The Jefferson Fisher Podcast - Body Language Expert: The #1 Cue That Makes People Dislike You
Episode Date: August 19, 2025Ever wonder why some people just click with everyone? In this episode, I sit down with my friend Vanessa Van Edwards—behavioral investigator, author, and founder of Science of People—to break down... the science behind first impressions, charisma, and connection. We dig into what people really notice in the first few seconds of meeting you (hint: it’s not your words), how to instantly build trust, and the vocal mistake most people make when they say “hello.” Whether you're walking into a boardroom or meeting someone on the street, this is the conversation that’ll change the way you show up. Check out Vanessa’s amazing website - https://www.scienceofpeople.com/ Thank you to our sponsors: Cozy Earth. Upgrade Your Every Day. Get 40% off at cozyearth.com/jefferson or use code JEFFERSON at check out. Momentous. Visit https://www.livemomentous.com/ and use code JEFFERSON for 35% off your first order. Our Place. Visit https://fromourplace.com/JEFFERSON and use code JEFFERSON for 10% off sitewide. https://fromourplace.com/?utm_source=audio&utm_medium=podcast&utm_campaign=JEFFERSON BetterHelp. Click https://betterhelp.com/jeffersonfisher for a discount on your first month of therapy. Order my new book, The Next Conversation, or listen to the full audiobook today. Like what you hear? Don’t forget to subscribe and leave a 5-star review! Suggest a topic or ask a question for me to answer on the show! Want a FREE communication tip each week? Click here to join my newsletter. Join My School of Communication Watch my podcast on YouTube Follow me on Instagram Follow me on TikTokFollow me on LinkedIn Learn more about your ad choices. Visit megaphone.fm/adchoices
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Welcome to the Jefferson Fisher podcast.
I brought you somebody who is not only a personal friend,
but somebody you need to listen to it.
If you're listening to this podcast, I know you do it
because you want to improve the next conversation.
Well, this is somebody who's going to help you do that.
This is Vanessa Van Edwards.
If she looks familiar to you,
it's probably because she's been everywhere.
If she's been on anything, it's a million podcasts
and for a good reason.
Vanessa is a behavioral investigator,
is I think, the way she would describe it.
She is an author of several books.
She's the founder of Science of People.
It's a wonderful website that we're going to be talking about later of how to get into
that and get more classes from her.
All about how do you talk about charisma?
How do you improve first impressions?
How do you deal with behavior in a conversation that's going to help you enrich your life?
Vanessa, thanks for coming.
Thanks for having me.
It's so good to see you even through the screen.
I know.
I was saying earlier, it takes a podcast for us to see each other again.
she's Vanessa and her husband are wonderful and have big good friends throughout this whole experience while I'm going hey Vanessa you've been on this podcast how was it how's it going what are you doing and Vanessa is the she's for sure the veteran she's the pro in this space as someone once told me yesterday oh you know you've just had an overnight success and I'm like if overnight success is doing a video a week for 17 years then yes I've had overnight success for sure sure sure
Vanessa, I, in this podcast, in this episode, I really want to hone in on some of what I already know is your expertise.
And some of the people listening may not know about it.
When you meet somebody for the first time, as a stranger walking up, you shake their hand, you say hello, what are some of the first things we look for?
Where do I eyes go when we are trying to connect with somebody that we don't know?
Yes. You know, this was a startling news for me as a recovering awkward person. I'm a recovering
awkward person and just have had always had trouble connecting with people, which is what got me into
those work in the beginning. And as an ambivert, somewhere in between introvert and extrovert,
I always thought that my first impression happened the moment I started talking. So in a meeting
or in a restaurant or at a party, my first impression didn't activate until I said,
Hello, I'm Vanessa. And unfortunately, I read a study that changed the way I think about first
impressions, which said that our first impression happens the moment someone first sees you. And this
shocked me, and was a little horrifying, because it meant that we have to think about the cues that
we're sending the moment we walk into a room, the moment we pop on camera, the moment someone else
comes into a restaurant or a party. And when they look at eye tracking studies, they find that we
focus on, and by the way, most people think we look at the face first, and eye contact is very
important. But actually, one of the first places we look is our hands. And this is a kind of a
survival mechanism back in the day, our caveman days. If we were approached by a stranger
caveman, we look to see if they were going to greet us. Were they going to wave at us?
Were they going to throw something at us? Were they carrying a rock or a spear? And so we look
at hands first to see intention. And we still do this, even though we no longer are carrying rocks
or spears to see if someone's going to be dead. Maybe some rocks. I like a spear, you know.
Who doesn't like a cool rock? Yeah, why not make it the next fashion accessory? I'm for it.
What if I just like show up on the podcast, like just holding like a caveman spear?
Yeah, you should have. You should have. How interesting. So it's the hands. It's the hands is what we
like for it. It's hands. And by the way, this is like a very quick mental checklist. So when
humans first meet each other, they're trying to answer two basic questions. Can I trust you and can I
rely on you. The faster you can answer those questions, the that are your first impression. So
trust. Trust comes first. When you say, morning, and you hold your hand up, palm out, we love
seeing a palm. I know that sounds crazy, but the palm is one of the best parts of our body because
it shows that we're not hiding anything. So you hop on video, you hop into a restaurant,
you wave someone over, morning, hi, nice to see you. You are literally telling another person,
you can see my intention. I am open to you. The next thing we look at is eye contact. We're
looking for the face to see if we're going to have any kind of chemical connection. And this is a
fancy, fancy word for connection is oxytocin. Oxytocin is the chemical connection, which you know.
And we produce it a couple of ways. And humans are addicted to oxytocin. We love when someone can
gift us a big burst of oxytocin because it makes us feel calm. It makes us feel connected.
It makes us feel like we belong. So the very first way we produce it with another human is eye contact.
The moment we mutually gaze, we both begin to produce a little bit of this chemical.
And amazingly, research found in COVID that we can even produce it through a webcam.
It's less, but we can still produce it.
So even on video, hopping on, the mistake I see on video is people, the video pops on,
they make an accidental first impression, they're shuffling their papers, they're checking their phone,
they don't even make eye contact, maybe they glance up at the camera, oh, morning.
Actually, those first few seconds of a visible hand making eye contact, it produces a little
bit of that chemical, then in person, the next way we produce the chemical is some kind of physical
touch. Handshake, high five, fist bump, cheek kiss, hug, side hug, any kind of physical touch
that's welcome, and that's a whole different issue, that's welcome produces oxytocin.
That is going to chemically set you up for success to have a trust foundation.
So when we see somebody and we're going, I don't know, do we like this person, do we not?
without us even knowing about it, we're looking at them and making these judgments before
we even hear their voice, that right?
Yes.
And so one of the first things we look at are the hands.
So we look at their hands.
We look at the, you said the palm, definitely the palm.
The eyes, the face.
The eyes and the face.
And then now we get into like the more exciting territory.
So the next thing that happens is we're looking for reliability cues.
So the first thing is, can I trust you?
Are you going to be open to me?
Are you going to acknowledge me?
Then we're like, so, kind of sussing this person out.
Am I going to like what you have to say?
Are you going to tell me something credible?
Can I rely on your opinion or your words?
And there's a lot of different ways to show reliability.
But one of the first ways is your voice.
And this makes sense, by the way, if we think about just how humans interact,
it makes sense that we would judge very small cues from across the forest or across the room.
Then we're listening for vocal cues.
And I think vocal cues are the most underestimated part of our career.
charisma, your very first word is critical to your entire impression.
In fact, researchers find that we decide how confident someone is within 200 milliseconds
of hearing you speak.
And the reason for this is because our voice holds all kinds of cues that are very difficult
to control, but they actually can be calmed on our tension, on our anxiety.
So for example, right now I'm working super hard, Jefferson with you, to keep my voice at its
lowest natural pitch. When I get nervous or excited, I tend to go a little higher in my vocal
range and I get a little bit of vocal fry. So if I were to do this entire interview like this,
it would really drive you crazy. Now, I just manipulated my voice to make it sound anxious. So what's
happening is if someone picks up the phone or says hello on Zoom or in a room, if we hear someone
with a little bit of anxiety in their voice, we don't want to catch it. And so if we hear tightness,
vocal fry, loss of volume, we hear, oh, they feel anxious about what they're about to say,
or they're in a state of discomfort.
I don't want to catch that discomfort.
I can't rely on them.
So when you state your first impression, you actually think the most important part of a presentation,
a pitch, an interview, a date is how you say hello, which is good news, right?
It's only one word we have to worry about.
Can I tell you the biggest mistake people make with their hello?
Yeah, let me, let me ask, tee it up this way for us.
Yes.
Vanessa, what is the biggest mistake people make when they say hello?
The biggest mistake people make is they are nervous on their first word.
And so they take in a deep breath and they hold it all the way up here.
And that immediately, when you take in a deep breath and you hold it, it creates fake tension.
It creates tension, your vocal cords, your jaw, your mouth, your chest.
and that's going to make you sound
accentally anxious.
So I want you to hear the mistake
that people normally do
at the top of their breath.
Morning!
Hello!
Where they're all the way
at the top of their pitch
with a lot of tightness?
Instead, what I want you to do
is take a deep breath
and speak on the out breath.
So we can force our vocal cords
to relax, our chest,
our jodder relax
and we speak on the outbreath.
So try this with me.
So, Jefferson,
taking a deep breath,
and I want you to say hello
at the top of your breath.
Ready?
Hello.
Hello.
Oh, yeah.
That doesn't even feel good.
It feels terrible.
It feels terrible.
And also, I would not rely on you as much, right?
If you opened up a call.
I wouldn't rely on me either.
Yeah, no.
Like, who was that?
Yeah, who's that guy?
That didn't even feel good.
That's, so when you, I would love for you to do this wherever you are right now.
So you can hear what you sound like when you're your most anxious.
I know what I sound like.
And sometimes my voice cues me before my body.
I'll hear my voice go into that.
range. I know what that sounds like. And I go, oh, mentally. Okay, time to. And this is when I
taking a couple deep breaths and I speak on the out breast. So here's the difference. Then we'll
try it together. So this is on the intake. Hello. This is on the outtake. Hello. So two
totally different sounding hello is, even though I'm the same person. Right? I sounded like a
different person, right? Jefferson, does that sound different to you? Yeah, hello. What's your name?
Yeah. Who is that? Is that Vanessa? I'm looking at. Yeah.
Okay, so, Jefferson, try it on the out breast.
So take in a deep breath and speak on the outbreak.
Hello.
No, you still had bread.
I saw you go.
Yeah, yeah.
Sorry.
I couldn't, I couldn't do it.
I'll show you again.
Here we go.
I'll show you again.
So on the out.
So first take a couple deep breaths.
Take a couple deep breaths.
I embarrassed Jefferson.
I can see the redness.
I can see the redness.
Okay.
So this is the best part about doing a podcast with a friend is you can just, I can make
Jefferson do anything I want right now.
Like, what if this wasn't even a real exercise?
She's the guess, so yeah, just wait until I turn this back around.
I don't know.
What if I was like, now take a banana and swing it around your head?
That's going to be, okay.
So this is a real exercise.
Okay, so on the out breath, we go, hello.
Hello.
Oh, yes.
Didn't that sound good?
That sound confident?
That sounded so good.
Oh, goodness.
You're like, did that sound confident?
So I want you to play with this, right?
Like, you're going to find your lowest natural range.
Let's take a step back for a second.
Okay.
The reason why this is important is because I don't want you to accidentally give away your vocal charisma.
We accidentally do this when we are accidentally holding our breath.
Or sometimes it can happen with tension in our body.
So I often see, and women tend to do this more than men, but both, and also children do this a lot,
where we hunch our shoulders up, we tilt our chin down and we go, morning.
Yeah.
And we take up as little space as possible.
When we take up as little as possible, it also accidentally creates tension.
So the entire goal here is you are already confident.
You're going into your calls or your dates.
You want to be your best self.
Let's show it.
So going into your lowest natural range.
And the second thing is that we don't want to ask our name.
So this often happens, especially in important business presentations or pitches, where we
accidentally use the question inflection on a statement.
A question inflection is when we go up at the end of our sentence.
So instead of asking, we're stating.
So instead of stating, we're asking.
So someone says, good morning.
I'm Vanessa.
Nice to be here.
And not only this is very annoying,
but what it actually is doing is liars typically use the question inflection.
And that is because they know what they're saying is not true.
And so accidentally they are asking you,
do you believe this?
And our brain knows this.
They found that when we hear an accidental question inflection used on a statement, our brain goes from listening to scrutinizing.
And so what happens is in this first few seconds of a first impression, we say hello and then we ask our name.
That is the fastest way to tell someone, you can't rely on me.
I'm questioning me you should question me too.
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jefferson use the code jefferson for 40% off so we talked about hands we talked about eyes and
face we talked about how just within milliseconds we're already judging assessing somebody up to
see if can we trust them can we not trust them you use a lot of the word reliability
Can I rely on you?
We talked about, you know, some of the ways that pulls down reliability, lessens it,
is when you keep your voice up in that high range, when you're not breathing, you know,
taking that full breath and what you said, speaking on the out breath, and then also
in our shoulders making us feel very small.
And when you have that upward inflection, it sounds like you do not have the confidence.
Like you don't want to, I'm an inconvenience to everybody here.
like somebody who's introducing themselves and they hunched their shoulders and like hi like this hi hello like please don't look at me i don't want to hear anything i don't exist um those are always that i not only i think affect what we judge somebody on first impression i'm curious to keep going on this line Vanessa what can somebody do listening right now can they do to improve their charisma on somebody if we can define what charisma is that would be cool
because we feel, really we feel it more than we know it.
Like I just, I don't, there's something about this person.
I just like them.
You might say they have charisma.
People tend to like this particular person.
What is charisma to you and what are some ways that we can approve on it?
I love very charismatic people.
In fact, one of the earliest studies I did in my career was studying highly charismatic people
where I did a very simple experiment.
I asked people, what is charisma?
So they came into my lab, I said, what is charisma?
And it was amazing how hard it was people to answer that question.
On average, it took people about 15 seconds to answer that question, 15.7 seconds.
And they often could not come up with a very steady definition of it.
And it varied widely.
The second question we asked was, who is the most charismatic person you know?
This question was super easy, people to answer.
It took people less than three seconds to answer that question.
They could immediately think of, you know, a parent or a teacher,
or a friend or a boss.
And I thought, exactly as you said,
charisma is this very hard thing to define,
yet we know at the moment we see it.
And that made me think for a long time
that charisma, you had to be born with it.
It was an innate trait.
You either had it or you didn't.
And I said, well, I don't have it.
So there's that.
And then I discovered study,
this is by Dr. Susan Fisk at Princeton University,
the groundbreaking study on how we come across to others.
And what she found was that we often think of charisma
as very extroverted, very bubbly, very positive, maybe even smarter or more athletic or funny.
Those are all words that came up in that, what is charisma.
But actually, thank goodness, it has nothing to do with our attractiveness or our humor.
It actually has to do with our warmth and competence.
Specifically, very highly charismatic people.
What makes someone very highly charismatic is they are off the charts in signaling warmth
and off the charts in signaling competence.
And I use the word signaling very specifically because you could be the warmest, most competent
person out there, but if you are not showcasing it, people don't believe it.
And so highly warm and competent people, and it comes at the same time, so highly warm folks
are queuing others for trust, likability, and openness, friendliness.
We want to be around them, we want to open up, then we want to talk to them.
On the other side, they're also signaling high competence, credibility, efficiency,
productivity. In other words, highly charismatic people very quickly answer the questions,
you can trust me and you can rely on me. The problem is, the reason why these charismatic people
are so rare, is that most of us showcase an imbalance. We showcase too much warmth or too
much competence. And let's start with competence, because I think that most people listening
to this podcast are highly smart. And this is the problem, this is the plague of highly smart
people. Highly smart people have great ideas. This is most of my students. They are off the charts
talented, very brilliant, and they hope they think that their book smarts, their preparation,
their work ethic, their great ideas will stand by themselves. And so they showcase lots and
lots of competence. They go into an interview signaling credibility and productivity and efficiency.
They walk on stage or do a presentation or a pitch with lots of great numbers and beautiful
slides and a really great business plan. But what the research says, and this is, this is a
is a quote from the research, competence without warmth is likely to leave us feeling
suspicious. No matter how good your idea is, if you can't showcase it with warmth, people will
not believe it. And so they show up with all these competent signals, but people see they're
intimidating, cold, hard to talk to. They get this gut feeling of like, I just don't get a good
feeling. Competent folks need to learn how to cue warmth along with their ideas for people to believe
them. On the other side, we have folks who have very, very high signals of warmth, but they don't
showcase enough of their competence. And this is the plague of people pleasers. And I am also a
recovering people pleaser. We're highly warm folks. We really want people to like us. We are
very focused on being liked. Competent folks want to be right. So they want to make sure they're in the
know. In fact, you know you're in a relationship with a highly competent person. My husband is
off the charts competence if they constantly Google fact check you.
That's how you know you're in a relationship with a highly common person because they are more
focused on being right and less focus on being liked.
Highly warm folks want to be liked and they often will put likeability over credibility.
So they'll sacrifice their respect or credibility just so people will like them.
And here's what happens when you do that.
When you signal lots and lots of warmth, people love to open up to you.
In fact, you know that you're high open if people love to tell you they're,
life story. It means you are signaling. You are broadcasting. Open up to me. Tell me everything.
Highly warm folks. One of my friends is highly warm. Whenever she sits on an airplane, the person
next to her tells them their life story for the entire flight because she is signaling.
I know people like that. Yeah, you get a conversation with them and then 40 minutes go by and
you're like, what just happened? I don't. They just made me say everything. Yes. And that is because
verbally, vocally, nonverbaly, and by the way, there's four ways that we signal these.
for channels, they are signaling to you, tell me everything, Jefferson, and you just feel like
you can do it. Here's the problem. Highly warm folks make wonderful friends and wonderful partners,
but we don't always take them seriously. So warm leaders, they struggle with the same things.
People interrupt them in meetings. They aren't paid what they're worth. They have trouble closing.
They have trouble negotiating. And when it comes to their ideas, people like the person,
but don't always take their ideas seriously.
So the reason why we love highly charismatic people
is they're able to say both,
you can trust me and you can rely on me.
And I think this is the foundation
of every single one of our relationships.
All of our people problems,
all of our communication patterns,
all of our miscommunications happen
because of an imbalance
between warmth and competence.
Like that.
I find that no doubt when you meet somebody,
you can, like we talked about earlier, within a few seconds, you're like, there's something about
this person I don't like. I don't know if I can put my finger on it, but I like how they, it's
like you meet them and without knowing it, your eyes might look at what they're wearing or how
they smile or you look at the corners of their eyes. Your brain is kind of like doing these
subliminal like check marks of like, I like this person.
like this person, I like this. Yes, it's like these microcalculations. And actually, I think that
there's, the biggest reason we don't like people is actually because they're muting. Muting or
undersignaling is the thing that drives us the most crazy as a human. So yes, we might be picking up
on negative signals and there are about 30, 27 different negative cues we don't like, which we
can talk about. But the biggest negative cue is under signaling. Why? If some
Someone is completely stoic or completely mute, they're not showing us enough.
We can't get a grip.
And our brain goes, we don't like this.
I can't see their emotion.
I can't see if I can trust them.
I can't see if they're credible.
And that makes us very nervous.
There's an experiment called the still face experiment, which is basically this idea that bosses
tend to think if they're present and they make eye contact, that's enough.
This is also the problem with Zoom is we're completely stoic on you.
There's very little we can give someone.
along this little tiny box with our face in it.
And in the still face experiment, they have babies and mothers come into a lab, and the mom
is interacting with the baby.
And then they instruct the mother to completely go still, to go mute, to sit right in front
of the baby, making eye contact, but not show any emotions.
And almost immediately, the babies begin to cry.
They begin to turn away.
They lose their posture.
They get very fussy and upset.
Even though their mother is right there making eye contact, they don't love.
like the lack of interaction. And so one thing I'm trying to fight back with is let's not go mute.
Let's make sure that we are not undersignaling our warmth and competence in the name of being
professional. I think people often think it's professional to not show too much emotion, but actually
we really need it to be able to feel comfortable with people we're working with or interacting
with. Yeah, and I agree absolutely on if you want to be better at work, if you want to communicate
better at work, even with your boss or whoever, emotion can be a good thing. As long as that's
not misplaced, you can show emotion in people who cuss a lot in their words. It shows you to be
much more emotional in person. At the opposite, if you're somebody who rarely reacts to a good job,
I would say that's another form of muting, so to speak.
What are ways that you find that in the workplace, specifically,
people can do to improve their nonverbal skills in the office?
Okay, so this is my bread and butter.
I love charisma at work because I think it's the hardest, right?
It's easier to be charismatic with your friends, people you're comfortable with,
but trying to be able to get buy-in, create collaboration,
disagree politely. This is your specialty. This is what I love. Okay, so the very first thing that I
like to teach professionals is you need to know how to read the room. And that comes from being able to
very clearly read faces. In professional settings, we often will say we're fine, but not actually
be fine, or we'll give a half preference instead of saying the whole preference. And so there's
two emotions, actually three emotions I want to teach right now that are, I think, incredibly,
they're tools. They're tools for reading the room. The very first one is you should know,
how to spot underlying fear or anxiety. When we spot fear in the workplace, we're able to very
quickly prevent miscommunications from happening down the line. So fear, I'm going to teach you what
it looks like. And if you're listening, you can also just imagine this, is when we see the upper
whites of someone's eyes. So when someone widens their eyelids, you can try this with me. So
widen your eyes is wide they'll go. We don't naturally do that. We'll raise our eyebrows. We
don't naturally raise our eyebrows up so the whites of our eyes are showing. When we do that, that's an
involuntary response to fear, anxiety, or discomfort. And it happens professionally in so many
insiduous ways if we don't stop it. It can happen around confusion. That's actually the time I see
it the most, is even on a Zoom call, I'll spot if someone said something that a new software stack
or a new protocol or something about the client or a pricing and you see someone's fear go up,
it means you might have just said something that they don't understand. So the very first thing
you do if you see fear is noted. Hmm. I just spotted something I said or that was said or just
happened made them feel a little uncomfortable. Noted. Second, how can I clarify? Oftentimes it
will be resolved with that. You know, so I'll usually say, does that make sense? Any questions for me?
You know, let me circle back here and explain that one more time or let me showcase this a different way.
Any questions or ideas for me? That is a moment where I stop and I pause and I clarify either with
a reexplanation or giving someone the floor. And the last one is see if you can
resolve it. So maybe they are actually afraid of something. This is when I will go into credibility
mode. Listen, I know this is a really big change and a big shift. Here are all the reasons why I
think it's going to work and here are all the reasons why I think it's important. And I am here
for you. We're in this together. That pause of taking note, clarifying and then resolving,
you are going to prevent any kind of miscommunications happen in the line because you've spotted it
in the moment. So that's fear and looking for the whites of someone's eyes. And I look for this on
Zoom calls and pitches and presentations. The second one is disgust. Disgust is so overlooked and it is
such an important emotion. To disgust is a fun one to make. It's the face we make when we smell
something bad. So we crinkle our nose up and we flash the upper whites of our teeth. That's it. Yeah, you got it
Jefferson. So when these stank face. Stank face. Yeah. Like, ugh. When you say, ew,
here's some good music you like. Yeah, ugh. Don't like it. So by the way, again, that's very unnatural.
Like, I would never walk around holding my nose like that.
By the way, the reason why we have these faces is there's evolutionary reasons we have
them.
There's a reason why these are across cultures and genders and races.
Fear, in fear, we widen our eyes to take in as much of our environment to see if there's
an escape route or if we have more threats coming towards us.
In fear, our body wants to widen our field of vision.
That's why we widen our eyes.
In disgust, typically there's something that we don't like.
And so we inhibit our olfactory senses, so we don't smell.
as much. That's literally why we crinkle our nose up. We're trying to take in less of that nasty
air. Now, most people think, well, Vanessa, I don't care if someone doesn't like the food or
doesn't like the smell. You see disgust when people don't like anything, an idea, a person,
a direction, a change. And so you want to look for disgust, especially when asking preference-based
questions. The most common way I see this is if you say, so what do you think of the new girl?
oh yeah you know she's she's great and they're actually holding their nose up yeah and that little
quinkle face it means there is something there that they are disgusted with or don't like the most
important thing we see discussed is permission you want to immediately give someone permission to tell
you the truth you know did you have any interesting experiences with her it's totally okay if you know
you didn't vibrate away tell me everything i'm here for you i'd rather get us get us all out and open
get this all out and open into our, into our discussion. The moment you can give someone permission
to tell you their truth, you become such an important partner. We love people who see and sense
our true emotions, so we have permission to share them. And so you become, it's a gift to recognize
emotions because you're basically telling someone, I want you to tell me who you are and what your
needs are. So no guessing. No guess for that our relationship. And it also sets a precedence so that later,
they don't even show the disgust and lie.
They just tell you.
So we do a lot of lie detection research at science of people
and disgust as a big piece of that
is allowing people to share the truth.
The third most important emotion to read is contempt.
So contempt is the sneakiest of all the emotions.
It's actually a little bit hotly contended in the research,
but I think it's very helpful for us to talk about,
which is a one-sided mouth raise.
So one-sided mouth raise, you can just look one-side up,
either side.
Most people, we actually asked 40,000 people,
what they thought this expression was, and over 80% thought it was boredom.
But actually, it is the micro-expression of contempt or disdain or hatred or pessimism.
Specifically, contempt comes with a scornful feeling of better than.
So if you do this for too long, if you just hold your mouth in that one-sided mouth raise,
you'll begin to feel like, huh, kind of smug, kind of better than.
It's a terrible feeling. Don't do it over too long.
Do you feel it?
Did you feel it?
Yeah, I felt so smug.
I did.
I know.
Yeah, if you always have it, it's, yeah, it's like you, you know something the other person
doesn't are, you're, I'm a little bit better than you, this kind of feeling.
Yeah, it definitely resonates with contem, certainly.
And so one is make sure you're not accidentally showing this in your profile picture.
I think sometimes you'll pick this because it's like, guys do that.
I know.
I feel like guys have it.
You're like, hey.
I think it was because truly, Vanessa, it's because if you look at like the cool
cartoons that we thought of like Johnny Bravo and like, hey Arnold, like they had like the
little side smiles like how did you draw a cartoon of a guy and you want this guy to be
kind of cool? You come a little side smile. But yeah, I think I think in real life it doesn't
pay out that way. Yeah. Cartoonist new. I wasn't allowed to watch Simpsons. It was it was too
much for my southern family. I know my family too. My family too.
The Simpsons were not allowed until we were 16.
I've never seen an episode.
Tell you the truth.
I've never seen an episode.
The funny thing is my dad actually worked on the show.
We weren't allowed to watch it.
No way.
Yeah.
And that weird.
Yeah.
We thought it was so hypocritical.
But it kind of is.
But yeah.
All right.
So side smile can certainly give off that feeling of contempt.
Yes.
And that's one of the three signs when you're trying to read it from.
Yeah.
So one, don't accidentally show it.
If you're going to take a profile picture, I don't mind serious.
or full smiling, nothing in between.
No half smile, no fake smile, either still in stoic and just real intense, which I don't mind
in a profile picture, or smiling all the way.
So make sure you're not accidentally showing it.
And second, if you see it, especially if someone responds with that kind of, mm-hmm, one-sided smirk,
there is something about that that made them feel scornful.
And contempt is a tricky one because you don't always know where it comes from.
It could be something you said, but it could be something that they feel.
That has nothing to do with you.
Jealous.
So what I always do is I just take note of it.
I usually will maybe pause for a second.
This makes sense.
Are we all good?
And I just want to make sure that I go into rapport building, that they know that whatever
they're feeling contemptuous about, that I'm an ally against it as well.
So like, for example, if someone feels contemptuous of a client or a project or a number,
that's fine.
I can't always fix that contempt, but I can make sure that I'm an ally with them that, like,
yeah, that sucks, right?
Yeah.
We can also, we can trauma bond over contempt as well.
And so it's always one that I look out for.
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your first subscription. And now let's keep going. I have a question. This is for me.
Lynn, I find that I am passing somebody on the street. It doesn't matter.
Could be a neighbor.
Maybe it work.
We do this thing, and I don't know if it's cultural.
I don't know if it's because you're a guy, ethnicity, whatever.
We do this right here.
Like a, we do this smile that doesn't show teeth.
And it's kind of like a, it's like a hello,
but you don't want to actually open your mouth to say hello.
And so you just, you pass them by, and it just might be a small little,
like one of those
where you're trying to be polite
but like I actually don't want to talk to you
I'm very curious what your
what your take is on that
so I believe there are certain
human cues that we use to show
I acknowledge you
I'm not a threat but let's not talk
yes
okay so one of them is the
the mouth pole
you're saying I don't know you
I'm not going to give you a full smile
but I'm like we're good
right so this is like a we're good smile
we also I noticed men
typically we'll do a nod, so either a nod down with someone they don't know or nod up with someone
they do know as a way to be like, I see you, I acknowledge you, we're all good here. So men typically
do that nod more. And then the other one that we will do verbally and everyone does this is you'll be
like, hey, how are you good? Like, sometimes we ask, how are you? But we don't mean it. Like we don't,
don't tell me. You know, don't tell me how you are. I get, I see you. I'm saying hello really quickly and let's
move on to something else. So I've noticed that sometimes we use how are you as hello.
Right. No, we do. And I think it was you, I think you have this awesome old thing on,
and I had never thought about before when guys see each other and they do the head nod. If it's
somebody you don't know, you'll do like the nod down, kind of like a symbol of respect,
kind of like a tipping of the hat. Yes. But if it's somebody you do know, you don't mind the up,
but it has some kind of psychology that we're like how you're protecting your neck, in other words.
Yes.
So our jugular is very special to us, right?
We can't have any attack there.
So if we see someone we don't know, but we don't want to have any animosity, we tilt down to show I see you, I respect you, but don't touch my jugular.
And then if it's someone we do know, we're like, hey, I trust you enough.
Look at my jugular.
It's right here for you.
It's so true.
We really do.
You walk by, let's say, you know, a few weeks ago, I was a little bit.
I was at a rodeo here in Texas, small little town.
And you walk by and what the guys do, if you don't know, you kind of just, you give a little
nod, like, yeah, I see you, respect you, there you go.
But if it's a friend and I see them, first thing we do is we do one of these.
Like, we show it, we show all the jugular.
And we open our body.
We're like, look, right?
Like, I think that's where the head came from.
Like, I don't know if this is research-based or not, but when you see someone you know,
you open up everything, you open up your jugular, you say, hi, you open up your body.
You went to go give me big hugs.
Yeah.
Right.
And then you end up hugging.
I actually literally think hugging just came from, we are so open to each other.
We might as well touch chest to chest.
We might as well as do that.
Just come to as one person.
Which is why we just instinctively, like the side hug gives us the ick.
You know, like the side hug, like just that little.
It's only because, and I know it's more appropriate in certain settings especially,
but it gives a little bit of the ick because it feels like, oh, we don't really fully trust each other.
Like we're not going belly to belly.
Since we're talking about the neck, which I find very interesting of how much our communication is derived from what we protect here in between our body and our head, is the, tell us for a second about when somebody does this, when they go, oh, they put their hand on their neck.
Maybe they're thinking about something, maybe they're concerned about an issue.
Oh, I just heard this news, right?
And they put their hands on their neck.
Tell us about what that signals.
Okay, so actually, there's a very important part at the base of our neck.
It's called the super surnal knot.
It's the notch between our two collarbones.
And that notch, we can feel our pulse there.
Also, it's like a very sensitive area.
And so you'll notice that when people are surprised or even trying to self-comfort,
they'll touch that part of their body.
They'll cover their super-summer notch.
One, this is a protective gesture.
But two, when I have some students who deal with like stage fright or social anxiety,
I will actually tell them to stroke and rub that part of their body
because it produces oxytocin oxytocin for yourself.
So you can actually calm yourself down by rubbing this
or even rubbing the size of your arms.
It reminds us of when we were babies
and our parents rubbed us to try to calm us down.
So it's a very sensitive part of our body
for self-soothing as well as protective gesture.
Here's the problem.
So Cornell did a massive research experiment
looking at untrustworthiness
or mistrust behaviors.
They asked people, when do you most mistrust?
others and they cataloged all these different cues and there are four cues that signal others to
not trust you again these aren't actual signals of mistrust they're just socially we have been
conditioned to think uh-oh is someone not telling us the truth the first one is touching the face
so we have to be very careful the neck is not one but it can very easily go up into a face touch
where we're rubbing our face we're touching the sides of our eyes we're biting our fingernails
we associate self-touch of the face with anxiety nervousness and
deception. So I always tell my students, do not touch your face. I say the same exact thing
in depositions for clients I'm preparing. If they start to about to answer a question and they
start touching the phrase, I'm like, oh, that's not. Don't. Don't. Don't do it. So like do not touch
your face. That's the first thing. The second thing that they found was a lean away, which is a
called a distancing behavior. And this makes a lot of sense from a psychological perspective, which is
if we don't like something, we want to get away from it.
And so we will take a step back, we lean back, we even will tilt our head over to the
side.
I've noticed we do a lot of mock depositions and code them for deception behaviors, that
when I bring up a topic someone doesn't like, they will literally like, oh, let me think.
And they pull their head back and away.
It's a, it's without even realizing a subconscious way of trying to get away from that
question they don't like or that information.
You tell someone bad news, they're like, no.
And they lean all the way back or they step away.
So if you lean back, tilt back, scoop back, lean away,
it is signaling that you don't like something
or perhaps that was a topic that you are being deceptive about.
This is why it's really important to understand space,
how you're interacting in space.
The fancy word for that is proxemics.
I always say, claim your space.
So I stand for my podcast because it helps me move less.
I also make sure that when I'm on stage,
I'm lateral moving or I'm forward moving.
The only time I ever move back on stage is when I'm showing a video
because then I want people to not pay attention to me.
I want them to pay attention to the video.
So thinking very carefully about your world blocking is actually important.
The third thing that Cornell found was any kind of crossed arms.
Now, crossed arms is such a hard one because it is comfortable.
And I know it feels so comfortable to cross our arms.
It makes us feel warm and cozy.
It makes us feel protected.
but study after study after study finds that when we see someone in any situation with
closed arms, it makes them look more close-minded and sometimes deceptive.
One research study really changed my mind on this.
I always knew that it gave a bad impression, but actually it changes your own thinking.
They gave people creative tasks in open body language or closed body language.
And they found that when people had their arms crossed, they were less creative.
they were less open-minded. In other words, there's sort of a cycle between our body and our mind
that if we are blocking ourselves, our mind even kind of shuts down a little bit as well.
And so if you can get out of the habit of crossing your arms when you're in interpersonal situations,
I don't care what you do when you're by yourself, but especially those first impression,
those pitches, their presentations, do not cross your arms. There's one exception to this.
If you want to look closed off. So there are times in negotiations,
This is only in certain kinds of professions, where you want your body to negotiate for you.
Something that I teach my sales professionals and my negotiators is you don't always have to verbally
negotiate with someone.
You can non-verbally negotiate with them, so they negotiate with themselves.
In other words, if someone gives you a number or a framing or a piece of information that you don't like,
you can non-verbally signal, I don't like that with a crossed arms and a lean back.
And then just wait.
Just wait.
because you just signal to them without saying a word, I don't like that.
Give it three or four seconds of a pause and see if they negotiate with themselves.
So you can also signal these things to speak for you.
That's the one exception I have for crossed arms.
What's your take on crossed legs?
I don't mind them.
And the research also doesn't really mind them.
And the reason for this is because if we cross our legs, it makes us look comfortable or at ease.
You know, there's a classic video that I show.
in my presentations of Richard Nixon and John F. Kennedy in the first televised presidential debate.
And in that debate, Kennedy has his arms, his legs crossed and his arms loose. And it makes him
look like a president. It makes him look like he's here to stay. And so crossed legs just shows
that you're at ease. It's not necessarily a confident gesture. It just shows that you're here to
stay. And it's not considered blocking because your vital organs are actually up here. This is the most
important vital organ. We can't survive if our heart is attacked. And so as long as our torso is open,
that's more important than legs. That's a really good distinction, by the way. Now, before we keep
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And now, back to the episode.
That kind of resonates with me on, in early parts of trials that I've had,
and then when I was teaching other younger associates on trials,
I would make them get to the courtroom early.
Typically the day before, I'd ask the coordinator let us in
and just make them sit in the chairs.
Just to get a feel for, I want you to feel like this is not your first time here.
like your whole body position.
And so that means if you're going to lean back, cross your legs, relax your arms a little bit,
like you're listening, rather than the attorneys that are, they're like this, hands on the paper,
and they're reading their next question.
Like, the jury needs to see that you are 100% comfortable.
Same thing with when you're given all your presentations on the stage.
A person who feels the most comfortable makes the other person the most comfortable.
Yes.
And by the way, the opposite of a lean back is a lean-in.
And leaning in should be used purposefully.
So I love neutral, like I, as you said, like you're kind of lawyers, they're like sitting up reading their paper is great.
This makes you look attentive.
A lean in is a cue that shows you want to get closer and also the other person might want to lean in as well.
And so, for example, even on this podcast, if I'm saying something that I really believe in, I might use the lean as a way to bold or emphasize what I'm saying.
If someone else says something that I really agree with, I might lean in to show I am emphasizing or bolding what you are saying.
And on stage, especially, I have a lot of stage presenters who take my classes, and I tell them, you want to lean in as a way to outline your content for the audience.
It lowers cognitive load.
If you can show your audience what your most important points are with your body, we do this with our lean, so we can lean into the stage.
Like, for example, if I'm talking on stage, and I'm like, this is the most important point.
You're immediately queued in to, up, pay attention, put our pens down and watch.
Same thing with an eyebrow raise.
They found research looked at eyebrow raises.
And across cultures, we recognize an eyebrow raise, not a lid raise, but an eyebrow raise
as a universal sign of curiosity.
You know, our eyebrows are trying to get up out of the way so we can see more.
When I raise my eyebrows, it cues you to look at my face, as if I'm about to say something
really interesting, even if I'm not.
And so you can use cues to help your listeners.
And by the way, there is a very fine line, I think, between.
being purposeful with your cues and being manipulative with your cues.
And that is the hardest thing in my line of work.
And I don't know if you have this as well as you teach communication, which is your intention has to be good.
Your intention has to be pure.
When I'm on stage, my entire goal is to make it as easy and as fun to listen to me as possible.
So I'm trying to add these cues in to outline, this is interesting, this is difficult, now watch the video.
We're here on this.
we're talking about three different points, here are the three,
so that you are, I'm taking all that load for you.
Same thing with warmth and competence.
I don't want you to showcase warmth cues
if you don't actually like someone.
We talk about that a lot here.
I can give you any kind of phrase.
I can teach you how to disarm.
I can teach you to diffuse.
I can teach you to diffuse.
But if your intent isn't a bad spot,
if you're not in a good state of mind,
it's all for not that's that's the that's the uh the dark arts as i call it you don't you don't
can i give one study on why why this is true yes so i can teach you all the cues in the world
but if you have ill intention they're going to leak and the way i know this is they took a
very disgusting they did a very disgusting study where they had people come into their lab and
they had them put on sweatsuits which catches their sweat and they have them run on the treadmill
so you're really sweaty in these sweatsuits the second group put on sweatsuits
and skydived for the first time.
So like terror sweat.
They took these sweat samples
and they had unsuspecting participants smell each of these samples.
And they had no idea what they were smelling.
They had no idea they were literally smelling armpits.
But what they found was when people smelled the skydiving sweat,
the fear sweat, their own amygdala lit up.
They actually caught the fear.
Whereas when they smelled the treadmill sweat, nothing happened.
In other words, if you are afraid,
people can smell it.
Our cues are contagious in so many ways that we don't realize.
So we have to have a base of warmth and competence and goodness.
And that is going to showcase.
We just have to highlight it with specific cues.
Absolutely.
It's always the how to communicate, kindness.
You got to be able to balance it out.
I'm curious, Vanessa, before we ended, what are you most excited about right now?
What are you nerding out about?
We're two communication nerds.
right now. What's a hot topic for you? I am studying the science of conversation, which you and I
both love. Specifically, I want to know what questions open people up in safe ways. I think there's
been a lot written about conversations, conversations that are vulnerable, and that's great for
extroverts who really want to share their life stories. That's not so great for introverts or ambivorts.
And so, for example, we did an early research study where we looked at different kinds
of conversation starters and we found that the question, what's your story, people either
love it or hate it, extroverts tend to love it, introverts tend to hate it, and that's
a question that doesn't serve everyone.
So I'm very curious what are questions that help everyone feel comfortable in opening
up.
And so I'm doing some research on that right now.
You'll see on my, you follow me on TikTok or Instagram, I'm constantly running.
question experiments and showcasing how different questions can serve us.
You are always amazing to talk to, Vanessa, and always so engaging.
I want you to tell my listeners real quick about your science of people.
I want them to know about this.
Sure. Yes. So I run science people. We've been around since 2012 doing research on human
behavior specifically for high achieving professionals. So I specialize in very talented, very
smart, busy people who need to communicate better and at a master level, like at a very advanced
level. So they are trying to pitch, present, sell, negotiate, coach, whatever that is. We have
both professionals and side hustlers and entrepreneurs. And so we have a big foundational course
called People School, which is basically a college level course on communication. I teach a version
of it at Harvard in the Springs. And so we have all kinds of professionals from all over the world
go through it. It's virtual and I'm constantly adding to it. I do live.
office hours every month and it's my pride and joy because it's the it's the course i wish i had had
um and so i just love it i love it so much that's fantastic um Vanessa thank you so much
for spending the time with me if you're listening right now you need to go find Vanessa she's not
only the science of people which is incredible website their articles are fantastic you need to go
check out their people's cool and then on top of that um go get her books all right she's got
captivate. She's got, I was it, Q's. Cues and Captivate. I love those are C-words. Yeah, those are
excellent. And I know she's got a lot of surprises up her sleeve. And anytime you see her on a
podcast, listen to it because it's incredible. Vanessa, thanks for your time. I hope to see you again
soon. Thank you. Thank you. Bye, everyone.