The Bill Simmons Podcast - The Wemby Era, a Women’s Hoops Revolution, Taylor Swift Vs. the Beatles, and Maye Vs. Daniels With Chuck Klosterman
Episode Date: February 28, 2024The Ringer's Bill Simmons is joined by Chuck Klosterman to discuss Victor Wembanyama speculations, international basketball, and cracks in the American youth basketball structure (1:22), before they t...alk about the spike in the popularity of women's college basketball, different eras of college sports, PEDs, and more (24:52). Then they discuss the cultural colossus that is Taylor Swift (47:37) before finally debating what the Patriots should do with the third pick in the NFL draft and talking about Apple TV's 'Dynasty' documentary (1:09:04). Host: Bill Simmons Guest: Chuck Klosterman Producer: Kyle Crichton The Ringer is committed to responsible gaming, please checkout theringer.com/RG to find out more or listen to the end of the episode for additional details. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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coming up BS podcast hall of famer,
Chuck Klosterman next.
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All right.
Chuck Klosterman, sports, culture,
going in a bunch of directions.
You know the drill at this point.
It's next.
First, our friends from ProJet. All right, we're taping this Tuesday morning,
Pacific time.
Chuck Klosterman is here.
It's been a while.
Every once in a while, I realize, oh man, a couple months have passed.
We haven't talked to Chuck and I just text you and then we start thinking topics and
now you're here.
You see, when was the last time we spoke?
I feel it was before when Benyama was in the league because I thought we had kind of a
gentleman's bet over what he would average his firstama was in the league because I thought we had kind of a gentleman's bet
over what he would average his first year scoring in the league.
And who's winning it?
I think you set the over-under at 19.8 and I took the over.
Does that sound right?
And he's doing the over, yeah.
Well, and listen, maybe you said 21 and I took the over.
I know I took the over.
He'll end up hitting the over at the end.
Have you been watching Wimbledon?
What's your Wimbledon relationship?
Well, I watch him when I get a chance to see him, of course.
I mean, it's real interesting.
It's strange in a way how they're using him in the sense that every time he seems to get the ball within 10 feet of the basket, he scores every single time.
And that's a very small part of his game.
But maybe it's smart.
Maybe they're taking him along in this way that they're going to sort of
really let him sort of become as well-rounded as he would have become
naturally if he was playing say college or amateur for this period.
My prediction with this is next year,
he is going to have similar numbers to this year.
And in some ways will seem like the same player.
But I feel like his third year, he's going to have a massive season.
Like a statistical season that we probably have not seen in a very long time.
And he will be the best player in the league for three or four years, but I think his career
will be relatively short.
Because of the history of super tall guys.
That's part of it.
There's just a lot of things that could happen, I guess.
And it's hard to imagine him playing for 17 years or something, but we'll see.
I shouldn't say that.
He may have a long career, but I think his dramatic peak is going to be about three or
four seasons.
There's an Olympics piece with him this summer that I think is going to be pretty great.
I think the Olympics in general is going to be amazing for basketball.
It's probably the most teams that could have a chance to beat each other once we get
to the quarterfinals, but the French team's going to be good. The Canadian team's going to be good.
Our team's going to be a little weird because some of the old guys still want to play.
And it's pretty clear they should push the old guys out and really build around some of the
younger guys. So it's going to be this little like what happened to the Women's World Cup team,
where you have some of the older players like, I'm still here. And it's like, I'm sorry, LeBron's not one of our five best players anymore.
And just once he's there, you kind of feel like you have to play him. Same thing for Durant.
And, uh, I think that part's watching how they navigate the old and new eras is going to be
fascinating to me. And then the French team is going to be really fun. You know, I just,
it's so funny. You mentioned that a couple of days ago, my neighbor was texting me about the French Olympic basketball team.
And I was like, is this, I like, I assume this was some niche interest, but I guess
maybe it's expanding.
Maybe a lot like it's just, you know, but although this happened a couple of years back,
I remember with the Canadian team.
Yeah.
Like Nash was coming, was taking over and Wiggins was there and there was all this.
And now it seems like they're note that maybe these conversations are short. And it's always like, you know, it's America and who else? And then we talk about another country for a while, although we, you know, we'll So you're going to have the quarterfinals.
I went into, I've been really thinking about whether I want to go this summer or not,
because when I went in 2012 in London, the quarterfinals were incredible because it was
just four straight games.
And it was basically all the best players in the tournament were there.
So in 2024, it's going to be better because we have more better players.
We have more foreign players, like the whole thing.
And I think that's going to be one of the great basketball days. And it's interesting because
we're headed toward this playoffs where the Celtics and Denver right now, the odds on that
finals is only five to one on FanDuel, which is like, that means you're basically the prohibitive
favorites to make it. And I'm wondering if this just becomes Boston and Denver in the playoffs.
We have some fun storylines, but that's really where we're headed.
And it's not going to be that fascinating.
And then the Olympics will be more fascinating.
I think the West is going to be very interesting.
It does seem like Boston's the best position in the East.
But tell me this, knowing what we know now, and we look at the league as it is, would
you say that the 1992 Dream Team is the biggest thing that happened to
basketball in the last 50 years in terms of opening this game up in a global
sense to where now the four best players in the league are not from America,
that,
you know,
whatever number of the top 10 guys are not American players.
I mean,
that,
when the way that that sort of changed the way the rest of the top 10 guys are not American players. I mean, the way that that sort of changed the way
the rest of the world looked at professional basketball,
which I think they had been interested in,
almost like it's a spectacle or an oddity.
Look at these guys, you know, they all go to Barcelona
and people are gawking at them
like they're Godzilla walking the streets or whatever.
But now, I mean, if you had to, if they're really,
like if we were going to change
the all-star game and it was like America against the world, I think it's pretty clear who has the
better team. Yeah. So I've heard the dream team argument before. I think there's another piece
of it because they started doing those overseas games. I think it was called like the McDonald's
game or they would play in Italy and they play in these different countries. And that was when they started to realize what the celebrities of the players were
abroad, right? They knew, but they didn't really know. It's not like we have all the
same mechanisms we have now. But once those guys were overseas and being treated like
rock stars in Italy or whatever country combined with the dream team,
I think that was it. I still feel like Jordan's the biggest thing that's happened in the last 50 years.
Just his existence as a person,
not,
not just how him becoming basically Ali for basketball, I think is the most important thing that happened because I think he brought
the most fans into it.
And if you remember,
like even the dream team,
but magic had already retired.
Bird was about to retire.
None of the other guys were really that famous.
It was really the fame of Jordan that levitated above everything. He of the other guys were really that famous. It was really the fame
of Jordan that levitated above everything. He pulled those other guys with him. Barkley came
out of that whole summer as a guy. He just wasn't a guy like that before. But I just think them
striking on oil with MJ in all these different ways, with the slam dunk contest, with the fact
that the Bulls got good, they beat the Lakers in 91.
And I think that was probably the catalyst.
But you're talking about a bunch of years there.
Like the thing with the dream team is that's like two weeks.
That's like two weeks in one year
that it all, it seems like all of,
I mean, there had been international players
before, of course,
but it just, it,
there was almost like an exponential move after that
in terms of the number of great international players that suddenly started appearing. We're
like, I mean, I just, you know, in 20 years, what percentage of the NBA will be us foreign players?
You know, 50% or less. Yeah. I think, right. I think right now it's like 75%, something like that, which is lower.
Yeah, I would guess 50% probably because it's just, it's an international game now and it's
watching it.
I mean, there really haven't been a huge number of players from China.
And I think when that happens that, you know, I mean, how many seven foot people are in
China right now?
I would be curious what that number is.
Yeah, it feels like this has been a 35-year crawl to getting where we are now. It's funny,
we're watching this happen a little bit with the UFC. R.L. Hawane was talking about in France, because basically MMA was banned in France for a while, and then it was unbanned.
And now there's this explosion in France France and you're seeing an MMA in all
these different countries.
These fighters are coming out because it's been around long enough to,
to kind of impact these kids growing up being like, Oh, I want to do that.
And I feel like that probably started in basketball with Jordan, you know,
because think of the international players we had when we were growing up.
It was like,
it was like Oscar Schmidt,
Marshall Lowness.
Well, yeah,
Oscar Schmidt ever played here,
but it's a bonus.
We couldn't watch.
Yes.
Um,
uh,
Petrovic Petrovic.
Yeah.
Uh,
let's see who else.
Uh,
it was,
uh,
Dino Raja.
Yeah.
Yeah.
Yeah.
Yeah.
But there just wasn't that money.
And then I think by the time we got into the mid-2000s,
all of a sudden Argentina's beating America in the Olympics.
But like, I remember, okay,
so like when Oscar Schmidt in Brazil
beat the U.S. in the Pan Am Games,
you know, I remember watching that.
I think Denny Crum was the U.S. coach at the time.
But even the assumption then was that,
okay, Schmidt might be the best player
outside of America right now.
He still probably couldn't play in the NBA.
He looked heavy.
The entire team was based around him shooting every shot.
I remember his quote was like, some people are born to play the piano.
Most people are born to carry the piano.
And he was talking about his teammates.
So even then, when he was seen as the best international player outside of Savonis,
who I think may have been injured at the time,
the idea was that he probably couldn't be an NBA player,
certainly not an effective all-star type player.
You know, that's not how it is now with these guys.
I mean, you know, if somebody,
if just a completely blind test,
if somebody said, okay,
you can get the best international player
from Europe right now, who's 19,
or the best US born player who's 19, I best U.S.-born player who's 19.
I think everyone would take the European player knowing nothing else.
I mean, the best American player right now coming out is the kid from Colorado.
Is that correct?
Am I right about that?
Yeah.
So I don't feel confident that he is going to have a great career the way I feel confident about so many of these guys who come over and seem to immediately be suited to play
and are only getting better.
This is a big discussion right now
with the smarter people that are involved with the NBA.
How do we fix what happened here?
Because I think all the coaches and the feedback
from the Steve Kerr, Spolstra, Popovich, all those guys,
the people that Adam Silver would ever listen to and have a conversation with, all of them are saying how the American
basketball players are coming in at a disadvantage compared to the foreign players. And Kerr's talked
about this recently because the way in the other countries, how they have basketball, it's way less
games, it's way more practice, it's skill stuff. It's individual work. And they care less about actually the competition of it. It's more about the fundamentals and just getting better. And here it's all about the games. And it's all about what AAU team are you on? What high school team are you on? If you don't like your high school team, just transfer to another. You go to AAU, you play like seven games on a weekend.
And nobody thinks this is good for basketball.
And you look at where Cooper Flagg, I think,
he's going to be a Duke next year.
He'll be the number one pick.
And I've had people in my life who follow this shit tell me that they think he's one of the best
high school basketball players ever.
And that this is like the first guy
that's come into college in a while
where they're like,
holy shit,
this guy has a chance to be great.
But that happened with Zion too.
So he's the last,
but that Zion was six years ago though.
Sick.
Wow.
I guess.
So think about that.
And then before that,
it was probably maybe Anthony Davis.
If you're just talking about American players.
Sure, yeah.
And then Tatum, looking back,
was a little more of a sure thing
than I think we gave him credit for.
He was always in the top of every class
he was in in high school.
He goes to Duke for a year, fundamentally.
He's kind of the perfect package
for the last 10 years, how it turned out.
Pretty safe bet.
Yeah, except when Ainge made that move, people were like, I don't know about this. I mean,
it wasn't, it wasn't overwhelming confidence in that. It was not. Yes. You know? I mean,
I just, you know, you'd be talking about basketball, but it's almost everything.
Like there's very few things in America where if you're talking about the future,
it's hard to make the argument that America's the best position to succeed.
It doesn't, in sports, in culture,
in technology and almost everything.
It's like, if you're talking about
what the future looks like,
the American model that we've been using
very rarely,
that doesn't mean it's going to necessarily
work out that way.
So I'm not saying this is, you know,
destined, but I'm just saying the way it looks,
that the way that we're sort of putting together basketball talent seems to be considerably worse
than the way it's being done in Europe. And I think everybody knows it. It's interesting
when there's a major problem and it just keeps going and nobody does anything about it. Because
part of the problem, Gladwell and I talked about this a couple months ago on the pod.
There's so much money in place for the whole youth sports infrastructure that all of these
people who are basically either bad actors or people that are just there to profit off
of these kids, they're incentivized to keep the structure as it is.
And I watched this with California soccer as I watched my daughter go through it.
It's just these major clubs.
They edge out all the smaller clubs.
They try to turn into these little mini corporations, basically.
And it's all about the games and selling the hope to your kid that your kid might get a
D1 scholarship, right?
And that's what they do.
And you pay and you pay extra and try to do it.
It seems like it's way less about,
Hey, how does my kid learn how to be a good, good player and a teammate? And how does my
player get better at shit? Okay. When you said that it's interesting when there's a problem
and there's like no way to fix it or whatever, what are you saying is the problem here? The
idea that in the future, there will not be many American board basketball players or that there
are American born basketball players who will not succeed because of the system we've built. What's the problem?
That is the problem. The problem is the stuff that they're learning from basically, I would say,
seventh grade on is this hopping around on different teams. The type of basketball is
really rewards like the point guard or people who can
shoot. So now you have all of these big men that come in and it's, it's, they all want to be Carl
Anthony towns. None of them want to like post up. And then just the concept.
Although Wimba Yama doesn't want to post up either. I mean, it just seems like that's true.
The entire world seems to be moving on beyond that. I mean, except for the guy at Purdue,
like he's the last guy posting up in the world.
Right.
Well, then you see the Celtics
and one of the biggest advantages
they have this year
is Porzingis can post up
and has this little like 12 foot game.
So there's some sort of balance.
But I just think the kids
that are coming in now,
they're just bouncing around
on these different teams.
And that's kind of what they're learning.
And they're learning like,
if as long as I did well, it's okay. They don't even see the wins and losses. It doesn't really matter because you're just on in the next game. And the Bruce Brown type of style of how to play basketball, those guys end up being more outliers. like some of the guys that Knicks went after. I think it's interesting the Knicks were just like this Villanova team
really played well
with each other
and they're super close.
Let's get as many
of these guys as possible.
Like it was an actual
strategy by them
that seems to be working
and Bridges will be
the next guy.
He'll end up on the Knicks
at some point.
Probably.
But just sort of like
how do you sacrifice stuff?
The Celtics are going
through this now.
One of the reasons
I'm becoming more
optimistic about them is like the main guys are really starting to sacrifice. And the culture that we've
created, I just don't think rewards sacrificing for the better of the team. Well, I suppose that's
true. But when we were going to do this podcast, we were just texting back and forth very casually
about what we might talk about. And you'd sort of mentioned in passing, it's really weird to you that you're more into women's
college basketball now than men's college basketball. And I totally understand that.
You're not the only person like that. I mean, it's, it's, it is incredible in some ways that
the most famous college basketball player in the country is a woman. I would have never,
I mean, when you think about it, not even really that close, you know. But, you know, to me, the reason this has happened, I mean, there are a couple.
One is that the women's game has improved quite a bit.
And we have this one kind of spectacular person who, you know, that's kind of a kind of a game changing experience.
But we've just professionalized college sports to the point where it just sort of seems like a JV version of the NBA at the,
in basketball at least.
Right.
And you know,
with,
with on the women's side,
that,
that difference is less dramatic,
but like,
you know,
when I watch a men's college basketball game now,
it's just,
it's,
it's,
it's sort of alienating.
I mean,
when I think of the things in my life about sports that have changed in a
disappointing way over time,
and I don't mean like limb bias dying.
I mean, like sort of a big kind of picture.
The deterioration of college basketball is the biggest thing to me.
I mean, it's just the most disappointing thing.
And, but, you know, it's just like they've professionalized everything.
I mean, what do you think of this idea of like to stop court storming, which is what people are talking about right now?
What is your opinion on that? I can't believe it
still happens because the NBA got rid of it in the mid-80s after
there was a couple moments where players were in danger.
In the end of the 88 finals, the Pistons still had the ball with
three seconds left and people were coming on the court when they were down three with the chance to potentially tie the game.
So they just got rid of it.
And that was it.
And it's weird to me that college just, you know, we've now had two people got hurt.
To me, it's like pretty obvious.
Get rid of it.
Two people got hurt.
Two people had incidents and they're high profile people and they're not going to miss any time.
I mean, I am not a big like, you know, you know how I am. I like, I'm kind of anti-fan
to begin with. Like I don't like sitting, I don't like sitting next to people who cheer. I don't
like going to concerts where people stand up. I am sort of pretty aggressively anti-fan, but this
is absurd to me. I mean, the idea of storming the court in these situations, that is a wonderful
thing about college sports. It's an amazing thing to see. It happens a little too often now. I mean, the idea of storming the court in these situations, that is a wonderful thing about college sports.
It's an amazing thing to see.
It happens a little too often now.
I mean, I do wish that the schools were a little more, were a little classier about what scenario necessitates it.
So that's the big issue, though.
It's not that, I mean, it's not that fucking dangerous.
You're already playing a sport.
Like, there's some danger involved.
It's this professionalism.
We look at these people like they're professional
athletes.
They're being paid, so I guess in some ways
that they are.
I see a lot of the coaches
who are coming out today saying, we've got to ban this
or whatever. It's like, yeah, if you're at Duke or
Kansas or whatever, your kids aren't going to storm the court. You're
not going to have a home game that you're not supposed to win. But I mean, for these small
programs, I just, it's really, it kind of bumps me out that they would think that, oh, this is
too dangerous to, on the rare occasion when something legitimately dramatic happens,
that kids are going to pour onto the court.
And because there's, you know,
there is, yes, there is more risk.
I mean, there, but what is,
I mean, we've had two incidents this year.
So that of course seems like a big deal.
But how many times over the last five years
have people stormed the court?
What is the real risk?
I thought it was a couple of times a
week. That some guy hurt or that someone storms the court. Yeah. That someone storms the court.
Happens quite a bit. We usually can seem to survive it, right? I mean, are these kids not
supposed to go to rock concerts? Are they not supposed to go to anywhere where there might be
large crowds? Because I mean, they just, but you look at these people, you look at these kids now,
and there is so much money at stake. I don't really blame them at all. It's like,
they sort of have to, you know, I'm not going to play in the Liberty Bowl or whatever. I got
to get ready for the draft. I guess that makes sense. But I think that this is part of the reason
that college sports are changing in this way that is making somebody
who is pretty interested in this stuff, less interested.
First of all, incredible zag by you.
I have not heard a lot of pro court storming and I thought you pulled it off.
Well, it's dangerous, but it's not that dangerous.
I mean, I don't think it should be as frequent as it is.
I'm also like, I've been in court storm situations cause it
happened with the Celtics a couple of times that happened after when I was there, when we beat the
Sixers in 1981 and it happened when we beat the Lakers in, in 1984 and game seven and it's, and
then in 86, but it was kind of the game was over at that point, but it's, it's pretty scary as it's
happening now. Granted I was, I was smaller, so maybe I was over at that point. But it's pretty scary as it's happening.
Now, granted, I was smaller.
So maybe I was a little worried about, you know, in 1981, I was 11.
Well, I mean, did you stay in your seat or did you go into the melee?
No, I stayed in my seat.
Oh, it also happened to me.
You're saying it was just scary, the people spilling down.
Well, the scariest was I went to the triple overtime Sun Celtics game, the famous game. So after Havlicek hit the shot at the end of double OT,
everyone stormed the court. And I was legitimately scared. Now it's six, but it is really chaotic. People are coming. You feel for five seconds like, oh my God,
what's happening? So if you're a player on the other team on the court, I do think it opens up
a lot of stuff. At that triple OT game, the referee, Richie Powers, ended up
getting punched.
We're adding elements.
Wouldn't that game have ended at 11.30?
Why were you a six-year-old
in a game at 11.30?
The game started at 9 o'clock.
It was the latest I'd ever been up.
You knew this story. I've told you this story.
I've heard it. I'm just putting the timeline
together now.
We got home at one o'clock.
I was like, I thought it was amazing.
I will concede that kids storming the court
could be dangerous to a six-year-old.
That's true.
I mean, that's a separate idea.
But yeah.
Let's take a break
because I want to talk about women's college hoops.
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All right.
So I texted you and this is genuine.
I care more about the women's college basketball and the tournament than I do about the men's
at this point in my life.
I am the same person who once upon a time, I did not want to watch women's
college basketball. I did not like the product. I remember when Obama had to start doing men's
and women's brackets. I was like, come on, what are we doing? And a couple of things changed with
women's college basketball that the last few years, especially like that final four that Friday,
like I've gone out of my way to watch it.
Now I find myself following it during the regular season. And it's not just because of Caitlin
Clark, who's the most fun college player, but LSU, South Carolina, UConn, Juju Watkins on USC,
who was in the same class as my daughter. And we're in the same LA school thing. She was so good
as a kid that she wasn't allowed to play in same LA school thing. She was so good as a kid that she
wasn't allowed to play in the elementary school games. She just would sit them out. It was like,
she's literally the best player in America at her class. So watching all these people,
plus the continuity of, oh, I know these Iowa kids. I watched a bunch of their games last year.
Most of them are back. And Caitlin Clark, the fact that they can make money with the NILs,
it actually makes more sense for her to stay in college
as long as she possibly can.
So there's continuity.
The style of play is good.
It's got a lot of the fundamental stuff
that it used to have
combined with the slashing kick and the threes.
But the continuity, which men's is now, it's gone.
Like it doesn't exist.
Cooper Flagg is going to go to Duke next year.
He's going to play for one year.
He's going to leave.
He's going to go to the NBA.
But in women's college basketball, it actually makes sense to stay as long as possible.
It's the highest profile sport you're going to have.
It's more high profile than WNBA.
I'm really genuinely excited for the women's tournament this year.
So where do you stand on it? And why do you
think this is happening? Well, I mean, I watch it now. I think everyone does. It was the final
four last year was very interesting when there was suddenly everybody I knew who liked basketball
was like simultaneously into this. And, and, and there was, there was not really a bandwagon feel
to it. It was like, this is great. This is really entertaining.
Now, okay, my question for you, I guess,
is do you think that you are going to now follow
some of these people who you've kind of become engaged with
into the WNBA?
I will.
No, I'm going to follow Kate and Clark.
To me, I think she has a chance to be the most fun basketball player,
male or female, when we get to the pros. If she's just going to make 30 footers routinely, it's basically all the
same Curry stuff, just with a female. But it's all the same things I love about watching Curry
and how they play off teammates and the dribble handoff. She's also a good passer, but I just like
watching her play. I would like watching her play in any format.
One thing that I sometimes think is, okay, so like in 1979,
when it was the Indiana State and Michigan State national title,
biggest rating of a college basketball, of any basketball game ever.
And then for about 10 years,
college basketball was still slightly more popular than the NBA.
And then that changed.
I wonder if last year's final four for women was the equivalent of that final
four,
which is that it was this,
you know,
widely watched thing that people were really involved with.
And maybe it'll be 10 years now before the WNBA becomes as popular or more popular.
So we have,
we have a window right now where it makes more sense to stay in college,
but it won't in 10 years.
And there's just a lag situation.
Sometimes I wonder if there's going to be like a similar account,
like 10 year lag where the last year's women's final four was this,
you know,
maybe I'm sure the highest rated women's college basketball game ever, you know,
and that then for 10 years it'll seem as though women's college basketball is
still considerably like a much bigger deal than the WNBA.
And then maybe 10 years in,
it will start to sort of equalize and then the WNBA will end up becoming the
dominant thing in the same way that this happened with men's basketball, where college basketball was more popular.
And then eventually, really, it was kind of like post-Magic and Bird in the NBA that the league became so much more dominant than the college game.
Yeah, all right.
So here's the case against that. With the colleges and the infrastructure
of the coaches who now have replaced the men's coaches, I would say Geno and Mulkey are more
famous than, would you say any men's coach at this point other than Kyle Perry?
Well, with Tom Izzo. Tom Izzo's famous.
Okay. So is that the top four?
I have more people.
Have people had more conversations the last five years about Gino and Moki or Tom Izzo?
Oh,
Michigan state's been down a bit.
I don't know.
I just,
he just seems still real famous to me.
I mean,
Rick Pitino is still coaches.
I mean,
it's like,
I,
you know,
granted St.
John's is not really the news.
I don't know.
They're,
they, they're all pretty famous. granted St. John's is not really the news. I don't know.
They're all pretty famous.
I guess it would be hard for me to say who actually is the most famous.
But you have the colleges themselves.
You have people staying there for a few years.
I guess the case for college basketball
for the women's side continuing to be the same
is that what's the
ceiling of the WNBA as a league when and we're going to know with Caitlin Clark if she can come
in and flip it where she's an actual attraction like she's been in women's college then that's
going to lift the whole league and then now now we're in trouble probably with women's college
basketball but I don't know if that's going to happen because she's going to be competing against the best NBA players,
at least for the first part of the season.
My argument is sort of that the problem,
one of the problems with men's college basketball now
is it's not differentiated enough from the NBA.
Whereas it seems on the women's side,
there's still differentiation.
Like watching these women's college basketball basketball, it feels like you're watching
college sports to me. It has that feeling
which is the desirable
feeling that people who like college sports
want. Where when I'm watching
men's college basketball,
it doesn't often seem
that way. It feels like a way worse version
of the NBA. It's like all
the same kind of shot selection, but just done
by guys that aren't as
good. And, and you, you know, it's, you know, like, like team like Alabama or whatever, it's
kind of fun watching them, but it's like, that's an all new team. It's like all new guys. It's
like ever. And, and, and, you know, like Grant Nelson wasn't there last year. Now he's one of
their best players. It's like every, you, you, you watch a team and it's like, well, what,
what relationship
am I going to have with this team?
Like, is it going to be completely reinvented in a year?
And it's, and that is less fun.
I mean, you know, it's, it's troubling.
Yeah.
I think the point you made about this is like
you being the most bummed out that college basketball
doesn't matter the way it did.
It's hard to explain to somebody under like age 30, how important college basketball was compared
to all the other sports. It's basically like how people feel about college football now.
I would say they felt that way about college basketball. It was probably more important than
the NBA up until Jordan started winning titles. I think at least
in the eighties, all the way through the Leitner shot, I think I cared about, just from an anecdotal
standpoint, from people in my life, what we talked about, I had much more trouble finding people to
talk about the NBA with than college basketball. Everyone cared about college basketball. And then
something shifted as the last 30 years went.
I don't know if that ever comes back.
I just don't see a path for it.
I mean, and you say describing it to someone under 30,
but it's kind of like,
it's trying to describe college sports
to somebody from Europe.
Like they're very baffled by this all.
It's like, I remember just when I was over
in Germany living briefly,
it's like,
it was just very difficult to describe to people why college sports exist at
all. It's like, it's really a very American thing.
It's not something that's in a lot of different countries. And now, you know,
it's like, I mean, are they, I mean, they're not amateur athletes now.
They're getting paid. I mean, it's weird how all this NIL stuff,
how fast that went. I mean initially like well somebody like team tim tebow or somebody like johnny manziel
they've earned so much money for these institutions they should be able to benefit
now it's like you know a school in arkansas asking their boosters like hey we got to get some
new linebackers like what are you going to give us for that? Speaking of which, just did you watch the Johnny Manziel interview with Shannon Sharp?
I did not watch it.
I read some of the transcript highlights.
What stuck out to you?
Well, OK, there was one part in particular that I just think it's it's really illustrates
how like just the world has completely changed in a short period of time.
So Manziel is there for two years and he's going to go to the NFL.
So then apparently Manziel's father went to Kevin Sumlin, the coach at Texas A&M,
and says, hey, if you give us $3 million in cash, we'll stay the last two years.
And apparently Kevin Sumlin kind of like scoffed
at him. But in the conversation between Manziel and Shannon Sharp, they're almost like, can you
believe this fucking idiot? What a jackass. All we needed was $3 million. And he acted like,
and then he goes like, he was the same thing when Cliff Clingsbury wanted to be the highest
paid offensive coordinator.
He just kind of scoffed. And it was like, in my mind, this reflects well on someone that that's,
you know,
but it's presented as this idiot did not care enough about the team and
Johnny Manziel to find $3 million,
which is nothing to like for him to play two more years.
And it's like, I just, it's everything that's reversed.
So then I started wondering, so are we supposed to now rethink the period of college sports
when it was illegal to do this and no longer see anything wrong with the teams that were
paying players?
Because it's not like, you know, they always go like everyone was doing it.
Not everyone was doing it.
That's not true.
There were a lot of programs that weren't.
I mean, like, you know,
I know he's kind of a troubling figure historically,
but, you know, like Bobby Knight
was super angry at Steve Elford
for posing for a charity calendar
that cost them one game or whatever. He'd bring
it up like years later, like you fucking cost us that game, Alford or whatever, that calendar.
It's like the players were terrified of him. There was no way they were going to take money.
Now there's, it's different, of course, when a guy's already at school and someone starts paying
him. I think that kind of happened like in Miami and stuff like that in Oklahoma. But the idea of
that, there were some schools who were giving kids money to get them to go there.
I mean, like, you know, SMU gave Eric Dickerson a car
to get him or maybe-
We did the Pony Express.
We did the 30 about it.
Or that Baylor gave him a car
and then he went to SMU anyways.
But regardless, it's like, are we supposed to now look back
and sort of think that all the
schools that were playing players were actually like morally correct that they were supposed to
be doing that at the schools who weren't playing players, the schools who were playing at the time
above board, are they actually the illegitimate ones? Is that how it's supposed to be now?
So coincidentally, I just watched Blue Chips because it was
on and I was doing emails
and I needed something to watch. I'm like, oh, I'll put Blue Chips
on because it had just started on one of the cable
channels. It's such a fascinating
movie as the years
pass with what the concept
of the movie was, which was basically
Pete Bell, the Nick Nolte character.
And he's like,
he's effectively Bobby Knight, but he's like,
I can't compete with all this money that's in college basketball anymore. He's going to lose
his job. And there's the one booster played by JT Walsh. And he's kind of like, I'm going to look
the other way. You do what you need to do. And all of a sudden, JT Walsh works his magic. They
have this awesome team. And Nolte in the end feels like he's completely sold out.
He sold out the kids and he's done.
He's not going to do it.
This movie, I think, was 1993 or 1994.
So 1993, maybe, because Shaq and Penny are in it.
It's like it saw all of this coming.
And I actually think it's a better movie
than maybe we realized at the time
for the things that it was trying to tell us.
Cause we knew all of it,
but we were kind of at the same time,
like,
Hey man,
as long as it was,
it was like the line for all of us was Jerry Tarkanian.
Like,
yeah,
well don't do what he does.
But for the most part,
like,
yeah,
like they always said with UCLA,
with John Wooden in the 60s,
70s,
like they,
you know,
everybody got taken care of. Um, he kind of looked the other way. Or that, that, Wooden in the 60s, 70s, like they, you know, everybody got taken care of.
And he kind of looked the other way. Or that, that, yes, it just don't, he didn't want to
know anything about it. Don't tell me. Yes. You know. And there was probably, you know,
I'm not like saying like, like this was a, I'm sure it was common, but it wasn't,
it wasn't unilateral. It wasn't every school. And I, it's just, it's strange how when something completely
reverses, like it's, it's a complete reversal from the idea that the worst thing you can do
is a pay a kid to go to your college to play. It's cheating to now that if you don't do it,
you're not, you don't really care. And you're in in fact exploiting the kid that that that if a kid
would only get a full ride scholarship that that somehow is a or like a like a completely unfair
transaction which is just you know that's and i don't i mean the kids gotta do what they can
they gotta make as much money as they can i understand that you can't expect um or you
can't say to a college kid it's like well know, for the good of the sport and for the for the future of this enterprise, it would be better if you didn't take as much money as you can.
Of course, anyone's going to take as much money as they can. But this is it's damaging over time. It's not good.
Like, I don't think that there's anybody who cares about the actual sport,
you know, college football, college basketball, whatever,
who thinks that this is actually good.
Or like all these conference realignments and the idea of Cal being in the ACC or whatever, you know, I don't think there's anybody who's like, well,
that's actually, that's, that'll be good for the sport.
And, or it's like, it's going to be bad for it, you know?
And we just sort of have to accept it.
I mean, I, I, I am not.
Well, think about how that's changed since the sixties
where Kareem goes to UCLA.
And not only is he the best player in college basketball,
but probably one of like the 12 or 13 best basketball players already.
And he can't play as a freshman because they have these rules.
You're not allowed to play to freshmen.
They changed that.
They used to, they used to have the rule that some of the guys fought in the 70s
about you have to stay in college three years until you're 21.
So that changed.
But then for the most part, it became a wink, wink.
We kind of knew who was cheating.
We kind of knew who wasn't.
All of a sudden, the new freshman star on some team would have braces.
I always thought were a big tell. Like, oh, I've just randomly decided to get braces now
at age 18. You just kind of knew shit was going on and we kind of knew who the teams were and
then stuff would come out after. But now I don't think anyone would care in the same way. To me,
it reminds me of how we really cared about performance-enhancing drugs in the 90s and 2000s.
And now I don't think we do. And I think the leagues look the other way. I think a lot of
shit is still going on and I don't think people care anymore. There does to not ever sort of penalize the action of the athlete.
Right.
Wouldn't you say that?
100%.
That, that, that, uh, that, that, that's just, you know, that, that if you're going to set
these things up and like oppressor and oppressed, it's like the athlete is oppressed.
It doesn't matter what the situation is.
And that we're just, it's like, it's like the athlete is oppressed. It doesn't matter what the situation is. And that we're just,
it's like,
it's the modern way of thinking.
It's like,
it's a more modern way of understanding it.
And I,
so I can't really say it's necessarily bad.
It's just different.
It seems strange though,
you know?
Well,
let's say,
let's pick any top eight player
and that person's in a PD scandal in the NBA
and it comes out
that they did PDs,
and they did the, what's that, the EPO,
the one that allows you to have more endurance,
and it was just, oh my God,
this person was, there's all these emails,
and this person was definitely cheating
for the last couple years.
What would happen?
Well, there's two versions here.
One is almost anybody else, and then one is LeBron.
If it's LeBron, it's a huge deal.
It's a huge deal for a whole bunch of reasons
because of just the role he's played in the league,
his longevity over time, all of these things.
The fact that he, in the same way
that, you know, with Jordan at one point where it seemed like, like LeBron has power.
That's not that far from the commissioner.
Yeah.
So if that, if it were, if it were him, that would be one thing.
If it were almost anyone else, I think it would just be four or five days of conversation.
And then if the player later in his career played in the championship series, that would
come up again, but it would not, you know, it would not be that big of a deal.
It certainly wouldn't be like, certainly not career ending, but even like reputation
destroying, you know?
What if it happened in tennis?
What if it turned out
either a player that we just had
that won a bunch of titles
or a player that's on the rise now
was doing EPO
and that's why they're playing
these five-hour matches
because they're all cheating,
which some people seem to think anyway.
Like what if the drugs are better and the detection for those drugs is harder than ever
and the people are way better at cheating and we just have no idea.
I find it hard to believe that people were doing performance enhancing stuff in the 60s,
70s, 80s, 90s, and 2000s.
And now it's just stopped.
Even though the drugs are better,
even though they're way more focused.
Like think about microdosing with mushrooms.
Like how much better microdosing has gotten
just in the last 10 years.
So you're saying PEDs wouldn't be getting better in 2024?
If there's no way some of these guys
aren't doing some of that stuff.
But I just wonder if anyone would care.
Yeah, I think that there's probably an unspoken chunk of sports fans who are like,
I kind of like P.E.s. Like I actually like them. You know, I mean, this is definitely true,
like in track and field that there are as a percentage of people, maybe a large percentage
of people who are, if they're interested in track, they're like, I want to see how fast these guys can run. I want my, I'm interested to see a number on the clock
that blows my mind. And I don't really care how it gets there. And I mean, I'll just admit it.
I'm one of these people like, like I, I follow track probably more than the average person,
which is still not a ton, but like, I, I would like to see the fastest times, the highest heights possible.
And I'm not super concerned over how that is achieved because to me, that seems to be
something like, um, this is just in a sport, like, you know, I mean, I, I, as I've mentioned
this before, like, I'm always kind of interested like in track and I'm always kind of interested
in boxing because it's like really like the distillation of fight or flight.
It's like who would be best suited to run away from someone?
Who would be best suited to fight someone?
And I kind of like the idea of seeing people really sort of push the limits of what health and science together can do.
But the problem is MMA and boxing are the two that they still have to regulate.
Because you can really, I mean, that's one, you're not getting hurt in a basketball game
playing against somebody who's a little juiced up.
But I think MMA is a little different.
It's, there's a couple of sports now.
But also, isn't, like, you're in MMA, right?
Right.
Like, you're entering something in.
You're not a book club.
Well, it's beyond that.
I mean, you're, you're entering like a, like a combat sport where the intention is to knock
the other person unconscious.
I mean, you're, you're, you're going into it knowing that like, so it's, I, I, it's,
it's hard for me to be like, ah, geez, we gotta, we gotta be careful here.
Like, sure. this guy's getting
punched in the face 15 times.
Just think of the foot pounds
was slightly. It's like he's taking
the risk.
I think that
it's pretty weird for me to be like,
you know, it's okay to
storm the court, but I'd be like, oh,
we've got to protect these guys.
You're a court stormer. Who be like, oh, but we've got to protect these guys who have entered
basically like they have
taken...
They're consciously doing something
where they're going to get hit in the face many, many, many, many
times for many, many years.
You know what's
a big sport right now for
the limits is golf
because the clubs
and the balls have almost gotten too good.
And especially
the balls. I think they're going to have to walk
back some of the golf ball stuff.
Because these balls are just like,
they're like basically the juice baseballs
in the 1999 Home Run Derby.
And then tennis. I still play tennis.
Every two years,
the rackets are just way better.
It's almost impossible if you have a nice racket.
Now, if, if you hit the ball pretty square, almost square,
it's going to be like exactly the shot that you wanted to hit.
Whereas like,
if you use the racket from one of those Slazinger rackets from a 1980 or
something, it's like, there was so much skill involved.
So there's equipment.
John McEnroe used to always be like,
they should go back to wood rackets.
It would be a better sport.
You know, and it probably would be.
Let's take a break.
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All right, Taylor Swift.
I have to ask you as somebody who has written a lot
about celebrity and fame over the years.
Is this the most famous person,
singer, actor, athlete
that we've had since Michael Jackson?
Well, she's more famous than Michael Jackson.
Okay, let's start there.
I've had this conversation with several people.
And the question is,
could the Beatles have sold out
six nights at Shea Stadium the way she sold out all those nights at Sophie?
Now, this is, you know, the Beatles stopped touring in 1966.
So let's say, and part of the reason that Taylor Swift is in this position is because her career is so long now
that there are many people at these shows who have never lived when she wasn't putting music out.
Like it has existed this whole time. The Beatles, you know, they're stopping 66. Let's say they
kept going. So let's say it's 1969 and the Beatles are trying to do the largest American tour
possible. Could they have sold out these places for as many nights as she has now? Granted,
the ticket at that time would mean $6.50 probably,
maybe less, maybe $4.50.
So it is possible that they could have done it.
But there again, that's four people putting together what still has kind of stood up
to be the greatest music ever built within a genre,
like within the rock pop genre.
Yeah.
They've done the best.
So Taylor Swift's an individual
and i i don't i i don't think that there has ever now i i don't know how um if she will have say the
international reach that michael jackson had like i don't know how famous taylor swift is i think
she's pretty famous everywhere yeah but i mean like
but it but michael jackson was sometimes people have said they would go to a different country
and michael jackson was literally the only american they'd ever heard of like you know
there was like they didn't know the you know ronald reagan it was 1985 or they never did
you know but they knew michael so i i mean taylor okay and here's i mean so i don't really do
journalism much anymore i don't really do journalism much anymore.
I don't really write columns or essays that much outside of books.
Taylor Swift actually makes me miss that because just kind of watching her gives me just almost limitless thoughts about the world.
Not all positive, but many. Like here's one. Here's the big thing I was thinking about.
First thing. So. how is she so massive?
How is she so colossal?
Well, to me, the key seems to be that she has almost completely saturated both the youth
market, the consumers of pop, you know, as teenagers, but also like their moms and their
parents, right? She is as popular among 60 year old, 50 year old people, especially women as she is with
13 or 14 year olds.
And I was like, well, this is really the kink.
Okay.
But then I thought of something else.
So first that seemed real remarkable to me.
Like, you know, then I was like, okay, let's say, let's say it was 1905.
Okay. What was entertainment in 1905? It was like, okay, let's say, let's say it was 1905. Okay.
What was entertainment in 1905?
It was like musicals.
Well, maybe the circus comes to town.
The whole family goes to the circus.
Oh, they're going to, they're going to have a rodeo in town.
Oh, let's all go.
Maybe our brother's going to ride.
Do you know?
It's like, oh, there's a dance.
There's a dance and there's going to be a jug band playing.
We're going to bring the whole family.
The kids will play to the side. Mom and dad will die. it. So now it's, let's say it's 1940.
Okay. Well, what is entertainment? Well, there's the radio, which is in the middle of the house.
You only have one. You all listen to the same thing all day. You go to the Bijou, right? It's
every kind of film there is. It's a cartoon. Then it's a newsreel. Then it's a serial. Then it's the
actual whatever feature presentation. So the whole family goes together. I'm starting to wonder if maybe 1945
to the end of the 20th century is actually the one blip where there is a chasm between what young
people listen to and what adults listen to and what adults care
about and what kids care about and what the entertainment is for both. And that she's like
the first person to really capitalize on this. Not just not because of anything she did, but just
kind of the way thing worked out. I think that like when like the-
Wait, so you wouldn't say Thriller hit everybody?
I mean, I'll tell you what. I bet you probably did not find
a lot of
55-year-old moms
being like, oh gosh, I love
Thriller so much. Eddie Van Halen's guitar solo
on Beat is incredible.
It was still a gap, right?
Yeah.
How old were you when Thriller came out?
I was
eighth grade. Did you buy it?
Of course.
Did your dad like it?
Your mom like it?
That wasn't the way it fucking was, man.
Yeah, you're right.
There was nothing I liked in the 80s
that my parents liked except sports.
That was the one thing.
And that's maybe,
and I think that that,
that's a big reason why sports
in the late 20th century.
There weren't some TV shows?
You didn't have like everyone like Cheers,
everyone like Family Fest?
Oh yeah, absolutely.
There were things that the whole family would watch,
but they were like, those were kind of exceptions.
And, you know, they were called family entertainment.
So they were almost consciously made to do it.
It's like, you don't,
you don't think of a pop star building themselves as like family
entertainment,
you know?
And it's like,
you don't think of them thinking like,
but,
but they kind of do now.
And I'm just starting.
I just,
I I'm curious if maybe that we always kind of grew up in a world where we
assume that there was just this built-in kind
of generation gap, that what somebody likes and what their parents like are automatically at odds.
But I wonder if we were living through the period where that was the only time that's ever going to
happen. And that moving forward now, because you see this all the time, like there's so many,
I take my kids to a lot of movies, right? I talk to the kids movies. There's just, you know,
used to be, I would guess, I mean, I never really went to a lot of movies, right? I talk to the kids movies. There's just, you know, used to be, I would guess.
I mean, I never really went to them growing up, but I would guess it'd be a few Disney
movies a year, you know, and a few, you know, the Apple dumpling gang or whatever.
But for the most part, it's like, if you took your kid to a lot of movies, you would
have to take them to adult movies.
I mean, like my wife was just talking to me.
So like her parents took her to see, do the right thing in the theater.
And so she would have been like,
she's born in 78 or whatever.
So it's like,
she was like,
but they just were going to this or like,
you know,
we're going on both.
I had a lot of those.
Yeah.
Yeah.
Um,
now my kids to go to a movie every other week and never really see an adult.
They could watch TV every night and never see any adult program.
You know, it's, it's set up for that, you know, and I'm kind of, I kind of go along with this
too, cause I'm in the same room with them and I'm watching, you know, we're having the same
experiences together. Um, and, uh, if, if they do watch something, you know, it's like, um,
you know, uh, you know, like my son's getting into action movies or whatever. Like I watched
them with him. It's not like something he's doing separately, you know?
So Taylor Swift makes me think that part of her sort of her,
just her kind of supernova massiveness is the end of the idea
that Taylor Swift would only be music for young people.
That she is music for all people.
You know, she's 33 or 34 she kind of
kind of acts like a teenager in a lot of ways like she does she's a lot like she seems to sort of
have the the sort of worldview of someone younger than herself she has sort of the business sense
of somebody who's older it's like kind of this built-in thing it's it it's it's interesting to
me i just i that was the thing i was just thinking about. It was like maybe maybe that the idea that there is a gap between kids and their parents and their grandparents and all that.
Like we just happen to live through the one time in human history where that's going to be the case.
Because obviously, to go back even further, like we go back to like, you know, who's drawing on the cave,
but we're all watching, you know, it's like, there was no, there was no teenager, you know,
in the ice age. It's so hard to stay as relevant as she stayed. I mean, you've written about this
a bunch, we've talked about it a bunch, but like the arc of when somebody is at their peak
musically and it could be four years, it could be five years, sometimes it can get to like 10,
12 years. But, you know,
it's like my daughter is 18 and
a half and Taylor Swift's
been making music her entire life.
So that, and she's more famous
now than at any other point in my daughter's life.
So there's that. There's
also like, and
I don't know whether this was intentional
or semi-intentional or how it played out,
but there's been a couple of points in her life when she did things that just resonate with people.
I think it was intentional, but I don't know. The fact that she redid all her songs because
somebody else owned her music. She said, you know what? I'm going to just remake these albums and do
my version of them and sell them. People are like, that's fucking cool. Awesome. You took ownership of your
stuff. She had the 2009 thing with Kanye and then the 2016 thing with Kanye and Kim Kardashian,
where she took a lot of shit. And it's like, that's the kind of thing that we've watched
celebrities. They can go sideways after that when they're made to look bad
or they're embarrassed and it could kind of spin them the wrong way. And instead it like gave her,
seemed like it gave her strength and made her stronger and even more competitive.
So you have that piece. And then she's figured out how to keep reinventing herself in these subtle
ways. And all of them have worked, which I don't really remember seeing before.
Even you think like when Michael Jackson
was trying to do that and it would just get weird.
He did that weird Michael Jordan, Magic Johnson video.
What was that video?
Remember the time?
We're like, oh, this is awful.
Why'd you do this?
We've seen so many celebrities.
You too is famous for this, right?
They're like,
it's time to zag. And they would zag. And half the time, the zag would be terrible.
And every time she zagged, it's been the right move. Even this Travis Kelsey relationship. I don't know if it was intentional, semi-intentional, not intentional at all. But her dating a famous
NFL star was just a fantastic career move. So when you're saying how in some points she seems like she's arrested at the point she
became famous, which people always talk about.
She seems younger than she is.
She's in her mid-30s now in some ways.
But in other ways, she seems like a fucking genius and had to have a career.
And the most, most interesting thing to me about all of this is everyone is afraid to make
fun of her. I've never seen a celebrity before where it's like Beyonce had it too. And there's
been a couple, but not like this where like SNL doesn't go after her. Yeah. That's, I mean, okay.
She's brilliant. Her music is great. She's a generational talent. Her fan base is not particularly discerning in a,
in a way.
I mean,
it's like they,
uh,
you know,
it's,
it's,
it's hard to even to,
to,
to almost construct what would be like the fatal mistake for her.
Like what,
what,
what,
what she would have to do
that would cause her fan base to be like,
no, we hate that.
I mean, it's like they...
I don't see...
I just can't see it happening.
It would almost have to be like a leaked video
of her talking about her fans
and just shitting on them in some way
where she didn't realize she'd be taping.
That wouldn't be enough. That would not do it because what most of her fan base would be like that's true about the other people they
would they absolutely it would have to be something i mean it would have to be something like oh um
uh it would have to be political it would have to be that that you know that it would have to be political. It would have to be that, that, you know,
that it would have to be something involving Trump.
do you buy this whole thing that Trump is,
is literally afraid of her getting involved in the election in some way and
that she could swing it.
I mean,
think about that.
What other artists or athlete would we have ever said that about over the
last 40 years that somebody,
a celebrity could come in and actually nudge an
election? Well, yeah, because she could, she could definitely juice turnout. I mean, because right
now Biden is in a situation where I think that there was concern from his camp about people who,
uh, you know, are 18 to 25, some people who, you know, really don't even have a memory of 2016 or whatever, that
they look at these people who see him and they, you know, they think to themselves,
like, oh, he's very old and he doesn't support Palestine enough or whatever.
So we're just going to sort of back off this.
I think that Taylor Swift could say, you know, it's like, you've got to vote in this election.
And if you don't vote in this election, there's something wrong with you.
Then they would vote and they would just sort of
reflexively vote for a Democrat because that's kind of what the reflexive vote of a young person
is. But she's also too smart to do that because she's not going to disenfranchise
anyone who might be a fan of her. So that that's why if she actually does it, I'd be surprised.
But we know what her political views are.
I mean, that's why there's so much like,
okay, there was this thing for a while when,
okay, so there were these Republicans who were upset about the relationship
between Swift and Kelsey.
And then their response was like,
this is, you know,
it's a young female pop star,
you know, embracing her football hero boyfriend. You know, this is coded as, you know, it's a young female pop star, you know, embracing her football hero boyfriend.
You know, this is coded as, you know, classically conservative.
But it's not coded as classically conservative because we're we know their views.
Like this is what the thing people get confused about signifiers and coding things that are coded as conservative or liberal or signify conservative or liberal.
These are things
where we don't know what the actual answer is. So we just sort of use the image and we use sort of
the cliche, but we know what her political position is. We know what his political position is.
So, I mean, that's, that's why, you know, it wasn't as though, um, uh, they were like kind of,
you know, that these conservatives said about this were, were, um, you were like kind of, you know, that these conservatives said about this were,
were, um, you know, kind of contradicting themselves, but they were attacking somebody as a really high profile, left-leaning people, you know?
Um, I mean, they're really, her relationship with Kelsey is like who I, who I, part of
me thinks, you know, it's like, when you look at her life, I wonder if he is the closest to a normal person she's ever been with.
Like he eats real food.
Like, you know, like he looks at Twitter, but not constantly, maybe four times a day.
You know, he could describe what the inside of a McDonald's looks like.
You know, it's like all the like, I don't I think it for her.
It must be like, you know, I'm like I'm getting a coal miner
Or something
I think that her life
Is so separated from culture
That she sees him
Even though he's like this
Very famous atypical football hero
He's unlike other pro football players
In almost every way
He has clearly aspirations to be in entertainment,
all these things that,
you know,
sort of give,
you know,
the idea that this relationship is transactional.
I mean,
I can see where someone can make that argument,
but I don't know if it is or not,
you know,
who is,
I can't get inside their mind.
I do think it's possible that maybe she wants to have a family,
you know, I mean, she's maybe at a point in
her life when she's like i wonder if i need to find somebody who would be a good person to have
uh kids with and a life with whatever and i'll tell you what if taylor swift had a baby
and made a record about being a mom and the experience of motherhood
with one song at the end, which was like a lullaby to her kid.
That is the one thing that could actually push her to yet another level of.
Wow.
Because the one thing she has not done, because it's very rare to do this,
is to write a truly timeless song that outlives your
existence. I mean, there are many artists who have never done this who are great. I mean,
like Led Zeppelin's the biggest band in the 70s. They have one song that's going to outlive their
career. You know, there are major artists who have never done this, and she hasn't done that yet.
She doesn't have any song that's going to, that there'll be a point in the future.
At least, I mean, I can't see into the future,
but I don't think she has made a song.
There'll be a time when people know the song
and have no relationship to her.
Like they have no idea who wrote it,
who came up with it, you know?
That's like the one last thing she has not achieved.
I mean, like the Rolling Stones.
Sounds like you're laying down the gauntlet for her.
Well, I mean mean it's a weird
like some people are going to hear this and they're going to freak out
they're going to say they're going to start listening
they're going to fucking send me songs oh what about this song
I love her what about this song
it's like no it's not I'm talking about a very
very specific thing
the Rolling Stones have had the
longest career of any rock
band they have been the
biggest rock band in the world for many points over that
stretch yeah they have two songs that i think maybe maybe only one song that's going to exist
outside of them even after they're gone like it's hard to do it is you know and and sometimes it's
strange like thin lizzy has a song like this thin Lizzy has one song that's going to do this.
Led Zeppelin has one song.
Led Zeppelin was much, much bigger than Thin Lizzy.
But the idea of this song, like a Mariah Carey has one.
Mariah Carey's Christmas song is going to exist beyond her life.
Seven Nation Ironman is going to exist way beyond the existence of the second boy.
I was going to say, as the stars fade into you will exist forever because
people keep throwing it on the TV shows and movies. Well, but, but that might stop, that
might stop at some point. It can't, it's gotta, it's gotta be like, like the idea of say seven
nation army. It's like now they're playing it. You know, the crowd is seeing it at soccer stadiums
in Europe that they have no idea where it kind of came from. Right.
You know, you know, it's, it's, it's, it's really very hard to do this.
I mean, you know, I love Van Halen. I don't think Van Halen has a song like that.
You know, there's, there, there are, you know,
Jump should have been like an amazing basketball song that stood the test.
Well, they do play those opening chords on a keyboard a lot of times
before the jump ball at a game or when they jump.
But it's just not, it's, the kind of songs I'm talking about are,
it's like they need to have a meaning that is almost detached
from the experience of listening.
So you're talking about like Imagine or Yesterday?
Yesterday, definitely.
Imagine, probably.
Yes, Imagine, I would put in that class.
It's, you know, I mean, the real key is that
you have to get some generations removed,
but people who know the song and they have no idea about anything about it.
You know, they have, they have no idea if it was popular in the past or if it was unpopular,
if they discovered it for the first time, all these things, it's very hard to do. And, you know,
my, my son listens to a lot of Taylor Swift music. So I listened to a lot of these full albums
of hers, which before I'd kind of just sort of heard the singles. And now I'm sort of listening
to the whole, the whole thing. And, and thing. And it's interesting because she's a pop artist,
so every song, every song she makes,
in theory, seems like the origin of it was,
could this be a single?
Could this be a hit?
And as a consequence,
there aren't a lot of super interesting deep tracks
on her records.
Like, I don't really,
there aren't situations where you play a Taylor Swift album,
or at least I don't.
And then once again,
I know people are going to lose their mind over this because they just do.
But it's like,
you know,
you,
you,
I don't really hear things.
People would say love story.
I think love story would be the one that people would say,
come on.
No,
I mean,
yeah,
I mean,
you know,
and it's,
it could be,
that could happen, but like, it doesn't, I mean, you know, and it's, it could be, that could happen,
but like,
it doesn't,
I mean,
I would have never said this about seven nation army when it was new.
I would have been like,
Oh,
it's the first song off.
How about sweet Caroline,
which is now in like decade six.
That there's,
there's one of those songs,
right.
By an artist who,
that I don't care much for,
but I know that song is like,
like,
uh,
that,
that you can put this in a commercial
and of people singing the song in a bar,
you know,
that has a relationship now to a city too.
That's a part like,
you know,
it is,
it's,
it's related to the idea of what it's like to be in Boston.
So as long as Boston exists,
you know,
that will happen.
I,
you know,
I love LA.
That's like a song that's criticizing Los Angeles and yet will always be part
of the Los Angeles experience. Yeah. All right. Let's take a break.
All right. We have one last segment. We could go speed round.
I'm just going to give you some topics. You tell me what is exciting to you.
Uh, what God there's something I wanted to ask you about. Okay. Uh, some topics. You tell me what is exciting to you.
There's something I wanted to ask you about.
Do you think the Patriots should take a
quarterback at three? Because you're a guy who does not
watch a lot of college football, so I'm wondering
what you think about them drafting third and who
they should take. Because I have
a take on this, but I want to hear yours.
First of all, I really appreciate you thinking
about me and asking
where I stand on this because it's been dominating.
The only two things I care about are the Celtics season and what the Patriots are going to
do at three.
Well, I have this fear.
Have you talked about this on like six other podcasts?
Cause you have not.
I really haven't talked cause I've really gotten into it since the Superbowl and I've
been trying to study the three guys and trying to figure out where I'm leaning and what I
like and reading all the features,
trying to find out what they're like as teammates and leaders and all that
shit.
And first of all,
they have to stay at three and take a quarterback because I just think if you
hit with a franchise quarterback,
which is basically 45% odds,
40% odds with the way it's gone.
But if you hit, you're set.
And they're in a conference with Burrow and Mahomes and Herbert. They have to get one.
So when I see stuff like, oh, trade back, get picked. Or there was this dumb story today.
They're trade the pick from other stuff for Justin Jefferson. Well, we don't have a quarterback to
throw to him. Trade back to the Raiders at eight, pick up more stuff. Okay. So now I'm keeping my fingers crossed with JJ McCarthy. These three guys seem like really good bets to be good
franchise quarterbacks. And people that I talked to in college who love college football really
like all of the quarterbacks and they each kind of pick one. So Caleb, it's like, eh, why was his
last year so bad? What's going on there? Is he going to be happy in the right situation?
And it seems like more off the field stuff with him.
With Drake May, it's like, ah, North Carolina, we've seen this before.
We've seen guys like this that they win you over with the highlights, but go watch the
film.
It's not as good as you think.
And then Daniels is just too skinny.
Daniels, they list at 210.
I don't think there's any way he's 210. We're going to find out at the combine
this week. And he plays pretty recklessly
for his size.
They talked about this on the
Ringer NFL Draft Show. Nate Tice
described him as having some Johnny Knoxville
in him, which
is a great way to put it. He takes
huge hits.
And I think Lamar came into the league,
he was six foot two, 215. This guy's six foot four. He's probably like 205. So even if you
put a little bulk on him, to me, and I'm not going to finalize this yet, but it seems like
if Drake May fell to three for them, where it was supposed to be him or Caleb Williams a couple
months ago, oh, who's going to get number one?
And now he falls to three and he has the chip on his shoulder.
And he's already 6'4", 230.
He can already make a ton of throws.
If you go back and you read all this stuff about him in Carolina, everybody's like, this
guy's fucking amazing.
I love this guy.
He's a leader.
He's changed the culture here.
He went there and changed the culture of their football program.
And it just seems like he seems like a safe, safer bet than Daniels, who would be amazing,
who would be like an athlete in a QB I've never rooted for before, but could just get
hurt immediately.
So I'm kind of leaning toward Drake May.
So what do you think?
Well, I got to say, I've been thinking about this and I disagree with you.
Okay, good.
Okay.
This is my thinking on this.
If you have the number one pick and Williams is there, you take him.
Because he is a situation where if he's not elite, he's a bust.
But that sort of is like his floor is a great NFL quarterback.
He seems to have the body, the skills. It seems to be like a package that's too good to pass up.
So you're saying his floor is he would be like the 10th best quarterback?
No, I don't know what his floor is,
but he's the only,
like,
okay.
For,
you know,
if,
if Drake may has a career like,
um,
like Chad Pennington,
or if he has a career like,
um,
Oh,
Kirk cousins or something.
Well,
could he be,
could he be Josh Allen?
No.
Well,
well,
what I'm just saying is that,
that Drake make,
if he's just a starting quarterback and he,
uh, has some, you know, some pretty good years, some average years, you know, it's like that's a successful career.
But I think he's a higher ceiling than those guys.
Well, no, I know.
I know.
But what I'm saying, if that's what happens to him, if that's what his career ends up being, it's still OK.
It's like he, you know, he was still a starting quarterback for many years on some probably pretty good teams.
Could he be poor man's Josh Allen would be kind of the floor for him?
Because he's going to be 245 pounds in three years.
You say the floor?
The floor?
The thing is, I don't know.
I think for most of these guys, the floor actually is pretty low.
Yeah, the floor is bust.
So my thinking is this now,
this may have changed because things,
you know,
if I'm picking three,
if may,
if he falls to three,
it's a tough thing,
but I would be,
I would almost be more interested in taking Marvin Harrison jr.
And drafting Bonix.
If he's still there.
Like in the second round.
Like in the second round?
They had the 35th pick.
Yeah.
And then drafting Sam Hartman
late in the draft.
Or maybe even if he doesn't get picked.
Because to me, Bo Nix and Sam Hartman,
he was the guy from Wake Forest
who went to Notre Dame.
Yeah.
Those seem like the two guys
who are in the best position
to play immediately.
Like,
like,
like I think Hartman looks like,
and he's 26 or 27 or whatever.
He looks like he could play immediately.
Now,
granted,
it seems as though his ceiling would be being a good NFL backup,
but it seems as though these attempt to find these quarterbacks,
it's,
it's,
it's too much of just rolling the dice. There's as much, I mean,
we can't just use Brock Purdy is the only example,
but it seems possible that if you get the right guy in the right situation,
he can succeed. But if you put the right guy in the wrong situation,
it doesn't matter how right he is. You know what I'm saying?
It would almost seem to be better to build everything around it and hope.
I know it sounds kind of like a desperate thing,
but kind of hope that somehow a quarterback ends up there over time.
I mean, like, okay, maybe you take a trade pick on Joe Milton.
Okay.
He was the guy from Tennessee.
He threw an orange 102 yards or an apple, apple, a hundred. He threw,
he threw some produce 102 yards, right? Okay. Well, now that doesn't make him a great NFL
quarterback, but it means he kind of has the body and he has the arm. To me, if you, if these guys,
the main thing you want, you don't want to draft somebody who can't make the throws and you don't
want to draft somebody who's not mold. Those are the two things, you know, everything else seems to be very situational.
And I don't know if I have enough confidence in any guy,
like,
like even Williams,
he might not succeed,
but it's like,
it's too good to pass up.
You gotta do it.
But outside of that,
I think the idea of,
well,
the quarterback's the most important position.
So we just got to pick whatever's the best quarterback available.
I think that's bad thinking. And I don't think it's working out for people. I mean,
like Bryce Young, like, do you think Bryce Young is bad or do you think it's the situation he's in?
Because I think it's impossible to tell. Well, he had no weapons, but he also,
he also seemed really short. Well, that's the thing. Watching the games, it was like, man,
he can't even throw over the middle at all. He can't see these guys.
The question is, is he just a little too small to be great?
Or is he just not quite good enough to succeed at that size?
I think the surprise to me was that I thought he would be more athletic because I knew he
was short.
Obviously, you read anything about it, but I thought he'd be able to maneuver
around and buy himself time. And that's what he couldn't really do. That's what Kyler Murray does
and some of these other, the smaller quarterbacks can move around. That's what Russ Wilson was able
to do early on with Seattle. I just think these three guys might be better as a threesome than
some of the other ones. This goes back to the whole cluster theory, right?
When it's like, you know, it's like the Trey Lance draft or Zach Wilson and Trey Lance
and Mac Jones.
And you go back and you're like, oh, maybe those guys weren't that good.
Well, I mean, it's hard.
It's just, okay.
We did a podcast years ago when there was the whole big class of quarterbacks coming
out.
And I remember you and I, well, no, because you and I both liked, on the upside, we both
liked Josh Allen.
He stood behind you
at a target or something. No, I met him. I met him at
the Masters, and he was 6'5
and really charismatic, and we were like,
oh, this guy seems cool. That was it.
I had no real reason.
I thought you saw him at a target for some reason. But anyways,
we were right about that. But then I was
also like, oh, Baker Mayfield, they should move him to slot receiver, I remember. anyways anyways we were right about that you know but then i was also like oh baker mayfield they should move him to slot receiver i remember
i remember and then we were like but we both also we liked lamar we thought he was great
um but then i also liked i remember thinking like well maybe josh rosen will be the best of all these
guys or whatever yeah it's like so like we're right and wrong okay now obviously this isn't
our job we're just guys talking me particularly i'm just a dude talking. I have no knowledge. It's like,
but like,
so it's,
it seems like drafting a quarterback now,
or not,
not even drafting,
developing a quarterback,
having a quarterback,
you know, who's successful.
It's,
it's too,
not even too difficult.
It's kind of impossible to look at these guys in college and actually know
who's going to succeed i mean look at the browns last year the browns did pretty good
just shuffling through quarterbacks because they built all around him right they had their running
game their defense and stuff like san francisco has done this right that that this idea that
we need to start with the quarterback i think that's just a way to
fuck these guys up particularly with this idea with the way contracts are set up now
and you have to succeed when your guy's on a rookie contract or whatever they need to change
how that is structured because what they're really doing is just damaging these guys you know and
it's like so well in some cases because you could argue C.J. Stroud,
which to me, C.J. Stroud
is why this is so fucking
hard because everybody stared at that all
spring and it went back and forth.
There was some test that he
took that he got a low score on and people got
scared about that. Then it was like
Ohio State, is he a system guy?
I remember saying that.
Every other guy from Ohio State underperformed.
Right.
Every other quarterback who came out.
So people were like, no way.
Yeah.
And then immediately you could tell.
I remember Sal and I were talking about it.
The first two weeks of the Sunday pods, we were like, CJ Stroud's good.
Like, this is a wrap.
This guy has it.
You can see it.
And that's part of this where it's weird that we don't know,
we don't know, we don't know. And then when they go out and they start playing,
you kind of immediately know. But okay. Because of this, I think because he succeeded in this
way that was very unexpected, it actually makes people like, we want to draft a quarterback.
Then we got to draft one of these guys. You have to me, to me, it's the opposite.
The fact that
the guy who clearly was the best from that class did not seem that way when he was coming out of
college. Now, I'm sure there's somebody out there who was like, I had a number one on my board,
but for the most part, that was not the case. Yeah, but flip this the other way. Just in the years. Mahomes, Josh Allen, CJ Stroud, Herbert, Burrow. Brock Purdy, we've had real guys that
can now lead teams that were in the draft. Yeah, but Purdy was literally the last guy
drafted. Okay, Burrow makes sense. Okay. Lamar, what, he went 27, 28 to the Ravens?
The Pats passed on him twice.
Yes.
Or was it 20?
Like, anyways,
they're actually sort of all over.
Lamar is another one.
Yes.
They're kind of all over the board, right?
But not really,
because we've had seven in the last six years
that are now franchise guys.
I know, but look where they're...
Like we said,
Purdy was the last guy drafted.
It was like there was... It would be one thing if for the last years, the number one pick every or whatever. It was like when he got drafted, Nick Reich,
the guy who basically talks about Mahomes, you know,
like he's like his son or whatever, you know, it's like,
he had a tweet that was like, I don't know about this.
We'll have to see if it works out. I hope it does. It's like, yeah,
there's like, there's like no way you can look at this.
You can look at these drafts and be like,
well,
uh,
picking a quarterback early is the right move.
It doesn't seem like that's true to me.
So it almost seems better to maybe draft multiple quarterbacks later.
I like that.
Well,
you can do that.
That could be a strategy.
You take like fourth,
fifth,
sixth,
seventh round.
You're staying for quarterbacks.
I don't know if you want to use all those three,
but like you could get a guy. If you take let's say bonix now some people think i heard
somebody saying they think he might actually go to denver at 15 which is real early but like let's
say he goes at the front of the second round uh you know kind of like the way like jabreeze did
or whatever so you you take him in the second round, you take Hartman late,
maybe you take one other guy in there,
kind of in the mid-range. You have three guys
in camp, and you can sort of maybe
see, well, do any of these
have the potential to play now
or be great later?
Yeah, but here's the thing.
But everyone operates
out of fear. So Drake May goes
three,
the Patriots don't take him,
and then Drake May is awesome,
you're getting fired.
Well, sure.
But if Drake May goes to the Patriots,
what is the best he could be?
You think he could,
with what they have on the field.
Well, they're going to have a really good defense next year.
Try to get him some receivers.
Maybe he doesn't start in the first year. I actually think it's a pretty good situation. I mean,
okay. So like the thing about Caleb Williams is he does look like somebody who could take
a bad team and make them average, an average team and make them good. He seems as though that if he
fulfills this potential, he actually could be somewhat transformative in like the way Joe Burrow was on and off the field too. I don't know if I feel confident about any of these other guys.
And there's a lot of them. I mean, I, there was a time at the beginning of this year,
I was listening to Gary Danielson on the radio and Gary Danielson said, like,
there are 15 quarterbacks in college football right now who, if they played to the apex of their potential will be top five picks.
Like he's like, it won't happen. Of course, all 15 can't do that.
But there are 15 guys who,
if they play as well as their biggest supporter believes they could do,
they will be a top five pick. Um, they're just a lot more quarterbacks now.
I mean like this, you know, it's, it's, it's odd.
Cause at the NFL level, we seem like we're always missing them. We don't know, don't have enough, but at the
college level, there seems to be a lot of good ones. He's seven on seven camps and all this stuff
has really changed. Right. So opposite of basketball. So I am not, I'm not confident.
So you feel like more QBs are coming? I feel like they're that, that, that the difference between the very best
quarterback and the 11th best quarterback in college football has really microscoped and it
is more of the situation you put them in. So I, I just, I wouldn't feel confident being like,
I'm going to use this draft capital on a quarterback. Who's just kind of at the top of the draft, um,
who doesn't seem necessarily, uh,
much more secure than a quarterback who might be the seventh guy picked.
I mean,
some quarterback pick.
Well,
you know what?
So there's two things with this draft being in this spot,
the Pats are in.
First of all,
as a fan,
if they got Daniels or may,
I would immediately like,
if they got Daniels, I'd be would immediately... If they got Daniels,
I'd be so excited. I'd be so fearful of his injury potential, but he would be the most exciting
Patriot. I don't even... Probably since Randy Moss. We've never had anybody who does some of
the stuff he does. I'd be nervous the whole time. But anyway, Arizona is at four and they're all in
on Kyla Murray. They just did the tweet yesterday, Kyla Murray,
our quarterback. So you know they're taking Marvin Harrison at four. And it would seem like the move
for the Patriots would be to pretend they're taking Marvin Harrison at three and then try to
flip with the cards and get a little something. And now you're at four. And now if you decide to
do the Klosterman plan, now you're at four. I got an asset from Arizona.
I still am going to get the last of the quarterbacks at four.
Do I want to now move back to eight and pick up more stuff from the Raiders?
The Raiders hop up to four to get Jaden Daniels.
Now I've got their second and their first next year.
And then I'm at eight.
And then maybe I take the best receiver there and I take Bo Nix.
I've talked about all these scenarios with all my Pats fans friends, but
just fundamentally, I don't know how they pass on May or Daniels.
It's so hard for me to wrap my head around that.
I'm just saying I would. You mentioned Moss. What do you think of Dynasty?
The Apple TV Patriots thing. I like it.
You don't like it?
It's very well edited and very well done.
It is so anti-Belichick.
It is.
And so pro-craft.
I know.
That it's hard for me to wrap my head around it.
I was saying to somebody, it's the equivalent me to wrap my head around it. It would be, I was saying to somebody,
it's the equivalent of if the HBO executive
who greenlit The Sopranos
and then was running HBO during The Sopranos
then did a documentary about The Sopranos
and David Chase was just shit on and dismissed half the time.
That's what it feels like watching it.
They skipped over in 90 seconds
the second and third Super Bowl wins,
a 21-win streak that we had,
Belichick elevating into one of the greatest coaches,
not just in football, but in any sport.
The culture that he created,
like trading Drew Bledsoe,
getting rid of Laura Malloy,
the fact that he was able to get these guys
to do your job and play well
and do all these different things, while at the same time being completely cutthroat and over and over
again, it was like, if you're not doing your job, you're out of here.
They spent 90 seconds on it.
And they were immediately like, we need that 25 minutes for Spygate.
It's like, if you're going to tell me 25 minutes on Spygate and 90 seconds on two Super Bowls
and a win streak?
Okay.
I got three things.
Quick. Okay. One,
what is perhaps most
fascinating about this part of what you're
describing is that Bilicek seems to
know this. You can see
his posture during this interview.
I know for a fact,
he didn't want to do the interview because he knew what was
happening and they made him do it.
It's 100% true. It is very clear.
And I respect him, though, for being like, I'm going to go in here nonetheless. And I'm going to treat
this like a goddamn press conference. And he even like, he has his head back. There's a lot of
interesting stuff. Like the way, the way Brady looks in this, like, I don't know why, but, uh,
they seem to have styled his hair to make it seem as though he literally woke up 10 minutes ago.
Like they're trying, they're trying to give him a naturalistic look.
It's just strange.
But yeah, it's very anti-Bilicek.
And of course, I love Bilicek, but I like the fact that he seemed to know this and I'm
doing it anyways.
I think that it is, I think the stuff about Bledsoe, I was pleased that they did that
because they could have very easily made that a very small part of it or skipped
it almost entirely. And he comes across real well in it. And it's an interesting thing. Um,
skipping that second Superbowl, that was a little bit of a surprise to me how fast they went over
that, but I'll tell you what, it was a great move by the guys putting this together because I did
fear when I started watching this, this is going to get boring. It's going to be this year, then this year,
then this year we had success, oh, we overcame
all this. They're going right for
the problems.
It's like the Super Bowl, second Super Bowl is
interesting, but Spygate is the
problem. And because as we, I
feel like, as someone who
makes documentaries, you must realize this.
I mean, like people's characters are illustrated
not through their success, but through
their failure. Like I do not
need to see these guys talk about how wonderful
it felt to win the Super Bowl. I want
to hear them talk about these problems.
And it seems like that's going to be the emphasis.
So I'm looking forward to all the Deflategate
stuff. I'm looking forward to the Hernandez
stuff. I'm not that...
Malcolm Butler. That's what the documentary
is. I think that the parts were only 40 minutes, right?
Yeah. Well-timed.
They go fast. They go faster than I thought they'd feel.
But if you're going to do a dynasty
and you're going to dive into some of the problems,
you have to build the
foundation of what they built in the first
three episodes. And it could be five minutes, it could be
10 minutes, whatever. But
them becoming not just the best team in the league for two straight years and beating the Colts a bunch
of times when Manning was the pretty boy face of the league, going into Pittsburgh in the third
Super Bowl season, the AFC title game, all the stuff they did with the way they did it and the mentality they had, to me, is worth five minutes
to try to build. Here's why this was special. And this is why when they're talking about Spygate
jeopardized everything we built, you didn't show us what you built. You skipped over...
They won a Super Bowl, Super Bowl 36, and it was a little fluky and they were underdogs,
double-digit underdogs multiple times that year and in the last two games, and it was a little fluky and they were underdogs, double-digit underdogs
multiple times that year and in the last two games. And it was amazing. It was one of the
great fan experiences of my life. But the real heart of this dynasty starts with those second
and third Super Bowls and the win streak, beating the Colts 38 to 34 in Indy, having the goal line
stand. And it's like, yeah. And the fact that these guys-
Even as you're describing it to me it seems boring
they're sacrificing
for Belichick even though he just
slit Bledsoe's throat and he slit
Laura Malloy's throat and they're still playing
as hard as possible for him
that's worth something
and then the Brady Manning thing
when Brady was basically turning into
Bill Russell and Manning's Wilt
and we're reliving that as that's going through the three.
I just felt like there was some meat on the bone.
Well, there's still a lot left of it.
There's still six episodes.
So we still got five hours.
But the basic thing is it's pro-Craft
and it's anti-Belichick.
And it's little stuff that you can watch if you go through.
They keep cutting a Craft celebrating the luxury box.
They keep making it seem like Kraft was in them.
Kraft owned the team.
Belichick did everything.
Well, I mean, the real X factor is, will they discuss Kraft's arrest?
Will that be part of it?
There's no way.
You don't think they'll even talk about it?
I don't think so.
Well, that's, I mean, because to me, if they don't, then that's a real problem.
I would bet. I know on that one. They talk about, they do a lot on that Super Bowl 36 season.
I think that is the greatest coaching job in the NFL history of somebody overachieving with
the roster that they were given with the decisions they had to make. Not just how they beat all these teams as double-digit underdogs over and over again,
but the fact that when Bledsoe was coming back, giving Brady the job, sticking with it,
they covered it in the thing.
But it was like, I was living in Boston that year.
This was all we talked about.
And it was pretty split.
What was your position at the time?
Brady. I was pretty split. What was your position at the time?
Brady. I was writing it. We got to stick with Brady because I think the people that were really watching the team, we were like, man, Bledsoe hasn't been good in a couple of years. And they
did a good job of mentioning that in the doc that he had just been hit too many times and it was
starting to change how he played, but he stuck with him there. Then he stuck with them heading
into the Superbowl. That was the other thing. When Brady was hurt, he still stuck with him there. Then he stuck with them heading into the Super Bowl. That was the other thing. When Brady was hurt, he still stuck with them.
I always thought the gutsiest move to make with a quarterback was when Nick Saban benched Jalen Hurts at halftime for two.
Right, for two.
But this would be second, I would say.
Because there were so many ways he could have went back to Blitzen.
There were so many opportunities for it that he could have went back to Blitzen. There were so many
opportunities for it that he could have done that
and that it would have seemed justified
and people would have said, well, even if
it didn't work out, they'd be like, well, he
played it safe. He got conservative.
That would be the worst thing, but he did not.
He did not.
They really didn't dive into
everything they did in that Rams game
with the game plan, which was one of the great game plans
anyone's ever come up with. And it was
kind of the little brother
of the game plan he came up with against the Bills
in the first Giants-Bills Super Bowl.
That was a crazy one too,
going back to that. I just felt like they discounted
like, this guy was the best coach
I've ever had. And Kraft
seems very focused. Really the last
few years of shitting on
him every chance he can get and making it seem like it was the three of them together as a
dynasty. And I just don't think it was the three of them. I think Kraft, the best thing he ever
did was hire Belichick. But after that, this was Belichick and Brady for 20 years. They didn't
even spend, there's stats now, they've spent the least money in the last 10 years of any NFL franchise.
And it just Kraft over and over again, like that story he tells about Spygate when it
was like, how much did this advantage help you?
And Kraft's telling this story and he's like, was it out of one out of 100, how much did
this help you?
And Belichick's like a one.
And Kraft says, well, you're a schmuck.
He says, he said that to Belichick.
I just don't believe that story. I don't think Belichick would be like, oh yeah,
it was one out of a hundred. It wasn't meaningful at all. And then Kraft calls him a schmuck?
No way.
I feel like what would have happened is Belichick would have said, well, it's one out of a hundred,
but there are a hundred circumstances like this. So the homer is of a hundred. Yes,
it's one piece of a hundred, but there are also 99 others.
And if you add them up, it makes a difference.
But that's all we're going to talk about.
Hey, before you ask me your speed rounds, did you like the We Are The World documentary?
I did.
You did?
Yeah, I really liked it.
Yeah, it was, I thought, a pop culture tour de force.
Huge fan.
You liked it too?
Yeah, I liked it.
I liked it.
I also, you know,
I'm not the world's biggest
Bruce Springsteen fan,
but I appreciate that
he was the one guy
in the documentary
who was like,
song's not very good.
It's kind of stock.
You know, it's like,
and he said it
in the nicest possible way.
I mean, the one thing
I'll say about,
I got to say about Springsteen
is anytime he's in a documentary,
whether it's like,
you know,
he's in the history
of rock and roll,
that one that was on PBS,
he shows up in these things.
He comes across so well when talking about art and music and just sort of like, you know,
it's like, well, it's not even that he's a great interview.
He comes across as a real thoughtful person.
But okay.
So go to your, go to your speed run.
We we're done.
We're, we're out of time.
Yeah.
We got to save it for the next time.
I had so many good things left,
but we're,
we're not going to be able to talk about UFOs and JFK and the fall of
Buzzfeed and vice and Bronnie James.
We'll save it for another time.
Okay.
Chuck Klosterman,
a pleasure as always.
Good to see you.
Thanks for having me.
All right.
That's it for the podcast.
Thanks to Chuck.
As always, thanks to Kyle Creighton and Steve Cerruti. If you. That's it for the podcast. Thanks to Chuck, as always.
Thanks to Kyle Creighton and Steve Cerruti.
If you want to watch clips from this podcast, you can go to youtube.com slash Bill Simmons.
I will be back with another podcast on Thursday.
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