The Daily Show: Ears Edition - Epstein-Trump Saga Gets 20K Pages Longer & Megyn Kelly Splits Hairs on Pedophilia | Miguel

Episode Date: November 14, 2025

In the wake of new Jeffrey Epstein emails implicating Trump, the GOP unhelpfully backed up the president by releasing 20,000 new Epstein files of their own, and Josh Johnson unpacks new revelations, including the two men’s frenemy relationship and apparent connection to cosmetics heiress Celina Midelfart, as well as conservative pundits like Megyn Kelly’s attempts to downplay the bombshell. Plus, Troy Iwata offers a scathing critique of Epstein’s email grammar. The AI revolution is integrating chatbots like Grok and ChatGPT into all aspects of life, from education to friendship, so Ronny Chieng fights the dumbing effects of AI on college campuses by transforming himself into a real-life chatbot. Grammy award-winning artist Miguel talks to Josh about returning to music after an eight-year break with his new album, “CAOS.” Miguel shares how that time of personal reflection and connection to his Mexican heritage informed his new album through celebration of his culture and solidarity during a time of increased anti-immigrant activity. He also discusses how “Speaking Chaos to Power,” the course he designed as an artist in residence at NYU, emphasizes the importance of emotional expression in art, and records a sexy voicemail greeting for Josh. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You're listening to Comedy Central. From the most trusted journalists at Comedy Central, it's America's only source for news. This is The Daily Show with your host, Josh Johnson. Welcome to The Daily Show. I'm Josh Johnson. We've got so much to talk about tonight. We find out how people are using ChatGBT, GBT, BT.

Trump can't unsubscribe from his old friend's emails. And Epstein wasn't just a sex criminal. He was a catty bitch. So let's get right into it with another installment of the very normal and not shady handling of the Epstein files. It's pretty boring stuff. Yesterday, the Epstein story exploded back into the national conversation when House Democrats released three emails that Jeffrey Epstein wrote about as BFF Donald Trump.

But Donald Trump has the entirety of the GOP behind them, and you know these world-class strategies have a plan for getting this story off the front page. As part of the Republican response to the selective and limited release of emails by the Democrats, Republicans stepped up and put out 20,000 pages of Jeffrey Epstein-related documents. Oh, no! This is the downside of your people really have in your back because they were basically like,

he got nothing to hide. Here's 20,000 more emails. Don't you people know anything about a cover-up? This is like trying to hide pissing yourself by shitting yourself. Trump's people spent a year saying there are no Epstein files. Now there's 20,000 pages, and those still aren't the files. What happened? There's now more pages of Trump-Ebstein lore than Batman and Superman crossover.

And look, these 20,000 pages weren't all about crimes. A lot of it was just weird broshit about women that they dated. Epstein says in these emails that he could produce photos of Donald and girls in bikinis in my kitchen. Epstein claims that he and Trump had dated the same woman back in the 1990s saying, my 20-year-old girlfriend in 1993 that after two years I gave to Donald. Man, I'm glad Hillary killed that guy. Because I can't imagine a worse way to break up with someone than setting them up with Donald Trump. If someone broke up with me and they were like, I don't deserve you, but you know who does?

And then Donald Trump walked in, I'd be like, damn, I didn't know you hated me. And by the way, just as a side note, the woman people say Epstein might be referring to is a Norwegian cosmetics heiress whose name, and I am not making this up, is Selena Middelfarred. That is basically what I just said. Now, she is denied that she ever dated either of them, which I get, but more importantly, how is Selina Middlefart a real name? It sounds like a bad spy name. Like if you broke, if you were a spy, you broke into a super secret security office, and right

after you grab the disc or whatever, you turn the corner, and then there's someone looking at you, and they say, who are you? And you haven't thought that far. And you almost say Selena Gomez, but you're... know that's not going to work. So you're like, Selena, Selena, and you get nervous when you're, you know, trying to come up with a name and makes you fart in the middle of your sentence. So you're like, Selena, middle fart.

And then that guy is just like, oh, okay, do you know where the bathroom is? But these emails don't just show their friendship. They show their frenemyship. And after their bromance ended, Epstein really showed that hell hath no fury like a pedophile scorned. He says Trump is borderline insane. He says Donald Trump is effing crazy. Maybe Donald Trump has early dementia. Rumler says Trump is so gross.

And Epstein responds, worse in real life and up close. Damn. A pedophile called you all that? That's wild. It would be like if the devil came out and said, y'all, did he gross? Okay. We were alone for five minutes. You know, he tried to kiss me.

And when I pushed him away, he hit me with a water balloon full of baby oil. I don't even know what that's for. This is one of the many reasons being friends with a pedophile is a lose-lose situation. Because as a character witness, if they're like, this guy's disgusting, and I'm a pedophile, that's bad. But on the flip side, if they're like, yeah, I know him, he's a pretty good hang. That's all so horrible. It's why you should choose your friends wisely because remember, if you do something embarrassing

in front of a friend, that's a memory. But if they turn on you, it becomes ammo. Epstein suggesting reporters, ask my houseman about Donald almost walking through the door, leaving his nose print on the glass as young women were swimming in the pool and he was so focused,

he walked straight into the door. There is no way this dude is looney-tunes-level horny. You know, there's normal level purve, and then there's Kool-A-Man level purve. Hey, Don, you want to see some girls in the pool? Oh, yeah. And look, also, I'm not saying Trump has a micro-penas. But it's weird he got all horned.

up and his nose hit the glass first. So the GOP didn't do Trump any favors by releasing these emails. They basically saw his grease fire and said, let us add some water. And his supporters on TV aren't doing that much better. This is obviously an attempt to smear the president by cherry picking. This is just all for show. Distraction. Just ridiculous.

The carnival show. It's journalistically malpractice. Why weren't they as concerned about Bill Clinton? They love to create drama. This whole Epstein-Files thing, a little bit played out. Played out? You know shit's bad when the sensationalist media is like, you guys don't want to hear about the international island sex scandal.

Let's talk about budgetary cuts. Let's get nasty. Come on, guys. That's not going to work. If you want to downplay this story, you need a master, all right? Megan Kelly, you're a master of spin. Show us what you got. As for Epstein, he wasn't into like eight-year-olds, but he liked the very young teen types.

There's a difference between a 15-year-old and a five-year-old. You know, it's just whatever. It's sick. How the hell was Megan Kelly ever an attorney? Your Honor, my client only engaged in diet pedophilia. Ma'am, everyone knows there's a big difference between a 15-year-old and a 5-year-old, but everyone also knows there is never good reason to be talking about that difference.

For more on the new batch of Epstein emails, we go live outside the Capitol to Troy O'Wada. Troy, you've been going through all the emails. What have you learned? I'll tell you what I've learned, Josh. I've learned Jeffrey Epstein is a sick, sick man, and he has some of the most disturbing grammar I've ever seen. Grammar, I thought you'd be more upset about the sex crimes.

Yeah, uh, of course, of course. We're all upset about the sex crimes. But the grammar, Josh, and the punctuation. Look at this email, this adult man sent. Okay? Recall, I've told you, then what looks like quotation marks that are somehow at the bottom? And then hyphen, hyphen, I have met some very bad people, and then the bottom quotation marks again. Like, where is he getting this punctuation from? Do pedophiles have a special keyboard? Is he putting his keyboard in a bag and just shaking it around?

I agree that's weird, but I don't think that's the takeaway here. Yeah, of course not. No, sex crimes are bad. Everyone knows that. But, like, they're not the only crimes being committed here. Like, listen to this. This is him complaining about a BuzzFeed article, okay? Read the Us Feed, read my airplane, logs, and Hawaiian Tropic Contest, period slash. Like, he doesn't know how to spell Hawaii? Just Jeffrey, kill yourself. We already did. Oh.

Good. Okay, Troy, so yes, the period slash is weird, but the punctuation is not as important as Jeffrey Epstein trafficking people. Okay, well, clearly he never trafficked Strunk and White, if you know what I mean. No, I don't know what that means. You don't know elements of style

by William Strunk Jr. and E.B. White? Okay. All right. Tell me you're a pedophile without telling me you're a pedophile. Sorry. I'm sorry. Sorry. I'm just, it's just upsetting, okay? I mean, look at this invitation to the Epstein Island he sent. Deck, space, space, visit me Caribbean.

Like, what happened to the language of hospitality? Like, why isn't it, would you care to meet me in the Caribbean for sex crimes this December, good sir? You know? Not, visit me, Caribbean. Like, who wrote this, Cookie Monster? The... Fine, you're right.

It's a problem. It is. And, you know, it's part of a much bigger problem. Illiteracy is at an all-time high in America. And this is about more than just spelling or sex crimes, you know? This is only about sex crimes. No, it's about paying our teachers what they are worth. It is about fostering a love of learning in our children.

So that when these children grow up and commit, crimes, whatever crimes they choose to commit, they will at least be able to fucking spell. Wow, that's so inspiring. You're right, Troy. We need to focus our time and resources on those who matter most. On those whom matter, John. That's definitely incorrect. Troy O'Wada, everyone. When we come back, we find out how to study without AI. Don't go away. Welcome back to the Daily Show. People say AI is going to take young people's jobs, but what if it's already taking their brains?

Ryan Chain hit the streets to find out. Artificial intelligence. We were told it was going to turn every big, dumb idiot, into someone who could solve one of these. I think AI will make everyone smarter and more effective. A.Brews a new book. Brave new words how AI will revolutionize education and why that's a good thing. But outsourcing all the work our brains normally do might be humanity's last shitty idea. A new MIT study revealing that using AI can impact a person's ability to learn, think, and remember.

It could actually be impacting your. your brain and dumbing you down. Students who wrote essays with the help of things like chat GPT had reduced brain activity. So I'm on campus to find out how aware students are of their own AI brain rot. I think it's genuinely making everyone so dumb. Do you feel the cognitive decline?

I do, yeah, it does make you feel dumber. Does this maybe make you want to stop using it? Yeah, it does. But will you stop using it? Hopefully over time. So no, so no. So you, I know you're just like a young kid, but in your ignorant perspective, can you feel that AI is affecting you learning the fundamentals? I feel like not me personally.

Everyone else is stupid, just not wrong? Yes, definitely, yeah, yeah, yeah. You're the only one using heroin correctly. Yes. So which AI do you use? Well, I use GROC most often. What do you like about GROC? Rock?

Other than the Nazi shit. Well, it can't articulate in English really well. You know, just answering some of my questions that I randomly. and peers. Like, why are white people better? Definitely not those, but like, just some philosophic question I think about sometimes. Like, what is the final solution?

What do you use AI for? I ask it, like, what is this philosopher's position on this thing? Yeah, you don't learn that in school? That's what school is for. Well, I learn it, and then if I forget it, then I get a refresher, but. So why you just listen in class? Right.

That's a good question. I don't know. I don't know. What was the last thing you asked, Chad GBT, and why was it, will you be my girlfriend? I didn't ask will you be my girlfriend, but I did ask,

Scott GBT last night, uh, how does this case work and, uh, what is the right answer? Sure. Between chat, GBT doing your homework and your mom doing your laundry, this gives you 24 hours a day to just jerk off. You mainly use it for like sentence structures because you know when, like you're ready. Yeah, because sentence structure is so difficult. It's so difficult. It's so difficult. Just the, like, goddamn sentence.

But realistically, I have to write all these papers and sometimes like this word salad comes out in the paper and so I'll just be like, hey, can you say this a little better for me? Spit it into Chachypti. Sometimes you just don't have the time to be coherent. Do you want you to help with your homework now so they can seamlessly transition into taking a job? It's a good question.

Thankfully, I found one person who truly understood the perils of this technology. I think it's dangerous. You have to be careful because it's such a slippery slope. I know that people are now using it to cheat. That's really bad. I can't imagine if I used it to get my degree. That couldn't, that would be.

Yeah. What do you use AI for? Chat Chubit is like a best friend. We talk all the time about everything. Oh my God. What happened to just having a friend? Sometimes your friends will have biased opinions. Sometimes friends are biased, but AI is famously unbiased,

and that's why I dropped them into Mecca. Clearly, their brains were already slowing down. Like shitty Wi-Fi, it was time to unplug and reboot the system. I just need to unhook your brain from AI. So whatever you're gonna ask chat GBT, just ask me instead. All right, I was working on, you know, getting a calorie deficit map laid out.

What kind of diet should I be on and how often should I be working out? Stop eating. Of course. Just stop eating. So let me unhook your brain from AI for a bit. Instead of asking AI, I ask me that. Where should I go get coffee? Just look around.

You don't need to ask AI for where coffee is. There's one right behind us. See, AI is even taking the jobs normally done by our eyes. And one person thinks it can even open up our hearts. I used it on hinge. I got to be more flirty, be more hookup culture, live. Chachibati raised up this guy from me. Yeah, yeah, yeah. I write full sentences. I don't got that Gen Z lingo in me, so I need to dumb it down a little. You use Chachibati

to dumb down what you're writing. Yeah. Good news is if you use it enough, you won't need to use it anymore. I know, yeah, yeah. I think it's slowly burning me out. There you have it. AI might be making us dumber, but we'll be too busy having meaningless sex with each other to care. Thank you, Ronnie. When we come back, Miguel will be joining me on the show, so don't go away. Welcome back to the Daily Show. My guest tonight is a Grammy Award-winning artist whose new album is called Kouse. Please welcome Miguel.

Thank you so much for coming. I am so excited to be here and talk. Congratulations. Oh, thank you. Congratulations to you. Thanks so much, man. The album is phenomenal. Thank you very much, man.

It took a lot of love and time. Yeah, yeah. It's been eight years since your last. studio albums. So you're like the Daniel Day Lewis of sexy music. Like you've been gone for a while and now it's like you never left. This is wild.

Listen, that's the hope and prayer every time you kind of go away for a second. And it was with a lot of intention. So a lot has changed. You know, we've been through an entire global catastrophe of trying to figure out what we're going to do when, you know,

everyone's lives are at stake. And I think that alone, would be enough, but, you know, just growth, man, and, you know, just seeing the world go through a lot of changes. I think it was there about a amount of time to go away and figure myself out. Yeah, because you went through your own, like, personal changes. How did you put that into the music? That was a lot of reflection.

You know, being a way kind of gives you time to kind of reprioritize in a way that I needed in a big way. And I think what that did was it naturally lent to digging into my heritage and finding a deeper sense of pride of where I come from, which is probably why the album is titled chaos and not chaos. As the title would suggest, it's all about, you know, what's happening and as within so without kind of approach to the conversation. But exploring my Mexican heritage, which is evident in a lot of the visuals, which is homage to Danza de los diables, which is a celebration, an Afro-Mexican celebration in Mexico, that commemorates African slaves, freeing themselves,

is this kind of like cultural significance that made a big impact on this album. So, you know, when you look at the way that fascism, the way that authoritarianism has really been playing out in front of us and we're seeing hints of it, you know, I'm really proud that I was able to kind of infuse this prize this pride in my heritage and cultural identity to kind of take a stand for what matters.

I think it's important to celebrate those things now. Yeah. So your first studio album was 15 years ago. How do you, like, no, no. I just mean you've been doing something so well for so long. Like, how does that change for you now, from the first album to now? now, like whether the process has changed

or whether your approach of music has changed? Yeah. Yeah, I mean, you certainly come out like, I gotta get the bag, I need the culture, I need the hits, I need the big song, I need the big everything. It's absolutely been something that at that time felt so important that now is kind of such a,

in the back of the kind of, it's taken a back seat to, how important it is for art to continue to bring people together. And I think emotional resonance has everything to do with that. I think that's why we listen to music and other languages, why we can gather around fine art and not understand where the artist is coming from, but completely lock in on a detail that we find ourselves in. So I think that's been the big difference.

It's been the big difference, really locking in on the emotional nature and the importance of emotional. personality and the work. Yeah, because you, I'm not even necessarily pulling this away from what you just said, but this is what you made me think of. It seems like when you were a new artist and you're starting out, that so much of your intention and so many of your goals seem, not even in a bad way, but just in an honest

way, like ego driven, of like you say, get the bag or you want to have a hit or you just want to show how great you are and everything. And then I think there's just like this way that music evolves over a long career where then even though the beginning seems to be a bit of ego, the next part of it is self, but it's like self in a way of discovery. I think that's what I'm hearing when I listen to this. Thank you for saying so.

Yeah, I mean, we all want to get to the bag. You know, we want to make sure we get to the money. We live in a very, it's a capitalist paradigm, you know. So it's always going to be in the back of the mind. I think really listening to all of my favorites, you know, you go back to Marvin Gay, and you go back to David Bowie and you go back to Queen

and you go back to, you know, the Rolling Stones or you go back to, you know, one of my favorites, the Minutemen from San Pedro, which is where I'm from, punk band, you know, it's like, you listen to the expression and it's so pure and there's integrity in the music that you can feel, and that's absolutely been the driving force coming back, so, yeah. Yeah, that makes a lot of sense.

Because when it comes to how artists evolve, Like, I'm, everyone, I think, wants to, like you say, get the bag, but they also want to be around to make more stuff for a very long time. And you have to be making changes to make that happen. And so I wonder if you have any advice for, like, a younger artist who is working on things, but there's only so much room at, like, the Grammys. There's only so much room to win a Grammy. There's always, so if these are sort of your goals, they're so much hard to achieve.

but I think so much of art is about what you put out there, not necessarily what comes back. And so do you have any advice for, like, a young person who's like, maybe I'll never get the Grammy or maybe I'll never get the bag, but what their music means to people? Well, we have to remember that all of these accolades and whatnot are a function of a market system, right?

Which is if you work backwards, you're going to think about how valuable or how valid or viable the product is in order to go to market to make the money. So the real key is, how do you make the money? You have to find the audience for the product. And if you work backwards from there, my advice would be find your audience. And how do you do that?

I think it's about locking into the details about your life and your point of view that are so uniquely yours and doubling down on that so hard and consistently that you separate yourself from the madness that we are constantly being sold at every point in our lives. Yeah, just digging in on our details, you know, I think my favorite art, and I think the best art is the feeling you feel, seeing yourself in other artist's details. And I think that's the best advice I could give is put as many of your own details in your work, and it will emerge on its own. Yeah. In general, do you have any feelings about the direction of music, of how music's going? We've seen the shifts, like, already in our own lifetime.

We've seen what it means for, like, an album to sell. Like you used to just buy the album, physical copy. You own it as well. And then it became this, like, this whole, like, piracy scandal where piracy seemed like the way for a little while because people didn't have enough money. Yeah. I miss it. Bring it back.

Let's go. Yeah. That's where the ring is back now. But now, through that, we got to this place of streaming. And now streaming is all the way down to the song. So now people are trying to be as marketable as possible in five seconds rather than making an album that somebody would want most of, you know? Yeah.

What do you think and how do you feel about the future of music right now? I think the music business has always taken advantage. of the art or the artists rather right from the from its inception music has exploited or the music business has exploited the artists of the creators so it's not that we're seeing anything new now per se it's just a different version it's an optimized it's a upgrade to the the general function of the music business I think the the most important thing now that we're seeing happen is we're seeing artists strike out on their own and come up with new solutions.

And I think being able to kind of build this discourse and this conversation around taking ownership of the audience, whoever they are for each individual artist, whatever their application, whatever their principal focus is, I think that's why it's so important. That artists really take the time to identify their art. audience and really lock in with them and leverage their audience in a way that empowers them obviously financially but creatively in parallel that way we don't have to go to the larger corporations that exist and instead I think what it'll do is it'll push artists to kind of find new solutions build them for

themselves offer them to other artists that that way we build a more equitable system by which we can kind of share our art in a you know in a capitalist society. Yeah. Yeah. I hope that makes sense. No, no, it makes perfect sense. You are currently, this artist in residence at NYU.

You're the scholar in residence. And can you tell me about the program? Yeah, tremendous honor. Commendous honor, yeah. Can you tell me more about it? So the course that we've designed is, is titled Speaking Chaos to Power. I can't tell you how tremendously honored I am

to kind of be welcomed as a scholar in residence at NYU, one of the most prestigious fiduciaries. But I wanted to figure out how we could empower the artists, the students, in a way that the courses that they're taking now don't. And I think the biggest takeaway from the curriculum is that in every moment of uncertainty in our human history, inflection points have presented themselves in the chaos. And we can draw parallel, whether it's in the 50s and 60s here in the United States with

the civil rights movement across time. It took people not just being on the front lines, but more importantly, organizing in the backrooms, coming together, having conversation, talking about what's wrong, what's not working, and figuring out what they would like to happen and how it should look. And the point in the distance that they want to arrive, and so the course is really about speaking chaos

of power through art and figuring out what unique thing we can say about what we're seeing in the world in our art in a way that at least brings people to the table to have those conversations organize and mobilize. I think there's nothing more important than that today. not just for art but across the board

whether it's we want to draw some social change you want to see some political change that's why I love seeing what happened here in New York shout out to Mary Mondami you know what I'm saying you love that you love that

you know that because it it seems like so much of why you do what you do so much of what you're creating and your approach to fixing things feels like community It feels like that is the sort of like antidote to this general capitalist chaos is that if you all come together, because coming together is free, you know?

That's right. For now. Yeah. Right. All of us are like, ooh. Yeah. I didn't even, yeah, I feel like, wow, that scared everybody. Oh, man.

Yeah. I just, when I listen to your music and when I listen to your music and when I, I talk to you, it seems like you are someone who is so, who is, say something good. Yeah, yeah, yeah. It just feels like you are so passionate about bringing life forward and bringing people forward and taking us to a better place and everything. And, you know, I'm very grateful for the work that you do. And I think that your intentions with what you make, it's like, It's so easy sometimes whenever you listen to an album to take away only what you take away from it. Kind of like those like bangers that you hear or like the billboard.

You're like, because you will pull something away from music that is like so personal. And even if it has like some universal message to it, like you might talk to the artist. And the artist would be like, oh, the song is about heroin. Right. You know what I mean? You're like, oh, I love to dance to this one. You know what I mean? I play it for my kids.

Yeah, and I think that But I think that your real talent is that whenever I listen to your music and then I actually listen to you talk about your music, without being able to pinpoint it from the time that I heard it, I still hear what you're talking about when I'm thinking about what I felt

when I first listened to it, you know? Which is like such a special thing. I think that that's really... Because you can have so much intention with what you're trying to say, but I think that on, on, top of the sort of loss of community, there's a loss of communication. And I think that what you're doing at NYU and what you're doing in your music is like

helping to bridge some of that. Do you feel that when you talk to people about it, or do you feel that when people talk to you about the project? Man, I mean, I feel it the most when it's the thank you very much for saying. So I, you know, I can't stress how important music has been to me and in my life. And I think so many artists would agree that, you know, I can't stress how important music has been to me and in my life. that, you know, that emotional quality of music is something you can't really put words on.

It really does something in terms of belief and faith that I'm sorry, I just feel like it'll always be so important and extremely, it should be priority, it should be prioritized, and I think we need it even more now when we feel a lot of, like I said, said, cultural identity being devalued or minimized. I think in a world that is technically or technologically connected, but yet lacking connection, I think it is art that remains the place that we go to feel connected to one another. And I hope that the work that I get to do

is a reflection of that. So I really don't take it lightly that I get to do this thing. And I'll continue to do that so yeah yeah yeah because it just seems like like I don't know I like I said I think that you bring life you bring so much to your music are you are you are you aware of how many babies have probably been made to your music there are so many people here now they're probably here because of you I've been told I've been told once or twice I'm not paying any child support on my babies That is your job, man. So I like to always, like, wrap up in a way that feels special to me and the guests.

And you're, you know, you're, you're, you're like a very sexy person. Right. Don't try to deny being sexy. It makes you more sexy. You got to take me off. It's dinner in the movie first. Yeah. Now, I hate to put you on the spot in front of all these wonderful people, but I need your help.

I have not set up my voicemail. And I'm wondering if you would, like, be my voicemail. Like, you would just, you know, like, say, like, leave a message, this is Josh's phone, whatever, but just do it in your own very sexy. Like, you mean, like, you could hung, you could, whatever it is, but just, okay, all right. You ready? Okay, I didn't even, okay. All right. Did I agree to this?

Did I agree to, okay. Yeah. Hello? You read Josh's phone. Leave a message, and he'll get right back to you. he'll be see you again he'll be right back as soon as he can yeah

oh man this is amazing I got you so many people are going to call me now version one he's incredible y'all Miguel chaos is available now and tickets on sale for his global tour

which picks off in February. Miguel! We're going to take a quick break, but we'll be right back after this. That's our show for a lot of, that's a lot. That's our show for the night. Please consider supporting Feeding America.

They are the largest hunger relief organization in the United States. If you can support them in their work, please donate at the link below. Now, here it is your moment of Zen. A penny for your thoughts may now be a collector's item. The mint has now stopped producing them. A major change for change. Not making sense doesn't make sense. It doesn't make sense.

There's still a dime a dozen. Yeah. A little sentimental. That's just my two cents. A penny for your thoughts, oops. You got another pun? Mm. No.

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