The Church of What's Happening Now: The New Testament - #527 - Jesus Trejo
Episode Date: October 24, 2017Jesus Trejo, Comedian seen on Comedy Central and TBS, joins Joey Diaz and Lee Syatt live in studio. Jesus tells Joey and Lee how he has balanced working and growing as a stand up comedian with runnin...g his family's landscaping business and taking care of his parents. This podcast is brought to you by: Onnit.com - Use Promo code CHURCH for a 10% discount at checkout. Recorded live on 10/23/2017.
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Welcome to Podcastville.
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Church!
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And you got 10% coming from Uncle Joey delivered right to the house.
I also want to tell you this show
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These guys took care of me two weeks ago
and I lost their fucking card.
And I go, I know that I forgot something
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You still got to get up and fucking
go bananas.
Shit. It's the church of what's
happening now, motherfuckers.
Are you kidding
me or what?
Joey D is here, your uncle, my man, Jesus Trao.
What's up, man?
Representing the LBC.
LBC all day, born and raised, baby.
And the Christ Killer coming out the fucking box on a Jewish holiday on Friday.
What's happening, gentlemen?
Chilling, man.
Thank you for having me.
This is exciting.
You're a great dude.
You're a hard worker.
Man, I try, man.
You know, here's the deal, bro.
I've been doing comedy for 26 years.
Wow.
Okay.
And I've been here for 20 of those years.
and I've experienced
scams from every avenue
and I never thought that existed
I could look you in the face and tell you something
I stole things
at the county store
but I never robbed nothing from the county store
do you understand me I might have found a wallet
or found a $1.00 bill
or found a cell phone
and tagged it in
happened across
that was a time I was so
broke living here, I would, at
night, at two, I would go in the showroom
and every night I was guaranteed a phone.
And if I was that broke,
I would go on the back for Lost and Found
phones and just clip three of them.
And the next day, go to Cranshaw,
and I had a dude who was a bank robber
who'd buy phones from me for like
50 bucks a piece. And that's
all I fucking did. And he used to hang out at the
store at night with Eddie Griffin.
Then they robbed a bank in L.A. and two out of
the four of them got busted. He was one of them.
And I've never seen him again.
Wow.
Fucking tremendous.
So you must have a lot of cell phones at the house right now.
No, he had a cell phone store.
Oh, oh, I see what you're doing.
He had a real cell phone store, but he bought hot cell phones on the side.
You see what I'm saying?
That's great, man.
Unbelievable.
Well, there's a way.
The hustle is real out here, man.
The hustle is real.
And it's fucking nuts that, you know, in comedy, you go on Facebook.
I remember going on Myspace.
and I knew this comic.
I knew him from the store when I first started,
and he had a misunderstanding with Mitzi.
She didn't like his material,
and she said,
so she changes the material,
she didn't want him back.
Well, he went the hard way.
He never changed.
He believed in that material.
He kept going on Myspace.
I didn't see him.
I wasn't at the store.
I wouldn't see him out.
I'd be somewhere else.
I didn't see him for about a year and a half.
And then when I saw him at like the improv or something,
and he went up on stage,
and he was doing it.
the same material.
Meanwhile, on MySpace, he was writing that he was killing audiences,
and he was on tour and all this shit, you know?
And you meet these fucking fakes in this town.
You meet these people who have done comedy for three or four years,
and they come out here and they want to latch onto somebody
or they want somebody to fucking, you know, spell it out for them or something like that.
And I see that shit, and it breaks my heart, whether it's in comics, fake producers.
You know, like, everybody's talking about fake news?
Comedy store fill of fake producers at night, or it used to be.
I think they finally got the hint that nobody's buying your fake shit.
Right.
You know, maybe one of the guys in the belly room on Sunday would buy it or something like that,
but they're not buying that shit no more.
Right.
When the reality show boom came, you'd walk out and there'd be 20 reality show people
talking to you and they were just there stealing
material. Oh man.
Jesus, they were just at the store stealing material
sitting in the back waiting for a comic to say
something so they could roam with the ball.
Same thing with writers.
Same thing with fucking writers. When I first started
at the store, three nights
a week, there'd be a creepy guy sitting in the back.
He would come out and listen to you.
After a while, you go, what do you do?
I'm a writer in Darwin, Greg. Sure.
Stealing fucking jokes.
Right. Then one night you're watching, Darmine Greg, and they
say one of your stupid jokes and you're like,
Oh, shit.
Did he steal my fucking joke?
Yeah, because they would, and now it's different.
Now writers follow comics on Twitter.
Right.
Copy and paste out that bitch.
Yeah, it's fucking crazy.
Because I'm not to forget, Twitter works.
I always, when I first got on Twitter, I got on Twitter for the reasons why everybody else got on Twitter as a comic,
to exploit themselves and to see if they could get to the top with Twitter.
When I first got on Twitter, I didn't like it.
But one day I fucking went to an audition.
and I saw Stephen Bauer there from down the corner over here.
And he goes, hey, let's take a picture.
He took a picture and sent to me, and I retweeted it.
The guy that wrote the book saw that picture and I was auditioning.
And the next day he called my agent and he goes, tell Joey whatever role he wants.
Because he watched me on the Rogan podcast.
And then the, I went for the small role, the asshole that I am.
Because I didn't want to seem greedy.
There was two mafia roles.
I said, let me.
I thought if I asked for a little one,
Yeah.
He'd go, nah, you're above that.
Let's give you the big one.
But he didn't say that.
So I took the other one.
And I didn't give a fuck.
It was two or three days work.
Because you're a cool dude.
That's why you're like, hey, there's enough for everybody to eat.
Listen, if you go in there and making demands, they're going to go, what the fuck?
I put my hand out and you want an arm.
Right.
You know, there's a lot of directors that will call you, Jesus Trail and go, hey, man, Jesus.
What are you doing tomorrow at 8 a.m.?
Well, I'm going to work out.
No, no, no, no.
Listen, I got to move down a movie for you.
Got to be at eight.
I get you out of eight tomorrow night.
I'll pay you $1,000 for the day.
These are your friends.
When you get the opportunity, you don't get there at eight.
You get there at seven because he's your friend.
Yeah.
You want him to look as good as you fucking can.
You want him to always feel confident if he's high.
You call in 10 minutes late.
There's traffic in Long Beach.
You'll never get a job again.
Right.
Eight is seven. I don't care if you sit there all day.
You're going to eat.
Yeah.
You're going to eat and smoke dope.
That's real.
That's real.
Living in Long Beach, I got to wake up so damn early to make auditions or whatever,
but it's like, hey, it's just a game.
If you sit here and complain, you'll find something to complain about it.
It's easy to complain, do the work, and just get up early, you know?
It's so weird how many people have come here.
Now, I understand people leaving because of family stuff, and they're still comics.
They moved to Indiana, but they're still comics.
And he's the top headliner, but he features for guys,
top-notch guys when they come to town.
I understand that.
You get a radio job.
and you're a big deal.
I get that shit.
I get it because one day I'm going to leave here.
Someday I'm going to fucking leave here
to a small time.
I love it.
But at the same time,
there's guys that came here
with their nose wide open
just to see what they're getting
or giving and they latch on
and then after a few years
they don't get nothing and they just take off and leave.
I've seen that a thousand times.
So I know when a guy calls me
and he tells me,
I listen, but I also want to see his
movement.
Yeah.
I want to see.
his movement. Listen, when I first got here
from 97
to 2005, I went out every night.
I don't know what anybody's talking about.
I went out every night. There was no holidays.
There was no dates.
Hi, Joey, I'm coming up to visit for four days. I want to see you.
Lock out of here. The comedy store.
831, Sunset Boulevard.
I'll see you there at 9 o'clock. Yeah, but we want a dinner.
Listen, there's no dinners in my fucking life.
There's the goddamn comedy. At that time, I would go to the
Comedy Store at 9 because my spot was
at 1. God forbid there's a fallout.
I'm right there. Yes. Yes.
Plus you listen. I still do it. Yeah. Plus you
listen to other comics. You know,
I hated the young comics that would go up there and go
fuck, I got a 115. This sucks.
Well, put a sign up and tell people
you don't want your spot. I guarantee you'll get a thousand
signatures. Yeah. Within one hour
for a 115 fucking spot. You have
no idea how fortunate you are.
Right. To be in that position.
So that's why when somebody offers me something,
sometimes you get there and you're like ah sure but then at the end you have to think about what's been done
nobody moves here thinking they're going to be a fucking movie star you think like me i thought i'd be
an extra this guy just gave you two days on a movie you know like ah fuck right when i first got
here i did something oh i did this movie you got nothing which got nothing
Self-affirming prophecy in the title.
It got nothing.
It got nothing.
But one of the guys in that movie was one of the guys that gave Brad Pitt to coffee in seven.
He played the cop when Brad Pitt pulls up with the black dude.
And he gives Brad Pitt the coffee and he tells him the guy's a fat dude in there or something.
When he went to look at the fat dude, girth, whatever that fucking was.
What was the guy, the fat dude?
I haven't seen it for years now.
I'm sorry.
Yeah, I don't know.
So that dude.
when he went in
and then on the way out
he says something to him again.
Well, that dude got funding
for a $450 a day shoot.
Like, sag.
This guy came up to me
and then he goes,
hey, man, I got this movie.
I want you to play a producer.
It pays $456 a day.
It's three days.
And I remember telling somebody
they're like, you shouldn't take it.
I'm like, are you fucking crazy?
Yeah.
This would be my third movie.
Like somebody just gave me this.
It's not like I went into audition
and had to negotiate.
This was,
given to me, you know?
Yeah.
And when I got there,
they had a couple bigger roles.
And one of the guys kept saying,
bro, talk to him.
That role is perfect for you.
Why are they giving it to him?
And I'm like, you see what I'm saying?
Nobody's, even then,
in 1999,
when I was here two years,
I knew what greed was,
how people were like,
go, go ask them for the bigger role.
You know what I'm saying?
Like, everybody who becomes an extra,
becomes an extra for three vouchers
to become sag.
Right.
Those vouchers,
you got a better chance
of bumping into a white chick
on the street
and fucking her in the ass three times on the first meeting
than getting a voucher league.
It's a cash 22.
Oh, they hold on to those vouchers
like a fucking pussy with a vault around it.
And for people listening,
you need those to get your sag car.
You need those to get your sag car,
but that's a highway to nowhere.
That's a highway to nowhere.
They just mistreat you.
They treat you like cattle.
They put you in your old area.
If we're eating hamburgers,
you're getting a cheese sandwich like you did time.
That's a call for nowhere.
And the big promise is if you get four or three
vouchers, you become sag.
That works in small cities.
Not in this jungle.
If you go to Chicago, you'll be sag in a year
and a half. Because there's not a
big market for it. Chicago PD,
the other one, the other one, the other one.
You're going to be on every fucking shoot.
Yeah, it's tough, man.
It's like, you see, like in this town, I feel like
everyone has a sense of urgency and it's different.
The motivation is different.
I mean, you can see motherfuckers who just
have a weird motivation.
Like, it has to happen now.
everybody who comes here has to happen now.
We all owe money.
We all owe child support.
We all have debt.
We all have everything.
I learned the hard way.
I came here and made a little money in the beginning.
Not much, but I survived.
And then I got a big time commercial,
and that really paid.
But three quarters of it went up my nose,
and I smoked half of it,
so it didn't really count.
I paid a couple of my bills off,
but I didn't give none of that money up.
That was the first time I had money in 15 fucking years.
Wow.
Yeah, that was the first time.
First time I had money and at commercial, yeah, I'm 89 now.
Isn't it nice when you get those checks in the mail?
You're like, oh, man, you start falling in love with that mailbox.
You're like, Jesus Christ.
I hope you got a little something for me.
Listen, I was a Sutton Barth and Marnari at the time.
They were my first representation for commercials.
They signed me in January of 97.
In May of 97, I think I booked something and then I got scrapped.
So I was on the board with them right away.
Once you get on the board with an agency like that,
At the time, they were huge.
In fact, my agent from there is still in business at BBA.
Wow.
Michael Dell was an assistant to Neil and this chick.
She got out of the business.
I would go to my agency, smoke a cigarette with her pick up a check and leave.
They were on LaSanaga.
They're still in the mall?
SBV?
Yeah.
Yeah, they're over there on the Worcshaw right in front of the museum.
Oh, shit.
Okay, they moved.
They were huge.
They used to have a Christmas party every year.
Yeah, I went through it last year for the first time.
All they still have it.
Yeah.
They cut it out for a few years.
Oh, wow.
They cut it out.
Things were rough and they cut it out.
But they used to have a when, when, I think it was Vannari.
I think he died, but Vennari lived on Gardner up the corner from us.
Oh, okay.
So I'd see him at the 7-Eleven.
I became friends on.
I remember being so broke and calling them up and then going, listen, man, I got three more payments on a commercial.
I can't make it until next week?
Can I get a gram from you?
He goes, why don't I go for $15?
I said, you got it.
And I went down, they gave me $1,500 advance.
Yeah, he was always really good to me.
But, like, I got on the board with them 4th of July week,
and I shot the first Taco Bell commercial with the dog.
That's great.
It was like a million dollars.
It was like, I didn't get a million dollars,
but it was like, I was a $15 a night comic.
Yeah.
Getting $60 a week, $75 a week, $100 if I hosted on Sunday night.
So I was getting $400 a month.
from the comedy store.
Willie Barr sent in the boys.
They throw me an extra two.
You picked up an extra four gigs
about a hundred bucks.
And that was it.
And the laugh factory,
25 bucks is set,
and the improv 15 bucks is set.
And that was it, brother.
I would pick up a couple of Rogan shows.
And then, you know,
you evolve.
You started 400 a month by...
When I first started,
the first year, I was making 200 a month
because I booked an MC gig
that was $50 a week.
Wow.
So right from the book, right from the jump, I had money doing $200 a month.
It's not money, but it covered.
It's a lot in a comedy.
A gram of Coke and five cocktails, you know what I'm saying?
Five pictures of same grade.
What made you get into comedy?
I just had a love for it, man.
How old were you when you first were exposed to it?
Oh, when I was exposed to it.
So I didn't have a command of the English language until I was in fifth grade.
Where did you move from?
I was born and raised in Long Beach, but I grew up with my dad.
My dad's a landscape.
My mom was a nanny.
So they spoke Spanish.
Spanish only.
They're from Mexico, yeah, I mean?
And so I didn't have full command of the language still fifth grade,
but until then I was inspired by like Chesprito, you know, cantinflas, yeah.
Yeah, India Maria, you know, all these.
I grew up on cantinflat.
Cantifla was great, and my mom used to whoop my ass for sagging my pants.
It's like, why are you sagging your pants?
It's like, I want to be like cantingflas.
So it's like, my mom thought I wanted to be like a rap.
It's like, no, I want to be like on themeflos because he would sag.
He was a street sweeper, Lee.
He was a street sweeper that swept by like with the broom, poor Mexican dude.
And he wore these like sagging pants of vest.
Yeah.
It was great.
Now, I like, I can't even understand what they're saying.
But, uh, Paul is mom has Telemundo on all day every day.
Yeah.
Casso Serato.
I've seen.
I like, I can understand that show a little bit.
But like, uh, Mexican comedy has a very different.
from like America even like the the like the sitcoms have like bright colors they like it
looks very 90s does that like influence you at all since you totally I mean that's what I got
influence to first and then as as time went along I saw like George Lopez and Paul
Rodriguez I'm like oh this is awesome then time went by and it's like you know I saw Louis
Anderson life with Louie you know the cartoon and then Howell had life with Louie so I
started diving into what stand-ups were and then with time I just started picking up CDs
and man, so by the time I get out of high school,
I want to do it.
I don't know how to do it, you know?
And then I went up on my first open mic when I was in college,
when I was 20 years old, I bombed my ass off, man.
I bombed so hard, dropped the mic.
What did you expect?
Yeah, no.
Yeah, nobody could judge that shit.
But I bombed so hard that I didn't get up on stage for a full year.
So at 21, I get back on stage.
I bomb harder than the first time,
if that's even at all possible.
an epic bomb like it was awful and then I'm like you know what I'll probably just stay in
college and do that you know and so I did that and then at 23 I graduated college and I said you know
what the degrees from my parents this is your dream you know here you go what you got a degree in
business administration marketing Jesus Jesus Jesus good for you yeah Cal State Dominguez here
Cal State Dominguez Hills I'm a little high yeah Cal State Dominguez Hills and um
Yeah, and as soon as that happened, I started working at the store.
What'd your parents stay?
Like, you got a job, business administration degree.
Meho, what are you doing?
They're still upset.
Bro.
Uncle Joey, when I tell you that my dad still brings up the job I had at Robinson's May,
that I wore a tie to work every day, he's like, where are you parking cars?
He's like, you want to be a clown?
He's like, you went to college.
He's like, you're doing something that my bloodline.
I never thought I'd see my bloodline.
Never thought.
And it's like, and now you're throwing that away to park cars?
He's like, are you kidding me?
He's like, why don't you go back to Robinson's mail?
I was selling kids clothes, Dad.
Like, this, I'm going for a bigger dream, you know what I mean?
Which is funny because, you know, my dad got, like, cancer last year.
And it was, like, shit hit the fan, you know what I mean?
And I took over my dad's business.
I was out there, like, mowing lawns.
Look at my farmer's standing out there mowing lawns.
And when my dad came back from surgery, he went to Mexico to get that surgery when he came
back, I was mowing lawns and my dad came out with me.
And it was one of those moments where it's like an all this lost moment.
I'm like, man, this is fucked up.
Like I'm getting a little traction and stand up, but I got to take a step back.
Got to mow lawns.
This sucks, you know?
Like I went to college, got educated for all of my dreams.
Now I'm mowing lawns.
I'm living the American dream backwards, bro.
And I told my dad, I'm like, this couldn't have been in your dream.
Being a landscaper couldn't have been the dream.
What was your dream?
And he told me, he said, I never had a chance to dream.
I had three jobs my whole life.
You got to sleep to have a dream.
That's why I sacrificed
so you can sleep in and have a dream.
And I just said, zip.
Kept pushing along more, man.
Real shit.
Fucking crazy what you learned
from those old times.
And why they did it.
Why they did it, man.
You know what?
That's what I'm saying.
Everyone has a different sense of urgency
and motivation.
I mean, mine is my ill parents.
You know?
It's like when I have to leave my spot at,
you know, 1.30 in the morning
and whatever it is,
I leave there
go home
give my mom insulin
wake up early
give her insulin
go more along or two
write a joke or two
get ready to shower up
so you're doing real stand-up
right now
how long have you been doing stand-up?
I just hit my 10-year mark
okay yes
you're doing real stand-up right now
real stand-up is
when you're going through something
you're working it out with stand-up
and people have no idea
that when you get in your car
you start crying all over again
people have no
idea. There was a time when the toughest time in the world for me was dropping off that poor
little girl in Boulder at 7 o'clock on Wednesdays. So I figured out that the only way I could do it
because I would drop her off, cry in the car for 10 minutes, and then drive home, and I can't tell
you what would go through my mind. Yeah. And then after by 10 o'clock, whether I had the money
or not, I'd go get cocaine and two bottles of fat tire and I just sit there and wallow in that
anger and that whole thing. And then finally,
finally I figured out by the grace of God
that instead of doing that to myself,
I'm going to force myself to do comedy.
And it was
the worst room of all time.
It was two rooms.
They had it on Sundays and Wednesdays
and it followed a line dancing class.
Beautiful. This was when Billy Ray Sybis
was huge. So everybody wanted to do the achy,
breaky heart.
It was Sundays and Wednesdays. It was
an Andy Payton room. Yeah.
And then from there you went to a place called Club
56 where I hit a kid in the head with a microphone
With the ones with the batteries in them
Oh nice
So they're extra heavy
It was in Commerce City Colorado or Commerce
Colorado
Oh boy
But then in there
In the middle of commerce
Because this is like a steakhouse
On the front of commerce
But in the middle of deep in there
There was another place that did comedy
Then it was just
You know
When you go to your dad or your mom
And you tell them you want to do comedy
and then or your friends
and they call you a fucking asshole
and you're like, I'm telling you, man,
I could do this. I met fucking Joe Rogan
the other day and he told me I could do it and all this
shit. Fuck you guys
and one night you actually go to this
gig. Yeah. And while you're
sitting there waiting to go up,
you actually think
of a suicide that would
be painful. Like there's suicide that you slit
your wrist and take pills. You're not going to cut no
corner there. You're thinking of
suicide but you're thinking of light and your
self on fire. It's that
type of shit. You want to get the full experience?
Oh my God. This guy was an Elvis impersonator.
From
Vegas. And after 20 years
he said, fuck it. He opened up a little truck
stand in Denver, Colorado.
And he served pizza
and Italian food. So he
was the cook, the host. And then
he'd get up on stage and do a whole Elvis show.
And I got to tell you some, he was God awful.
Wait. Are you saying he was his own host?
He was everything.
Hell yeah. So when you came into the restaurant,
You go, I'm Elvis.
He'd sit you down.
Take your order.
He'd go in the back.
He'd go in the back. He needed up for you.
He was a one-man operation.
Dirty hands.
You know, fucking fat, old.
The black wig would slip.
You'd see the white hair.
But he had a heart of gold.
The guy had a heart of gold.
But as bad as Elvis impersonator as he was,
he put 50 bucks out of his pocket every Wednesday and Friday
for two comedians.
And I was always the one guy he called.
That's great.
And 25 bucks, but while you waited to go up, at one point,
you ever see coaches when they're losing?
They drop their heads in their hands.
That's what would happen to you.
Your head would go in your hands.
Right.
People have no idea what that feeling is.
No.
When you actually dip your head down and go, I think my friends are right.
I am a fucking loser.
Yeah, man.
This isn't going to work.
I'm here in commerce or whatever the fuck.
At 11.15 at night, following fucking.
fat ovus.
And there's eight people that just ate
horrible food that are burping.
Nobody even got dessert.
Everybody's asking for Alka-Seltzic because they got
some digestion from the tomato
paste. And now you
go up, but here's the beauty.
In your deepest,
deepest, darkest moment
while you're sitting there thinking
this bad thought, your name
gets called. Yeah.
And you shake the guy's hand in front of you
and you squeeze it hard from the
anger.
Like, you break his fingers,
you're like,
and then you go on stage,
and for the first 10 seconds,
you don't want to be there,
but now you're there,
and you just go off,
and they laugh,
and you get off that stage,
and if somebody came and off
and you heroin in a hundred bucks,
you wouldn't take it,
because it would take away
the feeling you're going through right now.
Wow, yeah.
That's what people don't get,
especially at the early stages.
When you're just about to give in
to your fucking friends
or your parents or your girlfriend.
When you're just about to give in,
something like that happens,
and you're like, I'm good for 30 more days.
Fuck these motherfuckers.
Yeah, I'm up to something.
Was there one set that you guys remember
that went that well?
For you, Jesus?
Man, you know what?
Yeah.
Yeah.
I remember I was out a landscape with my dad,
and it was just bad.
Like, we had to take out this tree,
so we changed all the tree,
We have to take it out, and I'm out there taking the roots out, hands and knees dirty.
You're dirty.
Ring around the neck, the whole thing, you know.
And the lady comes out, and she's eating the ice cream, and she's kind of, you know, telling me,
hey, you know, can you also take this stuff out?
And then she's eating the ice cream.
She gets a lollipop, a stick, puts it in the wrapper, and just throws it at me, right?
He's like, can you put it with the other trash?
And I was like, mother fuck, man.
So I'm like, yeah, yeah, yeah, no worries.
So we do the job.
And I'm running late.
I go home
I shower
I go to the store
I do my set
feel good about it
I'm finally like
I'm home
this is what I work hard
for all fucking day
and then
I'm about to bring on
the next comic
and they give me a piece of paper
and I'm like
oh shit
I'm like ladies and gentlemen
next comic needs
no introduction
Bill Bear
and people go nuts
and in my head
I'm like
no one would
fucking believe me
what I went through today
the range of
fucking emotions
that I had fucking
got treated like a fucking second
class citizen, got to do
stand-up follow my dream, got some
laughs, and got to bring on. Bilber.
In one fucking night,
and now I'm driving home, smile here to
ear. It's one minute to another. The emotions
with stand-up comedy. Yeah, man.
And it's like every time, and I got
to tell you something about stand-up comedy, it makes you
believe in religion. It does.
It really makes you believe in religion.
I was telling that to Ian Edwards, I'm like, when you do
stand-up and the opportunities that come about, the people
you meet.
Just the coronary is like you're insane not to believe in something.
Whatever it is, in something.
You have to believe in something.
To believe that one person creates all this stuff, like you're creating your own opportunities, no way.
It's crazy.
It's crazy once you see it happening.
And then it becomes like, by 1999 I was addicted.
Like by 1999, I could tell you people, honestly, that all I wanted to do is snort coke and do comedy.
I got a look at you in the eye and tell you that was what I lived for
after my set there was nothing I wanted to do more than cocaine
but throughout the day my dick would get hard thinking about my
1245 spot following Paul Mooney when he would do 45
which meant I went up at 1 30 you know and I'd have to hold off
like I would not do coke until 1 30 I would be in my pocket burning a
fucking hole at the store I wouldn't even have a drink I'd be sitting
by the stairs going through emotions
and changes and my bones
would hurt but then I would go
up to it was so weird how I got
hooked on stand up comedy
you know I'm outlining
this book and I was thinking about
that chapter you know
getting here and then dealing I
moved here with a bad girlfriend
you know like it was just a bad situation
and even though I was making strides
of comedy this chick was bringing me down
at the fucking house where you cannot be
brought down you know what I'm saying you're a comic
your house has to be clean.
Yeah.
Everything could be dirty on the outside,
but your house has to be clean in the inside.
You could go out and go to a Mexican bar
and get your dick suck with George Perez
and DuBlo, Twosite, the morning.
But when you go home, there's got to be no drama.
Nobody could say to you, where were you?
Your house has to be clean.
This chick made my house dirty.
And then when we broke up, I was living on the streets.
I was living in Ralphie Mae's Floor or in my car,
or blah, blah, blah, pip.
You know, so it was just...
But you asked...
But you asked a good question before.
You ready for this, guys?
What's that?
All right.
So I start comedy in July of 91.
Part time.
Cocaine, Valiums.
I win a contest.
I get okay, Jesus.
I got about seven minutes.
And then I moved to New York.
And while I was in New York, I worked a little bit.
Nothing serious.
Nothing to be proud of.
But I figured out what needed to be done.
Sometimes, like your dad,
job and he gave you the books you get an idea you did it with him as a young kid
but one day you figure out how you're gonna do it what needs to be done for you to do
this business work five days a week make a living pay your employees yeah and the
same thing happens with comedy one day it hits you like a punch in the fucking face yeah
and now the next decision is if you want to take it to that next level right they
put it on you you know when it's time when you're an open micer like I was an open
Mike are ready to get 15 minutes paid.
Like that's it. I paid these dues. I've done all these bars. I'm going back to
Denver. I got back to Denver October of 93.
And that was it. I got a notebook. And I wrote every set down and my goal was 20 spots a
month. I would do 16, 18, 19. This went on for about seven months. I got up to about
20 minutes. Nice.
All right.
Jimmy Abeda, dear friend of mine comic in Denver.
You know, if you ever in Denver, look at Jimmy Abada, he'll put you on some fucking show.
He's dynamite like that.
Hell yeah.
In those days, it was Andy Payton, the comedy works, and Jimmy Abater.
They had my bread and butter.
Whenever the page will go off from Jimmy Ababa, that was a gig somewhere for 50, a burrito.
There was always something coming to you from Jimmy Abada.
God bless his soul.
And I fucking went to one of Jimi Abada.
Jimmy's rooms in Nevada, which was a dump.
But 40 people on a Tuesday night.
I'm supposed to feature, but the headline didn't show.
Something weird happened.
Okay.
So I get on stage, I thought something weird happened.
I get on stage, and I'm up there doing my thing.
My 20's done, bro.
You know what I'm saying?
You know when your 20's done.
Oh, man, when you get into that last joke, you're like an oh.
Yeah.
You might have even forgot a joke.
And I don't see no light.
He's going to get me a lie.
That's 15.
I could kill 15.
19 tight is 15.
Let's do this shit.
Do this shit.
So I go up there with timing for 15.
No, I go up there with timing for 19.
And I'm going to speed up the last three lines, which were garbage.
I'm not going to sit here and tell you.
There was nothing fucking coming out of dead.
And I get to.
To the three lines, and there's no Jimmy Abayor.
And now I'd do another, whatever.
I might have borrowed a few jokes.
You know what I?
Like, whatever.
I don't fucking know.
And then I just improvise.
Yeah.
Which I was very good at.
Because when I started, it was the same customers every week.
After six weeks, I figured out I can't write five minutes a week.
I just started.
Yeah.
So I started improvising, and I was pretty good at that.
Is improvising different from crowd?
work?
Same thing.
Same thing.
Same thing.
And it's garbage.
You know, you get away with it for a year or two and you get good at it.
Yeah.
But then comics will start complaining about you.
Talk, I went up there and people are yelling up at me.
You got to knock it off.
Because you open the floodgates when you start doing crowd work.
People think it's okay to talk and that's like awful for a show.
That's fucking taboo.
So when I got, before I got down here, somebody pulled me aside in Seattle.
It's a dog lighting up on the fucking crowdwork.
Don't even go there no more.
It was tough habit to break
because I would just go there, no material, go there.
I could be funny for hours
and no material and goof on you.
Yeah.
And when I moved down here,
that shit ended. Because
as soon as people see that in the industry,
you're done. You're done. You're done.
Because then it says, hey, he can't write
a joke, you can't this, even though
you're probably sitting on great jokes. And it works for some people.
And I'll tell you what, it works.
It works. Here's the difference.
You go 50-50.
when it works
it works
but when it does it
it's a nightmare
but people pay
25 bucks
right
yeah
they didn't pay 25 bucks
to see you fucking
talk that shit
it's great
for 20 minutes
you know
yeah
after 20 minutes
you're like
okay
I'm sick of this shit
already
right
because there's really
nothing there
and I don't mean
to offend anybody
who does that shit
I know a lot of people
will fucking dynamite at it
yeah
no dynamite at it
you know
I don't know for me
it's a little bit of anxiety
producing as an audience member because you don't want to be picked on next.
Right. Yeah, people always worry about that.
But, I mean, there's a place, at least for me, I'll say what I, I like to throw in crowdwork when it comes down to, like, the check drop spot.
I mean, people aren't paying attention, so I can't give them material with the narrative.
So I do a little crowdwork and then close out with, you know, material.
Something strong.
Yeah.
To wake him up.
It's funny.
So I go up on the stage and I'm waiting for this light.
Yeah.
And I'm waiting for this light.
And I'm up there.
And I got to be honest.
He's a trail.
at that time I never really killed.
Well, guess what?
I'm killing that night.
Yes.
I'm killing, and I'm going.
And I'm going, and I don't see no light,
and I'm panicking.
Deep down inside, I'm about to piss my pants
and shit my pants at the same time.
But I'm actually keeping it together.
And somewhere in that night, I see a light.
I'm like, okay, good night, thank you.
And I get off the stage,
Jimmy runs up, he gets her, he brings somebody
he gets off and I go Jimmy
what happened he goes bro I'm sorry
I went out in the car with some broad
it got ugly
he goes but the good news is bro you did 43 minutes
I heard you killed
yeah I go 43 minutes
and in those days there was a newspaper called
Just for Laughs which I talked about a thousand times
on this podcast
the last three pages were all the comedy clubs
in the country
and I fucking circled
all that I'd say I'm calling all of them
tomorrow. Then I opened the Judy
Cardo Workbook and I went through all the agencies.
I listed the ones I was in a call
the next day. And I actually
went, because I didn't have a phone.
Yeah. I would have to go to the gas station
and use a phone card. That's great.
And I went to the gas station, got a phone card
after three calls. Like, I was calling, like,
ICM. Hi, hi, this is Jennifer. Good morning.
I see him. Jennifer. Who's your top agent?
And they're like,
who's this? Who's this?
This is Joey Dears. I did
43 minutes
at Casey's comedy
no like Casey's Barring Grill
last night in Arvada
that's who this is
43 minutes of gold
who do you suggest me to
that's how bad
you get like after you get that boost
you go on that's the first
boost you get before you get
now you walk into a club dick
and you're fucking
Johnny Rickles
and you go up on stage
you get the biggest dick in the fucking world
and you go back to
round zero and now you're back.
Now you understand how ego does
not work in comedy. It doesn't
man. Yeah, you've got to dissolve
ego as quick as possible.
Dissolve it. Once you dissolve your
ego and you don't give a fuck if you bomb
and you talk about it freely.
Yeah. And people could goof on you about it and you
actually go, Jesus, thank you. I thought
I was the only one that ate a bag of dicks. That's
where it becomes
real. It becomes
real. Listen, nobody wants to bomb it for something
to throw it in your face. No way. But you're
comedy gumba to pull your
side and go, whoo, that was a rough show.
I know, let's get the fuck out of here.
I didn't want the money. I didn't want the
$25 bucks. Let's get out of here. They might hear this with a
glass. No, no, come on. Let me get the money.
Those bombs suck where you're like,
I don't even want the money. Keep it, bro. I'm out of here.
No, no, take the money, dog. You did good.
It was the audience. Don't worry about.
The dude didn't have the speakers plugged up.
Hilarious. And you're driving back in your car
from this fucking
bar gig and your ego.
And that's when it all weighs on you.
that maybe your friends are right, your family.
And actually, two days before that,
you went in the paper and look,
and there's a paint store that needs help
that you can get that job and shit.
And one of those bombs
makes you think about that paint store.
And you actually wake up the next day,
drive to the paint store,
and on the drive to the paint store,
your paging goes off.
Hey, man, where are you?
Over here, why?
We need you up in Cheyenne, Wyoming,
until I, by 8 o'clock.
You'll leave him one hour before traffic.
Halfway there, bro.
$150. Can you make it $150?
I'll take a helicopter.
You know what I'm like, and then you go like this to the
paint store, fuck you, and you pull away.
That's what happens. You catch those
type of religious breaks.
I was telling somebody to tell you, let me tell you something.
For four years as a comic, you live this certain life.
There's a four-year span that I live with Lee
and Lee's my brother, so Lee goes, listen, I'm taking
the big bedroom. I pay $1,000. Give me $400 a
month, get some groceries from time
to time, and help me with the utilities
and clean the place.
I'm in Lee.
Lee's my buddy.
I can bust Lee's balls all I want.
But on the first, I want to give him his $400.
Yeah.
As a comic, 25th.
You don't have four
dimes to rub together.
You're
like, you actually have to go
to fucking Lee, who
wouldn't care, but I love him.
and he let me
this bedroom
and I got to give him
this four yards
that's all that matters
to me is Lee's four yards
I don't even have to get groceries
this week
Lee will cover me
but let me give him those four yards
I'll tell him Lee
get groceries
and I'll give you
50 bucks next week
after this gig
Lee I can't tell you
how many times
I've gotten a call
under 26 at 930 at night
to pay me a $400
gig
for three shows at some bar
and I've sat there
and I've actually cried
like as you're
Hang up the phone, you actually cry.
Yeah.
Because you go, you know what?
Mick Jagger said it best.
You don't always get what you want, but you get what you need.
Yeah, as long as I keep putting this energy out there.
Now, something starts to happen when Jesus calls me and go, Joey, what's up, dog?
Joey, you know I'm your dog.
I need a big favor.
Headline Long Beach Freeman.
I can't pay you.
I give you five drink tickets.
You go down there, you do two of those.
Jesus, let me do it.
Boom, boom, boom.
Joey, I got you next time.
I'm just short.
the fucking dude wants to pay me 50 bucks
I give you $10. Jesus,
I know what's going on in your life, keep it.
Sometimes you do two or three of those.
For people who
really sincere, don't call me
Jesus Trejo and go, Joey, come on
down here, I can't pay you, and I get there
there, there's 20 at the door, and I see you
smiling with a gold chain on. Don't do
that to you. Don't embarrass me, because then
I'll be angry with you.
But if you say to me, Lord, Joey, I open up a spot
in Long Beach, dog. It's a taco spot.
They'll feed you. They got your picture on the
wall already. They're fans, bro.
Huck me up with this. It's 7.30
or whatever. I'll give you money for you.
You know what, bro? I know where you're coming from.
But don't call on me, and then I get down
and you're charging $25, and you're paying
fucking don't make me say names. You know what I'm saying?
Like, you ever get to a gig and they're paying somebody
shitty? You're shitty, but he's
really shitty. But he's getting $30.
You know what I'm saying? Like there's all
these things as a young comic
that drive you crazy and attest
your will. It's
You gotta want to do this, man.
You gotta want to do this.
And I see people coming out here,
they come out here with this half a heart,
they want to play this game,
but it's just a game for them.
They're just sniffing around to see what door opens.
They're not putting it to proper work.
They're spinning their wheels.
And eventually you spin your wheels for so long,
it's over for you.
I've seen it a thousand times.
A thousand times,
even through all that cocaine and all that shit,
I wasn't spinning my wheels
My goal was to make
A move every 90 days
What did I consider a move
In those days? It's not who you shoot
It's not how many people you shoot the two you shoot
A Thursday night set at the store
And you're back in your mind
You go listen, I got a spot Tuesday
Wednesday
But I'm the key in on Thursday night set
That's my showcase in my mind
That's when Warner Brothers is there
That's when Pink Floyd's in the room
It's like yourself
far for that one.
And those were my goals.
If I killed on a Thursday, my weekly goal
got hit. And then my other goal
was to book a theatrical job or commercial.
To make it a stride.
Every 90 days it was a stride.
Don't wait about what the fucking pays.
Stop with the fucking payment.
You know what I'm saying? You want something,
even if I come to you and go,
it's a SAG promo.
You ever shoot a SAG promo?
No, but the, what is the public service
announcements?
Same thing.
Yeah, same deal.
You get through a sag promo, and you're like, oh, shit.
You're like, oh, shit.
The first sag promo I shot was with Sebastian Manascoco.
Oh, nice.
For fucking politically incorrect, 2000 for Soprano Week, for Mafia Week.
Okay.
When they showcase the Sopranos and some crime bosses and shit.
And me and Sebastian go down there.
The back of my mind, dog, and I had Sudden Bart Vannari.
Okay.
They sent me out for that.
I get down there
Book it the next day
I go down there
Sutton Bar Chish's Coast
go down there
And in those days
When they give you the contracts
It tells you your rate
Right
On the contract
Between me and you
Hayses Trail
Uh huh
I sat there
And I just dream
Of
For some reason
I had the number 2100
In my head
I thought it was like a buyout
Yeah
Like they're gonna air it all week
Uh huh
And they BC
During the soap operas
And all that shit
No they're gonna run this promo
During every show
every 20 minutes.
So tonight on ABC
it's Mafia Week and me
and Sabatio would walk in and karate chop
whatever or something.
It was some stupid sketch we did.
They were going to do that.
They were going to do that.
Okay? So I figured
fuck if it's we're shooting
Monday, if we're
shooting Thursday and they're going to air it
starting Sunday,
they're going to air it 10 times at night.
How much is that if you get a commercial prime
spot? Yeah. At $2,500
bucks. I told Lee,
if you get an A-Spot commercial,
that's $2,500 and up front,
and it starts at $6.50, $5.50, $450, $250, $250, $900.
And every time they re-air it, it starts.
It just goes crazy, and you're getting checks in the mail,
and your head's about to explode.
You ready for the number on that fucking contract?
Drum roll, please.
$350.
Oh, shit.
My heart sunk.
I'm like a fucking promo with whatever from Politically Incorrect,
who's on HBO now.
Man.
I'm like $350 sack.
Why do I pay these people?
Why do I pay these people fucking net a dime?
$350 that robbing me.
If I shot a commercial for Politically Incorrect
and it ran A-sides and they paid me legitimately,
you walk out of there with a ton of loot.
Sacks paying your $350.
Per promo.
That's why I probably are right.
Per promo.
And that includes the shoot day.
Wow.
No residual.
And you got to pay taxes on that.
Yeah.
And a commission.
$35.
Yeah.
So at the end of the day, you get $350, you're getting $2.90, $275.
Yeah.
So you're getting $2.30 to be on ABC during prime time.
And everyone's going to call you.
You'd be like, I saw you that.
Can I borrow $800?
Right.
I don't have it.
I don't have it.
But you're making stride.
You went to Montreal.
Yeah.
Tomorrow night you're going to be on fucking the dude.
Yeah, the latehury show.
Yeah, James Gordon.
Hopefully you do some karaoke on him.
Yeah, well, yeah, I'm off for whatever, man.
I heard through the Graveind.
He's like Harvey Weinstein's nephew.
He might touch your little cullo.
Oh, hey, man.
But I might just have the 350, no longevity on that.
Take the bullet, let them grab you a little Mexican ass.
Who gives a fuck?
You know what I'm saying?
Your cousins did worse.
Hilarious.
Hey, Mr. Trey, you've been hustled.
I've been hustling, baby.
I see it, and that's what I'm saying.
Today, when I talked to you,
when I spoke to you this morning,
we were sitting around,
and a friend of mine was going to call in tonight,
and I'm sitting there, and I'm going to wait a second.
This fucking Hazel's Trail kid,
I hear his name every other week,
which is big for a guy like me
because I'm in no circle.
I'm in no circle.
So when I hear your name,
and then I see you,
you're always a gentleman,
you're always polite,
I knew for a while your family was going through something
they were supposed to do a benefit of something
I said I'd be involved but I was out of town
so you've always been a gentleman
and you're not walking around with your nose open
and I know why that's your Mexican pride
Yeah
Your Mexican pride
We never allowed you to walk around
Well a certain Mexican pride
Will not allow you to walk around with your nose open
You'd rather get thrown over that fucking wall
And sell lollipops in the border and bow down
I'm gonna find a hustle man
That's just the way your people are.
That tree that you're from, I could see your brother.
Your father came over here and got a fucking loan more.
And he did the best he could.
He fucking kept the house alive with a loanmo.
Yeah?
Every time you see a loan more, bow.
Throw a penny at it.
Out of respect for the Jews.
Yeah, man.
Thank God that one Jew invented a loanmo.
Every time I see a garner with his son out of helping him, I chuck a deuce.
Can you imagine what your dad did?
That's what most people don't.
He's a G, man.
That's what most people don't understand that cry every fucking day.
you come here from another country
you get mocked at times
while you're out there with the loan more
in today's world
when all you hear is about all this bullshit
you don't hear about the truth
you don't hear about the lady who puts
a stick of the old thing and throws the lollipop
at you. Yeah, yeah.
To just make you feel worse
than what you already feel like.
But again, your pride is the one that makes you carry
that lawnmower every day.
You know, just to, it's so weird
when people do something like that. See, I don't have...
Hey, people don't, look, I have this, like, I talk to Steve Simone often,
and we have this thing where it's like, look, it doesn't come when you call,
but it's always on time.
And people genuinely mean well, there's good in everybody.
Just people sometimes don't know any better.
And you can't get mad at them.
Sometimes their actions are different than what's really in here,
or they're projecting something that, look, everybody got shit on their plate.
People carrying a different weight of across.
We don't know the weight of it.
Some people who you think is an asshole
Probably carrying a heavier weight than the one I'm carrying, you know?
And I don't know that.
It's not for me to know.
All I know is that I'm focused on the prize.
You know what I mean?
That's all it is.
It's so weird.
I'm thinking I'm looking at you.
And I see you in that hallway at night at the store.
And I see you walk by and you always shake my hand
and I see how you are towards people.
At the 10-year market colony, especially when I was at the store.
I was just buying time.
My answers I ain't gonna lie to you.
I was just behind time.
I had no idea that I was gonna be in a podcast room with you.
Yeah.
Going to Indianapolis, selling out three shows.
Yeah.
That was not even on my agenda.
I can't.
I was just looking to survive.
If I could have an apartment, store Coke,
and do spots at the comedy store,
that's as good as it was gonna get for me.
Yeah.
Somewhere along the line, I'd do a line of Coke too much.
And he was a good comic.
He was a regular.
Great.
Bye.
Get the fuck out of here.
Next.
When's the next fat Coke Feing coming down the pipe?
Details at 11, you know?
Stay tuned.
Balushi, the other fat dude from fucking sitting there live, died.
He's just another fat fuck that died from Coke.
That's why I was happy I got off the Coke.
Yeah.
Because fucking, you're going to die anyway.
But I'm going to have Lee find me here.
Yeah.
My wife's going to call Lee and say he never came home last night.
come here and I'm on the floor
I came here and the little label
we're all dying we don't want to expedite it
we don't want to expedite or fucking
die from that stupidity hell no
you said something interesting earlier
Jesus you said both of your parents
speak Spanish like that's all they speak
well they speak a little bit of English
my my dad speaks more English
because of work you know
work construction that kind of thing but
yeah
because like I I grew up
my whole life hearing
from various people like oh wow
why don't people learn English?
Because they're too busy working people.
And like, yeah, and like some people like even,
and I get it in some situations,
but like they would view it as disrespect
to speak a different language.
And to me, I never saw it that way,
but seeing like in those areas in L.A., America,
where you just don't need English.
Right, right.
Is.
You don't need English
because all the signs are in Spanish
in downtown L.A.
Certain parts of you're like, uh-uh.
The grocery store is named El Super.
El Super.
So it's just, uh, what, like, what are your guys' opinions?
You guys obviously speak English perfectly, but do you think it's the disrespect thing?
I know your mom was pretty strict with you, Joey, but I don't, to me, I don't see it.
Gohazes.
Um, like a disrespect to speak Spanish?
Yeah, I mean, I mean, did you see, did people, I'm not learning English.
Right.
Did you feel it was disrespectful?
I mean, your dad was forced into learning the language
because that's business.
Yeah.
You can't keep walking around saying Cinco passos.
Right.
Yeah, he knows work English and stuff like that.
I mean, obviously, if I was going to have it, like, you know,
I went to school, it's English.
I think when Jesus said that, he said from a second language home.
Well, he said he didn't have a, like, he didn't have a good...
I didn't have command of the language until fifth grade
because I grew up in an environment that only spoke.
Spanish and once I started going to school
like elementary school you start
getting introduced to it but
I fully got the command of it come fifth grade
you see what I'm saying? Right and you never
failed none of the classes before that?
I was in slow classes I tested really slow
I tested really bad so I was in slow classes
you know I was a special air class because it's like oh you test
you test horribly because you can't speak
to language I can't speak to language sure that's like
the kids in my school also yeah
these guys are geniuses but they were good with math
and something else, but two things
English, they'd fail.
Yeah.
So they'd keep them there.
That was fucked up.
But listen, it's not where you start is where you end, baby.
That's right, man.
And business is shit.
From fucking college.
Shake them up, boom.
First Mexican, your family, first generation.
First generation?
That passed the fucking eighth grade.
Never mind fucking college.
Yeah?
I mean, so no, no, no.
You have a lot to be proud of.
Yeah, I'm excited.
He has a lot to be proud of.
Thank you, man.
That means a lot, man.
And look, when I called you today,
I didn't know you were going to be on the show.
show.
This is all fucking, this is what happens.
You called me to extend something
and that goodness you bought out, turned around.
I did not even know you were going to be on,
I didn't even know James Coltrum put comedians on it.
Yeah, he's put a handful of people on it,
so I'm, you know, I'm excited.
It'll be Cedric on it and Hussein Bolt
are going to be the guests and your boys on it.
I was supposed to do it last month and I got bumped.
Stephen Colbert was coming on,
which is fine, but look, it was a blessing in disguise, man,
because, you know, I've been running this five-minute set,
and there was a line,
my opening line, in my head it clicked, and it was funny,
but I just kept running it on the open mics, man.
I just kept running it, running it.
Just three or four mics a day, just running it.
And my homie, DeMarie, I was hitting, you know, spots with him,
and he gave me a tag, and it just turned everything around.
And I'm like, everything happens for a reason, blessing in disguise.
Had I done it then, it would have been fine, but now I'm...
It's clicking.
It's clicking, man.
Money, money, honey.
I'll probably do a set tonight at the store
late night to get the bomb out the way, you know?
Going there just, you know, hungry for me.
Rough it out.
Yeah, so I'm excited, man.
I was able to run the set and, you know,
everything happens when it's supposed to, you know?
It's so funny how after about a year
you get the system in your head at the store
and you, even though you're not a top-notch comic
like you're watching guys like Bill Burr and Rogan.
Rogan, you.
And Eddie Griffin and fucking dice.
And you're sitting in the back of the room
Like, just having all these doubts as a man, as a human being.
Like, man, I might just get an ounce of coke and just end it tonight.
I'll never get this girl.
But watching that every night, being around that.
Mitzi Shaw said that place as a college.
It is.
It's a four-year college.
The first year, it's like your first year in Jiu-Jitsu.
You're getting beat up no matter where they put you.
Yeah.
No matter what part of the schedule they're putting you.
You're getting beat up.
Once in a while I get some brilliant side of the year.
You know, that open mic I watch, you fucking kill the room.
But it's amazing, you know, there's a year, year and a half in the store
where you fucking, every time you go down there, you might be stepping on a grenade.
Yep.
You never know what it's going to be.
Fresh grenade.
A fresh grenade.
You might kill the original room two times in a row.
I mean, semi-standing ovation in the words of Carlson-Losman, see it.
I got a semi-standing ovation.
and then go into fucking,
you could go off your best set ever in the
original room, walk into the
main room the exact same set
and not get one
nothing. Not one last.
Lee, do you know what that ride home feels like?
You start testing science,
comedy, what did I do wrong?
You listen to the set.
And that's why Mitchie said it was a comedy
college. You get to watch
10 comics a night
see how they grow.
It teaches you how you're supposed to
bro. She was brilliant
when it came to that stuff.
Yeah, and it's like the little details of the place.
I remember seating people
in the original room. I would
work the door, seat people.
And this is like 2011.
End of, yeah, towards the end of
2011. How long were you a doorman before you became
a regular? Over
two years, like two years and a half.
Good for you. I got past September
7, 2012.
And I remember
the priority I had
seating the room was when they brought up Argus
that I needed to remember his intro
It's like, because when I get past
I'm gonna do the first spot
That's part of being passed
You gotta bring up Argus and have the
You know, his intro
This next comic, you've seen him on tonight show
More Times Annie comic
He writes for over 150 newspapers and magazines
Give it up for Argus Hamilton
And I remember when I got past
I ran that fucking intro more than my set bro
I'm like I don't want to disrespect Argus
I mean, he's the OG there you know I mean
I can't disrespect him
no way. I could bomb, but I ain't disrespect to my man, you know? And I ran the set. It was an okay
set, you know, nothing special. Gave him the intro when I got off. I'm like, fuck, I said the
intro. And that meant the world to me getting past. It was like hanging out at that pizza
joint in high school where you went and hooked up with that chick when you were 16. And when
I say a pizza joint, this is, what's the word I'm looking for, Lee fictional, non-fiction
location. Like Lee had what? You had a pizza joint
where you went in high school? Yeah, but you could have a sandwich
to shop, a Chinese place, whatever time.
It becomes...
When you first get to the store of people, it's the weirdest description.
You're a fish out of water.
You just moved here from some mumfucked down
when you were the king of swing.
And you know some of the guys. If you're that heavy, you met
three or four of the guys because we came through
when you open for us
and we dug us
anytime we're in LA
look us up
we're at the store
or something
but still
you come out here
and you're a fish out of water
and you get that first apartment boy
and you're sweating bullets
on how you're gonna pay rent
and you get yourself a gig
and I never wanted to work
for Mitsy Shore
the first time I walked in there
and I heard the whole thing
I go you know what
I'd love to be a doorman here
but not really
I really went through this in Denver
where they see you
not as who you are
but what they saw you with the first time
so when you call back for years
there's a thousand comics
they'll tell you man my home club don't book me
yeah it's a mom mentality
you're always be with you the baby in their eyes
it's a fucking night man
so when I went in there
and she gave me
ba ba ba pa pa pa
I was very fortunate
but Josh Wolfe
and we laughed about this thousand times
he went in there three
or two times and killed
before she made him regular like
three minutes. He did like a
10 minute and then she told him to come
back another 10 minutes. He came
back on another style of 10 minutes
and she goes, you did great.
You want to be a doorman and he
cracked. Poor Josh Wolf.
You could hear the bone to the spine going
and Josh said fuck that I'm not going to be
a dog man, you know, because then she'll never have
passed, whatever. Yeah.
It was
my first couple years there
I couldn't wait to get back
like when I went on the road
I went from the airport
to the store
like I would go to the store on Monday night
with luggage
that's my favorite
with a grandma blowing my luggage
I take it right to the kitchen
with the money I had in my pocket
and started fucking drinking at the bar
snort and blow on a Monday night
you know it was just sensation
it was just a weird thing
and different girls were coming there
and it was dark.
At that time it was dark.
There were a couple comics that were young
that were really freaking.
You could tell them were up to something.
I didn't know what until about like a year later
when I heard.
I said, where's that dude?
And it was like, you didn't hear,
your old deed in the back.
That's one of the dog guys.
That's when you come in and the door guys will be,
the door guys will get there at seven
and start drinking in those days.
It was the weirdest thing
because in those days, it was a ship that just ran itself.
Yeah.
There was no manager that was going to come to you and tell you what to do.
Yeah.
They were told hands off.
Mitsy Short told them hands off.
Meanwhile, she's losing thousands at the bar.
Yeah.
Because guys like me are getting a package
and doing double jacks or double fucking southern comforts
every three minutes and smoking 22 cigarettes, you know?
Yeah.
She had no idea.
So she broke even in there.
Yeah.
But what were you talking to?
Oh, the comedy store.
Like, I couldn't wait to get back there.
Lee, I did not go home in those days.
On Monday night, and in those days, I would fly back on Monday nights perfectly.
Like, I would party Saturday night and sleep until 11.
Check out of 12 and fly out of whatever hotel I was at, that 3 o'clock flight,
which got me to LAX at 9.30.
It would always be delayed till 10.30, perfect.
And then I took a cab to the comedy store for the small yardstick,
plus the tip and I go right inside on a Monday night there'd be maybe 60 people in the original room
I'd get up real quick through 10 minutes and then go right back to the bar and give the bartender
a 20 and go to work get five packages for a hundred from the doorman and we go to work in there
and pray that a victim will come into your lab because the main room was empty you could take
them into the main room women's bathroom in those days that was the cave of death
If a girl agreed to go into a line of Coke, you had it.
She didn't give a fuck about his state of what.
Nothing.
Nothing.
Wow.
Where's Tony Bennett Cox?
You're slipping.
You see what I'm saying?
Monday, I don't know what it is, the 23rd, 22nd.
Doesn't even matter anymore.
I want to be around.
That's it.
To pick up the pieces.
When somebody.
breaks your heart
some somebody twice as smart
as I
a somebody who
will swear to be true
as you used to do with me
to learn
that misery loves company
me wait and see
I want to be around
who see how he does it
when he breaks your heart
to bits
let's see
the puzzle
let me give some shoutouts real quick
Amanda W
Dr. Di Nicole Tucker
thank you for coming
for the Kentucky shows
you people
good fucking people
had a good time in Kentucky
Josh Cowden
Nick Alvarado
Andrew Nondiel, my little fucking buddy up in Nyack, New York, slinging dick.
Bubba Hodge boys, my fucking savages, smoking reef in the morning with me on Periscope,
Sir Alex Ferguson, and River C-1-37.
I love your cucksuck.
I got to tell you guys about something real quick.
Tremendous.
Like you said, Azus.
You don't know where your days are ended up.
All you can do is give it 100%.
I got up this morning,
at a conference call,
I had to send some guys some fucking emails.
I went to Jiu-Jitsu,
and I had a meeting with these fucking dudes.
And then from there, I went home.
Then I went home about 4.30, 4.35.
I have to pick the baby up at 5.30.
So I usually work on the computer until 5.
And then at 5, I watch the news with ice on my knees
because I can do it for 20, 25 minutes.
And then I go pick up the baby.
baby. So I get home and I get on Facebook, I get on a bunch of shit, I'm going through stuff,
sending emails. And something, when I went to Facebook, and I clicked on messages, but it hit
the other one by mistake and it said, you have four messages. And I clicked on that link and I went to it
and I saw this fucking name. And it said something. And I don't know what caught me to open. There was a
bunch of fucking things. It was like messenger
which you don't tap into
for some reason. It just lurks
on your Facebook.
So it said I had like I don't know how many
messages I tap into it and I
see this fucking
Trevor you know and
Everwheeler and it rang something in my head
and I clicked on the link
and I scroll and it's a picture of me
as a young savage
playing with this kid
doing karate with this kid.
He's got to be two, maybe three.
And the story goes, when I first, first, first got into the car, but this is the first fucking day.
I meet this slick, cool motherfucker that only a person like myself can meet.
God put these people in my life for some reason.
My next book after this one were the angels in my life.
I got about 15 of them.
Like I said, I have not heard from this guy.
But mine and his relationship started six months before I committed the crime.
Six months.
April of 87, I met Jim Wheeler,
and a Subaru dealer called Bill Crats that was known for being thieves.
And he was the underboss of the dead of thieves.
He was, it was a debt of thieves, dog.
There was 11 car salesmen, and we were,
fucking selling tons of cars
in that corner.
One guy ended up being a bank robber
that would rob banks
at lunchtime from the car dealership
so he'd go for lunch and rob a bank and then come back
on the hour later. One guy
Normulette went
to prison for something else. We had him
with ankle bracelets and shit.
The one guy, Brian, ended up becoming a
service guy. The one guy, Wayne
was another big part of my life
but he came later at Bill Crouch.
His son worked there with him.
He was a young kid who quit high school.
You had all these killer car salesmen.
And how I got to the car business was that store.
And, yeah, the guy's name was Peter Pinto who hired me,
and he was kind of giving me the ropes.
But the guy who came up to me the first time
and asked me if I wanted to smoke a number
or fucking, let me teach you, I'd do something with this Jim Wheeler, dude.
And I fell in love with him instantly.
I was a kid, bro.
I was maybe 25 years old.
He was maybe 30.
Good looking dude short.
And then we started doing karate in the back.
He was a big Bruce Lee fucking dude.
He was a big Bruce Lee dude.
He had a book signed by Bruce Lee, the tower J-Cundo.
So me and him became tighter and tighter and tighter.
So I'm good at this car dealership.
I'm a young pimp.
I'm snorting coke.
I got a girlfriend.
I went from making $800 a month to making $7,000 a month selling cars,
I was wearing a suit going to fucking, not cocoa's, but the other one.
The Red Robin, I go to Red Roblin, drink the fucking 450 margaritas, the top shelf and shit.
Oh, I was Johnny Gumbach.
Hell yeah.
I never cooked again.
Cook is for fucking maggots.
I was driving through that money.
They would give me like a $2,000 advance on the 5th to pay my bills, and then they would wash me out on the 20th.
So I would pick up like two Gs on the fucking fifth
And then you'd pick up like another 3,000 on the 20th
Which dog was fucking a lot for a kid like me at that age
You fucking kidding me?
3,000
I was getting breakfast every day at Taco at a
Taco Bell?
No, the other one.
Del Taco?
No, Burrito Supreme.
No, that's Taco Bell.
What's the other one?
Jack in the Box.
There was a jack in the box up the corner
from the car dealership.
And I used to go in there every day like Johnny Bananas.
And I get the fish and shrimp salad.
That's how I first learned that that was fucking communist fish.
When I would go home at night, they'd fucking had shums.
My God, had the salad, and the fucking thing was garbage.
And then I would eat that, and two of those greasy dollar tacos.
In those days, they gave you two huge jack-in-the-box.
We'll give you two killer tacos.
Now they're all sad looking.
Oh, they were delicious.
That fucking baboon meat would sit in your stomach for a week of a half.
You'd have these farts.
Baboon meat.
You'd have to pull over and leave your coat door.
The door's open, open the trunk.
It was like you ran over somebody.
That's how bad your fucking ass would smell.
I must have gained 30 pounds.
But anyway, back in the gym with a little stuff.
So I'm rocking and rolling.
I'm snort blow.
I got this girlfriend who ended up becoming my wife.
One day, Jim Wheeler's the used car manager.
And I said, Jim, you know what, man?
They're taking away my fucking demo.
This is bullshit.
He goes, I got a car for you.
Jim was a brilliant selling.
He really was, bro.
He taught me a lot in the beginning.
He was solid.
So, fucking, I bought a car from him.
Put it out of the arm.
You know what I'm saying?
Just put it on the arm.
I'm taking it out of my check.
How much for the car?
$4.50.
All right, no worries.
Come check there.
They took $1,000 out for the car.
How did it go from $450 to $1,000?
They're like, well, they talked on $250 to D&H
and $100 for the car wash.
And I'm like, all right, but it's still $1,500, whatever.
And I got into an argument with him.
Now, the general manager owner of that place,
on paper, if you looked at him,
he was just a little twirp.
But between you and I, later on, I came to find out he was a gangster.
and he was a gangster.
So he was in the back on a Saturday.
A lot is packed.
This is who Joey Diaz was in 1987 before I kidnapped.
Carlos Valverdi's there.
This guy owns his there who was a big,
what he called those dude's surfer
that would come here in the winter
and then there in the summer and sell cars.
He's all big guys.
I went into Peter Pinto and I yelled at him with a foot.
Why did you take this?
I trusted.
Jim,
Wheeler was my goomba.
Jim Wheeler was not going to fuck me over.
So while all this is going on, Jim Wheeler's in accounting,
trying to figure out why they took so much money out for this car.
So this is how high I was.
I went at Peter Pinto.
He said he wouldn't give me back the money until Monday or Tuesday.
And then Wheeler came and I goes, Joe, relax.
I have the money for you on Monday or Tuesday.
I want the fucking check today.
They're like, Joey, they can't give you the fucking check today.
I don't give a fuck.
Go get the own and tell him.
want my fucking money.
And then Peter Pinta goes,
if we give you your money,
you can't work anymore.
And I looked at him,
and I went into the service department
and there was a fucking sledgehammer.
One of those light ones.
And I jumped on one of the
Subaru GL-10s,
and I said, listen, if I don't get my
fucking money, I'm going to start smashing windshields.
And ten minutes later,
they came out with the cash.
Peter Pindle gave it to me out of his pocket,
and they sent me home for the day
to think about what I had done.
I'll never forget
It was Jim Wheeler
Who fucking
Took me down from the ledge
I ended up quitting
I was still friends with Wheeler
I went back
And that's where I got arrested
For the kidnapping
Oh
Okay
He deterred the cops
From what I heard him
And a guy I had a beef with
Detered the cops
They sent blazing
Brett Hazen
To my house
To wake me up
To let me know the cops
Were en route
I think it'll only
stall him for so long.
He kept telling the cops, listen, they'll be here 15 minutes.
Wait for him.
And the cops kept going, no, we want his address to send a car to his house.
And they kept making up lies.
Nah, it's the wrong address we got.
They gave him like a wrong address, and they figured it out from my license,
and then they shot the fuck over.
But those guys covered from me, all right?
But here's where it gets deep.
I turned myself in.
My name comes out of the paper.
My name comes out of the paper a couple fucking times.
The job I had, they sent me a note.
Don't come back with a check for $250.
There's a only one step into the building.
You know, I heard they cut the article out and put it on the wall
to really disgrace me and shit.
Like, I had a couple salesmen of the months,
and they took the article and put it next to the salesman of the month,
like really to break my balls.
Because the Chrysler guy and me were tight.
I was buying a ton of Coke from the manager at the Chrysler side.
He was another one of my angels.
I loved that dude,
Artie.
Artie is a big Lee.
Take a look at Lee.
If Lee was six for five
and 200 pounds,
Jewish,
Artie Presler taught me to gift
the salesmanship.
Like I thought I was a salesman at Subaru.
I wasn't shit
until I got to Artie Preslin.
He broke it down from me like a soldier.
Really? Step by step.
If you do these things like this,
you will sell this car.
Nice.
Once you step away from this, you will fail.
And no matter how much it hurt for me to do what he'd say,
I did it, and my car number doubled.
Wow.
Because from his words, he would knock you into fucking into a weird percentageville
that would make the fucking customer.
Until today, I use a lot of his methods.
Yeah.
Until today, man.
To negotiate stuff in the business?
Absolutely.
Wow.
Absolutely.
So it was weird.
So now I get locked up for a month.
everybody knows
cops told my car
they go through my house
there's more articles
in the paper
now they're putting articles
in the paper
that connected me to a kidnapping
murder
they connected me to two things
a dude who jumped off his balcony
when the cops
had chased them
and they weren't really cops
he jumped off the balcony
and the people robbed them
and he broke both his legs
some moron
and there was a Cuban kid
who was selling coke
but he was getting like
$80,000 from the government to go to school there
because there was no Cuban kids.
He was milking him for Pels and Pels' cousins and more Pels.
In those days, in the late 80s, if you were Spanish and a white campus,
you live like a doctor.
You didn't have to play football.
Fuck that.
They put you in a category with American Indians.
They give those people casinos at those colleges.
They give them like a little dorm.
Listen, don't tell nobody.
Don't tell none of these pale-faced motherfuckers.
This is for you, people.
Cover the spread.
But sorry about what happened.
Put a couple of Mexicans in here
Give him a couple feathers
Nobody will know nothing
Alright
Don't tell him your name is
Jesus
Tell him your name is
Dona Ruba from the fucking Zona tribe
These are Cherokees
From fucking whatever
They don't give a fuck
Just give them a cocktail
They'll be happy
You can tell them
Whatever the fuck you want
Hilarious
Give him a kamikaze
You know so
No
So I do four weeks in county jail
Embarrassment
People already
Telling my roommate at the time
was tight with me. He grew up with me
in Jersey, George, and he was telling me,
I was working, and the guy pulled
over and said, lose his number.
Like Coke dealers had told me to stop.
Wee dealers said, don't come on.
He's harder to fuck.
If he gets on bail, he's going to have cops
watching. So I was getting
messaged, like, are you kidding
me? Jesus, why don't you going to talk to me?
No more, I can't talk to you by. And people would just
hang up on me. Because by me getting
out of jail, either I was on a rat.
Right. Or...
Ex-on you.
Yeah, so now I had a fucking terrible ex-on-on-me.
I applied at two places for jobs.
They thought about it for a day, came out,
and they were like, I even thought that,
I even went to places that would have hired me
in a fucking heartbeat any other time.
And they told me no.
And one day my phone rang, and it was Jim Wheeler.
And he goes, hey, man, I left crowds.
I'm looking for some good salesmen at,
at Valley Longmont.
Subaru. Oh my God. So it's
1988
he gives me this job.
I'm so cracked from the kidnapping.
I can't sleep at night. All I'm thinking about is the
nine years they're going to give me. They wanted me to
plea bargain to nine years. I got to be
kidnapping. I couldn't sell a car.
I couldn't focus.
He got the company. The company
wanted me gone. Once they found that it was
in the papers, the company
went there and said if he's not selling cars.
got to go.
So Wheeler gave me a deal
on the Subaru, basically
gave it to me.
We bought a car for like 168,
a beautiful Subaru hatchback,
which she got triple for.
When we got divorced,
she got triple for that fucking car.
Dang.
The car was mint.
A little red fucking hatchback.
Jesus Christ,
how time flies.
So now,
I'm tight with Wheeler.
I'm tight with Wheeler.
And Wheeler fucking bailed me out
with nobody would
hire me or talk to me.
Wheeler bailed me on. He got married that
December. He invited me to his wedding.
He had a little child.
In the car business, when I say to you,
Jesus, what's the offer? $2.50 a month.
Let's bump him. Bump him up
to $2.80. A bump means
that, you know, your income goes up.
When the one kid was born,
Trevor, he would always refer to him
as the bump. My life got bumped.
Now I got to pay more fucking money
to the wife, so I got to stay here all fucking
that. He was a great salesman,
bro. We used to smoke
weed together. We used to play the guitar
together and sing. He played the guitar.
I'd sing. We used to do
karate demonstrations in the fucking
car.
Wait, how old were you? 30?
25, 26.
Now I go to prison.
I go back to
fucking New York. I'm doing
comedy. I come back.
Who's the first guy I call? Jim Wheeler.
William.
Jim Wheeler calls me back. He goes, what's up, my brother?
I go, I'm looking for a gig.
He goes, come on out.
It's a long month.
I got you a gig at Winkler.
Winkler used cars.
Winkler, the old man.
People are making $10,000 a month.
They're retards.
Retards.
Wow.
Selling used cars, pay here, buy here, the Mexican people.
You think I'm kidding you?
You know, you want the car.
You got no credit.
Right?
You got no fucking credit.
Right.
You play that angle.
This car, this car is worth $1,000.
I'm going to charge you $2,500 plus the Vig.
You're going to come here every Friday at five or
and give me $160.
If you drive your car,
you know, a family, a
Spanish family, will pay $160
a week to drive a decent
car back and forth to work and depend
on the family. Is it a
Maserati? Not really.
It's just a fucking car.
You ever see El Chapo? No.
Yeah, no. His cousin,
what's his cousin's name?
Fucking
Not Federico Sanchez,
fucking Pablo Escobar.
When Pablo, after they figured out,
I didn't know any of their cousins.
Yeah, whatever.
They sell coke together.
They're cousins.
They're all fucking cousins.
After they figured that he had high-level cars,
he put his people in these fucking weird cars.
These pieces of shit, duds, darts, and shit.
That's what you get when you're a Spanish family.
Right.
And you move to Longmont.
But you're making bank on these people.
And he would pay you advance.
So if the car was, if he owned the car,
car for a thousand bucks and you sold it for 2,500.
He would give you like 60% a bonus.
It was amazing.
My first week there I made three grand.
Wow.
I started December 18th.
That date always fucks with me.
December 18th?
Yeah, I start December 18th.
I get the first check from him and then we're going into the second week and what do you know?
It's a Christmas party.
I go to the Christmas party that day
The lot's open
But they're barbecuing
They're serving food
They're doing all this shit
And I'm playing basketball
I'm looking at the people playing bad
And at that time I was doing good shape
My shoulders are good
And I can play basketball
That's what I grew up on doing
And I'm looking at this guy
That's fucking Doug
From Aspen
Amidly
Yeah
I don't know
I think so
With them
Shotgun Doug
From Asper
Shotgun Doug.
So when I met him, he was Doug.
Okay, when I first went to Boulder, Colorado, to,
to, Aspen, Colorado from February of 80, April of 83 to February of 84,
there was a kid who was, you know, one of us, young, you know, a chick guy, good-looking guy,
and then they was Doug.
He sold powder.
He sold pills.
He worked at the hotel
where we all hung out.
You know, I hung out
not in his clique,
but in his clique.
There was two cliques
at the Crestwood Hotel
in those days.
And I hung out
with Vince and his brother,
Carl Hall,
and there was somebody else
who lived in the Vicki.
And then they had their click.
Brian,
shotgun Doug.
Brian was a fucking moron
who later on I tolerated.
But every once in a while,
He wanted to smack him in the mouth for a stupid statement.
He was too old.
How does he go from just Doug into shotgun, Doug?
Okay.
Very interesting question.
How did he get bumped?
How did he get bumped into a shotgun?
Okay, so I leave till 84.
This all goes down.
What I'm telling you right now is going down in 91.
No, this is going down in 93.
This is how long I know Jim Wheeler.
So I met Wheeler in 87, and he always had my motherfucking back.
And then a dude by the name of Wayne Means went to Bill Crout Subaru,
and I went back and worked for them.
And Wayne Means was my mentor.
As a matter of fact, let's be honest with each other.
You know who used to tell me the church of what's happening now?
Wayne Means.
Wayne Means had a belief.
Wayne Means just said to me, listen, dog, I don't give a fuck what you did yesterday.
I don't give a fuck what you did the day before.
I'm from the church of what's happening now
and I'm from Missouri.
You got to show me, motherfucker today.
I'm from the show me state.
He was a white dude that was gorgeous
with short hair and a beard before a beard was cool.
He would have a long beard.
Chuck Norris-like?
Yeah, very tight.
But in the summer, in the winter, he would disappear.
He was a biker with the Mongols or something like that.
And he would disappear and he laid his beard back.
And then you'd see him a week before April.
And there he was with his beard with the long hair.
He'd give you a hug with his leather on and the whole thing.
And then a week later you saw him with a $600 suit with hair looking like Pat Riley and the beard cut short with blue eyes.
And he was another great man that taught me another angle of sales.
But how to be a man.
Look at you got to shine your shoes.
How are you going to fucking sell a car with shitty shoes?
He always, he would fucking suspend people if you had shitty shoes.
Wow.
It drove him crazy if you were.
Your shirt wasn't ironed.
It drove him crazy if you wore.
a fucked up tie
with a shirt with designs.
Oh, okay, yeah.
He taught me a lot.
But anyway, back to shotgun, Doug.
So now, I come back in
to Snowmass
in 85, I don't fucking know,
86.
And one day, I see Doug.
And I go, Doug, what's going on?
And somebody whispers,
Oh, no, no, he's not Doug anymore.
He's shotgun, Doug.
So I'm like, Doug, what's going on?
He's like, no, I'm good to see.
I'm selling some blow.
I think I buy some blow for him.
So I go through my butt.
Now, when I do with Doug, Doug was a regular guy.
You know, he did drugs, but now he had become a Coke fiend.
He had creepy eyes and shit.
Blast over eyes?
And fucking, uh...
Oh, that's what you know.
And fucking, uh...
So, uh, we're sitting there, and one of my buddies goes,
how good is that Coke from shit?
shotgun
dog you know listen why do you call him shotgun
dog because here's the deal
one night he's at the
crest wood and he's not the crestwood
at the Stonehenge and Snowmass Village
just like a little resort bar
you know live bands horrible you just go there
and get your dick sucked and pick up a rock of coke
from the bartender coke was pure
in those days up there
coke was clean by no step on
shit it was coming from the Steve Grabo
dude and the whole fucking village had tremendous
coke it was a fucking village dog they had
three bars
So he picked up this chick
At the Stonehenge
And he took it back to the Crestwood
Where he took a hotel room
He lived in the employee housing
But you had roommates
So he went
Took a key off the wall
And brought her up to a fucking condo
With a view
Wow
Like a balcony and a view
They're drinking
They're watching porn
He's jerking off on the titty's
The whole fucking package
He's got an A ball on him
He's snort and coke
He's snorting coke
He snort and coke, he snort and coke.
He kept leaving and coming back to the hotel room, like 20 minutes later.
She would say, what are you bringing in?
And he didn't say that.
He goes, I know I'm bringing in some clothes.
I could spend the night here.
We got the condo for the night.
You're my guest.
He's the skis and shit, okay?
This goes on a few times.
There's snort and coke.
Nine in the morning they wake.
They don't even go to bed.
The sun's coming out.
There's snort and blow.
This is the first time I had heard of it.
This is 1980.
Fuck.
Yeah, this is 86.
I heard this story.
So, Doug gets up in nine.
There's snort and coke.
The chick's naked.
He's naked.
He goes to the bathroom.
He comes back and he goes,
wait a second.
Coke is missing.
The chick says,
what are you talking about?
He goes,
there was a mound of Coke
when I went to the bathroom.
And now I come back to this two fucking lines.
Where's the fucking Coke, bitch?
And get up, flap your tits up.
Turn around.
Let me see you.
ass and she's like, what are you talking about? He goes,
you got three minutes and give me the fucking Coke.
And she goes, Doug, I didn't take no coke.
He runs into the fucking back. He comes
out with his shotgun. That shit he
was carrying with shotguns.
Because he would get paranoid. He was that crazy.
How many shotguns does he have? I have no
idea. He just kept moving him.
He ran out and he took the chick hostage.
He put a gun to her head. Give me the fucking
Coke. Give me the fucking Coke. He was like on the
second floor and something on the balcony
was outside smoking a cigarette and
saw this. So fucking the cops
came up there surrounded the building.
He had the shotgun that became a horror situation.
They had to fucking call somebody.
They took him down.
Took the shotgun away.
Hence the expression, shotgun dug.
Now it's 1990 fucking 4.93.
How quickly do you get out of prison for that?
Listen, I don't ask questions.
When I get there, everybody's like, shotgun dog is gone.
He's doing time.
He's doing time. He kidnapped.
He put a bullet in some chick's head on my shotgun, Doug.
Really?
They go, he got really bad on the blow.
Now, it's 1993.
I'm in Longmont, Colorado.
You know what the chances are bumping into somebody
in Longmont, Colorado at that time?
There was one thing in Longmont, Colorado,
delisioso tacos.
They had the best breakfast taco I've ever sank my teeth into
for 69 cents.
I would go to them by 15 of them
and eat them on the drive back to Bowden.
You understand me, I'm a professional.
Yeah, yeah, yeah.
I was lifting weights, swimming.
I would live.
I would walk into Hertz and go, Tommy,
you got a car to go to Longmont.
Yes, we do.
do. See you in two hours.
Piyo! I would shoot right to delisios.
Anyway, here I am. Christmas,
1993, the party,
my new job, I'm the kiss of death at the time.
Everything I'm touching turns to shit.
Shit.
Shit. I'm at this party, and who do I see playing basketball at the party?
But shotgun done.
So while we're playing basketball, he yells over to me.
No, I yell to him.
shotgun dug and he looks up at me like all spoof and he goes hey man how you doing and when he comes
up to me he slams me in the chest what he goes who the fuck you think you are don't you ever call me
shotgun dug bitch i'll go to my car and shoot you and we kept playing basketball now i'm in the
game against him and while we're playing you know me dog yeah i start with the shotgun dugs
shotgun dug
shotgun dug
shotgun dug
he's getting redder in the face
by the fucking minute
you want to water
yes please I would love one
he's getting
redder in the face by the minute
he doesn't want nobody to know
he's shotgun dug
wow
he's putting his business out there
he did something
he did something
do you want water
no I'm good about anything
so why keep busting his balls
throughout this basketball game
calling him shotgun Doug
shotgun dog and he starts
threatening me. Uh-oh.
He doesn't sound like someone who you want to mess with
to be honest. Huh? Yeah. I don't
think I'd mess with shotguns though. He was a fucking puk.
And he became a worst puk. And now he was
like a coke fiend mixed with
like he was skinnier and he was
really creepy and he was a fucking fucking
dickhead.
So he starts yelling back and forth
you know, but you were in prison
too, you fuck. I heard the whole story.
You kidnap some chick.
And everybody's looking at me now. So
I'm fucked. I put myself with this predicament.
They don't say nothing. Nobody said nothing.
So I wait a little while. Everybody's jingo bellin.
It was a trailer.
The people drinking that mug, there was cold cuts. It was a nice setup.
Yeah.
There had to be fucking 25 people there. Everybody's having a good time.
I'm around the back and who do I see? Shotgun Duck.
And I fucking, you know, he's smoking the same right to do it.
And that's when my creeping skills were on point.
Like I was good.
Top-notch.
Oh, yeah, I was getting good before I went to prison.
Now I came out my creeping skills one point.
And it was something I enjoyed doing, sneaking up on somebody.
You live to do that shit.
You do it when you're a kid, and that's fine.
To do it in real life, I got them.
And I got them by the neck.
But the only thing I could slam them up against was the trailer
where the people were having a Christmas party.
So when I slammed them up against the trailer,
I told you the story.
I clocked them a few times.
Next thing you know, everybody runs out and goes, what happened?
And he's like, Diaz attacked me.
I go, you tell him what you did.
You had a knife.
You were going to fucking do all this shit to me.
I didn't do nothing.
He called me Shotgun Doug.
I don't even know who Shotgun Doug is.
And the rest was history.
They gave him my check and fired me.
Wow.
Shotgun Doug.
Shotgun, man.
You know what you did, Shotgun Doug.
Oh, man.
He's shotgun dog, punk-ass bitch.
Pussy-ass, my fuck.
Fucking shit.
Whoa.
What time are you on tomorrow?
Hayes' Trail.
I am on at 1230.
That's a late late show with James Corden.
How old are you now?
31.
You're a very interesting young man.
You have great insight, man.
You're going to do well in comedy.
And that's why you've done so well already.
You have dates on the books?
November 11th.
No, November 12 will be Ontario.
Improv.
Doing a one-nighter.
Good for you.
Yeah.
You make good students.
Not headline.
I wouldn't call the headline.
I'm just doing a show.
Yeah, you're doing a show.
That's fine.
Yeah, yeah, yeah.
I started at the Bray Improv once a month.
Second Wednesday in the month.
When me and Lee started working,
I was doing one Wednesday every month at the Bray Imprope.
You get 40 people, then you get 60 people.
Then you get 100 people.
Then you get another hundred people, another month.
Then you go to 160.
You're like, Jesus Christ,
I'm making strides here on Wednesday nights
because people get used to you bring two comics down.
And now you start selling tickets
And it's not a bad little living once a month
But you don't want to kill yourself
The more you do it, the less you're going to make
Once every Wednesday
The second Wednesday every month
If they know you're going to be there
They'll fucking show up
They'll pay the small 15
Just to have two drinks and eat macaroni
Whatever those ficken
Those mozzarella sticks
It's pretty interesting
When you really get to see the other side of people
Like I'm ready to do a documentary
about fans of comedy, faces of comedy, the people who...
Do you go to Townsend you see the same couple that comes in and that kind of thing?
I love when a person comes up to me as a comic and go,
Hey, this trail, it's great to see you.
You know, I've been a fan for a long time.
I like that.
But I also like when people come up to me and go, dog,
I came here to see Burke Kreisher and Big J. O'Gerson and Louis Gomez and Ari Sheffir.
That gives me a different admiration for a person.
Then they'll show up with like a bird shirt.
Yeah.
They want me to sign or something.
Because you let me know you're a fan of the culture.
Yeah, the art.
Yeah, yeah, absolutely.
The art, the culture.
That's what makes my dick hard.
When people come up to me,
oh, it's like a picture, I think you're great.
That's great.
But I like when people come up and come up me with different angles.
It's very interesting.
It's really interesting.
I love when people come up to me,
and it's a guy that looks like Lee.
That's a very decent, hardworking American.
and they'll come up to you
and give me a hug
and go,
that was a good show.
You know, my favorite comic is Galligan.
You're like,
oh, chow.
Okay.
Yeah.
That's when your ego really sinks.
So your favorite comic is Gallagher,
you cocks sucker.
Do I look like I was going to cut
watermelon store?
Your fuck.
Yeah, it's always nice to go into a town
or,
I'm always surprised when I see people
like, yeah, I came to three shows
this weekend to see like the same act
or whatever.
I'm like, wow.
It's like, that's a special kind of person
That's really entertained by that
Bro
Where was I just Tampa
In Tampa?
A beautiful couple
Came five shows in a row
Wow
Remember they came?
They came from Gainesville
And they got there
Because she went to the store
And bought something
And with the chain
She got a lottery ticket
And the ticket
And the ticket got a 500 bucks
So they booked the hotel
They got the tickets on the line.
How cool is that?
They came to every show, and they sat in the same chair, every show.
And they were very sweet and very nice.
That's so cool, man.
And I promise them I come to Jacksonville and see them, because that's how cool they were.
That's so cool, man.
But I had to do better every night because they were there or switch up a new joke.
And it made me better.
I hate when people come up to me.
Like, this week, it came out to me and said, I came all five shows.
I'm like, God damn it.
But guess what?
Every show I got a little better.
And they saw that.
I could tell they saw that.
Every show I get better.
Thursday is just a warm-up, but it's fun
because you find the gem in there.
You find the gem when you're in there.
Bobbing and weave and find it.
Yeah.
You bob and weave.
You mix the bob and weave.
Yeah.
With the solid stuff, you blend it just perfectly,
and you have a tremendous night on a Thursday night.
And now you know your boundaries.
You know what I fucking got killed with?
I got killed this week the last show
Saturday late
first show to sell out
true church fans
I said something about somebody
was standing outside
the twin towers on the umbrella
when 9-11 hit the building
and shit and I didn't get one peep
in there and just got silent
in there I had to fucking pull a grenade out of my ass
three jokes later to fucking get them out of that
fucking state of mind I fuck myself sometimes
but that's what
comedy is.
That's what comedy is.
I probably grew
from that right there too.
Oh yeah,
yeah, you grow.
It's weird that
Hayes's Trail,
I wish I was going
through this when I was
35.
This was not the time
to give me road angles
when I'm 54.
You know,
I'm not on testosterone.
I'm a natural
fucking protein
and shit like that.
So those four nights
kill me.
I can do three nights away.
from mama and the kids
and the sleep pattern.
You know,
you gotta get up at 3.30 in the morning.
I don't fly out. I fly out early.
You know, very seldom
like cats that afternoon fly it or something like that.
I fly up. Papa goes out the first flight.
Yeah. I'd rather get there
at 2, taking that. Get some
fucking food from the bar.
They come pick you up at 7.45
tip top of goo.
You go out to the club, you smoke a number.
You do your fucking 50 minutes.
You take a few pictures and you go back to the
hotel room. If you gotta do radio,
you gotta do radio, but it's not, oh,
you're a sleep pan. You stop at the
lounge, you've got a couple bags of Doritos,
maybe a slim gym like a motherfucker,
maybe some kick-cats
and shit, a little gallon of water,
you go back upstairs to your room,
oh shit. Hell yeah.
TNT got a lawn on a marathon
with Anthony Anderson and Lupo,
and now you're living like a doctor.
It's two in the morning.
You're in fucking Tampa, Florida with your feet
up. Right. You don't have to
get up in the morning.
What do you give a fuck?
You're going to watch all five episodes.
All the whole goddamn marathon.
It's two in the morning.
There, but it's 11 o'clock in LA.
So you're at the comedy store, 11 o'clock.
You're not getting into your house until 1.30.
That means you're not even thinking of going to bed until 4.30.
435, yeah.
That's what happens.
And you feel bad because people always say,
hey, you want to do lunch tomorrow, yeah, look at me and the angle, is it?
I love you to death and I love to you all for it.
but I already looked at the TV guy
and they got fucking John Wick 2 on tonight
at 11.45.
Not happening.
It don't end until 1.30.
I've been waiting all day for John Wick 2.
You know what I'm saying?
Right.
Like I've been waiting all fucking day.
The calls are coming in.
The calls are coming in.
From the Ralphie Mae Memorial.
Oh.
Oh, that's right.
It's today, man.
I feel very bad.
I'm a podcast.
I did not want to.
there's some people this is a Hollywood
memorial
which means
what is Hollywood about
it's about actors
I knew who was going to show up there
and I knew the people that were going to show up there
tonight and the reasons they were showing up there
and I'm going to do the benefit
in Nashville for Ralphie Man his birthday
February 17th I think it is
for the kid scholarship fund
but listen
I'm one of those spanishes
Spanish people at the last four out of five wakes or funerals I went to, there's been a fist fight or an argument.
It goes down like that, yeah.
So I have bad luck.
I think if I would have gone there tonight, I would have been in a bad mood.
I didn't want to disrespect Ralphie or anybody, so I chose just to stay out of the event and mind my business and behave like a gentleman.
That's the best I could do.
I gained a tribute the other night at the late show in Lexington, Kentucky.
I told the fucking whatever story.
I told the story when I ate the chick's pussy, and he saved me.
I told a few stories about Ralphie.
It's a fucking memorial.
I was my memorial for Ralphie.
Obviously, you made the smart adult decision,
but just for the sake of a laugh,
don't you think Ralphie would love it a little bit if you went off on somebody?
I mean, depending on who it is, I think Ralphie would have to be hysterical.
Ralphie would love it, and half the people in that room
would have cheered for me to go,
of. Here's the problem.
I'm 54 years old.
I have a family.
I have a nice little thing going on.
What would I benefit from doing this in front of half the industry?
Right.
What happens if I went down and then I got anxiety attack?
You know, 10 years ago,
this month is when I stopped doing blow on like the 15th.
I think Marilyn Martinez died on the sixth.
Oh, no, no, she died
on Rick Ramos' birthday
November 3rd or 4
something around there
I had to go to New York for a benefit
I didn't do Blow that weekend
came back
and I didn't really have a chance to do Blow
She was dead
They were going to have a church thing
And as soon as I get to the church
Who do I see
But this dude who's tortured Maryland
For the last two years
Oh shit
He's there front and center
Then this other comic
That's well known
made a statement
that he knew Maryland's family
and had money for the funeral
so he was going to pay for the funeral
well the beauty of it was
that the guy demanded
if he paid for the funeral
he wanted a certain person
not to be there
this person that he demanded
not to be there
had been good to Maryland
this guy, this celebrity
because of his ego
this was all going and doing on
only in the Hollywood wake I would see this
when I grew up
this would be a ground
for fucking a beat-up, a throwdown.
This is all going on at the church already.
This all went down at the church.
I left. I had to go to some exercise class or something,
and I'll say whatever the fuck that is, up the hill there,
Los Police.
And that night they were doing a benefit at the comedy store.
It was getting sponsored by a restaurant.
I hadn't done coke in a few days, bro.
So I was on that journey, already.
You know what I'm saying?
I was ready to kill a motherfucker already.
Yeah.
And I'm not sure if I stopped.
Topton got Coke, or that was my plan to cut the shit.
I was a junkie.
And against my will, a dear friend called me at the time and said,
listen, how would it look if you didn't go?
Go down there.
It's going to be fucked up.
I can't go down there.
And I just had a feeling.
I know me.
You know, it hasn't hit me yet, the Ralphie thing.
I didn't want it to hit me down there.
Yeah, yeah.
With Maryland, it didn't hit me until I got there.
They had the picture of her.
I thought about the main room.
I'm sitting there.
I walk in with my suit and I look over
and that dude that was playing games
is eating the food.
Oh shit.
The free food that they give him.
This guy is a fucking producer. He's made a ton of money
off all the Latino coming.
Fucking smoke was coming out of my ears,
man.
Smoke. I had to turn away and go in the bar
and have a drink, which I never drank at that fucking
ball. But between
the no blow and this guy
was, it came to a boil.
And I'm sitting there, mine in my own
business and one of the chicks says, listen, you've got
go up there first and open up the show.
So what does my Cuban-ass guerrilla
do up there? I go up there and after three minutes
I start going off with the guy out of the main room.
I tell them when I get off stage,
I'm going to fuck them up and blah, blah, blah,
and they got to escort me out of the store.
It was very embarrassing. I knew
what the whole rage was about.
He deserved it. Don't get me
right. I'm not apologizing at all.
And then the word
got out that I was a fucking gorilla.
Some people stopped
talking to me. Some people stopped booking me for
certain thing. In fact,
I heard repercussions from it
two years ago, and it broke
my fucking heart.
I think like Lee said, I think you did a grown-up thing
this time with
Ralphie. I know me. We've had
Lee, we've had some brilliant
times in here around me.
If you fucking think of this podcast
and how much fun we've had it here.
I think that
the spirit of Ralphie
always live in this fucking podcast.
This is crazy.
It wasn't even around for his podcast.
But when he was on it,
it was his podcast.
Do you disagree, Lysiah?
Am I kidding you?
He would start from the minute
he walked in that fucking door.
From the minute I went down
to get him at the car,
he would give me a hug.
But then he would tell me, like, you know,
Lee, I was one of the first members
of the church what's happening now.
And then we would just talk.
He's the Reverend, whatever.
He would go.
He would go on.
Yeah.
For Lee, give me the pipe.
Lee, look at this, Pingita.
And he would start going off.
And then he would sit in the chair,
you would hear the chair fucking breathing for his life.
That poor chair, that poor chair, you would hear it.
Every time he moved a little bit,
you would hear, like the springs would be going,
Jesus Christ.
And then he would just come on here and start talking nonsense.
He hated rush, and they hate fucking rushing.
He would just having fun, you know.
He was just having fun.
And you know what?
We'd sit there and go, Jesus Christ,
look at the podcast numbers,
look at the podcast numbers,
and Ralphie comes on.
It was like a different dimension.
We couldn't believe it.
He was like the first big guest
that would come on
and really light up the numbers.
And I would listen to a little bit of the podcast,
and I would see why.
The podcast was really like...
Here's a great laugh.
You can feel the love in the room.
Yeah.
And that's really weird.
Like, I dig you.
I really dig what you're doing,
Aizuzuzza.
You wouldn't be here.
I think you're on.
the right fucking path.
I have to say,
it means the world to me, man.
That's crazy shit
to hear you utter those words, man.
I'm 54 years old. I don't have much left.
I'll tell you what I do have left.
Why you always say stuff like that?
My eyes are not 20-20,
but for what I need, my eyes are good.
Because I'm always watching.
I'm watching who's down
there begging. I'm watching
who's down there working.
And I'm also hearing about who's putting things
together. And the putting
things together, I have to respect
because that's what I had to do.
I didn't go to Montreal. Nobody
fucking wanted to sign me as a manager.
It was a nightmare.
My first agency was the coloring
book.
Their paperwork was pink
and orange. You had to put
all your head shots on colored paper. It was
fucking amazing. And every month
you had to change the paper so you'd end up at
Mr. Ying's printing over there on sunset
across the guitar set.
It's out of business now.
Mr. Chow's printing.
Mr. Ging,
Uncle Chow, listen, you know I'm bad for fucking names.
No names.
It's out of fucking business now,
but I didn't have that type of help.
So everything you got,
you had to work for like you did.
And that's the main thing.
I know when I get a call
and I know who's bullshit.
Yeah.
You know what I'm saying?
After a while,
you learned the tweak and the voice.
Yeah.
In 2007 was when I made my decision.
I told a couple people to stop calling me.
It was a painful decision.
They stopped being my friends, but guess what else happened?
They never came around again.
They didn't do nothing as comics, just like I thought.
They were out for the quick fix.
They were out to latch on to somebody, to take them on the road,
so they could tell their friends, pick up chicks, smoke pot.
And then one day they'd do something in the hotel room.
The relationship will be over, and you'd never hear from that dude again.
in circles.
He'd be off welding
at a fucking school
or something like that.
I'm not saying
nothing bad about welders.
I love you,
motherfuckers.
I'm just saying
that he disappeared
to Indiana,
the weld.
But I think you have a future here.
I see you at the store.
I see how you handle
yourself on stage.
Thanks, man.
You have a good time
on stage,
which is very,
at the store,
young comics like myself
were always kind of nervous
in the spine.
Yeah.
I could tell that smile
on your face
that you're very relaxed
up there.
That's what I do. I go down there.
The best thing about the store is not performing.
Yeah.
And that's what people don't know.
That's the hard part.
The best part of the store is smoking the joint and sitting in the back.
Going down there at 8.45.
And even though your spots are 1145, just sitting in the back in the chair, don't talk to nobody.
You don't want to talk to nobody.
You want to sit in the back and see how he hypnotizes the audience and see if he gets you.
Yeah.
You play that game by yourself.
when you see those bill burrs
that's when you have to go in there
Tom Poppers
yeah
and you know it's fun on a fucking clinic
it's funny to me because
a lot of people expect to go see a comedian
and he's not a machine gun comic
and they go well he's not as funny as expected
no you didn't read
listen to his setups
you didn't listen to his punch lines
correctly you know you were listening for something else
that dude's a brilliant fucking comic
you came here to see some fucking
yinian machine that's up to
jumping up and down doing bad jokes.
But the star of the night was a Tom Papa, those guys
who were surgeons.
They're fucking surgeons.
They dissect the room in a different way
than Bill Burr or Joe Rogan or Sebastian Manascar.
Neil Brennan will surgerize a room.
Are they going to get out of their feet
and fall out of their chair?
No.
But he's going to mentally war fade you.
Well, you're going to laugh because your brain's going to rattle.
And that's what's so great about comedy.
so subjective.
I mean,
so it's like,
it's like,
it's like,
it's like,
it's like,
it's like,
the beauty
of the store is
you see all these styles.
I mean,
I remember when I first got
to the store,
I mean, he was my,
I was his roommate.
I lived on one of his bunk beds,
but I'll never forget
watching Doug Stanhope
in the original room
the best.
On a Saturday night
at the original room
would be sold down
and banged.
I'll say it would be like
Argus Hamilton.
Yeah.
And then it would be
like a lesbian comic.
I never forget this certain night
when it was a short little lesbian comic.
And she went up there at 8.30, you know,
cookies. I'm a lesbian comic.
Coming to the stage,
Doug Stey and him,
he walked up there, he's like,
this chick is a fucking lesbian.
Like, I'm a fucking faggot.
He goes, you know what a real lesbian is?
A real lesbian is in a little league cage right now,
coaching a bunch of little girls
with a fucking cock ring or sire.
He just went off.
Wow.
That original room went into shock.
8.30 show, 815 show on a Saturday.
A little early for it.
I'll never forget sitting in the doorway
and watching Doug Stanhope break that,
or everybody's back just went,
at the same time.
He just started talking about this lesbian.
She was in the back of home.
Jesus Christ, what thought I do?
Doug Stanhope's machine gunner up there
talking about coming on your tits.
And he saw his mother's pussy
and looked like a spider, so he stepped on.
and, you know, he just went off
and you're in the back as a comic,
fucking howling, you know,
just amazed at the talent.
I'll never forget, like,
I saw a talent in New York,
but in fucked up rooms.
I'll never forget until the first time
I saw it telling the original room.
They gave him a guest spot at like 915.
And maybe, maybe there was 45 people.
That's when the whole back was empty and the sides.
Just the middle would be scattered.
And I'll never forget him going on a Thursday night
talking about his cocaine went down to plane
on a Vianca plane that was Pablo.
I mean, he was fucking riffing up there.
He still had the sparkler as the gay cousin
to the firecracker and all those things.
You know, who likes firecrackers, raise your hooks.
He destroyed that original room.
That shit would make my dick hard.
when I was up there in the beginning.
Then Paul Moody.
To watch him come in.
And then you had to follow that.
So you would be sitting back there and panic.
What am I going to do?
Oh my God, you go through 20 anxiety attacks.
You couldn't leave the room.
Because he might get off and he would not bring you up.
He would say, good night, niggas.
And he would just put the mic in the thing and walk off.
Then the piano player would have to run over there and put a piano.
Coming to the stage, Joey Diaz.
And as you were walking up,
Half the room is emptying out.
It went from 46 people to 18, right before your eyes.
You know what that does to your egoly?
That's like me kicking you in the stomach after the show.
I can't even imagine.
See, the chair broke from Ralphie Mae.
Yeah.
We put the cursor Ralphie on.
Here's a little click.
And the chair went down.
Look, by ya.
Knock on the fucking table three times.
Listen, this Saturday, I'm going to be at the month.
the fucking ice house 730
working out with Uncle Joey
and then next week
November 2nd or something like that
I'm at the Omaha Funny Bone
then November 10th I'm at fucking
Gotham Comedy Club. How's that
for you for the New York Comedy Festival?
Suck my dick and call me Shorty
Uncle Joey was born in
1940. I want to thank
my man Hazus Trejo, a star on the
rise. Where can they find you, my
brother?
Jesushtrayo.com
Twitter at
Jesus Trejo and on Instagram at
Jesus Trejo in the number one.
Love you, brother.
Love you, man.
Again, this is, bro, fucking wild.
Don't forget to watch my brother tomorrow.
Give him some digits.
Tape it at least.
Tape it.
Dvier.
Watch it later.
And then fucking get rid of it.
If you don't want to watch him,
give me some love.
He's fucking young guy.
This guy's going to have his own church
in fucking seven years.
This is the guys you got to watch out for.
Me, I'm an old goat.
No, stop it.
I love you, motherfuckeruckers.
Lee Syiat, my favorite fucking Christ
killer in all the world.
I love you too, my brother.
I'll see you guys Wednesday night, 8 o'clock.
We've got a great podcast as usual.
Stay black. Don't forget
Saturday, Ice House, following
Thursday, motherfucking Omaha.
Funny bone, bitches. Love
you. Stay black. Thank you, Jesus.
Thank you.
