The Bossticks - The Mastermind Behind Your Favorite Fashion Brands: Rachel Zeilic - Taking Risks, Learning From Mistakes, & Making Strategic Decisions
Episode Date: August 6, 2019#206: On this episode we sit down with Rachel Zeilic. Rachel is the mastermind behind some of your favorite fashion brands including Stylestalker, The Jet Set Diaries, & Majorelle. On this episode w...e discuss how to take risks, make strategic decisions, and how we can learn from our mistakes. To connect with Rachel Zeilic click HERE To connect with Lauryn Evarts click HERE To connect with Michael Bosstick click HERE Read More on The Skinny Confidential HERE For Detailed Show Notes visit TSCPODCAST.COM To Call the Him & Her Hotline call: 1-833-SKINNYS (754-6697) This episode is brought to you by THRIVE MARKET. We use Thrive for our online grocery delivery on a weekly basis and we also now get our wine at Thrive! They provide the highest quality products and ingredients delivered straight to our door with unbeatable prices. This episode is brought to you by RITUAL Forget everything you thought you knew about vitamins. Ritual is the brand that's reinventing the experience with 9 essential nutrients women lack the most. If you're ready to invest in your health, do what I did and go to www.ritual.com/skinny Your future self will thank you for taking Ritual: Consider it your 'Lifelong-Health-401k'. Why put anything but clean ingredients (backed by real science) in your body? Produced by Dear Media
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The following podcast is a dear media production.
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She's a lifestyle blogger extraordinaire.
Fantastic.
And he's a serial entrepreneur.
A very smart cookie.
And now Lauren Everts and Michael Bostic are bringing you along for the ride.
Get ready for some major realness.
Welcome to the Skinny Confidential, him and her.
Just have to dive in and do it.
And the first iteration is not going to be perfect.
You learn really fucking quickly when it's your own money that you're losing.
A, you have to do it.
And B, you can teach yourself anything.
I think it's bullshit in the corporate world that people have these jobs that are so focused.
Like, not only do I work in influencer marketing, I only do the pre-sale decks.
I don't do the whole gamut of everything.
It's like if you need to figure out how to find a factory or how to ship things or you can figure everything out,
Happy Tuesday. Welcome back to the skinny confidential him and her show. Today's episode is with Rachel
Zilich. She is the mastermind between all your favorite brands. That's right, Style Stalker,
the Jet Set Diaries, and Margell, which are all sold on the trendy site that most of you guys know of
revolve. She's also the VP of influencer and talent relations at Click Media. This girl knows her
shit. Let me tell you. I had the pleasure of going out to dinner with her and one of my favorite
influencers Rumi Neely. We went to the sunset towers and we had the best conversation. They're both
so smart. Rumi's actually going to be coming on the show soon too. And I just found both of them
to have so much valuable information about this space. So I invited both of them on the show.
All right. Michael, Taylor, we got Taylor on today. Taylor, hopefully your mic is hot like we told you.
My mic is always hot. Whoa. It's not always hot. You're lying and you're also not always hot.
you're just, it's actually, I'm actually extremely surprised that you were ready to go.
Taylor, what's been going on in your life lately?
Oh, just a lot of work, a lot of dear media stuff.
We're constantly working on new things.
So we're constantly evolving like myself as a person.
I'm always evolving, always learning, always becoming better.
And I'm taking all of the criticism and critique that you guys talk about on the show and I apply to myself.
So I am the best person I've ever been.
What's something that you've learned from the show that's brought you a lot of value?
Yeah.
And honestly, I want to know what's going on in between all of that stuff because we haven't
heard, listen, I know that you're not just keeping it level. I know there's been some creepy
stuff going on. Yeah, you're right. Actually, I can't really remember one particular specific piece
of advice that you guys talk about because I always listen. You literally just said you're learning
all sorts of advice and you now. You can't remember one thing. Hey, well, it's fine. No, it's not
fine. I love to put you on the spot. You can't remember one thing that you've picked up from
the show. What the hell are you doing back there the whole time we're recording? You're in every
session. One story that I always think is funny. This is very, very short. So you guys always
talking about like efficiency and this and that like how to be efficient. I want to give like an
example of inefficiency that there was this one time when the time zones changed and the
clock in my car instead of like I didn't change it right away. Everyone's like roll their clock back
you know an hour before like right when the clock changed. There was this time that I waited about a
month and I thought okay well fuck it it's about a month sooner or later. It's like eight months than nine
months and I thought okay perfect. There's not even a reason to change it because the time change is
going to come back up again. So I just waited an entire time change and then finally the clock
re-sync back. Taylor, what are you talking about? You're somebody, when I describe you to people,
I say Taylor's stories have a beginning, no middle, and no end. What is going on with you back there?
Wait, so you learn from our podcast how to be inefficient? No, I was just trying to give an example of being
inefficient. Why would you, I mean, listen, the whole show is about bettering yourself, learning how to
be efficient, learning how to manage time, learning how to push yourself to better. Why would you
So what you're doing is you're taking the opposite?
No, no, I'm just trying to let the audience know.
Okay.
This is an example of what not to do.
Okay.
Well, I'm setting the...
Happy Tuesday.
Setting the stage is what I'm doing.
You're setting the stage.
Okay, well, I have some news.
My dad's restaurant has finally opened in San Diego.
I'm so excited if you guys are there, you got to go in.
If you travel there or you're a tourist there, it's amazing.
They have the best cocktails.
A lot of them I gave my opinions on.
and their food's insane, and they have so many Instagramable spaces.
We're obsessed.
It already has five stars on Yelp.
Everyone is in love.
It's called Al Say 101, and it's in Salana Beach.
On the Pacific Coast Highway, the 101, Lauren, hence 101.
Yes, hence 101.
And Taylor has been known to be at the bar there.
The opening of it was the last time that I, like, officially blacked out from drinking.
You blacked out that night?
What a rave review.
Well, listen.
Yeah, the good water in home.
Yeah, I blacked out.
It was a lot of tequila.
I mean, what can you do it?
I was a little buzzed up myself.
I feel like you had to help me
at the car.
I think you knocked over a chair
at one point.
Hence to say we had some input
on the bar menu.
Yeah, the bar menu is bomb, guys.
Definitely try it out.
I think you'll like it.
And order the big bowl of chili.
It's delicious.
It is delicious.
Chili?
Mm.
Right.
On that big bowl of chili note,
let's welcome Rachel Zeelek
to the skinny confidential
him and her show.
She is an entrepreneur.
She is a badass
and she is the creative director
behind all your favorite brands.
Rachel, welcome to the show.
Knock knock. Who's there? Thrive Market. Again, Thrive Market. We've been talking about these guys
for a long time. One of our favorite brands, one of our favorite all-time partners.
Lauren is laughing hysterically because we like to do with Thrive Market, we love to jump in and do
different transitions. It's just because I'm so obsessed with this brand and I literally use it
every single week and it's all over my Instagram stories. I love doing a hall for you guys.
I have a curated page. It's honestly my favorite partnership.
This is one of the best brands too. It's not like they're not giving some big
and some big brief, they know their product and their service is so damn good.
They know they don't need to script anything.
We can just talk about it organically.
Give us a page.
List our favorites.
Share it with the listeners.
And boom, everybody wins.
Here's my three standout stars right now.
They have a raw almond butter that is so good.
It's all raw almonds.
You know what you're getting.
They've done all the research for you.
And I love to do that on a cauliflower thin with mash berries.
So it's kind of like a PB&J.
And then I also right now I'm loving their rose water.
I like to use it after I do my skin care.
You guys know I love a mist.
I missed it all the way down to my tits.
It's insane.
And you know, we've been talking about all the basics like Lauren listed and it's all on the site.
But one thing that we haven't talked about in a long time is the supplements and vitamins.
This is where I get all of my supplements and vitamins.
This is where Lauren gets hers because everything is sourced 25 to 50% below retail and they source the best ingredients.
Supplements and vitamins can get really expensive.
And I also want to know that whatever ones I'm buying, I'm getting the best of.
So we listed it all out on our Thrivemarket page, which is Thrivemarket.com slash skinny.
All of these products are on constant reorder every month, delivered straight to our door,
and they're all 25 to 50% below retail.
So you're saving time and you're saving money.
So knock, knock, it's Thrive Market.
25% off.
Go to Thrivemarket.com slash skinny for 25% off plus free shipping on your first order.
That's Thrivemarket.com slash skinny.
Guys, take advantage of this.
Get the spicy Arbiotas sauce.
throw in the rose mist, even some fiber gummies, some calm magnesium, they got you covered.
And when you sign up with that link, make sure you check out the curated page so you can check all
of the items, ingredients, supplements, vitamins, all the things we've talked about. Thrivemarket.com
slash skinny. Enjoy, enjoy, enjoy.
This is the skinny confidential, him and her.
Rachel Zellick is here. Guys, we are so excited. How many months pregnant are you?
Eight. Nine. I don't know. Pregnancy, I think it's 10 months. I think they're
They lie to you.
They lie.
I'm very fucking pregnant.
I'm going to pop in four weeks.
Can you imagine me this pregnant at six in the morning?
Did Lauren say that the politically correct way?
Because I asked earlier, I said, how far along are you?
Is that the way to sit?
I'm not fussy.
I'm like, say it.
I'm not politically correct.
I'm like, say it how it is.
She looks like the unabomber this morning.
She looks like Brittany Sucker breakdown.
I need a number.
umbrella and like no shoes at the gas station. Yeah, totally. Okay, Rachel. So for those of you who
don't know, Rachel, can you give us a little bit of backstory on you and your journey of how you got
here? Because I want to go back like way back. Yeah, I'll stop from the beginning. So maybe like 2006,
2007, I was in college in Australia. I'm from Sydney, Australia, studying lore and advertising.
and I basically would travel, I would travel every summer, like work like the shittest, weirdest,
odd jobs, maybe, like, one of my favorites, I, like, drove a forklift in a hardware store and
save up my pennies and go to Europe and would just, like, shop there, like crazy.
Parklift job only paid in pennies?
Actually, it paid really fucking well because it just paid really well, and it was great.
One of my favorite jobs ever.
And I would go to Europe, shop a lot, come back with all this dope shit.
And there was nothing like that in Australia at the time.
There was the cheaper end of clothing that was just really shitty.
And then there was Australian designers who were amazing, but they were really expensive,
like $300 for a little dress or whatever.
So me knowing nothing about fashion, just knowing that I was in college and I couldn't find
cute shit that I wanted started a clothing line and knew nothing.
Literally Googled like factories or.
Nice.
What is a season?
Like, no idea.
So that line was called style store, and it took off really quickly.
I think the first season, we're in 150 stores in Australia, which 150 stores don't even exist anymore in Australia.
So hold on.
So you just are Googling how to do this.
Yeah.
How do you take it from that to it being in 150 states?
Because I have an article pulled up right here, and it says how this law school grad became the mastermind.
mastermind behind your favorite fashion brands.
Well, there are a couple.
So we started with Style Stalker.
And what was the question?
How did it?
Just how did you take it?
You're Googling this idea.
You take it from this idea.
And did you, was what were tangible steps?
Okay.
So I think the most practical tangible first step was getting a sales agent because it was a
primarily wholesale business.
And once that happened, it was crazy because we were, I literally had like 10 samples in
a bag and would like show up for these meetings. Just a kid not knowing what I was doing. And then
the sales agents, their job was obviously to go and sell it into boutiques and department stores and
whatever. And then literally within the first season of having that sales agent, she placed it in 150
stores. And that was wild because you then have to pay for the production on that in advance.
So literally my mom and my business partner's mom at the time took mortgages out on their house to front
the money for production.
Damn.
Which I would not do for my 21-year-old kid.
Like, bless, thanks, mom.
Like, I don't know.
It was crazy.
I mean, I wouldn't have asked for that if the orders weren't guaranteed,
but it's still a risky business.
I mean, stores go out, go out of business.
Like, they don't pay, like, whatever.
But luckily, you know, we paid it back pretty much straight away
as soon as we delivered the goods.
So that was, yeah, the first, like, big, tangible step.
And then I think beyond that, this is where influences came into play.
because I was 20 in the influencer space,
and it was bloggers then,
and no one even thought of it as an industry.
I think it was 2006, 2007.
Yeah.
So it was like Roomy was.
Roomy.
I mean, Roomy still is.
She's so major and iconic.
But she was, she like, was, I feel like, the first blogger.
Absolutely.
She was the first one I discovered.
There was just a handful of girls.
It was such a, like, cool community then.
It wasn't, no one was thinking to monetize.
And it was so simple.
I was 20, they were all the same age, and I was like, hey, I make this dope shit, do you like it?
I like what you do.
I'll send you some stuff.
And I think sort of accidentally I was probably one of the first people doing influencer seating, just very organically and naturally, and always just kind of valued those relationships.
So, you know, to your earlier point, I've kind of watched the space grow.
I've been friends with, you know, girls who became now the biggest influences.
I've been kind of friends with them from the beginning and watch them grow their business.
So I really sort of understand things from their perspective.
I want to know.
So you've been here since 2006 was a long time.
That's earlier than us.
And I want to know what you've seen to work in the long run and what you've really seen to not work.
Because since we're early on with a lot of these creators, you've seen people really like skyrocketing.
You've also seen people fall off.
What do you think the formula there is?
I think the formula is, it sounds so cheesy, but you have to enjoy it.
and you have to be like coming out from a place of passion and creativity.
I think you have to be filling a white space as well.
Like now people will ask me, oh, you know, micro-influencers, like, how do I grow and da-da-da-da-da.
And it's like, you can do certain things.
But if you're not, the world doesn't need another cookie-cutter fashion influencer.
You've got to be doing something different.
And that's got to be driven first and foremost, I think, from a place of fun and creativity.
Like I said, all the girls who started off, there was no idea that they would make money out of it.
It's intention. I talk about this. It's, we're saying, like, I say intention, but you're, it's like, fun, passion. Like, you have to be in it for the right reasons.
It's so important. It is. And then it's, the industry has changed so much. So you need to be out of, like, refine that passion and refine that white space. I mean, I feel like we talked about Rumi. She was pretty much for the first. And then her influence a career in an industry.
In many ways, people overtook her in that sense. And then she launched RUMI. She was one of the
first influences to really launch a brand that was a proper brand and really well thought out.
And that, like, launched her into a whole new phase of her career. So I think constantly reinventing
yourself, I think if you want to work in a creative space and you don't love it and have fun
with it, then you don't stand a chance. You can't study it. You can't just, it's not a formula, I would
say. And what Roomy did really well, I think, playing off your point, is she evolved. Exactly.
Like, you got to evolve. Like, she evolved from this, you know, mega influencer that was sitting front row at
fashion week to a mega brand. I mean, her clothes, like, I'm obsessed with her clothes. I can't stop. So,
after Style Stalker, did you sell that business? And then what came next? So about, I had Style Stalker
for about nine years. About six years into it, I moved over here.
For two reasons. Firstly, my fiancée, such an obnoxious word.
Fiance.
My baby daddy.
Pete, let's call him Pete.
Pete is a musician.
We'll sideline the story a little.
Pete is a musician and it's super popular in Australia, not so much here.
One day, Elton John was in a record store in Sydney and heard his album playing and was
obsessed with it, called the boys up, was like, come around for a cup of tea.
And then next thing you know, he's like, you're moving.
to London, you're going to be managed by my manager.
So I was like...
What are the chance...
No big deal.
Elton just called your baby daddy and was like,
come over for a cup of tea?
Yeah, come over for a cup of tea.
And then literally, like, within weeks,
he was moved to London.
And I was like,
I can't buy him a Bentley.
Elton John can buy him a Bentley.
I was like 22, madly in love.
Like, we were so happy.
But I was like, Elton Jones stole my boy?
friend. And that's possible in multiple arenas.
Oh yeah. He tried. So basically Pete moved to London. I just started the business.
The plan was that I would work on the business for maybe like a year to set it up in Sydney and
then I would move over there. London's an awesome city. I love it. But my business partner at
the time was super controlling. I always like kind of joke that I, because I've been with Pete
since I was 20. I avoided all these like shitty abusive male like romantic relationships.
But I, looking back now, see that my relationship with my business, my first business partner
was probably like a textbook case, like emotionally abusive relationship.
So she was super controlling and kept me from moving to London essentially for four years.
We did long distance between Sydney and London.
And what is Pete's band just for anyone?
Oh, it's Pinau.
P-N-A-U, but he also writes and produces Empire of the Sun, which you guys might know here a lot.
Oh, that small band that everybody has heard of.
Yeah, that's bigger in the States.
But Pinal's bigger in Australia and Europe.
So where was I at?
Oh, yeah, he moved to London.
We just wanted to live together.
We did long distance for four years, which I did not recommend, but I'm so glad we made it through.
And then L.A. was a place.
He's in music.
I'm in fashion for my business.
the sales for the U.S. weren't quite at the same levels of Australia, but they were doubling
season on season. And it just felt like a little baby that had no one looking after it. Plus,
so much of the influencer industry is here, and because I was the one who looked after the
marketing, it just made sense. So we moved 2012 to L.A. And then we started another brand called
The Jetset Diaries. Everyone knows that brand, too. I mean, iconic brand. I love it. I love it. I
I have the word iconic right now, can you tell? But it really is. I mean, I've worn that brand forever. That's so crazy.
And I think back to our earlier point of what works in the influencer space, same in the design, creative business space.
Style Stalker at that point had become, you know, you've got all these different people weighing in.
You've got to repeat bestsellers, like 80% of your collections become repeats of bestsellers tricked out in different ways.
and there's like sales agents and just a million different people weighing in.
But Jet Set Diaries, the first season outsold, like maybe by double, like a business that
was at that stage already six years because it literally just came from a space of creativity
and like when you knew how to do it, I knew like the how to go through the motions, but there was
no pressure on what it had to be.
So yeah, that did really well.
And then I, okay, so where it kind of went a bit shrieking.
is that we sold half of the company and the big mistake we made was to sell 50%.
Yep.
Because no one's, I mean, honestly, it would almost have been better to sell 51% because then you
just know you've got to like take it.
Because when it's like a 50-50 thing, you hope.
So you wish you sold 49%.
No, I wish I saw, yeah, I wish I saw 49%.
Well, a lot of people don't realize in a 50-50, every decision has to be mutual.
So it's like if we're in the car together and you want to go left, like we both have
to say we want to go left.
Exactly.
not, you just continue going straight. And so you can't change or do anything new without mutually
agreeing. It can be kind of like a handcuff situation. Absolutely. It was exhausting. And as I said,
my business partner, my original business partner, I mean, at times we were like best friends.
She was like my sister, but there was also this like weird tension. So she would kind of try to
play us all off against each other. Sorry, it sounds so negative, but I want to, I feel like no one actually,
it's probably the biggest problem in business is choosing the right partners and making that work.
And I think that's something people don't really talk about.
So eventually maybe circa 2015, things were going like super well in the business, monetary-wise,
like creative-wise, but I wasn't really that happy.
I was having all these problems dealing with my partners.
And I met up with Rysa, who's the chief brand officer at Revolve.
I didn't know.
I sort of knew her from the industry.
She's obviously a rad chick.
And I firstly just met up with her to get some advice.
Like, hey, you seem to get along really well with your business partners.
You guys are killing it.
Like, what, do you have any advice on how I can improve this relationship or whatever?
But as I started to kind of describe what I was going through and some of the challenges,
she was like, fuck that.
We've always been a huge fan.
We love what you do.
Style Stalker and Jetset Diaries were two of the bestselling brands on Revolves.
So like, she's like, fuck them.
Come over and do something with us.
So I exited that business in 2015 and started Majorelle with Revolve.
Tell us about that brand because it is so cute.
Honestly, I feel like it's the dream for a creative because, as you guys probably know,
when you own the business, you get like 95% of your time is spent on boring shit,
like logistics and dealing with insurance and factories and all of that.
Are you hearing that, Lauren?
A lot of boring shit.
A lot of boring shit.
Yeah, but go on to the good part.
But then the good part, like partnering up with Revolve,
it was just the creative stuff.
And they handle all of the back end.
So.
Dream.
Dream.
It was awesome from that perspective.
I also worked across the marketing.
So like I'll Revolve in total.
And that was sick because I had all these relationships.
But I finally, we had like money and means to do awesome shit.
So yeah, that was great.
And what's the process like of actually creating something?
So if you're going to create, there's this really cute pink lace top that I'm obsessed
with on there.
How did, like, how do you create that?
Do you think, like, do you have an inspiration board at home?
What's the process like?
Yes.
So I collect so much inspiration.
It's like a problem.
It'll be like thousands and thousands of images.
And then you kind of narrow that down into a creative brief.
You're looking for like fabrics, prints, inspo.
and then that then gets put into like silhouettes and ultimately you have to narrow down like
it runs like oh you do like 60 pieces a month that must be so much i'm like no it's it's actually
difficult choosing my top 60 because there's just like all these ideas but basically you have to
narrow them down you're kind of like matching up yeah fabric silhouettes vibes and then do you want to
get into the technical part of it too yeah so you'll then essentially present even within revolve there's
even for their own brands, there's a buying team. So you'll present to the buyers. They'll decide
what's going to go ahead and what's not going to go ahead into production. And then at that point,
you do a tech pack. So this is where I'll have a designer come in because I didn't study fashion.
I was from the start, I was like, I know what I'm good at and I'm going to make money and
outsource the things that I'm not good at and like learning how to do like computer, the
the very technical illustrations and like the measurements and all of that has never been my thing.
So a designer will come in and sketch it all up technically do what we call a tech pack,
which is just like these insane measurements that go into, it's like a pattern but on an Excel sheet,
if that makes sense.
That goes off to the factory.
The factory will send back the first fit.
You fit it.
I'm super involved in that stage, even though I don't have that classical training.
I think it's so important.
I think it literally, a garment will come down to like half an inch.
Like, if it's good or not good, like you get so obsessed.
And then you'll give your comments.
Sometimes it'll come back for a second or a third round of fit.
And then orders get placed.
And it comes.
I more want to know now, like, so since you were very early on and you had the benefit of obviously
being able to launch at a time when retail, I think maybe mattered a little bit more.
Yeah, yeah, definitely.
also at a time when influencer collaborations were somewhat new.
And so the impact was maybe, I don't want to say stronger, but I think it was.
It was definitely stronger.
Yeah, it didn't, it wasn't as saturated of a space.
So it was easy to identify who could move the needle.
If you were starting now without the connections you have and you were getting into this world of fashion or any brand actually online and you were thinking about, okay, how am I going to launch this?
What's the strategy?
And also, who am I going to launch this with?
Like, who am I going to collaborate with?
Like, how do you kind of approach that now?
because I know you've also been on the client services side with Click.
How do you kind of look at the landscape and when you're consulting brands,
tell them like this is how you're going to have an impact here?
I think that when it comes to marketing, everyone underestimates the product.
The product has to be dope to begin with.
Like everyone doesn't need another clothing line of just like moderately cute dresses.
I think it's difficult, but I think new brands can still shine through,
but they have to be able to do something really unique and creative.
and then ultimately, like, you would know, Lauren, like, if you see something,
influences are amazing because they're like tastemakers.
They're constantly on the lookout.
It's their job to find good things as well, interesting new things as well.
So I think starting with a product that the world needs.
It's not just like another.
Not just slapping a label on.
Not slapping.
I mean, Revolve alone has 20 in-house brands now.
So the amount of product that's just there, like, what are you doing that's different?
And then I think, look, with influencer marketing now, it's really tricky because...
You can be blunt. You can be blunt.
It's pretty fucking hard to start out now.
Be blunt.
Yeah. I mean, it's pay for play now.
I mean, relationships are important, but they'll only get you so far.
And I think to launch something, depending on the scale, you need backing.
You probably need a partner who can support you.
logistically and have money. Yeah. And how do you recommend someone that's an influencer that wants
to start a brand to find the right partner? Is there a strategic like sort of formula for that?
Have you seen what have you seen work? What have you seen not work? Yeah, I think that you still need
a means of distribution because it's pretty hard to still get customers to come onto your site and
make a purchase. Ultimately, they're still going to want to buy something from Nordstrom or
revolve or something like that.
So I think partnering with a big retailer, at least initially, is a good move.
I think doing that as a licensing deal is a good move because you can kind of use that
business as infrastructure and expertise for a couple of years to build you up and then consider
taking it in a more independent direction later on.
So you don't recommend direct to consumer at first.
You recommend partnering with a retailer and then possibly eventually.
Yeah.
That's interesting.
Well, I would say, like, for me, I don't want to disagree, but I'll kind of disagree.
I think that you're probably spot on with the majority of maybe traditional influencers that don't
understand how to drive traffic to a website and have the financial backing to do that effectively.
So I think that route in most cases, 99% of the case is doing a licensing deal and partner with the retail smart.
But if you have the ability to potentially partner with or know yourself how to drive direct to consumer
traffic. I think it's an extremely smart strategy for people because you can control, one, you
have direct relationship with the customer, two, you have much higher margins, and three, you can
kind of scale as you go and you don't have to worry about placing, like you said earlier, massive orders
to place into stores. But I think you have to know what you can be effective at or not for people
that don't have the backing of being able to run traffic. I think that's a very difficult model.
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let me know what you think. I also would 100% agree with you depending on what the product is.
If we're talking about a full-blown line of clothing, that's so capital-intensive on the front end.
And you don't see the money back for at least a year.
It's just so hard to cash flow.
In that scenario, partner up with someone.
If you have, like, for example, Amber fill her up with her hair extension line.
It's a good direct-to-consumer.
Like anything like that that's more focused and it's a smaller product range.
And higher margins maybe on the skews.
A summer Fridays, like launching with one product, I think is fucking brilliant.
In that case, I would 1,000% agree with you.
So we're talking more like large fashion lines.
Exactly.
Sorry, I was talking about like if you want to launch like a full-blown line, like Ariel, something
Navy with Nordstrom.
I don't think it would have been the same success if it was independent from the start.
I agree.
No, I 100% agree.
I agree.
What I'm hearing in this conversation so far is that you created a,
and designed your future because you you started out not knowing anything about anything
and you basically taught yourself along the way.
So many people I'm noticing.
And I wanted to talk to you about this last night, but we didn't get a chance.
And we couldn't talk this morning because...
It was too early.
Can't believe we're talking now.
I know.
It's hard.
I'm like waiting for the monster to come out.
She's being so nice.
The monster saves for my God.
Yeah, you won't see that side.
That'll be from me.
Okay, perfect.
That's why we've got you here.
I'm seeing a lot of people think that they have to get all these credentials before they do something
or they need to get to step A and then to B and then to C.
They don't just sort of immerse themselves in it and fail over and over and over to learn.
Can you sort of speak on that?
Because I find that very, I don't hear a lot of people talk about creating their own future like you have.
Yeah, I think absolutely you just have to dive in and do it.
and the first iteration is not going to be perfect.
You learn really fucking quickly when it's your own money that you're losing.
And I think you, yeah, you just have to, A, you have to do it.
And B, you can teach yourself anything.
I think it's bullshit in the corporate world that people have these jobs that are so focused.
Like, not only do I work in influencer marketing, I only do the pre-sale decks.
I don't do the whole gamut of everything.
It's like if you need to figure out how to find a factory or how to ship things or how to,
you can figure everything out.
We have Google now.
You've Google.
Exactly.
If you're like a reasonably intelligent person and you have access to Google, you can figure
anything out.
So I literally have no time for people who are like, oh, but I haven't done this before,
but I don't know how to do this or I'm going to like, I'm going to study and I'm going to learn
and I'm going to like do this in five years.
It's like, nah, the moment's now.
Just do it.
I mean, everything that we've done ever has been, I mean, everything has been just by jumping in.
I think we're living in it where people are getting fucked up now is they're like, okay, I'm going to study this.
I've got to go to school for this amount of time.
I'm going to take this course.
I'm going to read this book.
Like you can study and learn all you want, but if you don't actually take action, all of it is useless.
I want everyone to understand.
Like if you, no matter what you study, what degree you have.
have what course you've taken, what expertise your background, what credential. If you don't take
massive action, it's all completely useless. Totally. I really think so I kind of had the opposite
career journey to most people and that the first nine years I worked for myself and started a
business and now I have what I would describe as like my two dream jobs. We haven't even touched
upon what I do at Click. But I think it should almost be compulsory for people to work for
themselves for the first like couple of years in the industry because you you know no one's there
to baby you you have to figure shit out you if you fuck up you lose your own money you have an
appreciation what I've learned and it to me it's so obvious because the first nine years it was
my money so every decision you're like okay do I need this or this or you just think about the
company as the company's interests first and you make like smart.
strategic financial decisions. You feel like a real impact if you fuck up. You feel an impact and absolutely.
And in the reverse, if you do something great, you feel a positive financial impact. Whereas I think
in the corporate world, there's this really a disassociation between the money that you're spending
on things. Also, time is money. So you can't come in and spend, I don't know, 10 hours on something
that really doesn't have any impact on the business. So I almost think it, yeah, it should be
compulsory. Like, go out and start a business. It doesn't have to succeed. But
that's really the best training you could get.
If you took the money that you would have spent on college and instead invested it in a
business, I think you would learn so much more.
And at the end of the whatever five years, you however long people spend in college.
You know who actually did that?
We were talking about him earlier, Tim Ferriss.
Tim Ferriss.
Yeah, he took like what it would cost him to go to school.
I don't know how well.
And he took that money and just used it to practice investing with the assumption that he would
lose all of it, but he would learn as much doing that as he would by actually going to school.
Yeah, I think it's genius. Now look at that guy, obviously. I feel like I've learned more podcasting
than I did in all my years of school. Oh, all the people you speak to? Like, I mean, put on a podcast.
I always say my mentors are Tim Ferriss, Gary V. Edmillette, the balanced blonde, who, like,
because you have access to them now. There's really no excuse. What are, and you know,
this is one of my favorite subjects. What are your productivity hacks? What do you do to be super
productive because you do get a lot done and you're eight months pregnant and you're still hustling.
Can you share with us some tips, some hacks? Well, I love the productivity cube that I discovered through
you. I think the biggest thing about productivity is focus. So literally put your phone in a drawer,
lock it up, put it on airplane mode and use that cube. I use it alongside this productivity journal.
I think it's just called the productivity journal. And basically it's like the Pomodora method where I think
you guys have talked about that before, right?
Not the journal. Tell us about the journal. So the journal's just laid out. It forces you to set
seven, just seven things you're going to do for the day in order of priority. So if you just got
one thing done for the day, it would be a success. And then after that, the next three things,
and then beyond that, I think you get four things. And then you have these little bubbles that
you fill in. So you estimate, okay, I think you could tackle it either way. I need to finish this
report. I think it's going to take me an hour and a half. So you give yourself like three
bubbles and then you just kind of like track it in 30 minute blocks. Or you can do it the other
way. Maybe if it's a bigger project. Hey, I'm writing this novel. I want to spend an hour on it each day.
You can like allow yourself an hour each day. And then just fill out the little bubbles and then
get out with it. And filling out the little bubble is so satisfied. So satisfied. It like literally
gets me horny. Oh my God. Same. And if you beat, you're like, you're like, oh, I estimated this.
This was going to take an hour and a half and it took an hour.
You're just like, orgasmic.
Michael's like walking off in the screen.
I got to look into that journey.
I don't think I've seen it.
Yeah.
What do you do to set yourself up for a successful morning?
Do you know what?
I'm not really a morning routine person.
Night routine?
Oh, no.
Morning, I'm literally just, I have so much energy in the morning that I'm like out.
I'm out the door in like 10 minutes.
And now you're talking my language.
Yeah.
This is like Michael.
I have to do five.
I just want to get to work.
I have to fill in a thousand bubbles before I talk.
I get it.
And I feel like weird because I'm obviously also a huge Tim Ferriss fan.
And I feel like that's the number one thing he asks all his guests.
Like what's your morning routine?
I'm like, I just like get up, throw something on, do my makeup in the car, out the door.
Like I just want to get into it.
Well, that's your routine.
Right?
Like you don't have to.
I feel like.
You don't have to have a routine.
Not everybody has to have this formulaic thing, Lauren.
Okay.
I have to have it or I'll be a complete bed.
You know, don't, don't fuck with my routine.
You know what's going to happen.
So tell us about Click.
Just like wrap it up about how you also are the creative director of this clothing brand,
but you also are, I want to say, you can describe it better than I.
You're the head of the influencer agency at Click.
Yeah.
So we have essentially, Click is the parent company of Who, What We're.
Used to be My Domain and Birdie, but we recently sold those off.
Under that umbrella, I run an influencer marketing agency.
So when it started about two years ago
So do you still work in this office?
Yeah, just downstairs.
Yeah, yeah, yeah.
Okay, so you come here every day.
Yeah.
I was saying I was so sad that you guys left this floor
because now there's a bunch of men from Pluto TV
that are just disgusting in the bathroom.
They're just in there all the time.
I hope they listen to this podcast and hear this
and clean themselves up.
Clean your act up, Pluto.
Actually, it was so funny when we're on this floor
because I'm doing deals all day with DBA.
And I would bump into them in the bathroom.
I'd be like halfway through a deal, I'd be like, yo, you like owe me an email.
Like what's going to.
Amazing.
Yeah, like, come on.
You know you're getting such about anxiety.
I'd be like, I wouldn't go to the bathroom and hold it.
I'd always be like, come on.
Like, you know you're going to make this work for me.
Yeah, so I'm just downstairs.
And essentially it's a full service influencer marketing agency.
So, as I said, just because I've been in the space, I've been in the space since the
beginning and I've been friends with all the influences. So I've really seen everything through
their eyes. But I've always been on the brand side. So I equally understand the brand's
perspective. They need to get ROI. They need to hit certain goals. And always with my friends who'd be
like, oh, I don't understand why the brand's doing this. And I almost see my main job as a translator
between the two, I can help influences to understand why the brands are asking for what they're
asking for and help them to clarify, like, hey, what are your goals? Because the goals are so different
for every campaign, right? Well, a lot of influencers fuck up bad because they look at it as like,
this is a sponsor. It's like, no, no, no, this is, it's called brand partnerships. This is a partner.
So that means that you need to be on the receiving end of a finance, right? Like, you're making money
for creating content and sharing with your audience.
But the other end, like, the brand needs to see a direct benefit to that or else like,
why are they paying you?
Absolutely.
But people don't understand that.
The brand is your client.
It's a really bizarre thing.
That's like the fundamental miss, I think, with a lot of influences is you're an influencer.
You're in a client services business.
You know, you need to service that client.
And those clients talk to each other.
Absolutely.
Oh, yeah.
I think every agency or every person has their, like, blacklist.
And so when influencers, if you're listening and you're fucking up with brands or you're not putting time into that partnership,
like it's not like that's the only insulary brand that's going to know.
Other brands are going to know and you're going to be listed on.
Absolutely.
And I think the way the marketplace is, I mean, the influencer marketplace, like any other marketplace, it's supply and demand, right?
And I think in the past, influencers obviously, and even up until now, have a lot of power because they just held the power in terms of the supply.
there weren't as many like really good ones.
And now there are so many, so many great influences, so many good ones, so many bad
ones, just so many influences out there.
I think we'll start, we'll see prices go up maybe still for another like year or two,
but then just like any marketplace, I think we're going to see.
It's going to stabilize.
It's going to stabilize and come down, especially as brands start to understand the analytics
behind it more and are not making emotional decisions.
about like a, oh, I've followed so-and-so for five years. I want her. Okay, well, I can show you
this other influencer who has like way better stats across the board, has a lookalike audience,
like if a brand... When people stop buying on like a macro number and artists, start actually
buying on like translation and understanding who has engagement is going to change a little bit.
Yeah. I mean, so many metrics that they need to understand. I'm like a total nerd because I can
get way into like all the metrics behind it. But let's talk about conversion because I
I think for a while brands were looking at the number on people's Instagram following.
Like they were just looking if you had a million plus, like you're in.
I'm seeing a huge shift with that.
I'm seeing brands want to really look at people's engagement and comments.
Can you sort of speak on that?
Yeah, I agree.
I think at first it was just following.
Then the last like year or two engagement has been the buzzword.
But I think that's also really misunderstood.
That's a lot of old.
school marketers, maybe people in their like 40s, 50s who were just desperate to cling on to
one metric to represent everything. So they wanted the engagement rate to represent your ability
to convert how actually engaged your audience was how, like just sum up basically your
influence in one number. Unfortunately, it can't do that. Like you would see people engage.
If you throw up something controversial, you're going to get a ton of engagement. That's not necessarily
valuable engagement for a brand. It's not like, what are the product benefits of the thing that
you're advertising? So I think engagement rate is important to look at, but amongst a number of other
things. I think people are missing the most important thing about engagement rate. Literally
no one talks about this and it's like the 101 is that the engagement rate drives the algorithm
for impressions. So you could have one influencer with a million followers who's getting like
5,000 eyeballs on a piece of content and you could have another influencer who and I don't know
the exact algorithm but it's driven by engagement. You could have another influencer with a
million followers who's getting 750,000 eyeballs on a piece of content. So that's like obviously
like a huge difference and definitely something marketers should be looking at because
follower doesn't really mean anything. It's how many people actually saw the piece of content.
I agree. And then to your point, conversion, conversion typically has been so hard to measure because
think about your own behavior. How often do you swipe up or click a link and buy something on the
spot? Even if you do, it's usually a lower priced item, usually of somewhere convenient like
Amazon. And I would switch from the shonky kind of Instagram browser.
I would switch to my Amazon app and order it through there.
Or how often do you see something and then send yourself an email reminder to go look at it later?
Or how often do you drive by a billboard or open a magazine and you don't even know you're being influenced with a human.
Here's what I talk about.
Yeah, it's hard.
It's hard to sort of find the convert.
I can see what you're saying.
Or how often do you see it on three influences?
And it might be the first one who may be influenced you the most.
But even if you get that direct tracking, it's off the third one and numbers one and two don't get any credit for that.
purchase. So I think brands are super interesting conversion. I think up until now it's been really
hard to measure. But with the introduction of Instagram shopping, like the checkout system,
and now I think it was just yesterday, the day before they introduced that for influences as well
as brands, I think we'll start to see more transparency there. You know what? It's funny because
obviously being doing the dear media thing and like talking to brands in this space,
we're having a lot of the same conversation. What the issue is, and we were talking a little bit
about this. Like someone like me that comes from banner advertising or DR, where we're actually
running traffic to a specific ad and then measuring the click through from that ad to a landing
page and then to a checkout. Like people in the advertising space have gotten hung up on the
metrics because that was their old formula. You could measure that like a very quick, very strict
funnel. Yes. But when you're working with podcasters or influencers and they're talking
about it on the show, like it's not like just a coupon code just because it's mentioned, it may
not be used.
Miondi's is a perfect example.
Like all of us have heard of meandies.
Everybody's heard of, you know, all of these different platforms.
It doesn't necessarily...
Forsigmatic.
The best.
The best.
Maybe I'll put a four-sigmatic in this show.
But all of these companies, like, you know about them.
You're aware of them, but it doesn't necessarily mean you're going to use that exact code
at that exact time.
Exactly.
And so brands need to understand it's not just DR.
It's a lot more.
Absolutely.
And it's cumulative.
The fact that I've heard about four-sigmatic on your podcast, on Tim Ferriss's podcast, on
I might also just remember to pick that up when I'm at Whole Foods and no one's getting any kind of online credit for that.
Those guys are extremely smart with their marketing because they don't get caught up in that whole world of all that bullshit engagement.
They just know, it's very like long form advertising, which is why it's like crushing.
Exactly. And it's a really unpopular thing. But I often have to tell clients, like you have to look at overall lift in sales as well.
At Revolve when we would do the trips, one of the best ways we could measure was literally to look at a product.
So say Lauren, you wore that pink lacy top.
We would look at stock levels on that product five days before and five days after and see that product lift.
And it wasn't through a tracking link.
It wasn't there could have been something else going on.
But we would look at like overall sales lifts, overall product lift.
And, you know, part of it you have to take that leap of faith and like look where that business is.
You know what it is?
Because I've been beating up influencers a little bit.
But it's because agencies and brands are lazy.
And they don't.
And they want a simple number.
the simple thing. They don't want to go in and actually look at a specific product and measure
product lift because it makes more work for them. But like you have, that's the only way to
correlate at all. You have to do that. They're lazy and I think they're scared. What I've learned
is like with a lot of big corporations, let's, so serious influence of money is coming from
bigger, more established corporations. And there are just so many layers of people in between
who don't feel empowered to roll the dice and like take a chance and like look at it,
Holistically, they need to get it down to one or two numbers to put into a report that then gets past, like, up the ladder.
So I think, yeah, I think that the whole industry is a little bit skewed by the obsession on the idea that you're going to funnel everything down into like one or two numbers.
The funny thing is about those agencies, though, they're still the ones that are doing TV commercials that don't work.
Absolutely. And banner, you know, like billboards and print magazines.
but they've told themselves for the last 60 years, like, that works.
And so they'll still do that.
But then at the same time, they'll question a new media that's obviously crushing and working,
but they'll question that.
Yeah, that's what I find so bizarre, because how do they measure a billboard to that degree?
But they want the most insane amount of trackability on an influencer.
They don't.
It's crazy.
I would love to know your opinion on different mediums.
Like, where do you see attention going in the future?
I mean, I love podcasts.
I think this is something you talk about is that this time is the ultimate commodity these days.
And the fact that you can listen to a podcast while you drive while you do your makeup, you know,
it's essentially like giving people back the gift of time.
So I think podcasts are really important.
But I also see the space becoming saturated really quickly.
I think with everything that Instagram's implementing, it's really cementing itself is here to stay, right?
Like they almost introduce a new product to take on every single competitor.
They put stories, you know, booted out Snapchat.
I think with the introduction of shopping, it really concretes itself as like a platform,
like a Google that's like here to stay.
Obviously for the next generation, YouTube is such a big space.
And then I don't know.
I think there's all these other, you know, like TikToks on the rise now.
There are these other things that will come and go.
and I think as a brand you should engage with them in a small way and really creatively.
Like I saw brands typically have a really hard time working with Snapchat.
It's not like set up to its work with influences as easily as say like an Instagram.
But IKEA did a really interesting campaign with these YouTubers.
They're called like Superfruit.
They're like this comedy YouTube duo.
And they really had to, IKEA had to partner with Snapchat to build out this gaming
functionality where it was almost like a choose-your-own-adventure of like decorating your dorm
room college. So I think it's definitely good to play with those new platforms, but I think
podcasts, Instagram are here to stay. I'm a little bit, I want to know what you guys think about
blogs. I know everyone's like, own your email list. Own your blog. I just still think it's so hard
to get people there. Well, yeah, well, I think it's hard to get people anywhere, right? Like,
What I always firmly believe in, whether it's YouTube, podcast, Instagram, blogs, emails, is, like, talent rises to the top, right?
Like, if you have the chops to use any of those mediums and reach an audience effectively, like, you will be seen.
Where people get saturated, it's like maybe they're kind of like phoning it in or half-assar.
Or maybe they just don't have the talent to be on a medium.
And so that becomes very difficult to, and effectively.
But we know, like, I'll just shout out our friend, like, her name's Katie, she has a blog and a brand called Wellness Mama.
she has one of the most powerful email lists ever.
Like she is consistently driving traffic for massive brands like Thrive and Foresematic
Top affiliate.
If you looked at her on socials, she's got a couple hundred thousand followers.
She's doing great.
But like that blog and that email newsletter because they've done it so well and they understand
the format and they serve that audience, it's very effective.
Now somebody that's like, hey, I'm just going to start a blog and create kind of like a
half-ass newsletter.
That's not going to move the needle.
So I think you really have to plant your flag on what you're going to be effective about and what you're going to spend your time.
Also what I'm hearing, I feel like it has to be a resource.
I think it's a full resource. She's a full resource. I even think it's skinny confidential. It's a resource versus pure inspiration. I think the blogs that are just inspirational.
Am I going to do that?
Got to have value. Got to have value. It can't be constantly be. It goes back to time. Don't waste anyone's time.
Don't waste anyone's time. And it can't constantly be a push. So many creators like push. Like look at my product.
Look at my brand.
Look at my email.
It's like you're pushing something.
Or look what I'm wearing.
Look at me.
Look at what I'm doing.
Look at my nail color.
No.
What is the value for the audience to take away and actually do in their own life?
Like there's got to be a resource.
I agree.
I also think that is probably the number one way in which most influences go wrong.
Instead of this look at me mentality, it should be how can I serve you?
My audience.
It's the number one mistake.
And like now kind of I've been on both sides.
but being on the Dear Media side, like when podcasters come and said, hey, I want to do this, how am I going to make money?
It's like, no, the answer, and I've said this 50 times, the question that you should be asking is, how am I going to serve valuable content to my audience?
How can I serve my audience and how can I bring them value?
It should be audience first, then yourself, then brand last.
And I always say that because if you do it that way, everyone's going to get a benefit.
But if it's just pushing something for yourself, people are going to be turned off.
I say this all the time, but I just think it's really important to reiterate.
I did not make $1 for three years, not $1 in my bank account. I did it every day for seven days a week.
Now, you got it, you can't go into it looking for money. It's like going into a relationship.
Like, you have to, you have to really refine the intention. Absolutely. And I ran a business for
nine years. I put myself on minimum wage to reinvest the money back into the business to
take, you know, to resist taking outside money for as long as possible. Basically was
on minimum wage for nine years.
Money is an element.
It's not the foundation.
No.
It's an element.
Exactly.
And I think that's ultimately where entrepreneurs thrive because they're prepared to take
that risk and they don't want that immediate payoff.
I don't know if I've ever even said this on this podcast, but to this day, I've not
taken a single penny and salary from Dear Media, not one, not one dollar.
And I'm the CEO of the company and I operate it every single day and I'm here nine to six.
And I still take your pennies from you.
Yeah.
But I, not one.
You're getting it from all angles, me.
Not one dollar.
problem. Not one dollar out of this company. I put it all back in, give it to the team,
to build the company. I think people should understand, like, the intention here is to build
this amazing platform and like sacrifices need to be made to be able to do that. And I think
that's where it comes back to coming from a place of passion and creativity because you couldn't
come in here, you couldn't come in here and not make money. Fuck no. No, you just genuinely
enjoy it. It drives you. You know there's an angle where you're going to make a lot.
lot of money in the end, but you're prepared to sacrifice in the interim.
Book resource podcast that you can recommend to our audience that has been life-changing for you.
Oh, life-changing.
That's a big one.
Could be life-changing in business.
Do you know what?
Oh, 12 hours in 12 weeks.
I've just read this book that all my mom friends swear by to get your kid to sleep for
12 hours.
I can't vouch for it yet.
Sign me up.
But everyone says that works.
So that probably hopefully will be a little.
life-changing. I don't know. I've also swung back to reading fiction again. I think it's, I'm so,
I'm so similar as you guys. I'm like reading all these like business books, productivity books,
etc. And then I think there's this part of your brain that also needs to just be subconsciously
stimulated. So the last book I read, I reread Catcher in the Rye. And I'm like,
great book. It's a fucking great book. Why don't I ever do this, you know?
Nostologic. So nostalgic. I'm going to come up tomorrow morning and on our dining room table is going to be
catcher in the rye from him. I know him so well. He's got, he's already blacked. I know him so well.
It's on our bookshop. You know, but I think that's smart. Don't even have to wait for Amazon Prime.
It's there. It's smart though, because I think, you know, we like to read some of those books, too,
but I am constantly reading fiction because you need to disconnect. Yeah. And you still learn stuff
from fiction books. I think you learn so much. You just don't even realize. You also need to,
like, you need to be out of sit at a dinner party and be an interesting person. Not only business, business,
business, like that, I don't know, I think abstract ideas come into play in business in the most
unexpected ways. So I'm always, I'm just such, I just love people. I love, like, talking to
anyone and everyone. I think you learn so much from different people and different experiences that you
do all absorb and kind of mix it up into your own. The most attractive people to me are the ones that
you think you're getting something and then they'll just randomly bring up a topic or a subject that
you'd be like, how the hell do you know about that?
And it's, you know, then you feel dumb for thinking that they wouldn't know that.
But that's so interesting when you just think you're going to get something and then they just completely something else.
I love anyone who knows about something specific.
It doesn't matter if it's like, I just say you're just got to be the best at what you do.
It doesn't matter if you are on Wall Street or you run a laundromat.
Like if you know that ins and outs of like running a laundromat and like the chemicals that go into that and like the best way to get the stain out of it.
I'm just fascinated by that.
So you and Michael should have a conversation about salsa.
after this. He can tell you all about salt.
I did. Get stains out?
I read a book one time only about the history of salt
in the world. Yeah, I love it. Super interesting. Salt
used to be worth more than gold.
I believe it. That was like if you had salt
on the table, you were rich.
Give me anything. Just don't give me boring.
Where can everyone find you pimp yourself out?
Probably the easiest places on Instagram. Just Rachel Zellick,
R-I-C-H-E-I.
And we'll leave it in the show notes. You are hilarious to follow on
Instagram story, too.
I am.
Yeah.
Yeah, great follow.
And website?
No.
No, just Instagram at Rachel Zellick.
I like it.
Yeah, maybe I need to start a blog.
I don't know.
Maybe.
A resource.
We'll have to do a roundtable with Rumi.
For sure.
We love getting very specific.
We'll get very, very, very much.
We don't know if we need Michael on this episode.
We don't need to hear thoughts on salt.
Also, I feel like you guys can pick my brains on anything pregnancy related because it's
Have that baby.
I'm an open book.
And then take us to Australia.
Yeah.
And then we can pick your brain about babies.
Exactly.
Michael will pick your brain.
We're ready.
Lock her down.
Thank you for coming on.
Thanks, babe.
Hey, hey, hope you guys love that interview.
If you want to win some cute pink TSC stickers,
leave your favorite part of this episode on my latest Instagram at the Skinny Confidential
and someone from the team will slide into your DMs and send you guys some.
They're so fun to decorate your notebook or your laptop or even your.
phone or your hydroflask. They're cute. Anyway, as always, we appreciate your attention and we'll see
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