The Dark Somnium - "I found the bunker of a prepper family who went missing three years ago" Scary Story | Creepypasta

Episode Date: April 8, 2023

This creepypasta scary story is from the nosleep subreddit, written by Christian Wallis, make sure to check out the original story and support the author!I found the bunker of a prepper family who wen...t missing three years ago:https://www.reddit.com/r/nosleep/comments/11txaos/i_found_the_bunker_of_a_prepper_family_who_went/--- Send in a voice message: https://podcasters.spotify.com/pod/show/darksomnium/message Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Transcript
Discussion (0)
Starting point is 00:00:01 Dr. Daniel Vance was a smart man, too smart for his own good, maybe. Forty years old, a lecturer in fluid dynamics with a mind made of shapes and numbers. No one knows why, but one day, on a whim, he crunched the numbers on the apocalypse and came to a troubling conclusion. He didn't exactly share what he deduced, but given that he immediately quit his job and liquidated his many assets, it's fair to say it wasn't positive. Swept up in the wake of this tremendous upheaval was his wife, a 24-year-old PhD student who had grown infatuated with Daniel sometime before.
Starting point is 00:00:38 She loved this strange bear of a man who could just as easily build a log cabin as he could explain the idiosyncrasies of an asteroid's orbit. Speaking with Daniel always left you with the profound impression he was right, so when he told her what he wanted to do, she agreed. Fifteen years and five children later, the Vance's were living in the distant woods just beyond my hometown. They were enigmatic, richer than the Pope, and extremely serious about their prepper lifestyle. But they were all so funny, easygoing, and incredibly compelling to speak to.
Starting point is 00:01:13 Larger than life survivalists who swept into town with bizarre requests that filled local businesses were all shipped through the remote mountains so that the Vances could build their shelter. The advanced methods they used to keep it secret were legendary. Daniel had once spent six months earning the license necessary to drive HGVs up to his compound so that no one else would lay eyes on it. And on one occasion, when a company had refused his request for GPS tracker-free vehicles, he bought them out wholesale so that they had no choice. So when they stopped appearing in town during the pandemic, when requests for food and goods
Starting point is 00:01:50 stopped and all contact was dropped, most attributed it to lockdown. They had a bunker and had spent their entire lives training to be self-sufficient in the wake of civilization's collapse. Even Alexander, the youngest at just three, was already chopping firewood as a chore and learning what local plants were edible. Most of us just assumed that if anyone could ride out COVID without breaking a sweat, it was the Vance's. The reality turned out to be something else.
Starting point is 00:02:20 When the worst came to light, we discovered that Daniel had used the pandemic as an excuse for a dry run. The family intended to spend six months in lockdown and essentially beta test their fallout bunker. Three months in, and the sheriff received a distress call on the radio. Coordinates were provided by the hushed voice of a sobbing child that most assumed to be Alexander, even though that's never been proven. Police arrived and found the bunker still sealed. It took hours for emergency responders to cut into the hospital.
Starting point is 00:02:50 the door, all while efforts were made to contact the family within, but to no avail. Once inside, police were left dumbfounded. There was no one to be rescued, no bodies, no survivors. There was evidence that the door's locking mechanism had failed and trapped the vances inside with no way out, but if so, where'd they gone? Beds and cots lay everywhere with molding yellow sheets, buckets close to hand with stains all around them. Some doors were barred, others smashed to pieces.
Starting point is 00:03:23 There was even evidence of a makeshift quarantine, and in places, what looked like violence. The police, usually a fantastic source of gossip, were not forthcoming until the town demanded answers, and the sheriff was forced to offer only the barest of outlines. An outbreak of a waterborne illness had struck the vances down not long after they were locked inside and unable to seek help. of contagion were overstated, fueled by the unrelated rise of COVID. Whatever contaminant had killed the Vance's, it was non-organic in nature. No need to panic.
Starting point is 00:03:59 The Vance's loved ones had been notified. The bunker was going to be demolished, and we could put this terrible tragedy behind us. Of course, we still had questions, a thousand of them. Why hadn't the family called for help? They had radios, computers, and smartphones, too. They were surviveless, not Amish, and where were they? What happened to their bodies? Why hadn't they simply left?
Starting point is 00:04:24 We shouted these and more at the town meeting, but the police simply refused to comment. For most of us, the excitement lasted another week or two until we realized we weren't getting any answers anytime soon. Besides, the pandemic was in full swing, and most of us had other things to worry about. The tragic story eventually faded until it was just one of those awesome. awful things in the town's history that we didn't talk about. I was as guilty as anyone else of just forgetting about it. I certainly never expected to find the bunker out there in the woods, faded police tape still on the door that hung wide open with scorch marks around the lock.
Starting point is 00:05:04 I stood out in the woods like someone had cut a hole right in the fabric of reality. The darkness so deep and black it almost ached to look at. The side of it made my heart drop into my stomach. It radiated pain. Does that make sense? I think part of my lizard brain picked out details that wouldn't become apparent to me until I got closer, like the bloody finger streaks that stained the handle where someone had scraped furiously at the lock without success, and a tiny viewing window had been smashed with a hammer that still lay nearby. I needed only to glimpse it to imagine the family taking turns to stand there and scream into the woods desperate for rescue. Under any other circumstances, I would have run, but I'd gone there looking for my dog, and my
Starting point is 00:05:52 light revealed a few wet paw prints making their way down the dusty concrete tunnel. Half Bernese and half collie, Ripley was the sort of dog who trembles in my arms when a storm buffets the windows and needs his paws held when we brush him. I love him. I don't have much of a family, or a wife, or even many friends, but I have Ripley, and I could no more of turned around and gone home to an empty apartment where I would have to sob my grief away than I could flap my arms and fly. He was my dog, and I'd raised him since he was a puppy, and I wasn't going to leave him out in those woods. I went in after him. I didn't know what to expect,
Starting point is 00:06:33 but I knew it wouldn't be good. Whatever the police had found, they'd not only kept most of the morbid details to themselves, they had also lied. The bunker was not demolished or even sealed off, in fact. Looking at the occasional blue latex glove tossed aside, and the one or two broken police-issued flashlights, it seemed like the last people inside had been in a hurry to get out. Given this was where seven people had presumably died, I assumed it was someone's job to clean it all up, but the corridor looked largely untouched. Just a few meters in, and manic riding started to cover the walls. The desperate scrawls of a lone survivor left there to be redisor discovered like cave paintings.
Starting point is 00:07:17 Most were deliberations on how to get out, diagrams, blueprints, equations, and formula. All focused on the door and the circuits responsible for its faulty lock. I instinctively assumed they belonged to Daniel and that he'd been the last to die. What a god-awful fate for a man to outlive his children, and yet it got worse. Slowly, the writing changed from equations and plans to a desperate scrawl. The same few phrases repeated over and over. Five, not six. Six.
Starting point is 00:07:54 Didn't make it. Six doors. Six. It seemed like the kind of thing you'd find in an asylum, a psychotic rambling punctuated only by six paragraphs right at the end. Each letter was impeccably neat, and each small paragraph was topped with a beautifully drawn Christian cross. Elliot Vance, age 15, a gifted guitarist.
Starting point is 00:08:17 He liked boys even though he thought I did not know. I loved him with everything I had. He would have made a great man. Alicia Vance, age 14. She liked to paint and to shoot. She had her mother's mean streak. It would have served her well in the future. Elijah Vance, age eight, the smartest of us all.
Starting point is 00:08:38 These were Daniel's memoirs to his family, and seeing the words lit up by the torch was a haunting insight into the overwhelming despair he'd endured. He must have realized he wouldn't get the chance to speak at his family's funeral or write their obituaries. This was his last desperate way of making sure the world might one day know them as he did, as real people. The words marked the end of the tunnel, standing adjacent to a trapdoor in the ground. It was not open, but the tunnel came to a dead end immediately afterwards, and Ripley's
Starting point is 00:09:12 prince disappeared at the hatch. I feared he might be in danger, but still I stopped and looked at the bunker door twenty meters behind me. The once gloomy forest looked so bright, even on this cloudy day, the air dotted with rain. A part of me felt like I was leaving the whole world behind as I began to climb down the ladder. I entered a large circular living space that was packed with furniture. and little nooks and crannies. The walls were covered with folding beds and tables, and every inch was multifunctional.
Starting point is 00:09:51 A dining space could become a sitting space, which in turn might be where someone slept or even exercised. It all depended on what particular bit of furniture you unfolded, or unclipped, or unfurled. Seven people in close quarters, nowhere near enough privacy, it made sense they went with this cluttered, overlapping use of space. but it was still a large room, bigger than most studio apartments, and there were a few corridors that led deeper into the earth, telling me the bunker had unseen depths. I looked for some sign of my dog, and soon found his trail, but this far from the rainy entrance,
Starting point is 00:10:29 Ripley's prints were starting to fade. After barely a few meters, they petered out vaguely in the direction of a nearby door. I wanted to follow, but stopped myself from rushing onwards. It was unlikely Ripley was getting out any other way, and I'd do us no good getting myself hurt. I decided to take a look around and quickly spotted a dinner table. If I needed proof the police had not bothered with a cleanup, this was it. The plates were still out, the food wrought into a strange, blackened husk. A child's hat lay across one place setting. The once creamy fleece turned to a sickly green and yellow.
Starting point is 00:11:09 The chairs had their backs reinforced with wooden black. beams fitted with long grooves so that someone with the width of a nail could slide into them. And on each of the cushions there were foul-smelling stains that looked oddly like an aspirant. I touched one with a gloved hand and the material crackled audibly. Whatever it was, similar stains were on the cutlery and plates, and there were even handprints of it placed firmly on the tablecloth. At first I thought it was blood, but that wasn't quite right. It was too contained to be from leaking blood.
Starting point is 00:11:43 On the back of one of the chairs, a stain tapered exactly where a woman's waist would be, like a near-perfect silhouette. I shivered as I remembered that Miranda Vance had always been a slim woman and wondered how she had left her imprint on the gray fabric. Using my torch, I saw that these stains repeated on the oddest of places. Yes, there were some on the beds and blankets, and even patches of plain floor, exactly like you might expect in a room full of sick people, but why did one stain on the floor bear such a strange resemblance to a child huddled in a fetal position?
Starting point is 00:12:19 And why was the same stuff all over the TV remote and on the bookshelves and board games, too? Everything from sofa cushions to DVD boxes to piles of dirty laundry were covered in the same dried brownish material that gave off a foul coppery miasma. I found the jigsaw particularly baffling. Someone had set up another table with four chairs, all modified with the same back support as those by the dinner table, and a jigsaw had been laid out with four separate piles, but only one was depleted. The rest looked largely untouched, almost like someone had portioned out pieces for three other people who had absolutely no interest in going along with it.
Starting point is 00:13:01 Maybe Daniel had tried to keep up morale while the family was sick. God help me, if that were true, I couldn't help but imagine the point. poor man sat there with his loved ones close to death, desperately trying to encourage them to click their own pieces into place while they faded in and out of consciousness. Something about that room emanated madness, and the longer I stayed down there, flickering the bright disk of light of my torch from one detail to another, the more I wanted to leave. One door had wooden beams nailed across it. One sofa had been partially disassembled, multiple beds had been burned, and all the light bulbs had been removed and put into a box on the kitchen countertop.
Starting point is 00:13:43 Looking up at the ceiling, I finally had some insight into why the police were so confident that the vances had not survived, despite never finding their bodies. Someone had jammed a human finger into one of the empty sockets, almost like they expected it to glow with the flick of a switch. What was it about this place that had caused the police to leave and never return, not to even take that. finger and test it for signs of illness, or even just to confirm who it belonged to, I decided it was time to hurry up and find my dog. People had died in that place, and while I'm not superstitious, I can't be the only skeptic who has done the calculations in his head and realized it costs nothing to be respectful of ghosts.
Starting point is 00:14:26 That bunker was cramped, terrifying, and the air stanked so bad I started to worry I'd get sick myself. It served no one any good to linger. I'd be damned if I'd just walk away and leave Ripley to rot down there. It's not like he could climb a ladder and get out on his own, even if I wasn't entirely sure how he'd gotten down there in the first place. Summoning what little bravery I had left, I called out and broke the silence, something which felt like a terrible taboo in that god-awful place, like screaming in a graveyard.
Starting point is 00:14:59 Ripley! I waited and hoped to hell I'd hear the pitter-patter of his paws, but for the longest of moments, there was only the kind of silence that makes you wonder if someone or something in the darkness is holding its breath, trying to look like just another patch of nothing, biting its time until you finally turn around and show it your back. The TV came on with a burst of white noise that was so loud and so sudden I cried. I threw my arms up and nearly fell backwards onto a rolled-out sleeping bag that looked like it had spent a week in the sewer.
Starting point is 00:15:33 By the time I realized what it caused the noise, I could already hear a tinny rendition of Daniel Vance's voice. I realize the issue here. I need to emphasize just how little I understand anything that's... I frowned at the screen as I approached. It showed a greenish infrared view of the bunker with Daniel up front and the dinner table behind him. It was grainy and hard to see, but I could clearly tell that his family were sitting in those chairs. Miranda was the first to fall ill. Looking back, it makes perfect sense.
Starting point is 00:16:07 Miranda often went into storage to fetch food for cooking, and we found it behind one of the refrigerators. So that's... Ah, shit. One of the figures in the background slumped onto the table with a loud clank and sent a plate spinning off onto the ground. Shit, shit, shit. Daniel muttered as he got up and grabbed the woman by the shoulders and sat her upright. Miranda never did like my cooking. He laughed as he fussed with something at the back of the chair.
Starting point is 00:16:36 The rods are much better than tape. They fit right into the spine, and with a little modification, I can just lock them into the chairs. That way, everyone is able to join in for dinner. I'm working on something similar for a family game night. Daniel wandered over to the camera, and with a grin, he lifted it from the tripod and scanned the dinner table. What I saw nearly made me drop my torch. His family were long dead. Gaunt faces, missing noses, lips that had receded to reveal awful grins.
Starting point is 00:17:10 They were corpses plain as day, even when viewed through such a low-resolution image. The only thing that made them seem remotely alive was the way their eyes still reflected the infrared back so that they glowed in the dark. And yet Daniel seemed oblivious to it all. He tossled Elliot's hair, kissed his wife on the cheek, and ran a hand across one young girl's shoulder. He even picked the young Alexander up from his chair, and I assume he coddled him. I don't know for sure because I looked away, unwilling to see the poor boy up close. Eyes averted from the screen.
Starting point is 00:17:45 I couldn't help but pan my torch across to that same dinner table and shiver as I finally realized what all those stains were. Not quite blood, but close. liquefying flesh. Left alone for months, Daniel had not put his family's bodies to rest. Instead, he had moved them around from place to place and puppeted them, living life as if nothing had really changed. Looking at where those stains had settled, I saw a clear pattern emerge. He had put them to bed. He had set dinner. He had propped them up to watch TV or gave them their favorite book. They even sat there as lifeless husks while Daniel waited for them to complete.
Starting point is 00:18:25 a jigsaw. The idea horrified me to my core. Back to work. It's obviously not part of the original designs. No room on the other side, not on the blueprints. Elliot didn't believe me. And why would he? I made every inch of this place, but I did not install that door in storage on the bottom level. I checked the cameras and some of the photos I took during the build and the wall is just blank. but the door's there now and it must lead somewhere I don't know when or why it opens but it does
Starting point is 00:18:59 and the next time I'll be ready because I have to know what's on the other side and why it did this to us alone down there often all asleep at once anything could have slid our throats and been done with it but it didn't it took its time
Starting point is 00:19:17 and I have to know why it took our radios and our computers and phones one by one, none of us noticing until it was far too late. I kept telling the kids they needed to take better care of their things, and even as they complained, I just assumed the phones were lying behind some shelf. Where else could they go in a locked bunker? But it wasn't the children at all. Looking back, there are so many signs.
Starting point is 00:19:44 Who kept taking away the lights? Who kept draining the batteries in our flashlights? How long did we live with it before we finally realized? realized we weren't alone. Was it here every step of the way? A door out of nothing that leads nowhere, at least most of the time, because I know for a fact it does not always open to a blank wall. There is something behind it.
Starting point is 00:20:07 I can hear it shuffling around in there. Wet breath rattling in its lungs. A horrible sound I hear roaming these walls when it thinks I'm asleep. I listened to Daniel, fascinating by this strangely compelling rant when moving. A movement caught my eye, an infrared camera running in the dark. Its image a roiling mess of uniform noise. What was it I'd seen? I paused the tape and rewound, squinting.
Starting point is 00:20:35 I saw two pinpricks of light in the darkness just over Daniel's shoulder. Slowly, the image resolved itself in my mind. I knew what I was seeing and it turned my blood to ice. Miranda Vance had turned her head and her lifeless eyes glowed as she fixed them on the back of Daniel's head. Not even any point in leaving at this stage. I'm no doctor, but that door is giving off enough radiation to, well, kill a family of seven. If none of us had touched it, being in the same room, is too risky, but not lethal. But given how sick we've become, it's pretty obvious our curiosity got the better of us. One by one, we all got too close.
Starting point is 00:21:19 Or maybe not. Maybe that thing on the other side came. through and did this, I don't even know. Wait, what was that? Daniel turned and the camera stopped recording. The image it froze on was of a lone man, bright as a star in the camera's lens, facing off against unknowable darkness, broken only by six pairs of white, glowing eyes. I became painfully aware of my position relative to the table, and I had the painful premonition that if I turned, those chairs would not be empty. I would See the vances, all of them. Daniel as well, waiting for me.
Starting point is 00:21:58 Heads turned, bodies left to rot for years in the dark. Behind me, something shifted. It breathed, loud, quick, and I knew what it was. I knew. It came at me so fast that when I felt something hot and wet touch my hand, I screamed, only for the presence to suddenly recoil. But then without hesitation, it leapt at me and bore me against the ground. I wept, as rippily.
Starting point is 00:22:23 licked my face. She was shivering, and, worst of all, silent, which was not normal. He was not a quiet dog, not when greeting me and not when excited like he was now, but whatever he'd seen down here, he clung to me and dug his paws into my shoulders like he wanted to be cradled over the shoulder, and something that he had been too big to do for years. Oh, you idiot! I cooed in a soft whisper, and even in the dark I could feel his tail wagging,
Starting point is 00:22:51 Joking aside, I felt nothing but relief at finding him. Let's get the hell out of here. I picked him up, straining a little under the weight, but refusing to give in to tired muscles and made for the ladder. It wasn't easy climbing the three or four rungs to the hatch, but I managed and gave the hatch a shove. First one hand, then two, and again and again with everything I had, but the hatch still refused to budge.
Starting point is 00:23:19 I started pounding at it with my fists. But all I achieved was a sore wrist. The hatch had jammed when somehow the handle had been snapped clean off. Now I'd need a pair of pliers or something to cut through the metal bar locking it shut. My fingers couldn't move it, nor could I brute force the hatch open. The metal bar was an inch thick, and at the very least, I'd need some tools to get at it from this side. Well, at least it's fixable. I thought, as I climbed back down and caught my breath.
Starting point is 00:23:51 On one wall, I noticed a simple diagram of the bunker made in chalk. It had three floors. The bottom was storage. Daniel had mentioned that before, and I noticed that he had drawn through it with a large red X, and the top floor was labeled quarters, where I stood now. But the middle floor was labeled workshops, and it was there I realized I'd find what I needed. There was one door that opened onto a concrete stairwell, and, standing at the top, I shone my light down the spiraling guardrails, unsure of what I hoped to see.
Starting point is 00:24:26 There were only harsh shadows and the sense of something foul rising up on the air, a smell that tickled my throat and burned a little in my lungs. Had the police even gone down this far? Had they seen what I'd seen on that TV and just left? Somehow I thought it was unlikely that had been enough to send the entire sheriff's department running. So was it something else that had done it? that had been enough to terrify dozens of armed men?
Starting point is 00:24:54 Something that was almost definitely down there. The door. I went down quietly. At first, I considered leaving Ripley behind, but after losing him the first time, I decided I'd rather risk it just to know that he was right next to me. Besides, he was being quieter than I was, and I didn't feel much like going down those stairs on my own. He accompanied me with only the quiet sound of his pause on concrete.
Starting point is 00:25:20 A sound I found deeply comforting as I barely managed to keep my torch from shaking in my hand and my breathing steady. Down one floor and I found the workshop exactly as you might expect. A large space filled with generators and fuel and water tanks, boilers and heaters and pretty much anything and everything else you'd need to survive, but which you couldn't put outside due to fallout. Wires, pipes, and tubes ran from one end of the room to the other, and even years later most of the machinery still hummed in the pitch black emptiness.
Starting point is 00:25:53 An idea I found deeply unsettling. Taking one look at that strange tangle of harsh shapes and industrial figures looming out of the walls and floor, I shivered and looked around, quickly finding a small area Daniel had corded off for his own use. About a fifth of the total floor space, there was a large workbench and some seriously high-end machining equipment, all very well used. Buzz saws, drills, belt sanders, welding torches, everything a man needed to do it himself. And Daniel had been busy. I'm not sure what exactly it was he'd been working on, but there was an arm on the bench. It sat atop a pile of papers that had slowly turned brown over the years until the whole
Starting point is 00:26:37 thing looked like it had been soaked in tobacco spit. On the whiteboard was a faded but still visible diagram of what looked like a ball and socket joint. I thought of the tape, of Daniel's little mechanisms to keep his family upright, then looked at the arm and suppressed a momentary gag reflex. I don't know if Dan had been working on posable limbs or just a way to put the decomposing remains back together after they'd started to fall apart, but the size of the arm suggested a pre-teen child, and he'd left it out on the surface like it was a disassembled clock.
Starting point is 00:27:13 It was also missing a finger. Just how crazy was he? I wondered as I pinched my nose with one hand and began overturning boxes looking for a hefty pair of pliers, or maybe a hacksaw. Ripley backed away from the noise, but once I made sure he wasn't going anywhere, I carried on grabbing and pulling at box after box, hoping I'd find what I was looking for, anything to break that metal bar. In the end, I managed to get a pair of bolt cutters, a crowbar, and a heavy-duty pair of pliers,
Starting point is 00:27:43 One went in my pockets, one went down the back of my jeans, and the other was clutched in my fist, too large to be tucked away in my clothes. The bullcutters felt hefty in my hand, which was a bit of a comfort, but the feeling didn't last long. Something moved in the darkness. Out there in the twisted jungle of shadows cast by all those pipes and wires that ran from one machine to the next, a figure moved. Thin but unmistakably human in its outline.
Starting point is 00:28:13 I couldn't help but remember what I'd seen on that tape. Surely, it couldn't have been real. Maybe Daniel had rigged something up, some fishing wire and a motor maybe. The idea that those bodies had been moving on their own, I couldn't be sure of that, could I? It was a frightening idea, one my mind had latched onto out of sheer panic. That was all. And then I saw them, a pair of white pinpricks reflecting back at me from the depths of that cluttered room. room. Ripley already behind me, head nuzzled into my leg, pushed even closer against me,
Starting point is 00:28:49 and let out a barely audible whine under his breath, the behavior of a dog who was terrified, close to pissing himself with fear. Just a bit of metal, I told myself, as the light shone so violently in my hand, I struggled to see straight, just two shiny bits of metal. They blinked and began to come towards me. If I had any doubts left, they were dispersed by the sight of a pale white hand emerging into the light. I ran straight to the stairs and went to climb them, but only one or two steps in, I saw something gripping the handrail on the top floor, a moldy clump of flesh just recognizable as a fist. The flesh withered until the fingers were basically bone. Without meaning to, I brought my light up out of habit, and I saw the bloated face of a hairless
Starting point is 00:29:36 corpse glaring down at me. I couldn't even tell you if it had been a teenage girl or the 60-year-old Daniel. Either way, I instinctively turned and found another body shambling towards me out of the workshop. I was trapped. Nowhere to go. I could feel Ripley behind me, an adult dog, tail between his legs, shivering like a puppy and desperate to be picked up. God, I needed him to stay together for a little longer. I couldn't take him in my arms, but I couldn't leave him either. With nowhere to go, I ran down and entered the storage. There was the temptation to stop once I hit the bottom. Down here the air was thicker, and the sounds of my breathing were muted, somehow distant, but I only had to look back up to see three pairs of eyes glowing down at me. So without giving any
Starting point is 00:30:24 of it much further thought, I barreled down the corridor and stumbled onto a door at random, opening it, I saw what looked like your standard storage room. Only most of the shelves had been overturned, and the food left to rot on the floor. One or two shelving units were still upright, though, and their shelves were covered in tall, opaque boxes that made them a fantastic hiding spot. That, I decided, would have to be where I crouched down and turned off my light. I was already inside when I realized that wasn't all that was in there. The door almost looked normal. I could see why Daniel must have been confused by it because it looked a little bit like
Starting point is 00:31:04 the other doors down here. But it was different, too. It was too tall and too wide, about a, foot and a half off the ground, and the metal rusted in its entirety, like it had aged out of sink with everything else down here. All around the jam was a profusion of wet, soppy moss, like the kind you find hanging off trees in a swamp, and every few seconds the door would leak something strange and oily.
Starting point is 00:31:31 Of course, that wasn't too strange in itself, but the leak was horizontal, creating a puddle about the size of a man that defied all reason. Remembering Daniel's words about radiation, I instinctively inched away from this puddle and the door on the opposite wall. Backing myself into the darkest, quietest corner I could while I pulled Ripley behind me and hoped to hell he wouldn't give me away. Once I was in there, I turned off my light and waited. I must have taken longer than I'd thought to hide, because it was barely a few seconds later
Starting point is 00:32:04 when a few figures entered the room. It was pitch black after I'd turned off my torch, but... They made enough noise to let me know that at least two of them had stumbled in after me. I stayed there, unable to see anything. Not sure if they were heading straight for me or just getting ready to leave, forced to hold out and let luck decide my fate when I finally heard something scrape against the wall barely two feet from where I stood. I gave up and switched my light on, desperate to know what was coming for me.
Starting point is 00:32:33 The sound had been terribly misleading. Daniel Vance was no more than six inches from my face. Gett! He hissed from a toothless and cracked smile. A living corpse just like the others. Somehow a flash of intelligence remained in those wide, terrified eyes. And then I heard it. The creaking of a door, and without even thinking, I turned the light and saw it on the wall.
Starting point is 00:33:02 I saw it open, and behind the strange steel there was more than just plain old concrete. I saw a raging gullet of flesh, a ring tube of pulsing muscles lined with teeth the size of hands, a spiraling descent into madness, hot, fetid air washed into the room, buffeting me and the rotting corpses, all of us paralyzed by what we were seeing, even if most of the figures besides Daniel and myself they didn't have eyes to see with. What the? I muttered, unable to take my eyes from the flesh tube. beyond the doorway.
Starting point is 00:33:41 It's coming. Daniel whispered as he grabbed me with one fist and hurled me out of the room. I hit the door and skidded along a slick fluid left by the Vance's footprints, the smell of which turned my stomach. Perhaps the worst detail was it was cold. I don't know why I'd expected whatever oozed from them to be feverishly hot, but it wasn't. It soaked my shirt like I'd fallen into a muddy puddle. This voice wasn't Daniel's.
Starting point is 00:34:11 I couldn't say for sure, but it sounded like a child's whisper. One by one, the body shuffled over to the open door had knelt before it. I don't know why, but I got the impression the others had lost pretty much everything left of their minds. But Daniel remained aware. He looked back at me once more and spoke before he pressed his head to the door in supplication with the others. The only thing we did wrong was be here for it to torture. It didn't need a reason. Just an opportunity.
Starting point is 00:34:43 Leave. It won't let us go. It won't even let us die. And if it catches you, it won't let you go either. His head kissed the dirt, and then something reached through the door and gripped his head in its palm the way you or I might pick up an apple. In full panic, I ran over, grabbed my dog in the bolt cutters, and ran like my legs were pistons, machines whose signals of exhaustion and fatigue could not slow me down or cause me to fall.
Starting point is 00:35:14 I had to move. I had to leave. The hand that grabbed Daniel, the sight of it flushed my mind clean like some kind of enema. It hurt to see the image replay in my mind, but there was nothing else in my head echoing around except the sight of fingers with one too many knuckles and nails as large as phones. I reached the top floor and nearly collapsed from breathlessness, but I wouldn't let myself stay down for long. I crawled over the ladder and climbed up and immediately went to work trying to cut the metal
Starting point is 00:35:47 lock. It was hell with just one hand, the other clinging to the torch that I kept frantically pointing at the door behind me, and it wasn't long before I fumbled one too many times and dropped my only source of light. No, no, no! I mewed, but there was no time to look for it. I had to get out, and I had to get out fast. I couldn't see, but I was sure I could hear something climbing up those stairs.
Starting point is 00:36:12 Not the steady thump of human feet. No, this was different. This was a rapid pitter-patter of a spider, maybe. Something with hundreds of feet or hands, or God knows what, skittering along the floor and walls and ceiling, pulling itself along with a body whose mere shape would offend God. Using all my strength, I leaned hard on the bulk cutters, and at last the bulk gave. I threw the hatch open and got just enough ambient light to see Ripley hovering at the bottom
Starting point is 00:36:42 of the ladder. I crouched down, scooped him up, and fled up the ladder so quickly that my muscles turned to jelly at the top, and I fell over onto my hands and knees. But still, I was out. The long corridor covered in riding was ahead of me, and at the very end, a doorway now capped by the tired blue light of the full moon. Rippling needed no encouragement, he whipped down the corridor with canine speed, and I followed at a broken and stumbling crawl, eventually shouldering past the doorway and collapsing onto the
Starting point is 00:37:12 forest floor. For a few seconds, I drifted in and out of consciousness, but when I looked up and saw the canopy overhead, moving the branches back lit by a full moon, I snapped awake and glared down at something gripping my ankle. The hand had reached out of the dark and seized me and was slowly dragging me back into the earth below. Whatever it was, most of its body lurked out of sight in the shadows behind the doorway. But the hand that crushed my leg was the size of my torso, with an arm that looked like it belonged to a mole rat. I struck it with my own fist.
Starting point is 00:37:47 I dug my nails in. I cried and kicked and screamed, but nothing could stop it. From behind the door, something like a face grinned and leered at me with just. It was taking its time, sure enough, pulling me in so slowly that it gave my mind all the time in the world to appreciate the nightmare that awaited me. I think in, if that moment you'd given me a gun, I would have shot myself because God help me, I couldn't escape the look in Daniel's eyes, how he'd knelt to worship this thing like a man who knew that hope or pride or joy or anything with even a hint of goodness was so far
Starting point is 00:38:25 out of reach for him, it might as well be a dream. How long was this thing going to keep me down there? I wept like a child, feeling my mind was slowly cracking as I tried everything to stop that thing from pulling me into the shadows. I kicked at the earth, dug into it using my hands, looking for a root or a pipe or anything to hold on to. Nothing, nothing I did would slow it down. I was no more a foot from the doorway when Ripley reappeared. A dog afraid of hoover's and plastic bags and doors that move on their own. A dog who once got stared down by a particularly feisty rabbit who stopped mid-chaise and turned around, baffling the predator on its tail.
Starting point is 00:39:06 A dog you couldn't even watch scary movies around, and he lunged at that arm like he was a wolf, like he'd always been one. While he didn't quite break the skin, the pressure was enough to make the thing's grip weaken and I slid my leg out. Unable to stand, I knelt and grabbed the dog and pulled as hard as I could, and now that That thing bled at least a little, and the pressure of the jaws and the sliding teeth ripped into its flesh. Together at least, Ripley and I were let go and sent rolling backwards head over heels.
Starting point is 00:39:36 I wasted no time waiting or looking or processing. I heaved the dog onto my chest and crawled until I passed out, making it maybe half a kilometer away. Only when I could no longer see the door did I let myself fall to the ground face first and gave up consciousness. The doctor said I had no mother. which I suppose made some kind of sense. I might have believed them were it not for the sheriff's visit, asking strange questions
Starting point is 00:40:02 of me as I lay in bed about what I may or may not have seen. I dismissed them to the best of my ability. I wasn't interested in chasing that particular nightmare down, figuring out if it had been real or not, at least not while I lay there half drowning in my own infection. To be fair, I had at least some sympathy for why the police had done so little to seal the place off. I had, on occasion, thought about going down and doing the job myself, but to this day I still have nightmares about being pulled into the dark beyond that door. Not just the bunker door, not the one I narrowly avoided at the end, but the one below. What I saw
Starting point is 00:40:42 was a kind of madness. I'm sure of it, and I often think of Daniel's words. It didn't need a reason, just an opportunity. Somehow the vances were that opportunity. Maybe they built their bunker on a layline or a weak spot between dimensions or the site of former satanic rituals. I'm not sure if it even matters. They went into the dark thinking it'd be a safe place to wait out the world's troubles, but something had been down there waiting for them, waiting for a chance to get a family of seven people, to lock them in and deprive them of escape and slowly take from them everything
Starting point is 00:41:19 it could. I've moved since then. I couldn't help it. It wasn't just the memories, you see. It was the shortwave radio I kept in my basement, something my father passed on to me when I was just a boy. God, I had forgotten about it, at least until I woke up one day to the sound of it blaring white noise down in the dark, and buried in that sound was the faint whispering of a man,
Starting point is 00:41:45 his voice barely recognizable, but unmistakably his.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.