The Daily - Robby Hoffman Will Always Feel Poor, No Matter How Rich She Gets

Episode Date: June 27, 2026

The comedian and actor says class and the way she grew up inform everything about the way she lives now. Thoughts? Email us at [e-mail] Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview   Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the New York Times, this is the interview. I'm Lulu Garcia-Navarro. Comedian Robbie Hoffman seems to be everywhere these days. She's been praised for her scene-stealing roles in hacks as Randy, a former Hasidic Jew from Crown Heights, who becomes a Hollywood assistant, and in Steve Carell's HBO comedy rooster, in which she plays a blunt, protective roommate. Hoffman grew up poor in a Hasidic community herself, the seventh of ten children, with lots of trauma. Despite their religious roots, her family supported her when she was outed in her teens. That life is the source of a lot of her unfiltered comedy, including her Netflix special, Wake Up. There's so much I wanted to ask her about. Money, fame, marriage, and what they mean in our celebrity and wealth-obsessed culture. And boy, did she engage.

Here's my conversation with the singular Robbie Hoffman. Okay, and action. Robbie Hoffman. Yeah, can you imagine? We're actually in your home. It's weird because you guys said, and I was saying this a bit, you said, oh, they have to do it at your house because we want the person to be comfortable. But what you do is you come to the house and you totally rip apart. Like, this is not like, do you know what I mean?

It's like you want me to be comfortable, but the couch isn't where the couch, like the whole house is moved. Yes. So it's kind of counterintuitive. We want the subject to be comfortable, but then you come in the house and you move everything that's good. Right. And I did notice sometimes when you see an interview, you see them sitting in the middle of a little of a. room in their chair and I go, that's their living room? How weird to walk in, but now I understand they move everything. I have these chairs. These are my chairs, but normally they're there.

They're very nice chairs. They're very nice chairs. The house is beautiful. Do you feel comfortable? No. Fair. But I'm not comfortable a lot. So don't worry. I'm comfortable being uncomfortable. Are you comfortable making people uncomfortable too? Yeah. Oh yeah. Great. Then we're in for a fun conversation. We're in for it. All right. So we're going to talk about more of this later, but as you have often talked about, you grew up really poor. And I wanted to start, though, with what is the weirdest thing now about finding yourself with money and fame? You know, I don't know if weird is the word. I think it's tremendous. It's amazing. It's everything I've ever wanted was to make a living doing what I love doing.

You know, life is weird everywhere. My weird doesn't, you know, me seeing stuff, it doesn't change necessarily based on my socioeconomic status because I still see everything. Now I just see rich people in their weirdness. I was poor. I saw us. You know what I mean? And I saw that. Now I see new weird things.

You know, it's like you go to a different level of a video game. There's other challenges and there's other weirdness. How would you compare the rich weird to the poor weird? The rich weird is way weirder and worse because it's there's like a humanity that's that is missing. My favorite is a people like me who grew up poor and then by the grace of God got some money. And now we could be like, oh my God, how weird are these rich people who've been like this since birth or whatever, right? Small things like when you go into a rich person's house and nobody's allowed to go in the fridge. Right. The poor have much less, but it's like when you go to their house, it's like,

take, take, take. You want a Coke. You want a Sprite. Like we just, everybody went in the fridge. But the rich, they have the biggest fridge, but nobody can go in the fridge. Right. So it's a small thing like that that paints a bigger picture, a bigger problem of generosity, right? Generosity seems like a small thing. But I've only, I've mostly seen generosity in poor households. It's not to say it doesn't exist, but it is notable. Whenever I meet a rich person and they actually were helpful or great, I mention it. It's worth mentioning. Are there things that have stayed with you about having really struggled? Because my mom came as a political refugee from Cuba with basically a suitcase.

And no matter how comfortable she is, she's a hoarder. She is a hoarder because she says it's because she lost everything so young. She can't throw anything away. She's 87 now, and that has stayed with her. Is there anything like that for you? Everything. Everything stays with you. The way that I am is entirely informed by how I grew up.

Everything stays with me. I joke about it oftentimes, but you know, that's why I like being with Gab. We both kind of grew up meager beginnings and we speak the same language. I equate it to literally dating outside of the faith. Gabby and I getting married, we dated inside her faith. No, she's not Jewish. Nothing to do with that. But she grew up meager.

so did I. And that helps our day to day. We speak the same language. If we're grocery shopping, raspberries are $7.99 for a little thing. And I'm not in the mood to spend that. I don't care if the money's in the account. I'm not in a place emotionally to drop $7.99 USD. A little thing of raspberries. We move on. She agrees. We move on. This thing that you just said is so interesting to me that you're not emotionally in the place to spend $7.99. I think it's criminal. I'm moving on. But what does that mean for you? I just, I've never heard that. This is crazy. I mean, I had a great uncle, and I don't know the comparison.

But, you know, Gaz right now in L.A. is $7. Close to, yeah. Okay. Now, when I was a kid, I think in Montreal goes by leader, not gallon. And I think, like, it used to be, like, 70 cents or something. When it reached a dollar, he didn't leave the house. Like, he was like, Uncle Eddie, could you take me to my friend's house? He's like, are you kidding?

Gas is a dollar. I'm going to be downstairs. And he just didn't leave his room. I grew up like those like the day in and the day out. I don't know. It just affects me. It's how I, you know, even the way I purchase things. If I'm going to buy something, I sold out a tour.

I sold a show. I'm writing a book. Whatever it is, I take a little off the top. I make sure it's something I love. I have forever. And I buy it. And then the rest of it I try and be careful with. What's the last thing you bought that you loved?

Probably in my backpack. Cool. I bought a designer backpack for tour. And, you know, as a dyke like me, I don't buy purses or anything like that. But a backpack is akin. I've had it almost a year, and I don't see it slowing down. It's a good investment. Yeah, really good.

Really good. Yeah. All right. You grew up the seventh of ten kids in an ultra-orthodox acidic family. you've described growing up in pretty brutal terms. What are your earliest memories of your life in Crown Heights? Really bad. I don't speak too much to this, but I can a little bit.

Crown Heights is beautiful now, but there were a lot of robberies when we were kids. And I do remember the summers are very hot in New York for the, you know, as the New York Times. I never get over. See, the New York Times. Mug. Are you getting that on camera? Well, you ask me if I'm comfortable. The New York Times is in my house. No, I'm not comfortable. I'm always excited. The Times is the Times. So no, I'm not comfortable, but I'm excited. I don't need to be so comfortable. Back to the question. We in the summer didn't have air conditioning, but my parents had in their bedroom one air conditioner in the window. And it was so hot. It must have been over 100 degrees. Everybody was sleeping in their underwear. My parents had the 10 kids on the floor. Some in the bed. And others of us, like on couch pillows, like quasi-made mattresses and we would sleep on the floor in our underwear. I had, you know, memories. I was very afraid of my father. My mother was, my father was abusive to my mother. You know, I try, speaking about this now, I try and give grace to. Not too much grace, but not, you know, my parents were very young when they had us.

you know my father was 35 with 10 kids my mother was 30 with 10 kids so they were under a lot of pressure and stress i'm not excusing him but i don't know that he had the proper resources to deal with anything and i'm not sure how he was told to manage his family in in in in the systems that he was a part of the religious systems um so that's that said he was very abusive and we kind of avoided him what does that mean if i if you don't mind my asking and you don't have to say. He was physically abusive to my mother for years. And so I kind of always avoided him. Now, he was not physically abusive to us. And in fact, I remember some bad fights he would speak to us after and say, you know, but I would never hit you. But it's like, but you hit ma. It's like,

you hit ma. And my mother is the sweetest, you know, unbelievable, wouldn't hurt a fly. So it's like, well, you, you know, it's like, I don't know, we kind of like, I just like, I remember seeing my fault. I remember once walking to the kitchen. That's in five, six. I don't even know young. I want an orange juice or a snack. And I saw him sitting there. I saw him and I go,

oh, didn't see you there. And I would walk away. Like we didn't have that sort of a relation. I saw him and I'm like, oh, sorry, I didn't see you there. I'll come back. So that was kind of a tiptoe time for sure. When did you realize you were funny? Probably later.

later. But my whole family, everybody was funny. We just were all funny. My father was very funny. And my mother is hysterical. So everybody was funny. It was always brutal and funny. And yeah, we laughed at each other. We laughed at ourselves. We laughed at everyone and anything. There was nothing off limits. And if you saw something funny nowadays that like, oh, you shouldn't laugh at that. Like my brother would hit you. You see, look at this. Look, you know, like we would always catch funny with each other. Like, oh, look what's going on there. Look what's going on there. So we were pointing, we were looking, we were laughing. Was funny a way to deal with the hard things? I'm sure. I'm sure it's cultural.

I'm sure. And you need to have rough. There's a roughness to comedy. It isn't polite all the time. It's not sensitive all the time. It's just funny. If you grow up that way, politeness and decorum is kind of to the side because you can't,

you can't invest in those things necessarily. I had a joke early on in my career, which my friend Jess gives me a hard time about. My sister worked at Starbucks, and sometimes I would meet her after work, and she would close up the shop, so sometimes at midnight, whenever. I don't know if it was 24 hours,

but it was like till midnight. And she lived in an apartment for Subway, steps away and she would walk home. She had two very long, scary blocks, dead of the winter, snow, dark, that she would have to walk home. Not too far, but not a comfortable walk home. But she would walk home in a very unflattering, and I don't know how to say this, that wouldn't be disgusting, that wouldn't be rude, that wouldn't be offensive. But she would walk home in a way that mimics somebody with physical disability. Okay?

She would limp or do something really crazy for the entire two walks to make herself, quote unquote, less desirable for a sexual predator. And it's too bad that that's the way the world is, but these are the safety concern she did. And I used to say that as a joke and I used to do her walk.

I don't do the walk anymore. But, of course, comedy isn't always comfortable. It's like that was a protective defense. That was a protective defense mechanism. Okay. If sexual predators, mostly men, thank you. They're mostly into young able-bodied girls.

She has to be not that. So it's not always polite and it's not always comfortable. I think the idea of comfort generally, even when you ask me if I'm comfortable, is a rich thing. These are concepts. Even if you ask somebody how they grew up, they won't even tell you, rich just say, we were comfortable. I've never heard the word growing up. Comfortable? What? We're not comfortable. Nobody is comfortable. Those roaches in the fucking sink. I'm not comfortable. The snow has come through the window. I got to put sulfane on it.

Nobody is comfortable, right? And we're very comfortable being uncomfortable. But the rich are not. and they dictate what is comfortable and what isn't. They are uncomfortable often. They don't talk about things. Things like money, they don't talk about. They don't talk about politics. Money, whether I wanted to talk about it or not as a kid, we had one phone in the main,

when you walk into the house, it was a table with a phone on it. That was the phone. And my mother was screaming about money on that phone from the morning till night. She doesn't have it, what's going to be? How much does the bus passes? We heard everything. It's not like if I didn't want to hear about it, it's like the rich have their own siloed rooms.

It's not like I could go into the other room and not hear her. I heard her. It's basically one room and the walls are thin as hell. I want to stay with your upbringing because I do think it's a source of a lot of your comedy. I have nothing uncomfortable. Are you going to kill me? No, I think it's actually really insightful. Go on.

Okay, thank you. Poor people know how to chill. Once we are, okay, the house is a shittle, it's a dump. But it's Friday night, people back from work, schools out, whatever it is. You get into a poor person's house. You got the chips on the table. Everybody's got a Coke or a Sprite, whatever they want. Take, take, take, take, take, take.

You're sitting outside. You're shooting the shit. It's a lot more comfortable to hang in a poor house than when I go to the rich houses. Like, I hate somebody offered me. They said, oh, these people are going to Italy. You should come to the pool. their house is going to be empty. They're going to Italy.

I don't want to go to that pool. I don't want to be in somebody's house. They're not there. And then I got to like, I don't know if this, you know, it's just, it's, it's, it's just a little bit bizarre. I'll probably go to the pool. But it's not, you know what you mean? It's not like the most. I don't know if I believe you that you're not going to the pool.

I might go to the pool, but I'm just saying it's not like I'm like, ah. Hmm. If one day is my pool, I'll be like a little bit more, ah. But I don't know if I ever do a pool anyway. It's a whole other conversation. I think it's a lot of maintenance probably. It is probably. I want to ask you one more thing about this period.

Eventually you leave Crown Heights. You move down to Florida. You're there for a little bit. And then your grandfather. Wow. How did you hear the Florida piece? I always skipped the Florida piece. We were there for like a year.

But okay, you did your research. She's not fucking around. She knows her shit. We're at the New York Times, baby. Okay, go ahead. So your grandfather then comes and rescues your mother from your abusive father and you all move to Canada. You leave your dad behind. Yes.

Did you become more secular at that moment? What was it like to sort of move from a religious community to a less religious environment? So it wasn't overnight. Yeah, exactly. Transition is the exact word. You said it good there. I was kosher till 19. Right. So I was still, we were definitely kosher in the house. Like, you know, I got a muzzusa here. I mean, I'm not an animal. So there's still things, you know, I don't need to die. Like, like there's still remnants. I don't know that I totally transitioned out. When we left, we weren't immediately not religious. We were still religious. We moved to Montreal. In fact, we moved to a Montreal neighborhood that was the same sect. You know, the biggest difference was not having the father in the home, which meant my mother took.

on all of the male religious commandments. She did the Kiddish, which is Friday night blessing over the wine. And Saturday, she did the Habdala, which is the service at the end of the Sabbath. She did all the male things. And that is the law is if the father is not in the home that the mother takes on a lot of the responsibility. So was it something that you wanted to break from the religious strictures or was it something that you were battling against or did you well I did it with my family was just this is really you're asking about my mother's battle. My mother is the one who

cook us out of that insular community. It's really her story that part of it. I was born into it. So I don't know that it was such a battle. I just this was life. This was the day in and the day out of life for my mother. She was starting to open up. and say, is this what I want for my life? Is this what I want for my kids' life? My brothers, for instance, were not learning English. They were learning Yiddish and they were learning the Bible, Torah. And my mother is proficient in English. My mother is potentially the most well-read person I've ever met my whole life. So she had a big dissonance between her kids not being able to read the classics later on. on, like, what am I doing to these boys that they're only learning Bible and they're not learning their own language? So there were things like that that my mother has shared later that led her to be like, I don't want my kids living like this.

Beyond her own abuse and what she was facing, she was thinking about what kind of people are we going to be? You end up going to a private Jewish school on scholarship. You said in an interview that you had to find your voice that you had been sounding jappy and those were your words in order to fit in at high school. school. Okay. I wouldn't use such language. I would never use shout out. Shout out. Kidding. Yes, yes, yes. Go ahead. Jappy, shout out to my Japanese fans. Nothing to do with you, Jewish American Princess. Yes. It's a derogatory term for Jewish girls, which I can use. Go ahead. Does anyone give you a hard time back in the interview?

Oh, friend. Oh, really? Oh, yeah. Name names. Not by now. Okay, after, okay. Oh, I can't wait for the tea. I was curious about when you gave up that sort of pretense of trying to fit in with that crowd and that you had kind of adopted this persona. It was another transition. Right. It's also a teenage thing. It is. I think many teenagers want to fit in.

I was already poor. I was the outside. I was going to this nice school, which still was a huge opportunity. In the end, was a net positive and really did teach me a lot. It was hard socianautics. economically did not fit in and feel looked down upon, but it also created a fire in me. But it was a transition. I remember I really tried.

I got so lucky. So I'm going to the school. I'm pretty. I had a great figure. So I tried to really, there was two things. Not only was I hiding where I came from and the classism of it all, but I was also hiding the boyishness of it all. I want it to be feminine and girly and don't I was always a loud kid I was always annoying I hated these things about me I still hate being annoying and I'm working on it but it is

what it is but it wasn't for girls to be like if you were like if you were outspoken as a girl or you it was just like unladylike and still like not hot not cool so I was kind of pushing that too and I kind of went the other way also one of my good friends sat me down probably in ninth grade and said like I'm bringing down the group that like I can't wear a backpack anymore I gotta have a purse a tote we're putting all our shit in a tote

we're not doing school bags anymore and I was like but these books are so heavy I can't do a one shoulder I need both shoulders I almost need the clip here you know what I mean like these math books are you kidding me so I remember she was like no

you got to get a purse like you're bringing down the group. You're bringing down the group. And there were signs early on because the purse I got was from Levi's. It was a used Levi's. It was a green quarterized Levi's with a Levi's pocket.

And I would try and do things. I wanted to, you know, I tried like looking better or more feminine or whatever and leaning into my looks and, you know, and also talking different. You know, because when I moved, I would say words like,

orange. But you say, orange. So I remember doing that. Well, I'm going to say orange. I'm not going to say orange anymore. Orange is for losers, right? They know you're poor. If you say orange, they know you're poor. Orange is oat, right? So stuff like that. I was always thinking how I look, how I sound, how I look, how I sound, how I look, how I sound. And over time, as I came out, as I started stand up, it was all about like leaning back in. It was all about like, we're just going 100%. I'm still, when you're on stage, it gives you an excuse to be a thousand percent you.

Another big transition for you. You were actually outed when you were 17 in a way that sounds like something out of mean girls. Bro, this was brutal. So I had a girlfriend, Italian, and this girl wanted to be out of the closet with me. And I was like, I'm not being fucking gay. Are you out of your mind? There's no way. I don't know.

I'm not doing that. I'm doing well in school, getting a great job. And that's going to be the end of that. I'm not going to be doing all this gay shit in my head. And so she would say, fine. And I just, like, wouldn't talk to her in public. You didn't want to come out at this point because you just didn't feel like it was anyone's business or you were. I don't even take a, I don't know how long this is going to go.

As soon as I found out it was gay, I was already living on my own. I was already having to make rent. I was in school full time. I was working basically full time too. I was living a really grown-up life and I just could not have another thing. You know, and I was a very good kid by this point. I was taking school very seriously. So I didn't go out too much, but I went out.

This is where it gets sloppy. So we went to the student bar, and I was with all my friends. And she was with hers. So then at some point I think she texted me and meet her in the bathroom. So I went to meet her in the bathroom. So when we went into the stall together, there's a line, you know, the bathroom. So finally we got a stall. We get into the stall together and we're making out in the stall.

There's 17. Who cares? and the door sprung open and so we were left like we pulled our embrace apart and a girl that I had gone to school with part of the Jewish community saw me, this popular girl

didn't see me kissing but something was what was going on and yeah by the next day it felt like everybody knew I felt like the scene from a walk to remember I was just walking through the cafe And everybody was like, like, she's fucking gay. So it's really, I really thought, I'm like lucky to be here. I really thought I, it was the worst time in my life.

I lost all my friends overnight at 17. Wow. Yeah, all but two. My friends told me they thought it was just weird. And I don't know. Yeah, they just thought it was weird. And again, it wasn't a time where nobody was gay. It just we were in still a pretty conservative environment.

And then I had a couple friends, my friend, Malay, shout out to Malay. She messaged me, yo, dog. Like, I don't care what's going on. Here to talk if you want. And then my friend Allie, whose mother was always nice. She was like, I don't give a shit, whatever. I hear stuff's going on. You can talk to me.

You don't have to talk to me. There was a couple people who were a bit of a lifeline. That's terrible. It was really bad. All right. You eventually go to McGill. You study accounting. You started doing stand-up.

Yeah. And you were getting your first study paychecks as an accountant after you graduated. But you continued doing stand-up, going by Rivka, your given name at work, and Robbie in the comedy clubs. Can you talk me through that? Was that like an alter ego? You saw them as two different people? No, no. It wasn't like a Beyonce, Sasha Fier.

So it was literally a practical decision. My name was Rivka, but I didn't want the accounting firm to think that I did stand-up or I wasn't living for the firm because it was a very big culture at these professional jobs that, like, you live and die for this firm. Like, so when I started stand-up, I didn't want really people knowing that I was leaving to do stand-up,

like leaving at 7 p.m. to go do stand-up shows. So I just didn't want my name on any flyers or anything. So that's why I went with Robbie. It was my uncle's name. It was an R initial. I watched a TEDx talk you gave in 2014. I hate that that's still up there. It makes me cringe beyond, but go ahead.

I don't know why. As someone who researched you, I found this to be very poignant. First of all, it was poignant. It was good. Good job, younger Rob. I don't know why I'm salty about shit. I shouldn't even be salty about. I look for problems.

This is what I do. To complain is to enjoy for me. And so I can't even look at something. go out and say, you know what, that was a good thing. Fine. So one thing you said is comedy chooses you. Oh, yeah. And you also said the stage understands me and it's where I'd like to live. It's crazy because I'm like the most uncomfortable to bring it back to comfort. Like probably one-on-one, probably like little small talks or kind of little dinner parties or

something like that where I can be a little bit socially. But on stage, when everything goes black in the room and the lights are on me, I feel like I'm in a womb. I feel like like I'm free and I always work small and then bigger, bigger bigger and now I'm working large.

I feel like you know, like there's some artists who paint still lives on eight by ten canvases and small works and then there's like the Jackson Pollux

that need like a bucket of paint splashing from here to the other room onto a canvas the size of this rug and I feel like these stages

are those I'm working in massive scale now much bigger scale and I feel at fucking home. Really? I'm like,

these theaters are my shit. Why do you think that is? I don't know. It's amazing. I don't know how to explain it better than that. But I do think that comedy chooses you.

I think you can choose it and the people who choose it, you know, some of them, you can tell they chose it and it didn't choose them. And, you know, everybody's on their own journey. But I also, you know,

it's very difficult because as soon as I started Santa Bob was like, I gotta do this now. Like, this is really throwing a wrench into my plans. I was going to marry good, get a good job, and just live, like, middle class, like, whatever, like, you know, just consistently live. Maybe have a condo, have a husband

that now I'm gay. Now the job's going. Now I have to really consider pursuing art, which seemed like the poorest thing you could do. And I'm trying not to be poor anymore. And now I'm like, I could be really poor. Like, this is no joke, Rob. But I just, I felt like it was a calling because, yeah, I don't want to, I wanted not to be. But it was like, well, I do have this shot and I do have it. So I can't believe it, but I have to do this. You said earlier that growing up, nothing was too taboo to joke about.

And, you know, in your comedy, it is true. nothing is off limits in your material. You said in a recent interview that anyone can do anything. I just want to explore a little bit about like how you think about your comedy. Okay, yeah. You know, do you mean you don't have to be part of a group to make fun of it? I think anyone could do anything, but you're at your own risk. So, for instance, Chappelle can joke about trans people.

He's not trans. It's not on trans spectrum. But he can do it, but people can clap back. I think you can do whatever the hell you want, but also know that it could be perceived by people however the hell they want. How do you think about what you would or wouldn't do? Because you've joked about AIDS, pedophilia, late term abortions. Is there something that, yeah, I know, that's quite a list.

You've got to go listen to the jokes. You can't just leave. No, exactly. I want to make that clear. Gotta go listen to the jokes. It's hard to talk about comedy, actually, out of context. Thank you, please. I want to say, but is there something that you won't joke about or haven't found the right way to joke about?

I'm sure. I don't know how to answer that. I really joke about jokes come to you. It's divine. I don't choose idea. Where do I get? It gets philosophical. Where does an idea come from?

Yes, you know, you're informed by your life and all of the experiences. And then one day you're walking, you're like, oh, that would be funny. Ooh, can I do that? Can I not? Well, I'll have to strive. Is there like a Robbie Hoffman joke? Like, is there, because you have a very distinctive style. All the great comics do, right?

I'm just trying to get it. I think you'd be better able to describe what Robbie Hoffman comedy is like than me. It's very hard for me to objectively see myself. That's fair. You know, it's like whatever I talk about is because it came to me. It wasn't that deep. It can go deep as I explore the topic. And oftentimes probably I've been told that it's like not what you expect.

How do you feel about being controversial? Because you said that people can be make jokes and people also have a right to clap back. I mean, you know, there is this continuum where the more famous you get, the more scrutiny you get, the more backlash you get. I can see that through line in your career already. We just had the celiacs come after you. Yeah, the only two communities that have come after me, hysterically enough, have been the pit bull community after the special in which I said some of the, I talked about some of the topics you listed so elegantly a couple minutes ago.

Of all the things I said in that special, raising the age of abortion until 10 years old, the pit bull people came after me. Turns out they're as scary as the dog. I did not know this. Okay. The only other people to come after me is a celiac community. I mean, you can't make this stuff up. Right.

And celiac is a real disease that affects mostly white women who are privileged to have health care to get the diagnosis. Right. People of color tend to be less aware or not diagnosed with these things as much because they lack health care. unfortunately in this country. So it was a funny, you know, I was asked a silly question about it. I was asked about gluten in a hard-hitting interview with Caller Daddy. And I responded jokingly, as I always do. But nothing more serious than that. But of course, rich white women came after me as, you know, they're at the helm of both the Pitbull and the Celiac community. So that made sense for me. But of all the things that I've ever said.

Rich white women are at the head of the pit bull community? Yeah, they like to rescue dogs, which is great. I'm just joking, right? Just like I joked about those other things, you know, they're not upset. It's amazing that more people from other communities haven't. It's always like the people who are like, I don't know. I have a problem too. It's like, yeah, we all have problems, bitches.

It's fine, you know. it's kind of like I shouldn't get in trouble. I will get in trouble for this. But it's kind of like how I feel about anti-Semitism. Like, anti-Semitism is bad. I don't want anti-Semitism. I get that. But is it the worst thing? No. To me right now it's not, especially living in a country where there's massive anti-Mexican sentiment and Mexican people are currently being rounded up are made to fear that they're going to be rounded up. So sorry if I'm not screaming as much about anti-Semitism as you want me to. Right now, I have bigger focuses on some of my neighbors that are going through horrendous anti-Mexican sentiment. So yes, it's bad, but I'm not

such a person that thinks, oh, I'm going to live a life free of any problems. You ask me about being offended with my comedy and all this stuff. Okay. I don't think being offended is the worst thing. I think being poor is for me. Offended? Some people expect to go through a life of not being offended, I guess. Not me.

I was born offended. My whole circumstance was fucking offensive. Again, like I said, if I hit your community, I'm also hitting my community. They're hitting me. You're hitting me. It's all fair game. It doesn't mean anything more than that, but that it's a more inclusive approach. I'm including everybody.

Nobody is above. I was asked a question. Would I go out of my way to talk about celiacs? Never in a million years. I don't even want to know about it. Okay? That said, did I happen to bring more awareness to celiac than anybody else has? Look what that did.

In the end, how many people are more aware of it? So look at God. He sends us gifts in ways we don't understand. But, yeah, everything is fair game. And I don't expect to live a life not being offended. And I don't think, I think it's okay for something to bristle you and to make you think something or feel something or react somehow. Well, you're articulating a Robbie Hoffman joke. I mean, in a real way, you're articulating something that you like to make people.

I don't like. I just do, I guess. My existence, it's not like I like. I didn't set out to do anything. I'm acting in the moment reacting to stuff that, you know, it's not that serious. I'm not a journalist. I'm not from the New York Times. I'm a comedian.

You know what I mean? So I might not know everything and I'm wrong a lot. And that's fine too. I'm not expecting to be right all the time. Not expecting to live an offensive free life. I just don't have expectations like this. So I guess just to bring it back. So I'm not trying to do anything but just be me.

And when I get an idea, bring it to you. All right. We only have a few minutes left. Love you. I don't have a good time, actually. Good. Me too. You're in the TV show Hacks, which just ended.

What's the experience meant for you? Oh, amazing. It changed my life. I mean, it changed my life. I'm Emmy-nominated actor now. Congratulations. Thank you. Six lines an Emmy by the grace of God.

And, yeah, it's just, it's been an amazing experience. I don't know. It's just everything you would want, a part written for you and gets you an Emmy now. It's amazing. I have no complaints there. I was really entertained by a recent article where I saw the headline How Hacks botched its Yiddish line.

It was in response to a cutaway gag from one of the last episodes of Hacks, the scenes, just a few seconds, and you say this line in Yiddish. And the author wrote that the line was grammatically incorrect and then said, very archly, quote,

as any fluent Yiddish speaker will confirm. I asked my mother how to say what was it, free? I was using the word fry and my mother said, Mechinum. So I add the first part of the line, which maybe was grammatically incorrect. Who cares? A comedy it's not a very used word in Yiddish to say a comedy show. It's kind of an Englishism in Yiddish. So it's like, this is what annoys me about Jews. It's like they want me to speak about anti-Semitism. We get Yiddish onto the show. And then this Jewish publication. has an issue with the Yiddish.

So, yeah, I may have gotten the grammar wrong on there, but my mother got the word right. And it's like, which any Yiddish speaker would know. My mother is fluent in Yiddish. I asked her one word on the phone. She doesn't need to be indicted for this. Feels like it hurt you. No, bothered me.

annoyed. You see, it goes to your thing of like with more fame. You know, you have like the scrutiny. And, you know, my little sister gets excited about all these things because she's like, we're going up, up, up, up. You know, when you have the hater, she's like, you have to start having. So she gets excited with all these listsings because it means they care. Right?

Like if I'm being scrutinized, well, I'm not a nobody to be scrutinized anymore. They wouldn't scrutinize me if I was a nobody. But I'm somebody, now everything I say is, did she, did she? Come on. We have other fish to fry. All right. We are going to talk again. Thursday.

For now? Yeah. Thank you so much. Thank you so much. Thank you guys. After the break, I talk to Robbie again and ask if the pressure of being famous is getting to her. The whole point is I'm new to this. I think people are curious about that. I'm new to this and, you know, I don't want anyone or I don't need anyone coming for me.

Hi, nice to see you again. Nice to see you again. You're stretching because you're on the East Coast now. Yes, I work last night. What does that mean? Were you doing stand-up? Yeah. Oh, fun. How was it? Really good, actually. Yeah. It's been good. It was a late night, but it was a good night. Oh, this is pulling, but I'm good. I'm good. I'm good. Okay. You know, one of the reasons I wanted to talk to you is not only because I've admired your work, but I'm also really interested in transition periods in people's lives. And we spoke about sort of many of yours in our first conversation and about how this moment you've become a lot more famous. and there's a real big period of transition for you now.

Yeah, that's true. You know, and I just sort of wondered because of that, you know, we did talk about in our first conversation some of the criticism that you might have received. And I wonder if it just feels hard to deal with. I would say, you know, I'm so used to so many changes. My career has, again, been very slow and steady. I think that by the time you're ready for a promotion,

it might be too late. So I think I'm ready, but it is interesting, you know. The whole point is I'm new to this. I think people are curious about that. I'm new to this and, you know, I don't want anyone or I don't need anyone coming for me. But I think the big thing for me as I navigate this next level is like what, why am I successful? Why are my shows successful? Why does everybody come together?

And I think it's because I don't need to be a part of like this big, machine of dividing us by having a squabble about this and that, the red and the blue of it all. You know what I mean? I'm like, it's enough partaking in petty squabbles when we have bigger shit going on. You know what I mean? And if you want the us versus them, at my core, it's always been about the rich versus the poor. And that's what we, you know, I think we need to focus on. I always bring it back to that.

I think struggle brings us together. And I've just been screaming about this since growing up the way I grew up. And whenever somebody tries to like grab me into their thing, it's no problem. Happen to be a part of a billion communities, but I don't need to get lost in the tip-for-tat. Part of your fame is also compounded

by your relationship with Gabby Wendy, who you married last year. She's unbelievable. Thank God for her. Yeah, she was on The Bachelor and Bachelorette. And she was also a breakout on the traitors, which I love, the Bambis. Oh, yeah, yeah, yeah.

Okay, I've got a question. First, did you think she was traitor material, or did you always see her as a faithful? I thought she was a faithful. She doesn't need all the stress of lying. The problem is we can't really lie. That's probably why we get in trouble. Sometimes we say this, we say that.

Some people ask me, like, oh, you would be on the show. I'd be out first. Look, I would literally be out first. First of all, I'd be like, I'm a traitor. You've got to get rid of me. Like, I would be too nervous. Like, I would need to go home. I don't have the temperament for, you know, I'm simultaneously, again, the most nervous and confident person.

I don't know how that happened either. But I'm always this dichotomist, I'm always non-binary, not just in the gender sense. I'm Canadian, I'm American, I'm nervous, I'm confident. The whole thing is a disaster. So I don't think I have the temperament for that show. That said, she is a fighter. She did amazing. And I said, when she would call, I got one call a week with her.

and I would just say, just take the money and come home. Fuck them. This is a game and that's that. I don't know if you can swear. Yeah, yeah. Really? Oh, I'm stuck again, Seth. My hair is stuck.

Seth will come and save you. I have a man in my hotel room. It's been a minute, I got to say, since I've had a man in my hotel room. I lost my virginity, actually, with a man in a New York City hotel room. I think the Bobby Pins doing the job, so I'm just going to remove this. clip altogether. Okay, fantastic. You got it? Okay, sorry about that. Thank you for sharing that. Yeah, it's fine. Three thrusts, maybe. Okay. So back to Gabby, your wife. I've seen you talk about her with so much love and so much respect. It's actually incredibly beautiful. Thank you.

Have you had to figure out what a good relationship looks like because of the chaos of your upbringing, the chaos of her upbringing. Yeah, of course. I mean, I'm, you know, we met in our 30s because of the ways we grew up. Like I grew up, yes, single mom household, poor. But I did have, in a way, a pretty stable. I know I moved from New York to Montreal and there was that stint of Miami, which you caught.

Lulu doesn't miss anything. But my mother was home. Every day, this woman was cooking and cleaning, cooking and cleaning, cooking and cleaning, cooking and cleaning. I knew every day where my mother was. To this day, if I got to go find my mother, I know exactly where she is. Gab didn't have that. Gab didn't have that. Gab had, you know, maybe, you know, a parent who was not there. Oftentimes didn't know where the parent was. You know, then went to live with her dad, but I'm just saying she didn't have that consistency. So Gab used to think that bringing up something with me would be that I would leave. If she had,

She thought I was annoying, which we've established. I've long been annoying, and I apologize. So she used to like, if something hurt her feelings or if, I don't know, she didn't like the way that I did something. If I left the cabinet open, it could be tiny. She just wouldn't say because she wouldn't want me to go away. But I was like, I'm not, babe, I'll close the cabinets. It's just insane. We can't live like this.

Try me, try me. So she had to get comfortable trusting that. And I had to get comfortable that she was tepid about everything. So it just worked. It's kind of like it's not our job to heal each other. But through the relationship, we are healing each other. It's not the job, but it's the cherry. And it's just really nice to design kind of the life you want to like. It's like I've said with Gab, when I was, a kid and I hated my brothers. I would just come home and complain about my brothers all the time. And my mother would say, you don't choose your family. They're your brothers. And then I realized there's a loophole. If I marry Gabby, I choose my family. That's the one time you choose your family. Choose wisely. Last question. The theme. Oh, that's it. Last question. Yeah, we're just so the thing that you've made clear, I think throughout our entire conversation is that class is at the center of how you want to communicate your comedy, your work. And, you know, it made me really reflect about in many ways how America always wants to present itself as so aspirational and to hide

the ugliness, the trauma, the poverty that underlies it all. And I think what makes you so provocative is that you are really trying to put that front and center in a way that I don't think many people are. Have you felt that dissonance? Have you, do you feel? Yes, I do feel it, especially doing more Oates or elites publications. That's why I'm nervous, like with the Times or things like this. You know, I'm always, you asked me if I was comfortable in my own house last time. No, I'm not comfortable. So I just think that, like, I'm cognizant to just always be me, stand what I stand for, no matter what.

And we can start really changing the focus to not be distracted and to focus. and to focus on us. Not you versus me or this or that. It's just classism affects everybody. The conversation basically to answer your question simply, it shouldn't be a new conversation. It's a big conversation and it's the conversation. I don't know if that's even more succinct.

What do you think, Seth? He nodded. Do you think that's succinct? Pithy? What's pithy and succinct? Pithy is short. Dyscinct is also short. I'm glad Seth, our producer.

Shout out to Seth, who's literally sitting on the floor in my hotel room. I wish, can we pull the camera here? All right. Robbie Hoffman, thank you so much. I've really appreciated your time. That's it. Okay. Oh, my God.

We're finally done. Okay. Thank you, Lulu. Thank you to everyone. Thank you. Thank you. I appreciate you. I appreciate you.

Thanks, guys. That's Robbie Hoffman. To watch this interview and many others. You can subscribe to our YouTube channel at YouTube.com slash at Symbol the Interview podcast. This conversation was produced by Seth Kelly. It was edited by John Wu. Mixing by Afim Shapiro. Original music by Dan Powell

Powell and Marion Lazzano. Photography by Devin Yelkin. The rest of the team is Priya Matthew, Wyatt Orm, Paola Newdorf, Joe Bill Munoz, Eddie Costas, Kathleen O'Brien, and Brooke Minters. Our executive producer is Alison Benedict. Next week, we're off, but the week after we'll share David's interview with Mick Jagger. You have to have a huge ego to do this. If you don't, lots of people that do this that don't have huge egos, have huge problems.

I'm Lulu Garcia Navarro, and this is the interview from the New York Times.