The Dan Le Batard Show with Stugotz - South Beach Sessions - Sebastian Maniscalco
Episode Date: November 13, 2025"Whatever happens that's traumatic in my life, whether it be whatever, a disagreement with your wife, a death, an illness, I try to make humor out of it." If Sebastian Maniscalco isn't doing comed...y, he isn't in a good mood... The reigning king of physical comedy shares with Dan how he went from waiting tables at The Four Seasons to setting four records with five consecutive sold-out shows at Madison Square Garden on his recent, "It Ain't Right" tour. Sebastian talks about the evolution of his comedy, overcoming countless setbacks, and how his life off stage has become something he could've never imagined. Watch Sebastian's new Hulu special, “It Ain’t Right” streaming November 21st. Catch Sebastian live on tour - for dates and tickets visit SebastianLive.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
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You're listening to Draft Kings Network.
to the stand-up comedians, and very few are better than this guy. He's been doing it a long time,
and I'm a big fan of his. He's got a new special out. It ain't right, November 21st on Hulu.
You're still out here doing it. You're still out here crushing. It's Sebastian Manuscalco with us.
So where are you right now with the grind of the comedy tour? Are you still every bit as hungry as you
have been? Because you're now also an Academy Award-winning film person.
Well, I got three shows left from the tour, and then I'm off for a long period of time, because after these tours end, I just need time to, a, like, recharge, reset, and then, you know, live life a little bit so I could extract material from life.
So it's been a grind, but we're coming to an end here within the next two weeks.
I got three more shows, all at casinos, and then got the holidays off,
I can spend it with my family, going to be out in Florida for Thanksgiving,
and then Christmas here in Los Angeles.
I should tell the people, sebastianlive.com is where you go if you want tickets and tour dates.
Is it the same for you as it's always been in terms of the grind of the comedy tour?
Because when you say you have to recharge and go back to living life so you can have material for the next tour,
you've been on this particular treadmill for a long time.
Yeah, so it has definitely gotten harder as the years progressed
because the way I look at it is my material has to be greater to or equal to whatever
the hell you saw the last time I was in town.
And if that dips, I feel like audience leaves and it's similar to sports.
Don't got it no more, you know.
I'm not going to pay a hard ticket price, see a guy who's not at the top of his game.
So as life progresses, as my career progresses, it becomes harder and harder for me to come up with material that is, because I don't want to go out there and just half-ass it, you know, just for the sake of going on a tour.
I want to go out there and give people, because the way I look at it, it is a business.
People spend harder and money to come out and see you perform.
They get a babysitter.
They park the car.
They, you know, make a night of it.
And I want them people to leave saying, wow, can't wait until he comes back.
I want to take friends and family.
The pressure of that, though, would be pretty extraordinary, I would think, to have to feel like you have to continue to top yourself when, generally speaking, I think I can say this.
Comedy doesn't age well.
It doesn't seem to have affected you very much, but most people aren't doing this into their 60s, 70s, and 80s well.
Not that you're that age yet.
Yeah.
Listen, I hope I am able to perform, you know, in my 60, 70s and 80s, I'd love to do that.
But, you know, hey, my act is very physical.
I'm moving around a lot.
I don't know who's going to come out when I'm 80 years old
and I could barely, you know, get to the stage.
But you're saying you'd still love to do it then, huh?
Like, you love it that way so much
that you're, it's something that you can envision wanting
that deep into your life.
When I don't do comedy, I'm not in a good mood, put it that way.
So this is very therapeutic for me to go up there.
Like, I just had a fight with my wife yesterday.
and how I deal with that is I make comedy out of it.
So I can't wait to get to a comedy club this week to present that.
Actually, I'm going to be in Boston this week doing a charity event.
But there I will maybe sprinkle some of the argument material in to see if it goes.
So the way I look at these things, whatever happens, that's traumatic in my life,
whether it be whatever, a disagreement with your wife, a death,
an illness, I try to make humor out of it. It's how I grew up. I come from a family,
we were laughing at funerals, you know what I'm saying? It was like, it's the only way we could
cope with the disaster of what had happened was to find a morsel of humor in it. So, yeah,
I find that this definitely is my career, but also helps me kind of filter a lot of things
that happen in my life. I imagine that your wife probably catches you in
the middle of argument processing how you're going to make it material no it's not
even happening in the moment because in the moment it's not funny it's not it's like i'm not like
sitting there going this is going to be great for the stage i'm trying to figure out how am i going to
win this thing uh but it's like that is not the way if you're still trying to figure out how to win
you're going to lose for the rest of your life it's terrible it's like you don't win arguments
yeah yeah i get it um but or at least make my point or something
I mean, I'm not, I'm not sitting there looking at the funny of it at all, but, you know, you let that
marinate for 24 hours, you get up the next day, and then you got like, oh, okay, this was funny,
that was funny about it.
I'd like for these to be biographical, so take me back before working seven years as a waiter
at the four seasons, which I want to get to.
Take me back to a traditional Italian household, what you're growing into, and where the
funny was coming from.
So I grew up in the northwest suburbs of Chicago, a place called Arlington Heights.
I had a father who was a beautician, a mother who was, sorry, not beautician, he's a hairstylist.
He gets upset when I say beautician.
And then a mother who worked at elementary school as a head secretary and grew up in a fairly normal household.
I mean, as normal as you could get, I mean, a lot of entertainment types, you hear a lot of these stories of single parents or a lot of, like, maybe drug use or abuse or whatever.
It seems like the upbringing is a little volatile.
I grew up in a loving home.
There was no darkness.
There was, you know, everybody was laughing and goofing around.
I had parents.
My parents got divorced when I was in my late 30s.
So it was a different kind of trauma for me later on in life rather than growing up.
But I felt like I had a normal childhood.
I went to school.
You know, they told me to get good grades and grew up in a middle class family.
And nothing that would add.
suggest that I was going to get into the entertainment business.
Although I knew at a young age, I love stand-up comedy.
In school, when they asked what you want to be in second grade, I said a comedian.
You told your grandparents that in second grade, right?
It wasn't flipping, right?
No, no, I was serious because I used to watch Johnny Carson with my parents,
and I was fascinated with the comedians when they come on.
I'm like, how do you remember?
I used to get excited.
I don't know why.
I was just got excited when they came on and used to love to laugh.
I was going to comedy clubs when I was 16 years old, not to perform just to watch.
A lot of kids were going to the high school basketball games.
I was going to the local comedy club with the girlfriend I had at the time, and we sat in the back and laughed.
So it was always kind of in the fabric of growing up.
But, you know, growing up in a house I did, I didn't know how to get into this business.
I didn't nobody in the entertainment world.
I went to college.
I wanted to quit my first year of college, and I told my father, you know, this is not for me.
I want to go to Los Angeles and be a comedian, and he right away said, just settle down, get your degree, and then you could do whatever you want after you graduate.
So I did.
And I came out here when I was 24 years old.
It's funny that we're even here next door.
It used to be a place called Dublin's.
It was a Irish bar.
And on Tuesday night, they used to have comedy upstairs.
And it was the hottest comedy scene in L.A. at the time.
This is about 2000.
Right next door.
It was like, you know, the Dane Cooks were born, the, I remember going, that's where I met Vince Vaughn next door, who I later became, was in a movie with him called the Vince Vaughn Wild West Comedy Show.
So, yeah, it's ironic that we're here today just because I spent a lot of time across the street was a place called Miyagi's, which is a sushi bar that used to have comedy, I think, on Wednesday nights, used to perform on the bridge.
there's like a little bridge
and used to perform on the bridge
to people who were eating sushi so
it's not that far from the comedy store
but you're talking about
factories right here
yeah but you're talking about
you're talking about something a little smaller
a little grittier
yeah this is like this is where
this was my gym
these places right here
going night in night out
working out the material
you know dealing with hecklers
or you would go to the comedy store
down the street and you'd be scheduled
at 945 and then Eddie Griffin would
walk in and perform for an hour and a half so the whole lineup would get bumped but i stayed you know
a lot of people got to say i'm not going to stay i'm like i got to stay because the way i looked at it
was i don't know who's going to be in the audience and number two uh i got to work out my material i
remember one night it was dead at the comedy store a comedian who has passed away since his name
is freddie soto went up on stage and it was like i don't know 13 people and mark anthony
he walked in with his group, saw Freddie Soto, and from that night, brought Freddie Soto on the
road to open up for him.
So it's like, you take a night off in this business, you never know what the hell you're missing.
So that's the mentality I had, you know, kind of navigating the comedy scene in Los Angeles
in the late 90s, early 2000s.
And then, you know, 2005, it kind of started making a living, you know, $1,000 a week or what have you.
Tell me about the bowling alleys.
So the bowling alleys, this was in Manitika, California.
Again, a lot of people that have a comedy, oh, we're going to do a comedy night.
They just think they could throw it up wherever the hell.
You know, the comedy's going to work everywhere, which not necessarily is the case.
You know, you need lighting, you need stage, you need like.
Not bowling pins crashing.
Yeah, well, this was a double.
This is a double whammy.
This was, I performed in a boxing ring with a bowling alley behind me.
So it was like the fact that we were in a boxing ring with fresh blood from the night before on it.
And then behind me, someone's picking up a spare.
But, you know, that's how you, just like anything else.
You know, you got to work your way up to the better rooms.
But probably not going to open for Mark Anthony from there.
No, no, no, no.
Those opportunities were, I remember, it was 100 bucks they were given us.
And they give you an hour worth of time to do.
Because locally, you only get 15 minutes.
It's hard to work an act out for 15 minutes.
You know, you need a good hour to kind of play around.
Especially if that bullhawk Eddie Griffin's going to show up.
Yeah, especially in L.A. where, you know, a lot of celebrities popping in and out.
You know, there would be, you know, Chappelle or Chris Rock or whoever that would like, you know,
they don't put their name on the list.
They just pop in and do their time and then leave.
So, yeah, you had to go to Manteca and a boxing ring to get an hour's worth of time.
So, yeah, that was, but it's all good.
You know, it all builds character.
it all builds you say that now
when you're in it
when I'm in it I was I was having a ball
I'm like I'm doing what I came out here to do
I'm doing comedy right
yeah I was working at the four seasons which is also
down the street as a waiter
but any time away from being a waiter
I was like you know happy
we weren't getting paid but
$15 a set here it's not about like
we were paying the bills while we were making
although $15 did put
gas in the car back in the late 90s
but you know it's not like we were getting rich
doing these spots around town.
What does the family think as you're hustling your way trying to make it and, you know,
I don't, maybe you're enjoying it and maybe it feels like success because anything that's not
waiting tables is success, but does the family think you're on your path towards your dreams?
Yeah, family was extremely supportive leaving Chicago.
I come from a family where you would think they would be a little reluctant about having
their son get into the entertainment business based on how I was, where I was brought up.
And the, you know, kind of close-knit Italian family, I mean, you don't, you know, very rarely, I think now more than ever, it's very common for someone to say I'm getting into the entertainment business, right?
Because now everybody with a camera is all of a sudden Scorsese or doing something, right?
Or somebody with a microphone thinks they are a broadcaster or what have you without maybe putting the time in.
I mean, you know this year, like a student at a game.
It's like you kind of worked your way up.
You didn't just turn on a microphone and all of a sudden you had access to the world.
You know, you might have had to work your way into the ESPNs of the world, right?
It's like you didn't get that handed to you.
So, you know, it's something to be said about it was a long shot back then.
But, God, my family was so supportive and saying, listen, if you think you could do this,
go out there and give it your all or behind you.
There was one hiccup I had where I think it was five.
years in I called home and I got a little emotional telling my father and my mother at the time she
was like what's wrong I said I just I you know I when do I start making money at this thing
when's it going to happen for me and that's okay you need to be patient you know it's hard to not
look around and see everybody succeeding and then you're not you're on your own kind of timetable
and it's it's difficult to kind of just laser focus on what you're doing and put your head
down and, you know, hopefully your turn will come. But, you know, a little discouraged at that time.
I wasn't thinking of quitting at all, but just discouraged. And my family kind of helped me through
that. What was happening then? What take us back there? Because obviously you've arrived at
something that probably exceeds your dream. Back then, I was not happy working at the four-season's
hotel because I was waiting tables and the grind of going into work dealing with.
very demanding clientele was definitely wearing thin on my patients.
You don't seem like the type that would be great at customer service if rich people were
being assholes.
Like, that seems like something.
You eating it just, I mean, I'm doing observation from over here, but you having to eat
that probably wasn't good for your mental health.
Yeah, no, it was a lot of angst there.
I wanted to provide five star five diamond service.
However, my, and actually I look back at the way I wait at tables now, and I'm actually disappointed in my behavior because not that I was a bad waiter, I was just not very friendly.
I had like, I don't want to say a chip on my shoulder.
I just had like a coming from the northwest suburbs of Chicago, I never was a problem when I went out.
I was always a please thank you guy, you know, with.
If my fries came out cold, I never sent it back.
You know, I was always like, just, you know, roll with the punches type of guy.
And then here I'm put into an environment where a customer is telling me that the wine glass is not, the brim is not thin enough to rest on her lips.
And I was going to, you know, it was like, it was hard to fill the swallow that type of attitude.
But looking back, I wish I was a little bit more present with the amount of opportunity around me to learn about wine and liquor and food.
I remember one of these top chefs from Napa coming in and giving like a seminar of how to like how you would make this, that, and the other thing.
And at the time, I wasn't interested in cooking.
now. I love cooking, but I'm like, I'm not going to listen to this guy. I wanted to do
stand-up. So I wish I was a little bit more open to learning back then because I did have a lot
of opportunity to do so. What else do you remember about seven years of waiting tables? Because
that's waiting for it a pretty good amount of time. I don't know how many of your peers had that
kind of grind, but there would be good reasons to doubt within that. Yeah, the way I looked at it,
I was never a couch surfer.
I was like, you know, a lot of people come out here with $12 in their pocket
and they live on somebody's couch for three months and then pop over to it.
I don't want to do that.
I want my own place.
I wanted to have a little scratch to walk around and buy stuff.
So I wasn't going to leave, well, I did actually leave the job for a little bit
to go sell satellite dishes for Dish Network in the ghetto.
so that was a I was I was slinging satellite dishes for dish network on Martin Luther King
Boulevard in God where is it Baldwin Hills at the Baldwin Hills Mall in a kiosk so
selling satellite dish subscriptions out of a kiosk because I was so sick or tired of
working as a waiter and then I went into severe debt doing that because I wasn't selling
anything you were bad at it or just there were circumstances that made everybody would be bad at
it i don't think anybody could have been good at that job during that time you needed a credit card
to qualify for the service and a lot of people that were shopping at that mall did not have a
credit card to qualify so i couldn't even get people in the door but i would go to home shows you know
try and sling my wares at home shows and sales and service these don't seem to be as
personable as you are they still don't seem to be the kind of businesses for you because you do
wear this chip on your shoulder in a way that I wouldn't say necessarily unfriendly but not
necessarily welcoming the way that customer service and sales required yeah well I see it's tough
to hear that I'm informing you of this you weren't aware of it well I give you the sales part of it
But the hospitality part of it, again, I think in the environment that I was in at the time,
I wasn't flourishing in the hospitality business just because I had other interests.
But now, I mean, I would love to open up a small boutique hotel because I love hotels and I love like,
you know, I'm the type of guy I go to a hotel and I see something that they do.
I'm going to incorporate that in my own life or I'm going to do that when somebody else comes over to my house.
I think that's a nice touch.
Oh, I think you'd be great at it now,
but there are a sortment of things that you have to learn
that I imagine you weren't prepared to learn in your 20s,
hungry and trying to make it.
Yeah, I mean,
although I started working in a hospitality business at 16 at the Olive Garden.
I was working as a waiter there.
I was working at Marriott hotels and the banquet rooms.
I mean, so hospitality and customer service
has always been in my, you know,
in my blood, but it's just at this level, in Beverly Hills, it was a little bit of a shock coming
from Chicago. So what happened? You run back to the thin-lipped woman who wants her glass a certain
way at the Four Seasons because you went into debt? Yeah, I go back to the Four Seasons because I needed
money and my father bailed me out. I was $10,000 in debt. My father gave me $10,000, but I had
to pay every cent back and he was so meticulous about keeping track of what I owed him on a pizza
a napkin, I remember calling him, going, how much do I owe you? You owe me an $8,700 to the cent,
you got this? And you know what? At the time, I was like, I'm going to pay you back because I don't,
I don't like the feeling of owing anybody anything. So I wanted to make it whole. And a lot of
parents probably would have just said, here's the $10,000. But my father made me pay it back,
and I applaud him for that just because it just, it wasn't a here.
I'll bail you out.
It had meaning that I gave him the money back
because I was dead set on working a lot of hours
to pay him the money back and then, you know,
starting at zero and then keeping the job at the four seasons
while I pursued the comedy.
But yeah, he bailed me out, but I had to pay him back.
I erred in saying that you wouldn't be good at customer service
because I have read you say about your parents
that they did teach you manners and respect.
What else did they teach you?
Well, I think when I came out of that first and foremost is like a work ethic that, you know, they instilled in me that no one ever is going to give you anything and whatever you got to do, you're going to have to work your ass off for.
So that being said, and I think they did it too much because I don't know sometimes, I'm getting better at it, when to kind of turn it down or turn it off.
You know, you go on this tour for whatever two years.
and my mentality is what's next what am we doing you know what am i going to do next you know which
you don't really have to do anything next you could just wait until the next tour and then tour again
but the way this is set up the entertainment business what a lot of people i think get sucked into
is is is having to do even me i'm sitting there going i'm looking at my my other comedians you know
one's got a clothing line another one's got that tequila and i'm like and then you start thinking
should I have a vodka brand like this is what I need to be doing you know
should I have a line of sneaker it's like it's okay just to be good at what you're
good at you know sometimes I think you get caught up and having to do a lot more
than what you even want to do because you feel a pressure that you have to be
relevant or seen you know it's like with the social media and again I didn't grow up
with the social media I didn't start my career with social media but now it's like if you don't
post on social media it's like you don't even exist you know it's like uh i don't know it just
seems it seems a little i don't know it is it's a little strange to me the way this is all kind of
set up i grew up with like prince and michael jackson where if you saw them it was like a treat
you know it's like holy i remember when michael jackson showed up on arsinio hall was like
jesus he comes out you know it was like but there was something alluring about that but now
it's like too much access now you're saying well i mean is it i mean people they want to see everything
they want to see you go to the bathroom you know it's like you got to have a camera on constantly
apparently but uh i don't know i've wrestled with like what you know what to show uh how much do you
that one's interesting on you though because i would imagine somewhere at your core you exactly
remember what it was like to be struggling to want it so badly and so now that you've arrived at
You don't want to be satiated, especially if I'm assuming you're a bit of a workaholic, right?
Yeah.
I, you know, it's like you work to get to a certain place, and then now you have to kind of manage, like, what you want to share.
You know, if you told me when I first came out here that I got to post on social media five times a day, I'm like, give me the camera.
Let me, let me go at it.
But now it's like, you know, you want a little bit of privacy.
You don't want to show, you know, like what you're doing with your family.
but it's like I don't want to like pawn my kids for the sake of like a promotion you know
I mean I don't want to have my daughter on there saying go see my daddy it's a little it's a little
gross you know sometimes so but I also don't want to be that that guy that's on social media
and you just see the back in a kid's head you know like that's another it's like we don't
the kid's into shot but we don't want to see the kids fit you know or they blur it out or whatever
but you also don't want to age out you see that the game is changing but you know what you're good at
and that continues to pay like that continues to be something that sells out Madison Square
Garden yeah but even even though you want to you know I feel like yeah I've hit somewhat of a success
where I'm able to sell out these arenas which is great but I feel like there's a lot more audience
that doesn't really know what I do,
and I want to get a lot of different people to the show.
Yeah, I mean, I got the Italians.
They come out.
You smell the cologne in the arena, and that's great.
But I don't see why there's not more Asians at the show
or black people or Indian people.
You know, the comedy is such where it's broad enough
where everybody could enjoy it.
I'm not talking specifically about an Italian upbringing.
However, I have done that.
But, you know, I just did the thing with Justin Bieber,
On Twitch, apparently this is the new kind of way people want to consume entertainment.
They're looking for authenticity and how you are.
And I'm like, well, he's got an audience that I haven't tapped into.
He's 31 years old.
Why can't I make his audience laugh?
So I went on his Twitch on Halloween, which was an odd experience for me because, you know, it's live.
You know, it's like whatever's happening is happening.
You could walk out of there and not have a career based on what the hell you say.
You know what I'm saying?
So it was a little frightening.
But you know what?
I wanted to face my fear of going into an environment where I knew nobody.
I never even met the guy before.
And the next thing you know, I'm in his ecosystem, hanging out with his friends, his agents, his managers.
And I'm like, you know what?
Let me throw myself in the fire and see what happens.
So I like to do different things.
And if, you know, these opportunities arise where, you know, it's something kind of new and exciting,
I don't mind being a part of it.
But there's a lot of deliberation that goes into it.
Hey, Chris.
Hey, Jeremy.
I've got kind of an open secret, but I want to tell you what it is here because Mike's not here right now.
Well, you better whisper.
I really like it when the hurricanes lose and it gives me a reason to celebrate when I'm watching college football.
Well, let's open a Miller light.
Cheers.
Yeah.
Do you know? Exactly. That's what I was going to ask you. Do you know how I do that?
There's nothing quite like it. It's really a spectacular thing to have for your college football Sunday.
It's so good. Game day, it's different with Miller Light in your hand. You don't have to whisper the whole time. I can't stop.
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I see one right now. I'm looking across the room. I like the way that you flirt with Miller Light.
I mean, it looks, look at it. It looks great.
It's looking at me.
You want to know why?
I'm looking at it.
It's looking at me.
It's probably because it's just 96 calories and 3.2 carbs per 12 ounces.
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Still hitting different five decades later.
Miller Light, great taste, 96 calories.
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Miller, Light, I want you in me.
How much deliberation went into,
you're someone who got married late,
you're someone who had family late,
how much deliberation was involved with,
I'm going to take care of me,
the first 40 years of my life,
and then I will be a person that can share with others.
Yeah, I think that was the mindset.
I didn't want to, like, have a distraction
of a wife or kids.
Distraction.
Well, I mean, it would have been back then.
I don't even know if I would have made it because I know how I am with family now, and I even know back then when I didn't have a family, if I had a family, I would feel extremely guilty leaving my young kids and my wife while I went on a six-week run, right?
I would be pulled.
I am pulled now, but at least I have the means where I can kind of set up the schedule the way I want.
back then I told my agent you I work 52 weeks a year I don't take time off can't do that
well you didn't have a family you know what I'm saying so I think it all happened for the right
reasons I did have kids late in life sometimes I look at my friends in Chicago who their kids are
going off to college now I got an eight and six year old so so I wish sometimes oh I wish kind of like
I kind of grew up with my buddies and the kids and they all were like kind of together not
that they would have been friends because we live in two different states. But, you know, there's
the relatability of kind of what I'm going through right now and what they're going through
is two different things. They're sending to college and I'm going to the Little League game.
So it's two different things. So I think I'm a better father being one that started later on in
life because now I'm able to kind of prioritize my family. I did a movie in Alabama. This was
three years ago and I had to be gone for nine weeks. It killed me.
I was like, I was miserable.
I think it showed in the film
that I was not happy
as I should have been filming that film,
but I definitely had my heartstrings being pulled
going, what the, what am I doing in Alabama
when my little daughter is performing in her first play?
You know, it just killed me.
So I made an effort to kind of figure out,
okay, this is when daddy works
and this is when daddy stays home.
Well, I've also read you talking about
balance you have more of it now right i have it properly assessed when i say you're a workaholic right
yeah yeah i love work and have you been able to figure that out over the last 10 years because you've
gotten all the opportunities over the last 10 years you've said uh yes to a lot of alabamas yeah now i know
i think in the last three years i've kind of figured out what to do and how to do it because listen
i'm not i'm not saying i'm a guy that wants to stay home 365 days out of the year i'll go nuts
I just figured out a way now to spend quality time with my family as well as doing what I love as a comedian and doing things in the entertainment and business that I enjoy.
Do I wish I would have figured that out sooner?
Yes, but again, I don't really look in the rearview mirror.
I look too far ahead.
If I have a problem with anything, I'm looking like way ahead.
Like being 52, right?
I'll do the math and go, okay, probably about 80, start falling apart, you know.
It's 28 years.
Am I going to see my daughter get married?
You know, like, that's how far in advance I'm looking.
I mean, I really envy people who live in the moment.
They don't care.
It seems like, you know, they get up every day.
It's a new day.
And I get up every day and go, what am I going to be doing it five years?
So we work.
You know, like, just pining constantly.
And I think it's a cultural thing, too.
Not only that, also looking at financial and economics being Italian.
Italian's always, like, focused on.
money and do they have enough should i buy this should i buy that what should i save am i
gonna die tomorrow you know like it's it's it's hell to live in this head but uh and your dad was
meticulously keeping the notes on how much you owed him so yeah to this day i call him up and he's
at his desk you know the papers like what you doing yeah i'm doing figuring out if i make this
because he's still working at 80 this man is still working and uh he's working because he's working because
if he stops, he's going to die.
You know what I'm saying?
This is the mentality.
But he's still up.
He's just trying to figure out.
I'm insurance.
They're raising my tax.
You know, there's a lot of, like, math at 80 that maybe, and I look at that.
I go, is this way?
This is where I'm headed at 80 years old?
I'm going to be in a room.
Is it?
Probably, yeah.
I got to be honest with it.
You can ward it off if you see it.
Like, now it's a good time.
I know.
You can stop, right?
now and figure it out but you go more and more into business you have uh you you you have a lot of
business interests your fascinated by business and i don't know how much you earn in comedy but i
imagine you earn just as much with your business interests uh you know comedy listen i'll be
honest with you comedy is the uh is the number one income stream that i have um you know i do
these other things whether it be a podcast or a role in a tv and film
which, I mean, this doesn't pay.
I mean, the TV and film, when you look at the numbers,
it really, you're only doing it for, you know,
the passion of doing it.
I mean, it pays, but nothing compared to what I'm doing on the tours.
But, yeah, I mean, listen, you sit there and go, okay, you know,
how much do you need?
When could you, you know, kind of like tailor it back a little bit?
Is there an answer to that question?
You're sitting there just asking.
I'm actually hoping we figure it out on this show.
I'm not sure that this is a hole that you're ever going to fill.
It sounds like if you're talking about, you actually said while we were talking about this,
you know, it's going to be hard to do physical comedy in my 80s.
Yeah, I skipped 60s and 70s.
I had a hard time doing stand-up comedy two and a half, three years ago,
and I shot my special in Las Vegas.
I had sciatic pain ripping down my right leg.
And every time I moved, I was in some sort of pain.
So it was really hard to be funny.
and be in pain at the same time.
So I kind of felt what that felt like.
And yeah, I mean, listen, is the physicality going to slow down eventually as I get older?
Yeah, but I still like to think that I could still do stand-up comedy
and make people laugh without, you know, jumping around on stage.
Who knows?
How long did it take you to pay your dad back?
God, I think it was a nine-month, nine-month thing because I would float him money every month.
I think about a thousand bucks a month, maybe a little bit over that,
but I was also living, you know, paying the bills and what have you.
So, yeah, it took about nine months working, you know, pretty much day.
This is how sick I am.
I used to, I was a part-time employee,
but the reason I was part-time because I didn't want to have the obligation
of working 40 hours a week because it would take away from stand-up.
So I would work part-time, but then if I had the time,
I would go in to the hotel and I would stand, starting at 2.30, I would stand by where
they punch in and out. So people came in every hour. So 2.30, that person came in.
I go, you want to go home? And they're like, no, I need the money. I'm going to stay.
Okay, so stay until 3.30. That person come in and punch in. You want to go home?
Yeah, I would love to go. Boom. And I would punch in. So I was stealing people's shifts.
But I would stand for sometimes four hours. I would stand by the thing where people would
would clock in to work.
And I think, again, that type of mentality kind of bled into stand-up comedy
where I was like, all right, just, you know, book me for whatever show that there's
available, I'll do it.
Would your dad be the kind of dad who would tell you he was proud of you for paying him
the money back?
Back then, I don't think that was in him.
However, now I just got a letter from him.
It was really sweet.
I just opened it up right before I came here.
I bought him a car recently and he was he was like blown away he was a surprise I just had to show up on his driveway
he was looking for a car but um the way my dad looks for a car it takes four years for him to purchase
it because the amount of research he's got to do with the car and where it was built and why are they
charging me this and by the time he got a car he was going to be dead so I just set the car and he wrote
a really nice letter and said, you know, he was proud of me.
And it's not something that was said, I think, early on in life.
I think as my dad got older, those starts of, I'm sorry, those emotions started to kind of
come out more and more as my career kind of escalated.
When you wondered aloud if you're going to become your father or not and basically said
that you would.
The assent to that position
begins with you referring to it
as the social media
when you put the the in front of it.
But he wrote you a letter
that he sent in the mail.
Yeah.
On yellow legal.
It's a legal pad.
He put it in a card
and he
it wasn't even folded.
He's like folded
but then to fit in the card
he folded, you know, just did that little
bit to fit in the card.
and then I and yeah it was written scratchouts here and there stuff on the side you know
yeah a letter there was no like text mess email but that that passes for effusive emotion from
him and something that he wouldn't have been capable of 30 years ago right yeah yeah I mean there
was hints of it I don't want to say my dad was like you know had a had a black heart I'm sorry
if I seems to have given the impression that he has a black heart I didn't intend to do that
I just assume Italian men, Hispanic men.
I assume that from that age, they're going to be a bit primitive with their feelings.
Yes, they are.
However, my dad, I think, had a kind of coming of age where he did start, you know,
my mother is more of that person for me, you know, like, although she's still, you know,
I come from, like, negative people, you know, like, I think that's like our family's very,
kind of negative if something happens we always dwell on like the negative of it uh all even that's
i think that's how i motivate myself to do better is i i don't i'm not one of these guys that gets up
and like you know you see it all over social media that people that are like positive you got to
write down your goals bro you know get up and get in the ice bath
I'm a rising grind my fear is it's all going to go away to lay so you got to make more
my tongue's going to fall out you know something you're still there you're still there what
how do you bury that person how do you how do you stop that person or do you think it's too
responsible for your success yeah why do we got to stop the person to me it's like if I stop
that person I'm going to go broke you don't think you can be successful and not broke
without being that person that person that person is responsible
for all the fuel for all the content yeah it's also responsible for making sure I'm
financially stable because if you don't have that what's the alternative you're buying all
this stuff you know I laugh sometimes you know it's especially in Los Angeles it's
like bragging about the second home you know I'm going to go to vacation home okay
that that sounds nice in theory but I look at it like vacation home that's that's
that's maintenance, that's taxes, that's, you know, that's, uh, uh, insurance. You are your
father. Right. I mean, do you think about this at all? And where, where are you coming from? I'm,
I don't, uh, I come from Cuban. I, yes, I come from the same things, right? Work, work, work is the
way to freedom. And I also come from watching my father lured over my mother as she wrote in the
checkbook that some of the childhood memories that immigrants have. Of course, I come from that. But,
I know that I have enough to be comfortable and I'm not afraid that tomorrow my tongue is going to fall out.
And I don't think it is something that undermines my ambition.
Now, maybe, maybe it does.
But if you're feeling like you're doing your best work or if you're governed by I have to make my next special better than all the specials that came from it, that's not coming from a need to provide.
No, that's just becoming from a need to provide to the people that are watching me.
Like, you never sit there and go, you never ask yourself, is anybody going to watch this tomorrow?
Is that those thoughts ever?
Yeah, I have some doubts there, but and as we age, and as the game changes on us and young people do things differently.
And in some ways, I imagine you don't recognize comedy or you don't recognize some things that are happening with podcasts that are
totally different from how it is that you had to climb up the chain.
So I can understand where some doubt and some threats arrive there.
But when you sell out Madison Square Garden, four straight nights,
like that's not really a concern.
That's not a real fear.
You know, my fear is, though, like selling out two nights and you can't do the four nights.
So it's almost, sometimes I'd rather just have it the way it is.
Because, you know, the next time you go back into that market,
the expectation would be, okay,
sold out four and now if you sell out two what are you you're on the way down you know what I'm
saying it's sick it's a disease I'm telling you me and my father talk about this all the time
it's a disease it gets in the way of joy it gets in the way of joy of enjoying the present it
gets if you're off five years from now what happens when my body falls apart those those things
are not conducive to just general daily happiness that my guess is if I'd gone to the
the Four Seasons Hotel and told that person that was waiting tables for seven years that
any one of the opportunities that has appeared over the last 10 years would be in his life,
he would say, that is good enough for my dream. I have arrived. That would be enough to be a
measurement of success for me. Yeah. And I still think the opportunities that have come my way,
I'm like, this all ended tomorrow. I'd be happy that those opportunities happen. And I felt
like I had succeeded in my profession, absolutely.
It's just, you know, it's just, you know, I think, and I told my wife this,
I was happier doing comedy clubs and going in and winning over a room of people that
didn't know who I was because it was like there was something thrilling about that coming in
and the expectations were nothing and you'd go up there and it'd be 35 people and then I would
stand outside, shake everybody's hand.
People go, oh, my God, we never heard of you.
It was so funny.
Oh, thank you very much.
Took a picture with them.
Those, to me, were like the fun years.
Not that not having fun, but I just think back then, as I look back, those were like,
I really enjoyed that because I could feel the ascension.
I feel, I felt like the next time I came to the club, there was more people there.
You started to feel like you were breaking through.
and there was a joy in that
that generally I don't feel
so much now
even though the rooms are larger
and you know Mass and Square Garden
it's great in all
but there's something that switched
where in my head I was like
okay what's next what are we doing now
Massum Square 5 how many 5?
Okay next time we'll do 12
you know it's like you can't just like
just sit there messing okay this is where
the Pope came you know
And now I'm here.
It's interesting to hear you long for something grittier and more intimate.
I mean, obviously arenas and stadiums.
Like, that's not even, when you were coming up, is that even a possibility?
Not for you, for anybody.
There's no such thing.
That started with Kevin Hart, the idea that you could fill out a stadium, right, or an arena.
Growing up, it started, Dice Clay was the guy who was selling out Madison Square Garden in the 80s.
And then after him, well, I think Eddie Murphy was doing it too.
I think Steve Martin was doing it, but I don't think it was as publicized as it is now.
Then after that was, you know, I think Dane Cook, in my generation, was the guy who was selling out arenas.
And now it's like the theaters have become the comedy clubs.
You know, it's like with social media and how many people know about comedy, you got, you got like, I don't know, 12 to maybe 15 people selling out arenas now.
It's like, it's like, it's not like that uncommon, you know, so which, which again, it's like
you look at it, go, now, was that feat, was, what's next?
We've got to fulfill out soldier field.
You know, like, what's the next iteration of like what, what your measure is success
is going to be?
But that's a never-ending hole, though, if you do it that way, right?
If you do it that way, no success is enough success.
I would also imagine with you that one of the things that you want to be.
weren't expecting, is that once you're opposite Robert De Niro in the movies and it's, you know,
fun and dreamlike, nobody told you that it's also 14 hours a day where 13 hours you're not
doing anything or you're sitting in a trailer and it's not nearly what you imagined it was.
No, that was not, again, that was the movie that I was nine weeks in Alabama.
Here I am, you know, acting on the other side of Robert De Niro, a guy who, you know, growing up,
He was on my wall and this and that.
Now he's playing my dad.
My dad's on set teaching De Niro how to be him.
And, you know, there's all this stuff that's happening.
And I'm bored out of my mind.
I mean, when you look at it opposed to stand-up comedy,
it's just like, there's no comparison.
I mean, it's you go stand-up comedy, immediate reaction.
You're there for an hour and a half.
You do your thing.
Boom, you're at home.
Here, it's like you get into makeup.
It's a cloud.
Okay.
there's a quality okay so it's you know there's the momentum is gone you know there's like with comedy
there seems to be like a momentum that needs to happen and there's a lot of start and stopping
when you're doing a film um of that size so yeah it was you know it's not something that i'm like
oh i'm dying to get back into just because of the time commitment and just it's not that
exciting. I'm guessing that even though you've made good choices and they're, you know, ambitious and
they're fun, I'm guessing that you probably said yes to too many things over the last few years
because you're built like you are and the opportunities that were presenting themselves are unlike
any opportunities that you ever imagined. Yeah, I don't look back and go, I shouldn't have done that
or shouldn't have done that. That's not. I mean, the things that I have done, I was very selective
about doing because I did turn a lot of things down.
It's not like these opportunities come.
I go, yeah, I take it.
They're very kind of mapped out of kind of what plays into my kind of brand of comedy.
And then on the flip side, what projects I want to be a part of.
I mean, I did this movie called The Green Book, who ultimately won the Oscar.
And I just, when I read that, I felt like, oh, wow, this is very, very good script.
I felt like I was laughing.
I was crying.
I had a very small part in it.
It wasn't a big time commitment.
I got to work with Peter Farley.
And it was one of those like, this is a no-brainer.
I mean, De Niro, I wrote the movie.
I co-wrote it with Austin Earl.
De Niro signs on to do it.
Like, yeah, I mean, like, you can't.
Be clear on this.
I'm not saying you've chosen a lot of opportunities you shouldn't have chosen.
I'm just assuming your time is getting stretched super thin.
If you're doing what you're doing with your dad and Robert De Niro
for nine weeks, you're longing about.
getting wanting to get back yeah yeah no i mean i definitely took on a lot of work in a probably a good
three four year span of time that i i was i was burned i was burned out but again it's like
you get it while you can you know get it why good but i think that's how you're driven though like
when am i not going to be hot when is my tongue going to fall out i have to i have to take these
things because when would i ever have imagined any of these opportunities presenting
Yeah, no, you're right, you're right.
But now I think, I don't know, you'll be talking to me in a year.
And you go, what are you doing now?
I think I'm, I think I'm satisfied with where I am professionally.
It sounds like you're not sure, though, if you're saying to your wife,
I was a little bit happier when, or how could I have been happier when it was just the
grit of, of.
Professionally happier, I think, back then, not necessarily personal.
Personally, right now, I feel extremely fortunate and happy with my family.
Not so much, though, with enjoying the fruits.
Well, I mean, even that, I mean, I mean, I even have time, trouble, like, should we remodel the kitchen?
You know, do I really want to go through that pain?
Because I'm not a type of guy who just says, all right, here, go do it?
I'm going to be renting a house for two years.
I'm the type of guy that you hit, are they hammering?
You know, like, like, I'm, this is the way I was, you know, I see the gardener outside
and, and, and he's watering and then other guy is looking at him water.
I go, what the f is he watching him walk?
You know, like, that's the way, it can't turn it off.
Uh-huh.
I'm telling you.
Mm-hmm.
It works for you, though, right?
It works.
You're not even sure you.
I don't know.
I'm sitting here complaining.
I don't know.
You're not, no, but you made a distinction that is interesting and that you said professionally versus personally, I have trouble separating those things because so much of my identity is tied up in the professional.
But once you get married and have kids and now welcome pets into your life, like the pets are a problem.
Not a pet guy.
You welcome dogs into your house and you're not a pet guy.
I didn't really welcome the dogs.
It was one of those decisions where I wish I would have been more vocal.
when the kids are begging for the dog you just didn't say anything well I mean the second dog
I told you before we got on here that I'm not a pet guy I didn't grow up with pets and now
I have two dogs at the age of 52 and I just didn't know what to expect a lot of people
had said oh they're just like babies if I knew there were this much work I would have had a third
kid I swear I got I thought they were animals they kind of roam alone
I told my wife, I go, why don't we just let them out?
You know, and then, but you let them out, and they come back to the door looking for you to come out with them.
It's like, didn't you come from wolves?
Like, don't you just roam around?
I don't know, man.
How long have you been in the pet experience here as not a pet guy, and how did you get worn down?
Was it the kids that wore you down?
It was both.
It was my kids and my wife.
My wife kind of spearheaded the second dog because she thought the first dog was lonely.
And I'm like, what are we here for?
That's why we're here.
But I don't know.
So it's a male dog that we got first, and then we got her female sister.
And it's not good.
Are you often not vocal on things?
Like, I wouldn't think that would be much of a problem for you.
Well, there's an old joke that when you marry a Jewish woman, that's the last decision I've ever made is to marry a Jewish woman.
After that, I don't make no decisions.
I just sit there and go, hey, I don't think that's a good idea.
And next thing, you know, there's two dogs at the house.
You know, so that one I wish I was a little bit more vocal about, but what are you going to do?
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How and where and when did you make the decision, if indeed you did, from the angry comedian you were at the beginning, versus making your way somehow into likable and relatable in a way that is really uncommon?
And I imagine, sculpted by you.
Well, I think when you start out as a comedian, very rarely do you go up there.
and give them the true authentic you because there is almost like,
at least for me, I put like a protective layer over me going,
I'm not gonna give you it yet because I don't know how to,
so I'm gonna mask it with this character or this anger.
And after watching it back, I'm gonna go, it's not likable.
I mean, I'm looking at me, he's going, this,
I wouldn't watch this guy.
But that just comes with repetition,
that just comes with going on stage
and trying to find out who you are on stage,
on stage and you've got to peel back the onions so much where at the core of it what you're
seeing on stage is just a kind of exaggerated version of yourself and that's not easy to get to
at least for me it wasn't it took 10 years to figure it up and it was watching yourself and saying
I wouldn't watch this guy I don't I don't like this character one of the things it's not
like I saw it, and then the next day I went out and was some completely different comedian,
but starting to chip away at being a little bit more comfortable on stage,
laughing at myself, being self-deprecating, which I found people really gravitate towards,
you know, you could be up there and have a general disgust about human behavior and what you're
seeing, but then also on the flip side, to kind of poke fun at yourself,
There's a whole run that I do in this new special.
It's about 11 minutes of me talking about my health issues
from my bicep rupturing to watching my son go to the bathroom
and comparing him going to the bathroom
and comparing myself going to the bathroom.
Like the bit of a racehorse.
His stream is that of a racehorse and you feel inadequate nearby.
Yeah, mine is just.
you know, missed.
That's such a great comedic word.
You're just a mist.
Yeah, I mean, and then you do that,
you kind of let the audience in on the joke
that, you know, you don't take yourself too seriously.
So I found, actually, I have the most fun making fun of myself.
And what a lot of people don't know is a lot of the times,
I used to do a joke about people going to Starbucks
and eating the muffin out of the bag.
It bothered me the way they went in and they just ate it.
But I do that.
So I was actually making fun of myself for doing that,
but I wasn't letting the crowd know I was doing that.
So there's a lot of things that I make fun of in my act.
I do, but unbeknownst to the audience,
they just think that I'm observing people.
Everybody in the family thinks you're funny, right?
They recognize you're funny,
or do the kid's not old enough yet to find dad as funny as he is?
They think I'm funny.
They don't necessarily think I'm as funny as people think I am.
So they laugh, they get it, that Daddy is kind of a goofball,
but not, you know, they're not sitting around, Daddy, make me laugh.
You know, they're not doing that.
It's just they know I'm a fun dad, and they've been to a show.
My son has fallen asleep at the show.
It's not like they're sitting there going,
my God, we got to see Daddy tonight.
How high on the list of traits that your wife loves about you is funny?
Is it at the top?
Oh, yeah, I think it's definitely because, I mean,
that's how we kind of get through everything.
Like I told you in the beginning, we had an argument yesterday
and today we're laughing about it.
It takes some time for me to like poke fun at either her or me
when we're having a disagreement.
And I think laughter really breaks up, like it happened today in the car on the way back from school.
We saw a guy walking across the street, and he looked like he was right out of like the evolution chart, right?
And I just made a comment because he was just like hunched over and whatnot.
And boom, she almost broke 24 hours of tension.
And then boom, we were back to normal.
we didn't we didn't and i go oh i love when you laugh like that and she's like i love when you make
and then boom we were like it was like repaired with humor that's how i grew up i mean any hint of
emotional crying we got uncomfortable and like oh i got to make somebody laugh because i don't want to
see my dad cry or my mom cry i got to make him laugh and that's how we snapped out of a lot of like
grief an excellent way to avoid any real introspection of the trouble spots
Just make humor the grief language.
Yeah, just press that shit down.
It never comes out.
Which I don't know if that's healthy.
But that's the way we don't.
It's probably not the healthiest, but I don't know.
You don't strike me as the type that would be necessarily interested in therapy.
If you're not doing much looking back and you're always up ahead.
I do.
I do therapy, but it's about current things.
You know, it's not about like, oh, I grew up with trauma.
It's not about that.
It's about, okay, how do we, how do I guide?
And I think a lot of the connotation to therapy is, oh, you're, like, unpacking a lot of baggage.
For me, therapy is, like, just talking to somebody outside of what's happening in my life
and even, like, bouncing ideas off them.
Like, I was thinking of moving to Austin, Texas, right?
And me and my wife were talking about it, but in talking to a therapist about it,
there was a perspective that she gave or helped us,
figure out that you couldn't just get from talking to your dad or your best friend or what
have you. So that's kind of what I use therapy for. So I'm not, I'm not, that's not foreign to
me. Even, even here, I give you an example. Now that I was thinking, before you started with the
therapy, I was thinking about you earlier on, before we got on the air, you were talking about
your dog and how it passed away eight years. And I, I honed in, I'm like, okay, is he going to, is he going
get emotional he's going to start crying about his dog i was actually thinking that i was also thinking
about how do i not have that happen here and how to like not wow so you're just trying to
you're you're so pattern from your childhood how do i avoid making anyone feel something that makes
them cry yeah yeah i thought i thought you were going to get emotional and i don't know if i was
like ready for that so i was trying to figure out how do we either navigate off this topic or
Or how can I make him laugh during his time of, like, reflecting on the dog?
But that's what laughter's always been for you then.
It's always been this tool that allows you to make your way through life in a way that
makes everyone feel not the bad things.
Yeah, let's feel the good stuff.
Because even now, people come up to me and go, man, it's good to just laugh for an hour
and a half.
I've been dealing with the dot to my mother and this and that.
You know, so it's like, I hear that people come backstage and then I do a meet and greet and like, I'm dying of cancer.
And I'm like, oh, holy shit.
Like, how do I not make this woman think about dying right now?
Like, how do we get out of that?
So that's always been my like mechanism to overcome anybody's kind of feeling bad.
Although I'm an emotional guy.
It's not like, I mean, I'll cry.
I love a good cry, you know.
I'm not like, I try not to do it around people that haven't seen me.
Are you an ugly crier?
I got to know, I gotta say, am I crying?
It's beautiful.
It really is.
Cinematic?
You're crying.
You're cinematic crying?
Oh, God, yeah.
No, my cry is just like a tear.
The voice chokes up.
It's not, it's not ugly at all.
It's actually quite sexy.
You're a sexy cry.
Are you deeply masculine?
Like there is one little bit of ointment leaking out of it.
He is so brave and so strong that that one tear falling down his face means that it escaped the prison of strength that he is.
I think that's a beautiful analogy, the prison of strength.
Because the crying is coming down almost like to go back up.
It's like it's totally lost.
You don't know what the hell it's doing outside the eye.
I thought you were going to cry when you talked about a letter from your dad.
That's beautiful.
That's a beautiful thing that you would give in the gift and it would land the way that you wanted it to.
Yeah, no, there was a little hint of like, then I'm like, what the fuck?
I'm on Sunset Boulevard.
Get it together.
No, I mean, it was, yeah, no, you're right.
Not that, yeah, it was there, but I didn't let it go.
You don't strike me as the type that would give your, that, like you said, you're only going to do it in the kind of
of company that can be somebody that would know you well enough to embrace that that vulnerability
is not to be shared well the vulnerability definitely came out during the press run of the about my father
movie and it came out on the gail king show it was my dad de nero and me getting interviewed and i
cried in that interview granted my father was there and he's seen me cry before not necessarily
of De Niro.
Only De Niro saw me cry in the movie, which I had problems doing.
But yeah, I lost my emotions on that interview because I just, it just all kind of hit
me at once, my dad, De Niro, the movie.
It's crazy, all of it.
The name of the special, It Ain't Right, Hulu, November 21st.
How is it different?
How is it special to you?
So, yeah, I like to make my special special.
This one was filmed in my hometown of Chicago at the United Center.
first special I've ever did in an arena so I was very very I was contemplating whether or not to do it in an arena first it was scheduled in a theater in red bank new jersey because I've just felt like when doing a special it's nice to have an intimate environment it really plays well on camera and I was a little concerned about how large the room was and if people were going to think that this special was something that they could relate to just
because of the how grand it was however the way we shot it and the how the way i the production
value of it was just phenomenal the lighting the stage design everything was just beautiful and i'm
really proud of this one not so much the last one the last one i did in Las Vegas and i did it in a
tuxedo like i said i was in pain and i had no no mobility uh this one i feel like i got my mojo back
as far as my physical humor.
The stuff that I'm talking about is very, very current, very relatable, you know, family
oriented, although there's some topics that I touch on about Amazon that's a little, I don't
know.
I think it's generally speaking, I don't do like current events, not that Amazon's a current
event but it is uh it's current in the sense that you know who knows in 10 15 years where
amazon's going to be but um yeah i just touching different topics and whatnot and a lot of self
deprecation like i said there's an 11 minute run that i talk about my health that um i i love doing it
it's like i love when that portion of my act comes up i can't wait to get to the health stuff
because i know it's going to kill because that that to me is the best part of you know that's
of the special, I think, the health stuff.
Everything else is good, but this is really...
Bumbs me out to hear that you were hard on yourself
about the last one, though.
Nah, terrible. Terrible.
This is what happened with the last one.
With a special, you've got to hit it
when the material, you're not tired of it.
And it's very specific.
It's a small window.
So with the last special, that was scheduled to happen,
and then COVID hit.
So I was sitting on that material for two years, and then I brought it back out and started
touring with the material.
Oh, and it was stale, number one.
I was in pain, number two, and I tried doing something different performing in a tuxedo,
which I never do.
And when you're in a tuxedo and you're as physical as I am, your movement is constricted.
It's just, you just feel tight.
You know, I mean, you go to a wedding.
You just, you know, like, yeah, no, everything's tight.
So that was a mistake I did.
But, you know, sometimes it's like you want to try something.
a little bit out of the box, a little something new.
You get bored doing the same thing with the, you know, the jacket and, you know, sneakers or whatever.
Yeah, let me dress it up.
I told the audience to dress up because I wanted to take them back to 1960s, Vegas.
And I looked in the audience.
There's like 30 people dressed up, you know, like nobody told, you know,
the guy walking in and flip-flop.
So I try to do a little throwback, which I don't think really, really worked.
But anyway, yeah, I wasn't extremely happy with it.
Are you rough on yourself?
Like, oh, yeah, terrible, rough, bad.
Not good.
That seems not healthy and almost...
Nothing's healthy I do.
It's just nothing I'm doing is for any positive mental attitude.
All right?
It's all negative all day long.
That's not what I associate with laughter.
Well, no, the byproduct is funny.
but the day-to-day is negative
you gotta snap out of that
like come on now's a good time
we wish I could be more like you
I'm fine I'm good
you don't want to be like me
I'm just saying look you have arrived
it's okay
I'm here to tell you
I'm pretty sure everyone here would agree with me
everyone watching this would say
this is a person who has arrived
there are many positive things that he has to
positive about yeah no that would be that would be the normal way of looking at this but there's
nothing normal about me so i i just look at it completely different yeah i mean i'm hard of myself it's
like you want to you want to be the best you want to be the best you can be sometimes when you
get off stage you're like i don't know if that was the best i could have been okay but for a long but
for a long time i'm guessing that your standard there has been a great deal higher than most of the
standards that are surrounding those arenas that are filled with people
people who leave laughing because they thought that you were about as good as you can be.
Yeah, I mean, I think you have to put the bar extremely high to meet people's expectations
and to meet my own expectations.
So that's where that.
But I think yours are tougher than most people's standards for that.
The expectation of fun and given the career you've chosen, like it's built in and to me,
it's terrifying.
The expectation of funny.
One of the things that I get to rejoice in is that in sports, we surprise people with the funny.
So there's never the expectation of funny.
The burden of the expectation of funny is something that you've chosen as a living, and you've met it for 30 years.
You've met their standard, the subjective standard of what makes a whole wide range of people laugh.
But you don't always meet yours.
Yeah.
Yeah.
Uh, although I think having the standard, I mean, I look around a lot of the standard in comedy is
extremely low and there's people making a living doing it, uh, sound like, yeah, but that's not
your standard. Your standard isn't just making doing it. I know. What I'm saying is I want,
when you come to see my show, I want you to leave going, it's the best comedy I have ever seen
in my life. That's the goal for me. Now, do people do that? Maybe do people say, oh, you know,
but that's the expectation. When you leave is like, that's the best comedian. The last time I saw
you in Las Vegas, I, because I marveled at this part of your act, the fact that it looked like
the whole thing you were winging it and it was crafted, sculpted perfectly. There was not a hiccup
in anything that you were doing. There was not a stumble on a word in any way. In any,
anything that you did.
Okay.
So that, what you just said is what I love to hear because, and you hit it on the head,
the stumble of the word, I have stumbled and I have like, fuck, fuck that whole run up.
Because as soon as you stumble on a word, the timing's gone, the momentum's gone, the next
word is not going to be as funny because people are thinking about, you just said, so for
you to walk away and think that that was off the top of my head, that is because I'm
I worked that material out back and forth, and it sounds like it's just...
Oh, I know you manipulated me.
Yeah, so it was a grand manipulation.
But that's the way I want you to feel.
That's the way I want you to feel.
And if you don't feel that way, I feel like I've let you down as a paying customer.
I feel like you went out for a dinner, and the filet wasn't cooked to your liking.
So that's it.
That's the pressure you got to put on yourself to make these fucking people laugh.
That's it.
It Ain't Right is the name of the special on Hulu, November 21st, and SebastianLive.com is where you go.
Ticket and tour dates are there.
He's great.
He's always been great.
He's always going to be great even when he's doing physical comedy in his 80s and has morphed into his old man.
Totally and completely.
Well, thanks for having me on.
I really appreciate it.
And you've always been very, very nice to share your audience with me and it doesn't go unnoticed.
Always good to talk to you.
Thank you for spending this time with us.
You got it.
Hey, Chris.
I've got kind of an open secret,
but I want to tell you what it is here because Mike's not here right now.
Well, you better whisper.
I really like it when the hurricanes lose and it gives me a reason to celebrate when I'm watching college football.
Well, let's open a Miller light. Cheers.
Yeah, do you know, exactly.
I was going to ask you, do you know how I do that?
There's nothing quite like it.
It's really a spectacular thing to have for your college football Sunday.
It's so good.
Game day, it's different with Miller Light in your hand.
You don't have to whisper the whole time.
I can't stop.
From jaw-dropping touchdowns to fantasy heartbreaks,
it's the beer that's been there for every moment.
50 years of great taste, simple ingredients,
and that iconic golden color that you can spot from across the room.
I see one right now.
I'm looking across the room.
I like the way that you flirt with Miller Light.
I mean, it looks, look at it.
It looks great.
It's looking at me.
You want to know why?
I'm looking at it.
It's looking at me.
probably because it's just 96 calories and 3.2 carbs per 12 ounces.
It's the original light beer since 1975, which means, except Bob Ryan age, still hitting
different five decades later.
Miller Light, great taste, 96 calories.
Go to Miller Lite.com slash beach to find delivery options near you, or you can pick up
some Miller Light pretty much anywhere they sell beer.
It's Miller Time. Celebrate responsibly.
Miller Brewing Company, Milwaukee, Wisconsin, 96 calories and 3.2 carbs per 12 ounces.
Miller Light, I want you in me.
Thank you.
