The Chris Voss Show - The Chris Voss Show Podcast – With a Mind to Kill: A James Bond Novel by Anthony Horowitz
Episode Date: May 24, 2022With a Mind to Kill: A James Bond Novel by Anthony Horowitz Internationally bestselling author Anthony Horowitz’s third James Bond novel, after Forever and a Day. It is M's funeral. One man ...is missing from the graveside: the traitor who pulled the trigger and who is now in custody, accused of M's murder - James Bond. Behind the Iron Curtain, a group of former Smersh agents want to use the British spy in an operation that will change the balance of world power. Bond is smuggled into the lion's den - but whose orders is he following, and will he obey them when the moment of truth arrives? In a mission where treachery is all around and one false move means death, Bond must grapple with the darkest questions about himself. But not even he knows what has happened to the man he used to be.
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Today we have an amazing author on the show.
He's very prolific.
He's written a lot of different books.
His new book that's coming out is called With a Mind to Kill.
This is an official James Bond novel. Anthony Horowitz
is on the show with us today. He is a New York Times bestselling author as well. He's one of
the most prolific and successful writers working in the UK and is unique for working across many
media. Anthony is a born polymath, juggling writing books tv series films plays and journalism
he's written over 40 books including the best-selling teen spy series alex rider which
he adapted into a movie it was released worldwide in 2006 uh the alex rider series is estimated to
sold 19 million copies worldwide and his highly anticipated novel Oblivion, the epic conclusion to the
Power of Five series, was published in October 2012.
He's also an acclaimed writer for adults and was commissioned by the Conan Doyle Estate
and Orion Books to publish two new Sherlock Holmes novels.
The House of Silk was published in November 2011, was internationally lauded as the top
title this autumn. And we'll get right to the point here. Welcome to the show, Anthony. How are you?
I'm very well, Chris. What a great pleasure to be talking to you.
Thank you much. Thank you much. We certainly appreciate it. We'll have the book in the middle
of the final production of the show, but I'll go ahead and hold it up here on screen.
So give us your plugs, your.com, so people can find you on the interweb
well I have my own website which is
anthonyhorowitz.com and that's probably the best place
to find me but I'm also on Twitter as Anthony Horowitz
and I always reply to anybody who gets in touch
with me there and you know all the various
publishers have their own different websites
actually it's quite hard to avoid me on the internet
I think to be all over it
well there you go, that's a good place to be on the internet, hard to avoid
by the way his book will be coming out May 24th I think we all over it. Well, there you go. That's a good place to be on the Internet. Hard to avoid.
By the way, his book will be coming out May 24th, 2022.
And I believe you'll hear be hearing our podcast on that date about this.
So how many James Bond novels have you written so far?
Well, I actually ended up doing three, which is really quite extraordinary because the Ian Fleming estate, when they decided to sort of, you know, redo Bond for the modern age, had the idea that they would hire one writer to do one book
and they would keep changing it.
So Sebastian Fuchs had the first one.
I think that was back in about 2000 or 15 or so.
I can't remember now, but that was Devil May Care.
And then there was another one by Jeffrey Deaver, an American writer,
very, very good American writer,
who wrote a wonderful book called Carte Blanche.
Love that title, incidentally.
That was then followed by William Boyd
who did Solo. And then
they came to me a while
ago and
my first one was Trigger Mortis and they came
back for seconds and then for thirds. So
I'm a three-time
Bond writer. There you go. Well, that's
pretty good. Maybe you'll have a good 40-year
run like the series. I don't know how long it's been.
I don't think so. This one is my last. I think
I'm done. One, two, three, and I'm out.
Well, there you go.
So tell us, give us
an overarching view of this book
and what's inside, or tease out what you can.
Okay, well, I mean, this is
set in 1963,
so anybody who's read Bond will know that he's
getting on a little bit by then. I mean,
it's towards the end of his career. It takes place, in fact, just a few days after his mission
in Jamaica finishes. And that was written by Ian Fleming under the title of The Man with the Golden
Gun when he was sent to assassinate Scaramanga. And what happened to him was that he returns to Britain and is persuaded by M to infiltrate Russia, to go into
Cold War Russia behind the Iron Curtain to try and discover what a mysterious new organization,
a successor to Spectre, is planning. And the way to do that is quite complicated. He has to pretend
he's been brainwashed. He has to pretend that he is a Russian agent. If you've read Man with the
Golden Gun, you will know that in that book, he was in fact brainwashed by the Russians. Now he has to
pretend that that brainwashing has still worked. He has to go into Russia. He has to pretend to
be a traitor. He has to find out what is going on, what is being planned by this organization,
and he has to stop it. Ah, there you go. There you go. Russia, the old style of Russia.
As it turned out, having the Russians as the sort of bad guy to this book was, I'm afraid, Ah, there you go. There you goain falls and the Berlin Wall comes down.
And then, of course, you get this sort of this return, if you like, to sort of Russian imperialism, Russian supremacy, which is what we're now seeing.
So the book does fit historically very closely into what I think is and has happened in Russia and in the world.
Yeah. I mean, you know, those Russians are always up to something.
Well, I try not to think badly of a whole country
or a whole race of people.
I mean, it is sort of a,
but what you say, I'm afraid, is true.
That, you know, what we're seeing now
is sort of worse than anything
you could possibly read about in,
you know, in any work of fiction.
It's just so terrible.
But that said, you know,
when the book,
when we realized that we had this sort of,
you know, this war happening at the same time as this book,
I had to remind myself and my publishers and my readers that the world of Bond and Ian Fleming is not the real world.
We are in a sort of a fantasy world, a world of adventure and excitement.
And this book is not a political tract. It is just an adventure.
Sure. Yeah. James Bond. Bond.
With the Bond books, I
suppose you have to disconnect yourself from the
Hollywood characters in the Bond books.
Is there a Bond character
that's in movies that people should
reference? First of all, Chris, I would have to
tell you that the Bond hasn't been
played, as far as I know, by many Hollywood
characters, as you say.
I mean, Sean Connery certainly wasn't at the beginning of his career.
He was very British.
And so, of course, was Roger Moore.
Of course, they went on to become Hollywood superstars because that's the power of Bond.
But, you know, when I write Bond, of course, I'm thinking of the movies.
How can you not?
I mean, you know, the heart of the world has seen a James Bond film.
It's an extraordinary thought that.
And I always sort of think that I'm sort of,
I see Daniel Craig when I'm writing Bond and I hear Sean Connery.
And that's the character who appears in the books.
He's got a bit of both of them, but also, you know,
there's never been a bad Bond and every single Bond has brought something to
the screen that I've, that I have sort of in my own way,
sort of borrowed and added to my character.
That's pretty good. You get a compilation maybe of all of them.
I didn't think I'd like Daniel Craig as a character when they named him.
But, yeah, wow.
I don't know.
I might have a hard time thinking he's the best Bond ever.
And I was a huge Sean Connery fan, still am.
I think he played the role really well.
I think both him and Craig are my two strongest people that I like the most for their role.
But yeah, the voice of Sean Connery, oh my God.
It's just a powerful voice.
Yeah, with that voice I hear.
I'm also a big fan of Pierce Brosnan and Tim Doolittle.
They did a great job too.
For that matter, I always liked George Lesson.
I thought he was great.
And Roger Moore, I grew up with.
That's, you know, I think you can tell.
Your favourite Bond always tells you something about your age.
Because, you know, I'm of the age that it had to be Sean Connery.
Because I still remember being a little kid and seeing Doctor No at the movies when I was about 10 or 11 years old.
And being absolutely blown away, both by, well, obviously by Sean Connery, but even more so by Ursula Andress.
You know, this was everything that wasn't in my life glamour good weather great food
beautiful women and excitement i mean it was it was like it was like landing on another planet so
sean connery has always had a very very sort of close place in my heart when it comes to bond
but they've as i say they've all been good and casino royale with daniel craig is is one of my
very very favorite movies in the whole franchise.
Yeah.
I think I loved him.
I think I loved him.
That sounded weird.
I think I loved him the most.
Maybe I'm saying that because seeing the last movie was really painful at the end, the way that turned out.
I guess I won't give spoilers to anybody who hasn't seen the movie.
But, yeah, it's kind of a weird place of what they did at the end of Bond,
and now you have, you know, Daniel Craig,
and then you have a book and he's alive again.
That's right.
I mean, well, I mean, the books, you know, it's a funny thing.
These are parallel worlds.
The world of Bond movies, and don't forget,
there have been many, many more movies than there have been books.
There are only 14 books.
Now we're on six movies.
So, you know, they are
very, very different. And what happens,
the first three Bond novels, Doctor No
from Russia with Love, and
which is the third one I'm thinking of,
well, anyway, the first three films, Goldfinger,
were very, very close to the books.
But after that, they began to move away ever
further. So Moonraker, for example, sends James Bond into outer space,
which never happens in any of the books.
And I belong very much to my book, With a Mind to Kill.
It's very much part of the book world.
That's where it fits in.
Even when you were asking me to describe the plot of it,
I have to remember that my plot bounces off
A Man with a Golden Gun, the book,
not the movie with Roger Moore and Christopher
Lear's Scaramanga.
They are different worlds, and they don't really come
too close.
I imagine
there's a whole bunch of people
that... Are there people that really
like the books more than the movie?
They're like, ah, the movies ruin the books.
Is there people that really like the
book version better?
There is definitely all over the world a huge base of core, diehard James Bond novel fans
who understand that these novels, if you ever go back to them,
and I mean, you know, not many people do really go back to the great novels from Russia with Love,
Live and Let Die, You Only Live Twice, all of them,
they are the language and the excitement and the adventure, the pace.
Fleming's extraordinary view of the world that makes them very, very special.
You have to ask yourself, why have the books lasted so long when other spies have disappeared?
And that's because Fleming created something so original.
And his writing is terrific.
These are wonderful thrillers.
But I have to be honest and say that the real, you know, the real power of Bond now is in the movies.
I mean, you know, everybody, everybody goes and sees them.
Everybody talks about them.
As soon as one Bond retires,
everyone is asking who's going to be the next one.
Can you think of any movie franchise where the newspapers actually,
you know, put a front page splash on the,
who's singing the theme tune for the movie?
You know, that's what happens with Bond.
It's sort of, It's an extraordinary phenomenon.
Yeah, and I hope
the franchise continues to smack
it out of the park. I guess now we all
have to sit and wonder, who's the next Bond?
The last movie
puts a big question mark over how they're
going to continue with the franchise. Again, not wanting
to give anything away, but it's sort of, you know,
it ended on a pretty sort of major
exclamation mark. It definitely
did. So, is there
a major
evil dude in this book
that Bond, you know, finds
he's up against at the end? Yeah, he's a very,
very nasty piece of work. I mean, I've written
three villains now, and I think of the three,
he is the most sinister and the most unpleasant.
His name actually is not a name I
chose myself. He's called Colonel Boris.
He's a Russian psychoanalyst dealing in brainwashing.
And what's interesting is,
is that in The Man with the Golden Gun,
written by Fleming, the book,
a character called Colonel Boris
is mentioned as having brainwashed Bond.
And that same character has a fleeting appearance
in a much earlier novel from Russia with Love.
And as a sort of an avid James Bond book reader,
I began to puzzle about who is this guy, Colonel Burris?
What's he like? What does he look like? What does he do?
Does he have a cap that sits on his lap when he jokes,
when he's doing his evil deeds?
What would it be like to meet him?
So I thought, well, let's try.
So I used that name and that character and created more or less my own man.
But he is a villain who captures Bond and does some pretty horrible things to him.
So what kind of imagination do you have to come up with some of these horrible things?
You don't have to be a horrible person.
Who hurt you, Anthony?
I write a lot of crime fiction, and I meet a lot of crime writers.
And they are the nicest people in the world.
It's a funny thing.
It always strikes me as weird that people who write these really quite violent
and horrible things in terms of death and brutality are often the gentlest,
kindest, sweetest people you can hope to meet,
and you can't believe that they come up with that sort of stuff.
I think to write a good Bond novel, you've got to just love Ian Fleming,
which is where I begin.
I mean, I try and channel Ian Fleming's vision of the world.
And, you know, I'm not sure that there was any writer before him
who created such extraordinary monsters.
You know, the Goldfingers, Hugo Drax, Scaramanga.
They are such wonderful characters.
And what's great about them is they're not generally vile.
They're not disgusting.
There's something always semi-attractive about them.
They're interesting. I think we enjoy being with them you know my favorite scene in a james bond book and
in a movie for that matter is when the bad guy has captured bond has tied him up and then gives
him dinner with nice wine and great food and tells him he will plan and says and now it's time to kill
you this is how i'm going to do it and these guys never learn do they never learn but actually a
single bullet to the head right there and there would be the fastest and easiest way of getting rid of Bond.
No, no, no.
They have to try all sorts of clever stuff to get rid of them, like throwing them into a tank of sharks or whatever,
or tying them down with a laser beam going up between their legs, whatever it may be.
And, of course, they always end up sort of, you know, dead at the end of the movie.
They never learn.
I would just make Bond get married to someone, and know dead at the end of the movie they never long i would just make
bond get married to someone and that would be the end of it um he did he did get married on that
movie and um and that marriage lasted approximately one hour before it all ended horribly and with
blood and with death oh man What are the sort of things
that we want to tease out about your book?
Well, I think you, I mean, you know,
it is, it is a,
it's set in three different places.
It starts in London,
it moves into Moscow,
and then from there to Berlin.
Moscow and Berlin, of course,
being behind the Iron Curtain.
It is, it's got plenty of action in it.
Lots of sort of big sequences.
There's a great fight that takes place on London Bridge in the
middle of London. I mean, there's another one that takes
place on, which I particularly liked.
The chapter heading is really very
very, a sort of chapter heading that
Ian Fleming would have been proud of. Death
under the chandelier. And on the
Russian underground, you may not know
this, but the Russian metro system or subway
has the most extraordinarily beautiful stations,
often with very, very ornate tiles and chandeliers.
And Bond has an assignation, a meeting underneath the streets of Moscow
in one of those subway stations.
And there's a really terrific fight, which I enjoyed writing,
with I think the best twist in the book.
It comes at the end of that fight.
I'm not giving any more away.
Nice. Beautiful.
It's set
in the 1960s?
1963, that's
right. Just at the end of Khrushchev
being the
leader of the Russians. I always get
confused between Khrushchev and Brezhnev, but I think it's
Khrushchev. Yeah, they all
have the F, whatever.
Be careful what we say yeah um
and it's an interesting time because it's when russia is sort of failing i mean there have been
so many different issues that have gone wrong for example the cuban missile crisis which many people
in russia see as a weakness a sign of backing down and uh and khrushchev gets a lot of blame for that
uh but there are other things do their relationship with China is sort of in difficulties. And there is a sense that things aren't holding together. Too much liberalism, too much, you know, too much giving away to Western values. This is a time when, you know, the Beatles can be heard in Russian streets. And, you know, the Politburo, the leaders aren't happy about this. So the plot is really about people trying to return to the old style,
the hard core communist Russia,
to make sure that Iron Curtain stays firmly down.
There you go.
There you go.
One aspect, I guess I won't be giving something away in the book
because this is in the publication.
It opens with, well, I'm not sure if it opens the book.
I'm just reading the inside cover.
It's M's funeral. One man is missing from the gravesite
but I did mention that Bond has been
brainwashed and sent by the Russians
to kill M and what happens is
that he does kill M or so it appears
that is what they have to tell to the Russians
the fact that Bond has killed his boss
instead I have to tell you that when I watch
those movies, my favourite scenes
are always the ones where Bond meets M, I have to tell you that when I watch those movies, my favourite scenes are always
the ones where Bond meets M.
I don't know what it is about it. Those scenes are so
Bernard Lee, the great actor who played
him in the early films, and then of course
wonderful Dame Judi Dench who took over for
the later ones. Those scenes always had a
special magic for me, especially as a kid.
That idea of, you know, the sort of
Judi Dench was almost like a mother figure
to him. She was sort of a, you know,
and yet she was also his boss
and she, you know, that wonderful speech
she had in one of the movies about him being such a dinosaur
and him being, you know,
get your act together, Bond. I used to
love all that stuff. So the idea of Bond
killing M is a real subversion of
what the book's stories were all
about. I
love the sequence in the book in the book man with the
golden gun where bond brings out a special gun he's been given by the russians it's made of wood
and it fires acid or cyanide or something yeah cyanide so that it so that it can evade any metal
detector and it can't be seen and wow there's m it's amazing scene wow well there you go that
just sets it up for fun because, yeah, there's always been
tension between
their relationships and between the different
movies and stuff like that. That's right.
Yeah, and of course now Ray Fiend's taking over
for the future. He was
in the last one, but who
knows who'll do it next time. There you go.
There you go. Anything more you want to tease out
on the book, Anthony, before we go?
Only to say that if you've read Trigger Mortis and Forever and a Day,
this is the end of my trilogy.
I've done Bond as a young agent, Bond at the beginning of its career,
then with Trigger Mortis I did Bond in the middle of his career.
That was set at the time of Goldfinger.
This is an older, wiser, more introspective, a little sadder Bond,
a Bond who has been through so much in his life and is wondering what comes next.
It's a psychological story
as much as an adventure story.
Those who have read it so far, and there aren't
many of them yet, but the ones who really count, like
my wife and my publisher and my agent
in that order,
have said it's the best
of the three. So I hope I've gone out with
a bang. Awesome sauce. Awesome
sauce. Well, that's great. We'll be excited to read it.
Give me your
plugs so people can find you on the
interwebs, please. As I say, AnthonyHorowitz.com
is my own website.
Or just look up Anthony Horowitz on Twitter.
If you read the book, let me know what you think.
I will write back to you, especially if you're nice to me.
There you go.
May 24th, 2022.
You want to take an order of that baby up.
Thanks for coming on the show, Anthony. We really
appreciate it. Chris, it's been a real pleasure
talking to you. Thank you for having me. There you go.
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