The Commercial Break - TCB Infomercial: Phil Hanley
Episode Date: July 22, 2025To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices...
Transcript
Discussion (0)
Summer's here, and you can now get almost anything you need for your sunny days delivered with Uber Eats.
What do we mean by almost?
Well, you can't get a well-groomed lawn delivered, but you can get a chicken parmesan delivered.
A cabana? That's a no. But a banana? That's a yes.
A nice tan? Sorry, nope. But a box fan? Happily yes.
A day of sunshine? No. A box of fine wines? Yes.
Uber Eats can definitely get you that.
Get almost, almost anything delivered with Uber Eats.
Order now.
Alcohol in select markets.
Product availability may vary by regency.
App for details.
It's me, your brain.
And I, your mouth.
I act on logic.
I act on taste.
For me, Pizza Hut's Nashville Hot Chicken Pizza
with Spicy Fried Chicken, Pickles,
and Creamy Ranch Drizzle is confusing.
To me it sounds good. Pickles on pizza? Amazing. It shouldn't work, but it's so good. Try the Nashville
hot lineup at Pizza Hut. Your mouth will get it. What do you do sir? You got a great
smile, you're so handsome. I'm a forensic analyst. A forensic analyst, okay cool I dabble a little bit. I watch the show, right? How long did you go to college?
Four years.
Four, that's it?
I thought you'd have to go back from, you know what I mean, you're like a doctor of
the dead dude.
Not that kind of forensics.
No, what kind of forensics?
Audio, video.
Oh, never mind dude.
I thought it was, you know. Audio-frenzied. Someone's like, this radio's not working.
Don't worry, I aced my finals.
It's unplugged.
On this episode of the Commercial Break, we're going to talk about the It's unplugged.
On this episode of The Commercial Break.
That's a real hurdle in life, I can imagine.
And so what gets you through that when you're young?
I'm sure that that's like a...
It was like I had the best, like childhood, kindergarten, just killed it.
Unbelievable.
Kindergarten was your... that's your high water mark?
We walked out at peak.
And then I arrived in the first grade and yeah,
like everyone started reading and I was just like,
so like, it was like all of a sudden from like
the first grade, it just became like this like
Dickens play where it was like all of a sudden
it was so dark and,
no, now, I mean, it's like completely, it's like a positive thing
to be dyslexic.
The next episode of The Commercial Break starts now.
Oh yeah, cats and kittens, welcome back to The Commercial Break.
I'm Brian Green.
This is my dear friend and the co-host of this show, Chris and Joy Hoadley.
Best to you, Chris.
Best to you, Brian.
Best to you out there in the podcast universe.
How the hell are you?
Thanks for joining us on a TCB Infomercial Tuesday
with a personal favorite standup comedian, Phil Hanley.
Yes, I can't wait to talk to him.
Very excited about this one.
Phil has been around for a long time. He is one of those comics who is
noted by other comics as their favorite and I'm interested to ask him about that
because when your heroes then denote you as their hero I wonder what that feels
like. It must feel good. Plus he's a deadhead. Plus he's a deadhead and we're
never gonna we're never gonna hate on a deadhead here like an OG deadhead yes not like a John Mayer fan who then became a deadhead
because John Mayer's in the band no shade on John Mayer he plays a wonderful
guitar he's a virtuoso if you don't mind Kristen but that's not a real deadhead a
real deadhead is a Jerry deadhead like a deadhead from way back in the day or you
got turned on to the Grateful Dead in its original format.
And I have a feeling the Grateful Dead is going to be one of those bands that iterates
and iterates and iterates.
Oh, I think so, for sure.
There's going to be some lineage of the Grateful Dead playing infinitum, for sure.
Like the children of the Grateful, the grandchildren of somebody in the Grateful Dead.
Somebody's gonna continue this on forever and ever.
Maybe John Mayer will be that guy.
Maybe when the older folks kind of pack it in or pack it up,
then John takes it to a new place.
Anyway, I'm excited to ask Phil about all of this.
He is also an advocate for mental health
and specifically dyslexia,
which I'd like to talk to him about. Also, he's got a book. It's called
Spellbound, My Life as a Dyslexic Wordsmith. And so if you want to check
that out, please do. I'll put all of the social handles. Also, Phil is gonna be
somebody you recognize because I think he has made the art of crowd work
very popular on social media.
He's like one of the original people doing this
in the current format that we're all so familiar with.
Like crowd work is social media standup.
If you're not doing crowd work,
you're not doing social media standup,
I guess is the best way to put it.
It's so popular and this and this gets all the clicks
and all the views.
I mean, there are certainly stand-up comics who put just
their stand-up comedy out there, but that crowd work.
People love it when the crowd gets involved.
Oh, yeah.
It's kind of part of the show.
For a lot of people, it is.
And Phil is so good at this, it's
like he's working a muscle that is bigger than the rest of ours.
And I don't want to be specific about which muscle, because we can all point that out on Brian. Okay?
Shut up. Anyway, all of Phil's information down in the show notes below, we're going to talk to Phil about all of it.
But first, Chrissy, and unfortunately, we have to do what we always do, which is take a short break, and then through the magic of tele-podcasting,
Phil Hanley will be right here, in this studio,
on our television, a thousand miles away
from some exotic location...
SHANNON COFFEY LAUGHS
...calling in just to talk to you and I.
Doesn't it make you feel special?
It does.
Gives me a little pep in the step.
It's the only thing I have to look forward to in my life.
SHANNON LAUGHS
It's when somebody comes on our TV.
Our brush with fame.
Our brush with someone else who is more wealthy, more famous and better looking than us.
Phil Hanley, all of those things.
We'll take a break and we'll be back.
Okay.
You're probably wondering why I, Rachel, have taken over the voice duties at TCB. It's
pretty simple. Astrid asked me to shut Brian up, even for a minute. Well, lovely Astrid,
your wish is my command. Do you want to help Astrid too? You know you do. Leave a message
for her, or me, or Chrissy, at 212-433-3TCB. That's 212-433-3822. You can be on the show too. Just call and say
something. Anything. Or text us and we'll text you right back. Promise. Then head over to
TCBpodcast.com and get your free sticker. It's your constitutional right to a sticker,
and we must abide. You get the point point follow us on Instagram at the commercial break and watch all the episodes
on video at youtube.com
Slash the commercial break best to you and Astrid especially Astrid
As a BMO Eclipse Visa infinite card holder you don't just earn points
You earn five times the points on the must haves like groceries and gas and little
extras like takeout and rideshare. So you build your points faster and then you can redeem your
points on things like travel and more. And we could all use a vacation. Apply now and get up to 60,000
points. So many points. For more info visit bemo.com slash eclipse. Visit us today.
For more info, visit bmo.com slash eclipse. Visit us today.
Terms and conditions apply. will now be on video. Every Thursday you'll hear us, and see us chatting with big name celebrities.
And every Monday you're stuck with just me and Dana.
We react to news, what's trending, viral clips.
Follow and listen to Fly on the Wall,
everywhere you get your podcasts.
Long Bendy Twizzlers candy keeps the fun going.
Keep the fun going. Keep the fun going.
Twizzlers, keep the fun going.
And he's here with us now. Phil is here with us now.
Fellow deadhead and comic extraordinaire.
You obviously have been a Grateful Dead fan for a long time.
Yeah, since I was a kid, yeah.
Who got you into Grateful Dead?
I had older friends that went to college and they kind of got me into all the live shows
and stuff, but initially I was really into heavy metal And I heard of a band called the Grateful Dad. And I was like, Oh,
these guys have to be so heavy. Yeah, yeah. I started liking them when I was really, really
young. And then I'm extremely dyslexic. And I found out that Bob Weir, the rhythm guitar
player was extremely dyslexic. And yeah, I was like, you know, yeah, this is-
You found some common ground.
Like, a hero, somebody you looked up to
was essentially dealing with the same struggles you were.
Absolutely, and doing it with such grace
and was just, you know, spectacularly dyslexic.
And yeah, so it was really inspiring.
Can you tell me, because I am not,
I actually suspect that one of my children
may have dyslexia, but they're very young,
and so now's not the time to test them.
They don't even really know how to read yet,
but I just have some suspicions and I've read online.
Can you explain to me, because I'm just ignorant about it,
what do you see when you're dyslexic? What do you see when you're trying to read something or you're looking at something? It really varies. First off, I can diagnose kids with dyslexia from
like a mile away. Oh, really? Yes. If you're a kid or if you're interacting with a child and they're really personable, well like socially,
you know, like chatting with adults and very interested, like intelligent, very bright
kid.
Yeah.
Yet for some reason they can't, you know, dyslexia really affects organization.
And as far as reading goes, it varies.
For me, I can't identify a symbol with a sound.
So a non-dyslexic could see a last name or a street name
or a word that you're introduced to
and ballpark it and get pretty close.
I'm like, no idea.
It might as well be in another language.
Really?
I think this is why I have some concerns
is because the organization when they,
I'm not gonna out them here on the podcast
and they're very young still,
but when they look at a piece of paper
and we're like doing the ABCs or something like that,
the problem is in the organization of it.
She won't identify a letter and repeat it again and again.
She can't, she doesn't understand those sounds.
And so I just have some concerns and you know,
we talked to the teacher and the teacher said,
too young, but maybe, you know, too young.
That's a real hurdle in life, I can imagine.
And so what gets you through that when you're young?
Is that, I'm sure that that's like a... It was like, I had the best, like childhood,
kindergarten just killed it, unbelievable.
Kindergarten was your, that's your high water mark?
We walked out at peak.
And then I arrived in the first grade and yeah,
like everyone started reading and I was just like,
so like, it was like all of a sudden from like the first
grade, it just became like this like Dickens play where it was like all of a, it was like, all of a sudden, from like the first grade, it just became like this, like,
Dickens play, where it was like all over, it was so dark and
no now, I mean, it's like, completely, it's like a
positive thing to be dyslexic in my mind, to my teachers that
it's so funny, I think back and I'm like, God, she must have
been 80 years old, but she was probably like 31.
We say this all the time. We say this all the time. Yeah.
But they were, you know, they called me stupid and they were really discouraging. And I was blessed with
the parents that I have and my mom would kind of go in and advocate and get me through the school. But dyslexics, we excel
in all these areas, just not sitting in a shitty little desk, learning some boring ass,
you know what I mean? Yeah.
Yeah.
Appreciate or whatever word they're like, but everything else, you know, we excel creatively.
We think they say dyslexics think 3D. But reading is just not, I force myself to read,
but when a dyslexic reads,
we actually use a different part of our brain.
It's really taxing and, but-
Very interesting.
I'm so glad there's more awareness about it now.
Yeah, there's a lot more awareness
than that it's treated at,
listen, everybody's got something.
We're not all cookie cutter.
Oh, totally. Yeah, it's cause, and people always not all cookie cutter. Oh, totally.
Yeah, it's because people always say that, like, oh, well, now everyone's ADHD
and everyone's dyslexic and everyone on the spectrum.
It's like, yeah, because we're not as ignorant and we're educated
and we can recognize that different people have different challenges.
But every challenge kind of is also something else that will excel in.
challenge kind of is also something else that will excel in.
And so my like life's mission is to talk to parents from
particularly dislike parents of a dyslexic kid, but anyone in a neurodiversity world. And I'm like, just maintain their
self esteem. And I guarantee they will excel at whatever they
do once they leave school.
Because we're nine and we have the grit of someone
that's been through like three divorces.
Like, we have to howl it back and we're not 10 yet.
Yeah.
We're tenacious and determined and have all the skills
that you really want to instill in a kid.
They're just inevitably going to happen
when you have a dyslexic child.
It's like a blind person who all of a sudden has this amazing hearing or ability to read
music or someone who's autistic who, you know, it's nonverbal, but then all of a sudden can
play a piece of music hearing at once.
You're working different muscles just because one area...
Listen, I'm weak in most areas of my life, but I excel at putting mediocre comedy podcasts
out four days a week.
Do you make the connection that dyslexia
in some shape or form pushed you toward comedy?
Like was it a defense mechanism?
Comedy became your thing.
100%, like everything in my life,
including my relationship with my mom or everything that I'm grateful in my life, including my relationship with my mom or everything
that I'm grateful in my life, my love for the Grateful Dead, everything is because I'm
just like, I credit dyslexia with everything positive in my life. I'm from a small town,
kind of like a mini Detroit in Canada. Now I live in New York City because I'm just like,
like all these things are because I'm dyslexic and yeah, comedy. Um,
yeah, cause I was so stifled in school. You're like, okay,
read 10 pages and then you don't and then talk about it and you have nothing to
say, you know, from first grade to grade 12 recess and, uh,
any opportunity that I did have to communicate, it was like, you know, my first set on The Tonight Show. I was just writing rock and really wanted
to express myself and let people know because I was so stifled in other areas.
You're really quite brilliant. One of the things, know, you, you had your, I've been following your comedy for a long time.
And I think I really started to enjoy your comedy
on social media during the pandemic.
You're brilliant at crowd work.
I think it's one of the things you probably would be known
for at least on social media.
But one of the things that impressed me
when I started doing homework about you, Phil,
is that there are so many other comedians
who have said such wonderful things about you,
like other legendary, you know, John Oliver
and John Stewart and they say,
and Sam Marill, who we've had on the show,
Mark Norman, they say such wonderful things about you.
You're a comic with a point, right?
And that's only some people,
I think Amy Schumer said that's desperately needed.
Could you have imagined in your wildest dream,
when did you start comedy?
I started comedy. I started in Vancouver. Yeah, like a couple
decades ago. Yeah. And with the dream of like, Vancouver so far
from New York City. But my goal was comedian had come out the
documentary, the Seinfeld documentary. He hangs right. He hangs out at the Comedy Cellar,
and he's hanging out with Colin Quinn and working on jokes.
And that was like my dream.
And yeah, so it seems so far away.
So yeah, I don't think I'd let you finish your question,
but yeah, it's so surreal that I get to work with these people
and that I get to perform at the Comedy Cellar every night and, and, and stuff like that.
Cause it was so far away and it's really hard for Canadians to immigrate to the
States and all that stuff.
Yeah.
Go ahead, please.
No, I was just going to say, but that's all I started with so many people that
have now stopped doing comedy or, you know, stayed in Vancouver, which is
great.
I mean, Vancouver is an amazing place to live.
Oh, so beautiful.
But because I was dyslexic, I was like,
I mean, stand-up is really hard,
and I have never been good at anything else.
I'm not good at anything else.
I'd never had anything like where the more you put into it,
the more you get out of it type thing.
I just kind of stayed and just did comedy every day,
wrote every day, tried to do shows every day.
So it took a long time, but yeah, I mean to me, I'm again, I'm so grateful that
that I know these people and get to perform with them and talk about jokes.
I guess my second part of that question, do you, is it hard to take that
compliment that the other people who are considered, you know, really good at the
craft or comedians or people in comedy, you know, that are, you know, really good at the craft are comedians or people in comedy,
you know, that are, you know, put up on a pedestal,
essentially, is it hard to take that compliment
that they think you're the guy that they wanna be?
Like, you know, oh my God, he's the guy that I enjoy.
It feels great.
I mean, yeah, I've never heard anyone say it like that.
And that would, it feels great. Yeah, it feels really good. And someone
said that to my face, I'd get really uncomfortable and change
the subject. I'm still very Canadian. But no, it feels really
good, especially in comedy because and it's like, I mean,
comedians talk about it all the time. But it's the same in any
aspect of pop culture is sometimes you can be like, you know, all comics think David Tell is the greatest.
Yeah, not necessarily.
You know, the most, you know, he's not playing arenas.
A lot of comedians are playing arenas and stuff like that.
But it feels good because sometimes, you know, you do you feel not recognized.
And I'm really grateful now, some people, you know,
people are coming to my shows and stuff like that,
more and more.
But for many, many years, I, you know,
I would just go and it would be, you know,
people would get free tickets or, you know,
I'd have six fans or whatever.
So it feels nice to get those compliments
from other comedians,
because for, it takes a long time to be recognized
in the sense that people are coming to your shows and stuff.
Yeah, you're like a true journeyman comic
and do you credit social media with this new fan base,
like the ability to connect directly with people?
Yeah, I was so, my goal was to play the comedy seller
and I did it and then for 10 years I was just like,
and I was watching a lot of my friends like Sam and Mark,
you know, started playing theaters and all this stuff and-
Make their own gin?
Yeah, yeah, Bodega Cat.
Bodega Cat.
Well, I, yeah, I was just really content writing
and then I finally started, yeah started posting online and I've
always I post crowd work clips because then I don't burn
material, right? Yeah. Oh, that's smart. Then when I try
to sell a special, they'll be like, oh, yeah, we've seen this
has all been posted. So improvising part of my love for
the Grateful Dead and I think they're influence on me. I want
every show to be different each time. So I
improvised, you know, in my jokes and in between my jokes.
And then we just cut up those like tour now with like a
videographer. Yeah, cut up those chunks and then post those so
then when people come to my shows, they haven't heard the
jokes. And then crowd works going to be different each time.
So yeah, that really helped me,
but I was so reluctant for social media.
Yeah.
You know, one, yeah, every, so many comics we've talked to.
Yeah, it's tough.
It's tough.
You know, you need to be consistent with it
and really do it right.
Yes.
In the right way.
Yeah.
And it's intimidating for us even.
It's intimidating, yeah.
And it's also, it's like comics get so spoiled because it's like we just do what
we want to do every day.
You know, we get up, we get a coffee, we write jokes, and then all of a sudden you got to
start posting it.
Like you hear if a comic has a dentist appointment the next day, it's like the complaining because
it means they can't do exactly what they wanna do.
Yeah.
It puts a king in the armor.
You're like, holy shit,
you mean I have something on my fucking,
I gotta be at the commercial break at 12.15?
Are you fucking kidding me?
Yeah, because we're so,
we're really spoiled in that sense
that we just kinda do exactly what we wanna do all day.
You know, one time we had this like conversation
about the greatest American rock band.
And I made the argument that it's the Grateful Dead.
Yes.
Not because they have the greatest music in the world.
They have a lot of great music.
I'm also a dead head.
I love the Grateful Dead.
Both of us, yeah.
Yeah, but because from the beginning,
they weren't all that great.
They just started noodling around with each other.
But they went on a journey
and without selling a ton of albums,
they went on a journey and the mistakes
and all the improvisation,
it was gonna be good one night, bad the next,
every single time that they picked up their instruments
or Jerry started to sing or whoever,
it was something different.
All the warts and all, it came out,
but we watched that growth.
We watched them through that journey.
And I often think that, like,
when I think about like George Carlin's career,
or whoever you enjoy as a comedian,
if you looked at their entire history,
the best often go through that.
They are journeyman comics.
They do improvise. They're changing all the time, the warts and all, some's good,
some's bad, some's ugly.
How hard is it to get up there every night?
And I mean, you're so good at it probably now,
but that crowd interaction, you're so fast
and you're so snappy with it.
Is that just a muscle?
Is that like a muscle that you work?
You're in the zone?
Yeah, I think, I mean, it's, I credit,
I think it's part of my dyslexic brain.
It's also, when I started in Vancouver,
I write really short jokes,
and I was able to be funny for 10 minutes.
So these, you know, senior comedians in the scene
would be like, come on the road with me to play some logging camp in
the Rock and Numb. But they would be, they would say, you
have to do half an hour. And I didn't have half an hour. So I
would be on stage and I would just please someone heckle,
please a waitress, drop a tray of drinks, like I would want
something to happen so I could be like get off my material and
go into the crowd for that and that was always that was that
that was just something that I developed always wanting
something to happen a heckle anything rush the stage do
something that I can rip on and stretch because there's no
worse feeling than you know a room of drunk people
wearing plaid, looking at you. You have half an hour and you in
your head, I have three minutes of material left. Yeah, not 12
minutes like I have 18. So I think I developed it like that.
And I think it's really my humor when I'm riffing with the crowd and stuff is really
the humor that my friends in Oshawa, Ontario grew up encouraging me just being a smart
ass at a party or yeah.
So I that part of my act I've kind of been working on since I was like a kid or my family
really encouraged
we would have these big dinners and we would invite my friends and my sister's friends and stuff and we would all kind of just riff and
Falls at the dinner table and it was really more important to my parents, particularly my dad then my grades was
Being funny at dinner nice and you mentioned someone rushing the stage. Did that happen to you?
Oh, it's happened a few times. Yeah. A woman, a woman that could take me in an arm wrestle,
for sure, rushed the stage and it was in, I mean, I've had it a few times, but not because I'm
so provocative or whatever, but it's more just I did a lot of shitty gigs. And I
were pissed they spent the money.
Yeah. And I did a show in St. Louis and I have a rule I try to
be nice if someone heckles me or whatever, I try to approach them
nicely. And it rarely happens. You know, when you go to a club, the
bouncers are always like, if there's you know, what should we say? Do we have a code? And I'm like, you know, you go to a club the bounces are always like if there's you know
What should we say? Do we have a coat and I'm like no one's gonna say any like yeah
People that come to my shows are very well behaved and just want to fun or whatever generally
But this is I mean god, this is probably 16 years ago
Whatever. No one was there to see me and I was in st
Louis and before I took the mic out her husband heckled me and I shot him St. Louis. And before I took the mic out, her husband heckled me
and I shot him down and wasn't particularly kind about it.
Yeah, okay.
And then the next thing I knew,
I could see everyone's eyes like,
not looking at me, but looking a little bit to the side.
And this woman was just like shaking and seething
as I heckled, because I, you know, slammed her husband.
Oh my gosh. And she was on stage.
And it was like, you just
sense when someone is like, just so close to punching you. Yeah. And the doorman didn't,
the guys of the clubs didn't, and I was like, you know, if I worked here, I would really,
so they finally got her off the stage and they sat her back in her seat, which was front row.
It was fun role. It was brutal.
It was brutal.
It was brutal.
But it killed a lot of time.
Yeah, exactly.
It killed 10 of the 20 minutes.
But I'm sure that, like, I don't know if I was listening.
Like, Tom Papa maybe was saying this.
One of the things about comedians
is that we get out there.
Like, a lot of middle-aged, you know, he was talking about like middle-aged men.
He's like a lot of middle-aged men, they're in their houses, they sit around, they watch TV,
they go to work, they come home. He's like one of the things about comics is that we get to get out
and we observe things and things happen and there's action and there's moments and,
you know, we see different people and we get different perspectives.
I'm sure that after 20, 25 years of doing this,
your brain is probably filled with all of these stories
and moments and that becomes like, I don't know,
it's like training for a marathon.
You keep on going and you get through the next hurdle,
you break the next mile and you become better and better
at what you do.
I really think you're very, like
you're a very talented comic, but also you're really good at making a point. I think there's
a couple types of comics and I think, if I may, the type of comic you are is you're funny,
but then also you can make a point. And I think that's when comedy is like a noble profession
when you make a point.
Oh, thank you. Yeah. it's funny that you say that.
We, yeah, not that just comedians get to go out,
but like we have to.
Like I was thinking, and this is such a crazy thought,
but I was like, you know, I'm working on a new hour
and then I'm already planning
that I have to record that in time to, you know,
cause every two years you go back to the next city, right?
Sure.
You need a new hour than you had two years ago type thing.
Right.
I was walking down the street and it just popped in my head.
I was like, I gotta have a kid.
Like I need.
Right. That provides material, right?
Yeah.
You just need to change.
Something needs to change in your life.
Like I just moved to a completely different neighborhood.
I lived in East Village forever.
I moved to a new neighborhood, new building,
different type of building.
Cause I'm like, you just need to, you know,
you can't be a certain age and talking about sexting still.
Like it's like something else needs, I mean, you can.
I mean, I would love to hear a comic
that's 70 years old.
Talk about that. For me, you just don't want to have, I had
those jokes last time. You need kind of new stuff.
Let me give you that comic's name. His name is Eddie
Brill. Do you know Eddie Brill?
I do know. I know Eddie. I haven't seen Eddie in a while,
but I do know Eddie from when I first moved to New
York.
Yeah.
He's still out there.
He's still, he's really, really very, very funny.
He's still out there doing his thing.
He used to be, I think the Letterman talent coordinator.
He did warm up for Letterman and yeah, he's someone who's been around for a long time.
Talk about, he must have amazing stories because he, you know, he worked with all these legends.
We had a like, Clubhouse was a thing during the pandemic.
Clubhouse was this app where you, like social audio app.
Everyone would get on and start these rooms
and talk to each other.
And we met Eddie Brill,
and then we started doing a room with him.
And every Friday night, he would bring in comics
to talk about their stories.
And Eddie would give all, you know,
he had all these stories.
And one day he calls me up and he says,
I need you to get on the phone with my friend Bill.
I'm gonna have him in the room.
And I said, oh, okay.
And you got this is the podcast that just started.
And I said, okay, who's your friend Bill?
And 15 minutes later, I'm on the phone with Bill Burr.
And I'm like, holy shit, Eddie.
Like you gotta give your brother a little bit of a heads up.
Yeah, he's got a, he had a Rolodex a mile long.
So you're in your new apartment.
It's, it looks great from this angle.
I just want to let you know that.
Fantastic lighting.
Oh, thank you.
Do you still enjoy the hustle bustle of comedy?
Is it like in your blood at this point?
I just like it, I go, I do what I do?
Yeah, it's, it, it, it,
cause it's great cause it's always,
it's always like, you know,
it's always changing you to do different venues
and stuff like that.
And I love like, you know, trying to figure out jokes.
And then, yeah, you get tired of, you know,
traveling and stuff like that.
But yeah, it's, yeah, I mean, I love it.
And also now I'm so grateful that I'll do after shows.
You get to meet people who,
they just found out their kid's dyslexic.
You get to have that conversation.
I'm so grateful that I'll be on stage.
I'll look out.
There's a lot of tie-dye shirts at my shows now.
There's a lot of deadheads that come to shows, which I'm always really excited
about and talk to them. And so yeah, I think I enjoy it more.
It changes, but I enjoy it more now than probably ever. Like,
I'm so excited for the fall. I have a big tour coming up. And
yeah, I do. I really love it.
Is this the part you're getting excited about?
Like when we, we've talked to Tom Poppa a couple of times,
a number of times, one of the things that he said has changed
is that when he was young, you know,
he went up and he did his set and you know,
he wanted to get the laughs and be the best
and do the thing and sell out the arena.
He said, now what I really enjoy is I really like
meeting the people, hanging out with the folks, you know, now what I really enjoy is I really like meeting the people,
hanging out with the folks, you know, talking to them, hearing their personal stories. And he goes,
and it's always great when I get a, Hey, your comedy affected me in this. He said, so my reason
or my thoughts about success have changed. I have the money. I can do the thing, whatever. He said,
what I really enjoy now is getting to meet people and saying hi to them. Is that, you finding that similar in your- Yeah, I do.
I, yeah, I love that.
And also now I get to,
I can afford to bring the people that I like
on the road with me and stuff like that.
That's really cool.
And yeah, it's great to meet people.
I lived in England many, many years ago
and I get to play England.
Now I did it last year and I'll do it this year and I'll do it next year. And yeah, so just the traveling new places and meeting people.
And it's also it's like.
I feel like now if you just sit in your house
and you watch TV and you watch the news, it's so everything seems so divided.
Yes. Right. And it's a
yes. And yes, you feel so kind of isolated. And you feel like
this group of people think this way. And then when you travel,
like, you know, I'll play every, you know, red states, blue
states, meet people and you're like, yeah, you don't you don't
feel that anymore. You really feel that, you know, you might
not agree on everything, but.
There's a lot more common.
Yes, absolutely.
Great people that probably didn't
vote for the same person as you.
Yeah.
I think the part of like, I think loneliness is.
And that's cool about comedy.
I agree.
Is comedy breaks down these walls.
Yeah.
People together.
Yeah.
It breaks down these walls.
And in a can of times then give an opening.
It's like you open a, you take away the armor for a minute, opens a soft spot to open your
mind to another idea or see that we are all, we all laugh at the same shit.
We all bleed the same color.
I mean, it's really interesting.
And I think that when you sit around and you, I think, first of all, I think social media
and being online gives a lot of people courage that they otherwise would don, or some kind of stupidity that they otherwise don't have in
real life.
And number two is that these television stations, the news and all this other stuff, it is there
to divide us because that's what sells advertising.
And then people become lonely and loneliness, I think, is a real epidemic.
And I love going to see live
comedy for that for one reason and that's music and live yeah yeah it feels good to be in the
same room laughing with people to have a common something yeah absolutely and I always find that
you'll like play you know you'll play play some on the weekend and you'll come back and people like
oh how was that and you're like it was great I met the best people on the weekend and you'll come back and people are like, oh, how was that? And you're like, it was great.
I met the best people on the shows, it was amazing.
And I think certain, like, you know, San Francisco people
think that everyone's gonna be like this way
and then San Antonio, everyone,
and it's just not the case, you know?
True.
Well, maybe just cool people like your comedy, Phil.
Maybe that's what's going on.
Yeah, I definitely, I think people like your comedy Phil maybe that's what's going on. Yeah I definitely I think people like my comedy are cool but I mean like I'll meet
someone after the show and it'll be like you'll be like you'll work for like the
FBI like some job so far. I'm like whoa I watch movies about it. My favorite television show is about a guy like you.
And I don't like that guy on that show.
Who are the comics that you are bringing on the road?
Who are the up and comers?
Who do we need to invite onto the show?
One of my openers is Anna Bianco.
She's based in New York and super, super funny.
And then I also bring someone named Michael Myers, who is a really cool dude.
He's based in Chicago and we have very similar taste in music and the green room is playing
great tunes.
Yeah.
Yeah, it's great.
So that's really nice.
And that's something that I never had before.
You know?
Well, that backs into a question I like to ask. Every comic of note on this show is who, when you were growing up, who were you watching and who do you consider some of the best comics?
Doing it today or doing it in the past? Um, when I, I started, I loved Seinfeld.
I used to watch Seinfeld all the time, uh, with my mom.
And I loved, uh, Mitch Hedberg.
Uh, when I was in Vancouver, when I was first starting, Zach
Alphenakis was filming a television show there and he
would do stand up and at like, he was like famous and he would
play these like open mics that we would do these like alternative
rooms. And I'd never seen anyone so confident and so kind of just
like he take the mic and walk outside of the club. Just so
cool. So original. Those are guys and then there's
there's like local guys in Vancouver that you know, really
influential as a Canadian comedian in Brent but that's
great. Graham Clark is a local comedian in Vancouver that's
still there. That's amazing. He does this this tell it to raise
money. He does like 24 hours of stand up comedy. Oh, shit. No,
yeah, it's insane.
And-
Is that where you got the idea for us to do 24 hours
of podcasting?
We did 12 hours.
I had an idea to do 24 hours of podcasting
for mental health awareness,
but I decided that it was bad for my mental health,
so I did 12 hours.
Yeah, I did that.
We did 12 hours, yeah.
When did you do that?
Just about four weeks ago.
Yeah.
How did you feel afterwards? We felt okay weeks ago. How did you feel afterwards?
We didn't felt okay actually.
It wasn't the worst thing in the world.
Yeah, well now we had like celebrity,
we brought, and I say celebrity,
we brought out like Tom Papa, Reggie Watts,
some other folks that we brought on
and we recorded three of those,
three or four of those ahead of time.
So it ended up being seven or eight episodes
in a day that we put out, we recorded and then put out.
But I gotta be honest, it wasn't as bad
as I had thought it would be.
So now I do wanna do the 24 hours,
but Chrissy won't agree to it.
I said, just come in for 12.
Yeah.
It's funny how when you do do, like it is tiring
and you know, like I have friends that work in like
steel mills and stuff like that,
and I hate for them to hear me say this,
but podcasting and stuff is really,
it's funny because you're so engaged
and you're so, you know, you're really on.
So I would imagine 12 hours would be,
you'd be pretty wiped.
Yeah.
It's exhausting.
We took a couple of breaks and that's what did it.
Actually, you know what the strange thing is,
is that was called, we called it TCB's
endless day.
And I think you were going to be one of the people who were going to come on and we're
going to do an interview with you, but the timing didn't work out.
But we had, we were talking to anyway, whatever you were, but we're glad to have you now.
I wanted to ask you something about your mom because you talk very fondly of her.
I've seen throughout the years.
You've said a few things really nice about your mom.
Is she still with us?
Yes.
And you still have a great relationship with her?
Talked to her for an hour and a half yesterday
while I was grocery shopping.
Oh, I love that.
I love that.
I love somebody who loves their mom.
I miss my mom.
Yeah, your mom is gone.
Yeah.
Yeah, it's gotta be.
We were close then, like that. Do your mom and dad, Oh, sorry. Yeah. Yeah, it's gotta be-
We were close then like that.
Do your mom and dad, do they have a great sense of,
you said you, you already said it's important,
it was important for your dad.
Like being funny was important to your dad.
I wish my dad was like that.
We could be funny.
We are four boys in an Irish Catholic house.
We could be funny at the dinner table,
but there wasn't, there was no value placed on that.
I think as we got into teenagers, maybe he loosened up a little bit, but was your house a very funny
place?
My dad is really funny. My sister's really funny. My mom is probably the greatest straight
man.
I love that.
Yeah. And it's funny. I've never bombed with my mom. Everything I've ever said with my
mom always hits.
That's got good places to be in work.
That's got that.
I think that in life, I mean, I guess you could look at it both ways.
We've talked, I think we've had conversations with people who had not so great childhoods,
and they were very disconnected from their parents and they ended up being remarkably funny.
But then there's a through line sometimes I think,
which is that the environment that someone is in
ends up fostering.
Like the confidence to be funny, right?
It's like, there's no doubt I'm funny
because my parents always thought I was funny
or my family always thought I was funny.
So I had this already instilled self-confidence
about who I was as a comedian, just walking out the door.
And I love to hear when parents are supportive
of the creativity of their children
because not all parents are like that.
It takes, I think that must be hard.
Yeah, it is important because comedy is like,
you could have the greatest line.
And if you like, don't say it exactly when
it pops into your head. It's not you know, like, a 10th of a
second later, it's no longer funny. Like the timing is so
key. Yeah. And to have like, I remember my, my friends have
commented growing up like later that I would like, where did you
get the confidence to be, you know, we'd be at like a, we'd
be in grade nine and at like a 12th grade party and I would have no qualms with, you know, and it
just never, I don't know. It just popped into my head. So I felt that I should say it, but
obviously that comes from, you know, years of doing that with your family and it being,
um, you know, celebrated.
Yeah.
Well, let me get philosophical for you here for a minute.
I'll quote Rob Doss.
Well, let me get philosophical here for a moment.
Brian likes to have a little philosophical moment.
Oh, good, I love it.
That is God, my friend.
This is God working through you.
That is the magic of the universe,
just streaming through you.
Like you said, it's there one moment, it's not there the next.
Either you're in it, either the flow is there
and it's just coming out you, or it's not.
I imagine when I watch comedians like yourself,
and you're on and you're hitting and it's funny
and you're in a room and you're commanding that room,
you know, I think even Jerry said this in a different way,
is that I just tune out and let it flow through me
It's just coming through me right? It's like you pulling it out of thin air. Yeah. Yeah
The dead talk about that all the time and yeah, that's it to get to that place
There was a Bob Weir quote where he's talking about when he plays music and like time kind of just dissipates it goes away and
sometimes you'll start a show
and you're waiting for that to happen
and it eventually happens.
But yeah, that's the best place to be.
And that's where you are when you're in like
a great conversation or when you're with the right person
or intimate moment, dare I say.
You're in the, you're just in the moment and everything looks so good.
When I first saw the dead, when I was a kid,
that I got there through their music.
And I think someone else had spiked my drink, but.
I chased that for sure.
And it's something that happens when you're on stage
and it's such an amazing thing.
I meditate a lot and sometimes it's easier to get there
on stage than it is through meditation.
You do TM, right?
I do TM and I do Vipassana.
Very, very interesting.
I don't do TM, but I do meditate.
I've been interested in TM. Me meditate. I've been interested in TM.
Me too. I've been interested in it. You know who started talking about it that got me interested in it?
It was actually Howard Stern a number of years ago. I don't know, 20 years ago.
He started talking about how he was doing TM and I thought, what in the world is he...
And then I read about it, but I've been meditating for years and years.
And it can be really difficult to get to that place,
to quiet the mind, to be in the spot, to get in the flow,
whatever the fuck you wanna say.
But creatively, when we're in the room
and something's hitting, I know it.
And it's like, I'm just tuned out.
It's like, I can watch myself from the top of the room,
just rolling and being funny.
And unfortunately, most of our listeners don't think so,
but I think so in the moment.
We laugh at each other. We laugh at each other.
We laugh at each other.
Yeah.
Okay, one more question.
Do you enjoy, so you saw Jerry,
and you saw the original lineup of the Grateful Dead,
I meant the original,
but you saw a lineup of the Grateful Dead with Jerry.
Do you enjoy the new version, the new rekindling?
Well, the one with O.T.L.
Yep, I do immensely.
It's, I go into it not comparing it.
Jerry Garcia was such a gifted person that it's not,
he was just all-
There's no comparison.
Yeah, it's his own thing.
Yeah, and yeah, no, I'm going to see a dead and co to celebrate the dead 60th anniversary
in San Francisco.
You're going to that.
Yes.
That's gonna be big.
Yeah, I can't wait.
And I, but I go to, yeah, I see the dead.
I go with my best friend from high school and sometimes other other people from high
school.
And yeah, we, you know, I, I see them every year, whatever. Yeah, whatever, whatever the it is
because it's iteration. Yeah, it's a celebration of the music.
And yeah, I go I boogie. It's great. I love it. I go every
year here in Atlanta. Oh, cool. Yeah.
Phil, I think this comedy thing might be your thing. I think you
should stick with it. I think things are gonna turn up roses for you, my friend.
I think if you keep on plugging away,
you're on the right track.
I think if you keep plugging away, you never know.
Maybe someday you'll make a living doing it.
Phil is on a extensive tour in the Fall and in the Winter.
Am I right about that?
World tour, right?
Yes, yeah, I'm going to Europe,
starting at the end of August.
And then I come back and I play, yeah, all over,
all over North Africa.
Are you coming to Atlanta?
You know what?
I played Atlanta a couple months ago.
OK.
Yes.
But I'll be back.
But it was the first time that I'd ever been to Atlanta.
And the shows were great.
And I met such cool people.
Oh, good.
Well, when you come to Atlanta,
we would request a few minutes of your time.
Oh, I would-
We'd love to say hello.
Sit and talk with us or we'll come to the show or what?
Oh, I would love that, yeah.
I mean, you guys have such great energy.
Thank you.
And I'm very selective of what podcasts that I do.
Not that there's like a huge demand,
but you know, I'm asked to do a fair amount.
Sure. And I was really excited to do a fair amount. Sure.
I was really excited to do your guys' podcast,
so thank you so much.
Oh my God, I feel so honored.
I do feel honored because you're also
one of my favorite comics, so.
And the energy you have.
Oh, thank you.
It's infectious.
Yeah, when you get a couple cool cats together,
you can rub sticks and make fire.
That's what I'm trying to say, Chrissy.
Phil, all his links are in the show notes.
He also has a book.
He's got so much material out there.
Follow him on social media, go to the website.
All of that stuff will be available to you
in the show notes.
If you don't know Phil, you should.
And we really appreciate your time today.
Thank you.
And I imagine we'll be seeing each other soon.
Thank you.
Oh, thank you guys.
I talk about time dissipating.
I cannot believe that it's come, that flew by.
It really did.
Yeah, it really did.
Well, I often-
And you're having fun.
When we have a good guest on, I have often said,
we ask for 45 minutes to an hour
because you get a little nervous
and when you don't know somebody,
if it's not going so great,
you don't wanna have to try and make conversation where it's not there.
But sometimes when the conversation is flowing, you wish you had more time. And this was one
of those conversations. And I say that honestly.
Can I say something before we go? We talked about why the Grateful Dead is the greatest
American band. And there was some points that I would just like to point out very quickly
before I sign off here.
Yes.
That more so than any band, they incorporated every aspect of American music, bluegrass,
jazz, and also they started their own, this improvisation thing.
Now it's a whole gene on itself.
Yes.
100%.
And let me make one more point. Why the, why the Grateful Dead are
the greatest American band, musical group that's ever been and may ever be is because they actively
sought out the inclusion and the participation of the people who were in love with their music. And
that is almost as important as the music is being played.
They started a community that will probably live on forever,
at least as far as humans are concerned on this.
Phil Lesh, who unfortunately passed away in the last year,
he compared the dead, he said they'll be performed
the way Shakespeare is, and it really will. I mean,
they're both will get part for three days, 60 years after they got together. And those
three shows are all sold out. And yeah, it's, it's, it's really, and it was an American
adventure. They toured everywhere, you know,
American adventure. They toured everywhere. Yes.
Did you go to the Sphere?
I did go to the Sphere.
I went there too last summer.
Yeah.
It was incredible.
Yeah.
Isn't this the ninth year anniversary or the 10th year anniversary of the Grateful Dead
with Trey or the Dead with Trey at Soldier Field?
Yeah.
From Chicago? Yeah, at Soldier Field. Yeah, at Soldier Field.
That was such a phenomenal weekend. Did you go? I did go.
Yeah. We, Chrissy and I watched it on TV. My husband was there.
Yeah. Oh, was it good? Did you have a great time? Oh,
fantastic. Yeah. It was so oh my, they did it so well. I still
have. They get when you walk in, they gave you a rose.
And yeah, it was so phenomenal.
Trey was incredible.
The band was so inspired.
Bill Murray was hanging out.
Yeah.
Yeah, that was such an amazing weekend.
God, it was such an amazing weekend.
God, it was phenomenal. Chicago is such a great dead town.
Yeah, it's a great city.
It was so good that energetically, even through the TV,
we were dancing in the room.
We were.
Yeah, we were dancing in the room.
Our drinks might've been spiked too.
Yeah, our drinks might.
Yeah.
Only I did it.
I did it to myself.
They did their version of that version of throwing stones and
tray. And Bobby are like squaring up and pushing each
other. And yeah, yeah, it was phenomenal. Bruce Hornsby. I
love Bruce Hornsby. I got me to Hornsby with the dead. Yeah, it
was really that was really, really, really a special weekend in Chicago. When you ordered an
Uber instead of like, you know, it has the car arriving. It was
your face. Yeah, it was really, that was really, really special.
And I and I'm assuming that this weekend in San Francisco in, I
guess it's like, almost a month to the day,
will be equally, equally special.
I get so much inspiration from the dead
and the idea that like you said, they'd made a mistake.
There's no mistakes.
Cause if you make a mistake, then you just,
you know what I mean?
Yeah.
It's just, it's, you know, you want to call it mistakes,
warts, whatever it is, the good, the bad and
the ugly, it all just rolls into this big, beautiful thing that's constantly growing
and shrinking at the same time.
I mean, I could get, we could do this all day long.
Honestly, I just, I love talking about this because music, comedy, art in general, like,
it's just a, it's a, it's a godly pursuit.
It's a way that God comes through you.
I'd rather go to the Dead Show than church any day of the week.
And anybody who doesn't say that, I don't know if I want to be friends.
It is church for a lot of people.
It's just a magical, magical thing.
And when done right, it can, it can lift you to a new place.
It can open up dimensions and you don't even have to be high to understand that.
If you've ever been to a Dead Show or a Fist Show
or a Panic Show or whatever it is you're into.
Death punk, who cares?
Music and comedy that kind of take you to the same place.
And Phil, I think you're one of the better ones doing it
out there today.
And I hope all of our listeners, if they haven't,
go and check out your material.
And go see Phil when he comes to your town.
That's right.
Because he will lift you up like a Grateful Dead show whip.
Thank you.
Well, again, thank you guys for having me.
Yeah.
Sorry for extending that.
No, we got all the time.
You got to catch the train.
You go do your thing.
Well, thank you guys so much.
I was really honored to be on your podcast.
And I can't wait.
I don't know if you do people in the studio,
but we should do a dead episode next time I'm in Atlanta.
That's a great idea.
That's a great idea.
We have this studio, which is in my personal home,
but then we also have a studio with our network
and we just started doing in-person interviews.
So when you come to Atlanta, done deal.
We'll sit in the studio.
And I'll break some copyright laws
and we'll play some of that. My husband will come down for that too. Oh cool, well I can't wait to meet him and we'll sit in the studio and I'll break some copyright laws and we'll play some My husband will come down for that too.
Oh cool. Why can't we demand it? We'll talk to Chicago.
You know what we might do? We'll invite a few of our Deadhead listener friends and they
can come in and we'll all banter about the dead. We'll take questions as if we're experts.
Great. All right. Cool. Thank you guys again so much and I hope you have a great weekend
and happy 4th of July.
Happy 4th of July to you too. Phil Hanley, thanks so much. Bye bye. Thank you guys again so much and I hope you have a great weekend and happy 4th of July. Happy 4th of July to you too. Be safe.
Thanks.
Phil Hanley, thanks so much.
Bye bye.
Thank you.
Why don't you text us and we can text back and then you can text us in reply, then so
on.
It's a fun little game I've been playing and I think you'll be great at it.
212-433-3TCB.
That's 212-433-3822.
You could leave a message, too. If you do,
maybe you'll end up being the voice of the show. But be warned, the pay is not great.
You could go to the website and drop us an email, also, tcbpodcast.com. And while you're
there, you can get a free sticker. Who doesn't want a free sticker? Just go to the Contact
Us button and ask for one.
Follow us on Insta at The Commercial Break
and watch the episodes at youtube.com
slash The Commercial Break.
Now I'm gonna go back to that texting game.
You wanna play?
Come on, bye.
Introducing TurboTax Business,
a brand new way to file your own T2 return,
all while
getting help from an expert who actually knows small businesses.
Got a tattoo studio?
Toy store?
Tiny but mighty taco stand?
We've got someone who gets small business taxes inside and out.
Experts are standing by to help and review while you file, so you know your return's
done right.
Intuit TurboTax Business, new from TurboTax Canada.
Some regional exclusions apply. Learn more at TurboTax Business. New from TurboTax Canada. Some regional exclusions apply.
Learn more at TurboTax.ca slash business tax.
Well, I think that's one of the nicest guests
we've ever had on the commercial break.
Do we have a new friend?
I, you know, sometimes I think that's true
and then it reveals itself not to be true.
He seemed genuine.
But Phil did seem genuine
and I am very excited about him
He like is so nice and for those you won't catch the very last part of that because there's some stuff
That's just private between me Chrissy and the guest
But Phil was so generous with his time afterwards and it's true
Like I wish we had scheduled an hour and a half with Phil. This is the first guest. I will say this
This is the very first guest ever.
There have been other guests who have said, oh, wow, that flew by or, wow, that was a
quick hour.
Oh, I, Phil is the first person that we couldn't get off the phone.
He was like, wait, just a couple more things.
And it was, it was truly enjoyable.
I really liked Phil.
He will be back.
I don't know if I want to say he's our friend yet.
Because he doesn't really know us and once he gets to know us,
then they probably will all fall apart.
I'm going to try and not bother him like I do Mark Cuban.
But Phil is super sweet. He's such a nice guy.
And he, like I said at the beginning of this episode,
he is lauded by many other comedians you know and love as one of their favorite. He's just got that humor gene.
He's worked it. He's working it. There's other things that are not his strength and then he
worked comedy to his advantage. He's so quick. He's so good at crowd reactions and he's a deadhead.
So total package. Total package. Hey, look out, Jeff.
Here comes Phil.
Jeff and Phil would love each other.
I think they would.
I think they would be good friends.
They would get along.
That's why I'm never allowing Jeff anywhere near Phil.
My Phil.
My Phil.
My Phil.
My new TCB guest boyfriend.
Phil, thank you very much. All the links in the show notes,
he's on the forever tour like a lot of our stand-up comedian guests are. He's got so many dates, 68 of them coming up.
So it's likely he'll be somewhere around you. I think this is one of those shows you should go see.
You should go see stand-up comedy as often as possible.
Because if there's one thing that's hard to walk away from without a smile on your
face, it's a good stand up comedy hour or two.
I keep saying comedy and music.
Comedy and music.
We should all focus on those two things and let a lot of the other bullshit go to the
wayside.
Or maybe we shouldn't.
Maybe we should also pay attention to that stuff.
I don't know.
Anyway.
It's a good break.
It's a good break.
That's for sure.
All right. So all the links in the show notes, follow him on the social media, check out
his book, his specials, and his live shows.
Please, please, please.
Phil Hanley dot com in case you're wondering where to go.
Okay, also do us a favor, if you don't mind, 212-433-3TCB, 212-433-3822. Questions, comments, concerns,
content, ideas, we take them all right there on that phone number. We will respond
to you. Might take us a couple days, but we'll get back to you.
TCBpodcast.com, all the audio, all the video, everything about Chris, all that,
not all the things about Chris and I, some of it. All there and your free
sticker and youtube.com slash the commercial break for
all the videos including this one on YouTube right now.
Go check it out.
Okay, Chrissy, that's all I can do for now.
I think so.
I'll tell you that I love you.
And I love you.
Best to you.
Best to you.
And best to you out there in the podcast universe.
Until next time, Chrissy and I will say, we do say and we must say.
Goodbye.
At Grey Goose, we believe that pleasure is a necessity.
That's why we craft the world's number one premium vodka in France,
using only three of the finest natural ingredients,
French winter wheat, water from Jean Sac, and yeast.
With Grey Goose, we invite you to live in the moment and make time wait.
Sip responsibly.
We invite you to live in the moment and make time wait. Sip responsibly.
The White Chocolate Macadamia Cream Cold Brew from Starbucks is made just the way you like it.
Handcrafted cold foam topped with toasted cookie crumble.
It's a sweet summer twist on iced coffee.
Your cold brew is ready at Starbucks. I gotta get some cocaine!
That'd be crazy!