The Dan Le Batard Show with Stugotz - South Beach Sessions - Josh Johnson
Episode Date: January 23, 2025Josh Johnson is writing all the internet’s favorite jokes. The Emmy-nominated writer and correspondent on “The Daily Show” shares with Dan how he’s been building a community through his uni...que, topical stand-up every week on YouTube (to millions of views). With Dan, Josh takes on the biggest topics of today… like the gaming habits of billionaires, the loneliness epidemic, and, yeah, Luigi Mangione. Josh also opens up about the loss of his father, his time in therapy, and what it was like for him going from a grocery store clerk to a writer for “The Tonight Show Starring Jimmy Fallon”. See Josh live on his “Flowers Tour,” tickets are available at joshjohnsoncomedy.com. Watch and subscribe to Josh's YouTube channel with new weekly content @JoshJohnsonComedy Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Hello, welcome to South Beach Sessions.
I'm saying this to this man right here and to you as well because I'm excited to have
this conversation with Josh Johnson because, among other things, a hot comedian who's doing
stand-up comedy differently.
He's been an Emmy-winning writer for The Daily Show and other shows.
I am fascinated how all this came to be your
awfully young uh... to have had some of the successes that you have now in doing
of the stage work
that is different than just about anybody is doing these days because
you're doing it topically your content furnace you're able to do
comedy sets from club to club the change with the news. That's not something that's been seen too much
in my experience in this field,
which means you're trying to change the form a bit,
are you not?
And thank you and welcome for being on the show.
If I have anything wrong and have talked at you,
please tell me because I'm trying to tell the audience
who you are and why I admire you
because I don't understand how any of this came to be.
Yeah, I mean, I just, I guess I just don't do anything else.
So that helps.
Like if you just, if you just write as much as you can
all the time, then, you know, you do end up in a,
in a place where you have a lot to bring to the next show
for the next night or the next city.
And I, I think because I am like naturally off by myself a little bit,
this is something that's been leading up to this moment of how I've always been mixed with what I'm
really passionate about, which is stand up and not necessarily just politics in general, but
the way that people are digesting the news and everything.
Because I think that sometimes we don't give ourselves credit that something is happening,
but it's not really new.
And so you hear people go on and on about like a new development of a story.
But then if you look at the wider context of history, you see that this is really just
a big part of it is cyclical.
And I think that one puts me a little bit at ease to joke about it, but then also makes
it so that hopefully I bring something a bit fresh to the idea.
Can you explain to the people the process of I don't do anything else, all I'm doing
is writing that makes you somebody who's curious about the world.
This is a unique time in the world.
There are a lot of people at this trough
trying to make things.
I imagine you're super stimulated
so it doesn't even feel like work to you.
It's just a bombardment of stimuli 12 hours a day
of things on television that are happening
that aren't funny but are funny.
Sure, sure.
I mean, I think when I say I don't really do much else,
I clearly eat and sleep and stuff,
but I just mean, I try to keep myself as curious as possible
about not just an individual story,
but about how we get to certain places.
So if I see something that is maybe on CNN
or something like that,
and there's already a sort of wide narrative
of the way the story's being told
because it's impossible to share information
without some form of like moving the needle,
some form of either a person's interpretation
or their biases comes into play.
Distortion.
There's no way to do all of this without a distortion
from everyone's prejudice.
Yeah, and so as soon as you see that,
as soon as you see that presented,
you know that, okay, this is CNN's take on the story
and then you watch more news
and you maybe see an MSNBC or a Fox News,
News Nation, whatever it is,
and they're all talking about the same thing,
but they either have different pundits on to discuss it
or the anchor themselves are giving the information to you
in a very specific way.
And so all of it, the story as it exists is malleable enough
that it's either funny how the thing is being reported
or maybe there's a missing piece of context
that is
not likely to be talked about because it doesn't fit the sort of general narrative of
that station, or it's just maybe a misread, at least in my opinion. So then when I talk about it,
I try to find the angle that hasn't been spent up. And then through doing that, usually there's already like a humorous
bend to it. And then from there, you just add the jokes as many
as possible wherever you can. And you tag it all up. And then
you've you've now brought something new over something
that could have already felt a little bit played out or old
because the news cycle now with all of the like savviness that people have
around the internet and where they want to get their information and once they get it
from there they've sort of got it.
So if you get your news from like let's say Facebook or Twitter or something like that,
it's very easy to get 50 different angles in the matter of 10 minutes just reading down
a thread.
And so I think that's one thing that
whatever you wanna call it mainstream media
or legacy media has not caught up to
is that there's never gonna be a way for them
to give the information as fast as social.
And so adding the extra context of what everyone
on social is saying about a story,
then you also have hopefully now an even finer needle
to thread, but you'll really be saying something specific if you can manage to walk the tight
rope of like what everyone's already said.
I'm going to test this with you right now because one of the things I want to show the
audience is what an evolution this is in the stand-up comic to have this sharpened tool on things everyone's talking
about can he or she find the things that are different and stimulating.
So I'm just going to go through five of these with you, okay?
I'm just going to hit you with topic du jour and see what it is that you got on any five
of these things.
So if I present you just here's Elon Musk.
Okay.
What do you do with all of that?
Like just Elon Musk right now?
Just Elon Musk right now, the minute that we're speaking as he's chasing Donald Trump
all around the country, clearly trying to buy the power of being the guy who runs America.
Yeah.
So I think I think one thing that's really interesting
about Elon Musk, at least today,
in the day that we're talking, in the minute right now,
is that while he's trying to do all these things that,
you would at least think have some sort of influence
on how he's gonna run his business
and some overall profit that he's planning for the future
on like, if he can get the right contracts,
if he can get the right H-1B can get the right H1B visas from Trump
and just get his blessing for to move his business however he wants, then I think anyone
who is like, capitalist in their mindset can understand why he's doing that. What's hard
to understand is that while he's doing all of this stuff, he's been lying to the gamer
community about being maybe the number two or three gamer in the world in a very like,
in a very encapsulating game.
Like you need hundreds and hundreds of hours
to even be good at this game.
And he said that he was like top three in the world.
And then he got exposed for lying about it.
So it's like so super jarring
that someone who's already the richest man in the world,
that's gonna be one of the most powerful people
in the world with his proximity to-
It's unbelievable.
They're all high school kids.
Still needs to feel cool to people who like,
I know gamers who are like,
I really am not doing anything else.
I don't know why he needs to impress me.
That feels weird.
And so then I feel like that becomes your angle.
You go down the thing of like,
this man is gonna be able to get whatever tax breaks
he wants, tax breaks he doesn't need
because he's already the richest man in the world.
And yet somehow there's still a part of him that's like,
I really wish I took this person to the dance.
It's like that to me shows me a few things.
One, that like, he's not really this like big, scary, monster, evil genius or anything. He's like a kid, he's like a few things. One, that like he's not really this like big scary monster evil genius or anything.
He's like a kid. He's like a hurt kid. And then two, clearly I don't need all the money in the
world because the dude with all the money in the world is like still hung up about stuff that I
feel like I've let go of. And so now you have your angles where maybe unless they've been beat down,
you now have something where it's like, here's an interesting thing,
or here's a thing that is a completely unrelated story,
but it's about Elon, so it adds context
to the other thing that's happening.
Would you do this with Bezos as well?
If I offered you that as the second item
for your chewing on, just Jeff Bezos.
Yeah, so, I mean, right now,
he's kind of like the the quietest of the of the three
Like tech billionaires who have really buddied up to Trump
I mean in in different in different forms like Elon kind of came in hard and was like I'll help you campaign and I'll and
I'll show up to rallies and stuff like that
Zuckerberg was a little bit more recent and he kind of came out complaining about
Biden and about being, you know
what he felt like was sanctioned and and being censored and stuff and now he's all seemingly
Potentially pro-trump. I'm not gonna put that on him if it's not true, but it seems like he's really
gung-ho about like getting into like the MAGA culture and then
Bezos who has been the quietest all he's supposedly done
is killed like one endorsement of Kamala Harris from the Washington Post. So now to me Bezos is
like the one who's the most gently trying to get in like he's got he's got his like seat at the
inauguration but other than that he's kind of of chilling. And I think Bezos among all of these people
is the one who like believes in space as the real option.
Like I think he might dip.
We may one day not see Bezos anymore,
I wonder what happens.
And he's been on Mars for like a year.
That's what I think about Bezos, what I think about,
because he's really like the quietest moving
of all these people.
Even when he got ripped, he got ripped quietly.
He got ripped the way Chappelle got ripped.
Remember when Chappelle was like doing Chappelle's show
and he was skinny and then like eight years passed
and he was just, there was that picture of him on a skateboard.
I saw him in Miami down here.
His arms were enormous.
Yeah, Bezos did the same thing.
This dude was like kind of balding,
trying to sell books on the internet.
And then he became really rich
and then he shaped his head fully,
which is a good move. Leather jackets.
Yeah, it's the same high school thing.
They're all high schoolers, right?
They're all, they're trying to wrap insecurities,
normal human frailties in billions of dollars.
Yeah, yeah. I think it's, you know, one,
I think a billion dollars is generally too much money.
I don't see how, like one credit that I'll give
some billionaires is that I can't imagine a world
where like a normal person,
which a lot of these people aren't normal people,
they've kind of hidden the million dollar,
multimillion dollar or background of loans that they got
to like prop them up to at least project
to the sort of success, right?
But let's say you are a normal guy
and you come up with a good business and you get investors
and you do your series of investing
and everything like that,
then you hit this like billion dollar valuation,
which still doesn't mean you have a billion dollars.
It just means your company,
if somebody bought it today,
will be valued at about a billion dollars,
which might not even be what you get.
Somebody might try to undercut you.
But then you build up to the multi-billion dollars
to the point where now you can live off of your own stock
and not pay any taxes because you're living in debt, right?
Because you're living off of a loan
from when you sell your stock.
And all of that being said,
I think that the fact that like no human needs
and no like Maslow's hierarchy of needs
goes away with enough money
is kind of why I'm good chilling where I'm at.
It's like, I'm good wearing the same thing every day.
I think that is like one thing I've seen like Bill Gates do
is like wear the same thing every day.
I'm like, that's just easier, right?
And so I don't know how more of these people,
they're clearly, some of them are either minds,
but I'm surprised they're not more either minds
in like a let's try crack sort of way.
You know what I mean?
Like you already can afford everything.
I don't know why you need to go to space.
I do wonder why more of them aren't doing
like the most insane drugs.
Like develop me a drug and I'm gonna take it.
I'm gonna get very high.
I don't know if I would do that if I was a billionaire
but I'm surprised more billionaires
aren't doing that exact thing.
How about Diddy?
You know,
Diddy is-
What just happened to you?
Now, I'm sorry, forgive the transition.
It was clunky and I hit you with just three words
and there's a lot I unspooled at your lap there.
Yeah, well, I mean,
out of everything you've asked me, Diddy has the most.
So I do feel like one, I'm still wondering who else is like nervous about the trial,
someone who hasn't been arrested, someone who hasn't been subpoenaed because it was
Diddy had parties.
These were parties and I don't know about you, but I've never partied with like three
people.
Lots of people are at these parties.
So people know things that haven't been asked yet,
and they're very worried about being asked.
And so I feel like when I look at Diddy updates,
I'm more thinking about where Diddy is
in the process of like getting to trial and all that stuff.
But I know that there are some people
just looking at every update, just holding their breath, hoping their name doesn't come up.
How could they not be? Like, I mean, who would think that all of these parties are total bacchanalia and that famous people behaving poorly?
Because if, okay, we're talking about Bezos and Musk, but now make it somebody who gets all of that in their 20s and comes into billions of dollars with whatever it is.
I've got to feel alive. Get to Mars or let me see if I can abuse my power all over the place.
Yeah, and also, I mean, Diddy's lawyer
has maybe the most work cut out for him
in the history of law, because I don't know how a lawyer,
already they've made one claim that the tapes
that Diddy was making of people
without their knowledge, by the way,
is somehow proof that everyone there was consenting.
And I'm like, that's so, I'm not a lawyer,
but that seems so wildly out of pocket
to make as a claim that I'm like,
maybe I could be a lawyer.
Like it gives me hope that if you could just say whatever
and hope it sticks, then if that's what law is.
But how do you defend this?
How the hell do you defend any of this?
Yeah, I mean, you do your best,
but I just feel like with Diddy, it's like you,
I'm surprised they're not trying to plead everything.
Like the fact that they're like, my client is innocent. Why would you say he's innocent?
Ah, that to me is like the most jarred.
Like if I was diddy, I was watching my lawyer,
I'd be like, ah, ah, ah.
Like obviously you then being caught would wish
that you didn't do any of the stuff that you did.
But at the same time, now someone has to defend you.
And like, it is hard to come up with something
because then the most out of pocket questions
are being asked of Diddy's lawyer
because of what Diddy is accused of and or did, you know?
So then they'll be like,
why was Diddy here at this time with this person?
And then, like even like, the thing with Kit Cudi's car is
genuinely insane. The thing that like before Diddy was ever arrested and then somebody's like hey I
think Diddy blew up Kit Cudi's car and then Kit Cudi is like look more than likely. I'm like how
guys how how do you I don't know how you defend Diddy,
but if there is a way, if someone comes up with a way,
I think it will be like a landmark case in law,
if you're able to effectively defend Diddy,
because it would be different if somebody
was just being accused of a series of crimes in one thing.
If someone's on trial, like Jeffrey Dahmer's on trial. He's on trial for, like, basically being a serial killer, you know?
But that's, like, one specific thing.
So if you can prove he's not a serial killer, you've already claimed him of, like, all this
stuff.
Diddy is being accused of so many crimes, you would think that he did most of crime
since he became popular, you know?
Well, what do you think is true and not true
in wherever it is that the pathology gets
to completely contaminate it on fame and wealth,
whether it's Bezos or Musk,
or in a way that would make
Diddy comfortable enough
to think problem resolution is blowing up Kid Cudi's car
because that's how I live,
because, and you can have all the rumors around
maybe I did kill Biggie or Tupac, you don't know.
Like seriously, when we're getting to these distortions
of you give the billionaire so much money
who wants to live on Mars, here Diddy,
here's everything Earth has to offer in your 20s.
Now what?
I mean, I've said this on stage before
and it is something that I genuinely believe.
No matter who you are, like listening to this show
or like anyone that I think about in their lives,
I genuinely from the bottom of my heart
hope that like three quarters of your dreams come true.
Like just almost all of them, but not quite.
Because I feel like when all your dreams come true, we have all the money in the world.
That is when you lose your mind and usually not in like a fun way, you know?
Like every once in a while you'll hear of a billionaire you've never heard of before
that like maybe they're not the most like philanthropic person, but they're like,
oh, I just want to make the best candy.
And you're like, okay, Wonka, you know?
But by and large, that much power money influence anything.
Even if it's like happenstance,
it leads to something that's like very bad
for other people, right?
So you look at it-
And for them.
And for them.
It seems like unhappiness to arrive at all your dreams,
not have any more dreams,
and then, you know, romp off on criminality
or whatever insanity it is,
because your human experience is,
I can dream no bigger than where I've already arrived.
Yeah, and I mean,
most people don't have to come up with more dreams.
There's plenty of dreams they're never gonna get.
So, you know, if you, on a random Tuesday,
needed more dreams, you'd probably lose your mind too.
You'd probably be like, yeah, like I've told people
about it before.
It's like, I don't know if Musk, I mean, I definitely know
what Musk has done with Twitter and how he's leveraged it to be this sort of information disinformation
platform towards his own ends, right? I don't know if that was always the plan, if I'm being
honest, I feel like he woke up one day and was like, what if I just like owned all the talking
and then he bought Twitter or he joked about buying Twitter
and then they made him buy Twitter.
I don't know if it's, I don't know if it's like-
It can be, I like thinking about it that way.
I've achieved all my dreams.
You know what I'm gonna do now?
I'm gonna buy all the talking, watch me.
Like, I think that Mondays are difficult enough.
Imagine if you had a Monday coming and you needed new dreams
I think it would I don't know if it's a key to happiness, you know
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I'm going to get to a couple of the other topics, DeJure, but when it comes to your
dreams, whatever it is that you were dreaming about when you were a kid, how many of them
have you arrived at?
How many of you, how many of them have you exceeded?
I have some very bad news for you.
I, I'm almost there.
I'm almost like out of dreams.
So next time you talk to me, I might be out of my mind.
We'll do this on Mars.
It'll be a Mars session that you'll,
because you've, yeah, you've, how old are you?
Forgive me, I don't know.
I'm 34.
Okay, so the people, you're working in circles
to have learned some things in show business
that make you somebody who's had a lot of good fortune
that is also earned.
So what were you dreaming of when you were a kid?
What were you studying to be?
What did you imagine your life was gonna be?
Yeah, so I always wanted to do standup.
I just didn't know that it could be a job in a way.
And when I went to college, I studied design and I used it for a little while, but ultimately
I moved to Chicago to start doing comedy and sort of built from there and then moved to
New York and built from there.
I think that my general dreams now
is just to really be doing what I'm doing now,
but at a more efficient, better, higher level.
I think it's a dream of every comedian to get better.
And now I feel like I have a chance
to really build community and culture
with the people that
enjoy my work and the people who are out there struggling.
I think that, you know, to some degree and in every way, we've already covered it with
the billionaires, everyone suffers.
So there's no need to suffer alone.
If there's already something that happens to everybody, then why have it happen to you
by yourself or why like
suffer in silence and stuff and I feel like comedy is the thing that that
undercuts all all that suffering at least for for a little while you know
and I think that if I can get better at comedy if I can get better at building
community then I think that that's the sort of world shaping stuff
that has lasting impact even after I'm, you know, gone. And I don't know, you know,
change the world's a whole, like, set of bigger issues and problems than
I'm, like, smart enough to tackle, but I think that you change your community
and then that sort of impact blossoms out. And I mean, I think that you change your community and then that sort of impact blossoms out.
And I mean, I think that's my dream right now.
I like what I wear.
I wear the same stuff every day.
I don't drive.
I don't really do cars or anything like that.
If I can learn more effectively how to build community
with the people who come to the show or the
people who don't come to the show but watch online or if I can make sure that some of
the dopest people that I've met that just enjoy my work get to meet each other and go
off and make their own thing.
I think that I'll be really happy with the work that I've done.
So those are the main dreams right now.
So I've got it right, so the North Star has changed the world
and also become a monk of comedy community stylings,
where you welcome in, you wanna change,
and I'm not being facetious here when I say,
you're North Star, because you mentioned
a couple of times now, I wear what I wear,
so you're fairly obsessed with the craftsmanship
of what you're doing and its impact.
And what you're saying is, if I can make people laugh
and have community, that community will listen to me
at times that I have important things to say,
and that's lovely, and I'll just keep building that.
Yeah, I mean, I don't even need them to listen to me.
I think that I just want them to sort of like have each other.
I don't know, I don't even know if I'll always say anything worth listening to.
I think that if, you know, sometimes you remember
the person that introduced you to your best friend.
Yeah, I mean, maybe because you're still friends with them
or maybe because of the situation,
the happenstance, whatever.
And that's one of the main goals is to,
when I say community, I mean like the idea that, yeah,
maybe these people met at a show,
but maybe they all became friends, exchanged numbers,
and now maybe they come to another show of mine.
Maybe they never come to another show of mine,
but they have someone in their life now.
And then I was able to influence that with what I do.
Cause you know, at the end of the day,
comedy's only really as important as like,
it is to the people that watch it.
I don't think-
Who taught you all of that though?
Like where is that, you didn't just come upon that, did you?
Is that hand-me-down from somewhere
or who influenced you there?
Yeah, I mean, my grandparents, my grandma,
my grandma especially, my mom, my aunt, my dad, I've been very blessed with good family
and with good, not just like opportunity, but with good mentorship and everything and
knowing what influence does to people and for people.
And so if you're not careful with what happens
as you gain influence, it all becomes stuff
that happens to you as opposed to things
that you can do for someone else.
And so I try my best, I'm not perfect,
and it's all very new, you know what I mean?
All this stuff is like, at least where I am now
is a year old, so it's not as if I'm-
You've been touring for a year,
but you toured, you also toured with Trevor Noah
before that, but your own voice,
your own economy, your own things,
you're growing into those now, right?
You've always been a writer for others, correct?
You've written for yourself as well,
but you wrote for Fallon, you wrote for Conan.
Now you are writing for you.
It's a totally different proprietary thing, right?
Yeah. And comedies also tends to be selfish, does it not?
Like one of the things that I've seen in that world
is what you're describing there.
Most people are out for themselves.
I know you're out for yourself as well,
but it's not in service of any kind of community
so that they could be spiritually aligned with the laughter.
Yeah, I mean, I think everybody does it
for their own reasons.
I feel like some people do comedy
to sort of heal themselves,
and some people do it to...
Even if you...
I'm also not trying to make it this esoteric movement
of social consciousness or something.
I genuinely believe that making people laugh is important,
because when you laugh,
you feel no pain. And so I'm not smart enough to be a doctor. I'm not dedicated enough or
savvy enough to be one of the quote unquote, like good politicians who would probably just
get like lost in the ether anyway. I'm, I'm good at this thing. I'm good at talking to
people and bring in an angle on a story that hopefully makes them laugh.
And if this is the only thing that I'm like really good at,
then here's all the things I'd like to do in life
and let's see if we can connect them to get to that thing.
Sometimes like comedians do get a little bit too
like on a high horse about what comedy is
or what it does for people.
And I'm not trying to do that at all. I just I want to make people laugh because I feel like
one when you're laughing about something you can actually enjoy it even if the thing is painful.
And two I think that when something even as goofy or dumb as a joke can be when you can like talk
to someone about a joke you you can build that shared relationship
and that's my way of doing it.
So I also don't wanna make it sound like I'm like
trying to be,
I guess something bigger than I am in a way.
I'm just having fun doing comedy.
This is all the stuff that I hope happens
while I'm doing comedy.
So it's where I focus my attention. How did those people in Alexandria, this is all the stuff that I hope happens while I'm doing comedy, so it's where I focus my attention.
How did those people in Alexandria, Louisiana,
when you mentioned them, family of all kinds,
how were they supportive?
You've mentioned how they influenced this shaping,
but how were they supportive of a job?
This is a tough way to make a living, all of it.
Yeah, sure, sure.
It's not poetry, poetry is a harder way, but you wanna take all your talents
and you wanna do what with it?
Yeah, sure.
I mean, yeah, no one was ever not supportive,
but they were reasonably worried.
I think it's fair to be like,
oh, okay, you're like working this grocery store job
and then you're doing comedy at night.
And then I think that it wasn't until I got hired at Fallon that I think people really understood
that you could like make some form of living doing it. So, you know, no one was ever like outwardly
discouraging or anything. But I think even with my dad,
my dad was like very excited about me
getting into comedy and stuff.
But when my dad was alive,
I didn't have any major successes or anything.
So he was just, that was just such a genuine support
of like, oh cool, okay.
I don't even think he was thinking too much
or worried too much about what I was doing
to like pay the rent as far as like,
whether it was the grocery store job
or like odd jobs here and there.
I think he was more like, oh, that's cool.
I like, I enjoy comedy.
Hopefully you'll meet people that I like.
I've enjoyed my time at every job that I've had, because I found a way to
cling on to every bit of positive feedback, every good experience, all my co-workers who
brought me joy and made me better.
And so I feel like everyone's going to have their experiences and things to say.
I think that for me, when I, when I look at making
creativity a job in any form, right, you, there is a certain amount of play that a person
within themselves can potentially lose because now I'm not, I'm not just doing this. Like,
I'll give you a good example. When I did a little bit of freelance work, like just trying to almost like sell,
it was like selling onion-esque articles,
like satire articles to sites, right?
Like that was, for a little while-
Hard work right there.
I was trying to like, okay-
That's a hard hustle.
Yeah, and it was insane.
It was very dumb.
I should not have even tried to do this.
This is before I was working at Fallon.
This was before I was like doing anything officially.
You're trying to figure out
how can I get paid for writing things?
You're just trying to figure out the economy
of where can I get payment for making people laugh?
Yeah, and so at the time-
Writing funny's hard, man.
I was in Chicago.
I think my rent was, I was cheap too.
My rent was like 550,
because I was like roommate and a cheaper part
of town and everything. So 550. All the places I was looking up, they would pay you anywhere from
20 to $50 for an article if it got approved. But there was still an editor so they could still
tell you, hey, go back, fix this thing, whatever, right? But in my head, I was like, all right,
if I do like 11, 12 articles, I should be solid.
But I haven't even eaten yet.
I'm just like, 11, 12 articles, this should be good.
But I love satire and I love writing
and I love what these sites do, right?
So-
But no safety net of an employer.
I'm just gonna-
Yeah, no safety net of an employer at all.
So wait, so this is crazy.
So now you're in crazy town.
You're going to try-
Yes, 100%.
You're going to try and believe in your dream,
but you've got to write the rent.
Yeah.
You've got to conjure from a piece of paper
the money that you are printing to pay a landlord for rent.
And this is all by the way, with the hope that like,
this is all by the way, with the hope that the things this is all by the way with the hope that
the things I'm writing, no one else is writing,
no one's writing it better than me,
I'm picking good topics they're interested in.
This was like pie in the sky insane to be doing.
And need 12 buyers so you can have $240.
Every month.
Nuts, just nuts.
Math that doesn't work.
Exactly.
As soon as you are doing that,
you are having less fun doing comedy.
And so I feel like anytime you take on comedy,
entertainment, whether it's music, any form as a job,
you are adding something extra to the relationship
you have with that art.
And so I think that it's gonna be very hard
to be making something with your friends
and have it stay, like if you're talking
about a working environment, like working for you
or something like that, it's gonna be very hard
for anyone who brings a passion for what the job is
in their personal life, and they're gonna bring
that passion to you and make this whole show
and everything around your business better.
It's gonna be hard for them to do that
with rent on the line, with, you know what I mean?
And so-
Everything is less fun with money concerned.
Exactly, and so I think a lot of, like,
a lot of what it means to make money off of your art
A lot of what it means to make money off of your art
is gonna entail having to make real concessions
with what you expect every day to feel like. Because if somebody just told you, you had a stipend, right?
If somebody is like, look, I wanna be,
even old school, like when people, when artists had patrons, right?
And they were like, look, your housing, your food,
and maybe a little bit of leisure
is gonna be taken care of monthly.
I just want you to create.
Even in that, even in those relationships
where you straight up had a patron
who made sure you were gonna be taken care of,
it was a blank check back in the day,
like Roman times, right?
Blank check.
You still had a pressure of like,
well, I don't wanna offend my patron.
I hope in the painting portrait
that I'm doing of their family,
the daughter likes how she looks.
So there's never gonna not be something
to be in your head about around making entertainment.
You know?
Art and business co-mingle uneasily and with contaminants.
You gotta remember, I was working at a grocery store
right before I got hired.
And then even as I was hired,
because I didn't quit right away.
So then I was still like, hey, if this like-
What are you doing at the grocery store?
Wait a minute, you're writing the Tonight Show monologue
while doing what at the grocery store?
Oh, stacking grapes and like, you know, ringing people up and stuff like that. So you're, and you're going in there and then you're writing, you Show monologue while doing what at the grocery store? Oh, stacking grapes and like, you know,
ringing people up and stuff like that.
And you're going in there and then you're writing,
you're cutting up 40 jokes
and they're using three of them in the monologue or?
Yeah, I let there be a little bit of overlap
just because I was still in disbelief I got hired.
Well, how did they find you though?
How does all of that end up happening?
Like, so how much crawling is there?
Is that your big break?
Is that like?
Yeah, I mean, I would say so. I would say because I had a manager at the time. And my manager at
the time reached out to the booker, comedy booker at Tonight Show. And we sent tape. And then that
tape, I believe, got seen by the head writer at the time. And the head writer was like, oh, we like these jokes.
You know, just these are just jokes I'm doing to hopefully perform on tonight's show.
And so they were like, oh, would he want to send in a packet?
And so that got back to me.
And my manager was like, hey, look, you can tell them you're not interested
and you just want to perform on tonight's show and be about your way.
Or you could write a packet's worth of jokes like monologue jokes, sketches,
desk pieces, all this all these different stuff, any ideas, right? And so I was like,
oh, okay. I mean, I'll do the packet. I'm working at the grocery store. So I'll do the packet,
right? And then sent that off. And maybe a week or so later, I didn't even think anything come
of it. Low key, I actually thought I had maybe blown
my opportunity to perform because I was like,
oh man, what if they didn't like my jokes?
They didn't like my jokes so much.
They're actually like, we don't like the jokes we liked
before we asked you to, oh,
they don't want anything to do with me.
I was like, I was in my apartment with my roommates,
just like, oh, oh, what did I do?
And then sure enough, I get a call from my manager being like, oh, oh, what did I do? And then sure enough, I get a,
I get a call from my manager being like, they want another packet of jokes, but this time is
a tighter turnaround because that's what a day's work would be like. And so then I did that.
And they brought me in for an interview. And then after I interviewed, I found out a few days later
that I got the job. Right. And so once again, I'm like this kid that's moved
to New York that is like so like shell shocked
that I'm even in this situation that I'm just trying
to like have the best time possible,
meet as many cool people as I can.
Like I'm even to this day, the writers that I worked
with at Tonight Show shaped a lot of like how and what I do now because,
because it was the place that taught me to not be like
precious. It's like, you will write 75 jokes and there's,
it's only possible for three of them to be used because of
literally time, you know?
Yeah. If you're lucky, one of your jokes will be used.
It's a game. It's a failure game and you're going to be
grateful for it. Cause what's interesting about and you're going to be grateful for it
because what's interesting about what you're saying
is I'm sitting here talking about the pressure cooker
and how hard it must be to write, to make money,
and you're telling me some form of,
do you have any idea what I was doing at the time
and what I come from?
Like, I've arrived there.
Like, the pressure cooker's my dream.
It's like, I'm not gonna complain
about what the environment is.
I got a job that's not at the grocery store
and isn't in Alexandria, Louisiana.
Yeah, cause even now I kind of feel like,
I'm only speaking to my,
to like my thought process when I go to any job
or when I look to,
even when I put something online or something like that,
cause I have people asking me, they're like,
oh, now people expect you to post,
do you feel pressure?
And I feel like my feelings with that
when it comes to like what I'm doing
and like the community that I'm trying to build
and everything and how there's so many places you can fall
and you can fail people,
is that to me pressure is a privilege.
I did what I've been doing for so long and nobody cared.
So now people actually like wanna know what I'm up to
or they care what I have to say.
But you're a content furnace.
Like comedians tend to be precious about this stuff.
They sculpt and hoard and then they unveil in three months.
Right?
Like you're belching jokes.
Mm-hmm.
And I don't mean to cheapen it by saying that.
No, no, I'm saying like you have refined Belching jokes. And I don't mean to cheapen it by saying that.
I'm saying like you have refined and honed
a craftsmanship that this is the thing you like to do
so it doesn't even feel like work to you
because you enjoy it.
Well also it's like I think that what late night
helps you do eventually is not be as precious
because I feel like there were there have been jokes
Where in whatever environment I was in the the head writer would even say I really like this joke
We literally just don't have time. So then you see how like it's not even always a
Merit-based thing there are so many different things involved with what show gets created
for an audience that they watch and enjoy.
And so to be part of that is something special, but also taking away the lesson that I took
away from it of like, oh, just because something doesn't get used doesn't mean that it wasn't
good.
Just because the outcome I wanted to have happen, didn't happen, doesn't mean
that's a knock on me as a writer or as a comedian.
So then when now it's all up to me and it's all my show when I go out and I tour or when
I post things online, I'm less precious with giving it away
because I've had to be less precious
with losing it to a certain degree.
And so that's kinda how I got here,
which is why I say that every experience that I've had
that has led up to this moment has like,
it felt like everything was to get me where I am now
and I'm sure where I am now is to get me somewhere else.
So I'm not too stressed about, like,
I guess how I share that stuff,
because I feel like, one, thankfully,
the feedback is letting me know I'm on the right track,
but, two, I look at what it was like when it wasn't my show,
and I wanted to get this joke out,
and it just wasn't possible, you know?
So I'm just grateful that people are enjoying and watching.
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I have two follow-ups on specifics.
Yeah.
Do you remember the first joke that made it
on the Fallon Show?
Do you remember what it was?
That is a great question.
You would think I would remember.
I've got a follow-up.
If you can't find that one,
if it's hard to find, that's fine.
Do you have one that didn't make it
that you're like, come on?
That one, or you recycled it somewhere else
because you're like, that deserves,
that one should have gotten, that's as clever as I can be. Yeah. I mean, I, sorry to let you down on both fronts.
I, I've not, you take too many shots to remember them. Yeah. A little bit, a little bit. I
definitely remember the feeling of like, Jimmy saying my, my joke for the first time.
And it was like on my first day as well.
So it was like such a great start.
Like I first day at the job and I got a joke on,
I was like so excited about it.
And then once again, the monologue team,
the writers not only welcomed me with open arms
starting out as this like kid that just got hired,
but they also took the time,
which I thought was really special,
to some of them listen to my comedy album,
just to try to get to know me ahead of time.
And it just felt like I was already welcomed in
as soon as I sat down at my desk.
And then the way that a few of them really celebrated
the fact that I got a joke on my first day
and they were very like, oh, that's got a joke on my first day and they were
very like, Oh, that's great. Like, like good, good for you. You came in, you don't even
know where the bathroom is and you were able to get a joke or two on is like pretty big.
So it's unusual. Yeah. So now, now I really wish I would remember it.
Oh, that's okay. You failed. You failed spectacularly. all I care about is that I asked a good question.
So I'm really sorry.
No, it was a great question.
I'm sorry that I let you and the listeners down.
Only thinking of myself in that circumstance.
Don't care about you or the audience.
I'm just thankful that I asked a good question.
You did do well and I was bad.
I really blew a plume of blue smoke in your face,
disoriented you, and now I am standing over you, Victorious.
I have a couple of other questions
as it relates to the topics du jour
that I will get to before the end of this,
but you mentioned that your father
never got to see you perform.
You've had your family give you the proud moments
and that one is absent in a way that you would have liked
because he meant what to you along this path?
Oh no, just I think he would have got a real kick
out of the fact that things were, things have gone so well
and like he was so optimistically supportive
from the very beginning, like even when we were
on the phone and I was telling him like, oh yeah,
I've started doing a little bit of stand up and stuff like that. I was so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so,
so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so,
so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so,
so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so,
so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so because losing my dad, especially when I lost my dad, I feel like was also that
sort of formative time because I was just really getting going career-wise and everything.
And it really has shaped, at least to the best of my ability, how I treat people close to me and try to treat everybody
as much as humanly possible.
If like, you could like really lose someone,
you could have the last conversation with somebody
and not know what's gonna be the last one.
And so it's important to like let people know
how you feel and to be as generous as possible
with all of the good things that you have to say.
You never want to lose somebody and not have them know exactly how much you care about
them, how much you enjoy their company, what they mean to you, all this stuff.
And so like one of my, yeah, that was like one of my big regrets, I guess, or like, I think everything happens on time, but I wish I would
have started quote unquote, like making it a little bit sooner so he could have seen some of it, you know?
But you also can't learn until you learn what the impact is of grief changing your perspective on
that, because my guess is you were young and probably bulletproof enough to not consider that that's what was gonna visit.
The last conversation is gonna suddenly visit
is not a way to carry yourself until you felt it one time
and then you only have to feel it one time.
Yeah, yeah, exactly, exactly.
Because you'd hurt so much that you won't,
that you won't take it that much for granted.
Like there's real life wisdom in death that way,
I've found in the early stages of grief.
I don't know how much that has to do
with you choosing therapy, espousing therapy.
Yeah, I think therapy, okay, there are two things
that I think are important about therapy.
One, I think that even if you have
what you feel like is a handle on an issue
or some problems or something like that,
I do think that talking it out sometimes,
sometimes I will really think
I know how I feel about something,
and then when I talk to anybody about it,
having to say out loud the thing
that I've been thinking in my head
is a different barrier to break
than people recognize sometimes.
It's sharing versus being alone with something. Exactly, exactly.
And so it's like, I think that while therapy doesn't replace these things,
I do think we're in this this sort of
era of isolation.
We're living in like an epidemic of loneliness.
And so I think therapy sometimes is just the first step
in like, it's not necessarily quite the same
as community building,
because I understand it's like you go in there,
you pay a therapist,
this person is being paid to listen to you.
So it takes a little bit of the softness
and the sweetness out of sharing sometimes, I guess,
because there's a little bit of money involved.
But at the same time, I think that even people
who have community, who have whatever their religious leader
is or who do have people to talk to,
sometimes you have your people to talk to
about certain things and not that you should be
putting everyone in buckets, but like,
here's someone who is not, it's literally their professional job to not that you should be putting everyone in buckets, but like, here's someone who is
not, it's literally their professional job to not judge you or to not bring any preconceived
notions about you when you share something.
And so I think that therapy is important for those two reasons.
One, a lot of people don't have someone to talk to.
Even if you have someone to talk to, sometimes they're not the person you want to share that
thing with because you're worried about them looking at you differently
or no matter how much they say, they won't judge.
There's something about what you have to say
that carries a certain weight that can't be taken back.
So I think it's good for those two main reasons,
but I'm also like,
I don't know how to put this
without sounding like I'm anti like, I don't know how to put this without sounding
like I'm anti-therapy now, but I do think that therapy
is only to me worth it with the effective practice
of what you do outside of it.
And so I think that, you know,
I've known people who have been in therapy for years
and they're still like kind of jerks.
And it's not, and it's not a, it's not as if it is a chemical imbalance thing
or a prescription thing.
Or it's like, no, you go to therapy
and then you tell your therapist
how you were terrible to everybody
and then you don't change the behavior.
Feels like therapy's not really working for you.
It almost feels like you're not going at this point
if you're just gonna go and-
Well, if you're just going to rummage around
in your bin of narcissism and self-involvement,
as opposed to going there to get the tools open-mindedly
to see yourself clearly, to have tools
so that you can go to work on yourself, on the things.
I liken it to just, why wouldn't,
if someone has some expertise, someone you trust
has some expertise in me, they can feed my narcissism
and help me be a better me, get me closer
to the things that I wanna be.
Like that's, and make me more gentle with myself
and all the things that you need to learn
because you don't quite know everything about yourself
that you think you do.
And it's also like, I'm not saying it as if it's
some sort of catch-all. For me, I And it's also like, I'm not saying it as if it's some sort of catchall.
For me, I looked at it as like, I do think it could, it could and does.
At times helped me become even better at what I do because.
Like you said, with tools, right?
Give you, give you, um, either give you the tools or, or tools or show you the tools.
I think the same way that a drill will never be a hammer,
like not really, you can use a drill as a hammer if you want
and you can make a hammer a drill if you want,
it's not gonna be that effective.
But if you go somewhere and they're like,
this is actually a hammer,
you should use this to hammer things,
now you and the tool are more effective.
And that's kind of how I look at it is that, you know, I'm not, it's not as if I go every week or
even every month, I think that I have a decent, and this may be misguided of me, but I do think
I have a decent barometer for when I should be going and when it's time to talk
to somebody and when it's, you know, when I feel like I like I do it's not about going
until you feel okay, because you can still go and feel okay, I think it can still be
very important.
But I think knowing when it's serving you versus like, you're just doing it to do it.
And so I feel like sometimes if I think I'm gonna be just going to like do it in a way that's not productive,
I do take a little break, you know?
You used a phrase, epidemic of loneliness,
and I think you have a chance because of the style,
the way you're doing this generationally, new voice.
You have a chance to speak to some things in comedy
that are new because pandemic is new.
Loneliness of pandemic and everything that changed
with the anger of the loneliness.
I just got done talking to Lewis Black
who said he could be at home for like 12 hours
and then he started looking at all his problems
and he thought he was going crazy
because of what the pandemic did to us.
I read the other day, a stat like 74% of adult American men
feel moderate to high levels of loneliness.
The epidemic of loneliness, it's new, isn't it?
I mean, I don't know how new it is,
but I know it's been building up
and it needed something like the pandemic
to fully be exposed.
Because I think that before anyone was ever talking about anything 2020, even
in 2016, you could you could feel a little something like bubbling up and and there were
just practices that we had of like, how social at the opportunity to connect everyone as
far as like all the apps, all the different
ways of communicating, but then all of it was also very isolating in and of itself.
You could feel like you had had a bunch of little interactions with people all day while
not having a single intimate conversation with anyone.
And so I think that that's something that I think was gearing up, that just like, I mean, even if you want to talk about
pollution, 2020 exposed a lot of stuff,
because just people being like inside for two months
and not having, the air and the pictures,
the aerial pictures of cities was like incredibly clean.
It looked like whole cities were healed in a month, you know?
And so I think that as far as an epidemic of loneliness,
there are certain practices that are gonna be really hard to get out of just because
it's human nature. Like for instance, even with the phone, there's that phantom reach.
Have you heard about that?
I haven't heard about that, but I've done it.
The phantom reaches this thing where let's say you are on like a cruise ship and you
have no reception and your phone is useless and you have all these people around you to talk to.
Even if you are, whether you're a kid or you're middle-aged,
there will be times throughout the day,
just because of how much we're on our phones,
that you'll reach for your phone and you may even open it
and then be like, oh wait, yeah,
I can't do anything with this.
And those are some of the only indicators that we have
of how much we're actually on our phone.
Because if you ask someone how much they're on their phone,
they might say a lot,
or they might give you a certain like metric,
but it wasn't until Apple itself decided
to expose our screen time and tell us every week
how much we had been on our phone,
that people really got a glimpse of like,
oh wow, like five hours a day.
And it's not, and especially if their phone
isn't how they do their job, you know,
that really tells you something.
And so I think that the epidemic of loneliness is here
and I don't know when it's gonna go away,
but I think that when you build community
and you build culture around connection,
I think that you start to have like little seeds
that you plant that will bloom later,
that will be a practice of like, okay, maybe I'm on my phone,
but I'm on my phone talking to this new friend that I made,
that I enjoy the company of, even if it's online,
that I trust with things about myself,
and that I can set up a time to maybe meet in person
and spend time together in real community
and connection in my home or something,
make a memory with this person
because I don't think it's bad.
I know people from all different walks of life
who are like, for whatever reason,
cut off from community, right?
Maybe they don't feel like anyone around them gets them.
Maybe they just feel like, yeah, that sort of odd one out.
And so it takes the internet to connect them with another odd one out somewhere
else. And then those two oddballs- It passes for intimacy.
A hundred percent. And sometimes it is the placeholder that people need. So I'm
not saying it's all or nothing. I think that sometimes it is how you build the
connections that are going to get you that at next level that sometimes even
saves your life.
Because then when you do maybe,
let's say move out of your hometown
or you get the opportunity to see this person in person,
that's the real like, you know,
in real life experience stuff that we need
from like a biological sense even.
That's the big handle.
To feel human, to feel human.
Yeah, absolutely.
So I think that to me,
it's something that now more people are catching on to.
Like with a lot of things, I think more or less,
obviously there's like disinformation everywhere,
but I think that because of how people feel,
people are waking up to things
that you wouldn't have been able to convince them of
maybe seven years ago.
I think it took things like the pandemic, and I think it took having to like, even if
you, I mean, I know it was different per state, but like all around the world with some of
these lockdowns, I'm not even talking about necessarily the merits of a lockdown or the
efficacy of like, just it's saving lives and stuff.
I'm talking about in the actual practice of a lockdown,
there were a lot of people who had to,
for the first time ever, especially as Americans
with how much we work and how much we are constantly
stimulated and how much we create that had to like stop
and like maybe take a good long hard look at themselves.
And that's not always, I'm not saying that that's like
made the whole thing worth it or something.
I'm just saying that by and large that happening
and made people realize, oh, I don't have any real friends.
Like now that I'm not working
and I just have to sit here for,
remember when we thought it was gonna be two weeks?
Remember that first like two weeks?
Yeah. I just have to sit here for two weeks when we thought it was gonna be two weeks? Remember that first like two weeks? Yeah.
I just have to sit here for two weeks.
And I don't have anybody to call.
Like now that I'm not working.
And I don't use my phone as a phone.
I don't wanna call anybody.
I don't take calls on my phone.
I don't use my phone as a phone.
And remember the first two weeks,
people treated that like,
oh, okay, it's gonna be a little time off, right?
So then that first week was all well and good. People were like, oh, okay, it's gonna be a little time off, right? So then that first week was all well and good.
People were like, oh, hey, you know, people,
it's so funny too,
cause it was like, people literally were like not using it
for what it was supposed to be for.
Cause it was like, two weeks,
we're gonna shut everything down,
see what happens with this whole little virus thing, right?
And then people were like, man, two weeks off,
come over to my house. It's like, ah, that's not quite it.
But I do think that after the first week,
when watching all the movies gets boring
and staying in every night,
and you finally have an argument with your spouse
or whatever, I think that really being trapped
and having to sit with yourself was something
that a lot of people weren't prepared for, obviously,
but it's something that exposed a lot of people weren't prepared for obviously,
but it's something that exposed a lot of the loneliness
that people feel.
And so coming out of that,
you obviously want there to be the opportunity
for people to connect, you know?
And I think that that's a place where post pandemic,
post like lockdown, COVID stuff,
we're still failing people
because there should be more places to go
just to be in community with people
that aren't just church,
that aren't just this like weekly occurrence.
Somewhere you can go at any point
that's not necessarily a bar
that you can be in communion with people.
A bar is lighter fluid on loneliness.
Yeah, yeah, yeah.
It's like you're there with all these people,
but now it's like, all right,
even bars have their own dynamics where it's like,
let's say I'm lonely, so I wanna go to where people are,
so I go to a bar.
Well, now, anyone you approach is,
one, they're gonna think you have some sort of agenda.
I'm approaching you because I'm asking you you out can I buy you a drink whatever
the thing is when maybe you are just trying to strike up conversation which
sometimes is more off-putting sometimes people are like no I'm just trying to be
your friend it's like ah get out of here don't need a friend right now this is a
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Before I get you out of here and before we get to the last two topics du jour,
I will tell everybody that tickets for Josh's
2025 Flowers Tour are available at joshjohnsoncomedy.com,
and you can subscribe to his YouTube channel
at Josh Johnson Comedy.
Luigi Mangione, what do you got?
It's a lot, there's a lot there,
and I was mortified,
but understood about a general reaction
filled with so much desperation from people
who are tired of being bleeped by insurance companies,
by government, by rich people, by health insurance,
that they just wanna kill somebody.
Yeah, I mean, I think that one of the things, Luigi,
is that I think that every sort of established narrative
that's been tried, that they've tried to create around him
is failing because of people's disdain for the system.
And so I think that's something that somehow a lot of news
and a lot of like officials still aren't getting, you know?
Cause I don't know if you saw the picture of him
being escorted to the courthouse.
Yeah, yeah, the Hannibal Lecter.
They made it look like the dark night.
They made it look like a poster.
It was amazing.
And I'm like, that's such a absolute read
on how they've misconstrued the situation.
Because if you are an insurance company
that's trying to gain favor with the people again,
and this will never happen because there's boards
and there's like C-suites and there's too much money
at play to like do this, but I don't know if you remember
when Earth Day was a big deal.
So like we're talking like 2002, right? Earth Day was such a big deal.
The world could have been a lot different if Al Gore had won and wanted to change the
climate and succeeded in doing something about what would be protecting the earth.
Yeah, because like Earth Day, I remember, I don't know what company it was, so I don't wanna lie on them,
but I think it was like Walmart or something.
Every company would have these Earth Day initiatives
where they would be like, we save this much energy
or we use these fuel resources on Earth Day, right?
Now, obviously what they're doing
is that they're going bare bones for a day
so that they can get the PR
of like saving a little energy or whatever. Of going bare bones for a day so that they can get the PR of like saving a little energy or whatever.
Of going bare bones for a day.
But the problem is when they did that thing, people were like, oh, well, why don't you
just do that all the time?
But if you're an insurance company trying to gain favor with the people again after
something like Luigi, you could just be like, hey, we're cutting everybody's rates for
six months.
I don't think people realize how little people need who are already scraping by to survive.
I don't think they realize how little they need to go on longer.
And I'm not saying this from a perspective of manipulation. I'm just saying it as someone who
was in that situation of like, you don't really know where rent's coming from. You don't really
know. You haven't fully figured out how you're going to eat, especially eat well, right? You're
just worried about the next meal. Someone giving you the opportunity to get ahead and get two meals
ahead is huge. It's bigger than I think even a billionaire can fathom because a billionaire
has all the money. A multimillionaire has all the money that they're ever going to need
for the rest of their life. They actually can't spend it. They can't spend it in their
lifetime.
No, that's where the disconnect is. It can feel like caring to simply not feel hopeless for five seconds. Yeah, and so I think that with Luigi
you know, I
Think that he's gonna end up being more
More symbolic than than anything. He actually said in his manifesto or anything that he actually says in court.
I think that-
He's gonna end up being a vigilante hero
slash saint slash whatever.
Hannibal Lecter, cool, because he defied the system
and he broke the rules and he spoke for,
quote unquote, all of us?
I think that, okay, if you could pick anyone
out of a history book and actually have
a conversation with them that was in any form,
and I'm not necessarily calling Luigi a revolutionary,
but I'm saying, pick a revolutionary.
Any one that you've picked in your head
and you actually got to sit across the table from them
and have lunch, I think it would be a pretty disappointing
lunch, I don't think that, do you know what I mean?
Just because they were inspiring person.
Revolutionaries don't know that they're revolutionaries
while they're in the middle of the revolution always.
Yeah, they're just like, oh, I was dodging bullets.
Like I wasn't trying to, I was trying to like live, you know?
And so I think that no matter what Luigi is actually like
as a person and no matter what happens with his actual case, I think that
if you make any person, if you pull any person and you separate them from what they are symbolic
of and have a real conversation with them, they're going to let you down in some form,
right? Because there were already people that like weirdly, I only say weird because I understand
logic, not because I'm saying you have to believe what I believe, but there were even people who weirdly were like on the CEO's side again
when they found out Luigi actually came from money.
There's always going to be, there's no perfect symbol.
All of these things are clouded and stained by our own prejudices when viewing them. Yeah, so I think that, hey, with Luigi,
that court sketch artist is gonna have their work cut out
for them, not making him look hotter and hotter
every picture.
It's gonna be tough, you know?
Because even, I don't know if you saw that,
did you see the one that when they took the picture of him,
I think it was just his arraignment,
and he was looking over his shoulder, and he was brooding.
I was like, what is he doing?
Like-
Brooding and sensual.
Like honestly, I feel like-
Flirting with a public that wishes the bad boy murder
to be everything they wish him to be.
Like they low key, just to break him even,
they're literally gonna have to put
that Hannibal Lecter thing on him
just so you can't see as much of his face.
Cause every time, every picture, he's just like,
this man-
Smoldering.
Yeah, and I'm like, who smolders over being on trial
for murder?
You would not catch me smoldering at all.
I would be crying.
I'd be in there like, hey, I'll snitch on anybody, I didn't do it, please.
This man is over here quiet,
and then he'll cut a smile to his lawyer for a second,
they get a picture of the smile, it's like.
No, I've seen him wink, and I hear the ding
on one of the sparkling teeth.
Yeah.
He turns to the paparazzi.
Yeah.
I have not talked to you about sports,
so I'm gonna take a random sports topic
and throw it in your lap because we're in Miami. I don I have not talked to you about sports, so I'm gonna take a random sports topic
and throw it in your lap because we're in Miami.
I don't know if you know anything about sports.
I have no earthly idea what your sports knowledge
is or isn't, but do you have any opinion
on Tyreek Hill and the Miami Dolphins,
the season that began here, I'll do it locally,
began with an arrest outside of the stadium,
and then I don't know what you do
or don't know about Tyreek Hill.
Yeah, so I know, when it comes to sports,
I only know how the ball should be shaped.
Do you know what I mean?
Like, I'm like, that is a baseball.
That's all you have.
That's a football, right?
So you don't know, but you know who Tyreek Hill is?
Well, I knew Tyreek Hill, I knew the Dolphins,
I knew the arrests that happened.
And I feel like, all right, I do think that once again, just like we started talking about
billionaires and money and stuff like that, I do think that there is a certain amount
of money that at least in your mind allows you the privileges of like moving the way you've seen other people move
or the way you think they move, right?
Because when you watch the whole video,
I even talked about it on stage.
It's like, I said all of my like big, big thoughts
about it on stage, which is probably more
than you have time for, but I think-
About what, like police brutality or any of that?
Yeah, I talked about him and I talked about the police because I think
That even the way it started is like it starts in this way. That's like
Did you watch the whole video? Yes. Yeah, so so initially it's it's like boom boom boom
lowers this window don't tap my window like that
And I'm like that to me that's like, I understand you a millionaire, but
now I'm very nervous that when you hit that button like that. I mean, I've hit it before
on people. I've never hit it on the police. Right. But then you get the police pulling
them out of the car and like and like sitting them down everything and and you know, getting
them on the ground and stuff. And there's some of it, you can tell,
there's a shade of it in there
that's just like, you hurt my feelings,
you disrespected me, and now you have to pay in some form,
even though that thing in and of itself is not illegal, right?
And then you also saw people trying to check on
what was going on and the way they even spoke
to those people or the fact that they were gonna arrest
everybody who stopped and asked the question, hey, we're headed to Prague, what do you do? Can I help? Can
I mediate in some way? And so it does make me nervous that there is no... It's a scary
thing when there's no mediation with the person who's supposed to be keeping the peace. I
think that that is something that needs to be addressed in every police department, no matter what.
It's like the same way that like you as an individual,
right, you might be like righteously indignant.
You might be ready to let somebody have you talking to them
in the parking lot and you're just like,
and I'm talking about, there's a very different thing
when you point like this and you point like this, right?
Like you're doing this point and you're over here,
hey, hey, hey, right? And now you turn this point and you're over here, A, A, A, right?
And now you turn around and all these cameras
are pointed at you.
All these cell phones are pointed at you.
You as a regular person, that makes you go,
maybe I'm being out of pocket right now.
Maybe I seem crazy.
And the fact that like there is no,
as a collective people around an officer
who aren't trying to get involved.
Once again, I'm not talking about somebody trying to like
start a fight with a cop or attacking a cop
or cursing at a cop or anything.
I'm talking about if everyone around you,
if you're a police officer
and you're throwing somebody on the ground
and you're putting your knee on their back or whatever,
and everyone around is like, hey, hey, hey, hey, hey.
I think that there's this thing in policing sometimes
where to back down or to stop or to like mediate
the situation is to admit some sort of guilt to be wrong.
And it's not that at all, you know?
Cause as a cop, I'm not a cop
and I haven't been in cop light situations,
but I imagine sometimes you show up
and you don't know what's gonna happen.
That's my general takeaway from what policing is like.
You show up, you have no idea what's gonna happen.
That's why they give you the gun.
Maybe we're at a 10 out of 10 situation,
maybe we're at a one out of 10.
We're gonna give you the gun no matter what, right?
So you show up and you have the gun
and you don't know if it's gonna be a one or a 10 out of 10.
You never know.
And then you find out through talking to someone,
it's actually a five.
All right, we're at a five.
I don't even need the gun, right?
But if you show up to everything or you take everything,
maybe it was a five and then you yourself took it to a 10
because you were like, this looks like a 10,
I'm gonna go ahead and just pull the gun
so everybody knows I'm ready for a 10. That's the type of stuff that I were like, this looks like a 10, I'm gonna go ahead and just pull the gun so everybody knows I'm ready for a 10.
That's the type of stuff that I feel like,
at least in rhetoric and in the process of policing,
I think is dangerous because I'm like,
I'm a pretty passive person.
I try to understand all sides of a thing,
but I also can see where in that specific situation
where it became less about, here's what you did wrong.
Here's where you broke the law
or here's the citation I need to give you.
And it became more about respect me.
And I think that once we get into a place
where it's all about respect me,
that's where I'm talking about you took it from,
it was a five and you made it a 10. And in this case, anytime it's all about respect me. That's where I'm talking about you took it from, it was a five and you made it a 10.
And in this case, anytime it's traffic,
it should be a three.
Like, sure, if you're speeding,
you could have hit somebody, you could have killed them.
This is why I pulled you over, you were speeding.
I gotta give you your ticket.
Don't be a jerk, right?
But like, I don't know.
I feel like sometimes things get taken to a 10 that were so clearly a 2.
You're right, but while I would be willing to basically say I'm willing to make the absolute edict that everything in traffic, no disputes, is a 3.
Once you press the roll up the window on do you know how long I've been famous, officer?
That escalates.
If everyone comes to their own conclusions
about what their prejudices are on a situation,
that disrespect right there is gonna escalate.
You're playing lotto with cops on
where am I gonna hit this cop in a sensitive spot
that's gonna turn that three into a nine?
Yeah, and I think that's where the thing deviates for me
because I'm like, okay, if you are a police officer,
the best way I can describe
at least the public's perception of you
is that you are in like the peacekeeping business
of customer service, right?
Like I call you when somebody's in my house, but it's still like this customer service position, right? Like I call you when somebody's in my house,
but it's still like this customer service position, right?
And I don't know if you've ever worked customer service,
but I've worked in restaurants,
I've worked in grocery stores.
And sometimes I get the, do you know who I am?
And then I have to be like, I don't know who you are,
but I still have to do my job
because then now I cannot now be out of pocket because they were rude to me.
Like I'm working at a grocery store and they hit me with,
do you know who I am?
And if I'm like, you know what?
I don't really care who you are.
It's 1784 and I told you I have changed for a hundred.
So either come up with a 20 or get out of here.
That gets me fired.
That's right.
You know?
So it's like, I totally, I totally get that.
And that's why the roll up window thing for me,
I was just like, ah, ah, ah, ah.
Like that was, I was like, my man, oh no.
Like I thought it was gonna be a way worse video
when somebody was like, have you seen the Tyreek Hill thing?
And I started watching it and I, the click,
cause it went up a couple times.
It didn't go up just once.
Once, like there's a thing with once.
Once is I'm rich, right?
Once is like, I'm a rich man.
I could see Jeff Bezos, Elon hitting them with the once,
right, but they wouldn't be driving themselves.
No, they would not be.
But like, I could hear them from the back of my head,
I could hear them tell the driver to roll the window
and then he nervously goes, I'm so sorry.
That being said, rolling up multiple times
is a rough move.
It's aggressive.
I was like, oh no, that's money.
It's defiant, it's disrespectful,
and he's been famous for a long time,
and he's got bad judgment,
and he's just generally reckless.
Yeah, because like also Tyree
Gill's not necessarily the most sympathetic guy to like go to bat for
anyway. He is not. So then I was like I mean there's no perfect victim but at the same
time I was like guys if this is the same guy I've heard about with other things
now you got me. Yeah yeah he's not a perfect victim but he is a pretty pretty
imperfect victim he's really pretty, pretty imperfect victim.
He's really good at the imperfect parts of this
and he can be right and he can be wrong.
Josh's 2025 Flowers Tour tickets are available
at joshjohnsoncomedy.com, joshjohnsoncomedy.com
and you should subscribe to his YouTube channel
at Josh Johnson Comedy.
It was a pleasure, thank you.
Thanks so much, thanks for having me. ["Souljape"]
["Souljape"]
Yeah, sure thing.
Hey, you sold that car yet?
Yeah, sold it to Carvana.
Oh, I thought you were selling to that guy.
The guy who wanted to pay me in foreign currency, no interest over 36 months? Yeah, no. Carvana gave me an offer
in minutes, picked it up and paid me on the spot. It was so convenient. Just like
that. Yeah. No hassle. None. That is super convenient. Sell your car to Carvana and
swap hassle for convenience. Pick up these, may apply.