The Dan Le Batard Show with Stugotz - South Beach Sessions - Stavros Halkias
Episode Date: October 31, 2024Who has a massively popular podcast, a hilarious hit Netflix special, and a new movie which he wrote, produced and stars in? It’s Stavvy, baby! Stavros Halkias has reached the highest levels of c...omedy success and makes it look easy, but it took Stavvy years and years of grinding to make his dreams come true, not to mention the pressure of living up to the high expectations of immigrant parents… especially when you’re actually high. Stavvy also tells Dan about his athletic past, his pre-comedy dreams of going pro and how he keeps his love for sports alive through his alter-ego, Ronnie, the beloved, worst kind of Ravens superfan. Go see Stavros’ new film, “Let’s Start a Cult,” in theaters now. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Welcome to South Beach Sessions. I'm excited about this one because I've watched this man's career from afar and it seems like
it's recently blossomed as if it's an overnight success story.
But I think it goes back 15 years, maybe more of grinding work.
And I can't believe Stavi Stavros Halkeis with us here.
I don't know if I put a Latin flair on that instead of Greek.
It works, pronunciation-wise.
You, it has been really fun and funny
to watch you become a tastemaker.
Hilarious, yeah, yeah.
Because you start in the
podcast world you go rough and dirty with come town and then you turn it into
a television show and now you've got a movie coming out and it seems like that
happened very quickly but it didn't really happen very quickly right it's
just sped up over the last couple of years. Yeah and I mean to be honest I am
also surprised at like the, because of
all the things you mentioned, all of those are the things that sort of helped me out.
But the thing, the through line for me has always been stand up, you know, and so my
stand up is kind of, my stand up career has really done well because of all those things
sort of.
It's like they've all, they've all kind of let it hit another,
you know, another sort of level.
You've reached a level of fame and word of mouth
in the new media age where people,
you're like a dirty secret or word,
or a dirty secret and now you are so pop culture popular
that you can lift everything up
and the most important thing for you to lift up
is your specials, because it's what you're proudest of.
Yeah, it's just what I like doing the most.
I mean, to be honest with you, everything else
is sort of like, you kind of have to get a bunch
of different, stand up is such a, I mean,
it's kind of having a bit of a cultural renaissance
a little bit, but it's such, it's kind of like jazz
where no one really gives a fuck
about stand-up or jazz, but if they know you
and they like you, like I get people into my shows
the same way like when Dustin Diamond was doing,
like stand-up is a thing where it's like,
they'll just go see a guy they know.
You know what I mean?
That's not screech, it's not saved by the belt
dirty story.
But what I'm saying is like,
it's the art form people go to. When you don't know how people go to when you don't know how to get when you don't know how to make
money and show business but you have some notoriety you're like fuck it I'll
do stand-up the overheads low it's just me and a mic I started at the opposite
way where it's like this is what I love this is what I want to get good at and
then definitely the podcast when we did come town it was kind of a surprise
shout out to Mullen. It was Nick's idea
He really wanted to do it. I thought podcasting was over at the time
I was like well Marin comedy bang bang this American life
They'll never be another nobody ever will get rich from podcasting again that technology
Fully misread it Rogan and every you's, I mean, what you guys built,
everybody was able to make their own independent thing.
I did not see it coming.
We had a great, that show was really fun.
We had incredible comedic chemistry.
And then, but the whole time I was like,
all I want to do, I'm using this to get my standup going.
And I do think eventually I want it, I thought I was, you know, you're a little too much, well, we,
I don't know if you, I mean, everyone's experienced it where it's like you work
with people enough and you're like, we're compatible up to a point, our lives, and
not just, what we do on the, what we record is awesome, but like, we want
different things from our lives, we're different types of people and I think we were doing that show from when I was I think 25 or 26 to you know I don't
remember how long the run was but it was like it's crazy these last couple years have all
blended together.
I think I stopped doing it two or three years ago, two?
Anyway, whatever we did it for you know when you're broke in New York and nothing else
is happening for you, your career sucks and And we got a lot of success. And then I think we were just
interested in doing different things and I really wanted to really double down on my
standup. And then from there it was like, all right, people will see me because they
know me from this podcast, let me get them in just as a standup. And then from there
I got lucky with crowd work clips.
I had no idea those were gonna be,
I mean, that's the other element from Come Town to,
you know, tires, the movie, my standup specials.
The thing that's missing there is those clips,
which weirdly might have done more than anything
in a weird way, which is still hard for me
to wrap my head around, because I don't, head around because I like doing crowd work in the way
that I want to connect to the audience,
but I don't see it as,
I see it as one of the lowest parts of standup
and more, it's one of those things
that you should be good at it,
which means you understand what's going on,
but once you get pretty good at it,
it's kind of easy and it's not as hard
and or as rewarding, I think, as like a well-crafted joke.
But you're surprised that that is where you landed.
What are you doing there?
Are you thinking my stand-up is I honor it more, it is more of a crafted thing that I
take great care with the writing, the syllable count, the rhythms, the music of it.
And what you guys are liking is the sloppiest form of this,
which is, I've been doing this since high school,
where I know how to go back and forth with a heckler,
but it's just, all you're doing is making social media
come to life there, aren't you?
People being clever in front of people.
People love that, and you're very good at it.
Thank you, yeah.
And I think there is, I understand the feeling of like something spontaneous happening
That is exciting right like it is cool
I get that it's cool to see something happen
We all experience something in that moment in a way that even a well-written joke you might laugh at it
But I wrote that at home, and I've been sculpting that forever
I know that's gonna work. Yeah, that's not the high wire of impromptu
live. Exactly, exactly. And I get why people really like it, but yes, what it
was, what it really came down to was I was very precious about my stand-up. Too
precious. About a lot of stuff. When I was a younger comic, maybe even the reason
I didn't want to originally podcast, because I was like, people don't need to see
me. You know, I opened for Bobby Kelly
He was kind of like my comedy dad him and Tom Papa and I was always nervous to do his podcast or I was like
This isn't what I want to be on stage and I was too precious. I think and I and
essentially what happened was I
Really want to put out I was gonna do a half-hour special
I really want to put out, I was going to do a half hour special 2020.
I had, you know, March and May of 2020 were going to be big for me.
I was going to do like an international tour.
I was going to go to England.
I was going to go to Europe.
And then it looked like I was going to get a Comedy Central half hour.
I was going to film in New Orleans.
And so I was really excited about,
obviously the pandemic happens, none of that happens.
But a special that you had prepared how long for,
that you're about to head into,
it's your most precious form.
For sure.
It takes you.
This is how people are gonna know me,
they don't know me as a standup,
they know me as the guy from Come Town,
you know, the second guy from Come Town basically.
And I was like, this half hour,
and I grew up watching half hour specials.
That's one of the ways that I got into comedy.
Obviously early SNL, my comedy heroes are, you know,
Adam Sandler, Chris Farley, Will Ferrell, you know,
and then as I got older, Danny McBride,
the Apatow guys, all those guys.
But one thing that really got me into standup
was I loved all those movies, but Comedy thing that really got me into stand-up was I loved all those
movies but Comedy Central just re-ran half hours constantly and I watched them to the
point where it did feel like a really big thing.
It felt like, wow, this is being a comedian.
And I do this job now, I know that that did not change almost anyone's life, getting that
half hour
But for me at the time when I was you know, this is 2020. I'm trying to do some math here It feels like arrival. Does it not like yes exactly when you've been exactly and all my friends who got it
It was like whoa, he got the half hour buddy
But you so you're working how long for that moment your that that is more than 10 years
Yes, I do instead of ours 19. Okay, but whatever the work 11 years how long for that moment? That is more than 10 years?
Yeah, so I started doing stand-up when I was 19.
Okay, but whatever the work of that...
11 years.
So the work on that particular special is more than a year, yes?
Oh, yeah. That half hour was like all the good material I had
from when I started doing stand-up.
Okay, so...
A decade, yeah.
What this moment means to you is I've arrived at my dreams.
This is the only thing I've ever cared about
getting to one of these.
Yes, yes.
And then pandemic happens,
and that goes out the window obviously,
and I'm depressed like everybody else, whatever.
But-
Boy, you skipped right past that.
Yeah, I don't really wanna think about,
it's one of those things where,
in hindsight, you realize,
like, I didn't really think about the 1919,
the flu pandemic until,
it was something you heard about,
and you're like, that's fucking weird.
There was a pandemic in like the 1900s,
and we don't ever talk about it.
Why is that?
And then you live through it, you're like, I know why.
Because nobody wanted to fucking talk about it. They were that? And then you live through it. You're like, I know why. Cause nobody wanted to fucking talk about it.
They were like, let's get the, let's move on.
That's why the flappers happened.
They got a better, they got a better post pandemic
than we did.
They're fucking wearing gold shimmery glasses,
drinking alcohol, fucking illegally.
So fucking and sucking and flappers and shit.
We got none of that.
None of it.
We just got depression.
We got a mental health issue.
We get right into Trump.
Yeah, yeah, yeah, yeah, exactly.
We go right into just like a dog shit,
you know, crumbling infrastructure.
So anyway, we don't gotta talk about that.
We'll keep it moving.
And when we have a break in laughter,
I wanna say I was not aware how much thigh would be showing.
I thought I would be covered.
I Googled South Beach Sessions.
I wanna see the layout.
I saw the Miami one where you're covered.
It's all right.
I'm not ashamed to thigh.
Sex sells.
No, you don't understand.
How I'm selling this is sea-stobby
like you've never seen him before.
Although they have seen an awful lot of nude body.
They certainly have the nude calendar.
We got a 2025 coming.
Don't worry.
That's another element.
We didn't discuss that, my nude modeling, which was actually how I got my first social
media following.
But anyway.
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Right before we started, we were talking, Neil Brennan does his show here, and Neil
Brennan, I'm just a huge fan of everything that he does
vulnerably in comedy because he's trying
to break a new form.
But you and I were talking and you're like,
well, Mark Maron did the vulnerabilities.
You didn't think the podcast world
was doing anything but ending,
but you did skip right past,
we're all a little depressed after the pandemic.
You're allowed to not be a victim here,
but also you were broke for a long time in New York.
I don't know how awful that is.
But you get-
I was broke my whole life and then even, yeah,
I mean, I didn't have any money.
I think we started making some money with Compton.
By that point, I was at least making,
I had a writing job when I first got to New York,
but yes, I wasn't, up until maybe two years pre-pandemic,
I didn't have any money my whole life, yes.
I'll ask you what that looks like in a second,
but you're arriving at your dreams
and you get a step away after 10 years
and who wouldn't be depressed under those circumstances?
Yeah, that was brutal, but I, you know,
Sam Merrill, who you know very well,
he's one of my best friends,
and he's somebody who I was friends with.
We met
through comedy in the pure, the way like two people that just love something. I
was a guy who would take a Megabus up and do shows just to try and get a
little momentum and Sam was, you know, he's a little, not much, but Sam's
been at it so from a young age in such a way that he had, he was really ahead of
where he was age-wise and he's the, he's cool guy he is I was no he did not know me at all. I was some guy from Baltimore
It's probably 24 taking like a megabus to be on my friends
To be on to maybe if somebody dropped out do a spot on my friend's benefit show in the basement of Gotham
the comedy in the comedy club and
Someone had bombed and they were like,
will you go mop this?
And they were like, they always give you the shittiest spot
because they're like, somebody ate it so hard,
they threw me up there, I had a great set,
which can happen actually.
Like, that's not always a bad place to be.
If somebody does really poorly and you just kind of comment
on it and do well, it's actually an easy spot.
But, and Sam was just happened to be on that show and that's how cool is
He just saw a guy that was funny immediately befriended me helped me to help me out the whole way
So I was lucky in that we did a basketball podcast at the time and I watched him I
Watched him not get an HBO special. I watched him have this great hour material
He had put stuff out there and he was like fuck it. I think I'm just gonna put it on YouTube and
I was like that seems insane
Everyone told him that and but he was like I just got to get it out there
I have another hour and that's and so I was very lucky that I got to watch
Him go through that and I knew like okay I didn't get this half hour but and I got to watch him go through that and I knew like okay
I didn't get this half hour but and I got to watch it be a success about he was going to take the risk
I was like, oh that worked and then so I basically just but that was live at the lodge room for you
You did the same thing. Well, I did that this is what I'm saying that most of what was live at the lodge rooms an hour special
But that half hour went into live at the lodge room and I had more material than a half hour but I was like I'm just going to give them the good stuff.
So I see Sam do it and I say fuck it I'm just going to do it myself and that's what happened
to that.
The material that would have been that half hour plus 25 minutes of other stuff all went
into Live at the Lodge Room and I was like, all right, I spent, I think I spent 40 grand on it.
I didn't have, I was not at a time in my life
where that was, even with Come Town Making Money,
that was a serious amount of money for me,
and I needed to promote it somehow.
So even though I was a purist, and I was like,
all right, I can't be putting out the,
and people started doing some clip stuff.
Like Sam had so much material,
he was clipping out old stuff and putting it out there.
That was really helping him.
My buddy Mark Norman was doing the same thing
and he also did a YouTube special.
Andrew Schultz did it as well.
And so these guys were doing really well.
And I was like, I'm not doing crowd work.
Let me get all my old stuff I'm not using.
And that went in seven days. Like I was like, I'm not doing crowd work. Let me get all my old stuff I'm not using. And that went in seven days.
I was like, I'll clip up all my old stuff
and all the old jokes that didn't make the special
and that'll be enough to sustain me.
Went so quick that because I had been preparing
for that half hour special for about a year,
and I was, again, embarrassingly nerdy about comedy,
like the way athletes, and I'm a big Ravens fan,
like Ed Reed would watch film and just inhale it
and look at everything and know everything.
I would be like that about my shitty dick jokes,
you know, from a young age.
So I taped everything going into that half hour special.
And most of it was useless,
because it was just the same shit over and over again.
But I would do crowd work in the beginning of every show
just to kind of, it almost feels like
you're your own opening act.
We were like, let's disarm everybody,
let's get them to understand that I'm not just a robot
telling jokes, and that was something in my progression
as a comedian to go from just set up punchline to,
yes, you have to have tight writing,
but you also have to be a person.
And so I would just go up there and just,
with never thinking this would ever see the light of day,
I did a little crowd work here and there,
and if something popped up in the middle of a show,
I would do it.
And I was like, well, that's all bullshit.
I'm not gonna use that for anything.
Let's clip that up and put it online.
And it just, from the beginning, started going. I'm not gonna use that for anything. Let's clip that up and put it online.
It just, from the beginning, started going. I think it was the right place, right time.
I do think everyone was competing with TikTok.
Short form stuff was really getting juiced
by every algorithm.
I am good at it.
I don't take a hack approach to it.
Oh, but you saw your popularity take off like a lit fuse.
You saw a different way to a different economy.
So Sam is giving some people permission
to just own the entirety of their brand
and be a whispered secret on the internet
that travels by word of mouth.
And you figured out how to turn that into an economy
in a multiple of ways, but tell me about how you were
handcuffed by seeing so much nobility in the craftsmanship
of how one tells a dick joke
that you're not enjoying what you're doing
or you're enjoying the sculpting of crafting and stuff,
but you're treating something with so much nobility
that you can't go just laugh with your friends on Comtown
and it doesn't have to be like that serious.
Yeah, well, I don't think it was ever the,
I think I liked both.
Like once Come Town was a success, that was fun to do.
It was just the logistics of, it was honestly like,
mostly like scheduling stuff.
I mean, just like working with somebody over time
and mostly because I wanted to be on the road non-stop.
And we just had to, you know, but the actual doing the show was always really fun.
And we're still, me and those guys are still friends today.
But it was, so it wasn't really podcasting versus comedy for me.
Because once podcasting took off, I was like, I did see the value in it.
And even though when I left initially,
I didn't think I was gonna do another podcast,
very quickly I realized, that's stupid.
I have all these people who know me from podcasting.
I should do my own.
I think it was all just, you know,
you're fresh off something and you're so tired of doing it,
you're burned out that you're like,
I'll never do that bullshit again.
And then literally two months after,
you know, two or three months, whatever it was,
I was like, maybe I should.
And I left in the summer, and by October or December,
I started Stavvy's World.
So that was never, podcasting I realized the,
I realized it was its own separate thing
that had a lot of value.
Honestly, mostly financial because of our model of Patreon
and getting subscribers and being able to you know not answer to
anyone. Invent a new economy. Yes exactly but so for me it was more like stand-up
jokes versus crowd work which was like the that was the big philosophical
difference and I think once I started putting them out I mean I guess I
realized seeing a lot of other people, I mean I guess I realized seeing
a lot of other people that I was like, well I am actually good at this.
This is better than what other people do and I try and be novel with it.
I try and actually get to know a person.
I try, you know, in those splits.
I know it's tough but I do try and just have a different spin on it.
Sometimes I ran into the issue of having repetitive questions, but I think once you get rid of that, it can actually be very interesting artistically.
I still value the written joke more to the point where maybe a little too much,
maybe you're denying what you are naturally good at.
Because I've had people I really look up to, great comedians who ask me,
why don't you do more crowd work on your special?
And these are the people that I'm like,
in my head I'm trying to impress
with my great crafted jokes,
but they're like, dude, you're good at this.
You should do more of that stuff.
It's so interesting how much you respect the craft.
Like, it's not that, I don't know that most people
who are fans of yours, and I mean this as no insult,
no insult are discerning enough to see
how brilliant you actually are at crafting,
okay, crafting written material
that is meant to look sloppy,
is meant to connect in a human way with every man, physically, all of it,
that it's a wonderfully brilliant manipulation of,
and it's smart, of how you connect with your audience
by really giving a wide range on making something look easy
that you've been working on for 10 years
to make look that easy.
Yeah, I do think it should feel a little spontaneous.
I mean, at the end of the day, we are performing, right?
Like, it should feel spontaneous.
And that's why I do think a little bit of CrowdWorks good
because you are just connecting.
You're truly connecting for you, not just for the...
The audience, you could maybe, if you're good enough
and the jokes are good enough, fool,
but you have to feel like this is different
than everything else.
Like this is a different, and that's what I love
about standup is that every show is different,
you know, no matter how much you prepare,
you're in that room and the clock, you can't stop,
there's no timeouts, there's no nothing,
like it kind of has to happen that hour.
The thing I admire most about what you guys do
is that you are stripped down to your entertainment
vulnerability, that it's you, the microphone, and the expectation of funny, and that's a high wire about what you guys do is that you are stripped down to your entertainment vulnerability.
That it's you, the microphone, and the expectation of funny,
and that's a high wire that nobody else has
that doesn't do it live.
Yeah, right.
And that's what I love, I mean I love that about it.
I do, and I think something that is frustrating
is that I don't think any, I don't think any comedy special
gets what stand-up is, really.
I don't think it is the experience what stand-up is, really.
I don't think it is the experience.
I think it's important and you have to put it out there
just so you chronicle some of those jokes,
but it's not what stand-up is. It's really not.
And that's frustrating and I don't think we'll ever really be able to really get it
because it is your creation.
The audience is a part of the show.
They're very, you know, percentage- wise it's smaller than the person on stage, but
The energy you put out there and each crowd and that's what I do love about it, and it's also
There is maybe a freedom to that where it's like you don't have to worry about what happens afterwards
It's like it's just it happens you have to you know hopefully you'll do a great job
But if it's bad you just have to survive, and then when it's done, it's done.
It's just interesting to me.
I think the real way, if you actually wanted to,
if you loved an hour of stand-up,
you just have to, it's almost like,
and I'm not telling people to do this,
you should have real lives, but it's like,
it would be like the least entertaining version
of like watching fish.
You know, people people just follow jam bands
and they're like, and they play completely different sets.
You know, if you follow me around, you'll be like,
whoa, he changed that premise by five words.
You know what I mean?
Like, it's so slight, but it's like,
or his energy was off, or oh, that's how that joke goes
when he's, you know, pissed off or hungover or whatever.
And I do think it's, the way you should judge you should judge it really, you should, it should almost
be like a pennant race instead of the playoffs where it's like-
You are so funny.
So you're, what you're basically saying is what stand up really is you've got to see
me go on tour and grind this out show to show and learn what works and what doesn't.
And these four words need to be these six words because this crowd in Austin showed me something that felt
Energetically different than the one in mobile Abela
Yeah, yeah, or even what I was up to or even honestly the acoustics of a room
We're just I just think an actual hour is you should gray. It's almost like it's a cumulative score
averaged out over every single show representative sample size of a baseball season
Well you you did dabble in sports pods
I don't want to dork out all the pod stuff with you because I want to get to some of your biography and how it
Is that your parents took to the idea of you choosing this as a career as immigrants because my dad wasn't not well
No, my dad wasn't having the idea like what?
You're gonna go do what?
And I can't even imagine what it's like to be broke
for 10 years in New York City.
I don't know how your family felt about the choice
that you made, but there had to be some doubt there.
We were so poor, and I don't mean that my mom gets mad
when I say that, but we were, don't get me wrong,
we had food, we had clothes, whatever,
but podcast money was like't get me wrong, we had food, we had clothes, whatever, but podcast
money was like, I very quick, it was easy to become the most successful member of my
family.
So even when we were getting, and look, by the end of coming out, we were making a really
good living.
So I was probably really broke, I was really broke for, I mean the first couple years in
New York and then slowly we started making enough money and then by the end of it we were making enough money where like you know I bought
a house it wasn't a good house but I bought a house that my brothers lived in
and then so I was kind of supporting my family so it quickly it became a thing
where they you know they can't really complain when you're paying off their
debt you know what I mean like it it's the proof is in the pudding.
Oh, but it took a long, it took a minute to get there though.
It did, it did, and especially I was like, you know,
I was a good student and my parents did think
I was gonna have just some very traditional arc.
I mean, they always said lawyer, which I think is what
you say when somebody's good at talking,
but I think they were expecting me to just have
a pretty traditional, you know, get a good job, pay off our debts kind of thing.
And we got to it eventually in a different direction.
I want to get to how it is that they shaped you,
but it just, in one more podcast type question,
because of how much it helped you
in what is the new economy in comedy,
where you have the respect of all the other comedians
It seems like and there are about 20 of you who?
Go back and forth on each other's pods and sure that's what young people are really embracing
You decide with Sam to do pod don't lie
Yeah, one of two sports things you've gone into because you also worked with MSG for a while, right?
Yes, yes. Yes. So tell me about what you were trying to do there where you're, that sports are interesting
you and you're like, is there, because I've always thought that comedy doesn't do enough
in the sports realm.
Yeah, yeah.
That all of ESPN and Fox are ripe for programming that's funny and somehow none of them do funny
programming and it's weird to me.
I think you're right.
I mean, I think, I mean, so yeah, I want to do Pado.
So Sam got a show, People Talking Sports, with MSG.
And he, there was no writing staff.
It was him, our buddy Anthony DeVito, who's really funny.
And I ended up being basically the only,
Anthony was the head writer
and I was the only like staff writer
And you know the money was less than what it should have been for we did four shows a week
and it was it was
Just a great experience. It was just like at the time again
I was kind of and and I got very lucky with moving to New York because I got a
Really bullshit writing job as soon as I got there, thanks to Tom Papa.
He literally went to high school with some guy
who had a digital ad company,
but he wanted to get into online comedy
and we never made anything good,
but I cashed a couple checks, you know,
I cashed some checks and then I went on tour
with Bobby Kelly and then when I got back and got fired,
that's kind of when Come Town was at least paying a, we were at least getting enough
to survive.
So I got pretty lucky after the first couple of years.
And then with MSG, it wasn't great but the beginning of Come Town, so I got pretty lucky
there.
But that was just a, everything about that, it was like we were designed to fail where
it was like you have to do four shows a week,
which is insane, with a three-person writing staff.
Our writing sessions were literally, we would get,
we'd go over the headlines on like a phone,
and like, you know, we had maybe, we would scribble,
we would sit in the producer's office for 45 minutes,
and be like, all right, that's pretty good.
I mean, Sam would have to interview people and...
The only reason I bring all of it up
is because both of you in other ways, as craftsmen,
professionals, seem to be largely adult.
But when it comes to sports, both of you
seem like you're seven years between toddler
and seven years old.
And so when Sam is courtside at Knicks games
and when you're doing the stuff you're doing
with the Ravens, I can imagine you two calling each other
and being like, what the fuck is happening in our lives?
It's crazy, yeah.
I love sports.
It's a funny thing that you grow up playing sports
your entire life, and then you're just, it's gone.
It's completely gone.
And not that fandom fully replaced that. I think it's a different thing.
I mean, the reason we're little kids, I think is because that is what fandom allows you
to do.
You get to just be immature, you get to like plug back into your earliest sports memories
and it's tribal, it's truly the Jersey color.
It's that you don't have to think.
You get to be the dumbest version of yourself
when you watch a sports game.
I think that's between 70 and 80% of the appeal.
It's like being able to turn your brain
and the other 20% is like chicken wings.
You know what I mean?
It's just a great time.
But yes, it's insane.
It has to be so weird to you to be in the equivalent
of a chicken wings commercial with Santino as a representative of Baltimore football because you have gotten a skyrocket fame that
allows you to be like, wait a minute, I'm in who's skybox?
Why?
Yeah, yeah.
I have watched, I did watch the play, I did watch that crushing defeat to the chiefs in
like one of the nicest boxes at M&T Bank.
It's crazy.
Yes, it's, that's surreal to me.
That's another thing of, most of my career is shit
that I just never, the stuff that's changed my life
is stuff that I never really thought about.
Truly Stand Up, which I really care about,
has done the least for me directly than everything else.
That's funny.
And this, I basically just started doing a Ravens character
because it was a parody, but it was also what I thought.
Like, you know, it's like-
It's also you as an eight year old
while listening to sports radio.
You were summoning the child in you, the adult in you,
the funny adult in you is going and summoning
your eight year old sports fan
and giving him a comedian's volume
Yeah, and and filtering it through the you know the like white trash
I grew up around like the hilarious characters that
So you can make fun of where you're from at the same time, too
You know all the kids that would play like pick up football
You know touch football with and like they grow up and and you're able to just make fun of where you're from. No one is offended by this impersonation in Baltimore.
They all recognize him.
It's real.
They know that guy.
They know.
You are Daniel Day Lewis in character.
You are unimpeachable as an actor because you got the voice down so good.
The voice and just, yeah.
And then it's just a fun, and I just started making fun of, I mean, I would do, when some big
story happened, or I used to do that character actually, just out of football.
I used to do my friends, Wham City Comedy, my friends who were in this collective, a
very alternative, they're artists that would do some comedy and they would have like weird comedy shows and sometimes I did that character doing stand-up
and some of it ended up being, actually going into that first special, a couple lines from
it, but that was just a guy I liked doing and then when the Ravens started, you know,
when the Ravens, when some big thing would happen, or even if it was just like AFC North stuff,
I remember I did a video when,
who was it, I'm blanking on his name,
he's awesome on the Browns,
he hit Mason Rudolph in the head with a helmet.
Oh, Miles Carring, Miles Carring, yeah.
That was fun, or like I would just respond
to stuff that would happen,
or even just do character things,
and then as the Ravens,
I kind of fell back in love with the Ravens
when we drafted Lamar,
and when we had gotten into those seasons
where we were just underachieving so hard,
where I just like, I couldn't understand
why we weren't doing more for Lamar.
And as a frustrated fan, I was like, you know,
and so I would just make videos making fun of Greg Roman
and I would just shit on the Ravens for losing.
You would just be a fan.
You would just be the most outsized,
turn it up to a thousand fan.
And I wouldn't, and I just, you know,
the videos did well and then I went on Pardon My Take
and they have a huge football,
those guys kind of really set a lot of,
like a big portion of the culture of how we watch
football and I love those guys and the show's so funny.
And they just let, they asked me about it and I think a clip from there went viral and
from then it was like every video I did of that got a little more attention and then
I started doing it every week kind of organically.
Oh, but I thought, I thought, you came on with us one time in the middle of that and just like called, in the middle of that,
called Colin Cowherd out on some of the
dog whistle race stuff that he does.
Yeah, sure, sure, sure.
No, that was such cool range.
Like, you and Sam would have done such a,
would have grown into doing such a good sports radio show.
I think we would have, yeah.
If that's like the path that you guys had decided
that you wanted to do. We definitely could have.
And we both love hoops.
I mean, that's what it came down to is that... So our friendship started because he just
kind of... I really... I was a fan of his already because I was such a nerd in the weeds
that it was like I watched every Conan set and every...
But how many of you are there?
Are there 25 of you connected there from the place where you dork out
the way that Jay Leno can watch anyone stand up and say here's what was
happening here here's what was happening here because you're really studying the
craft how many of you are there in the comedy world that can talk about it with
the kind of depth that that you and Sam could for example you know who's to say
I mean there's a handful of us in New York. I mean, not that,
I mean, I don't think there's that many.
It's a small world of people who care like that.
For sure. Yes, you have to hit like kind of a, it's kind of a slim Venn diagram, but there's
also more, you know, sometimes, it really just comes down to being a good comic. It's
not really success necessarily.
There's plenty of people that, most people don't know most comics, but there's a lot
of comedians I like to, and part of what's kind of sad about being on the road so much,
because I've been touring, is that I really want to spend time in New York City with an even younger, like I've met some younger comics
that it's funny to be, you know, I'm 35,
I've been doing stand-ups since I was 19,
it's like 16 years.
You're a veteran now.
I feel like an old guy.
I did a show in Brooklyn and it was like,
these kids were 22, and I remember being a 22-year-old
who was like nervous around a guy
who had a Comedy Central high fire,
and I was like, whoa, this is fucking weird.
I feel like the old guy, which, you know,
I just felt like I'm an adult this year.
I think stand-ups like that where you feel like a child
your whole life.
But kind of what I'm sad about is like,
I'll talk about it, I honestly will talk about it
with anybody that if I look at your act
and I think you're funny, I will talk stand up with you.
I prefer doing that.
That's where I like to do it.
I don't wanna do it on a podcast.
Well, that's anything.
Right, I would imagine as much as you care about this,
and we can leave this subject alone
because I really do wanna get into biographically
how you became the things you became
and why it is that you kept chasing them undeterred.
But you mentioned when it comes to your sports prowess
that you played some, you played at Baltimore Polytech
Institute, which I don't imagine has a very good football
team just from the name of Baltimore Polytech Institute.
I would underestimate that team.
We had a couple guys that went to the league from my team.
Yeah.
OK, so it was a good, so you played football aggressively
and well.
Yeah, yeah, we were actually pretty good.
That year, Laquan Williams, who he was on the Ravens,
he was a receiver for the Ravens,
special teams guy for a while, Ricardo Silva.
Okay, so forgive me for, forgive me.
He picked off Tom Brady in a pre-season game.
I'm sorry for underestimating.
But I know what you're saying.
Baltimore Polytech Institute.
But you're telling me that then
you knew you wanted to be a me that then you knew you wanted
to be a comedian, then you knew you didn't want
to be a football player or what?
I mean when I was in the heat of,
my junior year of high school, that was the team,
I was, those guys were seniors, and before they left,
we were pretty good and we made it to the playoffs,
we lost, but it was like, and I was, again,
accidentally pretty good at football my parents
never
Let me play football. They were scared. You know Greek people were like that's a barbaric sport and they're not wrong
Yeah, I mean the CTE numbers they were probably on top of it. They're like I'm not letting my child
It's banging his fucking skull next to another like yeah
Yeah, it's fun. It doesn't mean we don't love it, but it's cockfighting.
But the JV soccer program was dissolved because the coach gave a kid porn, not in a molestation
way in a like, I want to be cool. I want this child to think I'm cool way like he really wasn't trying to it was just even in a weird way yeah it's weirder
the scandal is deserved whatever whatever happens after that it's really bad judgment
so this guy's like I really want to earn the respect of this 14 year old let me
give him a fucking penthouse and so our soccer team gets dissolved and our JV football team was so bad
that they were like, you guys all have eligibility
because you practiced, we'll just take you.
And I, at the time it's Mike Allstad,
I'm like, I'm the big white running back.
This is what I dream of being and you know,
I wanna be Allstad.
And I could not read a fucking,
that's the thing, I'm kind of a smart guy
but I could not read a playbook that's the thing. I I'm kind of a smart guy, but I have I could not read a playbook
I couldn't see the holes like and so they were like why don't you just play like you know?
Scout team defense while we're figuring this other shit out, and I just ended up being a good nose tackle
And that was awesome. No play necessary. You know either you shoot you go right at the guy
You go to his right you go to his left
There's three things you could do and I ended up being pretty good at it.
I started my junior year, and in that year,
I was like, I'm gonna go play football in college.
But you also eventually are like, that's not.
My senior year, I kind of was getting the itch,
and I started, I made a documentary.
My mom got me a Mac, that was a huge thing,
and I made a documentary about
the Greek junta in 1967. I also had those political, like my senior year I was like,
I didn't know really what I wanted to do. I had this creative streak and always in the
back of my head I was like, you want to do stand up. You're just too much of a coward
to tell your immigrant family that you want to do this. So my junior year I was like, you wanna do stand up. You're just too much of a coward to tell your immigrant family that you wanna do this.
So my junior year I was like, I'm destined for the league.
You know?
And then my senior year,
they fired the coach I really liked
and they brought in a real hard ass
and I just didn't go.
I was like, I'm not fucking running sprints.
What the fuck?
I'm not doing this bullshit.
Our coach was all, he wasn't a great coach,
but he was a player's coach.
It was, and I also, and I got really fat. I got a telemarketing job next to a Wendy's
So there was a lot going for me to abandon my athletic dreams
and then I got into you know, I started learning how to like edit video and do all this other shit and so I just, I was like, I'm not playing,
I'm not doing this shit and I was going to school.
I also, at the time when you're a kid, I just wanted to get out of my parents house so I
had to get a scholarship.
That was the only way I could not live at home.
If I wanted to go to a not, like I could have gone to community college
or maybe like a really, really shitty local school,
which you could argue I ended up going to UMBC,
which up until Fairly Dickinson, those pieces of shit,
we were the only 16 seed to beat.
I mean, we got to enjoy that for two years.
That's so fucked up.
Fairly Dickinson didn't need the side swipe.
No, they did!
All UMBC had was that we were the 16th scene.
I enjoyed that for two years and it doesn't happen the entirety of the NCAA.
That's right, that's right.
Anyway.
You got to enjoy it for two years.
It was such bullshit.
Um, fuck them.
And, and so they stripped me even having a trivia.
I mean it's kind of cool still, but it ain't as cool as the only
16 seed to do it you left though
But you and you left before you were finished at that point you knew like you left a few credits short
Graduation right? Yes. What so what's happening there? You already know clearly I'm gonna be a stand-up comic
There's nothing for me in classes. That's gonna help me be a stand-up comic. There's nothing for me in classes that's going to help me be a stand-up comic. Yeah, what happened was I got a scholarship that allowed me to live in dorms and that's
all I wanted. I ended up losing it for a year because I got caught smoking weed in those
dorms but that's neither here nor there. That was a depressing year to get everything you
want and then have to go move back home and go back to your childhood bedroom for a year But anyway, I had gotten what I wanted out of it and I started doing stand-up
The winter break of my freshman year. I knew I liked it
I stopped because of all that immigrant guilt and I think also I felt guilty getting caught smoking weed and I was like
You know, I might you are ashamed to your family at this point
Are you not like the teetering on the edge to your family at this point. Are you not?
I'm teetering on the edge.
Still, again, the bar is so low that no, not yet.
Okay, but it's drugs and comedy.
Yeah.
And he can't stay in school.
Yes, yes.
And what kind of immigrant son is this?
He's a bum.
He's not.
Well, I still had.
And he's smart and he's talented,
but he's not gonna do anything with it.
I was, yes, that, but I kept,
through all that I maintained a 4.0 because it anything with it. I was, yes, that, but I kept, through all that,
I maintained a 4.0, because it was like history.
I was good at that stuff.
And so, I always had my, I knew my salvation
was always kinda like my grades were my parents.
At the end, as long as I kept those up,
couldn't really tell me shit.
So I kept those up, and then, but as I went on,
I literally, I went on, I literally,
I started therapy, I started going to therapy
at the school's, you know, the school's health center.
They were like people that were, I guess,
getting their PhD or graduate degree.
You're in college and you're going to examine therapy
in college?
I'm getting therapy from a trainee, essentially,
at the university health Center, because it
was free, right?
I also didn't have health.
We had, actually, I'll give my mom, they made sure we got to see doctors, but I was on my
own now, and it was like I took advantage of the health services that-
Mental health services as well, though.
Mental health, yeah.
So not a lot of people are doing that at that age, no?
No, probably not.
And I just felt like I had a lot of anxiety and depression
issues, I think, because I knew I wasn't doing what I wanted.
I had this little brief taste of being an open mic comedian.
I was the happiest I ever was.
And then I felt guilty and went quit and focused on school.
And it was like, I have to be serious.
Oh, wow.
So what's legitimately happening with you
is that you are depressed because somewhere deep inside
of you, you know you're not actually following
what is your intuitive calling.
I think so, or I just didn't like fucking working.
You know what I mean?
I mean, that's the other aspect of it.
Most setups suck in America.
Most jobs are fucking atrocious
and they don't treat people well.
And I do think I was, I just knew that if I followed
what my parents, I was like, let me quit what I want
and do what my parents want.
And that made me fucking depressed.
And I started going to therapy.
And this woman basically, it's so funny,
I think she probably, she was a trainee,
I think she probably violated her training
to tell me to drop out and do stand up comedy.
This is what this therapist told me,
but in any case, I spent a year basically
trying to get over my, yeah.
It was that clear though, but it was that clear,
forgive me for interrupting you,
to a training professional that you had to follow your heart.
That you clearly wanted something so desperately
that you had to stop doing everything else
and go chase the thing that you were gonna be maniacal about.
And of course, you spent a year or more depressed
because of the soul sucking of,
must I be a coward and do what my immigrant parents wish?
Right, and boy am I lucky my parents had no money or anything to dangle it was
kind of an easy decision because it wasn't like no you can't follow your
dreams you have to be the CEO of our successful company it was like no you
can't follow your dreams you have to bail us out in a way we want you to
instead of the way you want you to you So it was an easy, sometimes I wonder what would have happened if I had that classic
like you have to get a job at your dad's company thing.
I don't know.
I still think I want to give myself credit, I would do my own thing.
But yeah, so after that.
But if I may, how did this happen for you?
Because I want to get to the after that.
But in my family when it came to exiles, not immigrants,
my father wanted me to go the engineering path
and if I'd done that I would have been
a very unhappy engineer.
And it was my mother that won that fight.
In your case, you're just adult enough in college
to go get the mental health you need
and tell your parents, no man,
you don't have anything better for me.
I'm gonna chase my dreams.
I think it was a little bit of that.
I mean mean my mom
My mom wanted me to get a regular my mom
It wasn't that it was she just believed in me. I had that classic like my mom just over
Still to this day no matter what she thinks I am not hitting my even now
She's like well your like my mom
God bless her thought it was like I think the she literally used this phrase which I laughed in her face when she said it
When I told her I wanted to comedy she was like you're you're depriving the world of your brain
like mom
That is not what's happening
Promise you the world is gonna be a okay without a brain at the time that was never not high by the way
I'm like I'm literally I'm like all right three hours. Don't smoke weed so you can have this talk with your mom
You know what I mean like that's where she's catching me and and so she's such a sweet woman who always believed in me so much that
For me, but for me it was just like I guess I did always have a bit of a stubborn streak,
an independent streak, and to my mom's credit,
so I don't graduate college,
because to me college was just,
it was a way to not have to live at home,
and I spent six months, you know, my lease is weird,
and I spent six months with my buddies in our
college house that, you know, even afterwards and I'm doing some tutoring, some writing
tutoring I'm doing.
I'm working at like a doing a desk job at a community college, whatever.
And then when I get home and then eventually the other guys are like, all right, well,
this is fucking stupid.
We're going to go get real jobs.
This was a fun little and I can't afford to live anywhere by myself,
so I have to go back home.
And my mom, to her credit,
I got a paralegal job with no,
this is what an upstanding law firm was,
didn't check that I didn't have a degree.
And I think a year after I left,
one of the partners shot himself in the head
in the parking lot because he was embezzling money.
Like this is the kind of place, you know what I mean? one of the partners shot himself in the head in the parking lot because he was embezzling money.
This is the kind of place you know what I mean?
Yes, understood.
Where the normal dark legal stuff happens, you shouldn't have been, you're not qualified
to be handling anybody's legal affairs at this age.
And I'm not doing a horrible job.
And you're high all the time.
Yeah, I'm pretty stoned most of the time.
I cut back a little bit now.
I'm an adult.
I'm 22 stoned most of the time. I cut back a little bit. Now I'm an adult, I'm 22 at this point.
But my mom, what I would do is I would go work that dumb job and then I would come home,
I would literally just eat dinner
and then I would go to open mics.
I would drive to DC
because they had a better comedy scene.
And my mom assumed when I said I wanted to do comedy,
it meant I don't wanna have a job. I wanna be want to be a bum. I want to get high with my friends
I want to you know whatever that's I want to spend all my night in bars, and she wasn't fully wrong
I mean there is that was a more a lifestyle that I was more interested in but I also
And I did that for a while, but eventually I got serious, and I was like I really want to do this
I want to move to New York
I even got that job because I wanted to save money for the move
And when she saw that I was working a job, I was essentially working two jobs and then commuting to DC every night
and and then I would get home at like 1 a.m. My alarm would go off at 7 and
I did that every day for a year and she watched me do that. She was like, oh, okay
She was on
board when he's not screwing around yeah which is kind of cool actually because
some people might say like you're putting all this effort into nothing
like put it into a real job and you'll actually have money within years like
you were my mom but you're putting it into everything because you're choosing
the thing that like you're depressed when you don't have it like yeah makes
you that happy to care about this thing
Yeah, I get I get that it's funny because I look back at it
I'm like I don't begrudge any parent who said like I look at what comedy is and how low the
Percentages are and like I did get insanely lucky. I get understand that I worked hard
Don't get me wrong, but I get where a parent would come from
So that's why I do think it's very cool that my mom, my mom did believe in me to a delusional
degree.
She had the same kind of that which I needed.
You need delusion to want to do something like this.
And I gave her credit for that because once she saw that I was working, she was like,
great, I'm on board.
My dad didn't, but my mom, you know.
Well, what was that like? Because I'm, I'm, I know I'm rummaging around in this bin, but
I would imagine that, um, maybe the most, most of the people listening to this right
now and I, I'm being presumptuous in determining this about you, wouldn't really totally understand
what it is like to disappoint immigrant parents. Sure, sure, sure.
Who come from another land to make sure
that you can have a better life.
And now you're telling them, like I told my dad
I wanted to be a writer.
And he's like, I fled communism, dude.
So that you'd be an engineer and do something
that could make money so that no one would ever
have to govern you again.
Because freedom is the thing that matters most.
And my mom's chirping in the background, Gonzalo,
you need to let him chase the things that like will make him happy at life
Yeah, and he's responsible enough that he'll he'll find out. He'll figure out a way to do it there
But can you explain to people how like when you're saying you're I'm too much of a coward right to to to go against my parents
You're in you're you're not you're in high school still so you're this is how you become an
Comedy helps you become an adult here sure it did
I mean yeah, which is hilarious and again
I would love a supercut next to what we're just the the solemnity with which we're discussing this and the
Material I was doing when I was 19 was like I'm so fucking fat. I can't wipe my ass
I mean that was one of my jokes. I mean, this is what I this is what my parents were right
That's the hard thing here is like it led to this
But it's like this is so funny that we're disgusting
So solemnity is the perfect comedic work you just slapped me across the face with yes
I'm just crossing the art of your incredibly
Busting fast and like,
you know what I mean?
It's like having diarrhea.
And we're like, no, what was that like?
I've really made you a comic genius.
I'm interviewing you like James Lipton
would interview somebody.
But I mean, it was true that that was very difficult.
And I think your parents just have, you know,
I was relatively young and I don't know guilt is a huge issue for it's it was really
the only tool my parents had and they they used it my dad you know my dad big
on the guilt and I do it's exactly that it's like I left my country for you you
know all the same that's you from a little kid you know and, and like, and I don't want any my dad did not.
He at least presented like he didn't want to be here.
He at least I think shit was going bad for him.
And he knew that his one narrative out to himself is I got trapped here.
I didn't want to be here.
I take umbrage with that.
We've had our discussions, whatever me and my dad.
We didn't we didn't have a great relationship where we kind of were rebuilding it now.
whatever, me and my dad, we didn't have a great relationship where we're rebuilding it now
and we're on good terms, but
you know, I have, I obviously take, I think he handled it wrong I think you should never put that at the feet of your eight-year-old kids about your, you know, your life choices that you fucked up
but from a little kid I was like
A little heavy for an eight-year-old like that
Dad, don't really need all of your immigrant sacrifices.
I'm eight.
It's like I didn't fucking want to be here.
And so that was.
And is it just because he's broke?
Is it just because he imagined having a freer life?
It wasn't even that.
I think he would, yeah, he would talk about his obligations
all the time.
He would talk about how he's not near his family,
how he doesn't get to see his mom, his dad.
Oh wow, so what you're eating is the resentment
of being responsible for you makes for a smaller life
than the one that he could have without you.
Exactly, 100%.
Woo, that one stings for a kid.
And that's why that's all, and that's powerful.
That's so powerful that it was not, it was never about a, you know, a plus minus list.
Like, should I listen to my dad or should I would?
If you went down the like pros and cons,
there's no pros to listening to my dad.
But it's all just, it's like, you know,
how they say that when they train elephants in the circus,
you have to tie them up tight as babies,
and they struggle and they can't leave the thing,
and then when they're adults,
you just put like a superficial rope
and they think they're stuck to it.
That's what it felt like when it was like,
I thought I had to listen,
and then I just took a year of reflection,
and I'm like, why?
I got to this, fuck it.
I studied hard, I got here.
I did all this shit, every goal I've had,
I figured it out at a young age.
And again, that's youthful hubris too.
You need hubris and you need, like I said,
delusion to wanna do something like this.
But it worked out and I eventually got over it.
And then I had a lot of resentment
that he behaved that way.
But then you also realize he's a fucking human being.
His life was not easy.
He maybe was a little immature about things
and I think he should have owned some of his decisions
a little more than he did.
But it's not like his life was easy.
They were going through tough times financially and he did work hard and
They probably had you know, and he always thought the life he imagined for himself
so though and tough and and and it shows great grace from you as an adult to
To forgive him and file it under he did the best that he could under. Yeah, really trying
That's I love that too almost never true. No, it's almost never the best they could he did. All right
He can't think of a couple things
My point is
You're choosing to meet him in a forgiving place
So that you don't eat the resentment of having a bad relationship with your dad like what what what?
Yeah, repair there for you
And what did you do actively to get to repair because would he have done the things necessary for repair if he's an old-school?
immigrant Greek dad I think there's a little bit on his part
I mean, yeah, there was a we just didn't talk for a while and then it was like slowly
You know life just happens and people get married and some of you know, my brother's gonna have a kid
I'm not gonna you know, I'm not gonna see my father at you know, the kids Baptist
You know what I mean? Like you're gonna take these petty this fight that we had when I was you know in my 20s
Into my 40 it just seemed it seemed immature on my part and it also seems like yeah, you know, that's um
It just time and I think eventually time, you know,
kind of softened him too and-
But is the fight in the 20s about this?
No, it's other stuff, just family stuff, you know.
It, and maybe it's tangentially,
maybe it's all, you could argue that it's all one thing,
but no, this was like, he didn't like it.
He didn't like, he didn't like that I was doing standup.
But again, once, at a certain point,
once you get successful enough, that's another hard thing.
It's like, I wonder if things would have been this easy
if I didn't get this successful.
You know what I mean?
But again, what's the point of that thought?
You know what I mean?
It just-
I mean, it is a good guard gate against mistrust I suppose like you you you probably
We were talking right before we started of I kept about Ta-Nehisi Coates
And just what Baltimore Polytechnic alum wherever it is
I don't know if you played football or not wherever it is that you see the real
Baltimore that is in the wire or in his work or in David Simon's work. And I imagine that you've experienced
the real Baltimore, right?
Yeah, I grew up in Baltimore City, yeah.
We were talking about Ta-Nehisi Coates,
did some seminal work, got a lot of pop culture fame
for it instantaneously, which I imagine
would feel something like your last four years have felt,
and fled in the other direction
because he thought it was gonna corrupt and contaminate the ability to
do real and good work the temptations of fame the temptations of whatever offers
you're getting now because you're the the you're a hot thing that speaks to a
certain demo and on Janu you are a bridge to young people and and to sell
them fire water or fire
What a fireball by the way, I got six more months that left the young what young people into neither one of us understands
You know, I got I got it's barely I'm a bridge to like, you know
Maybe maybe mid-twenties kids but like the you know young motherfuck like every day
It's it's happening quicker and quicker
being out of touch.
You are now a veteran comedian
who is gonna fall out of favor
with the 18-year-old YouTube influencer in a moment.
But what have you learned about
what has rushed into your life,
what you have to be careful about
as an adult who has largely arrived at his dreams, right?
Beyond his dreams, I imagine,
because if all you wanted was a special,
and now you've got a TV show on Netflix,
and now you've got a movie out,
my guess is you've wildly exceeded your dreams.
Without question. Without question.
All I wanted to do was be a touring headliner,
and, yeah, make a solid eight...
I would have loved to make $80,000
touring the country, gone every weekend,
like that was my dream.
And I wanna have one great special.
I don't think I'm there yet, I like my two specials,
so I still artistically am chasing the one,
I actually haven't hit that one,
but yes, I am in a place I could not have imagined,
yeah, for sure.
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But you don't feel like you've done your best work either. There's one special out there that will satisfy you
on the work you're doing.
Tires, a hit television show on Netflix with Shane Gillis
doesn't feed whatever it is you're trying to nourish there.
I mean, that's awesome.
I love doing it.
But yeah, this is all stuff I never considered.
And Tires is great because getting to do it with friends
is incredible and working with, I mean John McKeever
Who's the director is so talented and the way he I've been lucky enough to be able to?
Do a little bit acting here and see how other people do things
And it's just a fun thing to do and I'm happy to do it and I do want to explore acting more
I mean, that's why you know making this movie was part of it
But it wasn't, all of that is like, it's like a bonus round.
It's like, it's like, you know, what I really want to do
is one great special.
Or even just one where I felt like I did my absolute best.
I don't feel like I did that with the last two.
Could be this one, next one.
I'm fine.
Don't get me wrong.
I don't want to be a glutton.
I'd love to knock it out and then be like, done.
You know what I mean, done for the rest of my life.
And then I can do other fun stuff.
But yeah, I still feel like I'm chasing that.
But every other aspect, and I do,
I understand the thing of getting successful
negatively affecting the ability to do good work.
I mean, I think that's true.
You just become out of touch.
You know, my life is comfortable.
Like, it just is.
I never really worried about money.
Thank God I never got to the point where I fully, I mean, but I always lived below, super
below my means.
And I still, to be honest, do that.
But now whenever I just want anything, like I'm still in the same apartment
I was when I moved to New York ten years ago
I have the whole thing instead of it being a three bet, but it's not like I live in some fancy place
But yes, whenever I want something I can just have it now. You know which is fucking crazy
So you worry about being out of touch and you worry about
Not having anything to talk about that's relatable or interesting to people
I mean, I still think some of my biggest deepest issues are I not having anything to talk about that's relatable or interesting to people.
I mean, I still think some of my biggest, deepest issues are, I mean, just kind of like,
you know, all the same shit everybody is worried about.
Like, what's worrying me in my life right now is my health,
is getting a handle on my addictions,
is, you know, dating life and like trying to,
because most of my life I've been an immature,
I've lived like a child, you know what I mean?
No, I know, I recognize that.
If you focus on one thing the way that you need to focus
to get as good at this and successful
as in a really competitive field,
it's gonna be to the lopsided detriment
of every other thing you could have been obsessing about to make yourself a better person.
Like, you know, nobody sees the hard work
in making it look easy.
Like, I just finished Will Smith's biography
and he's talking about from,
I'm gonna be the biggest movie star in the world
and how is he gonna do it?
He's gonna outwork everybody.
Like, I got into my late 40s still being a child
because all I was doing was,
how can I get better at this one thing?
This one thing provides me with, like, here what I need.
And you were doing the same thing.
Yeah, and I mean, I guess the lesson is that that's not true,
that it provides some of it,
but like, you realize that, I mean,
I've said, I've talked about it a little bit before, but the year,
last year, where it was a year that I filmed a Netflix special, went on a theater tour,
filmed a movie, and StavisWorld, my podcast, kind of like I was really launching it, and
it became a really big financial success in that year with it was
Easily the worst year of my life emotionally
You know what I mean? It's like I was not happy at all
It was all and I was just like wait I had and I didn't really enjoy any of it
Like I remember I sold out the Beacon Theatre three times insane
Crazy, and I had friends who were at the after party and they were
like, let's go fucking celebrate. This is fucking incredible. And I was like, I can't.
I have to get on a plane tomorrow and go promote my fucking Netflix special. And it was just
like, all of that's awesome, but I just didn't get to just be a human being and like anything
and it also destroyed, I was just getting really fucked up and I was eating like shit
and it really destroyed everything. And that was a moment for me where I was like,
who gives a fuck about this stuff?
It's cool, but we really gotta dial back
and you can't be obsessed with success.
Cause in that year was like,
holy fuck, they're letting me do this stuff?
Stuff I never thought anybody was gonna let me do
and I didn't think for a second.
It was Jurassic Park, you know?
It's like, if you could, not if you should.
You know what I mean?
You know?
What an interesting thing though to realize
that a remarkable amount of self-awareness in that.
I would say I've lost my little brother.
It's been a little more than a year.
He's a painter and artist, and he loved doing it so much
that I'm convinced that the cancer that ravaged him
is that he was working 16 hours a day with
paints and stuff that ends up eating him up and
Enjoyed all of it because he was consuming all of it and and was sprinting 16 hours a day making things
In one year you arrive at something that is beyond your wildest dreams
You're saying yes to everything and you're unhappier than you've ever been
wildest dreams, you're saying yes to everything, and you're unhappier than you've ever been.
Yeah, I mean, it averaged out.
I mean, I was so, maybe not than I've ever been,
because there were some fucking,
there were some perks too.
It wasn't all bad, but I was,
I was fucking depressed as shit.
Yeah, unhappier than I was when I was a broke open mic'er.
That might have been when I was the happiest,
because that's all it was,
was about getting better at comedy.
Unhappier than I was even in like,
maybe a rival that first year in New York,
where you go from being the big fish in the small pond,
and then you're so broke,
because I don't even have my day job anymore,
and you're living in, New York is hard,
and you don't even have friends, you're not dating.
New York broke, dude.
Yeah.
Yeah, it's tough.
I mean, I don't know what to do.
New York broke, it's unpleasant.
And you're looking up at the mountain, too.
You're like, holy fuck, I have to climb this thing?
No chance.
No chance.
Hopeless, doubtful, like, how do I get to there?
But hard enough that all the things you got
weren't what you thought you want
because there was an emptiness
and not having someone to share it with,
not living a life that tests relationships
so that you can grow and get better
and like share a life with somebody around your insecurities
where your eating is or your vices are,
wherever it is you eat to comfort the way I've eaten to comfort all my life.
Oh yeah.
Yeah, that's exactly, I mean, that was it.
It was like, and you also realize there's no,
no one is gonna stop this but me.
No one stops you from getting opportunity.
Like, once you start,
and then once you start making people money,
I mean, not to get all about capitalism
and everything here, but it's like, once you become a commodity you start making people money, I mean, not to get all about capitalism and everything here,
but it's like, once you become a commodity
that is making people a lot of money, it's like.
You saw the hook.
The hook got into you and it's like,
they'll wring me dry for five years.
And I don't wanna say that.
I mean, I actually, I have a great relationship
with my agent, Mike Crescola, who actually I do feel care.
Like, it wasn't like that classic, ah, come on kid,
let's get it, you know, let's get you up.
But certainly the whole, the machine will work you.
Once you're in it, there is, it's not just a positive,
it's like, you're in it because you sell tickets.
And because you sell tickets,
they wanna keep you selling tickets.
And I took a year off touring,
which undoubtedly hurt my touring business.
It's gonna, I am going to have to build it back up a little bit.
I'm not going to be able to sell.
I was selling out theaters multiple times.
I'm going on this theater tour.
I'll probably sell one theater.
You know what I mean?
I'll do worse, but that's fine.
That doesn't matter to me.
And you just see it from every from everything. It's like
You what you have to sacrifice to maintain
Success and I just wasn't interested you know I'm not that interested in it now
I still want to do things creatively and there's some of those things are at a high level
I made this movie that's coming out October 25th, and that's an indie that was kind of like my first
Foray into like,
you know, I co-wrote it, I star in it,
I executive produced it.
And I liked it because I just love dumb comedy.
Like I'm a child of Adam Sandler movies,
Chris Farley, Will Ferrell stuff.
I love that and I don't think we're making enough comedies.
I should tell the people,
Let's Start a Cult is the name of the movie
and it is the project
that involves both his writing and his needs and wants to be an actor and try to stretch
himself creatively coming out of any number of opportunities you could have had to pour
your time into as you back away from opportunities and say, no, I want to do this.
This is a project that matters to me.
Well, I did it.
Well, to be honest with you, I did it in that year.
It's done, right?
Okay.
It wasn't.
Okay.
But it is, and again, to be, if we're being totally frank, acting is harder and making
a movie is so much harder than I thought.
And that actually might have been the thing that fucked me up the most, those long days
and the nutrition's bad and no opportunities to work out.
And especially when you, I was pretty important on the project so I had to
be complete, I had to deliver every single day for six weeks or whatever, five weeks
whatever it was or the whole production was fucked so that was tough.
How much eating were you doing here?
Forgive me for getting in here but I've never talked about any of this stuff publicly because
I don't know like totally the roots of where my eating stuff comes from but at you're triggering some of it because I remember
Whenever it is that I would finish like a month of PTI that I thought was like the height of my dream
Walking through the airport. I would crush every fast food every fast food
I'm like to reward myself because of the I don't know knowing where was love in my childhood. 100%, no, eating was, I mean,
the movie kind of just broke all my good,
because I had been eating not great,
but I was working out and I was like kind of staying,
and the movie just destroyed those habits,
because you can't have any kind of real life
when you're working on something like that,
because you're working 12 to 15 hour days,
especially when you were rewriting the script, we're doing all this other shit. And you're working 12 to 15 hour days, especially when you were rewriting the script,
we're doing all this other shit.
And you're responsible for everything.
Yeah, yeah.
And so we would just get me and my buddy,
I wrote it with the director Ben Kittnick
and Wes Haney who co-stars in it,
and we all lived in a house, we were in a house together,
and it was like the only thing,
and the food was pretty atrocious,
it's a low budget movie,
so there's a lot of just buying fast food for lunch
and then you get done, nothing's open,
and you're like, my brain is going
a million different places,
I have to get stoned to shit and eat Taco Bell
to pass out and then wake up at 5.45 in the morning.
But.
Not healthy.
Not healthy, anyway, but hey, go see the movie, folks.
It doesn't make, you know, that's what's important.
But from an artistic standpoint, I am interested in, it is important to me to make these, and
I guess going forward, I know what it takes now and I also want to give myself enough
space to do all these things healthy.
Even this tour, I'm shelling out money for a tour bus, even though it's going to dramatically
decrease what I take home because waking up in a city so you don't have to travel the same day, you wake up in a city,
you can actually work out, you can actually get a healthy meal and then you can take a
nap before and actually have a semblance of reality.
But you are becoming, before our eyes, and it pains me to tell this to the audience,
you are trying to become a healthy adult human being Balanced around around comedy. Yeah without getting contaminated and and dying in a trailer because
Because whatever life has gone off the rails because you weren't examining
What made you happy because it sounds like you figured out some of the things that need to be found out so that you avoid
Pratt Falls and get to more things you want. Yeah, exactly, and it might take slower,
and it might not even get there, but it's like,
what's the point of giving everything up
for something when you've, and I haven't, you know,
like I said, like you said,
I pretty much got most of what I wanted.
Like, it can't get that much better.
Like, yeah, it'd be nice to be.
Oh, but to realize that while you're in it, though,
I think people get greedy.
Wouldn't you imagine that most comedians
would get eaten up somewhere.
You're sitting here saying the two specials,
they're not perfect.
I wanna make one better than that.
That's what matters to me,
to creatively put something into the world
that is my best work that I'm proudest of.
And maybe I quit and go grab the other things after that.
But you're saying that in the middle of that,
as all of your opportunities come true,
you're also realizing none of this is making me happier.
Yeah, and at a certain point, it's like, I'm not interested.
Like, I already have made more money
than I ever thought I was going to make.
It's not a, it's a crazy amount if you told me growing up, but it's not like
I'm not a, you know, huge millionaire or anything like that, but
I have enough money where maybe I'd like to make a,
if I want to have a family, maybe I make a little more, but I also help my family
in Baltimore, and like,
I'm at a place where I can do all those things pretty comfortably. I mean, I still
have to
work, I still have to go on tour. I took a year off touring, I can do all those things pretty comfortably. I mean, I still have to work.
I still have to go on tour.
I took a year off touring.
I can't do that another year.
But, you know, the podcast is pretty good.
I'm good.
I'm much better than most people.
And statistically, because of how bad inequality is,
I'm probably in super far up there percentage-wise, right?
And so, why do you need more?
I don't understand this, like, why. no I mean success you let we're in Hollywood
yeah the entire I just don't get it I don't I honestly how fleeting it is like
what more like what they write people write more articles about me I get to
go like I don't give a fuck about that stuff I don't being being like what more dinners are interrupted because people recognize me
from something like none of that stuff is positive to me. More parties with famous people?
More good seats at Ravens games? Yeah listen I got good seats at Ravens
games right like I and I love the Ravens I'll do whatever I love that
organization's the I've been a fan since they came to town, but like
Why I don't want to be more faint. I don't want to be like fate. I guess fame is bad
It feels like you got a fuck
It's like it's like working in a mine or some shit or like in a fucking in a in a nuclear power plant where you have
To put a suit over it to do your work
That's kind of how I feel about it where where it's like, don't let this bullshit affect you.
You're just a guy and you shouldn't,
don't let this stuff go to your head.
And just, the opportunity is to make stuff I like.
I loved making Let's Start a Call.
As hard as it was, I loved it.
I thank Dark Sky, the production company,
for taking a chance on, you know,
at the time my career wasn't even going good
when we were talking, when they let us write the script.
But I got creative control over that and the only limitation was the production company
didn't have that much money, right?
So we made a really cheap, the movie cost less than a million dollars, which I know
is a bunch of money, but for a movie that shoots for five weeks with a bunch of locations
and shit, kind of crazy.
And so all I want-
That's why the food was no good.
That's why the food was, kind of crazy. And so all I want... That's why the food was no good. That's why the food was...
It was tough.
The last day we had some kind of like, they were making shit up.
Shit that doesn't...
They were like, it's Szechuan flounder.
It's like, that's not...
I've had Chinese food my whole life.
I've never seen that anywhere.
I've never seen that on any menu.
Breaded flounder filets in a weird red sauce.
You guys are up to something here.
I know it.
The old fish is where we were at.
It was tough.
From earlier in the week.
It was very tough, yeah, yeah.
But yeah, what I want is if I can now,
if I can go on to, if I can chase that one thing,
the like, let me make that great special,
and if I can, and one if I can chase that one thing the like let me make that great special and If I can and one thing I do want to say about making movies
that was cool stand up is such an individual sport it feels like an individual thing and
Talking about playing sports your whole life. It feels like you're in it on a team tires is like that, too
I love that and by the way, I love doing tires because it's not Shane's the fucking star like
Steve directs it not Shane's the fucking star.
Steve directs it or Steve's the star, McKeever's the director.
I get to come in, I get to fucking be a guy who comes in and just like, I get to be the
microwave scorer.
That's fun.
You know what I mean?
I get to be six man of the year.
You get to use all of your physical strength.
Yeah.
Yeah.
I mean, you can sell tires.
Yes, absolutely. physical strength. I mean you can sell tires. If you'd walked in and not uttered a word
and just been in audition they would have said yes we'll take that guy. I will let you go on just
this question. Do you have the sappy story for us when however emotional it was or wasn't to be able to go back and and buy your mother's house
for her or or take care of the family whatever the family debt was yeah
honestly it wasn't I mean it was sappy in that what the debt you know the debt
was first and the house was later but I paid my mom's debt off and what was
really sad and is an indictment
of American society is that I saw the amount of money
that had been hanging over my mom's head.
And I won't, but it was not, like this was,
I was able to take care of this when, you know,
it was just the podcast.
I was not even a huge touring act.
And so I looked at the amount of money that was like,
ruled my mother's life.
This was not, it was not unsubstantial,
but it wasn't like, it wasn't fucking,
and now it's like I'm in a lucky enough place
where I can make that amount of money
in like a weekend of shows or whatever.
But still, it was like, it made me,
it fucking pissed me off,
because it was like, I knew how hard she worked.
I knew how like, this wasn't somebody who was fucking lazy
and it was like, dude, I don't know,
like maybe something like 10 grand, right?
Which is still a lot, I get that there's a lot of money,
but it's like to have crushed her for over,
I mean, you know, this was something she worried
about debt forever and it was just, paying it, you know, this was something she worried about debt forever.
And it was just, paying it off felt great. It just felt great knowing that, and it just
feels good knowing that if there's ever an emergency, because that was always what was
scary. It was like, my parents were able to, they could keep things on the rails, but it's
like if something happens, and thankfully nothing too crazy happened as we were growing
up, but it feels good now as my parents are getting older.
A health calamity, something that can't be insured.
A car accident or whatever.
Something.
Yeah, yeah.
I just can't believe that, and I can't believe that what you're feeling in that moment instead
of happiness, joy, satisfaction, anything earned, what you're feeling is how crushing
it is to be an immigrant in this country and give it everything and be drowning
under $10,000 in debt.
Yeah, and not just an immigrant.
I mean, just inequality in America is so crazy.
It's like people, there's a lot of traps
that people can fall into and work hard as shit.
And then these are some of the people that,
you know, people claim that are lazy, whatever.
It's like, it's just hard when you get, when you you have when you get into credit card debt or whatever debt early on and some of it
Probably was from a medical. I mean my dad had had some like health issues growing up
And so yeah, I mean I was happy obviously
But I was more angry because I was like I was angry for my mom and how much stress she had to like put out
And then you get into like I
Don't comedians don't deserve this
Like I I shouldn't be how the fuck have we gotten to the point where it's like a podcaster
America's principles are all upside down
Your success is an indictment of everything
You that your talent would be rewarded and would create a system of haves and have nots.
Yeah, yeah.
As your immigrant parents slave to create a better life for themselves.
My mom worked so much harder than me.
It's not even close.
America's stupid.
It's not even close how much harder my mom and so many people like her.
We laugh at the clowns and we give them money and the immigrants are buried under debt and
horror and the resentment of their children for not letting them live their dreams.
That's right.
And now I have to, if I do have a family, I have to make sure it's not some fucking prick rich kid.
Yeah.
That's I can't get, I gotta get less successful before having a family.
A spoiled, undisciplined slob is what you're going to make.
You can't have one of those.
The name of the movie is, let's start a cult.
It almost broke him
And I was trying to treat it as a celebratory tale. You're like
Almost killed me, but it is it is so but that it's both right?
That's what you learn is that like some of the shit you love will almost kill you and that year did almost kill me
It's like make sure it doesn't and get and go to the next one
You know what I mean the next time I I make a movie, it will be not...
Real wisdom in the idea that that pain, you could treat it as growth to know the things
in life that will make you happy, which are not a bombardment of saying yes to every last
fame opportunity.
Absolutely.
Thank you for the vulnerability, sir.
Of course.
Appreciate it.
Thanks for having me.
Yeah.
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