The Bill Simmons Podcast - A Holiday Check-in on Anything and Everything With Chuck Klosterman
Episode Date: November 27, 2024The Ringer's Bill Simmons is joined by Chuck Klosterman to discuss a myriad of topics, including the current state of college sports (3:45), lessons learned (or not) from the 2024 election (30:50), mo...dern NBA superstardom, how the public's relationship with celebrity has evolved, the next generation of documentaries, thoughts from the Tyson-Paul fight (59:56), HBO's ‘The Sopranos,’ and more (2:08:56). Host: Bill Simmons Guest: Chuck Klosterman Producer: Kyle Crichton The Ringer is committed to responsible gaming. Please visit www.rg-help.com to learn more about the resources and helplines available. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Coming up, the longest podcast Chuck Closeburn and I have ever done, and it's next.
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Coming up on this podcast, Chuck Clostropin
had not been on the podcast for a while.
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We wanted to talk college football.
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We wanted to talk about the election.
We hit everything.
This is a really, really long podcast, but listen, you're probably traveling the next
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I'm not going to have a podcast on Thursday, so it's basically all the content here right
now.
Chuck is next.
First, our friends from Pearl Jam.
All right, our friend Chuck Close from Minnesota taking this on a Tuesday morning before Thanksgiving. Lots of topics to get to, but it's really, it's college football time.
College basketball feels like it's back.
I've been thinking about you because you're a giant college sports fan, a giant college
sports believer.
Feels like the 12 team college football playoff is working.
Cooper flags back.
College sports is back.
Well, sort of.
Yes, I guess it kind of is, but you know, uh, uh, this 12 team
playoff in football, like it's still keeping things interesting,
but in a very different way than it used to be.
Like I'm, uh, I'm, I guess pleased, but surprised that it has changed
things as much as it has, and
yet the games themselves are still really good, and I guess that really is the bottom
line.
But it, it definitely, this is a, this is a weird feeling college football season because
of the way things are now.
Well, when you say they've changed, what's changed?
What's different than it was 10 years ago?
Well, okay.
So when there was a 14 playoff, and I think this was at times
kind of a combative issue for people, but that the whole idea really was to figure out
who would be the national champion. That was really the only goal. So like last year in
Florida state didn't get in. Um, it was because, well, we know that they can't win the national
championship. So even if their resume sort of looks like they should be in, it doesn't make any sense
to put them in.
The whole idea of this 14 playoff is so we can clearly figure out who the champion is.
But with a 12 team playoff, it's a little different.
Now it seems like making the playoff is the reward.
Like it seems less about just figuring out who wins in the end. Um, and that has changed things quite a bit.
It feels different now.
Um, like, you know, uh, uh, I.
Like Indiana, for example.
Okay.
So, so Indiana is like, there's 12 or 14 guys who played for James Madison last year.
So it's like they moved over, like, you know, like a third of the best players on the team went to that team.
The coaches from there as well.
And nobody is really bothered by that in a way.
Like, I'm not even that bothered by it, I guess.
It's just, it's strange now how it is.
And it doesn't seem as though the, like,
the portal and all that stuff and all that is and the
playoff and orchestra all together is sort of completely reinvented this and
yet the interest in it seems relatively the same which I don't know what that
says about fans that that that they don't seem to really care about the
structure of the sport maybe it was silly to think that they did so it's
almost like the habits of a college football season.
And if you cared about a team or a conference, you were just going to care, regardless of what they did.
Even if they changed where it's like, oh, we have 20 new guys who were on a different division one team last year.
They're just on our team now.
It's becomes more like professional sports, which people are used to.
It's almost more than professional sports,
because professional sports at least has free agency
guidelines and stuff, and salary gaps and all these things.
I mean, it's, in a way, more professional than pro sports is.
I see people say, like, oh, well, Deion Sanders,
go to the NFL now.
And it's like, this is actually where he should be at college,
because he really speaks the language of a kid who's like, I want to win, but also what's in it for me.
And that seems to be sort of what the nature of this is now.
That people were just more accepting, I guess, of this idea that you should be able to just like put these teams together
instantly because what it really has happened, I think is that, you know,
sort of the teams were always like the elite power teams.
They've lost their depth.
Basically that is what has happened.
That these coaches have said like, well, you know, there's three strong
safeties at LSU or there's, you know, four offensive tackles at Texas A&M.
They can't all play.
They all think they're going to play, but some of them aren't.
So now we're going to strip those things away.
And it really has balanced things out now.
Like I don't think the SEC is as dominant as it was in the past.
I don't know if the difference between these teams, not just them and the big 10,
but sort of them and everyone is much less than it was in the past.
And that's why I think when they kind of figure out what teams to put in the
playoff this year, at least I think this idea of really trying to find the 12
best teams sort of in a vacuum, I don't think they should do that this time.
I think they should kind of like go, well, okay, we're going to have this
many teams in the playoff and we can't really tell who is superior because this thing has been so
shuffled. They almost have to just kind of go like look at it like professionally. Like it's just
who deserves it based on what they did during the year. Well I'm about as casual of a college
football fan who knows what's going on as it gets. I was invested in that Colorado game
last weekend because I knew what their ranking was. I knew if they lost, they were probably out of the playoffs. I just thought
it would have been fun in the playoffs. But if it was a year ago, I wouldn't have cared
because they just would have been, it's like the question would have been, are they going
to play on the December 30th bowl or the 31st or will they be on New Year's day? And that
really would have been all that was at stake.
But Saturday actually cared if they won the game or not.
So in that respect, it feels like it's worked.
I mean, it is, it seems to me,
like there was a situation where if it was the old system
and they went to say they were going to like,
you know, oh, I don't know,
whatever bowl they would be going to
if they were going to some lesser bowl,
like Travis Hunter wouldn't play and all that stuff. I don't think,
I mean, that's almost seems like a guarantee that would have happened.
But that's another reason why they did this, right? Because they wanted to protect against
shit like that. Um, but now it's like, I think there was a sense, maybe it's going to be
four sec teams, four big 10 teams, Notre Dame, probably Boise State, and then one each
from the ACC and the big 12.
Maybe the ACC will have two teams.
Maybe it'll be like SMU and Clemson and Miami,
and then maybe then it would have to be
probably three SEC teams then, which is,
I don't know, maybe that was the goal all along,
basically to have it mostly be the big 10 and the SEC.
Yeah, those are the two best conferences, but it, I, I, I'm, I'm really interested
in this, but it does, it does feel like a different experience watching these games.
I, the games are still good.
The games themselves, when it's happening, it feels exactly the way it always did.
Um, but I know in my mind, it's not how it always was.
Like, you know, now it looks like kind of in perpetuity now, Notre Dame is
always just going to have the fifth year quarterback from a school who was kind
of academically comparable, like they're just kind of every year, that's just
going to be the quarterback for Notre Dame is some guy who's in his fifth year,
who went to school, like wake or Duke or a school that they find acceptable to
pull over.
So, yeah. I can't even imagine what kind of commitment this is. in this fifth year who went to school like wake or Duke or a school that they find acceptable to pull over.
So, yeah.
I can't even imagine what kind of commitment this is academically,
wink, wink, but also like just like they must start practicing.
They have spring practice, right?
Then they start actual practice for the season, I'm guessing like late
June, someone there like early July.
And then they're going all the way through
for the next six, six and a half months.
Like, you know, my daughter plays div three.
Like she plays soccer, they show up in mid August.
The season goes, if you make the playoffs or not,
it's like basically ends like first week in November.
And even for that, she's like, man, I'm, you know,
it's nice that the season's over.
I can finally like concentrate on doing schoolwork and go, we can go out again.
And that was a two and a half month commitment.
These football players, they're going potentially through, you know, at least
January, but there's more even playoff games.
I just, I, to me, it almost, it almost feels like it should just be a pro sport.
Anyway, I don't know how that's a college experience.
Yeah.
I mean, here's one thing I don't know.
Like, is there anybody who's on say, Texas's roster or Ohio State's roster,
anyone on the roster who's not getting paid?
Like, are walk-ons even making money in some way?
I don't know.
I mean, so you're telling me the backup quarterback can get paid and not even play?
Well, I, I, I'm kind of under the impression that some of these deals are sort of umbrellas
for the entire squad, that everyone's getting something because that would also, you know,
that would, if, if they didn't, that could cause like real inner squad dissension.
Like it would be a real problem.
You know, it's like, it'd be one thing if one guy's getting paid more than another,
be another thing if one guy's getting paid a lot and someone
else isn't getting paid anything, you know, I gotta believe it's tough.
Sure.
Sure.
Football is harder.
Like basketball, you're talking about basically three to six guys really
matter on a basketball team.
So then if you get to like the eighth, ninth, 10th man, and they're just
being like this guy, AJ DeBansa, that's coming into the, to college next year, who's, you know, really has really looks Kobe T Mac ish and has a chance to be pretty massive.
Like he's just going to make more money than everyone else on this team combined, probably multiplied by six.
six. You know? Well, but it's one thing if the money is coming from NIL stuff, like you're in a commercial for like the local sandwich shop or whatever. I think it's another thing
when these guys are just sort of like, you know, you see this now that boosters get letters
and they're like, we need linebackers. They're like, we need, you know, what are you going
to fucking do for us? We need to do this. You know? I think I've said this probably
on your podcast before. I've said it many times. What I mean, to me, I have a sense of where this is going. Like I might,
I'll probably be wrong, but I have a sense of it. It seems to me like we're probably five years away
from the SEC and the Big Ten. Yeah. And maybe one other conference breaking away from the NCAA,
just ending that relationship, setting up everything themselves.
And then if you play for Ole Miss, you can go to school there if you want,
but mainly you represent Ole Miss. You play for the team, you're on that roster,
you wear those colors, you might be involved in the academic program there.
Maybe not, not Ole Miss in particular, all these schools, you know.
And I think that they're banking on something,
which I think they're right about,
judging from how sort of this has played out,
which is that if you really care about Tennessee
or you really care about USC or all these things,
you just, it's really just the uniform.
That's all you really cared about.
Like that's who you're rooting for.
And it doesn't matter if there's absolutely
no relationship to college at all.
I don't know if over time,
this will be like a pretty significant detriment
because like right now nobody cares
because we're just kind of psychologically shifting everything.
It's just like, okay, well, we're not going to really think about the
relationship these have, these guys have to college, but if, if it turns out
that it doesn't matter at all, if it turns out that none of these guys have
to even go to the school, they're just basically employees of the school.
And we're just watching football.
It happens to be played by guys between the ages of 18 and 23.
And it doesn't mean anything else. There's no regional quality to it.
Then it will, then it will basically mean a lot of the things that I thought
about college football were fucking wrong.
That my whole perception, even what I've told myself,
what I like about it might be wrong. Like if like it,
because all these things that I've been talking about, they
certainly don't inform my experience of watching the games.
I do not think this when I'm watching it.
I only think this when I'm talking about it.
And it might be possible that we can just make this split in our mind
because obviously there's lots of things about pro sports.
Like we don't know and spends time watching the game thing.
It's kind of weird that I'm watching this 33 year old guy play baseball.
Like this is weird that an adult is doing this for a living and he's making more than
everybody in my town or whatever. We don't think about those things.
So maybe we just won't think about it. I mean, because the games themselves are still excellent.
Every week there's a bunch of games that are interesting.
Although I gotta say, I, uh, every week there's a bunch of games that are interesting. Although I
gotta say, I was a little disappointed. I really did for a while think that the army Navy game was
going to be two undefeated teams or a team that's undefeated with against a one loss team. That's
the only game on that day. I think for people like me, the idea of watching the army Navy game as a de facto playoff game
would have been one of the greatest experiences of my college football watching life.
Not that I have any relationship to the military.
It's just that you're so used to watching that game and convincing yourself, well, it's
something like I got to be out it's raining and the guys are in the stands and it's the
only game on like it would have been amazing if that game would have mattered.
Um, yeah, but I, it was kind of a, it was probably a hopeless stream.
I, I, but that's the, uh, that would have been amazing.
Yeah.
So after everything you just said, the reason I think college sports is basically
invulnerable, there's two sets of fans that I think cannot be killed.
The first is like South sun Archie's going to Oregon, right?
He's a sophomore.
He's coming home for thanks out to the sun parent corner.
So he's coming home for Thanksgiving on like Wednesday, and then he's going back
to school on Friday because they're playing, they have a huge game that weekend.
He wants to be there.
So it's like these students, it's still a factory of, if you go to a school like
that, you're going to get swept.
He didn't care about, you know, that team before he went there.
And now it's like, he's an Oregon fan for life.
So you have this factory of fans that go to those schools that once it's in, they're
like, they become Scientologist.
It's over there and they're in for good.
And then the other side, the other piece that just seems infallible is the, is
the alumni and I saw it here in LA when, when Michigan was making its run.
And I, for some reason knew a bunch of people that went to Michigan and they
lost their fucking minds that, that, that this was going and they had groups
of friends that they hadn't seen a while or they were going to the game or they
were going to watch parties and that, I think you put those two subsets together and
it just, it will never end because you're constantly regenerating new fans that
are just going to care for their entire life about their school.
Uh, I, I, that's probably true.
And I think that with this new influx of new money coming in, I think
this change should be made.
flux of new money coming in, I think this change should be made.
I don't think anyone who goes to a college, who's attending a college
should have to pay money to watch that team play.
It should be free for any student to go to these games while they're there.
And if you graduate from a university, as long as you keep proof of their
student ID or whatever, you should be able to attend games of that team for the rest of your life for $10.
Right.
There's no reason if it's all this money is coming in.
Like when I was in college, football games were free.
It was a division two school.
They're not anymore, but they were then that seemed like a completely reasonable thing.
It seems very weird to have someone pay tuition to go to an institution, but you can't see the goddamn football team play unless that
makes no sense. And it seems like if you graduate from there, you've paid to go to
college there, one of the benefits is for the rest of your life, you should be able
to go to these games extremely cheaply. And I think that now like now a
university would hear this and they would be like, that's insane. Because like
the they would just think about the amount of revenue that they would lose.
But think of the revenue over time.
If you were essentially guaranteed that this will always be an essential thing in people's lives.
Like, I think it would be good for society.
I think it'd be good for sports society.
And I think it would be good for the schools over time.
You know, you know, what's interesting.
We've had 50 years of movies that have talked about how, how stupid this is.
Like what, what's the point of student athletes?
Why can't we move around the system?
Like think about one-on-one with Henry steel with the Robbie Benson movie, but
the big one, a fast break when Gabe Kaplan gets to my, you know, one of my
favorite sports movies, that's the most politically incorrect sports movie,
probably of all time. It is not age well, but Gabe Kaplan gets my, you know, one of my favorite sports movies. That's the most politically incorrect sports movie probably of all time.
It is not age well, but Gabe Kaplan gets this job in Vegas and he's just like,
I'm just going to bend the system up.
I'm going to grab a bunch of people who have no business being in college and
we're just going to try to beat the UNLV school that he has to beat.
So this is, this is in the seventies where we're thinking about how can we
buck the system and it's still going, going, going.
Now I wonder, like you mentioned, um, where this is going ultimately, like you said, in five years, these conferences will band together.
Just feels like there will be a 32 team league.
None of those schools will be considered div one and say anymore.
They just won't even be in the NCA.
And the new div one will be all the schools that are a little more academically
serious, maybe combined with a whole hodgepodge of other schools.
They'll have conferences and then div two will be div two and div three will be
div three.
And that's just how it'll be.
I don't know if the academic seriousness will be part of it.
I think it will be like, it will be 32 or say 40 teams and it will just be the
40 teams who can get into it and they're all going to want it.
Like they're all like, you know, it's like, uh, it does, it's not going to,
I think that, that the value of this is going to be so incredible.
They financial value of this, that, that there isn't somebody, I can't
imagine the school it'll be like, like if Cal can get in, they'll do it.
Like, you know, it's like-
So you think like Cal, Stanford, Duke.
Sure, yeah.
I mean-
All these like high-end academic schools
would still be like, fuck it, we're selling out,
we're gonna be part of this?
Well, I don't know if they would consider it a sellout.
I think that they would see it as a value added
to the university system.
But not like you laid out though,
the people weren't even in the school.
I mean, that's like a whole other level.
I know in real terms it wouldn't,
but in the sense that it's like if somebody wants to go to Stanford or
whatever, it's like, uh,
they I think would like the opportunity to also have this other institution
attached, this football institution. It'd be the same way. It's like, if,
I mean,
I feel like you'd be the kind of guy who you would not love moving to a town that wouldn't have a sports franchise, pro sports franchise.
You'd feel weird about that.
I think you prefer to be places where pro sports franchise.
I like knowing that I can go see NBA stars.
Exactly.
So I just think that's a non-negotiable for me.
Yeah.
Yeah.
So I think that they're, you know, it's when sort of kids and their parents are making
up the idea of what this college experience should be part of it might involve, you know,
seeing the football team on Saturdays or whatever. So I think that those universities will still want that.
It's also gives them, you know, like such a higher profile. I mean, I there are some colleges like, you know,
like football sort of raised the profile of like Texas tech to a high,
like I, no one really ever thought of that school at all before they got.
Boise state Boise state's another great example. Yes. You know,
that may be even a better one. Um,
well it is funny. Like, like my son's a junior right now,
and we're just starting to think about college stuff and trying to put it off as
long as possible. And when you talk to like counselors and stuff, they all,
and we just went with my daughter a little bit too,
but they all say the same things. Like what kind of experience does your kid
want when they go to college? And one of the things they'll mention is,
do you want to go to a big school,
a school that has like a good football team and you just get swept up in the
whole campus thing. And it's, it is a selling point for some people, you know,
like you go to the university of Texas,
you are now buying into that team for the rest of your life.
If you care about sports, right?
If I'm a freshman at the university of Texas,
I will not care about this team for the rest of my life.
And some people, you know, that's, that's,
that's a selling point for some people,
or it's an unexpected bonus when you get to that school and you're like, oh my God, I'm completely swept up in this.
I don't think that's ever going to change.
I mean, the meaning of college, I feel like has certainly changed though.
The meaning of going to college in general, that there is like just a super high degree of skepticism now among about the kind of elite colleges with still the understanding that
it is this kind of ultimate networking opportunity.
So like when you say when kids are like they're like they're asking kids like what kind of
experience you have like it would seem obvious that you would the answer should be like well
I want to go somewhere where I can sort of pursue the education I want to have a job later, but that's not even kind of,
they only would never use that language.
They would use the language.
It was like, it needs to be sort of like a satisfying experience because
everybody has to be happy.
If you were like doc, you want to be a doctor or a lawyer, maybe you're
thinking about something.
Yes.
That should be the experience.
Yeah.
College was so much scarier when we were going to college because you're just
being sent off.
And if you're going like relatively far away or far away from your parents or
your family, it's a big deal, right? We, you, you basically, you could,
they could call you. You might maybe have your phone in your room.
They could call and check in. They could write letters.
We didn't have the internet right when we were in college and the way we had it, but it got sent off and it was like,
you were kind of on your own really to figure it out.
And I look at the way, like even my daughter, like I talk to my daughter all the time.
We FaceTime, I would say almost every day.
I always know what's going on with her.
I can check on my 360 where she is.
And, you know, and she's in a big city.
My dad's there.
Like, it's just not scary.
Like my son, maybe it'll be different if he goes to some place, but I would still feel where she is and you know, and she's in a big city. My dad's there. Like it's just not scary.
Like my son, maybe it'll be different if he goes to some place, but I would still
feel like I could at least check in and more importantly, he would feel like,
at least I'll have a connection to the people that were in my life.
When we were in college, it was like, you were kind of just off.
Yeah, I know, but I think the difference is that in the past, there was a much greater
motive to be by yourself and get away. I mean, this is, you know, I saw somebody was talking
about, it was just some random person talking about how they had had a conversation with
someone who'd been a high school teacher for like 34 years or 40 years or something. And
they asked them, what's the biggest difference
and the teacher apparently said this is of course anecdotal but it seems to make a lot of sense to me says that in the past the default setting for a high school student was boredom and now the default
setting is anxiety and I think as a consequence the idea of going to any college is probably scarier
than 30 years ago would have been for a kid
from California to go to school in New York.
Even though it'd be totally across the country,
everything would be different.
I think that they were probably more interested
in decreasing sort of the static boredom of their life.
And now it's the opposite where it's like,
the hardest thing about my life is life. I'm afraid of life or whatever.
Not that all kids are afraid of life. I'm not saying that, but
I do think that the amount that kids feel anxiety and are told
they need to recognize that feeling makes going to college
super complicated. I just, I, I, I would guess you were more
ready to go to college than your daughter is despite the fact that you have all this relationship with her
ongoing, you know, through technology.
I'm just guessing.
There's been really good pieces written about this the last few years about, um,
why teenagers and kids have more anxiety than it used to.
And one of the theories is that they're more,
they're more self aware about the anxiety
than maybe we were, you know, in general, kids are more self aware because they're reading
more stuff.
They're seeing more stuff.
They know about therapy.
They know about all these different things that we just didn't have any access to.
You know, our generation was like, yeah, you're on your own.
Figure it out, man.
Oh, shit's going down.
Maybe you should talk to your roommate about it.
Like what, what were we going to do?
Yeah.
Well, I mean, therapeutic language too, has just moved into everyday language.
Now, like people using terms like triggering and all these things are like,
Oh, like all these, all this language is just sort of like, my kids understood
that at an age way before they understood things that I
thought they should be knowing, you know, that they had just a real sort of like,
uh, um, like sophisticated understanding of these things.
And it probably like it,
there's no question that kids are in a better position to deal with
emotional and mental problems. Now,
it's just that they seem to have many more emotional and mental problems now. It's just that they seem to have many more
emotional and mental problems.
So it's like good that they can deal with them
because they're just there all the time, you know?
Or we had, or like our generations,
the ones before had way more problems than we realized
because we were like dumb and happy.
We didn't know what was going on.
Like that might have really been the case.
But how many problems in life, whether you're young or when you're old, are
actually temporary and not that meaningful and will just dissipate on their own.
You know, you say like you were, you didn't know you had these problems.
You still don't fucking know you had them, right?
Because they just happened.
They just moved on.
It's like, you know, it's like, it's, it's really, I think tricky to tell someone going through this complicated phase in their life that they need to be aware of all the complications.
I mean, it's like, you have to look for them almost. And it's, it's good in some ways. It is like, this is maybe kind of moving off topic or whatever, but you know, I had a, this most recent election, the main thing that I have taken.
Can you hold this so we can take a break and then talk about the election?
Cause we've just gone a half hour interrupted. We'll take a break. Come back.
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All right, coming back,
you were gonna bring up the election, let's go.
Well, yeah, I'm not gonna talk too much
about the election itself.
As much as I wanna talk about this,
I really feel that I do not know
what's going on in the world now.
And I don't mean because of the outcome of this election.
I mean of my understanding of what the world was like,
and then the manifestation of the reality.
It's like I was so like in 2016, you know,
it was like kind of a shocking outcome or whatever.
This was less shocking.
But yet it seemed as though I thought I had a pretty clear or decent understanding
of what the situation in the country was. And I was just totally wrong. It's like, I think the
country is, you know, spent so much time myself included talking about how polarized the country
is. I think in a lot of ways, it's much less polarized than we realized, especially on a whole handful of issues. Um, I suspect it, I, I just, I, I, you were one of these people where I, after
the, the, the election, I texted people and I just said like, on a scale of one
to 10, um, how surprised were you by this election, not how you feel about it,
just how surprised you were.
And I found kind of a disturbing pattern. Okay. surprised for you by this election, not how you feel about it, just how surprised you were.
And I found kind of a disturbing pattern.
There are some exceptions to this, but for the most part, all the people I texted are,
you know, they're intelligent people who follow the news, but some people really follow the
news.
Some people voraciously follow it.
They follow all the narratives.
They kind of know anything you referenced.
They're like, Oh, I already saw that story or whatever.
Those people all gave answers like eight, nine, 9.5. It didn't matter what their political leaning was.
Like if they were really engaged with media, they were shocked by not just
the outcome, but the fact that Trump won all the swing states, that he won
the popular vote, all of these things.
The people I know, like a lot of them are like doctors and engineers and stuff who
follow the news, but don't give a shit at all about the narrative.
Like when they look at the New York times websites, they do not look
at the right side of the page.
They look at the left side of the page.
They all were like one, two, three, like they had, they weren't surprised at all.
And I now sort of have the creeping suspicion that engagement with media
distances us from reality. That the more information I get, the more information I take in,
the less I understand the world. And I don't know what to do about that because that's a real issue
if that is true. And that's how it feels for me now. It feels like that, that the, that my perception of what the world is, is being so shaped by
these things that I'm not even close to what's actually happening.
Well, the betting markets would agree with you because I think like five, six days before
the election, Kamala was almost even.
And there was, there, part of the thinking was the abortion women are going to come out for this.
People don't realize there's a lot of women even telling who they're married to
or people in their lives that they're coming out. So you'd hear that.
There was an Iowa poll, right? That it was like, wow, she's doing great in Iowa.
So when you're talking about how the media influences stuff,
a lot of it is just the media or influencing narratives that if you want to
believe the narrative and you hear the narrative, you grab onto it.
Right.
So you see the Iowa poll and you go, well, that's, that's a great sign.
She's doing really well in Iowa.
Or so it almost feels like stuff was nudging people different ways.
But to me, it was like, I thought when, uh, when Elan went on Rogan, I felt like that
was the most important part of the election, whether people want to admit it or not.
Like Rogan coming out and, and saying that he was going to vote for Trump and that he
was in on Trump.
I think that influenced people.
And I don't know if another media figure has that kind of power to, to shift votes.
I'm not blaming Rogan one way or the other.
I'm just saying there was real momentum that I think some people didn't want to
overlook because they were like, Oh, look at the Iowa poll.
But I mean, isn't, isn't that a little bit of reverse engineering though?
Because I think that's what every election is.
Well, oh, well, probably is.
Okay.
But if that's true, then, then we have a bunch of things to rethink because in a
sense it kind of looked like,
well, Oprah, Taylor Swift, all these people,
they endorse Harris, nobody cared.
Didn't seem to have any influence.
Celebrities had no impact at all.
But you just said that you think that
Tim going on Rogan was one of the biggest things.
Like Rogan's endorsement mattered,
only because it worked out that way.
I don't think any of these endorsements mattered.
I now think that basically any Republican candidate would have won this election.
I think that if Nikki Haley would have ran, I think she would have won probably by a very similar margin.
I think that there is the sense now that there's all this news going around kind of shifting these stories.
Like you say, these stories like, oh, there's, you know, people are canvassing and, and women are closing
the door saying I'm secretly voting for Harris.
I'm not trying my husband.
Now it kind of looks like maybe the opposite of this was the case that people were saying
they were going to go vote for Harris because they didn't want to be maybe judged or have
an issue with their friends who they thought were like it was actually they were saying
the opposite of what this supposed sort of trend, you know, cause hours before the election, you could go on social media and there were
people saying things like, what if I told you this isn't going to be close at
all thinking that it was going to be a blowout in the other direction?
So no one really had any sense of these things.
I mean, I, I think that, that the, in this situation, it kind of felt
as though there's, there's one thing on the Rogan point that I think people didn't want to see
as it was happening, which was that there was young men, basically 18 to 35, that were
shifting a certain direction in all these different ways.
And the Rogan thing was symbolic to it.
It just felt like that was the demographic that I think the Democrats were probably counting on
that wasn't there in the way they thought. And, and there were just a lot of people
ready for a change. I was thinking is the opposite of what happened. Like when we were both in college
in 92, right. And it felt like there was this Republican stranglehold on the country was 12
straight years, a Republican president and Clinton kind of showed up, you know, a year before the election, he was, became the hot young
candidate and people kind of got swept up in it.
And just in people our age are around in the college campuses, all of a sudden
something shifted and you could say this was legitimate or maybe this is what we
wanted to think, but all of a sudden like Bush, who was heading into his second term, the older
Bush, he just felt like this old establishment that people didn't want a
part of anymore.
And Clinton, who we barely knew anything about was this voice of hope.
And it was like, Oh, this guy.
And, uh, and it just became a groundswell.
And it felt, it felt to me that 2024 was a little like that in a weird way.
It was a little like 2008 too, where it was just people rejecting
whatever the infrastructure was.
And that was the thing.
I don't think the Democrats really fully came to grips with that.
They had become this infrastructure that a lot of people, especially young
people just didn't want to buy into anyone.
Well, you know, 1992 is a particularly strange case though, because, okay, so,
so Bush is popular prior to the runner of the election and actually become sort
of more popular again after he loses.
It's just this window of time.
He became extraordinarily unpopular.
The third party candidate of, you know, of Perot getting like 19% of the vote
that way, cause you know, it's not like, it's not like Clinton got a majority that time
because there were three candidates.
I mean, that, that was kind of a strange one.
I mean, this is a strange one too, you know, but like, even the way we're talking
about this, you said like, you know, these young men who are sort of moving
in a different direction, that was the immediately the, the, the day after the
election and two days after it was sort of like, why have these young men become
radicalized? And then I was like, well, why have these young men become radicalized?
And then I was like, well, or is it, is it the opposite?
Is it that all of culture has moved away from young men and they have remained static?
That they have actually changed the least because you know, they're like, I mean, they're
sort of, you know, they're, they know 55% of the electorate is women.
You know, 60% of people in college now are women.
So if you're a college age student and you're a guy in a class and like you, you see someone
wearing a t-shirt that says the future is female, maybe you conclude, I guess it is.
It seems that way to me too.
And they maybe just did not, they were like, we're just going to sort of check
out in a sense, not, not, not pay attention, but just we're not involved with the way culture
is changing and everything else in culture changed sort of to, you know, leaving them
behind maybe to some degree. And they were kind of like, well, I, you know, I'll, I'll
vote for Trump because he doesn't care either or whatever, however they thought. I don't
want to say I don't, I don't hear again.
I feel very reluctant to even give this opinion because I feel less
confident about any of these things.
Like I, I really have a sense that, uh, that what is really happening in people's
lives is the chasm between that and the way American life is projected through
mass media now is so vast that the projection is actually giving us
confusion over the reality. You know what I'm saying? Kind of it's like it's like so
like what what we think the average American is like, or what we
think life is like, or what we think people are thinking, or how we think they
feel about relationships or how they, all of these things are no longer, um, sort
of looking at the reality and saying, well, okay, this is what's going on.
It's like, we're sort of building this, like we're constructing this idea of
what the country is like, but
there is this whole country that is completely untouched and un-understood.
And then when these things happen, when we have a surprising outcome to election, we've
got to like go in and then try to re-explain it.
We have to like re-figure what we thought, but it's the same thing.
It's just guessing again.
Like it's the same thing. It's just guessing again. Like it's not.
Um, yeah, but you know what it's like?
It honestly is like what happens after a sports season abruptly ends.
And like, like, let's say the chiefs lose in round two this year.
Right.
And then people are like, ah, the chiefs, my homes, he's going to win it.
It's just, you gotta trust the infrastructure.
My homes read, they'll figure it out.
And then let's say they lose by 20 in round two and they can't score.
And then the next day, what happens?
We're like, Oh, see the chiefs, they, they, they got old, they got a reboot.
They're not explosive enough.
They got to really, they got to give my homes more weapons.
And then we do the whole next two, three days thing.
It would be like, like the Democrats a day after I thought that was a lot like that.
There was all this stuff that was just sitting there that anyone could see.
And then when they lost, it's like, wow, the Democrats have to figure out how to reinvent themselves.
They don't have anybody to, they don't have anybody to inspire.
They don't have a message that inspires the country.
They don't have politicians that inspire people.
They don't have leadership, even the way they handled the Biden thing the last two years, where he was clearly old and they just kept denying it.
And it's like, we need him, we need him.
We can beat Trump again with him.
That did like, just ignore all these other signs.
Even John Stewart, when he came back, whatever he did that first daily show and he did that
thing about how old Biden was and a bunch of people got mad at him about it.
And the same thing happened with Charlemagne a couple of months ago.
And it was this elephant in the room that everybody was just like, don't look, don't look, don't look. And was a bunch of people got mad at him about it. And the same thing happened with Charlamagne a couple of months ago.
And it was this elephant in the room that everybody was just like, don't look, don't look, don't look.
And now you see him the last couple of months. And it's like, how did anyone not stop this?
Where were people?
Where were the leaders of the party?
Why didn't, what happened to him just having one term and then trying to find his successor
and build a succession plan.
And they just didn't do it in time.
To me, it was like just bad strategy.
And then they shoehorn somebody in who had 107 days to try to figure out how to get their
message to the country like that.
In retrospect, it seems crazy, but everybody in the moment thought, oh yeah, this will
work.
This will work.
This will work.
Well, it's hard to like, who's in a position
to tell the president to step down?
That's one of the problems there.
It's like, even if there's a bunch of people
who think two years in, it's like,
it would be better to transition to something else.
No one's in the, I mean, he's the president, right?
So no one can really tell him.
It would be his wife and his son.
And obviously they wanted to keep him as president.
But it's, that's the kind of thing
where your family steps in and goes,
hey, dad, start laying the legacy now to see who
replaces you do one year, you can be one term, you can be a hero, but he's just
trying to keep his job like everybody else.
Is that realistic though, to imagine someone's, I mean, like it would be
sort of like, if like, like, if, if, you know, what would you do if your son
started telling you, you need to retire? Would you be like, ah, good point. He's like, no, you know, what would you do if your son started telling you, you need to retire?
Would you be like, ah, good point.
He's like, no, I know.
And he's like, you'd be like, no, I, no, I'm not, I'm not going to, why would I retire?
It's like, yes, exactly.
You would, anybody would think that.
I gave a great speech two days ago.
I had a good podcast with Chuck.
It seemed as though the shorter runway I thought would help Harris, right?
Because it would, you would have all this enthusiasm and it would kind of bleed on through.
I think what, one of the things that you mentioned that is a real problem though, and this is
the kind of thing that I feel like I was my own fault that I was sort of deluded about,
which is that the day after the election, many democratic strategists are like, yeah,
we shouldn't have done this thing.
I don't know why we were saying that.
Like, like they almost immediately admitted that they regretted this.
And what is probably true is that people sensed that lack of sincerity during the campaign.
It's like, you don't really believe that.
You don't really believe these things you're saying, or you're afraid to talk about these
things in public, so you're just going to say nothing. And, um, and that, uh, you know, I, and I think that I, that, that a lot of people got a sense of that,
but like someone like me who's trying to follow this stuff so closely and sort of, you know,
know the information, like I'm the one who ends up being the idiot.
Yeah.
But even in the moment, like their whole strategy with Kamala was,
they were basically treating her like she was a game manager,
quarterback in football, right? Like just, just try to get us some first downs.
Don't say too much. Let's, let's try to protect,
protect certain things with you.
Like even the fact that she was doing like some,
some carefully playing podcasts or show appearances, right?
Where is Trump who's insane, who would just be like, I'll do anything.
I'll talk for four hours or whatever platform I don't care.
And she never, she never found that middle ground.
I still never felt like I had, even after those three and a half months, I never
felt like I had a complete sense of everything she stood for and what her
message was, and I, I think if the Democrats probably
learned anything from the last two years, it's like people still want to be inspired.
Like, they still want to feel like I'm this person resonates with me in these ways.
Because that was the that was the attempt, though.
I mean, up into the getting down close to the election, it was
sort of like the Republicans have this cynical view, this nihilistic view that
America is getting worse.
We don't think that.
We think that, you know, we're, we have, you know, we're, and it didn't work.
It didn't happen.
That's what everybody says during every election.
It's like, are you better off four years now than you were four years ago?
That's like, we'd been watching that for 30 plus years with the, with both sides, right?
That's when you're the other side, you always try to make it seem like the other side, everybody's
worse off.
That's the dialogue of an election.
And sometimes it's bullshit.
Sometimes it's real.
Well, is it ever real?
Is it really?
Maybe it's sad.
I mean, what does it, it's like the,
you've heard about the chiefs, for example, is that the chiefs go to the playoffs and lose immediately. Uh, if they lose immediately, then of course,
the response will be like, well, they played all these close games during the
year against relatively bad teams and they barely skipped it out over and over
and they can't do it forever. If they win, of course, then those same wins
validate why they won. It was like they were always ready to just, you know, flip the switch and turn it on.
So anything in the past can prove anything. Right.
Like all these things that people have been saying about Harris,
if she had won, would still be part of the discourse.
It would just be see it was right. It was true.
You know, so it's like it because all of this, these all this discourse is just,
it's it's I don't, I hate to say it, but it is like so it's like it because all of this these all this discourse is just it's it's I don't I hate to say
But it is like it's it is clearly just made up and what drives me crazy
Is there's a bunch of people listening to this podcast right now who are hearing me say this and they're saying like of course
How did you not know this we all know this, you know, and like I am right
But but and and they're justified in you know? And like, I am, but, but, and, and they're justified
in saying that. It's like, I, I, I, I just, I don't fucking know what's going on. I don't
know what's happening. Like, I don't know what's happening in the world. And I just,
I have to accept it. I have to accept that I have no idea what's happening because I
don't. Like, it's just, it's, it's not not and I'm not saying this from this position of outrage.
I'm saying this from a position of sort of like, I guess in some ways vulnerability,
like just my recognition that, that, uh, I am now receiving my understanding about
life through, through external sources that are not giving me a real depiction of what's happened.
Here's the question for me.
If the Democrats had actually done this correctly and said,
Biden's a one-term guy, it's going to be really hard for us to win with Kamala
because she was in the Biden administration the whole time.
So she can't really criticize the current president.
Right?
So anybody who has anybody who's like, I don't want to vote for Biden again.
I'll take whoever the other side is.
Or they like Trump, whatever.
And you have this new candidate running who can't also distance themselves from
any of the mistakes Biden made, like whatever you think those mistakes were.
She's a really unusual situation.
Like we haven't had this situation that many times in American history where
somebody's had a one term presidency and then somebody in their same party is
running who then can't basically they're like, I stand for change.
It's like, well, you're the vice president for this other guy.
Like, so what did he do wrong?
And she was never able to really answer that.
So if you're the other side, it's like, well, I'm just voting for Biden again.
I don't want to vote for Biden again.
It's like, they never figured that out.
So I wonder like, if they just said in 2022, we're going to have, Biden's
going to leave after one term, we're going to have this, we're going to do
this correctly with the convention, with people running, we're going to have new
voices and then, you know, people that come in and want to have their version of what they think the country should be. I, that might've worked, but whatever
they did, obviously in retrospect, it's like, Oh man, that had no chance. Cause she, she got
kind of trounced in ways that when you look at some of the polling data, we're pretty surprising.
Well, it is, it is weird how, you know, okay. In a sense that the election is proving to be the popular votes can be closer than it
initially seemed, but it's a little bit like if, like if Ohio state plays Michigan and
it's 28, three at halftime and half the crowd leaves and then the end final score ends up
being like 31, 24, it still feels like a blowout.
That's kind of how it was.
Like the, like, I think some people felt like I'm gonna have to stay
up all night, see who wins this election.
And it was over so quickly.
It kind of creates the sense that it was a bigger blowout than it was.
I just, I guess now I'm pretty skeptical of this idea of you're saying like,
well, if they had done this messaging or if they had, or if they had sort of,
uh, been better at explaining this, it would, I feel maybe people now are just voting for full administrations, one of which they felt
was moving left, one of which was moving right.
And the sense is we're just gone too far left.
We need to tack back the other way.
I think that's probably what it was.
That's why I say like, I really doubt it would have made a difference.
If there had been an open primary, if Trump had been killed and Nikki
Haley or whatever had taken over or, or JD Vance had been the candidate.
I think that people were going to vote not about the person because it's now
it's so clear that these things are moving in diametrically different directions.
Like there's just no, there's just no overlap between the two policies at all and the two
philosophies at all. There's so there's only, you know,
and to a degree that now it seems like there's probably more, um,
shared ideas among the citizenship than there are among the parties,
that there's more things that Democrats and Republicans agree on as people
than they do as sort of political ideas.
You know what I'm saying?
Like there might be more things that people
who seemingly have different political views actually go
like, well, that's too much.
Or that's like, I want this, you know?
That they maybe have more shared values
because the parties are incapable of sharing these values.
A great example of this is like all this like
RFK food stuff, right?
Like this idea is like we need to take all of these things
out of Froot Loops or whatever.
We gotta, why does our food have 19 ingredients
and like in England the same product has four?
If someone had said this was going to become an issue in 2024, 10 years ago, we would have
assumed it was coming from the left, right?
That seems like something the left wants to do.
Like when Bloomberg was like, we can't have big pops at the movies or whatever.
It's like that tends to be something that you kind of typically seem from a progressive
side of things.
That somebody wants to make, you know, to, to, to make
food other, but because it is, it's just arbitrarily now it's he's into it. So, and he's a Republican
now. So now it's a Republican issue. It is, it's just, it's just goofy. Like it doesn't,
it has no meaning about there. You can know why it shouldn't say it has no meaning,
but you can't connect it to any kind of larger ideology.
Like these things are now sort of like we've, we've almost separated ideology from what
these policies are supposed to be.
So going back to your one to 10 test and the initial premise of this, you were saying that,
um, you just felt like, why were you so surprised by this?
Was it because of the media you're consuming?
It does feel like, like maybe you're consuming, not you, but just anyone where
it felt like abortion was going to be the biggest deciding theme in the election.
Right.
And then now that we have like all the feedback and the polls and what happened,
it actually seems like immigration was just as important, right?
People's feelings on crime, inflation. back in the polls and what happened, it actually seems like immigration was just as important, right?
People's feelings on crime, inflation.
There were other things that were just as important and maybe even more important
than abortion for what determined the final voting results.
But I don't remember reading it in the same way or hearing about it as
the abortion.
Now, maybe I'm reading the wrong things, not the wrong things, but maybe I'm just
going to a certain sector.
I don't know.
But then in retrospect, everyone's like, well, of course.
And that goes back to, I think your point of like, you know,
sometimes, sometimes you don't know until the election happens.
It's almost like a game.
It's like, well, that clearly was more important.
It's like, how would we have known that a week before the election?
I don't know.
Well, yeah, it is I
Mean abortion is one issue but
And there was a sense that this was going to be a real critical thing that that that there were people who would maybe
I think the assumption was it I was it was actually here's a better way to describe it
it was almost sort of like
we conceded that it was going to be a huge issue we didn't actually think like
well I said like certainly there's gonna be a ton of women who are gonna vote
against Trump because of you know Roe v Wade no longer exists or whatever.
And it was his decision to put those people
in the Supreme Court.
I think that that was just an idea
that was never really interrogated.
I think that the idea of that,
that the way we perceive who is in favor
or against abortion is probably not accurate.
Not as accurate as we think, but we sort of think that there's that, um, that if, if you show a picture of someone, show somebody a picture of somebody that they
can look at that picture and say, like, I think this person is going to be in
favor of abortion or this looks like a person who might be against it. And it's just not, it's not right.
I mean, how, the fact that like, you know,
Trump did well, did much better with, um, like Latino men,
that there was almost no,
there was nothing prior to the election that was giving us any indication that
this would be the case, you know, and then you, or like, you know, there was nothing prior to the election that was giving us any indication that this would be the case, you know, and then you, or like,
you know, there was, uh, you know, you, after the, I'd, I'd seen this before,
but after the election, many people brought this up.
There was this idea that, um, actually a lot of people, uh, a lot of
minorities did not like the term Latin X.
Okay.
And then there was, you know, that, that, that, you know, that is so then Harvard,
like, I think it was Harvard did a study where it was like, not only do they not like Latinx, they're, they're, they're, uh, you know, less likely to vote for a candidate who uses that term.
So it's like somebody of like Mexican heritage hears that term and is repelled by it.
And the response seemed to be like, well, that can't be true.
And maybe they're racist too, somehow.
I think it made no sense.
It was like, they just like, so the information was there. This study happened before the election. It was, we saw it. But then
it's only after the election. They're like, how did they not listen or how did they not respond
to this? Well, you could have said that at the time, but at the time it went, when it was actually
happening, when it was still like a dynamic issue, it was just like, well, I don't know, it's probably wrong.
It's probably not accurate.
But then after the election, it's like, Oh, see, it absolutely is.
I mean, the one thing everybody could agree on is that the democratic party
seemed completely rudderless in 2024.
And that's the biggest reason they lost over any other reason.
And that's just it.
There's no, there's no counter to that.
That, and this has been a thing that's been happening for awhile.
I feel like the last Democrat that's actually really inspired
people was probably Obama and Obama left office in 2016.
You know, I just didn't hear this conversation though, in August, right?
I did not hear people saying that.
So like, how, how can something be so obviously true now that we weren't saying 21 days?
Cause here's the reason. Because people were like, well, look, we can't let Trump
win. So I've, whatever, whatever we have on this other side, that's just who,
who has to win. Trump can't win. That was basically became the message of the
party. They didn't actually have a message. All right. We're gonna take a break.
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So I was talking to a van and big was on my pod about NBA superstardom and the concept of Kobe and
Curry and LeBron being the last three American stars that we've had.
Um, and how they, they, each situation was a little bit of unicornish, right?
If Kobe, the son of an NBA player who ends up on the Lakers, um, playing with Shaq,
he's in the finals by the time he's in year four, then has a bunch of, they
win three straight titles.
He is the trial.
Like the whole arc of it, then he has to come back and keep reinventing himself.
The whole arc of it can't be replicated.
Curry comes in son of an NBA player, completely changes how basketball is
played and kids
gravitate to him like he's a podpiper like it and he's playing in a big market
in San Francisco can't be replicated LeBron comes in as the most hyped
non-center we've ever had lives up to it and then some then has the decision
which pushes him to another level wins wins titles, keeps going and going, going now is in year 22 and still relevant.
Can't be replicated.
And people are asking like, well, where, where's the next NBA star?
What happens when Korean LeBron leave?
And I don't know if there's another unicorn coming, which is what I said to
Van and was, but I need your take.
Like, can we have a giant American NBA superstar again, or has the culture
just changed against it?
What needs to happen?
Well, okay.
You kind of went through all these guys and you out and with every case, you were
sort of like this sort of unique scenario happened.
Okay.
Unique to them.
You know, um, I mean, that will happen again, right?
There will be unique situations that we can't foresee that somebody will, uh,
you know, achieve sort of a level of fame that will be, uh, you know,
unlike any other superstar from the past.
It's happening right now with Anthony Edwards. And yet there's,
I don't know why it feels like he doesn't have the same chance that those other three guys had.
But I would argue that, I love watching Anthony Edwards. I watched the Celtics Timberwolves game and I was just like,
I fucking love this guy. I love the way he plays, I love how hard he plays. He's so charismatic.
We always talk about how NBA players hold back or they're not authentic. This guy's completely authentic at all times.
He's amazing to watch.
He really gives a shit.
He's an awesome two way player.
And yet I don't think he'll ever be as famous as Kobe was.
I don't think so.
No, I think that's unlikely.
Um, I don't also don't think he's, he's going to be as good as Kobe relative to
his peers, so that's part of it as well.
He's right.
He's on the same track for Kobe, at least like stats, um, ability stuff
he's done already at his age.
Like he's parallel at worst.
So, so you, so you think that there is a high likelihood that he will
retire among the 15 best players of all time?
I don't, but you know, he's also not playing with Shaq for the first
seven years of his career, like, which goes back to like the question I was thinking for you is like,
if Kobe, so these are two separate questions that are the same question.
Kobe just gets drafted by Charlotte and plays at Charlotte for his entire career.
Is he Kobe? I don't think he is. No way. If Kobe's,
if Kobe's just Italian, never lived in America and his name's Kobe Bryantini,
and he's an Italian, you know, phone through comes, he has an accent and ends
up on the Lakers, but he's Kobe Bryantini, the Italian.
Is it the same?
I don't, I don't think so.
I don't.
Okay.
So, um, that's a little tougher one.
I mean, so like, so, so, okay, by this logic,
so like if Luca was from Nebraska.
Right.
We talked about this with Waza Bay
and if Luca's name was Luke Jenkins.
Okay, okay.
Would he?
White guy.
He's basically the Matt Nova character in Blue Chips.
Cause I like grew up, he had a tractor.
Is that a tractor?
And it's just, cause there's this whole other piece
that a lot of the best guys in the league now are foreign
and we haven't seen a foreign player yet resonate
with American fans the way that, you know,
the those three guys that I mentioned plus MJ
plus Bird of Magic, nobody, no foreign players been able to even touch those six guys.
Well, you know, we, uh, we did a podcast, uh, before I think Wembe's rookie year,
or maybe during Wembe's rookie year.
And I said that I thought he was going to have a good rookie year and a good second year.
And he was going to have sort of a statistical explosion.
His third year, you're on pace.
Oh, I, yes, because I feel like this year, you know, it's probably going to be very
comparable to his rookie year a little better.
He's getting a little more time.
Uh, but I think he could have like a, I don't know.
I wouldn't say a wilt like year, but like, he could have some real, I think he's gonna have a couple of seasons where he is, if he's healthy, he'll have some sort of
insane numbers. He'll be an interesting test case, I think. Like if, if, um, um, I, uh, but like with,
with, you know, Luca would be more, I think, popular among Americans if he was an American player.
But I also think that, um, there's also sort of a certain cache to him
because he's a foreign player.
I mean, it's really, it's really hard to deduce of like, what is the prejudice
level of prejudice against European players?
Because it's a different kind of prejudice, right?
It's a different kind of prejudice than, um, then sort of a, uh, a solely sort of
race-based or faith-based sort of prejudice.
Like when someone, if someone doesn't like a foreign player, uh, or, or doesn't
like them as much as they would if they were American or they're apathetic,
yeah, it's apathy is the number one thing.
Uh, I, I do think sometimes it's, it's just the, the sort of the ease in saying the name and
sort of like the, the understanding of what this person is like.
I mean, certainly, you know, the joker should be, uh, uh, as famous as any athlete in the
country, right?
Wouldn't, shouldn't he be?
I mean, it's like, in terms of what he has accomplished and the way he plays and all
of these things, and he is a popular player.
You know, like you mentioned, Cooper flag or whatever.
So how good does Cooper flag have to be to sort of become, uh, the biggest player in the league?
Does he have to be the, does he have to be the best player in the
league to be the most famous player?
Are you sort of suggesting that Cooper flag could be maybe a tier below
Anthony Edwards and be more famous?
I don't know.
No, I would say the comparison to me would be Cooper flag versus like Tim Duncan.
Okay.
So in Tim Duncan, he's from St.
Croix, but is somebody that I don't think resonated and probably in the way that
he should have.
And even now I find myself trying to defend him all the time.
He won five titles, two straight MVPs.
I think he's, who are you defending him against?
Who's criticizing him?
I think as the years pass, especially like if the, if it's a basketball reference
slash tick tock culture of Tim Duncan, like he's just not going to do as well.
Um, because he's his, his game and the stuff that he was good at was so day to
day we tweak it in care about stats.
Um, he affected his team in all of these amazing ways that, um,
that I just think as the years pass,
it's people are going to start chipping away at it the same way that Carl
Malone's going to gain steam as the years pass. You'd be like, Oh my God,
look at those Carmelone stats. Um, with Cooper flag,
I don't feel like that's happening.
I don't feel like car Malone status is being elevated over time.
Well, he has other issues, but no, I'm just saying if you're, if you're
basically on stats and you're in 20, 75, the year 20, 75, just studying basketball
prayers, you'd be like, Oh, Carl Malone, if he just won a couple more titles,
he's right there with Tim Duncan.
And it's just like this.
That wasn't the case.
Um, but with Cooper flag, I think you'd have to win titles.
You'd have to be this Duncan KG type player, which I think he is.
And then it depends on the situation.
Um, would people root for that in a different way than they would root for it?
If he was, you know, from a European country or he was like from Slovenia.
Like, I do think people would have more of a connection to it.
It's, it's the sad reality of, of how NBA stars are treated.
He's from Maine.
He grew up idolized in the 86 Celtics.
Like that shit's going to play a little differently.
Wemby is the interesting test case for me though, because it seems
like if he doesn't get hurt, he is going to be the dominant player
in the league at some point.
And you know, what is that going to look like?
Is that going to sell shoes?
Is he going to have the most commercials?
Like I'm just dubious because we've never seen it before.
I said to Woz and Van, Hakim, who was amazing, who was one of the 12 or 13 best
players ever, um, who was super fun to watch.
She was great to watch in person.
Who was unlike anybody on the planet who beat Shaq in an NBA finals, who
won two titles without really an all NBA player in his team.
Um, and had one of the three best, one of the best three year stretches.
In the history of the league, um, it's just not as famous as Shaq is
and wasn't as beloved.
And I think if you ask most people who had a better career, Hakeem or Shaq,
just about everybody would say Shaq.
Well, it's possible that right now that might happen.
Yeah.
Right now they would say Shaq.
I don't know if they will in 10 or 20 years though, because it's like you say like
you mentioned like TikTok or whatever. Like in the TikTok world, Tim Duncan is, you know,
not below because a collection of Tim Duncan highlights is not, you know, an amazing thing
to watch. It doesn't work the way say like, you know, there's a ton of players we've mentioned before.
Vince Carter.
But is that really a real reflection
of how these things are going to be remembered?
See, I think it is.
I think that's the part you're missing.
I think for people under 25, who I'm just shocked,
I see it with my son.
I'm shocked by how much information he gets
from these YouTube videos and
Tik TOK stuff that makes him think he understands the history of basketball.
And that's the part that scares me.
But look what you just said.
Makes him think he understands the history of basketball in the same way.
I'm guessing when you were his age, when you were his age,
you believe you had a full understanding of basketball and the history of
basketball that now we're back.
Our generation had to work harder at understanding basketball though.
We had to read all of these different books.
We read Sports Illustrated every week.
We were watching whatever games we could watch on TV.
They weren't like these digestible 20 second, 30 second, 60 second videos.
I sound like an old guy complaining about it.
I'm not.
I'm just saying it's way easier to shift perception now
than it was in 1989.
Well, it is, yes.
Is it possible that if TikTok had existed
when I was younger, would I have like,
would I think Connie Hawkins is one of the five best players
of all time?
You might have. Would I think WorldB3 is one of the five best players of all time? He might have.
Yeah, would I think WorldB3 is better than he's?
I guess maybe.
I mean, this is like...
WorldB3 is a good example.
It would have been a whole WorldB3 is a problem.
It would have been like LaMelo ball right now.
LaMelo is averaging 30 points a game.
And if you're just dissecting him on the internet, he seems like he's one of the seven best guys
in the league.
I read this book a bunch of years ago.
The book is called a black swan.
I had the guy who, guy who wrote the book, he gets kind of a punching
bag now for some reason, but it's book had some interesting ideas in.
One of the things he mentions is this, uh, kind of as a, just as a side sort
of, is, um, uh, something that I've always kind of kept in my mind, which
there was this test that one time was done on people
where they would say like,
take a picture of a fire hydrant next to like a Volvo.
And then they would make the photo extremely blurry.
And then they would have two groups of people
look at that image slowly become sharper.
They would take away the fuzziness.
Some people were given 25 steps,
like there'd be 25 steps along the way from,
from the most fuzzy to the least fuzzy.
And some people would be given 10.
I'm just kind of making these figures up. But one is it's like,
it's 25 incremental steps against 10 incremental steps.
And they did find that the people who had 25 incremental steps,
more information figured out it was a fire hydrant and a Volvo later.
Because every sort of wrong image allowed them
to sort of make up what it could be.
Maybe it's a Dalmatian.
Oh, no, maybe it's a Rubik's cube or whatever.
Whereas the people getting only the 10 incremental changes
were better because they were like,
they didn't have the ability to sort of project other ideas onto what it was.
What you're saying is kind of the same thing that you're saying that because of
Tik TOK in a way, people are getting all these sort of random images of things.
It allows them to have sort of obscure arcane, inaccurate thoughts that they're
seeing more stuff that could be, you know, that know, that that's not, that's not.
I think the perception right now, if you,
if you ask an entire generation of people under 30, who is better?
Kobe Bryant or Tim Duncan based on the last 10 years of how
those careers and highlights and everything else has been pushed out.
I think 90% of the people would say Kobe Bryant.
If you ask anyone under 30, who is better, Kobe Bryant or Tim Duncan?
I feel like Kobe would get 90% of whatever this imaginary vote is.
Okay.
But this is a mistake that you make and a mistake I make too sometimes.
But one thing is like these ideas, like you ask the random person under 30.
I'm saying anyway, I'm saying every single person under 30.
Exactly, exactly. That's the mistake.
Yep.
The idea that sort of like we can have an understanding of these things
by casting the widest possible net so any random person's ideas
have to be sort of taken seriously. But that's not actually how it works.
Like if we, you know, say with music, for example, when we think about like,
you know, which acts from the past are significant, it can't be that you ask every single person,
like, who was, you know, like who had a bigger impact on music, you know, if you ask like
Fleetwood Mac and the Velvet Underground. Well, it's like more people have obviously heard of Fleetwood Mac.
They're going to give that answer. Right.
But if you keep moving over time,
say we get like 50 years down the line where the commercial significance of
something will matter less and sort of what the sort of very small sliver of
people who really care about these things say, then the answer maybe flips. I mean, like you talk about,
you say like, you know, you ask you some random 27 year old, like, uh, you know,
who's better between Kobe Bryant and Tim Duncan? They probably do say, you know,
Kobe Bryant, but you can ask that same person a lot of binary questions and
they'll give an answer that would be rejected by an expert.
But you will still be talking about this in 20 years, unless like your son
convinces you to retire.
But like, you'll still be talking about, you'll still be talking about, you know,
basketball from the early 2000s.
Okay.
Most people will not.
And those end up becoming what the true answers are.
Early 2000s?
How about the eighties?
I'll still be talking about all the eras.
Well, sure.
Sure.
Well, what I'm saying with any of these, I was using, we were using
Colby and Tim Dunn.
Yeah.
No, no, I'm with you.
But what I'm saying is like, it is.
Yeah.
You, you see this all the time.
Remember?
Okay.
Yeah.
Well, there was a time when like Kanye West made a song with Paul McCartney
and it was really popular during this.
We don't see this much anymore, which is good, but there used to always be a
situation like that would happen.
And you'd see a story where somebody would just link to a bunch of tweets
about look at all these people who don't know who Paul McCartney is.
Like, you know, all these people going like, who's this person Kanye West is
making a record with.
And we look at that and we're like, Oh man, young people are idiots.
Well, actually no, those people are idiots. There's always some idiots, right?
There's always some people who don't know about the past and are going to be
very vocal and almost happy about it. But those opinions don't stick.
I mean, like those, those opinions fall by the wayside. So like, you know,
it's like, if, if, um, uh, you know, you know, you would use,
you sometimes will like have mentioned, I think Jason Williams, you know, you would use, you, you sometimes will like,
have mentioned, I think Jason Williams sometimes is an example of a guy. Oh, white chocolate, white chocolate was a problem that drives you crazy.
Kind of.
And he's like, you know, and he's a, and he's a great example of this
because his highlights are amazing, but, uh, his statistics, his performance
makes him like, you know, you know, I mean, he was, he was the second best
player on his high school team.
Um, you know, knew who his best player was.
Randy Moss, but, um, uh, but regardless, uh, what I'm saying is that sort of that,
that interest, that interest in Jason Williams, uh, that, that, that sort of,
like that in, and no, there's no criticism of him either, but it's like,
that's not going to sustain a reputation over time.
Like that's going to appeal to the most casual person.
Yeah.
Well, unfortunately, it's a lot of sports fans.
What's interesting to me is when we've all, we all decide something
when we're there in the moment and it becomes like, look, we're locking this
down, just put this in the vault.
We're done with this.
And then as the years pass, it starts to shift.
Like I look at Joe Montana this way and now Brady, I think Brady took the
goat title from Joe Montana.
There's no question, but I think as the years pass, now we've hit a point
where if you showed somebody two minutes of Steve Young highlights and two
minutes of Joe Montana highlights, they'd be stunned that Steve Young didn't take Joe Montana's job like
immediately when he was on the 49ers.
It was like, well, we were there.
We were watching all the football games.
Joe Montana was the best.
If your life depended on a game, you would just pick him.
I don't care what the stats are.
He was absolutely the best.
He was the best at crunch time.
He's the best at everything.
Him versus Marino versus Elway.
Joe Montana was the answer. And then the years passed and it's versus Elway, Joe Montana was the answer.
And then the years passed and it's like, Oh, Joe Montana.
Well, he didn't have Jerry Rice while he did a Bill Walsh.
Well, they didn't have some luck and you could start picking it apart, which I
think it's weird to me as I get older that certain things that we just thought
were irrefutable are now being, are now, uh, up in the air.
It was like, like Joe Montana to me was like, unassailable.
Somebody's going to have to take the goat title from him.
The same way I feel about Jordan.
Well, you know, it would have been interesting if, if Montana had not went
to the chiefs, not that he played poorly with the chiefs, but you know, he went
over there and if he, if he had just ended his career after say the fourth
Superbowl or whatever, I think it would be different because not only then did
the Niners win with Young and that Jerry Rice
basically had similar statistics with both guys.
It was almost like they did seem a little bit,
like irreplaceable in that regard.
And then there was a whole glut of guys
who came after Montana in the nineties,
who had kind of huge years and didn't seem that
far below him.
Like the farve types.
Yeah.
Far, you know, sort of the end of sort of looking at Marino's career and the statistical achievement,
the fact that Elway still played pretty late into the nineties effectively.
Um, Steve Young did have a good period there.
Jim Kelly had some great. Jim Kelly had some great...
Jim Kelly had a good run. It wasn't as though, like, you know, like when Jordan left the
league and there did feel like, well now there's this huge hole and this huge gap and the best
guy now is not even... like if Jordan comes, you know, while he's playing baseball, the
assumption is he's the best player.
And he comes back.
Why do we, why do we spend so much time more?
Football is way more popular than the NBA, like way more.
It's not even close yet.
We spend way more time talking about legacies and, and all time grades
being measured against each other and how the current guy measures against
some guy from 30, 40 years ago, then we do with football.
And it's, I, it almost makes me wonder, do we just not understand footballs?
Cause the only things I will,
I will believe till the day I die or until somebody passes them.
Jerry Rice is the best receiver I've ever seen.
Lawrence Taylor is the best defensive player I've ever seen.
And those are like the bars to me. And I don't, I don't even want,
I wouldn't even bother like doing evidence cause it's,
it's a little harder to do them football.
Montana was the QB for me and then Brady took it.
But I just feel like that's always going to be the case for me.
And I don't think people would challenge it in the same way they would with the
NBA, right? The NBA. I don't know why that is.
Well, okay. I, I have a theory The NBA, I don't know why that is.
Well, okay.
I, I have a theory on this, I guess. Okay.
So again, I, last podcast, I did this, so I'm working on this book and this is
something that's going to be a part of this book and I don't want to talk too
much about it, but football has,
Wait, did we do this last podcast?
Well, no, I was talking about why football works so well on television.
These are all part of the same book.
This book is kind of the socio-cultural meaning of football in a very broad sense.
One of the things that I write about in this book is that this kind of paradoxical advantage that I think football has,
because I'm going to say something that's going to sound real bad and real negative,
but actually works to football's benefit,
which is that football is a dehumanizing enterprise.
Football dehumanizes the people on the field.
We can't really see their faces.
Their colors are, the colors of a football uniform
matter more than any other sport.
Like it's very easy to watch a college football game.
It's like Tulane is playing the LSU or
something, just the matchup of those colors is enough to sustain it
aesthetically. We don't even have to think of the guys. You know, it's the
it's a completely controlled sport with such a hierarchy.
You know, the play is coming from a guy in the box down to the coach on the
sideline. We're putting it into the quarterback, who's then relaying
it. Nothing is happening by accident. There is like that famous, you know, the famous,
uh, Dave Hickey essay, the heresy of zone defense. Are you familiar with this? Okay.
Basically this is this art critic wrote this great essay about basketball and his whole
thing was that all the rules and all the nature of basketball should be pushed toward freedom
because that's what we think we want from sports, right?
We think we want to see the players be free, have unlimited agency.
And if in a conversation, that's how it works.
So when we're talking about superstars, it's great to talk about the NBA because we see
these guys, we really know these guys, we feel like they do.
But football success comes from the fact that it's not dependent on the people.
It is dependent on the actual game.
What people love about football is not the things around it, but what is literally happening
between the sidelines and the end zones.
What's going on there?
That is what matters.
So basketball is the exact opposite, right?
What people seem to care about now is everything else around it.
Everything around basketball seems more meaningful
than the actual sport.
We talk about basketball as much in August
as we do in the season.
You know, it's almost like the games have taken on
this strange, like almost perfunctory role
where they're only there for all this other stuff.
And because of it, it becomes completely based on the quality
of the celebrities involved.
So when LeBron was at his apex, when Curry was doing great,
Kobe, you mentioned it was like, you know, it was like, ah, we're
seeing these guys, these people, we're seeing these people, these
humans doing this and they're awesome at it.
But now those guys are still playing, right?
Like Durant's still in the league. Giannis is still in the league. They're not what they used to be.
We're familiar with them as celebrities. We're not as interested in them and their success because
it's like the game is like, like they've sort of worn out their, uh, the, the juice they had
as a new person. They're not new people to us now. They're just familiar people who aren't as good as they once were.
So, I mean, I really think that, that there are many reasons that football
matters so much to the culture.
And I think this is one of the weird ones, which is that in a sense, what we
want from a sport is not what we say.
Interesting.
Yeah.
I was thinking, I have a, I have a thought of, of a, we said on the
basketball piece in the second, um, but the football piece, the most interesting
piece I would add to what you said about football, they changed the role where
you couldn't take your helmet off on the field, right?
And that was something guys really started doing because it was the one way
you would know what they looked like.
And they would do it after a third down sack, after a big catch, anything,
they would pull the things down and their helmet would off and they'd be like,
here's me, here's my face.
And the NFL is like, fuck that.
You're not, not only are you not doing that, we'll call a penalty.
Even after you've caught like a Hail Mary with three seconds left and you got so excited.
Your helmet came off.
Like you're never doing that until you get to the sidelines.
And it feels like along the lines of what you were saying, like they really
wanted to make the NFL, the product and not the players, I still feel like they
need six, seven players to market.
They're always going to need my homes, Alan, um, burrow, Dak Prescott, maybe
Drake may, but they're always going to need their seven dudes, um, the
quarterbacks that are there for 15, 16 years that we have a history with.
But other than that, they don't need anything.
The quarterback now that position has become so outsized compared to the rest.
It's almost like a different entity.
It's almost like every team has two teams, the team and the quarterback, you know,
um, uh, you, you, did you throw Drake May in there on purpose?
Is that what you said?
I've been trying to shoehorn him into all the great QB conversations.
I have a lot of Drake May stock.
It's my guy.
I, uh, I, I, I, I, what was interesting about football is because it's so, it's so restricted,
but even within with restrictions, you still get a form of, of originality, like uniforms
in the NFL.
You got to like wear a certain kind of socks and stuff like that.
And occasionally like, who was that running back a few years back?
Like he wore legal socks.
I think it was playing for the Washington at the time may have been a
running back from Denver who went over to Washington.
I can't remember, but there was like, there was, there was discussion
about this guy's socks, right?
Yeah.
Like his that, that was enough because there's so many obstructions.
There's so many rules that it's kind of like, if you send your kid to a private
school and they all got to wear uniforms and then one kid's is like, you know
what I'm going to wear though?
I'm going to wear this like, I don't know, the sublime pin on my uniform.
And it's like, oh wow.
He's like, he finds a way to break the rules within.
Like, yeah.
In, in the NBA, in a sense, it's like the guys have more freedom.
It's actually in a sense harder for them to be individuals because everyone is
sort of starts from the default setting of being their own person.
You know, it's like in football, you got to kind of break out of it.
Um, wait, hold on.
We got to take a break because I want to talk about the basketball piece of this.
Hey, you know what I've been enjoying?
The NBA cup.
I like the courts.
I like how hard they're playing.
I even like when the game seems like it's over, but everybody's trying until the
bitter end. You know what makes the NBA Cup even better?
A ringer profit boost token on FanDuel. FanDuel actually listened to me.
I told them, let's have fun with the NBA Cup. Let's do some profit boost.
So we created the 30 on 30 ringer profit boost token,
boost any 30 point score or 30 on 30 special bet on this Friday's
NBA cup slate. So obviously I'm taping this on Tuesday. I'm going to tweet out my picks on Friday.
And first, first week I went one for three hit Edwards, second week went two for five and my
long shot hit cam Johnson 12 to one. So we'll see if we can keep the momentum up.
I already noticed Charlotte's playing New York during a, during NBA cup days.
So Lamelo is red hot by now.
Maybe he'll be one of them.
Anyway, hope you liked the ringer profit boost.
We'll be doing it each Friday during the NBA cup.
Just look for 30 on 30 in the fan deal sports book app.
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One question I didn't ask you just quick.
Is Caitlin Clark a bigger under 30 star than any under 30 star in the NBA?
Yes. I think she is too. Okay. Yeah. I don't even think that's a debate.
Yeah. Um, it, and, um, it is like, you know, uh, uh, her,
her, her stardom in a way is, like it has changed many conversations
about sports, I feel like, especially women's sports.
And I'm interested to how long it will last. And I'm also interested to see if, if she is just like one of one,
or if now there's more common words, right?
40% of the time, the most popular basketball player in the country is a woman.
Like if the, if the girl from Yukon comes out and she sort of plays a similar
role and I don't know, yeah.
I mean, shit, I was excited that UCLA beat South Carolina in a November
women's college basketball game.
I didn't, I literally did not care about women's college basketball 10 years
ago in any way, shape or form.
Um, so I think some things have moved toward just the quality to play is more fun
to watch, but she seems to be some sort of catalyst that is just, it's like before and after, and now we're in the after.
I'll be interested to see if it trickles to other, uh,
other women's sports in the same way.
I think it really might be a phenomenon heard.
And like the question to me is like, she was a tennis player.
Would this have happened?
I don't know.
I mean, I think part of it has to do with it's,
it's real difficult now for a guy to
become famous in basketball at the collegiate level, but it still seems very plausible for
a woman to do.
Well, this is everyone's made this point and it's super important, but you have this history
with these women's players in college for three years, you know, where you're watching
them and you start, you can
maybe attach yourselves to one of them, or you just kind of have a sense of their game.
So when they come into WNBA, you know what they can do.
All right.
Off this basketball thing.
Cause you mentioned about, there's, I think it's a really interesting point
about the NBA that I've been thinking about a lot.
Um, and I've, I've test driven in a couple of times on pods,
but about the lack of mystery with NBA stars,
like do we have too much access, too much information,
too much everything day to day, social media, the pods,
like are the fact that there's no mystery left
with any of them.
And I was trying to think like what celebrities, there's two separate ways I want to go, but I'll go this way first.
There's not a lot of celebrities anymore who have mystery to them.
I was thinking how Leo is one of the only ones that I really don't know that much about.
Like De Niro was able to cultivate this. There's been some musical artists, obviously.
Like we've always wondered what the fuck was going on with Bob Dylan.
Um, I think Kendrick Lamar has done a really good job of,
we don't know that much about him, even though we,
we basically know what we know through his music and his lyrics. Um,
and I wonder with, with NBA players, cause I was thinking about
the,
it's a 30 year history of follow it,
follow a team or a player behind the scenes through a
documentary or docu series, right?
Cause hoop dreams came out 30 years ago this fall.
I remember I'll just list a couple and then we can talk about this as a theme.
There was a Pat summit Tennessee HBO documentary in 1998.
I think it was called like the Cinderella season.
It was like just a year behind the scenes with Tennessee's women's team.
And it was amazing. It was like, Oh my behind the scenes with Tennessee's women's team. And it was amazing.
It was like, Oh my God, I can't believe they're showing this.
And you said all of this access of at that point, all we're doing is
watching the team on TV.
You just say now all of a sudden I'm watching the locker room.
I'm watching the cry after games.
It was incredible.
Hard knocks in 2001, that Raven series where all of a sudden we're with Brian
Billick and Ray Lewis and we're watching them practice and cut guys.
That was amazing.
There was a couple MTV cribs episodes with athletes.
I remember they did a Steve Francis one that I loved that I remember writing
about at the time where he went to buy like a Ferrari, there was an incredible
Zach Randolph one.
So you got a little insight there.
There was an awesome show that by the way is not on YouTube, which I can't believe
that that show, the life on ESPN, they followed the Clippers for like six games
and Quinton Richardson and Darius miles. And it was like,
here's what these guys labs are like. I was like,
this is the most interesting thing I've ever watched.
Then it started to shift. We had that Barry bonds.
What was that called? Bonds on bonds, whatever it is, that 2006 show where it was like, it took a lot of criticism because it was like, no, this isn't authentic. We're not getting, this isn't journalism.
It turned into a big debate at ESPN. It says, should we have shown this or not? Kobe doing work, the Spike Lee thing that he did in 09. It was like, what is this?
I was like, what is this?
And then 30 for 30, that's when 30 30 really took off and the HBO docs were still full swing and we had a lot of these looking back documentaries.
Like we didn't do any follow the team documentaries at all in, uh,
in the first two volumes, but we did do the Steve Nash finish line thing
that we did for Grantland where we followed him during the season.
And I remember, and you can go back there pretty interesting actually about he's
near the end of his career trying to hang on and we're just documenting him.
And we started, instead of making a documentary, we said, the crucial tweak
was let's run these episodes in real time so people can watch them during the
season as Nash is playing.
This will be cool.
Nobody's done this before, which nobody had.
And it was really cool.
I was really proud of the finish line, but that eventually led to, there was more and
more stuff like that because the videos got better.
Internet video got better.
YouTube, there's all these different ways to do real time stuff leading to the first
season of that F1 series drive to survive, which completely invigorated and changed the sport,
made it appeal to people in America.
And I think that was like four or five years ago.
And I wonder if we're at the finish line of all this stuff now,
because that starting five show and Netflix people didn't care. Um,
I wonder if we just have too much access to everybody. And I know personally, like I see this stuff now advertised or whatever.
And I'm just like, I'm probably not going to watch that.
Whereas like 20 years ago, it would have been like, Oh my God, we're in
Anthony Edwards house with his friends.
Like I'll pay whatever the price is for this.
So are we at the end?
Okay.
Well, okay.
I have a few responses.
I figured you would.
Yeah.
First person you mentioned was DiCaprio.
He's kind of a special case, right?
Because he is the only superstar like that, who was both the last vestige of
the old Hollywood system and the beginning sort of, of the fan driven, uh,
kind of techno centric fandom.
He was the first guy to experience.
He'll be probably the only person who will experience both of those things where
he was in some ways after Titanic, he was famous in the way John Wayne had been
famous, but then he was the beginning of people who are famous in this new way.
We're like, um, um, it's, uh, like, I guess, you know, the,
however you want to look at it.
Okay.
As for these other things you're talking about, everything you're saying is kind
of true.
And I think, you know, you mentioned that like the first, that Raven's
heart knocks and all these things and how that really did seem crazy.
Like really, like I remember really watching that.
Well, these are regardless of the subject, whether it's, you know, F1 racing,
football, sports, whatever.
What are these?
These things are ultimately art, right? Now what kills art?
What's the thing that most often kills art? The lack of authenticity.
Self-awareness. When art becomes too ingrained with its own sort of existence, when it becomes
to understand what it is, it starts to fall apart. This is what happened with hard knocks now.
Hard knocks is never interesting anymore because we know exactly what it's going to be as does
every involved person.
They know that if they act a certain way, the response will be this.
A coach knows that if he comes across as a little bit clinical, he will be displayed
as hyperclinical.
If he comes across kind of like the Lions coach did, like an old school,
gritty guy, you know, Dan Campbell then becomes this different kind of character.
The F1 racing show worked because it was sort of like this is a new thing.
People never thought like I never followed this.
The people in the United States never followed this.
The people on that show, I haven't even watched it,
but I know enough about it to know that like it was something that, uh, uh,
like, like the first season of the real world or whatever,
where people are doing this for the first time,
they have no idea what these interviews are actually going to look like once
they're on TV. Now everyone knows this. Okay. Yeah. You know,
like so celebrities have completely taken control of their messaging through
social media.
They don't need now to go through the traditional sources.
And as a consequence, what do we have?
A lot of banal information about these people.
If you let people control how they are perceived,
you let them control what their public facing entity is.
Of course, it's not going to be interesting,
or it's going to be seemed so fake that no one's going to have any like interest in it whatsoever. I mean, the thing about the,
like the, the idea that like, okay,
so like Taylor Swift now or something that never has to give interviews, right?
She can just control all that herself. Well now,
so that means that there's absolutely no possibility that she's ever going to
have to address something she doesn't want to address. You know, and that,
and that is where a lot of this tension comes from, right?
It comes from the small sort of moments where somebody has to answer a question
that they would prefer not to be in public, right?
And that's just, that's not going to happen anymore. So as we've sort of,
all of these things you've mentioned, I don't, I don't think you're sick of them.
You're just comfortable with them.
Like, you know what you're supposed to see and something has to be outside
of that for it to be good.
I mean, like in that, in those Netflix shows, like the one about the
quarterbacks or whatever, like, you know, occasionally there'd be a small,
interesting moment, like Kirk cousin has a little secret room in his house
where he keeps all his stuff and he has like in the, his backyard, he has this
huge fire pit, like the biggest fire pit I've ever seen.
He had nothing, neither of those things mean anything about football.
It was just like, Oh, this is something I didn't expect to see in most of the
things you're describing. We now see what we expect.
And it's the inauthentic version of what we're seeing. That's the other thing.
So, and I've made this point before, but it's, it's something that think how many autobiographies we read over the years. Right? Some of those
autobiographies, they're being spun by the person who wrote them. Like my favorite, which you love
too, is the Wilt Chamberlain autobiography, the one, the Wilt, Man Above or whatever, the picture
of him tastes like one of the most fun books you're going to read about sports because Wilt's
not self-aware as he's writing the book.
So it's his take on stuff and he really believes it.
And it's kind of crazy half the time, but it's also like real access in his life, real
access and how he thought about stuff.
And you leave the book going, I can see why he was so frustrated to play with.
I could see why he was traded three times. Right. Whereas Bill Russell, like you read second wind and it's like, holy shit, like this is
one of the most thoughtful people we had in the, in the 1960s and early 70s about everything that
was going on in America. Um, I always feel like you can get value out of autobiographies and I want
to feel that way about some of these, follow the people around,
follow the players around.
And I just don't.
And I find myself not watching them anymore.
Like at all.
I don't watch any of them.
Well, it's true.
You know, I saw that there's this, this Ted Turner documentary that's coming
up, so a documentary series about Ted Turner, which I was kind of interested
in until I found out he has complete control over it.
It's like, I have, I have, uh, why would I,
like a Wikipedia entry would be better in some ways,
because at least it would be somebody who is just sort of giving the information
without sort of, I mean, it is,
it's not that these things are immediately terrible because the person is involved.
That's like, I don't want to say that, but I mean, you know, it, it's, um,
it has become, this has become seemingly like a common move
now for people late in their career.
You make money and it's your, it's basically the video version of mineral biography.
That was one of the things when we did the Vitzhuk band thing, you know what, I just
don't want to be involved in stuff like that.
So it wasn't, they was like, Hey, we trust you guys. Make, make the best possible doc.
Um, how did, how did you ultimately feel about that?
I thought it was really good to be honest, but I didn't know any of that stuff
in terms of like anything post like 1999.
Like I didn't know anything that had gone into wrestling in that world since
then, but what, like, how did you feel about having worked on it all those years?
I mean, I was pumped with how it came out because it just seemed like it was
going to die three different times.
And the story kept changing and it's so hard to work on something like that.
When you feel like you're headed toward whatever you thought was going to be the
version of it, and then you have to flip it and change it again and not know what
was coming next, not knowing if Netflix was going to pull out.
So it was a roller coaster, but you know, you're trying to, when you're trying to
make something like that, I think that's different than what we're talking about.
Cause we're trying to make a document, a real documentary about somebody that
they participated in and did an interview with, but didn't have creative control
over, um, and trying to capture like, what, what was this?
What was this career?
What was this impact?
Was this guy a shrewd businessman?
Was he a bad person?
Like you're trying to juggle all of these things, but you're also trying to do it
for the widest possible audience.
Right.
So it's just different goals.
I think the stuff we're talking about with this is like, if any athlete or
musician releases a big documentary
about themselves that they're executive producers of, or that their production company did,
we should regard it the same way we would regard somebody just writing, releasing an
autobiography, but I don't know if we're there yet culturally. I still feel like people don't understand the difference between documentaries and, you know, basically,
self-produced hagiographies.
Well, cause sometimes they look the same.
I mean, that's the trick.
It's like, it's like the modality of it makes it look the same.
I mean, this, this is the same way with like when say broadcast
news became very partisan, right?
It still looks the way news used to look.
It's still somebody sitting in front of a desk giving you information. There's a screen behind
them showing kind of illustrate, you know, images that illustrate their point. It looks
formally the way news looked when Walter Cronkite worked, but it's not right. These documentaries look the way, you know, um, you know, I, I,
I I'm trying to think of like, like an older documentary that
looks the same as the ones now, but we know it was different because this is the
time. I guess the, the assumption of what it'd be, well, you said like, you know,
you know, spinning an autobiography. I mean,
I guess every autobiography is kind of a spin job, right? It's like, you're,
you know, it's rare that somebody would write a memoir.
How many times does somebody say, write a biography of me, hear the car keys.
You can interview all the people in my life and, and however it turns out, it turns out,
it used to happen a lot. It doesn't happen as much anymore because
that happened with the Yann Winner biography. Right. And think about how that played out.
Yes. Yes. I mean, that's that, that might be the last time someone like does that, you know?
Um, uh, and it wasn't even that it was just like incredibly unfair,
which is kind of unfair. And then, but the guy had a perspective,
the writer, like Joe Hagan wrote the book and he's like,
I have ideas about this too. I'm putting them in there.
Right.
Um, uh,
Well, but there's another piece of this where if all of the celebrities we have,
for the most part, there's a couple of exceptions, but they're super available
all over the place.
Right.
In the old days, it was, there was an infrastructure with celebrities of.
You released a movie, who's that?
Like, think of like Kathleen Turner in 1981.
She becomes famous and it's like, well, who is this?
And there would be maybe a giant rolling stone profile about her.
She'd go on Letterman. Maybe she'd go on Carson. Other than that,
you didn't really know anything about her.
And now there's this whole infrastructure in place. So like,
you haven't seen a Nora yet, but Mikey Madison's like unbelievable in that movie.
Mikey Madison's been around, you know, she became famous.
Social media happened, right? She's social media president. She's done podcasts.
I felt like I not only did I know who she was,
but I'd seen her and stuff and had a feel for who she was.
There wasn't the same kind of mystique cause she'd been around and she'd been
around in a 21st century way. And I felt,
you almost feel like you know somebody obviously you don't,
but I feel like if that Enora comes out in 1982, it'd be like,
holy shit, who is this actress?
And you just wouldn't really have any way
to find out anything about her,
other than these little tiny pieces.
That's just so different.
It's strange, I think the promotion probably hurts them.
You know?
Like you say, like, you know, like I, I, I,
how the idea of being an actor is that you're like,
you're, you're completely, uh,
you know, becoming someone who isn't you.
So it's to your advantage if we don't know who you are.
Um, but that's like, I, I don't know if that's really a possible thing anymore.
By the way, now that I'm looking at this, I'm not sure if Mikey Madison's on Instagram.
So maybe there's, maybe she's more mysterious than I thought.
Um, but.
But like you, even like you and I are talking right now and it seems like we're
just, you know, I think both of us feel like we're just having like, you know,
a free flowing conversation and that we're both just sort of talking off the
top of the dome or whatever, but we do, I guess to have creative control, right?
If I accidentally said something extremely provocative and dangerous, we would take it out
or could take it out if we wanted to. Right. So is this, is this unreal? Like, you know,
or like, that's why I like doing the Sunday nights with Sal, because it's like, we're just live on
YouTube. Here we go. There's no safety net at all. Oh, so you do this live, you do them complete, like it's going out.
We do them on YouTube.
Yeah.
We record the whole podcast as it's happening.
It's, I think it's fun.
And then it stays on YouTube.
So if something was troubling, it would still be there.
I didn't know you were doing that.
Yeah.
It's a strange deal.
Like, okay, you've had, you know, I'm guessing dozens, maybe hundreds of
profiles written about you in
your life. How many, what percentage of them would you say had something wrong in the story?
Something that was either not really what you meant.
When you're written about, I don't think you're ever going to be happy with how it came out.
It's just a fact. But I also, I mean, I haven't done, I don't think I've done an interview like that
in probably the entire 2020s.
You know, I think what you realize is
if you don't need to do them,
you'd rather just kind of not do them.
I mean, yeah, I remember you wrote that,
what was the one you wrote, the Tom Brady one?
Yeah.
Which you've had a few that were great and great for you.
And I'm not sure it was great
for the person you were writing about.
Sure, that's true.
But what I'm saying more like is, okay,
so like I asked you this question,
I could have asked myself this
because I've had profiles written about me too.
And I would say if somebody asked me
what percentage of those stories had something wrong in them,
I would say probably it feels like 100%, right?
Feels like 100% to me. but there's always been something in there
that was either that, that was like, if, if nothing else, uh, like a
misinterpretation of what I meant, like they used a quote of mine and they
quote me accurately, but that wasn't really what I meant.
So I think to myself then, so let's say I had control over that profile.
Let's say that the writer had to send me the piece and I got to fix these.
You had to send them edits.
Yes. I will say like, you know, cause sometimes, you know,
and younger writers will do that sometimes, but I think to myself, it's like,
so would that, that would better reflect what I actually meant.
If someone is reading this story, um,
you would think that what they would want from it is to know if they're reading about me or they want to know about me, if they're reading about you,
they want to know about you.
So they would actually,
you would think want the most accurate depiction of how that person feels.
But yet we would not, we don't take that as seriously, right?
Like if it turned out,
if you had a profile of someone and at the bottom of the story,
it said that the subject was given this story beforehand and allowed to fact check and make changes to quotes and stuff like that. We'd be like, oh,
it's all, it means nothing. Even though that actually would be what the, how the person wants
to be understood. And that should be the goal. So it's, so it is, it is a complicated deal. It's like,
we trust documentaries more if the person doesn't have control and the documentary
filmmaker has kind of adversarial with them because we don't trust the subject,
but somehow we're supposed to trust the filmmaker. Like what, why,
why do we trust the filmmakers' perception on this? Why,
why are they the person who can kind of be the arbiter of reality?
And it's the person who we're watching should, should have absolutely no say in
this or should, or should be sort of forced to be themselves and then
live with the result. I don't know. I mean these are like you know like.
Well you know what's interesting about this? If you're actually making a real
documentary that's not you know hagiography or like a self-produced
thing or whatever you do have a responsibility. This becomes a document, right?
And you're shaping people's perceptions
of the people that are in it. Right?
So I just went through this with the Celtics documentary we did,
which is like nine parts. It covers 75 years. You're actually in it.
And what happened with the last dance was really informative for how we were
thinking about the Celtics thing, because in that case, like Jason Harris, my friend,
like he played it perfectly.
He had the iPad with Jordan.
There was some real Jordan Isaiah attention and, you know, dysfunction between those guys.
You have the iPad.
So, but the two biggest losers, I think, coming out of the documentary were Isaiah and Pippen.
And the Pippen thing, I don't even out of the documentary were Isaiah and Pippen.
And the Pippen thing, I don't even know if he watched the whole thing because when you
get to episode, the last episode when, uh, when he basically helped save the 1998 finals,
he's like a hero and he's playing hurt.
He's on a shitty contract.
He's carrying himself like, but Pippen latched onto what happened when he asked out of the
next game, which he just didn't want to hear that that was part of his legacy.
I thought all that stuff was fair, keeping that in.
I think what you can do though, if it's in the wrong hands is shift certain things
against people or for people. If you're trying to create heroes and villains.
And I do think like some documentary people think about what's going to be cut out and put on Twitter.
Oh, I got this awesome sound bite.
And what it does is especially if you're making a document, sometimes you really
have to be careful, including stuff that might not be true that somebody's saying.
Right.
As the years pass, like think about the close family vacation and you got like
your 80 year old uncle and he just says some, has some crazy memory from 40 years ago.
It's just not true. And it's like, no year old uncle and he just says some, so it has some crazy memory from 40 years ago. It's just not true.
And it's like, no, that's not what happened.
Uncle Al is actually this, like that's can't be in the documentary.
This is still a document, whether he said it or not, whether it's good TV,
that doesn't mean it should be in.
And I do feel like we're even losing that, but that I worry about like this next
wave of documentary directors, I've obviously made a bunch of them,
like gearing stuff toward what might play on Twitter or what may play on Tik TOK is, is I think, you know,
you're incentivizing the wrong thing.
Oh, absolutely. I mean, this is kind of far field, but like, you know,
talking about media type media type stuff or whatever, it's like,
or field, but like, you know, talking about media type stuff or whatever. It's like, who would have thought that it would have been terrible for like
newspapers, like the Times and the Washington Post to be less dependent on
advertising and more based on subscribers?
Like everybody would have thought in the, in the 1990s, we just said like,
what if we didn't have to worry about whether or not Ford
advertises with our newspaper?
What if we could just give people what they want?
Yeah, we thought that would be better.
And now that's kind of what it is.
And it's so much worse because now the reader
is not as kind of seen as a customer.
So we're going to give them what they want.
You see this with headlines all the time.
It's like, I will see the headline to a story and I will think to myself,
it's like, that can't be what the story is about.
And 95% of the time I'm right.
That the headline was so much more provocative and bombastic than what the
actual information is, but what do they need?
They need me to sort of engage with it.
Um, the thing about the last answer, I was gonna say it's like, also it's
like, I have a theory of what really bothered Pippen about that more than
anything else, cause the, all the other stuff, the stuff about him pulling
himself out of that game, he probably expected that to be there.
He's dealt with that.
I love Pippen.
When I wrote about him in my book, I wrote a whole probably page about that
game because I thought it really unfairly shaped his legacy as a player.
It was the first thing people pointed to.
So for it not to be in the documentary in a real way would have been disingenuous.
But I mean, and this might be a projection, but if I'm Pippen, you know,
what part of that documentary would have drove me insane.
The time when Jordan says, you know, you got to say it.
Pippen was the best player I played with.
He was my best teammate.
If I'm Scottie Pippen, I'm like, yes, obviously yes.
Why are you like, like, why is that need a qualifier?
Yes.
Like why would you have to mention that as if there is anyone out there who doesn't think
that that's the kind of thing when you're in a personal relationship with someone that really bothers you. Right. Like the,
it was like he's getting Jordan is giving him a compliment.
Jordan would probably say like, I couldn't give a bigger compliment, you know,
but in this case it's not right.
Because everyone in the world thinks that is the case already.
And for Jordan to mention it, it almost implies like it's up for debate. When like Bird would say his best teammate, his favorite team was Dennis Johnson, that was
always like, oh more than McHale, huh? You're interesting, you know, it's like I can see it,
but you know it does, it's a real compliment, right? Because he's saying something that the
world doesn't necessarily assume to be true. When Jordan says Pippen was his best teammate and the
best player he played with and it's something that prior to Jordan even saying that it wouldn't
have even been a question.
Nobody was ever debating who Jordan's best teammate was or did Jordan play with
any good players. That question has never brought up, right?
Like Pippen's one of the 50 best players of all time or 75 now or whatever the
fucking list is. But I remember thinking if I was him and I heard that,
I would have lost my mind. You know?
Yeah, you know?
Yeah, because to me it's like,
you know, I've said a million times,
Jordan's the best player I've ever seen
and he's always gonna be number one for me.
Somebody would really have to take it.
But Pippen to me is such a big piece of,
like, still watching them together, especially as they
got a little older when Jordan came back, that was one of the great sports fan thrills
of my life.
Seeing those two guys play basketball together.
They were so in sync and they were so great as a combo.
And I've only really seen that a couple of times on a basketball court, the way those
guys kind of coexisted and made each other better.
I can't even think of anybody in the NBA now who does that.
Like I watch the Celtics as a team.
Show flashes of it.
And I almost feel like they, they're not like Brown and Tatum.
It almost needs like two more years to cultivate, but those guys really have.
This chemistry now of when, when to know, all right, you take this one.
All right, I'll take this.
And there's no ego left with them.
Um, it feels like Mitchell and Garland are starting to develop that a
little bit in Cleveland, but you know, when you see it, um, whereas like
you watch Minnesota and it's like, oh shit, this Randall Edwards thing.
Yikes.
Like they need to figure this out.
Do you feel like the NBA has to make some real changes for the product?
I feel that way.
I've been thinking about it a lot about whether there should be a cap on threes,
whether you just get 40 threes in a game and that's it.
It's a crazy idea, but I'm also like, if they did this, I might think it's fine.
Or just second quarter, nobody, threes or twos.
Well, no, it would have to be a situation.
What you're saying is like one of the things on the clock is like the number
40 and every time someone shoots a three, it counts down because then some things
we need to save some for the end or whatever.
But I, uh, I don't, I don't, I don't like that's it.
That's kind of a, that's just too, it's too weird.
It feels too radical, but like I want like Celtics Clippers last night and the Celtics killed the Clippers.
Somebody texted me the first half shot chart and it was just, it was all threes around the arc
and then stuff in the paint.
And I think there was like one shot, you know, from 12 feet. And I'm like, what are we doing?
I mean, like people have been theorizing this is one reason the NBA ratings are
down. I don't think, I think Derek Thompson nailed it when it's six, nine
months ago, when he was saying how it's really easy to follow the NBA in a
crazy passionate way without actually watching the games or just watching
fourth quarters or pieces of game.
Or I think that's the biggest issue with the league.
There's too many games.
I mean, he's a smart guy, but there's a flaw in that thinking though.
What is it?
The flaw in that thinking is when you make something easier to follow that
typically does not decrease the amount people want to see it for real.
I mean, it's totally easy to follow the NFL without watching the games.
You can do it in the exact same way, but that has actually two things.
The NFL is gambling and fantasy.
The NBA doesn't have either of those things in the same way.
Well, I play fantasy basketball and it's driving me crazy because everyone's
hurt all the time. That's how I retired. I give up.
I mean, it's like, I can't, you can't do it. It's just got like,
I don't know. It was almost, it almost seemed better with load management.
I mean, I just, I don't know. It was almost, it almost seemed better with load management.
I mean, I just, I mean, I don't even know what it's like. My suspicion is because, you know, because NBA teams just don't practice
anymore that, and when they, you know, that's all sort of like individual
training sessions for these guys, you know, to get ready for the year that,
that, that when they start playing games, they all get hurt.
I mean, I, I got a fantasy team where it's like 14 guys around the team.
I can't put, I have like seven guys hurt or eight guys hurt.
I can't figure out what to do.
Right.
There's too many games and basketball is harder to play.
I'm going to die on that Hill.
I firmly believe there's more running and it's just harder on your bodies.
Even the equipment I've talked about this, but even the equipment's better.
It's the no practice thing.
But there's no, it can't.
Anytime you, if you talk.
What?
It can't be harder than football. It's not, it's not.
Oh no, I'm saying just basketball compared to basketball in the past, even
though the shoes are better, all the stuff that, the, all the stuff we've always
talked about, but like the no practice thing is such a big thing with coaches.
You can, I remember when doc doc got the Milwaukee job,
I have some friends with doc just talking to him. He took that job.
They were playing and they just hadn't had a chance to practice for weeks and
weeks and weeks. And he was saying just to me, like, um,
just people don't understand how hard it is to not practice.
You don't understand like how damaging that is when you have this schedule piece where it's like three, four weeks in a row.
You just know you're not going to practice because it's not even the top eight guys are fine.
It's everyone else on the roster. They just atrophy.
This is one of the crazy things about Bronte being, you know, in the NBA now and just not playing.
He doesn't play in the, he's only playing G League home games, but he doesn't play for the Lakers.
Like what's the point of him being in the league? I don't understand it.
Well, yeah, that, that ended up looking, I mean, it's, it's terrible.
That's, that I, I, in a sense, I feel like if we're talking about like,
you know, LeBron's career has been remarkably absent of major missteps.
Really for a long time, it was just the decision.
But in some ways, this one was almost worse to me. Why? Because there was nothing like,
so the goal was to have this sort of meaningful moment where a father and son played on the court
at the same time. And it ended up having no meaning at all. Like none.
It, the entire thing seemed like a construct. There seemed to be nothing natural about the fact that he's already in the G
league and may never be in the NBA again or whatever. It's like, what,
well, so what good would this do? Like what, like it was bad for Bronte for sure.
I mean, it's going to damage the way he is perceived.
It's made him be perceived worse than he is. Um, it's going to damage the way he is perceived. It's made him be perceived worse than he is.
Um, it, it, it's not as though we look at LeBron now and be like, well, that's
like one more thing that he accomplished.
I think the opposite is true.
I, um, maybe even he feels this way now.
I don't know, but, um,
Yeah, I don't, I didn't understand it as it was happening because the high
school resume didn't match what people were really saying.
But even like Jared McCain was here in LA and he was, I T I was tweeting about it
during the draft.
Jared McCain is unbelievable.
He was unbelievable in LA.
He was the best guard here for three years.
His team's always won.
He was fucking awesome.
He went to Duke.
You could see the second half of the year.
He was awesome there and it was just clearly going to be really good. Um,
it just felt like Ronnie should have been in college for like at least three
years,
just trying to get better and trying to conquer that level before you go to the
next one. Sure. But when you say like, I didn't understand it,
it's like you did understand it. The thing is, you feel like, you know,
you feel like you shouldn't understand it, right? Well, that's this is a I'll try to be not too far on this, but I feel like this is something that I see a lot when people are talking about the news in any sense.
They're saying they don't understand something and they do understand it, but we feel like we shouldn't.
Like for some reason, the idea of a kid playing with his father, even though he isn't warranted that we should be like, that makes no sense.
And it makes complete sense.
We all know why it happened.
I mean, it was like, I thought of this one, you know, this, this Tyson Paul fight, you
know, I, you know, like leading up to that fight, I started getting tons of texts from
people asking if I was going to watch it or what's we thought of it or whatever to the
point where I suddenly realized almost every guy I know is going to
watch this. Like, I don't know what the final numbers on that thing was.
They had to have been massive, right? Now.
So there was all these ideas, like maybe, you know,
maybe Tyson will just come out and just knock him out with one punch.
Maybe Tyson's too old. Maybe he'll get hurt real bad.
Like there was all these different ideas of what it might be, you know?
And then as it turns out,
it was exactly what the most predictable outcome would be.
Like a pretty uninteresting,
not very physical fight that feels like it might've been rigged,
even though it probably wasn't, it wasn't dramatic at all. Now,
it was probably good for boxing, right?
Cause the undercards were pretty good fights. People watch these fights.
The women's fight was one of the greatest women's fights ever. Yeah.
Yes. People, you know, so it probably was good for the sport,
but in another sense, it was just like, it was just like a, uh, uh,
like a domino effect of, of, uh,
just sort of made up events all kind of falling in a row in the way
that in the most predictable fashion, I don't know. It's very strange. It was like, it seemed
strangely symbolic to me, you know, it was like the fact that like, so Tyson sort of represents
the past. He sort of represents our generation, right? Like he was kind of a gen X figure, I guess in some ways, you know, um,
and then he'd had this, this life where life of crime and these terrible
acts and, but then he comes back and, and he's fighting this guy.
He's fighting this guy who sort of represents almost like a caricature of
young people now or the young adult person now, you know, that his entire
life is based around his ability to sort of generate
celebrity on his own through social media and all these things. Um,
and then everyone's rooting against the guy, right?
It seemed like everyone was rooting for Tyson despite Tyson's life,
but people were like, we're on his side sort of. So it's like,
this person who represents the way the world is now, the way sports
works now, the way media works now, nobody wanted that guy to win.
And it seemed like almost it was people saying like, we want Tyson to win this
fight because it will mean that the world's not really going in this direction.
That if Tyson wins this fight, it sort of says the way things have changed is not good in any way.
Like not only do we not like this Jake Paul character,
but we don't like what he really represents about how sports works now.
We don't like how the way entertainment works.
And if he gets knocked out, it'll show that it was all this sort of like fragile fake thing.
And when he fights a real person, a guy who's actually a real fighter,
when he actually gets punched for the first time, he's going to collapse.
And this house of cards is going to collapse. But that's not what happened.
It was the most predictable outcome.
It was just a slow laborious fight where a guy who's too old to be out there was able to sort of
manage being with a guy whose main goal seemed to make sure that the event
finished. So it felt like people couldn't say they got financially ripped off.
And it's just, you know, like, like,
like Paul bows to Tyson at one point in the fight. So he was like,
we're honoring you in this. Like that's not a fight, you know,
that's not boxing or whatever, you know?
Um, but yeah, we're not surprised.
Like, like it is exactly what we thought it would be.
Well, you know, it speaks to what we talked about earlier with the election.
After, as the, even as the fight was midway through the fight, people are like, I knew
it, I knew this was going to suck.
Oh my God.
And it's like, well, before the fight Tyson was plus one 70 to win, right?
Jake Paul was a two to one favorite.
Everybody claimed they knew after the fact that it was going to be this terrible,
but a lot of people thought Tyson was going to win.
And then once we started to see the results of the fight, we're like, oh yeah,
of course the guy's 58 he's, you know, it admitted long time used all kinds of drugs.
Has led a really hard life, got knocked out multiple times when he boxed.
Had some sort of health event in, in June that seemed really bad.
It was like, what made anyone, including me think that there was even a slim
chances would happen.
It was because it's what people want it to happen.
They wanted it to be the Rocky Balboa movie.
Yeah. Well, I think that there was also this sense that when the first bell
rang, like maybe Tyson's going to come out and charge him and he's going to hit
him one time, it's suddenly going to become obvious.
But what became obvious was that, Oh, you're actually going to go through with
all this. This is not really, it's not, it's going to be. Um, it's weird. It was like, I don't know,
I don't know if I can even say it was a disappointment because how can I be
disappointed if I'm admitting that's what I knew was going to happen?
Yeah. I wrote a piece first year I was at page two.
I wrote a piece about how it was over for Tyson after getting knocked out,
but let X Lewis whole thing. I was like, this is it. This is literally 2002.
I didn't even move to LA yet, I don't think.
We could either end the podcast or we could take a break and talk about The Sopranos.
It's up to you.
I'll talk about The Sopranos, sure.
All right.
We'll take one more break.
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All right, we're gonna end with the Sopranos.
I've been rewatching it yet again and you texted me how you've been watching it
as well. And I'm, and we haven't talked about this other than that.
Just, you know that about me. I know that about you,
but you really wanted to talk about it.
I kind of really want to talk about it too.
I'm interested if it's for the same reason. So you go.
Well, okay. So I'll just quickly get into how this happened. So for a variety of reasons,
I ended up watching the last episode of Mad Men, the series finale of Mad Men.
And that was very surprising to me because of course I remembered what happened to Don.
Do you remember what happened to any of the other characters to most of the
other characters? I haven't seen that. I I've been saving that for a rewatch too.
I don't remember one other thing that happened other than the end.
Okay. Like, did you remember that Peggy ended up with Stan?
I totally remember. Do you remember that like,
like Roger apparently moves to France? It's like, uh, you know, uh,
Pete Campbell moves to Wichita. All these things I had forgotten.
It was blew my mind. All these things I didn't remember about this show,
which I, you know, which I really like, I watch really closely, whatever.
So then I was like,
I wonder if the same thing would happen if I watched the last episode of the
Sopranos.
So I watched the last episode of Sopranos again because I also had watched that
documentary that they, that, that was really good.
I really liked it. Yeah. Um, you know, again, because I also, I'd watched that documentary that they, that, that was really good. That's what got me back in. I really liked it.
Yeah.
Um, you know, and, and it was, uh, I watched the last episode and it was not
what I remembered because again, I only remembered the very end of it, you know?
Uh, but it was good.
So I ended up watching a few more episodes from that last season.
And then I decided like, this is so enriching to me.
I'm going to go back and like rewatch the third season.
I had like, this is so enriching to me. I'm going to go back and like rewatch the third season.
And one thing it does is it really shows me how much, much television was just
better during this period.
Like that was just really, and it's not to blame anybody making television now.
It's that this was like a collection of things that were happening in the
culture that it was like the, the, the depth of every character is incredible.
Well season three is also the most violent of all the seasons too.
And chase is really going for a lot. I think season three is really,
really great, but he's going for a lot of themes in that one too.
Yes. Yes. And, and you know, you know, but also like, uh,
not, not in obvious ways, like all the stuff with the racehorse.
It's kind of interesting.
Uh, um, Carmelo and Furio being together, that's kind of, it's sort of-
Well that's season four though.
Season three is the, uh, season three is when Ralphie kills the, uh, the dancer.
Maybe I'm already in this-
Yes, maybe I moved through-
Dr. Melfi rape scene.
Like there's, it's pretty violent.
I guess I'm in season four now. I guess I must've started with three and I'm moving four because I'm just hitting Maybe yes. Maybe I moved through. Dr. Melfi rape scene. Like there's, it's pretty violent.
I guess I'm in season four now.
I guess I must've started with three and I'm moving forward
because I'm just hitting forward.
Yeah.
Maybe I'm getting, you know.
So I guess I'm in the middle of it.
I'm just saying that those, that these,
the storylines for these characters,
it's just so, it's really funny.
All the stuff with Christopher is real great.
He's such a, you know,
Christopher is such a likable character, despite sort of how his life plays out. He's such a likable fuck up.
Well, it's not just that he's like, he seems like he's trying,
like he's really trying, you know, right? Uh,
like he wants to make these things work.
He wants to make everyone happy in a way he isn't some degree selfish, but it's like, um, it is,
what was it? What did you want to say about it? Because it's like, I, I just,
I have really enjoyed this experience. We watched it again and we'll go,
okay, go ahead. Here we go. Yeah.
I think so I rewatched it like two years ago, probably rewatched it five years
for that. So I think this is like either my fourth or fifth rewatch.
And I think it's one of the great pieces of art that we've produced this this last,
I don't know, 25, 30 years. There's no question.
And one of the reasons I think that is when I watch it, I pick up new stuff every time.
And it's almost like reading like the best books you've ever read or your favorite books.
When you're a kid or a teenager, where you're just like, I'm just going to read this book again.
This book is so good.
I want to dive back in.
I want to study how this author like turn phrases and turn sentences and how they did this character.
Maybe I'll notice something different this time.
That was what we grew up doing.
You would, you'd have 10, 12, 15 books you loved and you would read them.
I don't know how many times I can see it with some of the books I have in my library and
the sopranos to me, I pick up stuff every time.
I think it was so much more sophisticated and well thought out that maybe I appreciated
the first and second times I watched it, all the characters, all the stuff as you get older that chase is trying to say
about family, about mortality, about who do you trust in your life?
Is all this shit worth it?
Like there's just themes that I wouldn't have picked up the first time I watched
it from 1999 to 2007, because in the moment you're thinking you're just
invested in the characters.
You're trying to figure who's going to die, which chase really turns the audience on a
couple of times.
Like chase doesn't like that.
People gravitated the violence of the show in the moment.
So he made season three becomes intentionally violent.
Like he's really trying to fuck with the audience.
But I think the characters and what he created, it's all been discussed a million times, but
I still feel like
it's more interesting than any new show I could watch. Well, you know, watching him in a row is
interesting too, because I now recognize how watching it a week apart altered my experience
with it in the sense that like, okay, when the series was ending, especially right when it got over, there was all those people writing about the Sopranos and they were like, you
know, why did people, uh, relate to Tony Soprano?
He's like an obviously terrible person.
He's like, he's like completely transgressive, awful person.
And when you watch them all in a row, like when we, like when I'm kind of,
like, kind of, I guess, binging them or whatever, I'm just trying, you
really do see that, right? Yeah. But when you're kind of like, kind of, I guess, binging them or whatever. I'm just trying, you really do see that.
Right.
Yeah.
But when you're watching them a week apart, it didn't feel that way because
in every episode, maybe he would do something bad, but he would also do one
thing that was charming and then somehow like he, he would have, he would say
something to milfie or he'd say something to his kids or he just do something
that was likable and sort of balanced it out.
But when you watch them all in a row,
you really see what kind of a diabolical person he is
and like how, like, how just completely
like bottom line person he is.
But what else is weird is that even though that I'm watching
this again, and I'm maybe more clearly seeing
that this character is just really, you know, just like a bad
dude in some ways I relate to this, even though, I mean, not, I don't know how I can say I
can relate to a gang.
I mean, you know, but sort of his sense of, um, uh, like the things he questions about
his own life.
Like you mentioned, uh, maybe it's just because I'm older now, but I, there, there are certain things,
uh, moments in that show when I'm like, I know how that is.
I know how he feels right now.
Like I know what that is like.
And then, and that's something I do not remember from the first time I watched.
You know?
Yeah, that's the Tony piece.
I think the reason we were all attracted to him as a character was he's
completely authentic and he's always on brand at all times.
I think he's so well written and so well sketched out, but all the decisions
he's making in real time, you believe in a hundred percent, whether they're good
or bad, it's like, Oh yeah.
Like when he goes, he's in the Mercedes dealership. Um, after he sees, um, what's her face, the Annabella Sierra character,
when he's with her in therapy, the first time they meet, they're just in the
waiting office and it's like, oh no, this is going to be bad for Tony.
And then it's like, he shows up at the Mercedes dealership because of course
he does and you just know it's going to end badly. Um, every piece of how.
They cultivate his character over the course from season one to season
seven, like adds up when you watch it.
I don't, I don't think of an, I can't think of another show, like even shows like Lost,
like Breaking Bad had moments where it kind of went sideways.
People were complaining about certain things in the, in the Sopranos.
I can't really complain about anything.
I don't love the Ralphie character in season three and season four,
the Joey Pants character.
I don't, I don't feel like Chase ever solved that character completely.
But when he gets to Buscemi in season five, playing the other Tony, like he,
like he had everything and that, that character was well sketched out,
beautifully acted, but also like really made sense against Tony.
And it was like this alternate version of where Tony's life could have gone.
You know, so I just, I think of all the stuff he had to do with the show where you're having,
I don't know, 15 main characters, four characters you really have to care about.
But then this whole other, like there's another 50 on the show
and all of them make sense and interconnect together. I honestly don't know how they did it.
This is one of the rare, this is the only TV show where I'm like, I don't understand how they pulled this off.
There's just many things about it that are just sort of, it is incredible. Like, okay, so like Tony,
in order for this to work and for him to have this position and be in the position as he's in, he's always kind of got to be the smartest person in the room.
Okay. And he usually is, particularly if it's any situation where, um, he's dealing with the business of being.
Uh, an organized crime leader.
Yeah. dealing with the business of being, uh, an organized crime leader.
Yeah. But he's often wrong about other aspects of life,
but he can't, it's hard for him. Like,
it's like he's the smartest person in the world in the room.
And then sometimes he's not, but like, he can't,
he can't accept that in a sense. He's got to believe he still is. I mean,
right. It's just, yeah, well, not,
not, but for him, it would be rational confidence, right? Because in, in
situations where he's got to deal with the life or death, money or nothing
situations, he's really good. He's a good negotiator and all that stuff. It's the
things that are, um, like less, you know, like, like trying to undo,
like he has a really intense theory of mind,
like a weird kind of sense of empathy.
Well, so the last season, there's two episodes.
Well, actually the end of the season before,
after he gets shot, which is like,
if you're watching real time, when it's like week after week, Tony's recovering.
It was like a long month on that show.
I don't think that's like the first part of that season is not.
Finally remembered.
Um, but it's super important because it leads to that episode when, uh,
when he's coming back, he's healthy, but he's not a hundred percent healthy.
And physically he's diminished.
Right.
And the two big episodes of the physically diminished Tony are the episode.
He's got that big, strong driver, the guy that drives around the young guy.
He's ripped.
He looks like Vin Diesel and he kind of Tony can kind of sense that his crew.
Feels like he's physically vulnerable.
So he starts to fight with that guy and beats them up.
Right.
Cause he has to kind of prove to his crew that he can still be the guy.
He can be the physical.
So then the other one is the, the Bobby Bockela fight.
Bobby Bockela.
He's super drunk.
Bobby Bockela beats them in the fight and he can't let it go.
He's got it.
He's got to make Bobby do the one thing Bobby never did, which is just to kill
somebody for the family because he has to
Win that one thing over him and what you realize is when we say Tony's a bad guy
It's it's like oh, yeah, cuz he killed people who's a mobster
It's like he's actually way worse than that because he's all about how can I win over the other people in my life?
How can I how can I tilt this against them? How can I always stay in power? How can I fuck with them?
That's that's what drives them ultimately when he fights Bobby out by the lake and all that stuff, you know
His crew is not around. It's really just his wife and his sister. Like he's talking to like Carmel
He's like, you know that if I was younger, right? Oh, you know, it's like it's like she doesn't care at all
She's like I wish this wouldn't have happened. Right? Why are you trying to convince me? You won this fight? You shouldn't be fighting your friend, you know, that's like we would doesn't care at all. She's like, I wish this wouldn't have happened. Why are you trying to convince me you won this fight?
You shouldn't be fighting your friend.
You know, this like, we wouldn't buy it this out here.
Um, but it's, it's, it's, it's like his, his, not his own self knowledge that
like the other fight is because he's trying to prove it to his crew and this
one he's trying to prove to himself.
But like, I'm saying episode, same episode episode. Another example why he's a bad person.
So Janice is happy, right?
His sister who he kind of has this love hate, mostly hate relationship with, but
she found Bobby nice guy, they have this lake house, things are going well.
And they're at dinner and she seems a little too happy.
And he's just like, I got to undermine this.
And that's when he starts making the jokes about how he used to blue blow guys.
No, they're playing, they're playing monopoly.
Yeah.
And he's just like, I, you know what?
She's, she's feeling herself.
I have to bring her back down and he just figures out a way to do it.
But that's what he does.
This like, he's really mean like that.
We remember when conversation with Polly walnuts where he just like, remember
when's the worst
form of conversation gets up and leaves.
Paulie Walnuts is pretty loyal guy to him who treats like shit half the time, but everyone
around him, he just can't, he has to treat them like shit as a way to have something
over them, which is why when you rewatch the show, there's so many examples of how he does
it and he's way better at it.
And the second half of the series than the first half, first half, he's it and he's way better at it in the second half
of the series than the first half.
First half he's still feeling himself out.
He's not sure if he's going to be the mob boss yet, but by the time we get to season
three he's like a monster.
I mean like what you said is a very key point because he often mentions how he doesn't like
people reminiscing about the past.
He hates nostalgia, right?
And the reason he hates nostalgia is because he feels that talking about the past means the past is
over and he thinks the past should still be the present. The way things were when
he was growing up seeing other people, you know, like that's
how it should still be. So he doesn't want people to reminisce because that
distances it from the possibility that that's how still the world's still that way. You know?
And I mean like that is a, that's like the kind of idea you can get in a novel.
It is very difficult to reflect that through dialogue on a television show.
And they do a lot of things like that. Like they have a lot of, like the,
I guess the word they always use now is the interiority.
They're able to sort of get inside these people's
very complex feelings about life
without showing a lot of it.
Polly and like his relationship with his mom, for example.
Like that shows us something, you know,
his desire to make his mom happy
because he sort of thinks that like,
that he doesn't have a family, so he's gotta do this. He's gotta do this for his mom happy because he sort of thinks that like, like that he doesn't have a family.
So he's got to do this.
He's got to do this for his mom, you know?
Or, or just like how to, like,
like navigating Meadow's relationships and stuff for Tony.
It's sort of, it's like these,
these are things that like don't,
they're not just plot points.
Like they're not,
cause a lot of times a lot of things don't happen.
Or like Carmella Furio thing.
Like nothing really happens between them.
But there is a lot of pathos in that relationship
from both sides.
And like just, she is so good as an actress
of illustrating the feeling of desperate hopelessness.
That like, there's just nothing I can do
that this is how my life is. under all these things I want and they seem
simple. They seem like simple things I want, but I know I can't have them. So I got to convince myself
it's okay. And then every once in a while it's not and she just cracks.
Yeah. Well that and that's the other thing with rewatches because you're watching these all in a row at a much faster pace.
And Carmella is one of the great female TV characters ever.
Um, the, the way he builds her from season one, what she is, which she's
basically like, it's a time where to scutch for Tony, like she's busting
his balls the whole, the whole first season and doesn't seem that happy to
be married to him, but she's happy with the life that she has, but doesn't
seem like she likes him that much.
Then as it evolves and you start, she starts having that moment where it's like,
what, what is my life?
My kid, I spent 15 years like trying to raise these two kids.
Now my daughter hates me.
My son's in his room all the time.
I have this husband.
This is like this, he's going fucking his goomars all over the place. Um,
what do I have? And then every once in a while he brings me home this necklace.
Like, is there something else out here?
And that's what season three and season four is about.
Cause it's just Furio just coming over and being in the doorway for three
minutes is like the most exciting moment of her day.
Her daughter doesn't respect her.
And then how that evolves over the whole course of the series is, I mean,
the white caps episode is the famous episode.
And that's like one of the great, great combo acting thing.
That's another thing with the show is the acting of, of Edie Falco is Carmella
and then Gaye Dauphine and soprano.
It's like, it has to be two of the best 10 TV performances ever.
I mean, maybe even top five, six, or seven. Like,
Gendo Fini, you watch this. He's so incredible as an actor. I really feel like it's one of the great
achievements that I've seen. And it's like the perfect role for him. Like, I mean, I like,
it's not, not to say that he's not a great actor, but it's like, it's just that, that is one situation
where, you know,
when you watch that documentary and they show some of the other people who tried
out for these parts, it seems like it, this is, it only could have worked one way.
It had to be this way. Right.
Like he was the only guy who could have done this and who would have done it
like this effectively, you know? And, um, uh, it's a, I, it,
it, you know, I remember, remember writing for Grantland or whatever,
like talking about this mad men, uh, breaking bad in the wire.
And I time, you know, it was like, I kind of concluded that maybe the wire was
actually, or no, that, that breaking bad was the best of these, you know?
Um, and.
You know, it actually kind of ties back to the thing we were talking about,
like the NBA and Tik TOK and stuff like that, like in the moment of these things happening, you can kind of ties back to the thing we were talking about, like the NBA and Tik Tok and stuff like that.
Like in the moment of these things happening, you can kind of have a feeling,
but then as time passes, it changes.
And the only people who really care are the ones who decide.
And I do think maybe the decision is going to be that actually of those four
shows, it really was the Sopranos.
That was the best one.
All the other ones in some way are like a version of what that show did.
Yeah, I agree with that.
You know, that, that, that, that wire has the best case because of what it was
about and I think it's aged really well.
Van Lathan, I talk about this a lot about, cause he, I think he's in the
Sopranos camp, um, just for like, what's going to have the longest tail.
I feel like the Sopranos is a show that's, 50 years from now, it's still gonna hit the same way
because of the themes that it's about.
It became timeless in a really unusual way.
Like you think about the first couple years of the show,
there's, you know, there's the cell phones they're using
and you know, there's, later on,
like AJ's on the internet a lot, Tony's like,
what the fuck is he doing?
He's just watching a video on the internet and laughing. I like he's like complete disdain for him and that's basically
You know what society is now?
Yeah, but but I the thing is you can make cases for all four of the shows
That's what like they were all that they it's not a detr it doesn't detract from any of them to say this
I just it does like and you know this kind of story does seem to hold up
I mean, it's like Goodfellas holds up pretty well. Godfather holds up very well
it's like for some reason this particular thing like the
Italian organized crime world. Yeah
it has a it's it's it's
Well, there's one other piece,
which is why I think all those things have in common is that some of the shit's
super funny. Yes. Like Polly Walnuts, as the show goes along,
Polly Walnuts really starting with the Pine Barrens episode is one of the
funniest characters for me of, of like,
I would put him against like shows like Seinfeld characters. Like he's so fucking good and so funny and like his faces.
And, uh, I just, I, he just makes me laugh.
And I think a lot of the people on the show are just like genuinely funny.
Yeah.
Like when Christopher gets out of rehab and Tony's asking him, like, if he went
through all the 12 steps and he's like, well, not the last one where I kind of, uh, you know,
apologized to everyone, make amends. And Tony's like, I know if you should do
that, you know, and he's like, Oh, I agree. So, you know, in some cases,
you know, I'll send flowers in some cases cash. And it's like,
it's like, it's not even like set up to be funny,
but it's just hilarious that somebody would be like, Oh,
I've had my heroin addiction has really screwed up these people's lives, but let's not delve too much in them.
I'm just gonna give them an envelope of like 20 grand or what?
I say, I don't know.
He's just, he's delivery of those lines is so, it's so perfect.
The intervention episode, the five minutes intervention, which was like coming on the
heels of what we would have in the eighties and nineties with shows.
Like every show would have an intervention episode, right?
Like probably the best one was party of five when they intervened with Bailey,
Bailey's alcoholism, really, really good stuff.
But obviously a TV show and chase, chase is just like, I'm fucking taking
this nine other levels.
And that becomes one of the funniest five minute sequences in the history of the
show.
And that becomes one of the funniest five minute sequences in the history of the show.
Um, it's just the humor mixed with the fact that these characters are all kind of awful and how they navigated it. Even the episode when, uh, Annabelle Sciorra's character,
when Paul, when Tony sends the guy to basically threaten her and be like, you're,
yeah, yes. You've said the sentence you should never say in our world, which is I'm going to tell your wife, like not only are you not going to tell your wife, he's, and he's like, you're, yeah, yes. You've said the sentence you should never say in our world, which is,
I'm going to tell your wife, like not only are you not going to tell your wife,
she's, and he's like, you're going to leave this man alone or something
horrible is going to happen. He's like, it won't be cinematic, right?
And scares the shit out of her. We never see her character again, but that last,
the last scene of the episode is him bringing groceries back to his family.
This guy just was like the most violent sociopathic, scary dude.
And then it's like, Hey, did you remember to bring the milk home? Yeah.
And he's coming back with his groceries.
And I think that's why people like this world.
Cause it's like the worst impulses people have,
but also things that we care about family, friendship, loyalty,
you know, these things that are like enduring themes.
Um, Gandolfini though, I, to me, it's number one.
I don't, I can't think of a better performance on a TV show.
Um, I'm sure other people would argue, but I, I can't imagine anyone else in the
world and I think he's the biggest reason the show works.
They're probably true, you know, but I also wonder if I had rewatched a different
show, if I might feel differently, but that's how it feels to me right now too.
You know, it's like the recent, you know, it's, it feels that way.
All right.
We did it.
We made nephew Kyle's week cause he loves nothing more than, uh, than good
sopranos talk Chuck close to me.
And that was one of our longest pods we've ever had.
I don't, I really had a good time though.
It was good talking to you. Yeah. It was good seeing you we've ever had. I really had a good time though. It was good talking to you.
Yeah. It was good seeing you. Have a good Thanksgiving.
Yeah. Have a good Thanksgiving.
Are you a big Thanksgiving guy?
I love Thanksgiving. I love the football. I love the food.
People say like it's my favorite holiday. It might be my favorite day.
Especially now when your kids come home and you get to have your whole family together.
Like when your kids get older, it's like the best.
It's my favorite holiday too.
I feel like for the best holiday,
you have to say Christmas in the same way,
like you have to say like, you know,
the Beatles or Citizen Kane or like Christmas needs to be
the biggest holiday.
Some people would go Christmas eat.
Yeah, yeah.
But I think everyone likes Thanksgiving the most.
Yeah.
All right, good to see you. Happy holidays.
Bye bye.
All right.
That's it for the podcast.
Thanks to Chuck Closterman.
Thanks to Sarudy and Kyle and Gahal.
Don't forget, you can watch all of the, uh, this entire podcast will be in the
Bill Simmons YouTube channel and my million dollar picks.
If I do them this week, I promise to do something fun, but it will only be on the Bill Simmons
YouTube channel because I will not have another podcast the rest of the week.
I'm going to hang out with my kids and my fam and we got Thanksgiving coming and I can't
wait.
I love Thanksgiving and I hope you have an awesome, awesome holiday.
Safe travels.
I will see you in this podcast on Sunday
and I'll see you on the Killsun T2 channel
at some point over the week.
Enjoy Thanksgiving. I don't have a few years with him
On the wayside, on the brink of sorrow
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