The Binge Crimes: Deadly Fortune - Fade to Black I 2. Crocodile Tears
Episode Date: November 8, 2023After a visit from a CIA officer claiming to be Gary’s friend, Wendy starts to wonder: Who was Gary Devore and could he have been leading a double life? The search continues as friends, family, and ...even Hollywood action stars form their own search party. Unlock all episodes of Witnessed: Fade to Black, ad-free, right now by subscribing to The Binge. Plus, get binge access to brand new stories dropping on the first of every month — that’s all episodes, all at once, all ad-free. Just click ‘Subscribe’ on the top of the Witnessed show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. A Campside Media & Sony Music Entertainment production. Find out more about The Binge and other podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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The Bench.
Now it's on.
This is our first Christmas tree in our little house at the beach.
One hour later.
I know. And we're still here. I'm shutting off the light that's wendy and gary devore in happy times this is dutch there were no iphones in the 90s no gary's filming this with one of
those bulky handheld camcorders a drink in his free hand teasing wendy about taking forever
as usual four hours minutes, and 30 seconds.
Shut it off. Shut it off.
But Gary doesn't shut it off because it's their first Christmas in Montecito
and it's also Wendy's birthday,
December 23rd.
Happy birthday to you.
Happy birthday
to you.
Happy birthday,
dear, you've been lying about your age for the last
year. I'm 47! Happy birthday dear, you've been lying about your age for the last year.
I'm 47!
Happy birthday to you.
I'm 47, I got flowers.
Wanna see my flowers?
Wendy's beaming, keeping eye contact with the camera as she moves from showing off her birthday flowers to a gift from Gary.
I'm opening something Gary got for me.
I have a new pair of earrings,
Sharon, and you know they're the kind
that you love.
Oh, Gary, they're gorgeous.
Yeah, they're gorgeous.
They're gorgeous. I'm putting them on.
Oh.
Yeah, they look great. You like them?
Yep. These are some of
Gary DeVore's last known lines of
screen dialogue.
Just simple home videos he made with Wendy. You like them?
Yes, I love them. I picked them out. I must like them.
I put them on.
Yeah, but I knew...
Do you like them?
Yeah, I do.
These are hard to watch even now.
So imagine being Wendy on June 29, 1997,
a little more than 24 hours after Gary vanished.
Wendy had barely slept,
and pouring over these home videos,
it wasn't just some exercise in nostalgia,
an attempt to find some joy in an otherwise terrible time.
The Santa Barbara Sheriff's detectives
had advised her to gather pictures and videos of Gary
so the news media could run them as part of the
search effort. But as Wendy scanned
the videos, her mind turned to that
bizarre car ride she'd taken with
Gary's mentor, director John Irvin.
He'd planted the seed that there
were aspects of Gary's life she didn't
know about. Like that script he'd been
writing when he disappeared, The Big Steal.
He had finished the script and polished it. And a lot of it was classified information.
And I did not understand that in order to get classified information,
you have to be entitled. You have to have clearance.
She was starting to wonder, by putting real information into his screenplay,
Gary might have placed himself in real danger. In watching these videos of what had been the She was starting to wonder, by putting real information into his screenplay,
Gary might have placed himself in real danger.
In watching these videos of what had been the happiest days of her life with Gary,
she now had to ask herself, was any of it real?
I started thinking, what the hell was he doing?
Who was the other side of this man that I was married to?
From Campside Media and Sony Music Entertainment, I'm Josh Dean, and this is Witnessed Season 5,
Fade to Black, Episode 2, Crocodile Tears. On Sunday morning, June 29th, 1997, most people in America were talking about one thing.
But in Gary and Wendy's house that morning,
no one was talking about Mike Tyson biting off a chunk of Evander Holifield's ear.
Gary's friends had come for the fight party.
They'd turned on the TV.
But then cops had shown up to take that missing person's report of the missing host.
And that became the main event.
Some of those friends had stayed the night,
and now the living room was piled with blankets and sleeping bags.
Those who'd come for the fight party were now turning in to a search party.
I mean, there was so much going on about the disappearance, you know.
In the beginning, when he went missing and we couldn't find him,
that was a weird feeling, you know,
because when you feel attached to somebody and they disappear,
Gary, where could he be? It's a weird feeling, you know? Because when you feel attached to somebody and they disappear...
Gary, where could he be?
That's Gary's best friend, David Devin,
one of those who stayed the night.
The landline in the small house had been ringing off the hook all day.
And each time, Wendy dropped everything to answer,
hoping it might be Gary, calling to put an end to this madness. But instead, the phone just brought more of it. When this happened, all the studios called
and said, he's one of us. He's our guy. You know, what it would be like to not have that kind of
amazing coverage. But they all called and said, he's our guy, he's one of us,
you have carte blanche, you can go on every talk show,
you can hold a picture up.
And indeed, the news media smelled a story,
and reporters all over Southern California were moving fast.
Here's a screenwriter who's well-known,
and it was getting attention in L.A.,
so as a reporter, this was a big deal for me.
Laura Evans-Manatos was working as a general assignment reporter at KYET,
the local ABC affiliate in Santa Barbara,
where the biggest news story is usually wildfires or mudslides.
So I'd gotten off the morning show
and I got word that Gary DeVore was missing.
So my photographer and I got in the car, and we went to Wendy's house.
And yeah, I was thinking, this is a great story.
This is also a woman in a lot of pain.
While Wendy dealt with the media onslaught, her guests, some of whom had never met before,
began working together to help.
And so Phil and I, this friend
of Wendy's, we formed
a good relationship. Within hours
of Gary's disappearance, Wendy had put
up a $10,000 reward for
any information leading to his whereabouts.
We put together the reward
poster and all that.
The poster featured a photograph of Gary
as he was the day he left.
Bearded, 55 years old,
5 feet 11, 185 pounds,
dark graying hair, rugged features.
An equal size to the photo of his face
was a close-up diagram
of his most distinctive physical feature,
his broken, deformed right pinky finger.
A football injury in high school
had permanently fractured it,
and it stuck out at a right angle.
Anyone who met Gary noticed that pinky.
It stood out like that,
and he would never have it fixed
because I know he thought it was sexy.
I mean, it was a conversation piece.
He had big hands, very rough hands,
and it looked tough, you know?
Wendy's friend Phil Combest, a former writer and producer on hit TV detective shows like Magnum P.I.,
had been at Wendy's side when the real detectives had shown up to take her missing persons report.
Although Phil had only ever written fictitious police scenes,
it was clear to him that the cops in this case, only hours old, had already
reached a conclusion.
You know, the police that were involved
in this were not
that interested in
anything except the possibility
that Wendy killed him.
Given their complete lack of confidence
in the police, Phil and David decided
to undertake their own search.
They'd head out to the area near the Mojave Desert Denny's, where Gary made his last call
to Wendy.
I found a guy with a bloodhound who met us out there.
He was a professional tracker who told them to bring something with Gary's scent on it.
So I had Wendy take me into Gary's closet.
And Gary's closet had a rose of western cowboy hats. And so I found one that looked like a good thing. And what they really wanted was a band.
As a backup, they also brought one of Gary's sneakers. He was a jogger and had a pair of
shoes that was especially well usedused. Pungent.
And we drove out there to the desert with Gary's hat band
and a sneaker.
Word of Gary's disappearance had spread fast in Hollywood,
which was, even before social media,
a very small and well-connected place.
RKO Pictures, the studio Gary owed the script to,
had already reached out to Wendy, panicking.
They wanted to know if he'd left behind a copy of the script at home
on a desktop computer or someplace.
Wendy was fairly certain Gary had taken his only copy of the script with him
on his laptop, but now it was due in a few days,
and the studio's financing was dependent on its delivery.
And soon, even the action stars Gary wrote for were reaching out.
Arnold Schwarzenegger and Jean-Claude Van Damme are not people that I could ordinarily reach out to.
These are people that Gary worked with in his career writing features. These are two of the men who cared about him,
who liked him enough to be as horrified as I was that he never made it home.
Arnold Schwarzenegger was the biggest box office draw in the world at this time,
and he'd starred in Gary's film Raw Deal. A lot of people are dead.
And now it's your turn.
The two remained friends.
And when Arnold heard that Gary was missing,
he hired detectives to search chop shops in Mexico
on the theory that Gary was carjacked
and his Ford Explorer was stripped for parts.
Arnold had sent men down to Tijuana
to check the chop shops
and to find any evidence he could.
Then there was Jean-Claude Van Damme,
the Belgian kickboxing star whose films Time Cop and Sudden Death
carried improved, or possibly rescued,
by doing punch-up work on the dialogue.
Now Van Damme, who viewed himself as a box office rival to Arnold,
took things further.
Jean-Claude Van Damme, who viewed himself as a box office rival to Arnold, took things further. Jean-Claude Van Damme got in a car and drove to Nogales to go and see if there was any
way that he could help find anything to do with Gary's disappearance.
Nogales, Mexico, is just across the border with the U.S. and has long been a destination
for cars stolen across North America.
The idea that
John Claude was there personally trying to kick ass and find Gary was something Wendy found deeply
moving. To think that they did go so out of their way to try and help. It was, it was unexpected
and it was, I was so grateful.
I really thought, you want to hear how stupid I am?
The minute that I heard that Arnold Schwarzenegger was active in trying to find Gary, I thought he would.
I had the biggest action stars in Hollywood
searching for my husband.
They were searching for their lost screenwriter.
I didn't think it could possibly fail.
When David Deben and Phil Combest made it to the desert that day
to begin their search, things started to get weird immediately.
They came across this telephone pole
with this big sign that said Gary on it.
I mean, legitimately,
what else could it have been?
As she says this,
Wendy shows us a photograph taken by David
that first morning.
As they turned off the freeway, the two men spotted a telephone pole
with a small handwritten sign on which someone had spelled out the name Gary.
From that sign, they followed a small trail into the desert for about 100 yards.
It ended by a brick hut that had collapsed and was in ruins.
The bloodhound found no scent of Gary,
so they had to chalk this bizarre sign with Gary's name on it up to coincidence,
a decision that's never sat well with Wendy.
I mean, out in the middle of the fucking desert,
and it says Gary on it.
I mean, there's an arrow up at the top aiming.
The area where Gary disappeared was one of his happy places. Gary was obsessed with cowboys and westerns. He often carried a film
camera with him, photographing potential locations for films he'd like to make,
sometimes just for scenes that existed only in his head.
The last ping from Gary's cell phone
was a few miles from Vasquez Rocks,
a national historic site
with stunning vistas and rock formations.
It serves as L.A.'s mini-monument valley,
a dramatic location where countless westerns
and TV shows have been filmed.
All the classics, from Star Trek to Blazing Saddles.
David and Gary had produced The Heat,
a movie pilot they'd shot nearby a few years earlier.
Now, out searching for him,
spooked by the strange sign with Gary's name on it,
and with temperatures rising to well over 100 degrees,
David felt very unsettled.
We went out, walked all these little roads,
holding the hatband and holding the sneaker,
and then the dog smelled something.
And Phil and I are trying to figure out if we should take the sneaker of Gary's that
we bought and try and go deeper into it.
When seemingly out of nowhere, a cop car pulls up.
Two sheriff's deputies.
They get out and start asking what these two are doing here with a bloodhound and one dirty sneaker. Well, we, you know, we're looking for a friend of ours who was lost and
try and find him. And he looked at us, he said, you guys cops. Now he's talking to me and Phil,
a Jew, and I don't know what the fuck he was. Phil, Combast. He's looking at me
like I'm trying to hide something.
The last
thing I'd ever thought I was going to be
called or be was
a cop. And
boy, he gave us a look.
You guys are in the wrong place.
Back at her home in Montecito, Wendy was having an unusual encounter of her own.
The reporters had left and she was alone in her bedroom, resuming her search of home videos,
when there was a knock at the front door.
According to Wendy, she opened it to find two men in suits,
flashing what appeared to be federal government IDs.
But only one of them really spoke. He introduced himself as Chase Brandon. He said he was a friend of Gary's and that he was with the CIA. He looked vaguely familiar to Wendy, but she couldn't place it.
Chase said he'd been to the house before for a party. His relationship with Gary was personal,
he said. They were friends. And as he stood there
in her living room... He acted like he was emotional. And he said, I'd like to just go in
there alone into Gary's office and just look at stuff. And I said, fine. The door to Gary's office
was a few feet down the hall. And he went in there and he shut the door. I assumed that he was there to help.
He emerged a few minutes later, having gathered himself,
and told Wendy he would stay in touch.
Then he left.
Everything about this was odd.
Here was the CIA, showing up at Wendy's door,
but not to offer help, just condolences and tears.
I trusted these people. I mean, if you don't know anything about this world, and I certainly didn't,
you feel almost so grateful that there's someone from something like the CIA
coming to try and look. All I wanted to do was recover him.
I wanted to know what had happened.
I wanted to save him.
So this looked like a potential hero for me.
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With no hard leads to work with, Wendy started sorting through her memories
all the way back to the beginning with Gary,
wondering what she might have missed from the first time they met.
Mr. Speaker, if you were in the air last Thursday,
especially if you're flying to the Los Angeles airport,
you might have been delayed because Air Force One was sitting on the tarmac
while our president was getting a $200 Hollywood haircut.
That's the sound of Bill Clinton's first presidential scandal.
Before allegations of White House blowjobs, it was
blow dryers.
In a ridiculous media moment now remembered as
Hairgate, reporters once ran
with the narrative that President Clinton delayed an
official flight out of L.A. in order to
get a haircut from Kristoff,
who was then the it stylist for celebrities
and power players around Hollywood.
Wendy and Gary were among the regulars.
It's where they first met.
He was having his hair cut by the guy who colored mine and he got up.
Gary was in for a cut one day when he overheard Wendy talking to her stylist about her mom,
who was quite sick.
When the stylist got pulled away to deal with actor Richard Dreyfuss,
Gary spoke up to offer a few words of support.
Wendy hadn't even seen Gary's face yet,
but she liked something about what he'd said,
his sense of caring.
Gary left the shop after their brief exchange,
but moments later returned and walked up to Wendy,
still in her chair.
He said, I work out of my home
and I don't get to meet people very often.
And, you know, I'd really like to get to know you.
I'd like to have coffee with you or something.
And he said, so here's my number.
Just call me and I'll make myself available to you.
Wendy had already made up her mind.
There was something about him.
I said, well, then why don't we just go have a cup of coffee now?
And finished my hair up and we went and we had a cup of coffee.
And that was like the beginning.
To Wendy, Gary
seemed the consummate Hollywood creature. It wasn't just his success in writing blockbuster
films with giant movie stars. He had a serious reputation in town as a ladies' man. Yeah, no,
he was really a player. And the women that he had been with and the women that he knew
was stuff I had avoided. Gary had been married three times.
He was known not simply for dating women who were beautiful or desirable in some way,
but for being with women in Hollywood
who were powerful, independent, different.
Gary's first wife was African-American singer Maria Cole.
While her name is little known today,
when Gary married her,
she was the widow of singer Nat King Cole.
We both had been with other people,
but it was really weird to me when I found out who Gary had been married to. She was the widow
of one of the most famous people that I ever knew about, ever. Nat King Cole's widow.
His second wife was Sandy Newton, actor and now news anchor in Palm Springs. His third was Claudia
Christian, the sci-fi star we heard about last episode.
And the list goes on.
He dated singer Janet Jackson
and famed rock and roll groupie Pam DeVars.
In the year before he gave Wendy his phone number,
Gary had an entire chapter written about him
in producer Julia Phillips' best-selling memoir,
You'll Never Eat Lunch in This Town Again.
Julia Phillips, who died in 2002,
is the first woman ever to win a Best Picture Oscar.
She made some of the greatest films of the 70s,
The Sting with Paul Newman and Robert Redford,
Martin Scorsese's Taxi Driver,
and Steven Spielberg's Close Encounters of the Third Kind.
She used her memoir to eviscerate
the male power structure in Hollywood,
but then devoted an entire chapter
to praising Gary DeVore.
Here's a passage as read by
our producer Megan Donis. Gary, with a western twang in his voice, laced heavy with testosterone.
I have a brief affair with Gary. He says it's our way of becoming friends. I think it's because
he's written lines that I really admire. Gary and I slide comfortably from lovers to friends. As Wendy looks back now,
none of these details even slightly suggested that Gary might have been anything but what he
claimed to be, a charming screenwriter. Certainly not a spy. She saw no red flags, even with the
colorful dating history. In the end, Wendy took the plunge with him because of the way he made her feel.
You look for a little excitement in your life. And Gary, if nothing else, was a little excitement,
let me tell you. And it wasn't like Wendy was some innocent, fresh off the Greyhound bus to Hollywood. She was a successful voiceover actor by this point, with a romantic past of her own.
Wendy's most recent job had been supervising dialogue in Ridley Scott's film Black Rain,
starring Michael Douglas and Kate Capshaw.
Hi, sweetheart.
You remember me, don't you?
Between voice gigs,
Wendy ran a surgeon's office in Beverly Hills
and was raising her daughter, Brittany.
She was an independent, self-supporting woman.
And I have a very strong personality.
I was called an upstart.
Yeah, it wasn't a compliment.
Wendy came from a background of extreme privilege,
mixed with a certain kind of alienation.
Her parents were both
first-generation Jews.
Her paternal grandfather made a fortune,
and not legally, at least at first.
He was a bootlegger during Prohibition, and then when Prohibition ended, they became legitimate
distillers.
His business partner was Joe Kennedy, father of President John F. Kennedy.
Wendy was raised in Palm Beach, Florida, playground of America's rich and famous.
Joe Kennedy lived down the street. Blonde, blue-eyed girls were everywhere. But Wendy was
different. I was tall for my generation. I was 5'9". I was exotic. I had very black hair.
She was the eldest of three sisters, close to her father, but had a difficult relationship with her mother.
She would never have wanted to be a mother.
These women didn't have a choice.
They had to get married in that generation.
And remember, the first birth control pills were not until 1965.
And she did everything that was right.
Meaning her mother did everything expected of her,
except have a warm and loving relationship
with her daughters.
By the time Wendy was 13,
her mother began traveling,
leaving Wendy to her own devices.
While it's easy to look back at the early 60s
as a more innocent time,
the young, privileged kids
Wendy found herself running with in Palm Beach
were fast company.
A common fixture in the neighborhood
was President John F. Kennedy, who, according to Wendy, He would slow the car up and say hi. beach were fast company a common fixture in the neighborhood was president john f kennedy
who according to wendy he would slow the car up and say hi nothing else you know not really
two days before he was assassinated he stopped and said hello to me in his car driving down
the street i was we lived on the other corner he was down in palm beach before he went to dallas
and wendy says there was a reason
she kept having these run-ins with President Kennedy,
beyond his neighborliness.
He was having an affair with the girl around the block from me
while he was the president.
And I used to walk down to his house with her,
and I'd sit outside with the Secret Service guys
and drink Coca-Cola while she went
inside with him. I mean, we thought it was all pretty cool. I think I was 14. I think she was 16,
maybe almost 17. Wendy's older adventurous friend soon enlisted her help as a wingman in another
dangerous escapade, one that would form
a lasting connection for Wendy later in her life. Wendy's friend needed her on a double date.
I'd never had a date. I was 14 years old. She asked me if I wanted to study with her.
She said, call your mom and ask her if you spend the night over with me.
This, of course, was a lie. See, Wendy's girlfriend was actually involved with a much older married man,
and he was friends with a famous actor who happened to be in town that night.
The actor's name was Sean Connery.
Mr. Bond.
James Bond.
So Wendy, a young teenager, found herself having cocktails in a top West Palm Beach restaurant on a date with James Bond.
We're all sitting at dinner in this restaurant.
And they brought the drinks and they brought the appetizers.
That's as far as it got.
And all of a sudden my mother came in.
And you should have seen the faces on the people facing the door because she looked like she was completely out of her mind.
And she came charging in there,
grabbed me by the back of my neck and my shoulder,
dragged me up, started screaming at them,
and dragged me out.
And that was my entire introduction to Sean Connery.
What Wendy saw as her dark, weird, freakishly tall, Russian-Hungarian-Jewish looks
were precisely the features that drew people to her.
And one day, while walking down the street in Palm Beach, Wendy was discovered.
First job I ever had was Bill Blass and Hubert Givenchy.
I mean, Pauline Trugere. I would model for all of them.
To satisfy her mother,
Wendy went to college to study nursing,
but Ford Models signed her
and brought her to New York.
She also fell into some work
as a Cher lookalike.
When you find out you have a double,
you have a double.
Cher and I, I mean,
you couldn't tell us apart.
Wendy would end up in People magazine
as America's most famous Cher lookalike.
She tried developing a career as an actor,
but if you play Cher once,
you can only ever play Cher after that.
Wendy ended up running into Sean Connery again
on the NBC Universal lot
and had a relationship with him.
She went from Sean Connery to Judd Hirsch, star of Taxi,
and eventually spent 10 years with a successful TV producer in what would be her last relationship before him. She went from Sean Connery to Judd Hirsch, star of Taxi, and eventually spent
10 years with a successful TV producer in what would be her last relationship before Gary.
Meeting Gary was kind of like a growing up event. Well, I thought I was growing up already. I thought I was grown up when I was 20, didn't you? I think that with Gary,
it was a different thing because I was a grown up.
Now, that growing up event and meeting Gary was turning into the biggest test of her life.
Criminologists say that when a person goes missing, the first 72 hours are critical.
It's when clues are the freshest and when victims of foul play are more likely to still be alive.
Experienced investigators know that they're working against the clock in this early period,
and each passing moment simply increases the odds
that a loved one will never be found alive again.
Since Wendy had reported Gary missing,
authorities had seemingly done everything,
except to actually look for Gary.
They've gone from suspecting Wendy
to suspecting Wendy and her friend Phil Combest had gotten rid of him together,
and now they were preparing Wendy for another possibility.
As the FBI told me when they came in,
very few men go missing.
And when they do,
the highest percentage of them go missing
on their own accord because they can.
And they want out
of whatever their life is.
And so, the authorities started to dig hard into Gary's past,
his marriages, and his well-earned reputation as a player.
A million different ways, they asked,
could it be that he had left Wendy for another woman?
Phil, who was present for the whole ordeal,
remembers feeling strongly that cheating wasn't a likely scenario for Gary.
I'm not saying this because I was, you know, whole ordeal, remembers feeling strongly that It's 100% concrete in my mind.
And whenever people brought it up to me at that time,
I said, it's just not possible.
No, he had decided, you know, it was a decision he made.
He had decided that I was what he had been looking for all of his life, and he was not going to fuck this up.
Faced with the questions of whether she might be wrong about Gary being loyal,
it occurred to Wendy why she was never jealous.
If Gary had a double life, it had been his obsession with work.
But after that drive into the mountains with director John Irvin, the call from government security specialist Frank Thorwald,
and especially that visit from CIA officer Chase Brandon.
Wendy was now looking at Gary's career as a screenwriter
in a very different light.
Had she missed something?
The fact is, if you hold Gary's early career up to scrutiny,
there are some oddities worth zooming in on.
Small, weird things that could, if you squint,
at least point to the possibility of a secret life.
Like his entry into Hollywood.
In his 20s, Gary DeVore got his first writing job on The Dating Game.
It was on the staff of this show that Gary met his oldest friend, David Devin.
He also met another longtime friend,
The Dating Game's producer and creator, Chuck Barris.
That was his day, day of dancing with me. friend, the Dating Games producer and creator, Chuck Barris.
Barris is famous for hosting The Gong Show,
a fixture of daytime TV in the
70s. It was a live performance
competition game show, like
The Voice, except the performers all
seemed to be crazy people living out of their cars.
And the joy of the show
was in seeing them gonged off of it
and into oblivion by the judges.
And this is the other reason people remember Chuck Barris.
And he harbored a deep secret.
I was a campaign assassin for the CIA.
In 1984, Chuck Barris published his memoir, Confessions of a Dangerous Mind,
in which he claimed that while revolutionizing American TV
with game shows that pushed the boundaries of sexual innuendo and bad taste,
he was also working as a secret CIA hitman.
It's the Gong Show.
It's a perfect cover.
TV producer by day. It's a perfect cover.
TV producer by day.
CIA operative at night.
Think of it as a hobby.
That's George Clooney playing CIA operative Jim Bird
in 2002's Confessions of a Dangerous Mind.
The film was Clooney's directorial debut
based on Chuck Beres' book.
Wendy had never really considered
Beres' claims
to have been a CIA hitman,
but as she reviewed her past with Gary,
she did remember something that seemed strange.
At their first coffee together...
He said, I have someone that you have to meet,
and the first person he had me meet was Chuck Barris.
Naturally, they all met at the Ivy,
the L.A. power player hotspot for meals and deals.
You know, everybody was at the Ivy at that time.
We went in to the Ivy one night,
and they moved a table of people to give him his favorite table.
He was very interesting.
He was nothing like the game show guy.
Nothing.
He had an entirely different personality, very bright.
But to Wendy, that
initial encounter Gary arranged with Chuck Barris felt strange, like he was assessing her. And it
was like I was being approved. At the time, Wendy perceived all of her meetings with Gary and Chuck
Barris as simply part of his Hollywood life. But since that visit from CIA officer Chase Brandon,
Gary's relationship with Barris began to look very different.
Later, when all of this stuff started to emerge
and then the book was out that Chuck had written,
I started to put things together in a different way.
I didn't know if I was right,
but Gary was always in touch with him.
And when he spoke to Chuck, sometimes he needed total privacy.
And then there was Gary's first produced film, Dogs of War.
It features Christopher Walken leading a double life as an amateur birdwatcher and secret hitman.
Birdwatching is a quiet business.
How would you know?
You're not CIA, are you?
Well, you're hardly KGB.
Thanks for the drink.
You are, are you?
You're a fucking CIA!
The script was based on a novel,
and Gary was hired to rewrite it.
He didn't originate the story.
Still, how was it his first film
just happened to be about a secret hitman?
But it was the car trip with John Irvin
that truly haunted her.
Wendy had always seen John
as one of Gary's closest Hollywood friends,
as a kind of protector.
Yeah, John Irvin was literally
one of Gary's most important friends.
I mean, they were connected all the time when one wasn't on location.
Wendy had viewed the socializing they did as part of Gary's job in the Hollywood Dream Factory.
At the same time, she knew Gary tried to be different.
To distinguish his fictional writing and scripts about crime and tough guys,
Gary did serious research.
He read books, sought out reporters
and government sources.
When Wendy met Gary, he described himself
as working almost like a journalist.
When I first moved in with him,
he said to me, you're going to get calls,
you're going to pick up the phone,
and now and then you're going to get a call
from the CIA, from the New York Times.
And he made it sound very generalized.
And he said, because I call and I write
and ask for information for my books.
And I never thought another thing about it.
Until now.
Given the warning from John Irvin
and the odd visit from Chase Brandon,
Wendy was really taking what the police said to heart about
Gary having a possible double life.
Or at least, she wasn't able to completely dismiss it.
But if Gary really had been living a secret life, she still didn't feel it involved another
woman.
The answer is, in Wendy's opinion, had to lay hidden somewhere in Gary's intense connection
to his work.
In the hours and days following his disappearance,
Wendy had spent some time alone in Gary's office.
He had this gigantic setup in one of the rooms he used as an office overlooking the ocean and the beach.
And she began to see it in another way.
And he had that divided into two sides,
which I now understand what the two sides were.
You know, one was the writer and the other was his other life.
Whatever suspicions Wendy was having,
she didn't vocalize any of them
until Phil and David returned from their fruitless search in the desert.
A college roommate named Gene had arrived that day from Austin to support Wendy and was helping to prepare dinner.
Jean was only half listening, but as the group debriefed about the search
and Wendy shared the story of her very weird visit from an emotional CIA officer, Jean perked up.
She hadn't seen this CIA officer arrive and didn't know he was in the house
when she'd gone into Gary's office
to get something from her suitcase,
which she'd left in there.
Expecting the office to be empty,
Jean had instead come upon Chase Brandon.
Remember, Brandon had shown up claiming to be distraught
and asked if he could have a moment alone in Gary's office
to collect himself.
Today, some 26 years later, Jean still recalls the odd encounter as she described it to Wendy.
I walked in there and he was bent over the desk. He had his back to me when I walked in
and I thought it was odd at the time and I think I kind of surprised him because I just walked in.
And he was looking at Gary's computer.
And I didn't say a whole lot until I got what I wanted and then turned around and walked out.
We asked her if Chase seemed upset.
No, he seemed surprised.
Somebody asked me that.
Some detective asked me that question.
And I remember saying, no, he, to me, he looked like he had not been crying.
He looked surprised.
Wendy went into Gary's office as soon as she heard Gene's account.
Nobody had looked at or touched anything in there since Chase left.
But Gary's computer had been turned on, and it had crashed.
It was frozen, and it said,
are you sure you want to delete the big steal?
To erase, to delete the big steal.
That's what was on the computer after Chase Brandon left.
To Wendy, it looked like the CIA, in the person of Chase Brandon, apparently rifled through Gary's desktop machine.
His technical skills were wanting, too.
The entire computer had crashed, and the hard drive was rendered unreadable.
Wendy immediately called government security specialist Frank Thorwald, who remembers trying
to recover Gary's data.
I was working with Wendy to try to get into the computer,
and I couldn't get into it.
And this visit from CIA officer Chase Brandon still bothers Thorwald today.
And the things that have concerned me
that I've never been able to come up with answers for
regarded Chase Brandon.
He said he needed a moment because he was tearing up about Gary.
And somebody, in my view, who has held those kinds of positions does not tear up over something
like that.
It's just, it's just not something that's going to happen.
Why had a CIA officer shown up and used crocodile tears to gain entry to Gary's office,
allegedly ransack his computer,
and steal his screenplay?
Well, that screenplay that Gary was adapting,
that producers wanted him to set in Panama,
and that he bragged to people would blow the lid off the CIA.
It turns out that Wendy's mysterious visitor from the agency,
Chase Brandon, had made his bones in the CIA
as a clandestine officer in Panama.
Gary wrote the script on Panama,
and it did have classified information.
He should never have written it.
That's next time on Fade to Black.
Witnessed Fade to Black is a production of Campside Media and Sony Music Entertainment
in association with Stowaway Entertainment.
The series was co-created, written, and reported by Evan Wright and Megan Donis.
Megan Donis is the senior producer, and Sheba Joseph is the associate producer.
The executive producers are Evan Wright, Jeff Singer, and me, Josh Dean.
Niall Cassin is the consulting producer.
Studio recording by Ewan Lytram-Ewan, Blake Rook, and Sheba Joseph. Thank you. Fact-checking by Amanda Feynman Special thanks to our operations team Doug Slaywin, Destiny Dingle, Ashley Warren, and Sabina Mara
The executive producers at Campside Media
are Vanessa Gregoriatis, Adam Hoff, Matt Chair, and me, Josh Dean
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Thanks for listening
We'll see you next time