The Breakfast Club - Beenie Man & Rip Micheals Talk 'Wild N' Out Live Tour, Dancehall Culture, DJ Envy Vs. DJ D-Wrek, Safaree's Breakfast Club Rap + More

Episode Date: June 27, 2026

YouTube: https://www.youtube.com/@BreakfastClubPower1051FMSee omnystudio.com/listener for privacy information.

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That's right. And this today's episode of Breakfast Club is sponsored you by Wampan. Michael. We've got a lot at the Barclay. This Sunday. We just had Young & May here. That's right. Now Beanie Man is here as well.

Beanie Man. How you feeling? I'm perfect. I'm feeling well. Yeah. I got my tie on thing. Yes. Yeah.

Why have your tie on? today? Um, it's just a swark. Okay. I love it. Right? Mm-hmm. I'm gonna start telling people, I love it.

I'm doing perfect, man. Cause you are, right? Like, you know, whatever God got playing for you and however you're moving. Yeah. Yeah. We got to make you a perfect life until you ready to you know. Hmm.

Hmm. I told you, I make a name. I want that. We all understand. We all right. We all right. Salute to Beanie. I reached out the Beanie a couple of weeks ago.

The first time I went to, uh, what part of, what part of Jamaica? What you tell the story? Every time Beanie. Man, come on. Don't. You just went? I just went.

I just went last week. He held you down. We know, we know. No, he took me to this. Love me. A bad man save you alive. Go ahead. We was in the hood hood.

That was in the hood. He was in the hood, no. All you change, go ahead, he took me to this amazing place to eat. It was on the beach. It was beautiful. It was just a reset.

So when I went there last week, I reached out to him, but I wanted to go back to that. because it was just a beautiful place and it was crazy yeah yeah it said he looked out for you no he wasn't there but he still looked out I was just saying thank you because he introduced me to that place and I was just thought he was beautiful and he went back and he went there nothing more nothing less I wasn't there that's all I was yeah I did that made that something else I think I was yeah in America

how did you become the headliner for the wild and out for at Barclay I don't know Beatty, man, how? Repairs his ways. We're past his way. I don't know. I just get that call and somebody that said, why don't know?

Man, say, why don't it? And I said, why don't it? And I said, yeah, we're doing it in the blocklers. We need you. I'm like, okay. So send me this much right here, and I'll be there. I felt like we need it. I felt like, you know, for the long as a while now,

two men going, we never had the Caribbean headlined. And we've got this show, but no one has ever headlined the, uh, We went out of live too. And I was like in Brooklyn, one better way to kick it off, Caribbean and Harrierich, Mike. But the king of Danfaw.

Brooklyn at my place still. Brooklyn is my place. See? Yeah. But I said, I'm in my place still. So a long time we've seen me still. So we really like it still. Some people just go over there still.

I'm going to do something still. So you see it? So how old I go talk to Nipp on the phone, you see it? And I tell them said, my half a dead, you see it? Because there's a clash thing and you see it. And yeah, it's eight. Right on.

How are Jamaica's in Brooklyn? It's a clash thing. It's a clash thing. But how many people are gonna jump Nick Cannon? Because you got Beanie Man versus Nick Cannon. You got the Knicks versus Nick Cannon. How many clashes are you gonna do? So I understand this.

So Beanie Man, I didn't know how funny and hilarious Beanie Man was. I thought you were just gonna be a clothes on the show, yeah, yeah, yeah. He was like, no, I came to murder. Everyone, Nick shot fire. I was like, so now it's the King of Danceaw versus the King of Kids.

So I think that. He said, he said, I can't. Beanie got a lot of kids to him. I got a lot of kids too. Yes. What song is Nick going to perform against Beanie Man? Jigalai. No, he's playing the games.

That's what the boy is going to say. Beanie Man can actually freestyle and Beanie Man got barred. Literally, he was on the phone. He was just like, he's killing Nick. King Kyle got nothing in me. What are talking about? King Kong got nothing under King. What you're talking about?

Nick. So we're ready. So is he going to be a team captain? Yeah, he's on the other side. He said, I don't want to just perform. He said, I want to go ahead. He said, we clash and he's like, I got to go. No, you see, I love the show.

Me love the show. I love the show. I like the vibes. And this man who like happiness and me like have fun. And be on a stage like that and having fun right through, comedians giving joke and thing, man are chore, care to you are show, but care up on the next man, man, freestyle, you are freestyle.

I love that thing. I love it, love it, love it, love it, love it. Because I'm a dance artist and I come through clashes. Because right through my life, you know, sound clash. I am here from the 80s. See, come right through the 90s with clash. Me and Buntykiller clash. Me and Cape Breton clash.

Me a ninja man clash. Me, he's just clashing right through. So it's part of my whole entire building up, you know, to become the man that I am today. So without clashes. I'd just be a normal artist, but I am not an normal artist. And this nick them no knows him

he's not an normal artist. Because me freestyle for days right through, you see? Yeah, I don't know the American race and the American style. I'm not a rapper, I don't do that thing. I'm a dance-all original foundation DJ. That's what I do. Is Clash still as big now as was before? Because I don't see it as much.

I don't see the excitement no more. Well, you see, um, the... There's no more shows. That's the problem. So that's what I'm trying to bring in back my show. You know? Some sisters, which I'm doing August 15th in Jamaica. Because there's no more shows.

You know, there's no more sting. There's no more reggae sunsplash. There's no more ram jam. There's no more shows. So the clash kind of becomes an, we call it, a internet game. So any man who I clash, no, they clash my record. Me sing that song there, you sing that song there. that song they're you sing that song but there's nobody going on stage saying all right

come here you go have a clash is that because of money or there's a charge too much money is it's not really money you know it's because you have someone bat behind your back but when them come in front of you is a different thing you know so you have some artists where i don't think them them like the face-to-face clash i think them like the the online clash because online clash it's not really gain the money you know sell no record They just get people just listen to the song and say, hear the new song, Mr. Man, dropped today. And then you hear the new song, Mr. Man,

you know, Mr. Man, I come out to that new song tomorrow. And that's what trash is now. But you like the confrontation. But welcome, you understand. Welcome it. Welcome, he'd be ready. Welcome. Yeah.

He was ready right now. You see, music without, all right, you see, when it come to competition in music, I think it makes the thing nicer because the vibes get different. Because the vibe different when you're a DJ on stage. Of course, you know, you rock the crowd, you rock the audience, everybody feel good and go over. You're a big show.

But when people hear you are freestyling in a different way, in a different way, it's just wicked. Because I really like to close the show, you know, just close the show and just be nice and got me heart. But sometimes you have to get involved, you know? Yeah, you have to get involved. Sometimes you have to change the vibe, change the narrative. Yeah, you're a judge, you know.

It's not all the time you just want to see us or every minute they just see us. You'll walk up and say, yo, not go mash up the place and you just come mash up the place and come off the stage. No, sometimes you want a whole life is you want to draw. You know, sometimes you just want fun. Yeah. You know, Barclay is about to go up. Oh, it's about to be crazy, right? I did think that, like, you know, what we're doing now with it because we need to be, you know,

We're bringing it back. And then when I was at the Netflix, a joke, and I was like, you know what? We really need to bring it back. Because it started, the tour started Amazores. Started right there in Queens. So I was like, you know what? How do we make it better?

How do we come back to the Barkner Center? How do we just infuse everything and just make it the biggest thing ever? Because I just left with April Fool. And I'm going against DREC, number one. And then we got Nick. I am not going against DREC. Wait, D. D.

The battle of DJs. No, it's a bad. Now, you're always putting people against each other. And Boosie said he ain't doing it. Yeah. I don't know what happened with that. Bootsie said he never knew what happened with you began with. He had agreed.

No, Bootsie agreed with both had money and everything. Knowing that Charleston White will be there. No, no, we took all that off because they were both like, hey, then it turned it to something. We want a whole bunch of money stuff. And I was like, oh, okay, cool. So both of them no longer. No longer.

No longer. No longer. No longer. But I'm not battling DR. D. REC is opening up for me. It's not a battle. He's opening up for me. And DJ D.

Cut the beat, dig it. Ooh. You scared him. It's okay. I got Derex. You're scared? No, I got envy.

Even though I'm on the show, I got envy. I've seen him in the trenches. Ladies and gentlemen, he's opening it up for me. Will they be on the same time? Yes, they will be on the same. That sounds like a battle, envy. He's going to be first. He's going to, oh, he's going to go with the crowd for me.

We got a DJ set up here. We got DJ set up here. Then he's going to introduce me and then I DJ. You know why I got DREC? What Beanie was saying? Like, he's DREC still being the midst of confrontation and competition. Like, you don't be doing that. When the last time you went head up with somebody?

He don't got to do that. And I battle? Yes. I mean... He don't know how to battle. It's in the 90s. But do you be hearing his transition and his mixes?

Don't say nothing. Stop playing with my man, Joe. I do this for a... If y'all do end up battling, though, can... We need to see this. People need to see this because they need to stop playing with you.

Got a stream this. Yeah, it is going to destroy it. So you got so many people, Neon come on with you. Send me the video I'll post it. You got to come. Oh, you got to train with your talent. They definitely got to do that.

Are they playing with your talent? They are. Yes, they are. They are. They don't know. They don't know. I know. They don't know.

They're playing with you. They play with you. They play with you. I know. Everybody just start slapping them for me. Embly. Come on now. Drek is a wicked DJ.

No disrespect to you. But this is DJ Envy. Yes. What did I mean? Back in the game. You can tell me. Stop. Just let him go.

Just let him go. Just let him go. Just let him go. So yeah, it will be a DJ thing right here. Right here. Oh, you got DJ over here, DJ over here. We set it up like a real battle. And I think that's the episode.

We go to kiss somebody. But it's all the funny game. You know, people are like, I have fun. We just go kiss somebody. There you go. Oh, yeah. He's going to kill somebody. I thought you said kiss him.

I was like, wow. Why are you thinking? Why are you thinking? What? What? What? I thought you said. You know what about about me?

I'm done. I'm done. Get out here with all that, man. He's not going to play in the Kingsman. I'm not. It's Caribbean Pride Month. What are you doing? What are you doing?

What are you doing? Turn my microphone. I want to ask you about dance all, right? Has dance hall become more global but less Jamaican? Well, dance all have never been less Jamaican. Because if you come from Africa, you're a DJ like a Jamaican, you're doing Jamaican. So, you know, make it for real life, say, you don't have to be a Jamaican to be Jamaican anymore.

You see? A man can come from Jamaica Queens and tell you say, a Jamaican come from where I'm to you. But Dan Sal is more global and I love it. The reason why, if you do something and nobody don't do it, it never good in the first place. You get to me and say, so if the world want to adapt to your music

and deal with your music and put it out there, you know, becomes a part of it, I really appreciate it. you know but it's never less jamaican because we're always here and we're still there you get me yeah i have a new album working and it soon finished so i'm going to put that out then you know you have other artists have other album come come out and other artists have other song release but you see music is music you have jamaican that do hip-hop you have jamaican that do rmb you have jamaica that do afra beat you have jamaican do every different type of music but if somebody do that means is very important for you to continue doing what you're doing because you're doing something good.

How do you protect the dance hall culture while still wanting it to evolve and continue to grow globally? Well, what you do is be yourself. You see, as a dancer, I ought to say just be yourself. You do what Jamaican do. You do what dance all do. You keep yourself in the right way where you're supposed to be, you know? Because if he's a raster man, you just be a raster. If it's a ballad or a magula, you be a ballad or a magala.

You see it. So you're just supposed to be the artist that you are every time. If a man knows say, him expect roots and culture from you, you give them that. You know, I'm not saying, I'm expect girl chun from you, you give them that. I'm not saying, expect badness from you, you give them that. So you just be yourself and keep yourself to where you're supposed to be at. Then you have some artists that do everything. Because me do culture, girl, bad man, tune, everything.

Because I'm just a dancer artist. That's what I do. music for people that love music. So we have all different type of set. So we have the girl set. We have the gangster set. Then we have the culture set. Then you know, then you got the mother set. Because you have big women and listen to music. Them like for your clean music. So you know, you have the party where you do too. And then you have a part with the girl that one broke out. So you make them broke out. You know, that's how it is. So that's how. And all you protect dance also is protecting you yourself as the artist you know you have to know say you

you get your rights you get um you control your masters all of these things you know protect yourself and cause since a late everybody wants to do over some being a man classic every a man called me this minute him want to hold a man called me next minute him want to wicked slum a man called me next I mean it to more to something else I'm a beginning on, catalogue. So you know,

say, it's still going on and it's still happening and people still want to hear. That means, yeah, they're there. Canadian women are looking for more.

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and the most unfiltered conversations. Listen to Drink Chams from the Black Effect Podcast Network on the IHeart Radio app, Apple Podcasts, or wherever you get your podcast. How do we get dancehall back to where it was before, right? You remember one time, you would hear Jamaican music or dancehall music on radio, right?

You would hear it entwined with everything else that's going on. But now it seems like it's back. to a specialty thing where you're only going to hear it Sundays at 9. So how do we get it back to the point where it's just part of world music? Yeah, I think, alright, you see, back in the days when all of us used to have contract, remember them time? You know, all of us who see have contract,

a man signed with Sony, I'm on saying, a man signed with Virgin, I'm an man signed with that. None of that not happening again. They get to me, I said, and then the contracts have late, we don't like, see them, them don't sound attractive or look attractive. You understand? So I think that's where the music get a beating because there's nobody working the music,

like how they used to work the music. So right now the music has been working by artists or by, what you call it, internet or social media. The algorithm. But there's no labor there, no machine. No labor there, no machine, not there behind them for press gas. Yes, I think that's what really happening right now to dance and music. We need that power, you know? Yeah.

Did your first time performing at Barclays in Brooklyn? Yeah, my first time. Really? Yeah. Yeah. Yeah, it's gonna be here. I did UBS. I remember you to be a small island?

Yeah, I never did Baxter. Wow. What's amazing about that is, it's a lot of people that claim to be Jamaican by way of Brooklyn. So how you feel about, you know, different people in different cities and states? Like, embracing your culture.

Yeah, but you see, Brooklyn is a place for dancer, like from long, long, long, long, long, long, long, long, long, long, long, long, long, long, long time. Long, long, long time. Yeah, yeah. Lack, long time. Brooklyn had dance all from 70s, you know, from, you know, from the 90s, them just a bill and, you know, every 50s just a bill up and all of these things. church of new and all of them things. So you have, you know, you have club legend and all of them club.

Come up back in the days. So Brooklyn was like one of the first place I've been to a new year in America. It's one of the first places I performed at Brooklyn. Yeah. So I really mind town, you know. Yeah. Remember that's what I know. Yeah.

One place I can't just go walk. Remember one time I was on the parkway and, you know, This I said, I got check my friend of an ocean and jump out for the truck like a madman. And I find out a run board, too black. The people just come out for the park where I see me and just go to what that. Me, my friend guy in our building, go like him. So, Brooklyn and place. You know what I do?

You know, he jumped off the truck. He jumped off a truck like a madman and he got hit by a car. What about the ocean? Didn't he? What about the ocean? You were over there living like the ocean. I get off my life. Don't be broke,

Lennon, bridge. Shut up. He jumped off the truck. I get off to Chuck before I supposed to get off the truck. And everybody was coming

off the parkway. And then they saw me. And went crazy. And went crazy. Wow. So I have to run two blacks up the road. Deep in our house,

shut down the shadow the medical police to take me out of that building. Oh, damn. You just ran in a random house? Yeah. Yeah, I just running. They had to get the hell out of it.

They knew you? Yeah, the door was up in. So I just pushed. They was up there by the wellbeing, man. And they pulled on the shutters because everybody started to get crazy. It was crazy. Yeah, and it was the Labor Day thing. Labor Day, East and Parkway.

Yeah, it was a lot of people out there. So I was on the VP truck. Mm-hmm. V-P boat, yeah. Oh, VP, yeah, I forgot about it. Yeah, you're over here talking about the ocean. They didn't say, none by no damn ocean. He didn't get hit by the phone.

No, I know, I know. I went to check a friend by Ocean Avenue. Oh, Ocean Avenue. I was going by Ocean Avenue to check a friend. And then I after took off, man, was wicked. But Crofton, it's nice. I love when he talked. Like, we all lean in, like, story-times.

He's interesting, because when he wants you to understand him, you will. When he don't want you to understand him, you will. He just be. You're going. Yeah. I'm Jamaican. Yeah. So you can't be like, man, you know what's going on here?

With that, it's not really. That was ruined. He was not playing. You can't be doing that. You can't be doing that. Beard him, man, why you're twanging? Stop. Stop.

So, yeah. So some time I have a good, Raja, some time I'm for nice stuff looking. Yeah? Why you didn't have Safari go up against Beanie Man? Yo, shut up, man. I'm fighting you right now, man. Really, this was really important to me because I used to host squads.

I used to hold Venus or Prince, like in a lot of those things and those Jamaican clips. I remember saying Beanie Man. Safari. He's playing with you. He's playing with you. Wow. Keep playing with you. Lippin on any beat.

That's an adaption. Don't play with Beanie, though. Don't play with Beanie. You're going to play his rap now? Losing my breath, springing it back in. No. What? What?

Anyway, this Sunday, what time the doors open up? 8 o'clock, it's going to be iconic, man. We got so many different things, so many surprises. And the actual wild-in-out auditions is today. So we got about 5,600 people that actually over $5,000 a minute and it's going down a day of Harvard. He's still trying to figure out Safari. It's so confused.

So get there early. It's going to be crazy. It's Safari. Ooh, you're scared, Vini. Yeah. You ain't want to bring them out. No, stop. You don't.

Stop playing with it, man. Please do not. Let me do not. Anyway. Get there early Put on the beat You put on the beat Put on the beat

Free style Okay, what beat? What kind? Can you play a beat right fast? Are you saying Is he gonna be there? You know pretty Yeah

Yeah She would have Yeah, so he would have Let's go Beanie, like let's go What she would be like I'm playing with me right Yeah

They don't understand They don't understand Like when he gets crazy You don't know what I mean you drive the fucking and you go, Oh, nah, nah, nah, nah, nah. It's gonna go crazy. I already know. The whole crazy.

It gets crazy. Oh, my God. I can't believe. No, maybe play Safari bus a blank now. So shut up, yo. What? That's not messing with rum and red bulls stop playing. This one he'd be like,

Oh yeah, he do be doing that day. No, stop, stop, stop, stop, stop, play the instrument for Beanie right fast. Stop playing that. Bini, he don't even like Safari bars. I don't know why to fucking you like. I don't know why to fucking. Okay.

Jesus Christ. Okay. These people plan me. So me ask em, where the B, see this? Who tell them for stop this? Come on a dystagram, my artist, Fas'uoli, or automates.

Star up all my anger when of the phosphat and my wrought this, and my old cannon and we turned down into the lame out, them clotted. Sim cross the ocean, me Moses, and we parted. Then I know my gun faction and my gun supermarket. Gun them in a barrel, let's shit them out in a basket. Baskin, listen when the DJ are talking, Walandi, Faso, you know,

you know, said that a man of the boy, monga, me, joy, buy, me shoot up your car in, in my later smuggle, um. My shot in my first, right, nine, me gun on my road like thunder. Your body's speaking, and a lead, bus in a sunda. Can't chat to me because you're

motelie think like Dunder, have you, a dick, a hard, like it a plunger. You see, man, big gun, and you are wander on a thunder, shatter flying, now you five you like some new Toyota, Tungia. Oh, yes! That's good!

Burlington! We're going to get it. Beanie man. Beanie. This Sunday. Why else is performing this Sunday? Safari. Oh my God.

We'll be outside. Safari will be outside. On the t-shirts. Who else is performing this Sunday? Oh, my God. Young and May. Who just left us? You got young and May.

You got so many different people, man. Yeah. Get there early. Get there. I got people that we didn't even announce. We got stream. Okay. Adrian Brone are coming.

Oh my God. Is he coming. Yes, he is coming, and the great thing on their page. And Nick's coming. So it's just going to be a huge. The Knicks will be a lot of fun. If you haven't got your tickets, get your tickets.

And we'll see you on Sunday. He will be headlining. He will be headlined too. He's about to kill it. Don't be out there looking crazy. That was effortless too. That was going to do that on Sunday. He was like, he was going to be ephalous.

He was like, yeah. He was going to look crazy. I'm talking real proud about you. Don't worry about. That's my guy right. That's my guy right. We go all the way back to like 19. My guy as well.

It's the breakfast club. Good morning. We'll see y'all on Sunday. Beanie men. Blessing. That's fine. It's that time to put on your jersey and wave your flag, whoever you root for.

Why do I watch the World Cup? That's like asking me, why do I breed? And it's beautiful. The guys are young and cute and fit. It's not just a game. It's your culture. I like watching it with my dad. It's a connecting force.

From Futuro Studios, I'm Fernanda Chavari, and this is American football, a show about soccer culture in the U.S. and its underdog roots. Listen to American football on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. Joy is essential and it's also elusive, but now there's a new and exciting way to start your journey toward a more joyful existence. Joy 101. It's a new podcast hosted by me, Hoda Kotby. If you're craving inspiration to maximize your joy, tune into these candid, uplifting, and moving on-air chats. Open your free IHeart Radio app.

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Simplest Explanation. is usually the right one? We got you covered. Wondered what chaos theory is ever since the first time you saw Jurassic Park. Well, come on down. So distill a nice pot of tea, everybody, turn down the gas on your Bunsen burner,

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Everybody wanted to be Beyonce at that point. I don't think we'll ever see another beyond. What does it mean to be black and eat in America? You will never make me feel bad for being a black girl, for being a black American girl, ever. From music to food, to the conversations shaping black culture right now, therapy for black girls is bringing it all to the mic. Listen to therapy for black girls on the IHeart Radio app,

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