I bought myself a fair amount of merch and i was tasked
with getting you a t-shirt and they didn't have shirts in the size you requested you really
fucked me on that well i didn't know if you wanted the one that i ended up getting which was
you wanted one with like the the store's logo which is on the magnet which is very classy and
the one i got is a photo of the girl on her knees from bava's demons and then
it just says in italian the chamber of horrors of dario argento and i wore this to the new york
film festival the other day in the span of my time out two people asked me if they could take a
picture of the shirt as i wore my jason goes to hell shirt specifically because i know you love
the film so much i don't i don't like jason goes down and we've talked about it yeah you agree that
friday the 13th is an unimpeachable franchise.
No, it's wildly flawed.
Another three-star film in a franchise lousy with them.
But, you know, slashes are just the ultimate.
But, like, I really don't even know what to say beyond that,
except, like, they've almost become quaint now.
And I think that's kind of a boring thing
because they've been replaced by stuff that I like far less.
So something...
This is why
In a Violent Nature
was so awesome to me.
I'm glad to hear that you liked it.
I assumed you would like it.
Yeah, I thought it was great.
Like, it's the rare thing
where you wait four months
to watch something
that is overhyped
and then you watch it
and it exceeds your expectations.
Yeah, I felt the same way.
It's very special when that happens
and you're just 10 minutes in.
I'm like,
I can't believe
no one ever thought of this before.
Same thing you think when you watch Blair Witch. You're like, I cannot believe no one ever thought of this before. Same thing you think when you watch Blair Witch.
You're like, I cannot believe no one ever thought.
What if I make a slasher movie
that you just follow the killer in between the scenes
and just see what he does?
He just does nothing.
He just wanders slowly from place to place.
Like what an incredible idea.
This is all I've ever wanted to see.
It is a very, very smart take on those kinds of movies.
It's funny because they have,
these movies have recurrences and hallmarks.
You know, often teenagers under attack, under this veil of morality.
Sometimes they're, you know, aggrieved or psychotic killers.
Sometimes there's a supernatural element.
Sometimes there's not.
In some of the franchises, it kind of varies back and forth
where it becomes a very supernatural
franchise and then it reels back to something that is either more ethereal or more straightforward
do you have like a preference for this kind of slasher no you know like if it's like them all
if it's good it's if it's good it's good i mean i'm pretty happy to go along for the ride
obviously i like the most you know like a real meat and potatoes kind of movie.
And these are the obvious ones that will soon be citing, I'm sure.
The video thing makes me really uncomfortable.
I've been, now I've been getting like, you know, I did all these video interviews for the New York Film Festival.
And I know that I'm like a fidgeter, but watching myself on video, even like a few minutes at a time, I'm like sent a three minute clip of me on the red carpet
and it's like my hands never stop moving i touch my face like every five seconds and like it's just
unbelievable how unappealing it is to watch yourself you're actually making me feel calm
because i have like shaky leg for sure yeah yeah and always i am constantly resetting how i sit
um is the subject matter making you nervous at all?
No, no, I'm very...
I feel like you should be at home here.
Yeah, I am.
I mean, you know, the only problem with all this festival stuff is it's been taking away from a horror movie a night.
I was honestly thinking about that.
Under normal circumstances at this time of year, I'm doing the same thing as you.
Man, I have many blackout days of no horror movies at home in the weeks ahead with festival travel.
You're lucky because you have a very willing partner you know your your wife is a really and she'll sit with you
through no we started like september 15th we got a little bit of a head start is your kid gonna get
into horror movies you think um well so she i think is into it you know there's a lot of like
kids entertainment that is spooky adjacent and she likes all of that someone recently sent me
a playlist of old-timey spooky cartoons skeleton dance things like that yeah yeah sure and she just
saw it on my computer and started watching them and she was into it kind of sat in my lab and
just kept watching them i think she's ready for it um she's very intrigued by the presence in the world of beetlejuice oh who because of a band called
ghost who i work with a lot who i made a concert film with that came out this year
a similar black and white corpse painty figurehead and we have a lot of ghost stuff around the house
she thinks that he's the same so she believes in ghost you Ghost. You know, big black circles around the eyes.
Yeah.
Three and a half years old.
What are you going to
extrapolate?
Well, when Beetlejuice
Beetlejuice came out,
I was saying that
that movie for a lot of people,
probably myself included,
I was six when that movie
came out,
was a gateway
to a certain kind of horror.
That's not a slasher movie.
No.
Although there are some
amusingly fun,
practical effects
that are very slashery.
Actually, very Terrifier-y.
The Geena Davis ripping her face off feels like something you might see in Terrifier.
She's ready.
I don't know for sure.
It feels early.
For Beetlejuice, but I will say for those kids looking to put on some Halloween stuff,
there's something on Disney Plus that's like stop-motion Mickey and Friends telling spooky campfire stories.
Oh, we've seen it.
It's really good.
Oh, yeah. We've seen it. It's really good. Oh, yeah.
We've seen it many times.
It's quite strong.
And it's like five three-minute ones and then like a 30-minute one.
Yes.
The 30-minute one is like all oriented around a witch, right?
Yeah.
And they're like all dressed up for Halloween.
Yeah, they all turn into their Halloween costumes.
Yes, exactly.
Yeah, it's really good.
So she likes stuff like that.
And a show on Disney Plus also called Vampirina she really likes.
Oh, yeah.
We haven't watched that.
Okay.
It's like a little vampire family. Do you remember the first slasher you ever saw
I mean any memory I have at this point I assume is probably false like I couldn't tell you if it was
putting on Halloween or yeah I don't know I mean I just couldn't even begin to guess we've talked
about this before like because we grew up in the moment of Scream like it's not possible that
Scream was the first slasher that I saw
because I would have been 12. So I certainly would have seen other ones on video by that point.
Did you see it in theaters, Scream?
Scream? Yeah.
Do you think it's the first slasher you saw in a movie theater?
Oh, definitely. And we talked about that also because for us, there had been no
mainstream horror for five years in movie theaters at that time. So it hit exactly when we were wanting to go to the theater
with friends and be scared.
But I'm sure I saw all those movies around the same time.
I've told this story many times,
but since I'm wearing the Profundo Rosso button
and I have the magnet now,
because I saw Scream in a movie theater
and I was 13 or 14 when it came out,
that kicked off an obsession
beyond just video store interests
and i'm sure that that led very directly into seeing all of those argento movies and that when
people were like do you want to watch this hatchet killer movie i was like absolutely that sounds like
great content to me yeah scream is more of a syllabus than a cul-de-sac exactly like watching
the halloween movies on sci-fi channel marathons late at night, while delightful and upsetting for me in a suburban house, is a cul-de-sac.
It's not like you watch them and you're like, oh, now I need to see 10 other movies.
Maybe you watch the first one and you think, now I need to watch the rest of the franchise.
But I do feel like the role of the slasher now, as you're saying,
kind of is like anything, evolve or die.
Because the sort of bunch of people go to a location and get
picked off one by one i don't know how exciting that would be to people people seem to want more
from their horror movies these days not me but did you ever think about making one in this mode
yeah i mean that'd be that'd be the kind of thing i would want to make the problem is i say having
you know put my foot over the line of trying to do this is like, people just want deeper meaning in a horror movie now, which I am resistant to and don't care about as an audience member.
And I certainly don't care about it as a creator.
It says, yeah, I remember when Ty was making X, he was like, yeah, I just need, you know, it has to be something unelevated.
It's time to unelevate what the genre has become. And that's exactly what he did. And it's remarkable. when Ty was making X, he was like, yeah, it has to be something un-elevated.
It's time to un-elevate what the genre has become.
And that's exactly
what he did.
And it's remarkable.
I would say
that Terrifier is the same.
That's what I liked
about the first one.
Yeah, Terrifier is
kind of bereft of meaning
on purpose
and that it is just like
a pure frenzy of pain.
Yeah, I don't know.
In a violent nature,
did you think
in a violent nature
that you could read into it a lot of deep ideas if you want to right you could but i mean
you don't have to do enjoy you don't have to okay it's it's not about those ideas yeah i guess that's
true the starting point of that is this aesthetic conceit which is done incredibly what do you think
about that though because i've heard you talk about this sub-genre
before, like, memorably appeared
on Blank Check episode about Halloween.
You know,
Halloween is a movie that has held
up against various forms of
interpretation over the years. Like, that's a movie that
has had dissertations,
you know, deep studies of film
history pitched against Carpenter's
movie. Like, is that something that you're interested in exploring
when you see one of these movies
or do you just want to be entertained?
I mean, I just want to be entertained,
especially now where I can barely stay awake
through the end of the day.
Yeah, I mean, I'm not like a, you know,
I'm not a philosopher.
And this is like, the answer to your question
is why I say what I'm about to say
and people always twirl at me,
but say, oh, that can't be true. It's like like I'm not a cinephile cinephiles want to watch
anything and look for deeper meaning and make connections of his you know I can do that if I
if my brain takes me there but mostly I'm just there for what I liked about in a violent nature
which is just this is visceral aesthetic playfulness that is both violent, upsetting, and original.
That's what I'm here for.
Like, I don't need to think that much about it.
Like, I don't know.
It just feels very, my brain doesn't have enough bandwidth anymore to do those things.
But then, like, I don't know.
People enjoy thinking about stuff that way.
It's just like, I don't know.
I don't know how to think about things that way anymore.
And like, another recent one that I'm sure is kind of the same that I missed
that I'll catch up with this year was Thanksgiving.
That seemed pretty back to basics.
I really enjoyed it.
I know.
And I really wanted to see it.
And I don't know why I didn't see it last November.
It just kind of passed me by.
Yeah, I think I, to 90% of slashers,
I don't want to say I check my brain at the door,
but I don't spend a lot of time
analyzing what it means.
Thanksgiving is a good example
of like,
it's a pure throwback movie.
It's an homage
to a very specific
sub-genre of slasher,
which is sort of like
the holiday slasher.
But it was a movie
that I was there
just for the kills.
I was there for fun kills
and the kills are really fun
in that movie.
And I,
the thing I've attempted to make a few times both is and is not.
Like, there's a meaning behind the idea that I had,
but another idea I had was, like,
what if I just made a 95-minute movie with a lot of gnarly violence in it?
That, yes, I could explain, like, the other thing it's about,
but also, like, who cares?
Right.
The thing that's, like like so we watched um not as
prep for this but i know i know you're a big vhs fan i am of the series yes i haven't seen the new
one yet yeah we watched it last night because i thought maybe it would come up yeah i still
haven't caught up with it how was it it was really good yeah i feel like they're all at a minimum
good they've we realize like three segments in that this one, I don't know if this is just because the franchise has become too important or too dependable, but usually like the edges get sanded off of things and they get worse.
Now it's like Shudder takes this so seriously that they just don't have terrible segments in them anymore.
Yeah, yeah.
Like everything is like three segments in when you're like, there hasn't been one that five minutes in you're like, oh god this one's gonna be rough like and they're kind of all great but during one of them and this one has a sort of
sci-fi conceit okay which i was really nervous about because i don't really care for or need that
not like you know you're saying some slashers become like fantasy or supernatural like not
that but like sci-fi conceit i was like ah what how's that gonna go and everyone was kind of
perfect do you remember who made that one they're all sci-fi the entire oh the whole that's the
conceit of this beyond represents science fiction like all five of them are vaguely sci-fi adjacent
okay vhs beyond is the is it the fifth or the sixth edition could be the seventh seventh wow
do you think you could name them off the top of your head no v. VHS, VHS2, VHS8. SVHS.
SVHS, excuse me.
85.
I think there's 85, 94, and 99.
Was there a 99?
I think so. 99.
So this could be 7th.
Is that 7?
Well, if there's 1, 2, and S.
1, 2, S.
And then 3 with the years.
Right.
And there might have been a 94.
This could be 8.
Looks like Bobby's got an answer.
There is a 94. Is there a 99? there's a 99 as well an 85 uh beyond what you guys
mentioned there's also a vhs viral in 2014 viral yeah so is this the eighth vhs film or the ninth
i only count seven okay it's a lot I mean, catching up to some of the most
hallowed slasher franchises.
And now it's like an annual treat.
Like,
this is
an event to drop these on Shudder,
but there was one
that we were watching.
They're all slashers in a way.
Everyone is dead
by the end of every one of them.
Yep.
Not a spoiler.
And then
three minutes into one of them
last night,
my wife just goes,
all these characters are pleasantly detestable.
And you're just like,
yeah, I'm excited for them to die.
Like every character that I've met
in the last three minutes,
I am now already just eager for their demise.
Which to me is like wonderful slasher logic
that if you're not building a movie around
Final Girl or a franchise starter,
that's what's fun about these.
It's like,
what I'm enjoying about this
is that every one
of these characters
is probably going to die
in the next 20 minutes.
It's always great too
how, you know,
a number of
good or great actors
have started their careers
in movies like this.
You know,
Kevin Bacon
in Friday the 13th,
part two, right?
No, he's in part one.
He's in one.
Is often cited.
You know,
Jennifer Aniston
in Leprechaun. You you know there are a lot of examples
of that um and the the sort of like i believe this run of i believe that you're doing a bit
from maxine she's like famous actress who got their start that is that is a bit from maxine
for sure um there's something primal about the caprioCaprio in Critters 3. True, true.
Something primal about the ugliness of the actor persona that is ramped up.
When it's like playing an annoying teen who only wants to have sex is the mode that you're pitched into when you're a 19-year-old ingenue.
It's kind of ingenious.
It is, yeah.
It's a diverse thing.
I bring you your Profundo Rosso stuff.
The Giallo movies, we just watched this Blu-ray that I bought.
All the Blade in the Dark.
It's a Lamberto Bava movie, which was fine.
But it's people in a house, and one by one they get killed.
And you're kind of like, who's doing it?
That's it.
That's the template.
It's either based on the characters or it's based on the killers.
And you can kind of have it both ways.
Yeah, I feel like this isn't very interesting.
No, I do.
I feel like this is just like,
we both love, you know,
it's like, what do I love about them?
Like, just vibes, man.
Like, I just love watching them.
I do think there is a whole philosophy
of these movies.
I just don't know if that philosophy
is real or forced upon the subgenre because people love these movies so much. They't know if that philosophy is real or forced upon
the subgenre
because people
love these movies so much.
They're so persistent.
You know?
Yeah, I mean,
I saw this movie last year
at a marathon
that I think is just called
Nightmare.
Mm-hmm.
You know this movie?
I do.
It's like a deeply...
It's the one on the box,
the hands, right?
I don't know the box
because I saw it in the theater.
Oh, yeah.
Okay.
I think it's just recently been... Shortly after the screening, I think it came out on Blu-ray.
Okay.
With a whole bunch of features.
But it was like, you know, a deeply Freudian, psychological mess of a character.
But it's also just really violent and 85 minutes long.
And it's like, kind of have it both ways.
I don't know.
Some of these things are pretty incredible.
It is kind of the sour candy of horror movies,
you know,
where sort of like,
I'm not sure this is good for me,
but I can't stop eating it
and I'll always get it if I can.
And if there's a new one,
I run towards it immediately.
Yeah, it's pretty fun.
Like there's,
at the,
there's an all 35 millimeter drive-in
that I love
out in central Pennsylvania
called the Mahoning.
And they do Labor Day weekend every year
Camp Blood which is all slashers yeah and I've gone to this I missed it this year due to being
in Venice which was very upsetting for me a very lousy trade-off in my opinion ultimately of um
what a bummer having to go to Venice to debut your film well they were showing all 10 Friday
the 13th films across four nights.
You can watch those any night of the week, Alex.
I know, but the thing is like all the nerds there know that Five never screens on 35.
That's true.
And apparently the print they had was like Spanish subtitled or German subtitled or something.
Okay.
But I've gone every year to that since 2019.
And it's just, yeah, a triple feature of slasher films.
And the lineup is always like
yeah you're watching toby hooper's funhouse you're watching sleepaway camp you're watching pieces
it's perfect night like three different movies a bunch of people get killed in each one they're
all the same length what more what more do you want you wouldn't necessarily have the same joy
of watching a triple feature of fill in the blank
other kind of movies.
Right, Bergman movies.
Well, that would be
a different kind of experience.
But like, you know,
three supernatural movies,
that would be fun.
And that's certainly
something you could do.
And they do do it out
at the Mahoning also.
And I miss that also
for being in Venice.
They did like a
supernatural weekend.
But like,
you know,
like three exorcism movies in a row.
You'd see a lot of the same thing.
And like three slashes
in a row, it's like, well,
Funhouse takes place at a carnival and Sleepaway Camp
takes place at camp. These are totally different movies.
This is great here.
I'm getting a real diversity of experience.
I'm glad you see it that way. I mean, I feel similarly.
Setting is like a crucial part of these movies.
Camp is a recurring space for films.
Camp is good, yeah.
Camp and sororities and high schools.
These are like a common setting for these movies.
Do you have a favorite setting for the first slasher?
Jeez.
I mean, I just...
My favorite setting is the suburbs
because it upset me the most
as a kid who grew up in a similarly anonymous place.
That's not like if someone was like, you can pick one to make.
It's not what I would pick, but it's the ones that affect me the most
because those houses look the most.
I didn't grow up down the street from a slaughterhouse in Texas.
Where do you think these start?
Start?
Yeah.
What is the first slasher in your mind?
Because there's some debate about this.
Yeah, I feel like sometimes on Criterion,
they'll put up like 30s or 40s horror movies.
And it's like this proto slasher.
Like we just watched one of these like earlier this year
that I will never remember the name of,
but it was like showgirl
and like people were being picked off one by one
in the show she was in.
God, I wish I could remember the name of this,
but certainly no chance I could do that. I don know i mean i don't know that's like that's a critical
question that's not i mean that's like either a nerds behind the counter question or like a
critical analysis question well you're one of those at least you know i am one of those but
yeah i don't know i mean i'm sure there's like movies in the 50s where people get killed one
after the other
I feel like if your movie doesn't have blood
then it can't be a slasher
right but movies couldn't have blood for a while
so then they didn't exist then
yeah but it's like what defines it
blood and visceral kills
or like a series of circumstances
where people are killed one at a time
by a masked killer who is eventually unmasked
or stopped
like that is a very you know how like sometimes on AI it'll be like where people are killed one at a time by a masked killer who is eventually unmasked or stopped.
Like that is a very,
you know how like sometimes on AI,
it'll be like,
you'll see like a thing that gets sent to you.
That's like an AI generated thing.
That'll be like Star Wars.
If it was made as like a 50s Technicolor thing.
Yeah, yeah.
I've been the one making those actually.
Congratulations on that.
Thank you.
Yeah, I'm really proud of that work that AI has been making for me.
But you know, you can easily see the like,
what if Wes Anderson
made Halloween
well sure
but you know
sounds great
but you know
you can see
the guy who made
Princess Mononoke
I did
I made it live action
yeah I'm really proud
of that
did you see that one
right Alex
yeah that was good
that person should be
shot in the face
I haven't seen that
I've only seen it
if you made it
if you didn't make it
I didn't see it
yeah okay
you know but like
you can see somebody
doing like,
this is Friday the 13th
if it was made as a 30s universal movie
or this is Nightmare on Elm Street
if it was a Val Lewton movie.
Like I would look at,
I would look at a slideshow of those.
I bet those would look neat.
Yeah, there's definitely,
is it the Eyes of Dr. X?
Like there are movies that are like,
like the Prowler.
Those Michael Curtiz movies
were on Criterion last year.
There was another one of those,
like these bizarre 30s
Technicolor Academy ratio horror movies.
And I was like, what are these?
But that have so much implied violence, but you're almost never seeing the kills.
Or, you know, the Dr. Jekyll and Mr. Hyde films or the Jack the Ripper movies from those times.
Like, those movies are all ostensibly about the same thing as these movies.
Most people cite Psycho as the granddaddy, the baby,
the beginning of it.
Do you see it that way?
Probably.
I mean, I'm sure there's a
case to be made
that there's things,
but, you know,
that movie resembles
movies we still have.
Right.
Nothing you're listing
resembles movies we still have.
Right.
Although it would be cool
if someone did try to make
like a Curtiz-style thriller
in the present day.
That would be interesting.
I mean, I guess that's sort of what David would be interesting. I mean, I guess that's
sort of what David Fincher does.
I mean, I guess so.
I was going to say like
kind of what Nosferatu looks like.
Like just a classical cinema throwback-y.
More of a gothic horror.
Yeah, I mean, that's kind of
what you had before then,
but it's obviously not slasher.
I, you know,
I'm trying to think like in real time
I'm sorry
I'm just letting
letting myself down here
no I mean
and you as well
but like
I think it's legitimately
I think Psycho
Peeping Tom
and Blood and Black Lace
coming out
in a relative
closeness
I mean I love those like
30s and 40s horror movies
a lot
especially like
in recent years
I've come to really
enjoy those
like um
Murders at the Zoo
I think it's
I forget who made that movie um and you know like really enjoy those. Like, Murders at the Zoo. I think it's,
I forget who made that movie.
And,
you know,
like the Island of Lost Souls.
Like,
that's not,
like some of that horror stuff from that time is really cool
despite not being violent.
You know,
yeah,
like,
you can just say Psycho.
And I'm sure there's like,
I would love to see
someone put in front of me
a list of 20 pre-Psycho
slasher movies.
Maybe,
maybe we can program that
after this.
Yeah.
But, you know, I think those three movies,
which are kind of tightly focused on individual killers,
and spend a lot of time almost in the perspective of the killer.
Like, do you prefer to be...
Whose perspective do you like to see the most in those movies?
Well, I don't know.
Depends?
It depends.
Yeah, I mean, it's not like watching Funhouse would be enhanced by sticking with the killer.
And then obviously Sleepaway Camp and stuff like that, you're concealing who the killer is.
The thing I don't really like that much, obviously a lot of great movies do this.
If I had to pick one of like, it'sael myers doing this it's leatherface doing this
or it's more of a whodunit i would not choose the whodunit okay i do prefer ones that are like
this is the thing that needs to be stopped instead of what scream then does successfully
which is like you're waiting to the end to find out what's going on okay because i feel like in
a lot of those movies including blade in the dark it got to the end and both my wife and I were like,
oh, I forgot about that character.
And then it's like, great.
And then the credits roll and you're like, okay.
Instead of just like reveling in the pleasures
of what's happening, you're like,
oh, I think it's this person.
Oh, well, now they've been killed.
So now I'm like, you know, that's fun too.
But it's my person. Oh, well, now they've been killed. So now I'm like, you know, that's fun too. But it's my second preference.
Sometimes though,
I think these are the best.
Like Tenebrae does a thing
with its killer reveal
that has been done before,
but I think is like
the most satisfying version
of the whodunit,
where it's like he has been
right in front of you
the entire time.
Italians kind of
can't get away from that
and we were talking
and we sort of had
like a mixed reaction
to this Lamberto Bava movie
like I do really prefer
the Italian movies
with a hint of supernatural
you know Argento
strikes that
with Inferno
yeah
Suspiria
kind of splits the difference
and I
despite getting you
all this merch
from Profundo Rosso
like I do prefer that over the the black glove and a blade killer.
We differ on that, I think.
I think those are my preferred.
Yeah.
I don't know why.
For some reason, I just click with the other ones a little bit more.
You know, the 70s is obviously an important period here.
Picking the Hall of Fame is a complicated act for this.
I'm very excited to do it.
I feel like Hall of Fames
are a real privilege.
They are.
They are.
They are.
This is the important work
that's being canonized
in the great halls
of the Brutalist Boys,
you know,
who are taking care of us
long term,
you know,
making letterbox lists,
charting our history.
You're really sticking
with this Brutalist Boys thing.
These are your people now.
I mean,
all cinema lovers
are my people.
You know,
if they love the Brutalist
that's great
if they love Rocketman
that's cool too
you know
like we accept all comers
yeah I just
when you say it
it just calls to mind
the Van Buren boys
on Seinfeld
it's just
like what a
what a phrase
I mean I don't think
The Brutalist
when the world sees it
are really gonna think
that this is a movie
that requires like
a clubhouse
full of cinephiles.
It's an extremely complex.
And yet you'll be standing there on Christmas Day with that clubhouse.
Well, yeah.
I mean, I like the work.
I support the work.
Do you like brutalist architecture?
Or has this movie introduced you to it?
No, I knew what it was before, but I can't say I fully adopted it.
I will say there are some extraordinary examples of it in the film.
Do you think that like all your boys are going to to now get really into architecture because of this movie?
When I say boys, I want people to know that that is non-gender affirming.
There will be no women going to the map for The Brutalist, I'm sorry to tell you.
I completely disagree.
I completely disagree.
I will find these women and I will celebrate with them.
Well, I wish you the best with that.
Three hour long historical projected on film drama released by A24.
You don't think women like that? I'm seeing a long line for the men's room during that
intermission if I'm being honest. You may be right. Women will see this movie but I think
you'll find that your wife will get to and from the restroom before you even move.
You're probably. Will my wife even see this film is the question.
You know, I'm going to say... I don't know her,
but I'm going to say no.
You know what the challenge is?
This is a tough movie for parents.
Who's got four hours,
four and a half hours
that they can burn?
Nobody.
See this feature.
It's a tough one.
And also, like,
you can't stream this movie.
You should be shot
if you go watch that movie
on streaming.
No comment on that.
As someone who will soon stream it.
There's no chance
I'll see it any other way. Oh, come on. What do you mean? I don't have time for that. You're not will soon stream it. There's no chance I'll
see it any other way.
Oh come on.
What do you mean?
I don't have time for
that.
You're not going to go
to the cinema?
I missed Terrifier 2
because it was too long.
Yeah that's crazy.
That was two hours and
20 minutes.
Terrifier 3 is shorter
than Terrifier 2.
I know I like the
sound of that.
Yeah.
Yeah I mean that's
part of why I just
didn't make it to see
Terrifier 2.
I liked everything
about it and I was
hyped to see it.
So much so that I
watched the first one
as prep and I just
didn't make it. That's insane. You should go immediately. I would hyped to see it so much so that I watched the first one as prep and I just didn't make it.
That's insane.
You should go immediately.
I would like to
but you know
I don't have time.
Life intervenes.
The only time it's easy
to see a movie
is like 1130 in the morning
because then I don't need
to get babysitter
or childcare
or apologize to my wife
for sticking her
with bedtime
so I can go watch a movie
that she's like
why don't you just go see this
during the day tomorrow.
This is real talk.
We may be narrowing our audience,
but who's doing bedtime
versus I have to go to the movie?
I think your audience is going to grow up
and have a lot of kids.
Well, not if they stay Brutalist Boys.
They'll never meet a woman.
You know, that's the problem.
You said it.
Yeah.
But they'll be like,
they'll one beautiful...
Go meet one woman today.
One beautiful romance
will be formed
at a screening of the Brutalist of people who meet in line during the intermission.
What if it's just a generation of men who choose to adopt children despite never meeting a woman?
Or meeting a partner for that matter.
They just adopt and become a single parent and they show them the great works of cinema.
I don't see a problem with that.
Well, and I encourage you to start that adoption agency at, at videos on weekends,
like bring all the kids out.
But I have a lot of recommendations for them.
Yeah.
No,
I mean,
I'll,
you know,
watching a movie at home for me is not an admission of like anything other than
like,
it's either this or I just don't see it.
Right.
Right.
No,
that's fair.
Um,
it's not my job to watch movies like it is yours.
It is in a way though.
It's not.
I,
but it is though. You're, you're're you're current with the culture i mean you're a filmmaker and your own time is like bring home
obscure horror vhs's from kim's and watch them instead of like keeping up with contemporary
cinema right right uh okay how do we do this how do we pick these 10 i mean there's like there's
a handful that are you know blind in right but I also feel like sometimes for Hall of Fame, you're like, this is like, here's the entire filmography. Let's just run
through this. And I don't, obviously that's not possible. Which means that like tomorrow I'll
remember one of my favorite slashers that neither one of us thought of. Well, I think we have to do
some combination of the essentials, idiosyncratic personal picks that can be supported. Right. And
then kind of the new class,
the last 25 years that need to be represented in some way.
Okay.
So I have kind of like sort of off the top of my head
to organize this in some way.
Let me look at my phone.
Okay.
Annoying to do on camera, but I have in here,
I think I should have my previous Camp Blood lists
of what I've seen at Camp Blood while you start doing this.
Okay, so I have the first section that I've mapped out here.
It's quote-unquote the big ones.
So these are kind of historically important
and or persistent franchises that were launched before 1985.
So that includes Psycho, Peeping Tom, and Black Lace, as I mentioned.
Psycho, okay.
You're just listing them.
I'm just listing right now.
And then, of course, Texas Chainsaw Massacre and Black Christmas.
Yeah.
Bob Clark's Black Christmas.
Still proto-ish.
We're pre-franchise right now.
Although Chainsaw is a franchise.
Then we've got the Argento run and Giallo having a period.
Yeah.
And then Halloween, Friday the 13th, Nightmare on Elm Street.
Right.
And then do you think that Dressed to Kill and Body Double and the De Palma films fit the mold here?
Yeah.
I mean, Body Double,
you know, the killer,
the implement of killing is not dissimilar from...
Is it House on Sorority Row
or Slumber Party Massacre
that has the drill?
That's Slumber Party Massacre.
Yeah.
You know, that's very similar.
The corkscrew spinning drill.
Yeah, yeah, yeah.
That's exactly what you see
in Body Double.
Yeah.
It's hard not to include it.
It's obviously so much more than that.
I mean, the problem with that...
I feel like it'd be really fun to just discount those
because they're just too much of a movie.
Well, also their weight of influence is so...
It's like if you put Psycho in,
Psycho is doing so much of the work
that the De Palma movies are riffing on
and the things that are not put Psycho in, Psycho is doing so much of the work that the De Palma movies are riffing on.
And the things that are not like Psycho or not like the other Hitchcock slashers are complex in different ways.
I mean, okay, so let's just keep going through these other sections that I've pitched.
So then there's like 80s essentials. Right.
And these are now kind of shutter slash 2B classics.
Yeah.
Movies that are
pretty readily available
on streaming.
Some of whom
have spawned franchises.
Some of whom
have been kind of
left where they are
but are beloved.
So here's the list
that I made
and tell me if you think
there's anything missing
from here
just off the top of your head.
So Silent Night,
Deadly Night,
which is a personal
favorite of mine.
Prom Night,
Jamie Lee Curtis' vehicle.
My Bloody Valentine,
which is one of the key early ones.
I do love that movie.
The Child's Play series.
Right.
Sleepaway Camp,
which you mentioned.
Beloved.
The Hitcher,
which I think qualifies.
Yeah, I like The Hitcher.
Pieces,
which you've been
advocating for for years on this show.
Love Pieces.
The Prowler.
Yeah.
And The Burning.
Yeah. Well, The Burning I really love. So that's, I'm sure there are others driving advocating for for years on this show love pieces the prowler yeah and the burning yeah
well the burning i really love so that's i'm sure there are others and some people would argue well
what about this and why not this but when i think of the 80s slashers and the super low budget and
like get them in 700 theaters and right you know become video store classics like those are the
ones that sprung to mind you've seen that like New York Magazine list from a couple years ago that's like,
here's the 42 slashers released in 1981?
It's like one year that like...
It's crazy.
I haven't seen that list.
It's either 81 or 82.
And someone was like, this is the year that there's almost a slasher a week if you spread it out.
And I've looked through it and I'm like, God, I've only seen half of these.
This list goes...
There's some of these that are like D-level.
That's the reason... And I'm like, God, I've only seen half of these. Like this list goes, like there's some of these that are like D level.
That's the reason, that's another reason why I love this sub-genre is it's kind of like those 30s horror movies where you are always discovering a new one
or there's always been one on your list that you haven't been able to check off
and you can go through your entire life and never catch up with these
because they're so easy to make.
And it's funny because like now wanting to do movies at home
and wanting to have a movie a night at Halloween season,
even if you have a partner who's supportive of this, it's very hard to be like, tonight's choice
is a like potentially D-level slasher. Yes. You know, I forget if it's called,
it's not called Rush Week. It might be, but you know, like some DVD I had like a hundred years
ago, that's like like this is just a
campus slasher
there's nothing
distinct about it
it's either called
Rush Week or
Finals Week or
something but like
it's really hard to be
like tonight's movie
is you know exactly
what you're going to
get it has no chance
of being better than
you think and instead
of something that
might be great we're
going to watch this
like those are not
necessarily fun to
just watch at home
but if it's part of a double or triple
feature it becomes like a deliriously great watch i almost feel like the way you've laid this out
for the hall of fame sake where there are no rules i feel like the way you're saying it
i almost want to have like um slots reserved like you have to have something from the holiday uh-huh i agree you need a
christmas one maybe you need a prom night april fool's day valentine's day graduation day
leprechaun is you know whatever call that saint patrick's day yeah yeah like maybe you need one
thing that's like then they made a movie that's just like the name of a holiday i yeah i mean
except my my instinct was that silent night deadly Night could stand in for all of those movies.
Right.
Because I think it's such an exceptional example of these kinds of movies.
But we can talk through it.
I mean, there's two other categories here plus a miscellaneous category that I'll run through for you.
There's something I'm calling the rebirth.
Okay.
Which is kind of when you and I come into the picture here.
So that includes Candyman.
I think Candyman before Scream.
Scream.
You've got the Saw films.
High Tension.
The French film.
This is your curated list of what's...
This is just my...
You're skipping past your urban legends, your I know what you did last summer.
I do have them represented here in a different category.
The Rob Zombie films. urban legends your i know what you did last summer i do have them represented here in a different category um the rob zombie films uh-huh wrong turn of which there have now been like nine you love wrong turn i do like wrong turn um i've also added knife and heart to this list but i haven't
seen that that might also be in the new old class the new old class is the last is the last last
ish category so that includes the strangersangers, Haunt, Scream,
X,
Terrifier,
and then this interesting thing
that is happening
that we didn't really
talk about,
but like,
the teen-friendly
streaming slasher
is a thing that is happening.
You could make the case
that X is a part of this,
but I think more specifically
Happy Death Day,
Totally Killer,
the Fear Street movies
on Netflix,
where these are kind of like
slightly watered-down slashers for 13-year-olds
that streaming services are capitalizing on. So this is like a big evolution. And I haven't even
really talked about Grindhouse movies too much. Yeah, I know. I really should have thought more
about this before coming in. I know you texted very kindly that you liked my energy on the
Blank Check Elephant Man episode. I did. Where where i was sick whereas now you're catching me at the end of like the busiest week i've had since ashford was born
so it's a similar energy level of like i'm coming in like at 60 no you're doing fine don't apologize
and obviously the spectacle of this has thrown me off for anyone who doesn't know what we're
talking about you should watch the video to see what kind of scenario i randomly walked into
thinking you're doing great like, I'm looking at an image
of you right now.
You look trim.
You look handsome.
It's because you and I
both skip dinner to eat.
Eat movie theater snacks.
I have candy dinner
and you have popcorn dinner.
Last week where I had
two nights of,
three nights of
pavement stuff,
I didn't eat dinner
three nights last week.
It's not good.
I do it all the time.
Just because I didn't have time.
I was out, you know,
if you have to be
somewhere at seven, I'm not going to eat at one in the morning. I'm not good. Just because I didn't have time. I was out, you know, if you have to be somewhere at seven,
I'm not going to eat at one in the morning.
I'm not going to eat it.
Well, one night I did eat at 4.30 just because I was like, it's now or never.
Yeah.
I'm fond of saying I haven't eaten a proper lunch since 1989.
Yeah.
That's how I roll.
You're like King Charles in that respect.
You're going to have to wait until you're 80 and your doctor tells you to eat lunch.
I know.
I'd rather be the Earl of Sandwich if I had a choice,
but that's just not how it's going right now.
A couple of other wrapping categories.
Grindhouse classics.
Driller Killer.
Last House on the Left.
Angst.
Slumber Party Massacre, aforementioned.
Maniac.
Yeah.
I kind of, like, again,
we don't have time to...
I wish we had a whiteboard here because...
Oh.
Like, what would be really fun...
Oh, that's a good future idea.
Well, because, like, what are your choices here?
Have five slots taken up by Halloween, Texas Chainsaw Massacre, and, like, you know, Friday the 13th, TBD, which one?
Like, what's more fun, that or being, like, you get two slots for, like, you get two slots for Mount Rushmore movies.
You need to, like, check off a holiday slot.
You need, like, some, holiday slot. You need like some,
you know,
like you need, why don't we just do it in real time?
I mean,
that could be,
this is,
this is the show.
Very unhinged way to group this,
but I like it because like what you want,
if you're me or you is like,
you want a slasher for all seasons.
You want one for every mood you're in.
Not everyone,
you know,
like if you're talking about a Halloween program,
if you're curating a month's worth of horror movies to watch at home, or if you're running
a theater, once you get into like the 20s of October, then it's all killer, no filler. You
don't have any time to mess around. You're not putting Body Double on October 28th. But Body
Double could really play on October 1st. Right. It could ease you into the month.
And if you're like us and you need horror movies year-round,
there is a spot for like, well, what's a good summer horror movie?
Halloween would be illegal. It's illegal to watch that movie in the summer.
Like, you can't find it.
They take it out of circulation.
That's not true, but I like that idea.
If you had the urge to watch Halloween,
why would you watch it
prior to October 1st
when you know
October's coming
yeah
if you want to watch
is that the one
you're most likely
to reach for
in October
um
I like to have
a Halloween
from the franchise
in rotation
around like
you know
because basically
for us like
from the 28th
onward is like
this is Halloween now
like we're doing
we've saved them
like we've saved like the main events of the films we want to watch like this movie seems
undeniable off the top of your head can you do your top five from the halloween franchise
from the halloween franchise halloween ends number one halloween kills two easy top three
um i would maybe put
the first one of those
at number five
I guess
I don't know
the first one of the new trilogy
the 2018 one
I do like the first one
I mean I just had such a good time
watching it
I just remember being so happy
to be like in the theater
watching that movie
and hearing that music
I think two is okay
three I was not
I think two is
as you would say
quite poor
quite poor
okay
by the way
where's my quite poor merch?
I've been trying to get this going.
Well, we're in the Spotify offices.
I know, I need to talk to somebody.
We'll go knock on Daniel X's door.
Let me put this on the record.
This is what I wanted.
A white mug, black letters, says quite poor.
And on the back is a little ringer and a big picture logo.
That's it.
That's the mug.
I want one of these.
It's a really good idea.
I think Halloween 2 is quite poor.
It doesn't really hold up for me.
We rewatched it on Halloween, like maybe two years ago ago you mean halloween kills the second in the david gordon
green no you mean the second halloween movie yes i agree that movie is also quite poor i'm not a
fan of that yeah i just don't love it yeah so it's out of that top five for me and yeah we just were
like this movie just doesn't where do you stand on claiming halloween 3 very high i think that
it's an easy number two.
Yeah.
If I'm being honest.
I mean, it just has to be.
This is where Chris and I landed when we did this.
It just has to be.
Yeah.
It's the second best movie of the whole franchise.
Well, I mean, I came in here today.
My backpack's been taken from me now.
But I did come in here today with, oh, it's over there, a silver Shamrock hat.
Did you?
Yeah.
Well, it's not too late.
I know.
If you want to put it on for the video camera.
It's part of, now that Bobby doesn't have like a producer's console, he has to just
get up and get me things.
Concierge.
Yeah, well, I guess on camera, I mean.
Oh, hell yeah.
Look at this.
And it's corduroy?
Well, because, you know, it's the analog CRT TV.
Oh, where did you get this?
Bought it on some like Instagram store.
I forget which one.
It was, you know.
I might have to get that.
It was either like, I'm just going to name the ones I buy stuff from often.
It was either like graveyard goods, creepy, or to name the ones I buy stuff from often. It was either, like, graveyard goods, creepy, what's it called?
Gutter garbs.
Okay.
Could have been tapes from the crypt that this one came from.
Silver Shamrock logo on the back.
And this came, it was a pre-order, and it came one year, like, November 3rd.
And I started wearing it.
My wife was like, what are you doing walking around
wearing a Jack O' Lantern hat
it's November
I was like
it just came in the mail
I have to wear it
what are you talking about
and you know
a nice little
silver shamrock part
in the front
but I do love this hat
I do love Halloween 3
Halloween 3 is wonderful
but I kind of like
the idea of like
diversifying a
hall of fame
of like
you do need
like we
we would need one
scream Kevin Williamson, Urban Legends,
like, 90s meta horror thing.
You would need something.
Because otherwise, it would just be like, well, 10 best movies from the 80s.
Do you think of Final Destination as a slasher?
Probably not.
Yeah, I don't think so.
So, I just had an Etcetera, which includes When a Stranger Calls.
Pure Supernatural.
Happy Birthday to Me, Fade
to Black.
Happy Birthday to Me is incredible.
I love that movie.
That played at Camp Blood, so I would count that based on the Mahoning's inclusion of
it at a Camp Blood one year.
I think so, too.
And I know what you did last summer, I added, which also I think stands in for urban legend
and that kind of like late 90s, early 2000s crop of post-slashers, but not post-post-slashers.
Well, they were just back.
Yeah.
Do you know one of the taglines
for Happy Birthday to Me?
No.
I could be quoting a little bit,
but I think it's
you'll never look at shish kebab
the same way again.
Well, it's the incredible box art,
which is the knife
going into the guy's mouth,
the shish kebab knife.
Yeah.
A really great movie.
But I like the idea
of making a Hall of Fame
more fun than like
well six of these movies
are like
74 to 85
and then the rest of them
is just personal favorites
it's kind of fun
to imagine trying to be like
okay
so let's create
so let's say
for the sake of conversation
we'll do three
hallowed classics
three of
or should it be four
of the Mount Rushmore
let's try three
okay we'll do three
so
do we get to use
reds and yellows?
I mean, is that Hall of Fame or is that?
That's Hall of Fame.
Okay, then let's use some of those and we'll see.
Okay.
So you want to go through and say red, yellow, green?
Yeah.
Okay, Psycho.
See, we're already confronted by that.
I kind of want a yellow Psycho for now.
Okay, well, yellow it.
Wow, you've chosen a yellow Alfred Hitchcock.
I mean, it just feels undeniable.
You looked him in the eye.
It feels undeniable, but also like.
You want to have some fun here.
I just feel like if a place was like, we're doing 10 slashers and that was it, I'd be like, you know, that's exciting.
Because another horror marathon, the Colonial Theater in Phoenixville, Pennsylvania, does a 24-hour horror marathon every October, which I've been to a few times.
Never for 24 hours.
And the first slot is always like a stone cold classic.
And the first slot of the ones I've been to
has been The Exorcist, Psycho, Peeping Tom.
And it just starts things off with like a 10 out of 10.
And Psycho did truly rock the house
the year that they played it.
And it really set the tone nicely.
So it's kind of undeniable, but I feel like...
That's the problem with yellowing Psycho. It's like when you go back go back and you watch psycho again even in your wizened old 40s age you're like
still hits i know but we could also have fun and go go crazy and like put in like psycho two or
three instead i'm not sure if you'll be able to get me there i did go to the horrorthon
at arrow last year at the arrow last year in santa monica and the fourth or fifth film that they played was psycho three
which is great i watched that last year and it and it played really well really well it's a great
movie um psycho three is the one directed by perkins that's right it is yeah okay so it could
be just kind of fun to be like we're're including Psycho via that, but we're also acknowledging that, like,
3 is a nasty 80s slasher.
It truly is.
And 2 is, like, I think identifiably
the first legacy sequel to a movie
where it's like, decades have passed.
We're bringing back as much of the original cast as we can.
We're just making a follow-up 22 years later.
Like, it's kind of undeniable that that movie
created a template that Hollywood is
still eating from.
Persists to this very moment.
So,
okay.
So all three of those for now,
yellow psycho,
yellow peeping Tom and yellow blood and black.
I meant yellow,
all three psychos for now.
Okay.
Okay.
What about peeping Tom?
I loved rewatching it a couple of years ago.
Kind of hard to imagine putting it in like the slasher hall of fame.
Okay.
But you're reading Michael Powell. Make it it yellow i won't keep yellowing i just always wanted to do yellows
it sounds so fun to make things yellow on the big picture yeah they never do it though they
always just make too many things greens and then we have to backtrack at the end but we're gonna
do the same thing here uh blood and black lace not like a favorite of mine okay if i was going
for like an italian thing there are others i would
you more of a limberto versus a mario bava i am yeah yeah i don't think i even have like a favorite
mario bava film other than um black sunday but i would say other than that yeah black sunday
that's not really a slasher no but that's probably my favorite yeah that's my favorite too okay so
blood and black face just red which is appropriate the reds are going to be appropriate for this
this episode texasainsaw Massacre,
a film we talked about
on this show.
We did a whole episode.
You're an auto green
for Texas Chainsaw Massacre.
I mean,
that was the one
that all three of you,
me and Chris,
tried to get first
when we did the horror draft.
That is true.
That is true.
Last time you were here
for the New York Film Festival.
Chainsaw,
you know,
I was sent the chainsaw.
Did I show you the photo
of the chainsaw?
No, it's waiting for me at home. I sent you the photo of the chainsaw of you with it no I haven't
it's waiting for me at home
I sent you the box set photo
first and you wrote back
I don't know if I can get this
and then a week later
you were like
I'm getting it
well yeah
the fine folks
at the company
that's distributing
it sent it to me
I will make a YouTube video
of me
unboxing the chainsaw
yeah which is
have you heard about this Bob
do you know what I'm talking about
Amanda's on leave
and Sean's gonna do
unboxing videos
of blu-ray box sets
shaped like chainsaws
oh yeah you told me
about that I didn't
I hadn't heard about
the chainsaw
specifically for the
50th anniversary of
Texas Chainsaw Massacre
they have reissued it
on 4k and the company
dark sky that is
distributing it sent me
the entire edition which
Alex did the minute he
saw it he was like this
has got you written all
over it it's the most
insane looking piece of
physical media that I
think has come out for
years it's the it's the
box if we can find
featuring the 4K
and it is a chainsaw.
I don't think it's
an operational chainsaw
but we're going to find out.
Hopefully my daughter
doesn't find it at home.
Wow, this is some special stuff.
We're going to have to give that
to Jack to show on screen.
I will be unboxing it
on this YouTube channel.
Cut to a photo of it.
You kind of unboxed
on this episode already
when Alex gave you
that bag of gifts.
That's right.
I know.
Maybe someone can just bring me a present for every episode.
That would be nice.
Is that in the budget? If I keep having
friends on who buy gifts for me.
Who travel to Venice.
I mean, yeah, green. You can just make it green.
Green for Texas Chainsaw Massacre. I'm with you.
I agree. It has to go in Black Christmas.
You said proto, but in many ways,
I think this is the true proper template
for what most
slashers look like
it is
definitely
there's no killer in it
I mean there's no
I mean we don't see
the killer
yeah
it's unresolved
it is unresolved
as a narrative
yeah
in fact
it does
it doesn't invent
the POV shot
but it takes what
Peeping Tom does
and then magnifies it
with the sorority
if you
you can't have two Christmas movies on here oh i guess that's right black christmas could also
be the holiday stand-in even though it comes earlier um silent night deadly night or is that
what you suggested i did we don't have to go with that we can keep going through let's yellow black
christmas christmas is a better movie than silent night deadly night it is it is but it is less
fun it's definitely less fun.
Oh, it's a probing
psychological film.
Yeah.
Argento.
Are there any Argento movies?
That for me is like
this is the Argento slasher.
Yeah.
I just prefer the supernatural ones.
Okay.
I don't know.
I mean,
if you needed Deep Red,
you're wearing the button.
If I was doing this,
I would put Deep Red in.
I think Deep Red could be.
I feel like that's
a nice acknowledgement
of the Italian Euro.
Let's just yellow deep red for now.
But it's probably going to.
You think it's going to get cut?
Well, this can't just be all American.
Good point.
Well, you've just shushed the two Italians thus far.
I know, but this is where we could maybe fix that.
Okay.
And, you know, it's not going to be New York Ripper.
No.
No Fulci on this list
no I mean
he kind of did
his best work
in other
other genres
but
can't be all American
and then like
if in two years
we do
best movies
about
the gates to hell
yes
Lucio Fulci
will have two or three movies
yeah
maybe that can be
your election special
in
in four weeks.
Fortunately,
we've already recorded that.
Yeah,
but you can't really have
just,
you know,
there are great slashers
from other countries,
but like,
not really like Asian horror.
No,
Not a lot.
They're not like
a slasher people.
There's not a lot of them.
No,
it's much more supernatural.
And,
you know,
then there's like,
there's some,
there's definitely some
Euro horror
that is taking
the slasher influence, but mostly, mostly Italian. A little French. And, you know, then there's like... There's definitely some Euro horror that is taking in the slasher influence,
but mostly Italian.
A little French.
And some French.
And then pieces of Spanish.
Good point.
I guess I don't think of it as Spanish, but it is.
Okay, so Halloween, I think, is green.
Yeah.
I think the...
More boring choices, but...
But these, like, the clearly we have to honor this franchise with Chainsaw and Halloween.
Yeah.
Going immediately, putting those two in is kind of a no-brainer. the clearly we have to honor this franchise with Chainsaw and Halloween. Yeah.
Going immediately putting those two in is kind of a no-brainer.
Do you want to just read the De Palma movies and say,
we'll just set those aside and acknowledging their greatness?
I think so.
Okay. I think if you went to a 10-movie horror marathon at the Arrow
and after Texas Chainsaw and Halloween, they put on Body Double,
you'd be like, this is not the vibe I'm in right now.
I want to see a print of Body Double and I want to watch it here.
I would never turn it down.
But I, like, kind of not what I came here for tonight.
Okay.
I did buy the 4K.
I was very happy to buy the 4K.
That's good.
Yeah.
Have you watched it?
It hasn't come yet.
Okay.
Hopefully, hopefully when I get home.
Unboxing.
It'll be there.
Yeah.
Should I, do you think Eileen will watch Chainsaw and Body Double with me on the first night?
I'm already watching them if they arrived while you're on your work trip.
Honey, I've missed you, but I need to watch the chainsaw 4K. Walt's holding the chainsaw.
Okay. Friday the 13th. Now, if you could choose one, which one would you choose?
I would choose two or three. Yeah. Two is my favorite. Yeah. And I've had such great
screening experiences with three. Remind me of three. I forget. It's the one in 3D with the
disco. Oh, right. Of course. Oh, that one. I don't really like that one. Yeah. It's pretty
awesome if you like hear that music
blasting from like
the speakers at the drive-in
okay
2 is kind of undeniable
we re-watched that
like a Halloween or 2
season ago
and I was just like
this is just the perfect slasher
it is
it's really great
other ones I feel like
you kind of have to make
the sentimental favorite argument
obviously
Jason Goes to Hell
we both agree on
we do not
it's bad.
Much like you, Jason,
has taken Manhattan.
I just don't know
what your problem is
with these later movies.
I really think they're good.
I really think they stink
and I'm a little bit bewildered
by the cult of them,
but that's okay.
They're just,
I mean, I said this
when we were doing the draft.
Like, they're just,
they're so solid.
The quality drop off
from those movies from one to
10 is so slight i'll tell you what it is i find that the kills are really mediocre okay in the
friday the 13th movies and it's part of it is it's a jason problem you know jason he's got one gear
that's it there's no variance you know And so I just find myself kind of bored.
Yeah.
Okay.
Nothing personal.
And I like one a lot.
I love two.
I like four.
Five is where it starts to lose me.
See, again, we said that we're just going over what we did two years ago.
I think four, five, and six is just like the best middle trilogy of any horror franchise.
Okay.
So if you would choose one, you choose two i guess so i mean if someone was like you're programming this this marathon i would pick
three i'd be like we should watch that in the theater okay see this is a different idea like
the programming the horror movie marathon would be a different episode i know but that's where
my brain is at here on like october 7th or whatever it's a good thought it's maybe a better
framework for this conversation than a hall of fame okay you, you need to put together, program your series.
Because, like, you know, you just did, like, your George Clooney Hall of Fame.
Like, no one would go to a 10-movie George Clooney marathon.
It's like, all right, guys.
George Clooney has been taking some bullets on this pod recently.
Whatever the Hall of Fame, it was the both of them.
See Wolves?
I haven't caught up with Wolves yet.
Although, I will say I really loved your rant about it.
Thank you very much.
Because we just came to Kim's, as we've said.
Basically, we do Kim's on Fridays, as we've said, basically my,
we do Kim's on Fridays.
So every Friday,
new episode of the big picture,
I fire it up and I take the 30 minute journey from my house to Kim's always
with a new big picture episode.
And the last time we did it,
it was just the entire thing was just you being like,
this movie is terrible.
I'm so upset right now.
These are our greatest guys.
What are they doing?
What a waste of everyone's time.
And I was like,
God,
great is what I want from this movie.. And I was like, yeah, great.
It's what I want from this movie.
So,
a total like,
C plus night on the couch.
I don't mind saying this out loud.
The Wolves episode
may be like
one of the worst
performing episodes
in like the last three years
on the pod,
which to me is like
a direct indictment
of the problem with the movie.
Is that separate
from the Hall of Fame
you did for them?
We did a draft
of Clooney and Pitt movies.
Yeah, yeah.
But that movie,
which like no one saw
because everyone who did
see it was just like,
what a waste of time,
is in microcosm.
Like, way more people
are going to listen to
the episode about
like The Substance.
Right.
Which is an incredibly
intense, alienating
body horror movie
released by Mubi
starring Demi Moore
who hasn't been in a movie
in theaters in 20 years.
So.
Well, that speaks to like
what your audience is
and what people care about
in movies right now.
It doesn't, it doesn't.
Like people will listen
to the Pitt and Clooney draft.
They will happily enjoy
that episode.
But like more people watch
a show on CBS
you've never heard of
than any episode of Succession.
That is true.
But the Succession podcast
will do incredibly well.
Right, but that's the same thing.
Yes, yes. No, it's a fair point. I don't even know if this is still on but no one would listen to like your Blue Bloods recap. that is true but the succession podcast will do incredibly well so you're right that's the same thing yes yes
it's a fair point
I don't even know
if this is still on
but no one would
listen to like
your Blue Bloods recap
if you did it
on the ringer
Bill's dad would
yeah Bill Simmons' dad
Bob yeah
my parents would
Copaganda
no they're in there
you know
as a devout
lover of Law & Order
SVU
like I
you know
the consumption
of things like that
is different
and I think Wolf's
and that kind of movie is just aiming for like,
yeah,
no one who's watching this wants to then listen to people talk about it.
They watch it so they can forget about their lives for two hours.
Better or worse with Donnie Wahlberg in the Clooney role?
Uh,
I think they're given the same level of effort,
you know?
So I'm not sure what the answer to that is,
but you know what I mean?
Like I do,
it's just,
it's a clear thing, but I haven't seen it. You know, some like, you know,
your parents, some Saturday night, you're just like, I am wiped out. I'm so tired. It's been
one of those weekend days. Wolf's is going to hit hard one of those Saturday nights.
I'm looking for those parents on the, in our podcast audience. I'm not finding them somehow.
God, I'm so tired. I could barely get through the day. I can't believe she's asleep.
Let's eat some ice cream and watch wolves that's what it's made for it's nice that we've been able to have this parental experience simultaneously too because
we're going through the exact same shit yeah the little picture coming soon with all these little
all these little kids i might say it already exists on this pod uh friday the 13th part two
we're gonna yellow i would i mean i feel like it's in. I think so, yeah. Okay, well put it
unless you would
entertain a different one later.
I think you need Jason.
Do you need Freddy?
I don't think so.
I don't love any
also like
You don't love any
Nightmare on Elm Street movie?
I don't love any of them enough
to be like
we need one from all four
of those franchises.
See, I appreciate
these movies more.
Now they are much more
supernatural than
your standard issue
but is it supernatural
or is it just dream logic?
They're all the story beats of a slasher. They do, do they do i mean i love i mean i do love three of those movies dream warriors yeah i love like yeah two three and four basically two three and four um
the first film was good that's very good yeah it's like the first right the 13th
yeah i just don't know if four of these slots need to be taken up with these four
franchises
I think that would be
a controversial pick
so you're more of a
Jason guy than a
Freddy guy
absolutely
hmm
I have no
Freddy shirts
I have
enough Jason shirts
I couldn't tell you
what do you think
about New Nightmare
uh
it's
a you know
it's
uh
I'm flipping the order
on these but like
it's the amnesiac
to Scream's Kid A
like
he had this very clear idea
of something
but didn't you
Nightmare Come First?
yeah that's why
I'm flipping the order
okay
like he had a very clear idea
he did the thing
it's like
wasn't quite right
and then like
immediately figured it out
and did it and like
changed culture
interesting
like it's just
he was like
what are these movies
what have we been doing
for 20 years
what violence have we
brought into the world?
How do people talk about horror movies?
And then because it was the seventh Nightmare on Elm Street movie, it just couldn't work.
And then he just found the exact formula to be like, let's hold the mirror up.
So let's say for the sake of the Hall of Fame right now, we've got three greens.
We're going to red Nightmare on Elm Street, which is a bold choice.
But I would find another way to include Wes Craven if...
Well, I think we will find one.
Yeah.
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We got to talk about the 80s essentials.
So you wanted to come up with some rubrics as holders in this Hall of Fame.
So like a holiday slasher.
Yeah, and I feel like if that's what we do, for better or worse, we've already checked off Camp.
We have?
Camp Closet, you know.
You sure you don't want to find another rubric for Sleepaway Camp?
There could be another.
There could be two Sleepaway Camp.
There could be two camp-based
movies.
It's not like camp is
20% of the slasher genre.
It is. But Sleepaway Camp
could be the concealed killer.
Yeah. Right? Yeah, I'm more looking
at like, again, like picture
you're making needlessly specific
video store sections
of like holiday slashers this
isn't like i don't know if you're doing one that's called concealed killers no sorority slashers you
would do yeah you could definitely do high school college slashers maybe less high school but i
think we need something from something from academia and it's probably house on sorority
row which i really love okay really incredible at really love. Okay. Like a really incredible
at least that would be my vote
a really incredible movie.
Over Slumber Party Massacre.
I think so.
Okay.
I like Slumber Party Massacre
a lot.
And over Black Christmas.
I would say of those three
House on Sorority Row
would be pretty high up there.
Okay.
So let's add
House on Sorority Row
to 80s Essentials
we'll green it.
I would like to green
Silent Night, Deadly Night.
Yeah.
I think that's my
Christmas slash holiday pick. If we want to have another Night, Deadly Night. Yeah. I think that's my Christmas slash holiday
pick. If we want to have another holiday
pick, we should talk about that. Obviously,
you know, Black Christmas and Silent
Night, Deadly Night and My Bloody Valentine
kicked off a
noisy wave of these movies.
I don't know. My Bloody Valentine, I don't know
if we need that if we're going with Silent Night, Deadly
Night. Yeah, those are kind of different to me.
Because obviously, like, the Christmas thing is its own little silo.
New Year's Evil, like the kind of December horror movies.
I do like New Year's Evil, too.
You might see popping up at a rec theater.
New Year's Evil, one of the great punk rock movies ever made.
Those movies are all fun.
The rare horror thing
my wife just doesn't
want to watch.
The holiday stuff?
There's no day in December
she wants to watch
a horror movie.
And I don't blame her.
Interesting.
It's not necessarily,
you know,
it's a specific thing.
I was thinking about that
because Heretic this year
is coming out in November.
Okay.
And obviously Nosferatu
is coming out on Christmas.
Mm-hmm.
There is some history
of those kinds of movies playing well in those periods.
I mean, Scream didn't come out in October, right?
Yeah, it came out in January, right?
Yeah, I think it was a summer movie, right?
Or was it January?
I think it might have come out in December.
Okay, maybe it was December.
I think that's why it's confusing and I always forget the year.
I think it came out like back when release calendars were much less rigid than they are now.
I really think Scream.
Oh, maybe you're right.
I think Scream and Scream 2
came out December 96 and 97.
December 20th, 96.
There you go.
See, that's crazy.
That's the first Scream.
That's the Nosferatu strategy.
Like, yes.
And I'm sure they will have similar success.
$100 million, seven sequels.
You never know.
Nosferatu 6?
Feratu's back.
I mean, this is Nosferatu 6.
Or as I said when the trailer played,
a gritty reimagining of Van Helsing.
A gritty reboot of Van Helsing.
But yeah, that's just crazy.
For us now, you'd be like,
Scream, high school movie,
everyone's in school,
when does that come out?
And you'd be like, I don't know,
September 20th?
Or like some other, and it's like, nope nope christmas i remember the faculty was a summer movie i remember
i think it might have been on the cover of that entertainment weekly summer movie preview i guess
i would say august i think i think it was august when is the fact 98 or 99 it's called august 99
right i don't know i'm getting conflicting reports it's saying both November and December
so for the faculty
so you're closer
so they probably
98
98
because this song
on the soundtrack
the cover of
just another brick in the wall
like the super group
was called
The Class of 99
that's right
that's why I'm thinking
it's a 99 movie
and that was one of your
favorite songs that year
you played it on a loop
play it for us
all the time
is the faculty soundtrack
on Spotify?
I don't know
let's go outside
and ask somebody.
Open the door.
Okay, House and Sorority Rose.
Someone out there
trying to eat their lunch.
Excuse me.
Faculty soundtrack.
I need you to upload
the faculty soundtrack
now, sir.
Silent Night,
Deadly Night in Her House
and Sorority Row
are going in.
That means five.
I think these are cool choices.
I think it's good
to have a little bit
of an esoteric character.
I'm not going to say
that I could swear
for the rest of my life
that House on Sorority Row
is like my favorite
like non-A level slasher.
But I think it's
really, really good.
And you think it's super sweet.
You know that movie
has like a completely
unknown like
like a sequel
or reboot from a few years ago?
No.
You know like how
they just remake movies
because they have
a famous title?
Yes.
There is one of those
I think. Okay. And like it just doesn't i mean that does happen there have now been three black
christmases all of which are and they're all sort of the same right general idea like a 2000s one
and then like a recent one there's like an 06 one and then there was a sofia taco one right like in
2018 but the uh the other one maybe whatever this is irrelevant.
We have our
Oh it's called
Sorority Row
2009.
Yeah.
And it's just like
Who's in it?
Brianna Evigan
Rumor Willis
Carrie Fisher
Rumor Willis
and Carrie Fisher?
Wow.
Yeah.
Interesting.
I don't think I've seen that one.
Yeah.
I don't know.
I had never heard of this until I watched the other one.
It was doing a little bit of clicking.
I really like the idea of you putting in House on Sorority Row and not Psycho.
Well, that would be insane, but maybe we will put Psycho in.
Okay, maybe we will.
Prom Night, no?
I just feel like there needs to be something like that.
Be at prom night.
Like, the question is, like, under your head.
Prom night, April Fool's Day, graduation day, my bloody Valentine.
Like, these are all secondary holidays.
Where do you go?
Are we sure that just having Halloween and Silent Night, Deadly Night doesn't get this across for us?
It probably does.
You know, these are films that take place on,
like, where the crimes are taking place primarily on the day.
Movies that you'll see people be like,
well, it's this day, this year, time to rewatch.
Right.
Every Christmas morning,
I fire up Silent Night, Deadly Night for my young child.
Silent Night, Deadly Night,
first 20 minutes of Silent Night, Deadly Night
up there for the most depraved.
It's really, really a violent movie.
I mean, that's one that was protested.ed it was back when we had a proper country and
people could get worked up about a horror movie i heard you're relaunching the prmc though that
that's a really a passion of yours yeah i think the time is right is tipper still around i don't
want to say yes or no because what if she's dead and we make a joke about her i don't know she's
alive we would know if tipper had died died. There should be like an app.
Yeah.
Because Tipper's still here.
Yeah, yeah.
Oh, like the Liza Minnelli.
Like has Liza Minnelli
outlived this thing?
She's still here
and she's 76 years old.
She's got some juice in her.
The problem is
there's no offensive culture anymore.
Some juice in her.
She's not,
it's not like Bobby just said,
she's 99.
It's like,
well, maybe by the time this comes out.
If she was a filmmaker,
she's got like four films left.
Yeah. That's right. If she's on the Ridley Scott plan, she's still. It's like, well, maybe by the time this comes out. If she was a filmmaker, she's got like four films left. Yeah.
That's right.
If she's on the
Ridley Scott plan,
she's still going.
Yeah.
Don't really hear
about Al Gore
ever anymore.
We don't.
What does he do?
We don't.
He's just still
trying to unlock
that lockbox.
Right.
You know,
trying to figure out
what was inside.
I just feel like
with so much
climate change talk,
he would really
become rowing back
like doing a kind
of I told you so.
I think it's understood.
Yeah,
but where is he?
He was on the right
side of that one, you know?
Where is he?
You want him just to keep telling us he was right about climate change?
I just feel like now he could come back and have a more sympathetic ear.
I mean, I think he got a raw deal.
Yeah.
And his sort of anti-charisma worked against him.
Yeah.
But it is what it is.
I'm glad we got into Al Gore's political career here on this episode.
He does tweet videos of himself talking
about climate change.
He just feels like
someone that could
have a podcast now.
Al?
He probably does.
He probably does.
Well, let's open
the door again
and ask someone.
He's in the studio
next door.
Okay.
No to prom night.
No to my bloody Valentine.
I mean,
these are both movies
I love and would be
thrilled to watch again,
but I'm going to yellow those for now.
I want to pile up with a bunch of yellows
and then fight for scraps with three slots remaining.
I'm with you.
Child's Play?
I don't love Child's Play.
I'm very fond of the Child's Play franchise
as a object of horror franchise oddity.
I would not be psyched.
I guess I would be now
just because I haven't seen them in forever.
But if I were at a blindfolded marathon and Child's Play popped up,
I guess I'd be pretty excited.
I watched the original on a plane within the last 12 months
and had an amazing time with it.
It's funny.
I was just on a plane with somebody and he was like,
hey, Child's Play is on the plane.
It must be just like on American or something.
I don't know.
Yeah.
I would like to rewatch it.
It just never really excited me that much.
It is supernatural. Yeah, and would be, I would like to rewatch it. It just never really excited me that much. It is supernatural.
Yeah,
and it's just kind of goofy.
You know,
it's like transferring
the soul of a killer
into a doll.
I love that though.
I mean,
that's very like
Twilight Zone,
Dead Man's Shoes.
I love that as a premise.
I guess just because
like for our age,
like,
I probably,
like,
Bride of Chucky came in
so close to the time
that I was aware of this.
Like, the franchise was already eating its own tail.
It was.
So I could never really take the earlier movies that seriously.
It's now gone on so long.
That's a franchise that's had a much longer life than I ever would have expected.
And, you know, part of it is, too, is, like, that there's, like, all these queer readings of that movie.
And so it has taken on this whole new.
Of Child's Play 1?
Of the franchise in general.
Of the character and the way that, like like some of those later movies are played.
I don't know.
Yeah.
Chucky's a funny guy.
He is a funny guy.
There's the Aubrey.
Is it Aubrey and what's the guy's name?
The great actor that was in The Eternals.
It's in Beale Street.
Brian Tyree Henry.
Is it the two of them in the child's play reboot
oh Aubrey Plaza and Brian Tyree Henry yeah I think you're right Chuckie's like an app or something
um he's like yeah they had that reboot and then it was launched as a series it's been a series
that was just canceled and had like three full seasons on like USA right anyway Sleepaway Camp
I love Sleepaway Camp I feel like it's it's probably one of the most important slashers,
certainly now.
Its legacy has become really huge.
I would argue a top five ending to any slasher.
Yeah, it's pretty great.
The sequels are quite good too.
I haven't seen a lot of the sequels.
There's only two that I can think of.
Unhappy Campers and I forget what the third one's called.
I don't know.
Let's Yellow Sleepaway Camp.
The third one is like
this movie should have been
like how do they let
people make this?
It seems like it should
have been illegal.
Because it's so depraved?
Yeah.
I don't think I've seen it.
Oh, it's very good.
I'd say you got two
good nights ahead of you
if you want.
I'm sure there's a
Sleepaway Camp box set
for you to acquire
on the internet.
The story you told
on some recent episode
where you're like,
I was at the video store with my daughter
and then they're calling out to me
from the glass display case
was a pristine out of print Blu-ray
of Brian using a society.
It's like,
picturing this day for you is so funny.
It's like,
well,
time to crack open the,
have the guy unlock the case
and give me society.
That is what happened.
Yeah.
It was a nice woman.
And she asked my daughter with interest what she was going to be for Halloween
while I acquired the Arrow Blu-ray of society.
Yeah.
Which I still haven't watched, but I'm going to return to post-substance.
Similar, like on the substance episode, you like just straight up like mansplaining like
to Amanda.
You're like, you see Amanda.
Frank Henenlotter opened the basket. And some of the practical effect and just like. Whatanda you're like you see amanda frank hennenlotter opened the basket and some of the
practical effect and just like what do you mean i'm doing the work yeah you know mansplaining
what about explaining a another word for it you considered it very few women in my life have
explained the work of brian using it to me it's not something a lot of a lot of ladies have um
sat me down to be like let me tell you did you know that this guy originally wrote Honey, I Shrunk the Kids?
Yep.
Yep.
Well, I mean, it's understandable.
Yeah.
From a similar mind.
Right.
The Hitcher?
I don't know if The Hitcher is top 10.
Agreed.
I haven't seen it in 20 years.
Maybe if I watched it tomorrow, I would love it.
Also recently reissued in 4K.
I'll have you know.
I did see that, yeah.
Pieces?
I personally love Pieces. Can you do Chains 4K. I'll have you know. I did see that, yeah. Pieces. I personally love Pieces.
Can you do Chainsaw and Pieces?
Do you want a Spanish?
Do we want to diversify our globe?
We'll yellow it.
Okay.
There won't be another Spanish one.
In your honor.
Let's call it the greatest Spanish slasher.
It is one of the most satisfying.
You walked into the movie,
the like revival,
the restoration or whatever.
Seeing it projected, it plays raucously, historically.
Yes.
I don't know if it's among the top 10.
Yeah, but I do love it,
and I had a great time watching it at Camp Blood
at the drive-in a few years ago.
Okay, The Prowler and The Burning, I would say...
I would almost make a case for The Burning just because...
As what?
As green.
But in what space does it occupy?
I guess it's just another camp movie.
Yeah.
Yeah.
I mean, I agree that the camp movie is important, but...
I know.
How many can we really put in?
We were going to put in Sleepaway Camp and Friday the 13th.
I was saying two is too many.
Yeah.
I mean, The Burning is just kind of...
It's just...
We're recommending it here.
We're saying on the show, watch The Burning.
I just love it so much.
I think The Burning is on Tubi right now. Feels like it's playing on a loop yeah i mean incredible cast
and i just i believe i don't know but i think just entirely a sterling creative team on that
one as well it's a good film nobody involved with that who whose work we shouldn't be celebrating
most of the movies we've mentioned are on some combination of shutter to be pluto and amazon prime they make the classics
available which is good they do i want to be clear that both that i believe the bernie's written by
harvey weinstein but is that a fact that's what i was saying yeah him and i believe him it's his
only like screenplay credit is him and him and bob weinstein well then you should support that
film because i was making making a joke about that. And then you seem like. I steamrolled you.
You seem like you agreed with it.
And I wanted to just voice that we don't actually.
It's just, yeah.
I mean, last time I saw a print of the burning, people booed.
Really?
Oh, sure.
Just seeing the credit.
Yeah.
Yeah.
Well, I mean, understandable, right?
Sure.
And we're all there to have a good time.
I wasn't advocating for the written works of Harvey Weinstein.
No, I think this is the only one.
It's unfortunate that it's so good.
Yeah, well.
Or at least story by.
Yeah.
Okay, I'll buy it.
Great film though.
Okay, Rebirth.
Candyman.
I would have a hard time
making that the sole Clive Barker.
Not that there's other
Clive Barker slashers
that I think need to be in there.
But also,
that's entirely supernatural.
It is,
but it has a kind of kill tool that feels very slasher.
It does.
Another good thing about,
um,
in a violent nature.
It's the design of this guy and the old timey fire mask.
And I mean,
it's just the logging.
It's excellent.
Instant,
instantly iconic.
Yeah.
Then the cliff sedge kill is extraordinary.
As is the log splitter.
It is.
It's a great movie.
I love the...
Congrats to that guy.
Who loved his answer.
You're like, why is this movie in 4x3?
And he's like, because VHS's are in 4x3.
That's a good answer.
It's a great answer.
What did you...
What do you think about the question that I asked him when I was like, I don't understand
for myself personally why I enjoy this depraved material so much.
But I do love to go to the movies and see something like this.
Why do you like to make things like this?
And he was like, let's not spend too much time thinking about that.
And here we are.
I'm going to do four more episodes thinking about this.
I mean, yeah, sure.
I mean, it's just fun.
Yeah, it's just fun.
It's just power.
It's just power.
It's the same reason I explain people.
Why do you go to so many metal shows?
I just like the most powerful version of what I like. Well, that's just power. It's the same reason I explain to people, why do you go to so many metal shows? I just like the most powerful version of what I like.
Well, that's well put.
It's just the loudest, most in-your-face,
the most energy, the most get-your-stress-out.
Is there a hole that you're trying to fill, do you think?
Probably.
Yeah.
A lack of power.
Yeah, the hole is my lack of power.
Well, that is revealing.
I have no power, so I have to go find it elsewhere.
We've really done the work here today scream well what is like the best of that 90s like slashers are back it's
scream is it scream one i think so i think scream one is the best film i think it's the best horror
movie of the 90s yeah kakarian did the good 90s horror series last year which had some revelations
that was excellent okay you know what I can bring up right now?
Yeah.
This is neither here nor there, but where if not the big picture Halloween Horror Hall of Fame.
Where do you stand on Dee Snider's Strangeland?
Complicated. Dee Snider, a resident of Long Island.
One of the signature residents of Long Island.
Hearing a lot of positivity so far. I like where this is going.
I think it's a bold vision
in that film
and I don't like it.
This movie
fucking rocks.
Absolutely rocks the house.
It's unbelievable
how good this movie is.
It rocks the house,
you say.
I kept seeing it at,
I kept seeing VHS copies
of it for sale.
And then I was like,
wait a minute.
I thought this movie
was the coolest thing
in the world
when it came out
because it was so dark
and twisted and extreme.
Not a slasher.
No.
But like while we're just on this run of 90s horror.
And I saw it.
I liked Twisted Sister.
I liked that kind of music at the time.
I thought it was the most fucked up thing I'd ever seen.
Then recently, I was like, oh, no, we need to watch this.
And we watched it.
This movie is so depraved
so
upsetting
in its depiction
of the human body
and the pain it can endure
81 minutes long
and
I just was like
this movie has
no cultural footprint
why can't I buy a shirt of this
where is my Strangeland shirt
where is the Strangeland
4K Blu-ray i asked my
friend who's a programmer at the nighthawk i said how come what's like you ever play strange land
and she's like i don't know this movie she knows everything this christina at nighthawk her brain
is tubi like tubi is what the inside of her head looks like she's like i don't know it and then
i was like it never plays and i asked my buddy who programmed the 90s horror series on Criterion
I said Clyde
why didn't you put
Strangeland on there
I know he struggled
to like come up with
he goes
I've never heard of this
and I was like
what has happened
like this was such a big movie
I know it
it's in the video store
and it was available
it was yeah
it was around
I
I don't remember liking it
yeah
worth a rewatch
you think I should revisit
okay I'll revisit
just watching it
Anna was like this explains why you like Hellraiser so much because I hadn't seen Hell it. Yeah? Worth a rewatch. You think I should revisit? Okay, I'll revisit. Just watching it, Ana was like,
this explains why you like
Hellraiser so much.
Because I hadn't seen
Hellraiser when I saw it.
It's just like, you know,
Hellraiser light.
It was a gateway to Hellraiser.
Yeah, that was your gateway.
Yeah, it's a really,
it's a really good watch, I think.
Well, thanks for that excursion
into Dee Snider's
career and work.
Yeah, a pretty solid film
that I believe is largely forgotten
and I think is on Shudder
there's some synchronicity
here too
because Dee Snider
of course
a significant voice
in the PRMC battles
in the 1980s
you know
he fought for the right
to write Twisted Sister songs
yeah
well no
to not take it
right
they didn't want to take it
we're not gonna take it
we're gonna bring it
to Strangeland
yeah Strangeland
I feel like you know
keep going
check it out
okay
Saw?
so wait so is Scream
just like the definitive
movie of the 90s
I think it has to go in
yeah
I think it has
and it is a true slasher
it is yeah
definitely
and then what comes
after that
Urban Legend
Urban Legend Final Cut
Valentine
Valentine's okay
I mean in the Hall of Fame
no no I'm just saying
I know what you did
last summer
yeah that's kind of the other I think that's kind of the B to Scream's, no. I'm just saying. I know what you did last summer.
Yeah, that's kind of the other.
I think that's kind of the B to Scream's A.
It is.
I don't think we should be putting that one in.
The next time it's February, if you need to mix it up for my bloody Valentine,
David Boreanaz's Valentine.
Solid.
You know, solid.
I watched that like one day after shooting a music video when we got Thai takeout.
I was so tired and we just watched Valentine.
It was solid?
It's like a great.
I'm sure I've seen it. A great 5 out of 10.
Okay.
That's kind of the end of the slashers though.
Sort of the inverted wolves.
That's the thing, you know?
It's like sometimes a 5 out of 10 is great.
Sometimes it's terrible.
For that run, Valentine's kind of the end.
Like the five-year cycle of neo-slashers has ended.
Yeah.
And we've gotten into Saw now.
Well, so we do have Saw and we do have High Tension and the new French Extreme.
And we do have, you know, the Eli Roth movies, you know, Hostel and, which is a slasher.
Any of those go in?
Any of the Rob Zombie films?
I don't think so.
I don't think so either.
And I like most of these movies to one degree or another.
I mean, I guess the case could be made for House of a Thousand Corpses, perhaps.
Yeah.
I mean, it'd be even hard to say, like, that would, like, no psycho, no the burning.
Like, this would be ludicrous.
And yet, if I was putting together a 10-film marathon, I really would want something.
You keep circling back to that,
but that's not the exercise.
That's kind of how I'm approaching this
as I curate my month's viewing.
Okay.
And as we think of a challenge,
like,
you know,
movies like that
really do play great
at a marathon.
They do.
Like a 2000s movie
that nobody has seen
for 15 years.
They have to be 87 minutes, though.
Yeah.
Any of the ones
that are bloated
that are in 110 minutes,
I can't get.
No, no.
I mean,
Happy Birthday to Me
as a middle of a triple feature
people were like,
this is a great film
but this is kind of
a crazy thing to play second.
Yeah, yeah.
No, they're always,
it's always fun.
But who's,
doesn't Happy Birthday to Me
have a real,
a reputable director?
Who is it?
Isn't it J. Lee Thompson?
J. Lee Thompson.
Well, not so reputable
but a real Hollywood director.
Okay, New Old Class.
Strangers?
Is that a slasher? Kind of a home invasion. Just a home invasion. I feel like you've done a home invasion. A real Hollywood director. Yeah. Okay. New old class. Strangers? Is that a slasher?
Kind of a home invasion.
Just a home invasion.
I feel like you've done a home invasion.
I don't know if we ever did an episode.
I feel like you did at some point,
but maybe I'm movie dead.
Just remembering.
X?
I mean, I honestly feel like the case could be made
if there has to be something.
You can't say there have been no
Hall of Fame level slashers.
Well, I would argue it's...
X versus Terrifier is interesting
because X is signifiers and history
and reflecting on the history.
And Terrifier is just
an extreme continuation
of the movies that
Damien Leone was raised on.
Yeah.
So what's more representative?
Well, I've only seen one Terrifier
and Ty's one of my good friends.
So I probably can't answer this.
Okay.
In the interest of political fairness, I have to.
Maybe we should leave them both out.
Well, that feels unfair to some, you know, because these movies are keeping things alive for people.
They are.
Both culturally and in the sort of indie horror, indie merch.
This is really carrying the torch in a way that I think is quite valuable, that not everything is about grief and trauma fully agreed um and neither of these movies are
although terrifier 3 is a is a is a bit about trauma arts trauma no i wish it was about arts
trauma no it's about the the uh what lauren vera i think her name is the lead actresses
characters um trauma yeah okay yeah i't know. It feels important to acknowledge
that good movies,
I mean, even in A Violent Nature
is a great, like,
this can't be one of those things
that's like,
yeah, the entire Slasher Hall of Fame
is over by 2003.
Like, it's a 20-year run.
I agree.
That's why I've got them here.
Or 40 if you do Psycho, but...
Why don't we yellow both of them
for the time being?
Okay, I'm excited to have
all these yellows, right, Bobby?
A lot of yellow.
I don't think any of the teen
streaming slashers are going to make the cut. No. I don't think any of the teen streaming slashers
are going to make the cut.
No, I don't think so.
We can red those.
Driller Killer
or Last House on the Left,
any of these movies?
I mean, I kind of want
like one super gnarly
like video nasty.
Something that's like
a reprehensible banned film.
Angst?
I mean,
is that really a slasher?
Does he slash anything?
I guess more of a psycho killer.
Yeah. I guess that's a fair pointher? Does he slash anything? I guess it's more of a psycho killer. Yeah.
I guess that's a fair point.
And if it's only...
Maniac?
I like Maniac.
That could be our...
I like...
Was Maniac a video nasty?
I think so.
It was.
Certainly Maniac feels like it would have been.
Anything more representative than that?
I can never remember the exact 39, but it's a pretty diverse list.
Let's pull it up.
Maniac Cop, also good.
The Maniac remake with Elijah Wood
from like 15 years ago, very good.
It was very good.
Okay, Video Nasty.
You have to look at like the first list
because they kept adding to it,
but it's the initial 39.
Let's just read the list.
Okay, 39 movies.
Here you go, people.
These are the prosecuted films.
No, I mean, you know,
there's some stuff on here.
Like Driller Killer is one, right?
For our movie?
Driller Killer is one.
I mean, Cannibal Holocaust and Ferox and Apocalypse.
The Burning was on this list.
Great.
Bay of Blood was on this list.
Blood Feast.
We haven't talked about the, you know, Herschel Gordon Lewis influence of all this stuff.
Well, you're looking at this, you know, it's entirely likely a big picture listener doesn't
know what video nasties are. That the British Board of Censors came up with a list of initially
39 horror films that were too violent and morally reprehensible to be distributed. And a lot of
these films remained out of circulation in England for many, many years. And then they kept adding to it.
But the initial 39 is like kind of just like a greatest hits of awesome movies.
Yeah, I mean, I Spit on Your Grave is on this list.
The Last House on the Left is on here.
Tenebrae is on here.
Night of the Demon.
Right, it's some stuff that you're like,
okay, I Spit on Your Grave, fine.
But like Tenebrae, like, is that really so bad?
I don't know.
I mean, there's a couple of kills that are intense. But then there's, like, I haven't seen Mardi Gras Mass like Tenebrae, like is that really so bad? I don't know. I mean, there's like a couple of kills
that are intense,
but then there's,
like I haven't seen
Mardi Gras Massacre, for example.
That's on the list.
I've never seen Mardi Gras Massacre either.
That could be a great holiday flick.
You know, The Werewolf and the Yeti.
Don't know that one.
Which is also known as
The Night of the Howling Beast.
Some films you never heard of.
And then there's the non-prosecuted films.
Right.
Which is 33 more films.
33 more.
And then there's the Video Nasties, which is another more films 33 more and then there's the video
nasties which is another
the third list
which fee which yeah is like a hundred
films yeah
um so
I don't maybe maybe in honor of the video
nasties we should put the burning on
perhaps or is
there a better choice where's driller killer
video nasty
I didn't see it there really I thought it was it's not on the list now Perhaps. Or is there a better choice? Where's Driller Killer? Isn't Texas Chainsaw Massacre a video nasty?
I didn't see it there.
Really?
I thought it was.
It's not on the list now.
Maybe the Driller Killer goes on.
I mean, that movie's not great.
There's... I mean...
It's not better than Psycho.
I'm sorry.
No, it's not better than Psycho.
We're going to end up putting Psycho in.
Yeah.
I'm sorry to tell you.
It's not better than...
Psycho has to go in.
It's not better than Sleepaway Camp either.
It's not. It's not.
It's not.
Well then would you like
to choose something different
to represent the video
Nasties?
Do you want to put the
burning in?
Can I look at it?
Of course.
Faces of Death?
That's on the slasher.
I do like Faces of Death.
I was looking for
Faces of Death
when we were in Kim's
and I didn't find it.
Oh we have a whole
section of those.
Do you?
Oh yeah.
The Mondo.
We just put them all out.
They're all in horror
and some of them are in
documentary people love to watch people scrolling laptops there's choices here i don't know nothing
that's like that's a great slasher a lot of these are like very zombie and supernatural they are
like the beyond is on the non-prosecuted funhouse is on the non-prosecuted list we have so far and
what else have we not talked about from your sort of like bullet points?
My et cetera was when a stranger calls, happy birthday to me, the holiday slashers, which we've gone through, fade to black, and I know what you did last summer.
Now, I'm sure I've missed some that people are going to be angsty about.
But what we have in green at the moment is Texas Chainsaw Massacre, Halloween, Friday the 13th, part two, House on Sorority Row, Silent Night, Deadly Night, and Scream.
That gives us six.
Okay, that's a nice number to start with. I'm just looking back at my years past horror viewing lists that I keep.
My instinct is that we should just put Psycho in and just be cool with that.
Okay, that's probably fair.
And that gives us seven, and then we can debate the final three.
So, Bob, let's green Psycho.
I think it's essential.
Yeah, kind of be silly at this point not to. Yes, as we debate the Driller Killer. the final three. So Bob, let's green Psycho. I think it's essential. Yeah.
Kind of be silly
at this point,
not to.
Yes.
As we debate
the Driller Killer.
Okay,
help me pick
three more movies.
Okay.
What's yellow?
Here are our yellow films.
And we have
nothing beyond Scream.
Nothing.
No,
no,
nothing after Scream.
We have
Peeping Tom,
Black Christmas, Deep Red, Prom Night, My Bloody Valentine, Sleepaway Camp, Pieces, X, and Terrifier.
I mean, I would put Pieces in there just to say this is not all just cheap American movies.
I will give you Pieces.
It's cheap Spanish American movies.
You want Pieces over Deep Red?
For my money, yeah. Okay. I'm going to give you pieces cheap Spanish American you want pieces over deep red for my money yeah
okay
I'm gonna give you that
okay
now you can give yourself one
in the interest of
a fair volley
hmm
I think
I think I would still take deep red
like over my bloody valentine
or prom night
that's probably valid
okay
it makes a more diverse list
it does
and you are wearing the button now.
And I'm wearing the button.
And I'll have the magnet in eye shot of Alice very soon.
Psycho, Texas Chainsaw Massacre, Deep Red, Halloween, Friday the 13th, Part 2.
That gives us some core texts.
And then House on Sorority Row, Silent Night, Deadly Night, Pieces.
I think we need one more from there.
And then we need to make a choice between X and Terrifier.
Yeah. Can we just between X and Terrifier. Yeah.
Can we just say X and
Terrifier?
Did they come out in the
same year?
I don't remember.
I don't know when the
first Terrifier came out.
It's one of those things
that like even I hadn't
heard of Terrifier until
Terrifier 2 came out.
I was not on Terrifier
in 2016 when it was
released.
It was released in the
US.
It played Telluride, it says.
That can't be right.
You look dubious.
That can't be right.
Did Terrifier play Telluride?
A bold choice for them.
The Telluride Horror Show Film Festival.
When are you going to start covering that?
You probably have more fun.
I honestly would.
That's actually crazy that I've not been to this.
When is it?
Is it in October?
It's in October.
I mean, you clearly love going there.
Have you been there?
No.
You're coming with me next year.
I'll go to this.
Okay.
Maybe we should just go to this.
Yeah.
And then you'll be able to knock off a lot of horror films on your list.
Because you said in your Telluride coverage, you were like, I kept telling the programmers
they really need more Midnight and Cult movies.
You know what you won't say to the Telluride Horror Festival programmers?
You need more Oscar bait.
You will leave the Telluride Horror Festival and be you need more Oscar pay. You will leave the Telluride
Horror Festival and be like, guys, you did it just
right. You're right, I gotta go.
It didn't, so Terrifier didn't open until
2018
in the US.
March 15, 2018. I think X
was 2019.
Maybe it was 2020. Might have been 2020.
I think, was it pre-pandemic is the question.
And of course we don't remember these things anymore. X was 2022 2020. Was it pre-pandemic is the question. And of course, we don't remember these things anymore.
X was 2022.
They're both post-pandemic.
Yeah.
It's funny how we both
were just so wrong about that.
I mean, he's your friend.
But you missed that.
Yeah, and I read the script
and I watched two cuts of it
and we both missed that
by four years.
Yeah.
I love that.
I love X.
I think it's great.
I mean, I would love
one of those too.
I'm just going to say
we're going to cheat
and we're going to put them
on together.
To me, they represent kind of the alpha and the omega of where slashers are at right now.
Again, like honestly, if we're at this imaginary marathon that I'm programming of these films,
if you ended with that and people were like, I've been here for 11 hours and either one of those threaded up,
people would be like, I'm psyched.
I'm going out on a high note.
This movie rocks.
A modern classic.
100%.
I'm having fun. Great, great note to end on. A modern classic. 100%. I'm having fun.
Great note to end on.
100%.
Okay.
So then we have one more.
We'll let it be dealer's choice.
Okay.
Let it be Alex's.
Wait, do we have one more?
Because you put in deep red.
Oh, so then we're done.
Okay.
Well, I'll read what we have and you tell me if you're comfortable with it or if you feel we need something else.
All right.
We have Texas Chainsaw Massacre.
We have Halloween.
We have Friday the 13th Part 2. We have House on Sorority Row. We have Silent Night, Dead Massacre. We have Halloween. We have Friday the 13th Part 2.
We have House on Sorority Row.
We have Silent Night, Deadly Night.
Scream.
Psycho.
Pieces.
Deep Red.
And our X and Terrifier cheat.
I mean, this sounds great.
I forget what's yellow at this point, but if I'm going to a marathon and this is the lineup, I'm pretty psyched.
This would be a good marathon.
This would be a great lineup.
Hmm.
I like it. Do you want to order it in any specific way natural nonsense and like we're not like kind of cheating no just a lot of a lot of very like do you want to program it now do you want to say
here's the order you know i think i think i'm out of energy you're done you're exhausted i mean not
really we're just sitting here having a fine time but that feels too too specific okay i don't know
i mean you can do that if you want i've never done it before yeah i've never programmed a festival
like you know what i mean like you want to work up to your you know you want to there's a lot of
thought that goes into these things like in the way that there's always a movie or two that we're
like well that we want to watch but that has to get saved for like the 29th, 30th, or 31st.
Right, right.
But you wouldn't want to put Halloween and House on Sorority Road next to each other.
No, you'd want to space it out.
Yeah, you'd go, you'd open with Halloween and then you'd go pieces?
I don't know.
Sure.
Okay, you won't go along with me on this.
I mean, sure.
That sounds fine. Okay. I don't know how people make these choices. won't go along with me on this. I mean, sure. That sounds fine.
Okay.
I don't know how people make these choices.
Do you feel we've built a good whole thing?
There's like a lot of things that,
yeah, I think it's a lot of fun.
I would revel in watching these 10 movies
or 11 in this order.
And I hope this kind of just formed an excuse
to let people listen to a lot of talk about slashers
now that it's October
and maybe add a few things to their list.
Yeah.
And we can all check in on Tipper Gore.
Make sure she's okay.
See what Al's podcast is up to.
I discovered while you guys were talking about slashers that he appeared on the Radio Davos
podcast.
So if you're not subscribed to that.
I see.
What was discussed there?
Climate change.
Okay.
Interesting.
I'm going to go the other way.
I feel like he's got like a shitty life where he only can talk about this now.
Okay.
Nobody's like, what do you think of the economy? It's like where you're going to be in 25 years and they bring you on to go the other way. I feel like he's got like a shitty life where he only can talk about this now. Okay. Nobody's like, what do you think of the economy?
It's like where you're going to be in 25 years and they bring you on to talk about slashers.
You'll be like, how since we're already raw?
Yeah, yeah, yeah.
And Sean almost got elected president of podcasts, but then they just gave it to someone else.
Who's my George W. Bush in this equation?
Who's my other, my flip side, the other coin?
Are there like podcasts you have beef with?
Blank check.
No, I love it. Fair answer.
I love blank check. No, I don't think so.
You're like... I'm not a beef...
I guess maybe George Clooney I have beef with now.
Yeah. You're gonna... Do you have a pod?
Come out on the bottom of that fight, I suspect.
No, he seems like a nice guy.
I wish Wolfs was better.
What if Wolfs was just a slasher?
What if they just revealed halfway through?
Look, they announced Wolfs 2.
Maybe they're saving all the good stuff for the sequel.
Definitely.
All the kills.
Right.
Alex Ross-Perry, what else do you want to pitch?
What else do you want to sell to us?
You know, check out Pavements next year or at a festival.
Check out the Kim's Video Underground Instagram that I do all this stuff on
that Sean and Chris Ryan
will soon be featured on
that's true
watch Strangeland
this Halloween
and let us know
if I led you astray
I gotta go back to it
okay
Alex thank you so much
thanks for having me
thanks to our producer
Bobby Wagner
for his work on this podcast
thanks to Jack Sanders
for his work on this episode
as well
tune in
later this week
when I don't know what's coming Bob what's coming out on this episode as well. Tune in later this week when, I don't know, what's coming?
Bob, what's coming out on October 28th?
Well, my computer just died, so I can't answer that for you.
Well, it'll be a really good episode.
I promise.
One of our best yet, for sure.
We'll see you then. Thank you.