The Dan Le Batard Show with Stugotz - PTFO - How Emmett Till Got Erased from the History Books, with Wright Thompson
Episode Date: October 4, 2024You have heard about the grocery store. And the photographs cannot be unseen. But the 1955 murder of a 14-year-old in Mississippi — a killing that sparked the Civil Rights Movement, that forever sha...ped America — has been criminally underreported. Until Wright Thompson, son of the Delta and sportswriter of the century, embarked upon a story about LeBron's Lakers... that became a mapping of intentionally constructed, deeply hard-wired silence, in his new instant bestseller and surrealistic people's history, The Barn. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Welcome to Pablo Torre Finds Out.
I am Pablo Torre, and today we're going to find out
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This is the best thing you've written.
I mean, it's a weird question, but I sort of agree.
Wasn't even a question.
No, it's not.
I just think it's, this book, the new book, The Barn is the best thing I've read you write.
This is gonna sound crazy.
I feel like everything else I've ever written is prelude and practice to be able to do this right and not f*** it
up.
It is reported.
I want people to know about the fact that this is investigative journalism that is cinematic.
And even that word, I'm already catching myself because it's about what really happened in
a story that I knew so much less than I realized.
Well, that's what got started for me.
I mean, the Emmett Till murder, which is at the center of this book,
and we'll get into all the other things around it,
but the Emmett Till murder is one of the most famous murders in American history.
I mean, to me, it's up there with Abraham Lincoln in terms of killings
that forever shaped this country.
And so we think we know a lot about it.
Emmett Till's body was found in the Tallahatchie River August 31, 1955.
A week before, this 14-year-old Chicagoan, vacationing in the Mississippi Delta, had
whistled at a white woman, 21-year-old Carolyn Bryant.
On September 6, 1955, two white men were charged with Emmett's
murder. Roy Bryant, husband of Carolyn Bryant, and J.W. Milam, his half-brother.
But when you really get under the hood, A, you find out that we don't really know that much about
it and we're continually finding things out. Jerry Mitchell, like the great investigative journalist
in Mississippi, found something new
after this went to the printing press.
I mean, we're still finding things out.
And then what you find out is that the lack of knowledge
isn't just because of the effects of time.
It is intentional.
It was an erasure that started almost immediately
after the murder and continues. And so the book is uncovering new things about the murder,
but also tries to contextualize why it happened where it happened and why the erasure happened.
How did you get the idea to do this book? Where did it start?
I was at home during the pandemic
and were you still at ESPN then or no?
Yeah, yeah, yeah, yeah.
So you know we all got grounded.
I remember.
I had been on the road my whole life
and I didn't know what to do.
So I started trying to think of stories I could report
in archives and things I could do
that didn't require getting on airplanes.
So I started a story in which I was going to do the family tree of every member of LeBron James' Los Angeles Lakers.
And so I started. I mean, I was doing Dwight, I was doing LeBron, I got LeBron's family back to Albany, Georgia.
And so I was doing Avery Bradley.
I like how this story begins with Avery Bradley.
First of all, like separate,
we should do a whole issue on how Avery Bradley is the most underrated player in
NBA history.
I want the story that you're describing, frankly.
I want the genealogy of the bubble Lakers.
Dude, it was incredible. And so Avery Bradley's family is from Mount Biya,
which is very close to where I'm from.
I mean, it's eight or 10 miles from my family farm.
It's also very close to the barn.
That's a whole thing.
If you don't know the history of Mt. Bio,
it is an all black town that was founded by the freed,
former enslaved people who worked for Jefferson Davis's family,
the president of the Confederacy.
And they started a town.
In Mississippi.
In Mississippi, and it's still there.
And so Avery Bradley's father side of his family
is from there, he would go there in the summer.
And so I started Googling around and found that one
of the witnesses in the Emmett Till murder and in the trial
was a woman named Amanda Bradley.
And so there was a moment where I wondered,
is Avery Bradley related to one of the witnesses in the Emmett Till case?
And so I started calling around to Emmett Till scholars.
I don't think that he is, but in the process of doing that,
this guy named Patrick Weems, who runs the Emmett Till Interpretive Center,
who's one of the main characters of the book, said to me, have you ever been to the barn? And
I said, what barn? And he just said, we need to take a ride. What did you know growing up going to school in Mississippi?
How was it described all of this stuff?
Uh, it wasn't.
I mean, I found my old history book and it's not mentioned.
Uh, the Mississippi history book, uh, like stops, I think my old history book and it's not mentioned. The Mississippi history book like stops,
I think like at World War II.
This is so crazy that I had to text somebody
I went to high school with and be like,
am I remembering this right?
Or is this become like urban legend?
No, this is true.
Our eighth grade American history teacher
called the Civil War, the War of Northern Aggression.
I mean, this is, you know, we weren't taught any of this.
I didn't know the name Emmett Till
until a New South History class at the University of Missouri.
Didn't know any of it.
And one of the propulsive questions of the book is,
like, how is that possible?
And, you know, and I try to answer that in an actual,
like an investigative, sincere way,
a mapping of silence and how this is possible.
I mean, the best word to describe it is omerta.
You call it that in the book,
this omerta between fathers and sons,
this thing that, by the way,
neither black nor white people seem to enjoy reliving,
talking about in the Delta.
No, people don't talk about it.
But like, the project is a deep mapping of the land around the barn where it happened.
Okay, so I just need to establish here the conventional understanding of what happened
to Emmett Till.
Because Wright Thompson's new book, which is also unsparingly personal, as we'll discuss,
was the first thing that ever really made me think about the barn.
The barn where Emmett Till was actually murdered.
I had heard about the grocery store, the place where Emmett Till had whistled at 21-year-old
Carolyn Bryant back in 1955.
And I had heard about the photos, had actually seen the photos, the famously disturbing pictures
of a disfigured Emmett Till in an open casket at his funeral.
The photos that Emmett's mother explicitly wanted America to see.
An all-white jury would acquit Roy Bryant and J.W. Millam, two men who beat and mutilated and shot Emmett in the head, making sure to sink his body in the nearby Tallahatchie River.
But later, we would learn, Roy Bryant and J.W. Millam confessed to Look magazine
and writer William Bradford Huey that they did it. It was them. The two of them had killed this
black kid who was just visiting from Chicago, visiting his relatives, and whose death sparked the civil rights movement in the process.
Rosa Parks famously said that when she was sitting on that bus and got asked to move,
she thought about Emmett Till.
Yes. And this is a 14-year-old boy.
Who just turned 14, who liked comic books and Bo Diddley.
And you know, I mean like... Was a little chubby, as you write.
Yeah, had a stutter.
Had a stutter at the pranks.
So by the way, he couldn't have possibly said the things
that Carolyn Bryant said he said.
And so Carolyn Bryant, the woman at the center of this,
who told a bunch of people that Emmett Till had done a bunch of stuff which is in question.
There's a screen door, there's no air conditioning in 1955.
Everybody on the porch of that store could hear everything inside that store.
And one of the things that's interesting is if you get the notes taken by the defense attorneys,
you can watch her story change.
And so one of the things that's so interesting is the defense attorneys essentially wrote
the famous Look magazine story that was the confession
that until frankly this book details from it
found their way into every history.
To the point that the secretary of the interior
came to Mississippi to investigate making an Emmett and Mamie Till National Memorial and
Was taken to places and emotionally told stories that were all fiction
Because people are still using details from the Huey account
So when you go read this story and then you go find the notes of the lawyers. There are quotes that Huey wrote down from the lawyers that appear in the story
in the mouths of the killers. Right. Huey being the author of the book magazine,
William Bradford Huey.
And that whole story was written to erase the barn.
J.W. Milam and Roy Bryant were half brothers, different fathers, same mother, super inbred.
They had different fathers, but the same grandfathers.
You know.
Noted.
Yeah.
And so it was a whole tribe of brothers and it was super violent with a history of doing like this.
And so they took Emmett that night to Leslie Milam's barn, who was their brother.
That's where it all went down.
And Leslie Milam was never arrested and tried.
So he wasn't protected by double jeopardy.
So when they did the confession, they had to change all of these
details to write him out of it.
Mm.
And so the erasure of the barn
is so emblematic of the overall erasure.
You know, Leslie Milam in 1974,
his wife, Frances, who was a hairdresser
in Cleveland, Mississippi,
she called up Macklin Hubbell,
who was their preacher, the Baptist preacher.
And Macklin, in his 90s, sat on his deck in Cleveland and told me this story.
He has since passed, but he was alive when I was reporting. He gets a phone call, and it's
Francis saying, Leslie would like to see you. And he goes over to the house, and Leslie Milam
is laid out, like in his pajamas, on the couch in the front room, a bunch see you. And he goes over to the house, and Leslie Milam is laid out,
like, in his pajamas, on the couch, in the front room,
bunch of light, and Leslie confesses to him
that he was one of the people who killed Emmett Till.
And, uh, Reverend Macklin was angry and irritated
because it didn't feel sincere.
Felt like he was trying to lawyer his way to heaven.
If I say this sh** now, I'm probably fine.
And so they prayed together and then the preacher left
and Leslie Milam didn't make it to morning.
I mean, that was the last day of his life.
He confessed literally on his deathbed.
And I think he was 57.
All of these guys died young
Riddled up with cancer. There's this beautiful moment where somebody asked Mamie till yes
How do you feel that they got away with murder and she said what are you talking about?
They got the death penalty every one of them died young painful and ostracized for what they did to my boy
From time to time, I've heard rumors of Mylam and Brian.
I know that both of them lost two sons each.
Their little sons were about the same age, four down.
And they did not have the pleasure of spending their lives with their sons. And I do know that they thought they were heroes,
but when their backers backed up and would not support them,
they spent a very miserable life wondering,
we are the heroes and all of a sudden we are nobody.
So I'm sure that they paid, they're both deceased now.
But I am sure that they paid for their error.
When you look through the story of how it is that the barn got erased,
you mentioned, of course, the famous Look Magazine story.
But I also wanna put this into larger context
because so much of this, part of the reason
that A Group of Difficulty was the way it was,
was because actual legal documents, the murder weapon,
all of these artifacts that would reveal the truth,
they disappear.
So like, I got a call and talked to a guy who he and his sister own the murder weapon,
which was handed to their father, I think from Sheriff Strider, if I remember correctly.
When I talked to him, he was in a bank and a safety deposit box in Greenwood, Mississippi,
just sitting there.
Like the menace of that.
It still fires.
The gun still fires.
The FBI shot it not that long, like the menace of that. It still fires, the gun still fires.
The FBI shot it not that long, like 20 years ago.
And I mean, the erasure is staggering.
I mean, what's the other one you just mentioned?
Oh, I mean, just the courthouse missing files.
Oh, the file folder in the courthouse
of the most famous trial to ever happen
in the courthouse was empty.
If you go to the Ole Miss Library
and pull out the Look Magazine,
it's there, but the story's torn out. I mean, over and over and over again, you find that this is
just not spoken of.
At one point, you get a thumb drive in the mail.
Which is the Carolyn Bryant's unpublished memoir.
So the Carolyn Bryant memoir, just to spell it out here,
it fundamentally accuses Emmett Till,
recently turned 14-year-old,
of being overtly sexually aggressive.
She took the lie to the grave,
which is its own kind of crazy.
The FBI agent who is,
maybe knows more about this than anyone,
a guy named Dale Killinger, who's really incredible.
One of the things he said was that the FBI profilers,
I think Quantico, told him,
look, she's gonna be really hard to crack
because she's told this lie so many times now
that she probably believes it.
Which is also interesting, which is the point of erasure
and the point of telling your children and grandchildren
a lie about
who they are and where they come from because if you tell it enough it becomes true.
I want to get back to just the way in which this whole story for all of its width for all of its
depth it is also familiar while also being for many of the people who will read it, alien. And it's because when you see how the story
of Emmett Till's murder was spun, edited, erased,
reframed, resold, monetized over and over again,
there are just so many familiar echoes.
The photo, for instance, that got released
of Carolyn Bryant as this innocent beauty queen,
the framing of Emmett Till as a man, as a young man, as opposed to a 14-year-old who
just turned 14.
And the press operation of Senator Jim Eastland was driving a lot of this.
It was a very sophisticated press operation.
And so, like, you know, there are many people who think that it was the senator's press
office who leaked the beauty queen picture none of it was random
The allegations by the way that actually this whole thing was an NAACP plot
Communist agitators. So this is all from present
So like if this is real, this is what the jury
Said happened. This was the defense's theory of the case
that they all bought.
They said that the NAACP,
in cahoots with the Communist Party,
went and got a body out of a Chicago morgue,
took it to Mississippi,
threw it in the Tallahatchie River,
hoping that someone would find it
and that that body was thrown there
and the whole story of Emmett Till was concocted
and Mamie Till was a communist plant
who had been paid off with a phony life insurance policy
on her son, Emmett, who was alive in Chicago or Detroit.
And all of the witnesses, these sharecroppers
who risked their lives and all of them
who had to go live in exile,
they were all communist plants,
I guess like Manchurian candidates.
You're gonna be a sharecropper for three generations
so that we can activate you.
All of this was done
to make white Mississippians look bad because the dignity and reputation of white Mississippians
Was an essential bedrock part of protecting democracy. That's what they believed happened At New Balance, we believe if you run, you're a runner, however you choose to do it.
Because when you're not worried about doing things the right way, you're free to discover your way.
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So much of the book is also stuff that I didn't know about you.
When you write about how your whole early life was surrounded by a fable of lost grandeur
and that your family has owned your current farm for more than a century, one day you
might even run it.
Your family's always called it a planting company, avoiding of course, the more famous
infamous term a plantation
You know, my mother says they weren't allowed to use the word plantation growing up. They didn't get rid of the land
But let's not use the word
You know, but I'm flipping to
Page 213 of your book. I'm just wondering if you could read the segment that I have sort of like bracketed just start there
Because it is about your ancestry
but your genealogy.
As the descendants of liberals and conservatives
of owners of enslaved people and civil rights crusaders,
I usually find it slimy to judge them
from the moral safety of the future.
It's trendy for Southern writers
to find a straw ancestor in their past. I find that
generally disgusting. But the actions of a few of my family during this terrible year, when faced
with an easy cowardly choice and a hard brave one, left a terrible stain on our name." Look, I'll tell
you, my great-grandfather, Ellis Wright, who's in this book. I desperately tried to avoid putting him in the book.
Because like, this is the thing that I'm going to eat shit about.
Like at Thanksgiving.
And he made it impossible.
He kept inserting himself into the news cycle in 1955.
Oh, in public.
Like these aren't family stories that I sort of told out of school.
This shit is all on the internet.
The Jackson Citizens Council, in 55 was what?
The Jackson Citizens Council is essentially the white collar clan.
So instead of direct acts of violence, they would use rhetoric to wind other people up
to commit acts of violence, which is not a conspiracy theory. One of Milam's defense attorneys actually said, we need men like Milam to fight our
wars and keep the N words in line.
I mean, these are direct quotes.
And so the Citizens Council would wind up people to do their dirty work for them and
also just extreme economic coercion.
It's like the Klan and the Chamber of Commerce had a baby.
And so my great grandfather founded the largest chapter
in the state of Mississippi.
And this man, Ellis Wright.
Is who I'm named after.
I didn't want to write this story
if it's just another person telling the story of Emmett Till.
Right, the idea of this being
a surrealistic people's history.
That's right.
And the people in this case are your people.
That's right.
Something that I came to this book with is this question of
why is Wright Thompson the person who should be taking on this with the ambition,
aspiration of I'm going to tell you a story that is criminally,
and that is a loaded and accurate word in this context.
100%.
Underreported.
Well, and especially it's underreported in,
how everyone arrived in this place on this night.
And there are many, many new things in the book,
and it's not because I'm Woodward and Bernstein.
It's because there's so much still to do.
I mean, like two things.
I mean, one, the idea that like, these are my people and this world, you know, my
mother is really, really active on Facebook politically.
She and I share a political bent.
What a dangerous description for a parent.
Really dude, and but she, and like it's scary.
She lives alone in these like right wing nut jobs
or like, am I gonna have to go over and like
f***ing shoot somebody?
You know, and like it's scary.
And so I asked her one time, I'm like,
what do you, say you win an argument,
then you've won an argument on the internet and who cares?
And what she said to me and made me realize that I was wrong was that she grew up in the
Mississippi Delta 15 miles from this barn, closer really.
She was in high school in Shelby, Mississippi during freedom summer when there were marches
in Shelby and she didn't know anything about it. The seating of the delegation from the Mississippi Freedom Democratic Party has
political and moral significance far beyond the borders of Mississippi or the
halls of this convention. And she realized that she had been cloistered and
that the main instrument of the cloister is silence and
That she promised herself when her eyes were open and the veil was lifted
She realized that if I ever have the chance to do it again, I will never be silent
And so, you know, this is a mapping of many things
but one of the main things it's a mapping of is a mapping of
intentional constructed silence and of the world things it's a mapping of is a mapping of intentional constructed silence
and of the world that creates
and the people and tribe of people that creates.
Like it's interesting, Jeff Andrews,
the guy who currently owns the barn,
who let it be said is lovely
and has a great relationship with the Till family.
A dentist.
He's a dentist and he's like a really, he's a really nice guy.
He understands that the emotional content of this building
for other people,
but doesn't quite understand what it has to do with him.
His grandparents moved into the area
with a government program in the 1930s
when the US government was essentially taking over
the farm economy,
like a 40 acres and a mule sort of situation.
So he grew up, I mean, his family grew up
with an ice shot of this barn.
He buys it in 1994 and has no idea of its history.
I believe him, I've known him for years.
And then when he bought it, then his father told him.
Like, you know, the silence is deeply hardwired.
The self investigation, the, the feeling of, I have work to do here.
It feels like, look, I'm, my daughters are going to be Mississippi Delta
farmers and there's a world in which, you know, this is a user's manual
Oh, man, like an owner's manual for this land and your daughters will read this book and they'll get to the part where you are
Unsparing about how you yourself view the Confederate flag in high school. I love the Confederate flag in high school
It just didn't occur to me when you talk about the intentional erasure and the you know
Mississippi schools didn't integrate until 1970.
And then when they integrated,
there was an immediately a parallel segregated school system
that still exists.
I mean, in many ways it's crumbling now, but it's funny.
The only way it turns out in 2024
for a segregation academy to survive is to integrate,
which I find beautiful and delicious.
But like the war of Northern aggression,
we were taught a very specific story
and that teaching worked.
And so one of the things I hope is,
look, I really hope that kids like me
in bedroom suburbs of Birmingham and Atlanta and Charlotte
and kids in the Mississippi Delta
and kids in Alabama and Georgia and Tennessee
and Arkansas and Louisiana and Virginia
and North Carolina and South Carolina.
I hope that they read it
and it becomes the Southern Howard Zen.
I don't know the right way to say it.
But it is what you've constructed here.
It's true what you call it.
It's a secret history of how the Mississippi Delta
came to be defined by its rich land and poor people.
That's right.
By extreme structured value attached to dirt
and a corresponding worthlessness attached to life.
And the thing you realize is that,
so one of the first owners of land
in Township 22 North Range 4 West
was the Delta Pine and Land Company,
which was later owned by the Manchester
Fine Doublers and Spinners Association.
In England, Manchester, England.
And so one of the things I didn't realize
is that Mississippi was,
from the invention of the cotton gin,
until the
federal government takeover in the New Deal of the American farming economy in
1933. Mississippi served as a colony for Manchester, Liverpool, London, and New
York. You know, Money Mississippi is famously where Emmett Till whistled. Yeah. The name actually being Money Mississippi.
The money planning company was owned by Charles Merrill of Merrill Lynch.
The global river of capital flowed through here because, you know,
1933 is also when synthetics were really invented in DuPont
laboratories.
Makers of better things for better living through chemistry.
And that name is all over this book.
All over this book.
DuPont, yeah.
And until then, cotton was oil and Mississippi was Saudi Arabia.
And so what's so interesting is Mississippi has never been governed
for the benefit of its citizens,
by the way, any of its citizens,
and the capital required that one group of those citizens
turn on another group of those citizens
to extract the 10% profit margins
that were flowing to everybody.
And then when the global economy moved on,
you were left with a caste system
that had outlived its justification
and its reasons, and instead of going away, it actually doubled down on itself. TD and your small business go together like... TD Small Business Account Managers have in-depth business banking expertise, so they can give
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The Carolyn Bryant stuff.
Even the more sort of zoomed out notion of why at the core of this whole story,
you find sex, the threat of it. Southern men, no group of people in America
have thought more about sex
because like all that,
that's essentially what segregation is about.
So explain the psychology here
because when you write about it,
it did crystallize it for me in a way
that I was not previously so clear on.
Well, you know, I mean, one,
there is historical context and like,
peer-reviewed research into this.
This is not just, nah, nah, nah, nah, nah.
So when you find countries that have lost wars,
there's often deeply
psychosexual stuff that emerges.
And so, you know, you have a group of people who,
who got their ass kicked in a war.
And the after effects, a psychological legacy of that,
as it regards fear of black boys.
It was, they didn't want, you know, they were scared of,
like,
the classroom leads to the bedroom.
This is the way you phrase it.
The Southern farming class lived in mortal fear
of black men doing to them what the planters and overseers
had done to black women for 200 years.
The accusation, as it often is in Mississippi,
was the confession.
None of it's subtle.
Well, talking about like,
what are the physical concrete objects, monuments
that inform how we should see this story?
You mentioned that, of course, the statues,
they're erect, you mentioned that.
What are they, Pablo?
I mean, I guess it's appropriate that they were erected.
That's right.
All of this being unsubtle.
Super phallic, yeah.
About just propping up masculinity.
And I mean that in a very definitional
and not liberal arts clinical way.
No, no, like literally.
I mean actually about propping up the great men
that they believe themselves to still be.
When were all these Confederate statues erected
and why and how?
Let me see the book.
Because it is, this stuff in the historical record can be explained with a materialist
understanding, not to go Howard Zinn on you, but a materialist understanding of like what
are the forces economically, sociologically bearing upon these people.
Alright, here we go.
The great Mississippi Delta cotton boom lasted 20 years.
All the suffering and killing and decay that would follow
for the next century were the price of three great years
and a dozen good ones.
These two decades also marked the peak of the lost cause mythology.
Consider when all these Confederate statues went up around the state.
Consider the history of cotton in the Delta.
The land clearing finished around 1900.
The price of cotton collapsed for good in 1923.
And what happened in between?
Port Gibson and Aberdeen raised statues in 1900.
Macon in 1901. Fayette in 1904. in between? Port Gibson and Aberdeen raised statues in 1900.
Macon in 1901.
Fayette in 1904.
Carrollton and Bula in Okolona in 1905.
Tupelo and Ole Miss in 1906.
Brandon and Oxford and West Point in 1907.
Cleveland and Lexington and Raymond and Duck Hill in 1908.
Greenville and Winona in 1909. Hattiesburg twice and Grenada in 1908, Greenville and Winona in 1909,
Hattiesburg twice and Grenada in 1910,
Golfport and Casiesco and Quipman and Ripley
and Brookville and Heidelberg in 1911,
Columbus and Laurel and Meridian
and Philadelphia and Vaden in 1912,
Greenwood and Sumner in 1913,
Greenwood again in 1915,
Hazelhurst in 1917, Louisville in 1921.
Many of these were placed quite intentionally in the lawn of the local courthouse,
sending a message about the law and whom it was designed to protect.
Most of the monuments around the state were built during the brief,
but emotionally powerful cotton boom. Not a single courthouse statue in the
state of Mississippi was erected after 1923. The lost cause was always about
cotton and money.
The cosplay of these are historical monuments
as opposed to us performing the theater
of our self mythology.
By the way, if these things had gone up in 1866
and they were all about 18 year old boys who died,
I might be a lot more sympathetic.
It's hard to avoid what seems to be the clear rationale.
Cause you don't, you shouldn't tear down monuments to soldiers,
local soldiers who died, but that's not what this is.
That's the point, is that this is not about tearing down
every bad statue of a person who history now
judges poorly in retrospect.
Robert E. Lee didn't want any statues of himself
and was really adamant and articulated in the moment what would happen
if you build statues of me.
Robert E. Lee, they tried to get him to be the first
head of the clan.
That's how they got to Nathan Bedford Forrest.
He was like, nah, I'm good.
Nathan Bedford Forrest was waitlisted.
That's right, he was like the backup.
But like they knew, they knew what would happen.
You start doing the life expectancy math
and you realize that the prophets in the Confederate Army
were starting to die almost at the exact moment
the lost cause mythology was beginning.
And like almost down to like the year and
So you just realized that this is children
trying
To have a father whose memory they can live with and cherish and celebrate and it actually becomes
Super simple on a certain level like it's the intersectionality when you start lining up the timelines
super simple on a certain level. Like it's the intersectionality.
When you start lining up the timelines,
it makes your head explode.
And you mentioned that all of that is actually explained
by the price of cotton and the body of Emmett Till.
That is not in fact some actor, other corpse.
No, cause when he was exhumed in I think 2003 or 2004, because the FBI was trying to reopen the case,
so they got Simeon Wright's DNA, his cousin, and they did a DNA test, and of course it was Emmett Till.
And what was the object, the physical object that was hanging around the body of Emmett Till?
That would be the fan from a cotton gin.
It's just like, what the f*** are we doing, man? What, like, what are we doing? [♪ music playing, fades out, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, music ends, After decades of shaky hands caused by debilitating tremors, Sunnybrook was the only hospital in Canada who could provide Andy with something special.
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you're at an event deeper into the book with a man who is so essential to your
reporting Wheeler Parker my god the god. The last living witness. Yeah, Wheeler
Parker was Emmett's cousin, best friend, next door neighbor, rode the train south with him in 1955,
was in the house the night he was kidnapped. They shone the flashlight and pointed the gun in his
face first and he rode the train back to Chicago alone. I don't let nobody try to make me a hero
or something great because all I did was survive,
scared as I could be.
No hero.
I'm just survived to tell the story, you know, so.
If nothing else from this book,
I hope that it forever cements Wheeler Parker
as an essential player in the American story from this book. I hope that it forever cements Wheeler Parker
as an essential player in the American story
next to Eisenhower and Chester Nimitz and Barack Obama.
Reverend Parker and his wife, Marvell Parker,
they run the Till Institute in Chicago.
And like, if you're looking for something
to do with your money,
like there are worse things to do than the Till Institute.
But like, anyway, go ahead.
You were about to ask about Wheeler.
No, it's just that Wheeler, there's a story that you report
about how he's on a college panel.
Yeah.
And he's hearing, like well-intentioned scholars
talk about this person that he is the only one left to know.
Yeah.
And what does he say?
He's like, all this sounds great,
but I must not know the person you're talking about.
And like, you know, the Emmett Till industrial complex
is real.
So many well-intentioned people say allegedly whistled.
He whistled.
And every time somebody well-intentioned,
very often someone who looks like me says allegedly whistled,
for decades, we were, Reverend Parker felt like they were calling him a liar.
Because he was sitting on that porch.
People still say allegedly whistled.
He whistled.
And, you know, the horror isn't whether or not he whistled. He whistled. And, you know, the horror isn't whether or not he whistled.
The horror is that for a 13, 14 year old boy
that whistling is a capital offense.
Cause like, even if he'd said everything
they said he said in the story.
Correct.
But like he didn't.
He just whistled.
He was just, he was showing off.
The social code.
Yeah.
That demanded thou shalt not whistle.
Or make eye contact or say.
Not say sir or ma'am.
Correct.
It is worth noting the historical framework for this,
which is to say that the Jim Crow South,
these laws, these codes, were things that the Nazis studied.
No, Hitler sent a lawyer to the University of Arkansas
in the 1930s to figure out how to write the Nuremberg laws.
It's ridiculous, the quantity of facts here.
The first draft was 287,000 words
and it's running at 107,000.
Yeah, I believe like 31 pages of just like notes on the back.
Here's why.
I am not the first person to write about this case.
I will not be the last person.
I feel deeply and profoundly part of a chain of people
that include- And that's clear in the book,
by the way.
Whether it's Keith Beauchamp or Jerry Mitchell
or Dave Tell at the University of Kansas or Devery Anderson.
Like, you wanna show your work so that the next person
who comes along to write about this case can do two things.
One, fix anything I messed up.
And more important, strip it for parts.
Push the story forward.
It just feels like this story in particular though,
is one that can be, and you have proven it to be,
reportable and worthy of public scrutiny
in a way that should actually mitigate,
nullify those accusations from others that this all,
this is all a two-sided debate.
No, and there needs to be a postage stamp of common ground that everyone can stand on.
I know it's like not very popular right now to talk about reconciliation, but it is the
only hope that we as a tribe of people have.
Human beings are tribal, and if you don't give them a tribe,
they're gonna make one.
And the one they're gonna make,
you're not gonna like nearly as much
as the one that everybody buys into.
And if there is no tribe of Mississippi Deltons,
if there is no tribe of Mississippians,
if there is no tribe of Southerners,
if there is no tribe of Americans,
then we don't really have any hope of doing any
of the other stuff we want to do.
We have to create a tribe of us before we do anything else.
And so it feels like everyone is an espasm
and we haven't even started to do the work yet.
And so you, as this great grandson of a man
who was a co-founder of,
as you put it, the White Collar Clan in this same place, you wind up in the book
at the Till Family Reunion.
And this group, this tribe, they welcome you in.
And what do you see?
Well, first of all, they know who I am and where I'm from.
These are really smart, savvy people who are Mississippians.
And so it wasn't like I snowed them.
They knew exactly who they had invited.
And I just was in this room and I realized
that every living person who actually knew Emmett Till was in the room.
And it really hammered home that, yeah, like, yeah, I mean, this is a murder that happened to a race of people and a nation of people.
But it also happened and continues to happen to a family.
There were probably 12 people alive who knew Emmett Till when I started this.
There were probably eight or nine left alive, maybe less.
I mean, they're dying.
Several died during the process.
I don't want to claim ownership of anything.
I do want to say that I felt connected to it in that moment.
And I walked out of there.
And so that, the fourth act of the book, which is the memory,
was born because I realized that if you don't tell the story
of the people who are fighting today, now,
you know, Marvell and Wheeler Parker and the Till Institute in Chicago,
Patrick Weems and the Emmett Till Interpretive Center in the Mississippi
Delta, Gloria Dickerson's and We Together Creating Change in Drew, Mississippi.
If you're not telling the story of the people who are still fighting this fight,
all these years later, then you've just wasted your time and everybody else's time.
And also would be a profound act of disrespect.
I mean, if you look at the book,
it doesn't say Emmett Till anywhere on the cover.
I mean, I don't know if this is the right decision.
I'd love to hear from people.
It was certainly an earnest one.
I just felt like I didn't want them
to think I was making a billboard
about their family member and friend and
I don't know if that was the right decision or the wrong decision or if I'm just
Making myself. I don't know but like I just like argued very strongly for us not to do that and it flowed out of this idea that
I
was a welcomed guest in
a world and inside a tribe of people
and wanted to conduct myself then and forever after
as a guest would treat a kind, generous host.
Because I'll say this,
you don't have to get into your own thing, but like I have struggled
mightily for a long time with the idea that there is a God.
And you know, to quote the West Wing at some point, just stop struggling.
And you know, it just, the whole concept fits so perfectly into my own sort of understanding
of how people are controlled that it just was like, I just like, this is bullsh**.
Spending time around Reverend Wheeler Parker has legitimately fundamentally upended that
because he is so full of grace and love and forgiveness and refuses to hate and carries around so
much pain and refuses to blame that honestly the only explanation I can come up with for
that is there has to be a higher power. There has to be a God because otherwise I don't understand how he is how he is.
There is one part of the book that I think speaks to this and I'm just going to quote it near the
end here because I think it is another articulation of what you're trying to express with me.
And you write quote, as a white delton, it is my sense that most black people have been
willing to forgive the unforgivable, give all of us a second and third and fourth chance.
The issue all along has been our unwillingness to accept it.
I mean, I find that to be deeply, deeply true in a way that people not from here are going
to laugh and be like, you idiot.
But it just never occurred to me, you know, like this exactly.
I mean, I sensed it, but it never occurred to me like this.
And that, you know, look, we've got to find one tribe of people in which the patron saints are Muddy Waters and Elvis Presley,
in which the patron saints are Kiesa Layman and Eudora Welty, in which there is a tribe of us.
And as pie in the sky and naive as that sounds, that's the only hope that we have as a people of continuing to exist.
Right Thompson, author of The Barn,
The Secret History of a Murder in Mississippi,
and one of our country's foremost future
Avery Bradley scholars.
Look, I need an Avery Bradley jersey.
Is there a jersey, do you think I could go get one
right now in New York City somewhere?
I believe that there is the worst bootlegger on Canal Street who has been waiting for you
to show up.
I'm going. And Avery, send me a jersey, man.
This is now. This is now pathetic. Right, Thompson?
Thank you for reporting this book.
Thank you so much. This has been Pablo Torre Finds Out, a Metal Art Media production.
And I'll talk to you next time.