The Joe Rogan Experience - #2328 - Luke Caverns
Episode Date: May 28, 2025Luke Caverns is an explorer-anthropologist and YouTuber. www.youtube.com/@LukeCaverns Don’t miss out on all the action - Download the DraftKings app today! Sign-up using dkng.co/rogan or with my... promo code ROGAN. GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). 1 per new customer. $5+ first-time bet req. Max. $300 issued as non-withdrawable Bonus Bets if your bet wins. Bonus Bets expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 6/22/25 at 11:59 PM ET. Sponsored by DK. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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The Joe Rogan Experience.
Trained by day, Joe Rogan podcast by night, all day.
What's up?
How are you, man?
Hey, man.
How are you?
It's a pleasure to meet you.
It's a pleasure to meet you as well.
I really enjoyed you on the Jesse Michaels podcast, so I had to have you on.
Yeah, well, thank you so much, man.
I love it when young people know so much about ancient history.
How did you get started in this?
Well, it's quite literally in my blood.
Back in the late, well, I should say the 1890s, my family,
they were cattle rustlers right here in the hill country,
actually maybe a little bit further, quite a bit further
west of San Antonio.
Damn, you come from a lot of criminals?
Probably, yeah.
There's a lot of dark history in here.
And so, they are cattle rustlers
that are out in Dryden, Texas, in Sanderson, Texas,
and I mean, right on the Rio Grande.
And they were, that's how they made their money.
They were fascinated, kind of like everybody,
with finding gold, with finding lost Spanish treasure,
and Native American artifacts.
So they're living in this area called the Reagan Canyon.
And I've seen it all over the place.
If you look on, I think like the Smithsonian
did something on the top 10 forgotten places
in the United States,
it's like the most remote areas of our country.
And somewhere in there is Reagan Canyon.
And so out there, they developed this fascination for looking for lost Spanish gold.
And there are bandits that would hide up in the hills, and they would sack Spanish caravans
and drag the gold up into the hills to not get caught, to hopefully come back for it
later.
And the Spanish are out there mining for gold and everything.
So my family gets caught up in one of the biggest mysteries of Texas history.
Like if you were to look up, if you were to go to some bookstore, there's a popular one
called the Sons of Coronado.
And it's like this legacy of people looking for Spanish gold.
Somewhere in there, my family will be in there.
And so this started in the 1890s.
And it's this long saga of the gold being,
the treasure being dragged to San Antonio and all these people get killed and only one
of these four Reagan brothers makes it out. He gets involved in oil drilling out in East
Texas. And then so my family moved out to East Texas and then his son was born, which
is my grandfather. And then he continues this legacy of continuing his father's oil company, but then he also
begins gold mining in New Mexico.
And while he's out in New Mexico, he hears these legends of these seven lost Spanish
gold mines.
Because there was a local police officer who was like a treasure hunter and he knew who
my grandfather was and the story behind our family.
He sought them out and they went off looking together.
And I don't know how long it took them to find it, but he found the seven lost Spanish
gold mines of New Mexico.
And he opened up this company called Three Bells Mining and Milling Company.
And that was open for about eight years.
And they opened up these mines that go back to probably about the 1530s.
So the Spaniards were up all the way in New Mexico in the 1530s, and they were opening
up Native American gold mines and expanding them.
And so he found these gold mines that go hundreds of feet into the ground as this huge, expansive
gold mining operation.
Well, somebody dies after a smelter explodes
and the company goes under, they lose everything,
my family falls into poverty.
My dad's born during that time
and my dad didn't really get to experience
like all of that excitement.
He had to spend his life climbing out of poverty.
And, but he had this love for history.
He had this, he had this love for American history really.
And he instilled in me the importance of history growing up.
And that fascination of exploration and kind
of ancient American history, hearing those stories
carried over into me during my childhood.
And so I have always been fascinated by this.
And I guess getting to where I am now,
I was halfway through my marketing degree in college.
And I'm sitting on my bed in my dorm room
with my girlfriend at the time, who I'm married to now.
And we watched the movie, The Lost City of Z,
about Percy Fawcett.
And something about that guy's journey
reminded me so much of my family.
Kind of reminded me of my dad, reminded me of my grandpa.
And it changed something in me.
Like that day, I could not ignore, I was probably 20 at the time, I could not ignore
this love that I'd always had for ancient history, but you know, archaeologists are
poor, you know, it's an extremely hard life and it's really hard on your family too.
And I just knew I had to create a life for myself where I could do what I loved because
I had like a 1.7 GPA
in college and I was not going to make it through my classes. And so I changed, I got
a degree in cultural anthropology. I wrote, like we had a mock thesis statement and I
wrote it on the Amazon and the lost civilizations and how they were wiped out from Spanish influenza
and yes, that's where I'm at today.
Wow.
I think everybody, when you start looking at the history
of the human race and you start looking at the history
of civilizations, everyone gets fascinated.
Because we kind of like woke up in this life.
You know, we didn't choose to be born during this timeline.
We woke up in this timeline and we're like, how collectively we get here and then you have this narrative of how
collectively we got here but then you see there's holes in this narrative and
it's real weird and then you find out about asteroid impacts and super
volcanoes and then there's people like Zahi Hawass who are in charge of telling
you what they know and this is the only answer.
And you're like, well, that guy's not right.
And then you start looking at guys like Graham Hancock,
why is everybody calling him a Nazi?
Like, what the fuck?
And then you start getting deep into the weeds
in this stuff and you're like, wow,
there's a lot of resentment from the gatekeepers.
There's a lot of people that have been,
they've been teaching a narrative and teaching them
in school and they don't want anyone else
teaching this stuff.
They want to be the only people that can tell people what the history of the human race
is.
And unfortunately for them, there's too much other evidence.
It's too weird.
The whole picture is not settled.
It's too strange and they keep finding new things
all the time that throw a monkey wrench
into the gears of the timeline of civilization.
And so then you find out about Egypt.
And once, I mean that was the big one for me.
Once I found out about Egypt, not found out about it,
but really started exploring it.
Post. When you discovered every grain of sand in discovered the door. I was there I dug the hole
when I
That went about as well as I thought it would when you told me I was hoping it was gonna go a little better
Honestly, he had a great opportunity to like win over the popular audience and come in and make a really good impression
Yeah, and he did exactly the opposite. Well, I think there was a bunch of problems there ego being one of them
But another one being a language barrier and then yeah
I think so also years of battle like if you're in conflict with people about this very thing that we're talking about
For years and years and years and these people that you're in conflict with keep winning
Yeah, you know like I remember there was an old documentary that was narrated by Charlton
Heston. He was the host of it. I don't know if you ever saw this, The Mysteries of the
Sphinx? Yes, I've seen it. I've seen it on YouTube. Yeah. Yeah. I believe it was on television
at the time. And one of the things in that was they were trying to talk about Robert Schock's work
with the water erosion around the temple of the Sphinx.
And there was this very arrogant archaeologist, I don't remember his name, but I remember
he had a smackable face, who was just so arrogant.
He's like, where is the evidence of this civilization that existed?
10,000 years ago well now we have evidence now you so like go back Lee teppi through a giant monkey wrench into the gears of this narrative and
Now they're forced to reckon with this like Zahi didn't even know what go back Lee teppi was
And which was yeah, there was there was a lot of things that he wasn't familiar with like Zep Tepe or the, it's either the
Turin or the Turid Kings list which talks about the pre-dynastic semi-mythological kings
going back tens of thousands of years.
How do you not know that?
How was he the former head of the Ministry of Antiquities and Culture? How are you not familiar with this? Right? Well, he just dismisses it. Yeah, but aggressively. Yeah,
which is like there's no way you know everything there's there's no way and then it was also the
the data from the Italian scientists that were studying this tomography and this ability to
look underground with satellite radar and also dismissing that but then I brought up the temple
Osiris my but they looked into that like you could see it
Yeah, they have like they they showed where the chambers are they it works
But this was only 50 feet in the ground, you know, like okay pretty well
Well, how do you know how work how deep that stuff goes if it works 50 feet?
Yeah, who's to say it doesn't work
two kilometers, like they're saying?
Yeah, I was having a conversation with
my mentor, Dr. Ed Barnhart.
He's a friend of Graham.
He was one of Graham's guest experts
on season two of Ancient Apocalypse
when he went to the Maya realm.
He and I were talking this morning and he was like,
he's like, you know, it's become a battle of like, who has this right to talk about these things? You know,
does the fact that I have a degree in anthropology, that's what gives me the right to have
more of an opinion on somebody else? That's kind of what it's become. And it's like,
one side is accosting the other over their fascinations and their interests and the fact
that they're able to make a living from the things that they're fascinated about and talking
about it.
Right.
And it feels like academia has become bitter because, you know, being in the academic world
is a very rough and jaded place.
And a lot of young aspiring archaeologists who who existed who maybe would have had an approach like me
But existed during this time where you could only
Have your pursuits if the university signed off on it, right?
But now universities are like I do
Ideologically captured and every little thing that you do has to be aligned with the university
And so all of your fascinating ideas that you have in your mid-20s to your mid-30s when
you're young and able to go off into the jungle and find something, they all get shut down
by people who had their ideas shut down.
But now it's like it's the Wild West where you can have somebody like me or whoever put
together an expedition and I legally cannot start digging up the ground and excavating
things, but I can go and document things and survey things on my own, you know with local permission, whatever but
Yeah, it's like we dig things up in certain countries
If you get permission or well, I mean, yeah if I got if I got permission, but I mean you would be it would be
Next to impossible for me for somebody like me to do that. Why would that be?
What would be the hurdles?
Oh, well you would have the local universities there
who also have their own high credentialed people
who are gonna, if I don't come in with a PhD,
I'm never gonna go get a PhD.
But if I don't come in with something like that,
then I don't have the experience,
I don't have the authority to be able
to do something like this,
and they would never trust me to carry out
a good excavation. Right, not damage anything. Yeah something like this and they would never trust me to carry out like a good Excavation right now damage. Yeah. Yeah, so they would never ever never trust us. There's some reasonable
Some reasonable explanations for why?
Yeah, yeah
People have looted you mean yeah, who knows how much of ancient Egypt is just gone
I mean who knows oh man so many wealthy people actually ate mummies
Yeah, you know about that they actually like for people listening. I did you didn't mishear me they ate mummies
They would bring them to these
European aristocrats would bring them to parties and people would consume the mummies
Yeah, which is just like
What were you guys drinking? Yeah?
It's a little e-mail ditty party where you guys have it over there where that was the idea is it's gnarly man
Yeah, so much of Egypt is is gone
And this is why I don't think that you know like I love I love the the mystery of the ancient world and why I'm so
Baffled when people want to immediately
shut anything down.
Because of the amount of history that is lost to us is completely baffling.
Egypt has been getting looted, we know, for the last, let's say, 3,000 years at least,
countries, foreign nations have been coming in and raiding Egypt and taking the artifacts out.
And so, you know, so much of the artifact, so much of the artifact record is lost.
And I think that the real problem is the confidence with which somebody like Zahi speaks.
It's okay for you to have your perspective and the way that you view the ancient world
based on the data that's been available to you. It's okay to have your opinions, but when you're so confident about your opinions
that you then begin to chastise other people, put them down for it, and then go
the next the next mile and start making accusations of them being a racist and
things like that. The Flint-Dibble approach. That's really not good.
Right, it's not good, but it's like that guy embodies what you don't like about academia
You see him physically he embodies it like it's like that's what it is
It's these weak men these weird kind of bitchy weak men that decide that they're in control things in the way
They shut people down is by casting the worst pejoratives on them
Especially like the Graham Hancock stuff calling him a racist like what because he because he's interested in Atlantis
I I really did not like the letter that they wrote to Netflix to try to get season one take it down of ancient apocalypse
It's disgusting and you know they
Sometimes they'll rebuttal and say oh well you know I never blatantly called him a racist like well
Okay, even if you didn't blatantly do it you insinuated it
And you were okay with insinuating it. And some of these people exist in a realm where,
in their little bubbles, where they throw around the word racist all the time. And then when they
get to the wider world where the rest of us exist, they find out very quickly that none of, we don't
throw that term around lightly and accuse people of these things. And then at the end of the podcast when he said, you asked, the kind of temperature came
down and then I think maybe you asked something like, well, what can people do to help archaeology?
And he was like, oh, you can donate to the SAA.
But the SAA is the one that wrote the letter.
It's like, oh man, that's just, it's not a good look. Well, it's a real problem with human beings and ego
when they have positions of power and authority,
especially over something that is very esoteric,
something that is like, and also completely complex.
Like when you're dealing with trying to decide
for hieroglyphs and trying to, and then the fact that we know
that the Library of Alexandria was burned down, so who knows what was lost in that?
Several different times, like five different times.
God.
I wonder if any of that just got stolen out of there, and then they blamed it on like
how much of that shoots in the Vatican.
The first time Caesar is chasing his rival Pompey across the Mediterranean, and Pompey
flees to Alexandria.
And Alexandria was kind of in the basket of Rome.
The Ptolemies, who are the Greek pharaohs in Egypt, so the Greeks are controlling Egypt
after Alexander comes in 332 BC.
So Alexander dies, his best friend Ptolemy becomes Pharaoh. But the Ptolemies
were very weak, not very good rulers, and so Rome kind of does like what the US does,
where they get pulled into conflicts, and then once they're there and they conquer everything,
they seize all the power. And so, Rome had done this to Egypt, and so they controlled
Egypt, and they were keeping the Ptolemies in power
The Roman soldiers were and they were pulling all that grain into Egypt and so Caesar follows Pompey
Chases him to to Alexandria and so that Caesar can't or so that Pompey can't flee Caesar says will burn the docks
Well when you landed in Alexandria
You would land at this dock that went to a road called
Soma Road.
So you had Soma Road and Canopic Way, and it was like the street corner.
It must have been amazing to see in real life.
Like, think about this.
You have the Library of Alexandria.
This is all in one block.
You have the Library of Alexandria.
You have the Museon, which is right next to it.
So both together, they make the world's first university.
And I mean, you can just imagine like walking through those halls.
Across the street from that is Alexander's mausoleum.
So his mausoleum, we think the Emperor Hadrian, if you've heard of Hadrian before, that he
modeled his mausoleum on Alexander's.
So we kind of have an idea of like what the mausoleum looked like.
And we have a marble statue of Alexander on top.
So people are walking by every day in the middle of this town.
And then across the street from that is the palatial district where all the rich
people lived. And then off by the bay you would have had Cleopatra's palace. And so
it's this beautiful place. But when the boats come into the dock, you had to give
up all the scrolls that you had because the Ptolemies are obsessed with
obtaining the world's knowledge. And they want the originals. They don't want a
copy. So what they would tell people is
you give us your writings, we'll write down a copy, and we'll give you back your original. But what they would do is give back the copy and keep the original. And this is something called the library wars.
This is the whole thing. So, um,
but this was, it was connected to the docks. And so most of the buildings in Alexandria are made out of stone to prevent fires.
But the interior of Alexandria's library would have had all these wooden shelves that would
cross where you'd stack all the scrolls in.
So everything just, maybe the actual structure of the building doesn't burn down, but the
entire interior of it burns up.
And so when Caesar sets fire to the docks to burn all of Pompey's ships, it crawls up
the docks and burns the library down. Well, Augustus did the same thing
a decade and a half later.
Augustus came and he seized Alexandria.
And this is where, this is when Cleopatra
and Mark Antony die, he seizes it.
And then there are rebellions
because the Alexandrians are very rebellious.
They don't want to be ruled by the Romans.
And so there's a, I
think it's Caracalla that he was being made fun of by the
Alexandrians. There was a theater in town, it's actually the place where stand-up
comedy was invented in Alexandria. Yeah, so really? And the butt of all the
jokes was always the Roman Emperor. So you'd have people like talking shit
about the Roman Emperor standing up, you have people talking shit about the Roman Emperor
standing up in the middle of Alexandria's theater.
And so the Roman Emperor was always the butt of the joke.
Well, Caracalla, I believe it's Caracalla,
he's one of the brothers in Gladiator II,
the new Gladiator, if you've seen it.
I haven't seen it.
He's one of the brothers.
But the movie doesn't really depict the actual emperors
very accurately.
But he gets tired of it. So he just comes down to Alexandria He's one of the brothers, but the movie doesn't really depict the actual emperors very accurately.
But he gets tired of it.
So he just comes down to Alexandria on like a royal visit and executes 25,000 people in
the city of Alexandria and burns down parts of it.
So he burned down the library for the third time.
And then there was another emperor named Aurelian when a local Alexandrian declared himself the
new Egyptian pharaoh.
I think he was a real Egyptian.
He declared himself like the newest pharaoh and he created this revolt.
And then Aurelian had to come and put the revolt down and he burned down the library again.
So this is, we're getting close to like 300 AD at this point.
Now in 365 AD, there was a huge earthquake that was off of the coast of Crete, I think,
which is the most southern Greek isle.
It's where the Minoans lived.
I believe it's there.
Or it's off the coast of Cyprus.
And so that earthquake just reverberates down to Egypt, and this massive tsunami destroys
the entire city of Alexandria.
And it said it was so catastrophic that I think it's plenty of the elder or
plenty of the younger comes down in a rescue mission from Italy and he
comes to Alexandria and he records that 50,000 people in the city are missing
because of, you know, the wave that gets pushed in and that all of the giant boats,
these are giant, gigantic boats in Alexandria's harbor, are
sitting on top of all the rooftops in the city. And it's after this point that the location of
Alexander's body and the location of Alexandria's library just
completely go missing. So they're both utterly destroyed and most likely all of the giant stones that were used to build the city were repurposed for, you know, other things.
But in one fail swoop, Alexandria's library, the museum and Alexander's mausoleum completely disappear from the historical record.
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Wow.
It just shows you how vulnerable knowledge is. vulnerable knowledges I really think about that today because
Obviously we have a lot of books and most things that are like most
Physics work most work on archaeology most work on history is available in book form
But how much of what we have is on hard drives and if there was a power outage, just a global, worldwide power outage that lasted six months, we're fucked.
We don't know anything anymore.
It's a small amount of time for an enormous cataclysmic
disaster to completely erase tens of thousands of years
of understanding of everything.
Everything.
We would have no knowledge.
One generation removed from electronics
would have no knowledge of how to recreate it,
what steps need to be taken,
what, you have to build a chip plant?
Where are they right now?
They're in Taiwan?
What the fuck are you talking about?
How are we gonna do this?
Hard drives?
That's a precarious place for them to be.
Starting from scratch, starting from scratch today
We would be very similar. I think to
Probably what starting from scratch was post the great flood post the great
common impacts all the
younger drives impacts their stuff
Civilization if that stuff is correct, if there is, if Graham's position and Randall
Carlson's position is that there was probably a much more advanced civilization than just
hunter-gatherers that lived 10,000 plus years ago, how many thousands of years would it
take before we started calming down again? Well, it seems like it took about five, four
or five thousand years before civilization emerges.
A really long time.
A really long time.
I think about that with like foraging, you know?
I was reading, yesterday I was reading Exploration Faucet.
Have you ever read this before?
No.
Listen to the audiobook, it's Percy Faucet's
Personal Diary.
Oh wow.
Yeah, so you have a
You can read, there's an audiobook of that?
Yeah, yeah, it's on Audible. Wow. Yeah, so you have you have there's an audiobook of that. Yeah
You'll get wrapped up in it you won't be able to stop listening to it, you know
He just has these amazing experiences and how man he would be like your best like your all-time guest
You know that you could have him on sure
But I've got a great accent too. Yeah. Yeah for sure and
And so you listen to his audio book and
the way he talks about meeting the indigenous people that live deep in the
Amazon, you know, it would take him weeks to get to these little villages and while
he was out there he would see like the systematic mathematical structure with
which they would set up these giant villages and how they would build these huge like thatch wood homes with foundations that are stones.
And these people were, he said that they had like beautiful skin, they spoke elegantly,
they sang songs and he was like, he's like, he's like, this isn't, he's like these people
in the Amazon are not primitive savages.
Like my colleagues at the Royal Geographic Society in London believe
that they are these are people who are the fallen or are the descendants of a
fallen great civilization he was like the way they interact with each other so
sophisticated and why do you think they were descendants of a fallen
civilization and not the the people that were currently living in the most modern version of this
civilization? I don't quite know. You know there's some things that are that are
left out like he has he has some before he started writing this I think he
always had these ideas in the back of his mind and so you don't really get the
origin of why he initially started thinking this but you know while he's
Exploring South America. He's hearing all these stories of of you know, semi-contacted people like you have
Natives who still live the the native life, but they can speak Spanish and he can speak a little bit of Spanish and communicate With these people so he would hear about oh, yeah, you know
There's this there's this huge city of gold off, you know off in the jungle
oh yeah, you know, there's this huge city of gold off in the jungle, months travel that way.
And it's the same kind of legend that all these Spaniards had heard.
So it's this idea of there was this civilization that used to be out there.
And so Percy thought that maybe it has something to do with Atlantis.
And so that was part of his journey looking for it.
And then he, it's actually his wife, Nina Fossett, I believe, when she's
in a library in England, she finds a Portuguese document, I think it's manuscript 512, have
you ever heard of this? I could have the name of it wrong, but I think it's manuscript 512.
And in that, it's these guys who are kind of like semi-professional Portuguese explorers in the mid-1700s
that are going around Brazil and they find this huge stone city with statues
that they thought looked like Greek gods in the middle of the Amazon and so you
know the perception like my perception looking back through it is like well I
mean yeah these are Portuguese guys who come from Europe so when they see
something that's native their only lens to see it through
is what they've grown up knowing,
which is the Greek and Roman world.
So that's how they communicate this idea.
But they found this big stone city in the middle of,
I think it's, I'm pretty sure it's Brazil's jungle.
And so this was completely forgotten
until Percy's wife found this.
So, you know, when he first went down to the Amazon,
he was only there on a mapping expedition on behalf of Great
Britain, which he was probably a spy. I'm guessing that that's what was actually
happening there because he was a spy when he was in the military. And I think
what he was doing is on an official basis, he's charting the border around
Brazil with the Amazon River, but really what he's doing is collecting
information so that
maybe Great Britain can have a colony there someday.
But then the war disrupts all of that, and he has to go fight in World War I, which is
funny because it's the same thing the Nazis were doing in the 1930s.
So while he's there on his first expedition, he doesn't initially, I think he's interested
in these ideas of ancient history,
but it's when he's there and he's off in the jungle,
he's finding all these artifacts on the ground.
And he's like, the way that the pottery,
there's clay pottery, and then there's stone vessels
and eating utensils that he was finding,
really elegant little statues and things.
He found one that was made out of this solid black stone
that he could never, and it had this glow to it,
and he could never, maybe not a glow,
but like if you shine the light on it,
you can tell that it's translucent in a way.
I've seen stones like this in the Aztec realm.
They have these scepters that have these orb things
on the top, and if you shine a light on it, it's like this otherworldly looking thing. I can only imagine
if you're on like peyote.
What is this stone?
I don't know and it's missing now. It's lost. It went missing with him or somewhere in his
expeditions that doesn't exist anymore, but there's an illustration of it in exploration
Fossa that you could find. And so he thought like when he was seeing all this on his first
expedition he's like, wait, these aren't these primitive savages that all my colleagues that I don't even like back home
Think that these people are this is it this is an advanced culture
There's something that's lost here
And so Percy didn't know if it was a fallen civilization that lived in the Amazon or whether it was still out there somewhere
And he was trying to find either the ruins of it or the living
City right so he didn't really know if it was fallen or not. So that's...
It's still interesting that he would think that way instead of this is the pinnacle of
civilization in the Amazon, which is why they're so advanced.
I'm not sure.
It's like a preconceived notion that he had that there was an advanced civilization and
that it had fallen.
Yeah, yeah.
Because if you're looking at the way the people were living, the way he's describing it,
it sounds pretty advanced.
Sure, sure, yeah, yeah.
Why wouldn't you assume that these people
had lived for thousands of years
and eventually risen to this current level?
Oh yeah, yeah, I don't know, I don't know.
That's the problem with preconceived notions too.
But I do know that he had the utmost admiration
and respect for these people.
Like he was completely infatuated with their way of life I do know that he had the utmost admiration and respect for these people.
He was completely infatuated with their way of life and trying to, you know, what his
goal was, was to prove that the narrow-minded perspective of the English aristocrats who
thought that they were the pinnacle of civilization, he was determined to prove them wrong.
And so he had a great admiration
for these people. And he wanted to try to find like a big, big civilization, something
with enough people that could rival Europe. And where he went missing was in the Mato
Grosso region of Brazil. And the last place that they know that he was at was on May 29th, 1925, and he wrote a letter to his wife from Dead Horse Camp.
And he was like, it may be a while before you hear from me. It could be up to a year or two before you hear from me.
I'm about to head into a very dense area, and my trail runners, who would go back and forth with his notes, they weren't going to follow him out there because it's too dangerous.
And that was the last letter that he had written. And he was heading off into what's
called the Zingu region, which is like the Zingu River.
And it's one of the most hostile regions in the Amazon,
maybe even today.
Teddy Roosevelt had trouble when he went there.
But the Zingu region is where all of the major lidar
came out within the last 10 years.
They found all the ruins of these giant cities
and there's a city called Kiriguyu, I think,
and it had an estimated population
of about a million people, which is the size of Rome.
And when you look at the LIDAR images,
you can't get a perspective of how big they are.
I have access to a LIDAR database of the entire United States,
and I've mapped all kinds of huge uncharted mound sites in Florida,
all of the southeast. I have hundreds of sites marked.
And when you first look at them on a map, you're like,
oh, okay, like maybe that looks like it's 50 feet long or something.
No, they'll be like 300 yards long,
like these giant raised platforms
in the middle of the forest here in the US.
And if I had access to LiDAR data like that,
where I could measure it down on the Amazon,
some of these things are miles long,
like raised platforms are a mile long.
And they have highways, like, you know,
maybe we should pull up a,
just an image of a LiIDAR scan from the Amazon.
But you'll see this central city area, you'll see step pyramids and raised platforms, maybe
this is where people lived or maybe this is where the market was, and there will be a
road that cuts straight through it.
And you can see the road just goes off in the distance for miles and miles and miles.
And so what they would do, here we go.
Yeah, this is, so this is one of these sites in,
this is one of these sites, I believe this is in Brazil,
or maybe it's in Northeast Bolivia.
And is all that area covered completely with jungle right now?
Completely covered in jungle, yeah.
So if you went out there,
You wouldn't see any of this.
You may not realize that you were standing on a mound.
Like you really gotta train your eyes.
You know, I put out this, I filmed this little series about a year and a half ago called Jungle of Stone where I was going through
the jungles in Central America and we charted this city that had 16 pyramids in it. You
know, we were there all day long and we charted 16 pyramids. And when I put it out, I got
all these comments are like, you're not doing anything but walking on a bunch of hills because
it's so hard to see it. The jungle just claims everything back.
So it takes, you really have to sit with seeing these things in person for a while before
you start recognizing, oh that is a mound or that is a pyramid, that is a structure under the jungle. And so Percy Fawcett,
he, where that LiDAR came out is one of the places that he told his wife.
He didn't share this publicly where he thought that the city was, but it's like bang on.
He was exactly correct about where he thought
a city would be, and we don't know if he reached it or not.
Wow.
It's so interesting because how long has Lidar been around for?
I don't know.
And how long has it been used?
I mean, think about for how long people had no idea
that this existed because it was completely covered with jungle
They just assumed that there was evidence of a civilization would be pretty obvious
Yeah, yeah, it's not and it makes me wonder like as technology increases in its potential like what other new?
Technologies will be discovered that will allow you to instead of like having this ambiguous view of under the pyramids
Yeah, have like a crystal clear, accurate dimension by dimension, almost like a 3D map.
This century for sure.
This century is going to be insane.
It's going to be insane.
You're going to have everyone scanning everything.
All of the Amazon will be mapped with LIDAR by the end of this century.
All of the Sahara is going to be mapped with LIDAR by the end of the century. The Sahara is a big one. Yeah, yeah. Well, those are
my two big things. When we talk about Atlantis and we talk about lost civilizations, I mean,
my thing is the Sahara and the Amazon. Both of these things existed pre-Ice Age, especially if we're talking about pre-Ice Age civilization. The Sahara is an oasis, you know, 10,000 plus years ago.
It's an oasis, you have what, two or three of the world's
largest lake systems on there, you have rivers everywhere.
You know, it would have been like a beautiful place to live.
Abundant resources, so there's no worry about food
and shelter, you have plenty of time to figure things out,
which is the thing that has always made sense to me.
If you know the history of the Nile Valley
and where Egypt was, that was a wonderful place to live
to try to figure things out, right?
Because you have so much food.
And once you have so much food
and you're kind of separated from everybody,
it's really tough to get to you.
So they lived unchallenged in that civilization
for thousands of years.
Well, yeah, that's amazing.
And you know, whenever I, you know, so growing up,
I mean, gosh, I read Fingerprints of the Gods
when I was 16.
I remember like sitting on the couch after school
and reading it.
And my dad comes up to me, he's like, that's a big book.
And I go, I know, it's like I'm reading a textbook for fun, you know.
And it was dense reading for me as a 16-year-old.
And so, you know, I was so inspired by Graham.
And then I went off and got traditionally educated.
And so I kind of have both of these perspectives.
And I'm often shocked and disappointed at how other professional archeologists
and anthropologists explain popular mysteries.
Like there was an Egyptologist on another popular podcast
and then the podcast host asked him to properly explain
the mystery around the pyramid.
And it was just so subpar, I was shocked.
And I was like, I'm not even an Egyptologist.
I know how to explain these things.
And I felt the same way about Zahi.
Maybe there's some kind of language barrier there.
But it was also like he didn't want
to explain these things on a basic level.
But one of the things that I never see talked about
is the concentration of energy along the Nile Valley.
Like, OK, so if I had to drop a pin anywhere on the earth
where I think Atlantis would be, I would probably put it like in the Sahara somewhere, you know,
along one of these major lakes where there's a lot of people living at one time. And then
later on, as the Sahara dries up, you know, say beginning around like 800, I'm sorry,
8,000 BC, it starts rapidly drying up.
It's probably a little bit before that.
And then by about 4,000 BC, it's completely dry.
So your Saharans only have a few places that they can go.
They can go to the Mediterranean coast.
They can go to the Atlantic coast.
They can go down kind of into the Congo and in the savannas.
Or they can go to this fertile valley oasis
where it's like 500 yards on each side,
where it's just completely lush tropical oasis where it's like 500 yards on each side where it's just completely
lush tropical oasis and so some people went there and so you have this hyper
concentration of energy and all these people living somewhere together for
what we know is the first time in history like we can verify it I guess if
that makes sense and and so rather than being able to have these huge pieces of property where they can all live
Separated from each other kind of like in the Sahara
You have all this space and so luxurious now you have to live on top of each other and you have to build up these
cities, you know
You're like building cities and so all that energy compacted into one place in this fertile oasis is either destined to
Completely crumble and fall apart,
or it's New York City.
It's this thin strip of highly concentrated,
genius, hardworking people figuring out how to extrapolate
the most out of their natural world
and create some of the greatest things
the world has ever seen.
Just like New York City, we did it, you know?
And I've never seen any Egyptologist
explain things that way.
I think that's a good explanation, at least.
And I'm open to things in Egypt being much older,
like the Sphinx is definitely older than the pyramids.
But I'm just always disappointed at the very low level
with which archeologists and anthropologists
will come in and try to explain things to a popular audience and it's kind of like you're asking okay but
how do you know that like explain that to me in a way that I can understand how
do you know this and there's never a proper explanation and I don't know what
that is it's like it's like they strongly dislike the fact that there's
mystery out there and that there are other people who
are attempting to answer the mystery that are not part of the good boys club.
So they have this knee jerk reaction to it all.
They hate all of it.
They don't want to be a part of all of it.
And that's not going to work going forward.
Not to be political, but this recent election showed that you're going to have to appeal
to the popular audience in the future everyone is you know
Yeah, and especially when there's these forums now like YouTube where someone like you can put up videos explaining things or Jimmy
Corsetti or Graham Hancock like the access to
People to share fascinating ideas. It's not limited to universities anymore
And I think that drives them crazy because they spent so much time being in control
yeah, and then all sudden it's just like and
Then through a lot of these appearances like flint dibble and zahi their credibility erodes
publicly in front of everyone's eyes and then
You know, there's people that are gonna support both of them on either side and who knows how much of it is even real
Because now we have AI bots and that they get turned loose by whether it's
Universities like the University of Zurich that just got in trouble for running that experiment with social media, which is really wild
Yeah, so we don't even know like
How much of it is organic until you see something like voting and then you
go, oh, this is how people really feel.
But how much of that has even been influenced by all these AI campaigns?
But what we do know is that human arrogance has always been a real problem.
And the same thing that Percy Foster was probably dealing with, or Percy Foster rather, was
probably dealing with when he was, you know, the people back home that thought these people
were primitive.
It's like this arrogance that human beings...
Looking down their nose at everybody else.
People love to be experts.
They love to be experts and they love to...
And they also equate their own self-worth
with being accurate about information
that you really can't be accurate about.
Exactly.
Instead of just being humble, but yet knowledgeable,
which is a great position. You know, when you talk to someone being humble, but yet knowledgeable, which is a great position.
When you talk to someone and they're humble and knowledgeable, those are my favorite conversations
because they'll tell you what they know and what they don't know and this is why.
Archaeologists are not doing that, which is why they're rejecting people like Graham Hancock.
What they should be doing is embracing the work that he's doing because he's self-funded and because he's just selling books
and doing his thing and appearing on podcasts and developing this audience. He's allowed to do all
these fantastic voyages. He's in Iraq right now, studying the ancient Sumerian civilization, like with a remnants of it. Yeah, yeah.
Well, there's two things that I'll say there.
Kind of like, I guess a running theme of this
is we're about to enter into like archeological
wild west in a way.
I think that Jimmy getting involved with Gobekli Tepe
and the trees that were there, having the trees,
the orchards planted over the sites.
And they're removing them now.
Yeah.
Because of him.
It's just proof that a guy, I started watching Jimmy 2018.
I mean, gosh, I just graduated from high school.
And so he was kind of, like inspired me to be like, you know, he was this young, charismatic
guy that could go online and research topics and enthusiastically present these topics.
And he was effective at doing it and inspired me for a long time.
And you know, lo and behold, I guess what, six, seven years later, he's still at it.
And he's actually not just inspired people to be interested in the ancient world, but
had an actual effect on something on the opposite side of the planet.
When all this happened, I was like, yeah, I get the concern, but I don't think the Turkish
government cares what any of us over here in the US think.
Sure enough, they removed the trees.
And then there's kind of like the backpedaling of, oh, well, it was always in the plan to
remove the trees.
But I think people might disagree with Jimmy's approach, whatever, but it's, you can't deny the fact that he himself,
an independent guy, was able to make so much noise
that he affected a government
on the opposite side of the planet, you know?
And it, and in a way, it's like, it shows me like,
oh, you know, these expeditions that I'm planning
and things that I'm gonna go out and survey and document for myself, like these can make these can make real changes.
And these are things I have planned in Florida here in the here in the southeast in the states
in Central America and in the Amazon. And it's like encouraging like, wow, I mean, we're
really approaching a time when independent people are going to start making real noticeable
differences and not just in the digital space
that people are interested in.
Right, but in the physical archeology world.
Exactly, exactly, yeah.
Jimmy's so meticulous too.
He's such a good representative
because he's really intelligent,
really thought-provoking,
but also really honest about what he knows
and what he doesn't know,
and he has counter-arguments to his own points.
He'll tell you something,
but also it could be this, and this is what we know. And because he's been really careful
in the way he expresses himself, he's established this community that understands what he does,
and they trust him. And they go, no, no, no, he's going to tell you the truth. He's going
to tell you what we know and why we know it. He's not going to make any weird ideological leaps.
He's not going to make any weird judgments. He's just going to lay out what is fascinating
about these things. And because of that, whether he has a degree or not a degree, that guy's
having a massive impact. I mean, I don't know how many, what is bright, what that. What does Bright Insights YouTube channel have for subscribers? And by the way, if you
haven't watched any of his videos, can't recommend them enough. Love the guy. Love the stuff.
1.7.
1.7. By the way, he's been called a Nazi.
Yeah.
Which is... That's just... That's what they use. These are the terms. He's been called all sorts of terrible things.
None of them are true.
He's a wonderful guy.
And he's just a man who's deeply fascinated
with these mysteries.
And when he's pointing out the things that we cannot,
it's ball back in Lebanon, the trillion,
what they call the trillion stones?
Trilithon stones. Trilithon stones.
What is it, whatever, there's certain things that you can point out that people go, okay, what they call the trillion stones? Trilithon stones. Trilithon stones. Yeah, yeah.
Whatever, there's certain things that you can point out
that people go, okay, what the fuck?
Like he gets to the what the fuck stuff
where everybody's like, okay, what else you got?
You know, like how come I didn't know this?
How come this isn't like something,
like when you're talking about ancient history,
the history of whether it's Lebanon or Egypt,
and when they start talking about these things and
they lay out the histories of the pharaohs and why aren't you talking about the distance
they carry these fucking enormous 80 ton rocks through the mountains and how they cut them
like why that's the mystery yeah this is the big piece of evidence that these guys just want to dismiss,
oh, it was the national project.
You know, like, okay, yeah,
but that doesn't say how you did that 5,000 years ago.
You need to help me out here.
And when these openings exist
and guys like Jimmy run through them,
but meticulously document things
and talk about them with humility
and talk about them with humility and talk about
them with a general understanding of the absolute undeniable facts.
And then it creates this enormous audience.
And then because of that enormous audience, he has a huge impact on actual archaeology.
And that's why they hate him.
It's just because he's doing their job better than they're doing their job because he's
not trapped.
He's not stuck in this compartmentalized ideological position of working for a university.
And he doesn't have to worry about funding and he doesn't have to worry about being chastised
by his peers because they're all a bunch of bitches.
He doesn't have to worry about that.
So he's free.
And there's a bunch of those guys that are emerging now and guys like yourself. And I think
that's really important because the gatekeepers have been wrong every step of the way with almost
everything, whether it's medical science, whether it's health and nutrition, whatever it is, like
they've been wrong every damn step of the way. So maybe open it up and just like the internet opened up information to everybody
We need to open up the exploration of information to everybody and not have it contained
With a few people that have degrees from places that we know are ideologically captured
We can see how they behave
We can see the things they say and the way they do things and the way they act and the way even the way they affect enrollment based on race and
gender and sexual preference. Like you guys are fucking crazy. This is not how
you're supposed to handle knowledge and information. This is a dumb approach and
we see that through basically every place where there's a few group of
people, this isolated insulated group of people, this isolated, insulated
group of people that has the ultimate influence over whatever particular field of study is
their specialty.
It's just a danger that the human ego and the human mind fall prey to almost every single
time.
The internet, what it's done is it's like this great
equalizer and it's just it is it has allowed people to have these and you
hear a lot of people saying you shouldn't do this, you shouldn't be doing
this, don't do your own research and don't like those are stupid sayings like
you can't think like that. You there's gonna be people that say things that are
absolutely ludicrous and you have to be able to listen to them and then listen to
People that are more intelligent and and more rational and also objective and go that guy is that's what I'm interested in
I mean, I'm interested in this guy. I know he's not gonna lie, you know, and there's too many
instances of
Archaeologists just lying lying and attacking each other when one of them like clothes first like that. Yeah. Yeah. Well attacking each other
I mean, I just experienced this the other day
you know, so I had a
And I guess being early on in my career
I'm passionate about so many different things and I'm the kind of person that's like oh, I'm passionate about this
This is what I'm gonna do
and so I applied to the University of Athens in Greece and I
I was really into the classics
and I was gonna go for that.
And then I just had this, let's just say I was in the jungle and I had a mind-opening
experience and I was reminded of the fact that my purpose here, the reason I started
doing all this was continuing kind of like my family's legacy.
And I'm interested in a lot of different things and I'm not I'm not gonna specialize
I'm not gonna like hunker down in this academic path or whatever. And so I I just decided I'm not gonna go through this
So I start, you know publishing, you know content in my research on the Americas again and
In the Americas are very mysterious. It's I mean
Very comparable to Egypt. It was just in the amount of questions that. It's, I mean, very comparable to Egypt.
It was just, and the amount of questions
that haven't been answered is insane.
And the Olmec world is fascinating.
And so, you know, there's, you know,
Graham in Fingerprints of the Gods,
he talks about how the Olmecs,
he thought that they may have like African features.
And of course, that was 1995 was 1995 and so I don't know
2015 you guys are talking and he's like he's like well
You know I published that then but DNA research has come out that says that you know
These people don't have African DNA in them and that maybe this is Polynesian
Maybe this is Australasian people intermixing and that's why they have this unique look whatever but in the old mech world
There's this monument
that is actually called El Negro.
And you look at it, and it's not an Olmec.
It is an African man.
And so I post about this on my ex account,
and I just kind of list everything I've seen in the Olmec world,
and I'm like, you know, this is really fascinating.
Maybe this is evidence of Africans who were in the Olmec world.
And I hadn't seen this monument before I saw it in person.
Because you go in the Olmec realm, or the region in Mexico,
and you go to these museums and you look at the log,
or the ledger that people have been on,
and nobody has visited this museum in the last four months.
And before that, it was six months before that.
And these monuments just kind of sit
underneath these metal roofs to protect them from the rain.
And it's like this completely lost civilization.
Is there an image of this that's available on one?
Yeah, yeah, yeah, yeah.
There we go. There we go.
So if you pull up an Olmec head, you'll see that these guys are very different looking.
And especially if you can get... Yeah, yeah, there we go.
Look at...
Okay, so that's a regular Olmec head. So you can see that these are two different
races of people. The Olmecs have very soft features, round faces, big eyes, big lips,
kind of big noses. They have very soft features. And this El Negro monument has these high
cheekbones, this defined jawline, this intense kind of... But isn't there a lot of variety just in,
like let's just say, Italians?
There's a lot of variety. Oh yeah, yeah, yeah, absolutely.
Couldn't this just be someone who's on a spectrum of features?
I mean, I don't think it's that much different than Olmecs.
You don't think so?
No, when I'm looking at it, I could imagine...
Like there's, like I said, just my nationality, Italian.
So there's Italians with very thin faces
and there's these big thick ones.
And people vary quite a bit.
There's enough similarities that I could say,
oh, those could be the same people.
Well, the only counter I give to that is
when you visit the Olmec realm,
you see a lot more than just the heads.
You see a lot of Olmec faces,
dozens and dozens and dozens of them,
maybe well over a hundred. And when you've seen them all and you
kind of get a gist of like the way they generally look, this guy will really
stand out. Like I took a group of students there and we all, as soon as we
all came in and saw it, based on everything we'd been seeing for the
past week, it immediately stood out to us. Well certainly the thick brow is unique
to all the other
Olmec or wearing helmets. And that hair as well, it's kind of that curly hair, or at
least it looks like it to me. And so anyways, he could be Olmec. My identity is not tied
up in what I think this is or is not. Also, Olmec could be African. Like very, very clearly.
That one on the left easily could be an African man.
Which one?
This guy right here?
This one, the one next to the white one, to the left of that, yeah, right there.
Easily could be an African man.
It certainly does look that way, but I was on a plane to Mexico a couple months ago and
I was going into the Olmec realm and I was like, I wanted to take a picture of this guy,
and he looked to the left of me,
and he was an Olmec man sitting next to me.
And he was, you know, he looked like,
he didn't look like any Mexican I've ever seen.
There's something there with the DNA of the Olmec people
that is definitely connected with something else
that you don't see if you go to the Maya realm,
that you don't see if you go to, like realm that you don't see if you go to like Mexico City they have something in their DNA they
have this very specific look about them I don't know exactly what it is but I'm
like looking and I'm like this Olmec guy next to me. So fascinating because it
clearly could have been African explorers what made it. Yeah well I'll
tell you what um could we look up gosh gosh, look up the Traveler Olmec monument,
if you would please, Jamie.
It's the Traveler.
I want to call him, I think he's monument 13.
There's another one called monument 19
that we should look at.
But he's this man that's very clearly not, there we go,
top left, the one that's on Reddit.
In fact, this might be my post on Reddit.
Yes, yes sir.
So this guy right here, all right.
So this is really, really fascinating.
So let's diagnose this.
All right, so flags.
Flags are invented, this is a very unknown fact.
Flags are invented, or the first place
that we have evidence for it is along the Nile Valley.
On these pre-dynastic pots, which they're
not the not the stone vases, but just like clay pottery, they would make little
paintings on them. And people have these river boats that have these flags on them,
and the flags would say what city you had come from or what village you had
come from. And so that, so flags are an old-world thing. We don't have any
evidence of flags in the New World. All right, he's also wearing a turban. He's got this big turban that's draping off the
back of his head, and he very clearly has this distinct beard that's popping out. Now,
Native Americans, sometimes they can, you know, they are, they're Asiatic. They have
Asian DNA. And Asians don't really grow, typically. Sometimes they'll grow the little like stash
and a little bit of a beard here,
but they don't have that big thick beard
that you would see, you know, like in Europe
or along the Mediterranean in the Middle East.
And so this guy has this big thick beard
and then he's got boots on his feet as well.
And we think that these glyphs
that you see to his left and right,
these are really, really early Olmec glyphs,
and they interpret that foot to the left
as saying that he came from somewhere.
He was a traveler.
And so the thought here is,
so this is around 900 BC, give or take, a little bit.
They really have no idea when these are made.
Like you go to all the monuments,
and it says made somewhere
between 1500 BC and 400 BC. They'll say 1500 BC and 400 BC. And so they really are uncertain
about how old a lot of these monuments are. Make it big again, Jamie, please. But if we
shoot for dead center 900 BC, the Phoenicians out of the Mediterranean are launching these
sailing expeditions around the coast of Africa.
These are the ancient world's greatest sailors that we know of.
And so there were like experimental, archaeological, or scientific, I don't know, expeditions done
that show if you would send one of these early Iron Age boats, or if you send any ship out of the gates of Hercules
or the Strait of Gibraltar,
and you send it out into the Atlantic,
just, and it drifts just a little bit too far
without turning south along the African coast,
it will be carried by a current across the Atlantic Ocean,
down into the Bahamas, the Caribbean,
and straight into the Gulf of Mexico.
And if that had happened, if people who had looked like they're in the old world like
this guy, if that had happened, somebody from the old world, the largest civilization at
the time, the empire in this area would have been the Olmecs.
And the reason I feel so strongly about that is because we do not have flags, turbines,
or boots in the ancient Americas. This guy looks nothing like a Native American and the flag, turbine, and
boots are all old world features. You know what's fascinating to me too? The
image on the lower right of the bird's head looks very similar to the carvings
on Gobekli Tepe. Doesn't it? Yes, very. The curve of the beak, that's not how birds' beaks look.
That's a very distinct style of artwork.
Well, and it's this-
Can you find the images of the birds from Gobekli Tepe?
It's this raised relief art style.
So people talk about it a lot with Gobekli Tepe.
I mean, think about this.
This is 11,600 years ago, and you have artisans and stonemasons who have been practicing for
so long that now they're able to take a blank piece of stone and carve the face off to reveal
the artwork from underneath it.
Not carve the artwork into the stone, but carve the stone away and reveal this sculpture
from underneath.
How similar does that look? It's bizarre, right?
Real similar.
And so it's the exact same kind of art style
that you see in the Olmec realm.
Exactly.
The 3D stone carvings.
Instead of carving it directly into the stone,
carve the stone around it.
They're both doing the same thing.
It takes a lot of time.
I mean, how?
A lot more effort.
Could you imagine?
Weird. Weird stuff. It's also like the idea that this is documenting time. That, you know,
the handbags or whatever those things are, what it actually is, is the sun going over
the earth.
You know, I have... I'm writing a paper about this, but this might be a good place to talk about it.
So you know, the handbag mystery is very fascinating.
We have them in Assyria, we have them in Mesopotamia.
As far as I know, I don't think one's been found in Egypt.
You can see them on the top of those T pillars
in Gobekli Tepe, and there's one in the Olmec realm.
Are you familiar with this?
No.
Monument 19, if we can look that up.
I mean, dude, I think it's the coolest handbag.
And when I saw it in person, I like jumped.
I had been waiting years to see it.
That's crazy.
It's the same thing?
Olmec Monument 19.
So this guy, he's wrapped in, he's sitting in Quetzalcoatl.
He's sitting in Quetzalcoatl. He's sitting in Quetzalcoatl.
Could you do the one at the top left
where we get the full picture?
There we go.
So this stone is probably about this big.
It's probably about this big
and it sits on a table like this.
So he's sitting inside the feathered serpent, Quetzalcoatl.
And so he's sitting inside the feathered serpent
and he's holding this handbag.
And I'm not sure, so he has this,
and if you see, he has a feathered serpent mask around his head as well. I'm not sure what exactly is above him. They're,
well, they're actually two, it's really hard to make it out, but what's above him, that
little box looking thing, is some kind of box that's being held up by two birds on each
end. But the important thing here is the fact that this is the first depiction of the feathered serpent in all of Mesoamerica that we know of, and it might be the oldest handbag known
as far as what we have official dates for.
And so the idea here is that he's some kind of sacred shaman, bringer of enlightenment,
bringer of knowledge, something like that.
And so I had been on the hunt for another handbag.
Everywhere I go, I'm always looking for a handbag.
I was in Cambodia a couple weeks ago.
I'm going around the temples of Angkor Wat,
and there's hieroglyphs and carvings all over the walls.
I'm looking for a handbag, I can't find one.
But when I was in Central Mexico,
I was at a site called Kakashla,
and I found another handbag person.
I've never like officially published it. It's on my ex if you'd want to look it up.
What is the timeline for that one?
They don't really know. When you look at the monument, it says anywhere from 1400 BC to
400 BC. That's just what they think. I mean the Olmec realm is so uncertain and we don't have hard dates
for almost anything. They appear on this historical timeline as a fully fledged civilization capable
of creating what you're seeing from the very beginning. Just like so many civilizations,
it's like as soon as they arrive in the world, they're doing everything to the fullest capacity. And we don't have any evidence in the Olmec realm of them
working their way towards being able to do things like this. It's just from the
very beginning they're able to make monuments like this, move these 50-ton
Olmec heads. The largest head is this, you'll find this interesting. So there
was a nautical engineer that MEC, which is an organization
I'm with, it's the Maya Exploration Center, it's run by Dr. Ed Barnhart, I'm a member
of it. And one of the guys that worked with us traveled into the Olmec realm. He's a nautical
engineer. He's fascinated with how were the Olmecs moving these huge heads up and down these
rivers.
So they live in like the rivers swamps, they have to cross some mountain ranges.
How are you getting these heads 90 miles away from the Sierra de la Tuchla volcanic belt?
That's where they're pulling the basalt from.
Because we found unfinished heads like at the base of these big basalt quarries.
And they're transporting them 90 kilometers away through, you know, like I was saying saying rivers and valleys. 90 miles or kilometers? I think it's kilometers.
It's kilometers as the crow flies I'm pretty sure and so much further when
you're actually dealing with the complications of the terrain and and so
he was fascinated like okay how do they get them to the river and then when how
do they get them on the boat and when then how do they get them on the boat?
And when it's on the boat, how exactly does this work if they're transporting it by boat?
And kind of the same mystery in Egypt too, right?
How do the nuances of these things work?
So he devised this algorithm or whatever where you could put in the hypothetical size of your
Olmec raft and put in the hypothetical size of an Olmec head into this database or whatever.
And when you made a raft that was too big to go down the narrow stretches of the Coatz
Calcos River, which is like the Olmec Nile River, when the raft was too big and too wide
to actually go down the river and you put a five-ton Olmec head on it, it would sink
that raft.
But the smallest Olmec head is six tons,
and the largest one is 52 tons.
So how are they doing it?
And this is something that all archaeologists
have quietly known, this idea of they're just
being transported on these simple balsa rafts,
must be wrong, it's unexplained.
How are these things being done?
And I just find this realm really fascinating. Wow
It is and then when do they even know what language they spoke?
No, we we don't know what language they spoke. We don't even know what they called themselves
The only reason we call them the Olmecs
Is because Cortez in 1519 to 1521. He's moving through mexico to conquer tenochtitlan the aztec capital
During this time you have these spanish chroniclers that are taking in information, you know 1521, he's moving through Mexico to conquer Tenochtitlan, the Aztec capital.
During this time, you have these Spanish chroniclers that are taking in information, you know,
taking in information, but not at the rate that everything's being destroyed.
You know, all these people are dying from this disease and influenza.
And there's a record of what the people who lived in the Olmec region are called at that time in 1520, let's say, and
Aztecs called them the Olmecs in their language Nahuatl, and those Olmec people, the name means
the rubber people, or the people of the land of rubber. They produced rubber, and that's how the
Olmecs were so rich so early on in time. But these are not, the people living in 1519 are not the
Olmecs. There is already, the Olmecs have fallen and there are other cultures that have
arisen and fallen in this same region as well. The Olmecs are far, far, far, far
into the distant past. The Aztecs maybe didn't even know who the Olmecs were.
You know, so are you familiar with Teotihuacan? Yeah. You know, the
three massive, we have the Temple of the Sun,
the Temple of the Moon, and then the Temple of Quetzalcoatl.
And they form this kind of like Orion's Belt alignment,
similar to Giza.
Well, when the Aztecs arrived in Mexico,
Teotihuacan had been abandoned for almost 1,000 years,
we think.
So when they arrived, Teotihuacan is already gone.
We don't even know the name of Teotihuacan.
We don't know the name of the people,
we don't know the name of the city.
We know their relationship with other people around them,
like the Maya were at war with Teotihuacan,
but the civilization had already fallen.
So when the Aztecs arrived,
the Olmecs had been gone for almost 2,000 years, at least. The Olmecs had already been gone, Teotihuacan had been gone for almost 2,000 years at least.
Wow.
The Olmecs had already been gone.
Teotihuacan had been gone for 1,000 years.
The Maya had already collapsed.
The Maya collapsed long before the Spanish got there.
And so it's just, again, the Americas are just so mysterious.
And there's so much to know there.
And so kind of getting back to what I was saying is,
when I talk about the mysteries
of the Americas, I immediately get accosted by other of my quote unquote colleagues.
I don't have any colleagues in the academic realm, but you know, other academics who will
like immediately jump in my comment section on X or whatever, and they'll reprimand me,
and they'll be like, oh, so back to the pseudo-archaeology, is it?
And I'm like so so
I can't talk about anything that's fascinating
I need to talk about things that are boring so you don't get upset with me and now it's just like the the
Popular audience has completely had enough of it, and I'll have like 15 people jump in and
Defend me and be like to watch yeah, and they'll be like and they'll be like like you'll be like, you know
Okay, this is a perfect representation of what you guys do
I step just slightly out of this line or what you think is appropriate for me
And I'm talking about things that are interesting that inspire people to be interested in the ancient world to go see these sites
Like these people they don't like you they don't like the people that you have on but how many people do you think you've sent to?
Egypt, you know like you had a don't like the people that you have on, but how many people do you think you've sent to Egypt?
You know, like you had a significant impact,
this show had a significant impact on me being interested in the ancient world, and I have traveled all over the world,
you know, because largely, you know, some of this show inspired me to do that and
and I'm probably one of the few people that found you because of Graham Hancock.
Yeah, rather than the other way around.
And so, you know, I've traveled all over the world, and then what I have done is inspired
other people to travel around the world.
So you know, how many of these archaeologists that are keyboard warriors hiding behind,
you know, a desk or whatever, how many of these people are inspiring people to travel
around the world?
And, you know, it's just it's just again
We're about to reach this like archaeological wild west where I don't really know what's gonna happen in the future
It's you're always gonna have people that are threatened by an emerging new thing
Mm-hmm, and they're they're going to attack it like, you know
Famously in this world Howard Stern used to attack podcast as being useless
Oh really why you wasting your time? Yeah, get a radio show figure out how to do it
This is the beginning the early days, you know, obviously you can't do that anymore
but I think the same thing is happening with our with
archaeologists because
Flint dibbles own
University that has an archeology program,
they're cutting the archeology program.
I saw that.
Yeah, which is, this is why.
Like you're in this like survival mode, this famine mode.
Yeah, it's too bad.
And famine, it's terrible.
But famine thinking is always very dangerous.
You see it with people
that don't want other people to be successful.
It exists in the comedy world.
There's famine thinking. When other people start doing better, they start attacking those people. They never attack people that aren't want other people to be successful. It exists in the comedy world. There's famine
thinking when other people start doing better they start attacking those people. They never
attack people that aren't doing as well as them. It's just a natural human instinct unfortunately
and it's a natural human instinct from people with poor character. And I think that these
academic institutes they reinforce poor character and they actually encourage it. Poor character and the this like labeling people in the worst
possible light in order to make your point which is like ad hominem attacks
are always a sign that your argument sucks. Everybody knows that if you really
understand debating and you really understand like the actual impact that
these kind of conversations have on people the objective person on the
outside looking at it they see someone attacking someone calling someone calling them all these names, unfounded.
And you go, oh, that guy's argument probably sucks, like instantaneously.
So they're destroying themselves while they're doing this.
But this is, you'll see this in every walk of life.
You'll see this in everything.
It's just a human thing when they don't want to work as hard as other people or they don't
have the young fire like you have. Like there's a thing that people have when they're very curious and young and they don't want to work as hard as other people or they don't have the young fire like you have like there's a thing that people have when they're very curious and young and they don't have maybe a lot of
Responsibilities or bills or problems and they can just they can devote their energy to this pursuit that
Terrifies people that have been kind of like half-assing it for a long time half-assing it and hiding behind
these a long time, half-assing it and hiding behind these certificates on their wall that show
that these are the gatekeepers of information.
It's not going to work anymore.
It doesn't work anymore with podcasts.
It's not going to work anymore with your kind of work in archaeology.
It's not going to work anymore with UFO disclosure.
It's not going to work anymore with UFO disclosure. It's not gonna work anymore with
any of this stuff. Like people are way more interested in getting to the bottom of things
and they don't trust institutions anymore. Yeah, yeah. And the institutions are feeling the
pressure of independent media, you know, like going back to the Gobeckli Tepe tree situation.
It'll be really interesting to see, you know, like Jimmy back to the Gobekli Tepe tree situation.
It'll be really interesting to see, you know,
like Jimmy's in an interesting position where,
and maybe there's a way that like,
the relationship between independent people
and the popular, enthusiastic audience
and, you know, the archeological departments in Turkey
can have a better relationship
because of these things in the future.
You know how that would work?
People like you become the head of an archaeology department.
This is really the only way it's going to work.
It's almost like these institutions
have to feel so much pressure and so much disgust
from the general public that they start incorporating
new people into it.
Sort of like CNN is trying to hire objective
journalists now.
Oh yeah.
We gotta get rid of Don Lemon and Brian Stelter.
Oh, actually he's back.
But they, so they, they, they try to course correct
because that's the only way to survive.
Because it's not working.
What you're doing is not working.
From, from what I can see in the limited amount that I see
in this, this is the hard part is, is sort of,
we get a skewed view
into the archeological world or the academic world.
And sometimes I don't even know what's what
because the archeologists that make their opinions known
are usually the ones with really bad opinions, you know?
And then all the other people that are pretty agreeable,
they just kind of sit on the sideline, right?
And it's hard to know like, what are most people,
what are most of these future archeologists,
where are they think, where's their mind at?
And some of the young people I talk to,
they are fascinated by Graham Hancock.
They may not agree with, you know, like,
I guess in a way I could say is,
they may love the first nine episodes of ancient apocalypse,
but in the 10th episode Graham gives his the end of his
thesis, they'll be like, hmm, okay, I see the evidence differently, but this is
really fascinating, and some of the mysteries you pointed out along the way
are valid. Like, you know, the idea of, well, you know, the artifact record of
the tools that we have that the Egyptians in the Old Kingdom were using
does not fit the megalithic architecture that they then produced.
Okay, what's the answer to this mystery?
Could it have been that we're missing a chapter
of history that's before that, where a different civilization did it,
or is there, for some reason,
there's an artifact record that's lost to us today?
And so you have, you know, guys like Graham who will come in and posit,
well, there could have been a lost civilization that did this, and then
an archaeologist, a young archaeologist may disagree with a lost civilization,
but they say, but Graham, you really pointed out the fact and made it well
known that, you know, the artifact record that we have of how they built the
pyramids, that's a big mystery. And how they built the pyramids, that's a big
mystery. This is worth considering. And they like Graham, you know. So a lot of
young archaeologists, at least I say a lot
It's really just the ones I talked to in my spare time that are my age
They're fascinated by these ideas and my hope is maybe these people become leaders someday
But at the same time like I don't know to get ahead in that world man
Yeah, you gotta be a dog the world's poisoned and the people at the top are not gonna let go They're gonna stay in there till yeah, you know no Chomsky's age. Mm-hmm
You know, this is I just think it's never gonna end in that way
I think it's got to become some sort of an independent branch like, you know a break-off. Yeah, you know Zahi is a
Zahi is a really good example of what I think goes on in archaeology in Egypt
You know, you have a lot of think goes on in archaeology in Egypt.
You know, you have a lot of different missions from different countries working in Egypt.
You have like a German mission, you have the American mission, you know, different people
working at different sites.
And I can't speak to every country that's working there.
You have Australian missions that are working in Egypt, digging at certain sites.
But you know, when I watch Zahi, I'm like, yeah, this is the what you're seeing.
This is the attitude that has been at the spear point of Egyptology for the last lifetime.
And you can just imagine what goes on.
I mean, think about being on a dig site with him.
Think about working in his industry underneath him.
Think about all the people that were a part of the discoveries that he made that feel so disrespected and so overlooked.
You know, not once during that podcast did he ever acknowledge all the hard-working archaeologists
that were actually there in the dirt doing all this hard work. He just took all this limelight.
And so, you know, clearly his identity is tied into what's in his coffee table book. And, you know, clearly his identity is tied into what's in his coffee table book.
And you know, for him to act like that's the Bible of Giza is insane.
I own the book, and I've read it, and it has half of a page about the subterranean chamber
in Khufu's pyramid.
So it's, you can write a whole book about that.
What is your, I don't mean to interrupt, keep going.
Oh, I was just gonna say, I was just gonna say, man, when you go to Egypt, there are some things that you're gonna be appalled by, by like the modern Egyptian world.
I do this series on YouTube called Megalith You've Never Seen Before, and I'm always trying to find these these weird obscure blocks that you never see on Google and I'm walking around the side of the pyramid of Ulus and there's a turd
on the side of the pyramid.
A human turd?
Yeah, and it's from the guard that's like sitting up on top of the hill, the Egyptian
guard looking down at me and I go around to land of Kim who I'm traveling with.
Have you heard of him before?
No.
He's an American that lives in Egypt and he's got his theories on the pyram Kim who I'm traveling with. Have you heard of him before? No. He's an American that lives in Egypt
and he's got his theories on the pyramids.
And I'm traveling with him and I was like,
there's a turd on the pyramid over there.
And he's like, yeah, yeah, you know.
And I was like, a tourist?
And he goes, no, not tourist.
And so, you know, the poop on the pyramid
is pretty much like, that's kind of my mental,
that's burned into my brain my image of
Egyptology in some aspects like when it's isolated to Egypt
I can't speak for all the other missions that operate in Egypt, but more you got to say I don't remember
Where are we at when I was gonna interrupt? Oh, this is what I remember
What is your opinion about?
Christopher Dunn's ideas. I
Don't know. I really don't know, man.
I took for people that don't know.
Christopher Dunn has a theory that the Great Pyramid was actually some sort of a power
generator that it produced hydrogen gas.
I don't know. I mean, you know, I know that that the Egyptians, it's obvious that they have
technology that
is lost to us today.
The drill holes.
Yeah, yeah.
The way they cut the concrete.
Or excuse me, the granite.
Yeah, yeah.
But I really don't know.
As far as the manufacturing aspects,
the engineering, the potential
usages of these artifacts. It's not really like my specialty. Like I, you know, like these, these vases are,
well, this is a heavy one. These vases are fascinating, but you know, I guess my interest would be studying like what can I, what can we learn about the context around these things and
how they existed in their world and how people interacted with them more so than you know what did these things what were
they actually used for I guess and how exactly were they made and so I just
don't know about Chris Dunn's theory you know I I guess the first thing it comes
in my mind is like well you know most the pyramid is limestone and the
interior is granite I I hear people talk about how like the makeup of the granite
could be conductive in some way
But man, it's just it's like the farthest thing from my set of knowledge, right?
It is absolutely fascinating though
Because if he's accurate if he if he's on to it like boy does that change everything?
Mm-hmm, and if those Italian scientists that believe that there's literally a two kilometer deep structure
Underneath the pyramid.
If they're correct, boy, the whole thing is like,
what are we even talking about now?
Yeah, I find that fascinating.
I think that the main drama around those scans
was when the scans came out, I don't think anybody was denying
what was seen on the scans.
I think it was like they had the artistic
interpretations of the art concepts that they produced
of what they thought was in there.
And I think a lot of people were like, whoa, whoa, whoa.
Yeah, that was a little weird.
Because even me, I was a little bit like, huh?
When they made an art concept of it,
and they took the king's chamber and the relieving chambers
in the Great Pyramid and superimposed it onto the Middle Pyramid.
And they, I guess, quintupled it. Like, they made five of them.
And I was thinking like, why do that?
Like, you're kind of undermining what your scan is
when you're creating like a fantasy image because...
You're getting ahead of your schemes.
Yeah, you're getting ahead of yourself because, you know,
we need to do the whole scan again,
but you need to have tests.
So like Luis Alvarez, are you familiar with him?
He worked on the Manhattan Project with Oppenheimer.
And after the war in the 50s or in the 60s, he got to go to Egypt and he scanned in the
Khafre pyramid.
He did the Mu'an scans.
And when he was in there, they tested it all before.
So he was able to scan up through the pyramid,
and he got the pinnacle of the pyramid,
and he got all four corners.
And so they tested it, and they did it several times,
just to confirm that what they were getting was right.
And I think the MUON scan only scanned
like 19% of the pyramid.
This is the 60s.
So, but they didn't find anything,
but the Stanford project came the next decade,
and they found subterranean chambers under Coffers Pyramid.
There's one like 69 feet down, and another one 120 feet down. Huge chambers, bigger than the chambers inside the pyramids.
And so, yeah, I mean, I guess we just have to wait and see what's going to happen.
And I know that the scanned pyramids guys, the ones who the the void above the Grand Gallery in the Great Pyramid I know they're interested in
this now and they're gonna verify what if this is true or not and yeah I'm
interested in seeing how this goes this could be a big year man if if they
actually drill into that void above the Grand Gallery, that's gonna be a big deal. What do you think's in that void?
I have no idea.
It's pretty big, right?
It's the size of two semi trucks?
It's the same size or bigger than the Grand Gallery itself.
And the Grand Gallery, when you go in,
it's a huge building.
You're inside a building inside of the pyramid.
And it's
as big or bigger than that and you know the most conservative explanation is
that it's an open interior that served as a ramp where they were pulling the
blocks up higher up to the top nobody really knows exactly how they were built
in the in the the angle of that grand gallery is really really steep I don't
know that you could pull an 80 ton
Granite block up an angle that steep it seems like everyone who's an expert in in that
You know who studies independently is like now you're never gonna pull never gonna pull weight up
To be honest, I have no idea, you know, I'm I
Was fascinated when I heard an Egyptologist when I was in Egypt in January and I was asking him
What do you think that they're gonna find in that void and he was like he was telling me
I think that that's where Khufu is buried and I was like, oh, okay really?
So you actually think that he's still in the pyramid and he was like, yeah
I think I think all the rest of it was a decoy and I think that his son who's able to continue his legacy like
Permanently sealed him in that in that tomb and I was like, that's that's fascinating fascinating and and I said I said you know there's other voids that they found too what
do you think of those and so we're standing on this Falluca at 1 a.m. on the Nile and we're
just you know shooting the shit and he was like he's like I have something to show you
and he pulls out his phone he was like he's like I cannot send to you but I will show
you for one second he showed me a photo of the inside of a chamber that I've
never I hadn't seen before and it hasn't been published yet I'll let you know
when it comes out but it's burned into my mind it's from the floor shooting
across the room all you can see is two walls meeting each other in a roof and I
said I said that's in a pure that's in that's in the Great Pyramid he goes and
he was like and he wouldn't share it he He wouldn't share with me. I don't want to press him too much
But they stole his phone
You can't keep this
Well, you know man that's happening all over the world like this delay of
Of information is all over the world. Do you remember the the tunnels that came out or the the?
is all over the world. Do you remember the the tunnels that came out or the the um
maybe it's in November the headlines that no yeah it was in November the headlines that came out about the tunnels that were found under Cusco in Peru that connect to Sacsayhuaman and they go
underneath the Coracancha? They knew about that a long time ago. Oh yeah yeah it's documented.
Um in the in fall of last year I made made friends with the head archaeologist at that site and
one early morning at like 4 a.m. He took me down inside part of the tunnels and
Yeah, I was I was in there before it all came out and he took me into so all these archaeologists
They like live on site and these are all these are all Inca people
So they believe that they're studying their ancestral heritage. These are really good people.
And I'm in their, you know, shoddy little home that's on the archaeological site.
I mean, they probably make no money, but they're just so passionate about this and they feel
like they're doing something that's like one of the most important things anybody in the
world is doing.
And have you been to Peru?
No.
When you go to Cusco, man, the Sacred Valley, it has something there that not even Egypt has.
I don't know how to explain it.
Really?
It's a sacred place.
The Sacred Valley is exactly right.
It's a magical kind of place.
Machu Picchu, you should book two days when you go,
because you're going to get rained on on one of the days.
But you're out there on this 7,800 foot mountaintop, and it's so steep you cannot see the bottom when you're looking over the side of the days. But you're out there on this 7,800 foot mountain top.
And it's so steep, you cannot see the bottom
when you're looking over the side of the city.
And you're just in this sacred place
in the middle of the Amazon, up in the mountains.
And it's just a different place, man.
It has a type of charm that not even Egypt has.
Egypt, you're going to be blown away by the structures.
You're going to be blown away by the pyramids and the temples.
But this is something else.
It has an otherworldly.
You feel like you're on some kind of Star Wars planet
when you're there.
It's fascinating.
Because of the environment?
Yeah, it's like the environment.
You know, I wondered if it was when you're in Cusco,
you're at 11,500 foot elevation.
And I wondered if I was missing oxygen to my brain.
And I was like, whoa, this place is awesome.
But no, it really is amazing.
And the people are so nice.
And so anyways.
The Monson Beach was a trip.
What was that?
I think it was very similar to Alexandria's library.
I think it was a place of study where people
are studying the stars. Archeoastronomy is like the next frontier
of archaeology. It's the way that ancient people are interacting
with the night sky and what they know about the cosmos. You know the Maya were
calculating like
millions of years into the future and millions of years into the past.
And they had this numerology system that's just
amazing. But anyways, so I met Sok Se Womon
and they take me into this back room
and they show me all these bodies that they pull,
I probably shouldn't be saying this, but whatever.
They show me all these bodies
that they pulled out of the tunnels.
And it was these, they thought that they were like
sacred guardians of whatever is inside of this tunnel.
And these are all buried at Sok Se Womonont so there's like skulls everywhere there's boxes and
all these bones there was a there was like an obsidian mirror with like a
little stick on it bunch of gold artifacts in this room it was just boxes
upon boxes upon boxes upon boxes and I haven't seen any of this stuff published
yet so this is how much of a delay there is on archaeology.
What is the delay in that stuff? Because it would seem like such an enormous discovery.
Yeah, it's, what I think it is, is, well, you kind of have, I would say it's a mix of a lot of different things.
Let's say, let's say the most non-malicious side is that these countries are totally dependent upon tourism,
and they want to prepare like a big media buzz to drive tourism.
So they want to do it at the right time of the year,
and then it'll inspire people to book their trip down to the Sacred Valley.
You know, it's a money-making machine, right?
It's their biggest draw to come and see this part of the world.
That seems so counterintuitive because new discoveries would make people want to visit.
Yeah, yeah. They just want to hold it off to like the right part of the year. This is,
this is something I've heard in Peru. This is something I've heard in Egypt. You know,
the, do you remember the tomb of Thutmose II that was just discovered recently?
I heard about that, so let me think that that came out
two or three months ago, and when I was there in October,
I had heard that it was found.
So these things are happening way, way in advance.
Now the other side is there's sort of this
zahi was effect, like Ed Ed Barnhart my professor mentor he wanted
to study in Peru whether or not the Inca or ancient Peruvians are like fusing
these andesite stones together so you've seen how they how the stones like fit
together in the same way that they do at the Valley Temple in Egypt the red
granite so they're using this gray andesite it's which is sometimes the andesite is harder than the granite in Egypt
And they're they're like morphing these stones together at impossible angles
you know, I'm sure you've seen the 12 sided stone and
You maybe you've seen the scoop marks on the side of the stone where it looks like this
The outside of the stone was softened at one point and you could like scrape a piece off. And so it's it's
Dr. Barnhart's idea that somehow, well, and it's not without evidence. So in the Chilean desert, the Inca Empire were building upon roads that went all across
South America.
And these roads weren't initially, the foundations weren't laid by the Inca.
They may have been improved by the Inca, but they go back to the Wari Empire, which predates
the Inca, and it almost certainly goes back further than this.
The southernmost point of these highways, it goes off into the Chilean desert, into
the Atacama Desert, and they just kind of disappear into the desert.
And for a long time, it's been a mystery of what the heck are these Peruvians doing down
in the Chilean desert?
What is it down there?
What's a resource that they need? But there are these acid deposits
that are down in that desert and somehow they invented this clay pottery
that whatever they used to make it, the acid wouldn't melt through the pottery,
so you could carry it. There's evidence of this at Tiwanaku as well, which I'm
sure you've heard of Tiwanaku. There's evidence of this at Tiwanaku as well, which I'm sure you've heard of Tiwanaku.
There's evidence of this acid at Tiwanaku and people would talk about
how the acid could like melt the stones and sometimes you talk about how like bird poop or bird,
I don't even know, like throw up or whatever could melt the stone. And so there's all these, you know, ideas that were these myths about the stones melting.
Anyways, Dr. Barnhart's idea was that those roads go down there because they're
mining and collecting the acids and they're bringing the back and they're
softening the outside of the stone and rather than carving the stones to fit
together they're setting the stones on top of each other and it's creating its
own morph if that makes sense there the stones are morphing together and so he
there's two reasons, but you see
them a lot as to why he thinks this. There was an earthquake in 1650 that destroyed the
Spanish city that was sitting on top of the Inca city of Cusco. So you have this ancient
city that's there and the stones are so massive the Spanish couldn't tear them all down. So
they just gave up and they built new buildings over it. In 1650, this horrific earthquake knocked down
the Spanish city and ancient buildings were still there,
hadn't moved at all.
In 1950, another earthquake happened,
knocked down the Spanish city and the ancient city
is still standing.
So now these are preserved as cultural heritage monuments
and they don't build over them.
But they like a Starbucks or a KFC or a McDonald's
will be built inside of an ancient Inca building.
You'll walk in and it's like megalithic stonework
inside of KFC, it's amazing.
Wow.
But it's everywhere, it's the whole city.
It's the whole modern city.
When you go one day, you just walk, walk, walk, walk, walk.
One of the projects we're gonna do
for the Maya Exploration Center
is I'm gonna go down to Cusco for a month
and I'm gonna make the world's first map of where all the stones actually are. There is a map that tourists get but it's a shitty map.
It's not even accurate.
So that's one of my projects is I'm gonna map all of these stones and where they are around Cusco and it'll be
like on an app or a website or something where you can find it.
But yeah, it's just it's incredible. So they preserve the stones.
And so when you're walking around,
getting back to why you could-
Can we see some images of the stones
that would indicate that they possibly were melted?
Like what's like the best-
Oh man, how could you search this up?
Maybe just look up Cusco cyclopean stones.
We may be able to find an image.
And I could show you
something on my phone I know I've got it on my phone okay maybe I could send it
to you but I'll actually send it and so so some of these are from Sacsayhuaman
okay so to the top left here so that's the 12 sided stone it's on this building
when you walk around this building the name is escaping me right now, it's the palace of something.
When you walk around this building,
you're gonna see some of the stones
where an earthquake has separated.
So you have two stones that sit perfectly
on top of each other.
Well, when an earthquake happens,
one of these stones will slide back.
And when it does, you'll see an angle
that ramps up like this up to the exterior
and so what it looks like is the stone is placed on top and it's smushed the stone down.
Does that make sense?
Whoa.
Man, if we searched hard enough we could find it here.
I will send you this photo.
I've got it on my phone.
Wow.
Yeah.
Yeah.
Just that idea is fascinating. And so it melted into place. Yeah. Just that idea is fascinating.
And so it melted into place.
Yeah.
Oh, OK.
So they cut these stones, used acid.
This is the theory.
Is that it right there?
No.
No?
So they cut these stones, used the acid,
and set them in to seal so that there is
no gap in between the stones.
So it's not that they have to carve it perfectly, but rather that the weight of the other stone.
They get it roughly the right shape and then lay them down on top of each other.
It's on one of these walls.
So that one you have your cursor on, that's fake.
I walked up to it and it's like hollow.
I was like tapping on it.
It's just a fake wall.
I don't know why in Cusco they have some,
some people will decorate their walls
to make them look like they're cyclopean walls,
and you go knock on it and it's like plastic.
But there's tons and tons and tons and tons.
The majority of the city is just the ancient city.
What is this?
Inca stone monument irreparably damaged?
It's like someone cut out a piece of it.
Yeah, somebody went up to it in the middle of the night,
like a drunk tourist, and started hitting it with a hammer the 12 sided stone, which is like the most sacred stone in Cusco
Yeah, fucking gross. Yeah, okay, so so you see this long
The stone or the 12 angles that I wonder right there in the middle that stone is in that alley right there if you could find
It but you know, it's so crazy crazy there's a building on top of that.
Yeah yeah yeah. That's what's so weird about it like look at this stupid house that's fallen
apart that's on top of these ancient stones. Yeah it's it's crazy man it's a it's an amazing
place you'll walk around and just be consistently stunned by the amount of stonework that's there
and what they are able to achieve.
And this kind of Cyclopean stonework where the stones all have these, you know, no two stones are exactly alike.
You see that stonework in one place in Egypt, which is at the Valley Temple next to the Sphinx.
And you don't see that, as far as I know, recreated anywhere else.
But in Peru, it's everywhere.
Wow.
Yeah, so that's kind of a repaired wall.
You can see that it fell apart and they put it back up.
But these are mortarless buildings.
Oh, hey, if you go just one below the one that you're at right now,
so this is the Temple of the Moon at Machu Picchu. Look at the size of the stone wall.
That's one stone on the lower part of it.
And you can see that the size of the stones that are together, as earthquakes have rattled
the city, the wall still kind of holds together.
It bends and holds together completely, It's just fascinating. And on top of that, Machu Picchu itself, 60%
of the megalithic construction work is in the foundation of Machu Picchu. So it's underneath
what you're seeing. And there are areas that are roped off where you can go down like underneath
the city, but it's all roped off and I don't know a lot about it. I got a little bit of
a photo of where you can go down
into these, I think they're like man-made labyrinths
that are underneath the city, but there's a lot more there.
And so when you're there, you just get this intrigue.
And I was curious how Egypt would stack up,
because I did Peru last year,
and then the day I landed from Peru,
I headed off to Egypt for a month and then damn what a life
Yeah, it was you got a great life, dude. That's cool. Yeah. Well, thank you. That's really cool
It's just how far is this from Nazca?
Very far Peru is deceivingly big Peru is like half the size of the United States really it's really really big Wow
Yeah, yeah, no idea. Yeah, Nazca lines are really really really far away
it's very hard to do a
you can't do a
Tour of like all of Peru. It's too big
It would be like it would be like if you were gonna go on a United States tour
You would have to pick a place to go because it's just so massive
Usually when people like do a tour of Peru,
they'll pick like Paracas, Nazca,
you pick these desert coastline areas and you go see that
because to get from there to the Sacred Valley
is quite a journey.
Yeah, it takes like a day and a half
of consistently traveling to actually get there.
Have you seen the new scans of the Nazca lines
where they've found new?
Petroglyphs. Yeah. Yeah. Yeah the um
Man, there's gonna be so much like that that's gonna be found people gonna be a what is all that stuff fly these
Well, you know, it's it's amazing like how exactly
One what's the inspiration for making these giant?
You know, the sophistication is in the planning and the math behind how
exactly you make these, how exactly you make these images in the ground that are miles
wide and very intricate.
Like if you look at the spider, the spider, there's a spider there that's anatomically
correct for a local spider that's there.
And there's some aspect about the spider, a detail that they incorporate that you would
only know if you were like really studying these little creatures and wanted to recreate it on a massive
scale.
But the legs, man, they're mapping.
I mean, look, this is an enormous thing in the ground that if you don't have flight,
you're never going to be able to know that you did it.
You did it precisely, right?
Or unless you had very meticulous planning and everything.
But again, what's the inspiration for this? What's the inspiration?
Why would you be doing this? What is this for? Why does it have that one leg that hooks off to the left?
I don't know see that that one lengthen piece very strange. Well, you know the Nazca they
The the exact timeline of their civilization is a little bit blurry
But I mean they had they had disappeared more than a thousand years before the Spanish arrived. Can I ask you?
What is that all about? Why does it have all those additional lines? I don't someone's doing different. I don't know. Is that just art?
Yeah, I think they're making it on
Maybe one of those sand tables or something like that cool t-shirt. Mm-hmm
There's other weird ones, like the one
that looks like an astronaut.
Yeah, he does.
I actually think that that's a pulpa line, which
is a different culture that does the same thing.
If you look up pulpa lines, you may be able to find it.
There's quite a few of them.
Look at that one, the jester one, the one
with the antenna at the upper left.
Oh, yeah, look at him.
No, no, no.
Yeah, there it is.
Like that one.
Where does that come from?
I guess you just can't make it that big.
Make it a little smaller.
There you go.
What is that?
This is AI on covers.
And why does it?
What's that?
It says AI on covers.
Oh, are they AI?
Yes.
But this is AI.
Oh, OK.
I'm sorry.
This is the AI.
Oh, wait.
Look at the shark.
Look at the shark on there.
Isn't that cool?
So you have seafaring.
Dude.
OK, do you know of Vanapu in, in,
uh, Easter Island? It's, I think it's called Vanapu. It's this platform building that on
Easter Island with all the big heads, that is the exact same architecture as what we're seeing in
Peru. These people are traveling out into the Pacific Ocean and back. You know, it just, it's,
it's fascinating, man.
Thor Heyerdahl with Kontiki, he proved it.
Yep, there we go.
Yeah, so, you know, it's fallen apart.
It's not the same stone.
It's a local volcanic sandstone, I think.
I don't think that this is basalt.
Well, it might be basalt.
But it's a volcanic stone.
I'm actually pretty sure it's basalt.
It's made out of the same thing of the Easter Island heads.
So you have this Vanapu, but
another project that my exploration center is working on later this year is we're going down to
make a new updated map, archaeological map of Easter Island, Rapa Nui.
And I'm not going, but this is Dr. Barnhart doing it.
And there's another site down on the remote end of the island
where there's another structure like this
that you never see mentioned.
And so we're going to document that and put that out.
So there's no doubt that, I mean,
these people are incredibly advanced, incredibly connected,
incredibly intelligent, and it's just so mysterious.
OK, do you know of the Blythe lines?
Have you heard of this?
Blythe, California, there are Nazca lines up there.
Really?
Yeah, yeah, we should look this up.
Yeah, so-
Where's Blythe?
I think it's right before you get to Nevada.
You're like driving, so if you,
you'll pass right by if you're driving
from Las Vegas into California, I think.
So Blythe lines, yeah. Yeah, we should zoom in from Google Earth, You'll pass right by it if you're driving from Las Vegas into California, I think.
So Blythe Lines, yeah. We should zoom in from Google Earth, this'll be cool.
Where is it, Jimmy?
It's on the 10.
It's on the 10?
It's right where my cursor is, so.
Oh, so that's Blythe, California.
You might be able to look up Blythe Lines.
I did, but I was trying to show you where it was.
Oh, sorry.
So these are the Lines, oh, sorry. So these are the lot. Oh, whoa
Yeah, they're huge
whoa
So dude, this is not the fuck is that this this is I mean to me
It's pretty obvious that there are people who are and this is they think that this is younger than the Nazca lines
And this is, they think that this is younger than the Nazca lines, but even if it is,
it's pretty obvious to me that you have traders
and you have people who are very capable of traveling
all up and down the Americas.
It's all interconnected.
And I-
How many of these lines exist?
It's not really majorly studied,
but I think that there's a few of these images
that are out there and more that are further off into the desert that some people have.
One of them was a monkey. How do they even know what monkeys are?
Well, okay, that's a great question.
Were there monkeys in California?
No, I doubt it. But there, an idea of how this could happen is, so at Teotihuacan, like I was talking to you,
this is an hour north of Mexico City, there were monkeys that we have found that were
in zoos in Teotihuacan, like dead monkeys that are buried. And this species of monkey
is only found in the southern Amazon. So it's all the way up in northern Mexico. So all
of these things are connected. Okay another another
Jamie could we look up please for clarity that one was a Nazca line the monkey was not in the California
Okay, okay came up okay
Those monkeys are in Peru well even so there there are Amazonian monkeys that are coming with the other blithe lines are
The article starts showing different stuff explaining what they were so comparisons to NASA found in 1932 by pilot
That's what I was trying to figure out kill. So that's one of them looks like a giraffe
Dear yeah, it could be a deer but our deer are the car deer out there
Quadruped it says well, there's deer in California for sure. There's probably mule deer in that part of the country. There certainly is in Nevada. Nevada has a big population of deer. The figure represents horses reintroduced, historical dates sometime after the 1500s,
so maybe they don't know when these came back up again. Yeah, they have no idea. I don't
know if that's a horse. Doesn't look like a horse to me. I think the tail though is a lot longer than oh, yeah a little a deer
They've got the little tail like a shitty artist. I was stumbling down something with the Olmec stuff
I think it was the old man. Mm-hmm. There's a bunch of this guy see a zoom or seer. It's a bunch of other weird
rocks that had like
Anthropomorphized animals on top of humans. Okay. Do you know about have you ever heard of where Jaguars?
No, oh dude. This is like this is my shit. Okay, so
where Jaguars it is another piece of evidence of at least
Well the lower part of North America connecting with the Amazon.
Ah, dude, this is badass.
All right, so the very first, some of the first evidence
that we have of people in the Americas.
So you think of like, where do you
imagine that people migrate into the Americas?
Like, where do you think we would
find the first evidence at?
Oh, boy.
would find the first evidence at? Oh boy. Well I would imagine it'd be somewhere where the Olmecs were. Mm-hmm yeah maybe so yeah or you know traditionally sure
sure traditionally people think that maybe you would find it you know in
Alaska coming in you know people migrating over during or before and after the ice age sure or I'm sorry during and before the ice age
And then some people might think that you know you have Polynesians that are skipping across the the Pacific that are coming into
But most of the time it's West Coast you'd find people think you'd find something out there
Some of the oldest evidence that we have are
30,000 year old caves on the east side of the Amazon on the east side the opposite Some of the oldest evidence that we have are 30,000 year old caves on the east
side of the Amazon, on the east side, the opposite side of the Americas, as far away
as you can possibly get from, you know, where people would have traditionally arrived in
the Americas. Now, that evidence is constantly changing. There's constantly new things that
are being found, like white sands, and there's, what, 150,000 year old bone tools or chisels
that are being found where people were cutting
into wooly mammoth bones, you know, crazy stuff.
But one of these old evidences is people in the Amazon
20,000 to 30,000 years ago on the East Coast in Brazil,
on the Atlantic Coast.
And they have these, I think it may have been
Teddy Roosevelt's granddaughter that found this
she was she was a South American archaeologist she was inspired to go to the Amazon and
so
It's really interesting in the Olmec realm
There's what's called a were jaguar. It's just like a it's like a werewolf spelt, you know, sort of the same
But you have this you have these two different dichotomies in the Olmec
world. You have the Olmec heads, which by the way I brought you a head.
Ooh nice more stuff for this table. Sit right next to hecklefish.
So this is made from basalt by the modern Olmec people.
Whoa that's cool. So this is made from basalt by the modern Olmec people.
Whoa, that's cool.
Yeah, super cool.
So these guys, these guys, we don't know who they are.
We don't know exactly what they represent because they're just guys with normal faces.
You know, they have Olmec faces, but they're all wearing this helmet.
What the hell does the helmet mean?
It could be two different things. It's a signature of their divine like rulership like like we think they might be kings
Somebody who can you know somebody who can commission a monument this big? This is a testament to his power or these are revered ballgame players the Mesoamerican ballgame
I'm sure you've dove into this a little bit or it's both that
The Mesoamerican ballgame. I'm sure you've dove into this a little bit. Or it's both. That the
You know the most masculine thing that you can be is a great Mesoamerican ballgame player, and that's the king
He wants to see himself out of it. It's the same thing as
Marcus Aurelius' son. Why am I forgetting his name?
The really bad emperor
God, I can't remember his name. But anyways, he wanted to be seen like Hercules fighting in the Colosseum. And so we think this might be a kind of similar thing.
There's a whole different type of people that are existing in the Olmec realm.
We can look up Olmec Ware Jaguar, please, Jamie.
Thank you.
And there's a whole different type of person.
So here's one image.
If you keep scrolling, you'll see images that are carved into.
So this is a little bit of a better image right here.
But sometimes when they're carved into Jade
and you can see the light reflecting off of it,
you get a better image of what these things really look like.
So Wear Jaguar, Olmec, and maybe do Jade.
Oh yeah, there we go.
Top right. Yeah, check that guy Jade. Oh yeah, there we go. Top right.
Yeah, check that guy out.
So that's a human.
That's not an animal.
It is a human who has turned into the essence of a jaguar.
And we see this everywhere, all over the Olmec world.
But they're never the colossal heads.
They're always in Jade or they're smaller Olmec monuments.
And sometimes the heads are maimed,
like the head is just completely destroyed
and there's these jaguar claws,
claws that are carved into an Olmec face,
like tearing apart its face,
tearing apart the symbol that's on the top of their head.
And so a lot of people have wondered,
like why are these scratch marks
in all of these Olmec monuments? But all the scratch marks only appear in Olmec monuments that are not the wear
jaguar. And so what I think, this is a little bit of research that I'm doing, and I'm writing a book
on the Olmecs right now, is what I think is there's a feud between the rulers and the shamanic class.
And I think that these wear jaguar people, these people who are taking some kind of hallucinogen taking a psychedelic and
and
Basically imbuing the essence of a Jaguar in some strange crazy way that we can't explain
These are feuding with each other and when I'm in
Mexico and I'm in these museums where you have these mushroom stone effigies that are all lined up.
I'll ask a local archaeologist there.
I'll be like, so these mushrooms,
do you think that these depict hallucinogens
that they may have been taking to get high?
Oh, no, no, no, no.
No.
I'm like, really?
You don't?
You look at all the crazy shit that ancient Americans
are making.
If you look at ancient American artwork anywhere,
you can tell it's all like
Mind-bending stuff to look at they're clearly I think they're being influenced by plants now this where Jaguar
Isn't just isolated to the Olmec world it also pops up at a place called Chavín de Wontar have you ever heard of this? No, this is in the Andes. It's one of the oldest cities in the Andes so before Chavín
We can follow the DNA evidence of burials.
Like you can tell, okay, these people are younger if we carbon date their bodies that
are buried underneath these temples, and they're related to these people that are older.
So you're trying to piece together this DNA web, but it's very, very loose.
So there's a place called, there's a culture called Kerala Supe culture, and they are building
pyramids before the old kingdom of Egypt ever even existed.
This is 5,500 years ago at least, on the coast of Peru, like right on the beach, and there's
like 15 huge pyramids out there.
But this is a non-pottery, non-artistic culture.
So we don't have pottery and we don't have art from them,
and we don't have stone statues or anything like that,
just these structures.
And from what we can tell,
they keep getting hit by these like apocalyptic storms,
these tropical El Ninos and La Niñas
that are just destroying their civilization
and they're trying to rebuild it again.
And eventually they say, you know what, forget this,
we're moving up into the Andes.
Well, when they move up into the Andes on Chavín de Wontar
They then come in contact with Amazonians. They meet Amazonians for the first time and all of a sudden these people they have pottery
They have art they have gods. They have a pantheon. They have stone statues and
They are where jaguars they they are these people. Oh, this is from oh, this is this on my ex. Oh cool
so Oh, this is from, oh, this is, is this on my X? Oh, cool. So, so I posted about this today. So these faces right here, these are on the side of the Temple of Chavín that
faces east off into the Amazon. And when you look at Chavín pottery, it's the same as
Amazonian pottery in the region. So the people of the Andes, as soon as they interact with the Amazon, they take, they
acquire this religion, this culture, this iconography.
They completely change as a people and they start building
the first structures that we know of that have
interiors because before this, these pyramids that were out on the coastline,
you're like walking on top of this big stone mound.
But at Chavine, it's a huge square style building
that has open doors that you can walk in through.
And all of this happens as soon as they
interact with Amazonians.
And so yeah, so it's a huge structure.
And the stones that make up the staircases, oh my god, okay, have you
seen, the name is escaping me right now, but wandering wolf went out there,
Michael Collins, and he found that he saw these big trilithon stones that are
sitting on the side of the mountain in Peru, do you remember this? Giant stones.
That white stone is the same white stone that's used in the staircases and on
the door jams and the lintels here at Chavines. So you see that the open door right there
at the bottom? Yeah. So those white stones on the side, those stones may have come from
that quarry that he went and visited where those gigantic, you know, Trilithon, Balbec
sized stones are.
How far is that?
It's really, really far from here. I don't know.
That would be something good that I should know.
So some of it's megalithic, some of it's decent size.
It's really that front wall right there with that entrance,
the steps going up to it.
And then on the inside of the temple,
you have the megalithic stonework.
And then you have this monolith on the inside.
So you see this guy?
Look at that.
That's a human with jaguar fangs coming out of his mouth.
And all of these tenenheads that are on the side of the temple, they're facing out towards the Amazon.
It's telling us that this religion, this idea of these people who are somehow doing these shamanic practices,
which I think are so clearly so obviously, is plants like ayahuasca or whatever it is,
inducing these people into a state of consciousness
where somehow they're taking on the effects of the jaguar.
Like you and Paul Rosalie talked about this
and when he was talking about his experience with ayahuasca,
I believe he said, and maybe it was on this show,
that for a moment, like he shrunk down
to the size of an atom and he's floating through the Amazon
and then all of a sudden he was looking through like the eyes of a jaguar for a moment, like he shrunk down to the size of an atom, and he's floating through the Amazon, and then all of a sudden he was looking through like the eyes of a jaguar for a moment.
And this is something that...
Constant theme amongst people of Dun, Iowa.
Yeah, yeah. So this is something that I think...
I think it's evidence. I mean, we can go... We can talk about this forever,
but I think there's so much evidence. Oh, isn't this cool? Yeah.
Well, there's also evidence that jaguars eat the same plants. Yes. Yeah
Have you seen this on?
What is it weird nature? There's a documentary out there called weird nature
Yeah, and and it like it makes it it makes it akin to like catnip and it's like the general
Are also has it so this is why I brought this up Terrence we get out a very fascinating theory about why?
Ketamine in particular feels like an empty office building
His his theory it's like ketamine is like you enter a realm, but there's no one there
Mm-hmm, and this is by the way. He's talking about ketamine in like the 80s and 90s whereas
his theory is
80s and 90s. His theory is that when you imbibe, when you take a psychedelic medicine, when you take any sort of psychedelic plant, mushroom, whatever it is, you're not just having an
experience. You are also interacting with all of the experiences that have never been
had with these things, which is one of the reasons
why when people take certain psychedelics, they have very clear Egyptian iconography
appears in their trip.
And his belief or his theory was that it's far more complex than you're taking a psychedelic
drug.
You're taking this psychedelic that allows you to interact with all the experiences
anyone has ever had with those.
Oh, wow.
Including Jaguars.
Now, also, there's always been this conflict
between the ruling class and the shamanic rituals.
This is the Illucinian mysteries.
They shut all that stuff down.
Wouldn't it make sense that the claw marks would represent the battle between the shamans
and these ruling classes, who of course don't want people tripping and opening their mind
and questioning authority and trying to restructure everything.
It'd be a huge problem if you were like a Zahi Hawass guy trying to keep the lid on
everything and just keep control and power and then you got all these people that are
tripping balls that have completely different ideas that you have to silence that.
Well, what's the issue here?
The issue is these guys, they get together in a circle and they drink this stuff and
then they start having these wacky ideas.
Let's put a stop to that.
Let's put it the same way they did with the Illicinian mysteries, the same way they've
done countless times.
Shamans that were like the whole Santa Claus things
where he's coming down the chimney.
Why was that?
Well, it's because Siberian shamans were ostracized.
They were forced to actually not go through the doorways
because they had to sneak into people's homes.
So they came down chimneys.
This is the theory.
Oh, that's fascinating.
Which is like, why the fuck would Santa come down at chimney? It doesn't make any sense. Yeah
Yeah, well that was the idea like shot Santa's a shaman also shot Santa at least in modern depictions has the exact same
Coloration as the Ammonita muscaria mushroom. Oh, wow
You've never seen that the comparison she's Santa in the mushroom
No, the fascinating comparison and this is also hotly debated, you know, they're saved
No, well, look Coca-Cola was the ones that made them red and white the Santa Claus's look maybe but there's old
pictures of Christmas images that always include elves and
Amanita muscaria mushrooms there's old Christmas cards from like the turn of the century
There's old like Merry Christmas. It's fucking mushrooms. There's old Christmas cards from like the turn of the century. There's old like Merry Christmas. It's fucking mushrooms
There's mushrooms everywhere. Yeah, so mushrooms have a micro risal relationship with coniferous trees
Particularly aminida muscarias you would find them underneath pine trees the same way you find
brightly colored presents under Christmas trees. In order to dry them,
they would pick these mushrooms and hang them in the trees so they would air dry, just like
ornaments on a tree.
Wow.
There are so many parallels. It's really weird. The Santa Blusa mushroom one is a weird one.
It's a really weird one because there's a ton of the... like why are we so interested in fucking pine trees? Why is it... well those trees had this very connected
relationship with those mushrooms.
Yeah, well you know I find that...
See, we can find some of them ancient pictures of Christmas, ancient Merry Christmas images.
But this is like... look, that... look at that shaman, that shaman to the left, go back to, scroll
back, look out, look at that.
Siberian shaman looks exactly like the coloration of an Ammonita Mascaria.
Now go to that Merry Christmas image that you have there right next to your cursor.
Look at that.
Ammonita Mascaria.
A Merry Christmas and a Happy New Year, Ammonia muscaria image.
These women with good times Christmas, or these children rather, with good times Christmas.
Have you ever tried these mushrooms?
Yes.
Didn't work.
Really?
Yeah.
That's too bad.
I think there's, well, McKenna didn't have a good experience with them either, and there's
a lot of thoughts that he had about whether or not they were genetically variable
Whether or not they're geographically and they've even seasonally variable that you're not dealing with the same mushrooms sort of like
You know, there's different version like obviously manipulated But there's a very different version of banana that we're enjoying today versus the wild banana. Oh, corn too, maize. Oh my gosh, so different.
A lot of different plants have similar history.
Fungus is a very different thing, right?
Because fungus actually breathe air.
They're not plants.
They're much closer to animals than they are to plants.
Oh, that's fascinating.
Yeah, they're real weird.
And they're also really weird
that they seem to be like the internet for plants like the
Microrhiza relationship and the fact that they have this very bizarre network of mycelium
That's under the ground like the largest living organism is a mushroom colony that exists
I believe in the Pacific Northwest. Oh really? Yeah, see you can find that. Yeah, so
Instead of like saying oh, there's a mushroom that pops out of the ground
No, that's like the fruiting body of the entire thing and the entire thing is
enormous and
It's communicating with plants. It's helping the plants distribute and share resources
It's helping them get information. It's very strange
You know Paul Stamets
is like the best guy to talk to about this stuff. He's a mycologist and that he actually
gave me that big ass mushroom at the end of the table. That's a mushroom. Yeah. It's weird.
They're weird. You know, this this whole conversation here at its largest organism on earth is a
fungus. The blue whale is big, but no or Neil is huge as a sprawling
Fungus really Eastern, Oregon. Yeah. Holy crap. Yeah. And again it fucking breeze air
Could be as ancient as eight hundred as eight thousand six hundred and fifty years. Yeah
Good night. Good night
wild
Wild stuff and you know, this is what we know about Riley
What about what the fuck is in the Amazon? Oh my god, man
Well, okay. Okay. So two things there as far as what's in the Amazon first think about how let's just talk about North America
above Mesoamerica, so like let's just
Let's just include like the modern-day United States think about all the tribes that existed here, how complicated these histories are.
You know, Squanto is born in the early 1600s
among these tribes in Massachusetts.
And when he comes back, he forms this thing
called the Wampanoag Confederation, whatever,
whatever, just in that little area.
There's all these different cultures
with their own history, their own knowledge, and everything.
That's one little part of Massachusetts.
Now think about the rest of the country
and how vast and sprawling and intricate
and how deep that history really goes.
And you can just, you could place the United States
inside the Amazon.
That's how big the Amazon is.
And we just refer to natives, tribes who lived
in the Amazon as Amazonians.
But it's so much more complicated than just that.
Now the next thing is, this whole conversation about talking about the were jaguar,
you know, I get a lot of flack for this topic because, you know, you have,
let's just call it like boomer archaeologists who have this knee-jerk reaction to psychedelics and hallucinogens
because it's so ingrained in them that like all drugs are bad as if all drugs are the same you
know what I mean? Right. And I've been talking to this I was in Mexico last year
and we were in the Yucatan and I was there with an archaeologist from the
Midwest and he was an archaeoastronomer which is like I was saying earlier it's a
guy who studies
the way that I think it's like Pueblo ancestral tribes would have interacted with the night's
sky and studied the night's sky.
And I was like, I asked him, I said, okay, so what kind of hallucinogens do you think
they would have had?
And I think he told me like peyote and cannabis and stuff like that.
And I was like, okay, so have you ever, you know, we were like every night we'd get together
and we'd all smoke and
just talk about ancient history and stuff. You know, you come up with so many
interesting ideas and perspectives and points of view, you know, when you smoke
with like it like an actual purpose and you're trying to, you know, think, I'm
sure you know very well I'm talking about. And so he's sitting around
with all of us and he doesn't want, you know, he's not interested. And I'm like,
I'm like, so you've been studying
archeoastronomy for this long,
have you ever tried cannabis or peyote
or anything that's up there?
I think there's another one called Dittura.
Have you ever heard of this?
That one's supposed to be very weird.
Yeah, yeah, yeah.
McKenna had terrible experiences with that.
Oh really, well maybe it's-
It completely disassociates you.
He was having a conversation with a guy in a market
and he realized in the middle of the conversation
the guy thought that they
Were in his apartment. Oh, yeah, like it does weird. Yeah. Well, it might explain why
Teotihuacan civilization and all their iconography is so terrifying like if you look up the great goddess of Teotihuacan
It's these guys with handbags picking
Picking this de turin like putting them in their handbags.
Oh boy.
Yeah, yeah.
Oh, so that's a weird one.
And so their whole civilization is like very dark and scary.
But I asked this archaeologist, I said, okay, have you ever gone out and
studied the stars, from the Native American point of view,
while you're smoking cannabis or you take peyote?
And he's like, no, I wouldn't do that.
And I'm like,
you have committed your entire life to studying this ancient culture that you know very well with studying the stars and taking hallucinogens and you as someone who's supposed to be an expert
in this field, you don't want to put yourself in the shoes of these people. I was like, dude,
if you laid out at night with everything you know about the Pueblo ancestral people and you smoked weed for
the first time or you did peyote or something, you stayed up and looking at
the stars, you might have an epiphany about something that you've never
realized because your brain's just operating in a different way than it
normally does. And he was very slow to like, you know, to be open to this idea
and, you know, the Zahi thing kind of reminded me of this is like, you know to be open to this idea and you know the Zahi thing kind of reminded me of this is like
You know he has preconceived ideas about his world and his personal beliefs that interact with the archaeology
you know and so it's really hard for us to
study the ancient world from a completely unbiased point of view because you have so many preconceived ideas about your modern world that influence
your archaeology and that's why the widely, that's why there's no widely accepted, or it's not widely accepted among archaeologists
that Native Americans were heavily influenced by hallucinogens.
I really think it's because so many of these people are, you know, older archaeologists
that have a knee-jerk reaction to drugs of any kind and they couldn't possibly fathom the reality that the culture they spent their
life studying are all doing hallucinogens all the time and that's...
Unquestionably.
Unquestionably.
It's totally obvious.
It's completely obvious.
Yeah.
But, yeah, it's just...
Well, it's also these people that haven't had these experiences so they don't know what
the effects would be.
Yeah.
Yeah.
So they're basically just guessing and a lot of it is based on just say no propaganda
from the fucking 80s.
It really is, man.
I was telling my wife this.
I don't smoke a lot.
When I do, I'm out in Big Ben, out looking at the stars
and stuff.
And every time I smoke, it's some kind of purpose.
I'm in some kind of sacred place.
And I don't do anything harder than just smoke cannabis.
But whenever I do, I have some kind of realization
about myself personally.
The first time, I don't know, six or seven years ago
when I first smoked, I was laying up looking at the night
sky, and we had taken some photos out in the desert.
And I was looking at myself, and I put on a little bit of weight.
And as I was looking at myself, I had disassociated.
And I was like, this person does not represent the brain that's in my mind.
I need to lose some damn weight.
I had this realization about myself.
The last time I was out in Big Bend, laying under the stars in the middle of the desert,
and I had this realization that all the time I spend traveling, and I get to see so many
amazing ancient sites, and meet so many cool people
and I'm just constantly go, go, go, go, go, go,
like I'm trying to just make this life work.
And I had this realization that the most important thing
I do is make dinner for my wife and take my dog on walks.
And I would have never had that like epiphany,
like dude, all this stuff is really cool, but it's for fun.
And this is the stuff that you love. Your purpose is to take your dog on walks and spend
time with your wife and one day it's gonna be to spend time with your kids
and every time I go into it with this idea that I hope that I have some kind
of realization I always do and and it's just like I have this I know that ancient
plant medicine is like the key to unlocking so much of the ancient world and
and
so to ignore that
Knowing that they imbibed to ignore that knowing that it was a part of these sacred rituals
It's kind of silly especially when you deal with the Amazon and ayahuasca. Oh, yeah, right?
Yeah, I mean if you're gonna be in a place where you want to completely convene with nature, like that's the place.
That's the place.
And if there's this insanely profound hallucinogen that the brain produces endogenously that
can be extracted from plants through this really weird method where you're taking one
plant that has the drug in it, another
plant which is a monoamine oxidase inhibitor and you're combining them together in the
perfect amount and boiling it.
It tastes like shit.
Like why are you doing this?
Like how'd you learn?
And then when you ask them how they learned how to do this, they're like, the plants taught
us.
Yeah, I know, right?
And then you can take that same chemical and they'll pour it in the water
and rather than fishing or, you know, spearing fish in the water or hooking them, they pour
it into the water and these little, you know, they create these little canals off of the
Amazon and fish, piranha, whatever will swim up in it and they pour that liquid wherever
that hallucinogen isn't and it stuns the fish and they all come to the top and they only
take what they need and they send the rest back. Which is another reason why I don't think that
Native Americans are responsible for the extinction of all the megafauna in the Americas because you know,
okay, so I'm so I'm out in the woods in East Texas a couple weeks ago and
we're just walking around and we're talking about the Caddo people.
Have you heard of the Caddo Indians before? And I was trying to talk to my friend who doesn't know a lot about Native Americans trying to like tell him trying to give him the essence
of the people and then the words came to me and I was like I was like if nature
itself took an anthropomorphic form that's the Native American these are
people that lived perfectly with their environment or tried to at least most of
them did and yeah it's just it's just amazing, man.
So much can be learned from that.
They did some wasteful things.
I know, I know.
Like the buffalo jumps.
Yeah, yeah, yeah.
Well, yeah, that's true.
And I'm really speaking in generalities.
Like I could go on and on about all the horrific things
that the Aztecs did.
This is just a general rule.
Or the Comanche.
Or the Comanches.
Did the other Indians.
It's not like this was a, it's not at all like this
was a utopia at all.
It was complete and utter war.
But then again, you're saying embodiment of nature.
Well, nature's not utopia.
Exactly.
Jaguar is not an utopia if you're an antelope.
Yeah, yeah, very much so.
So there's some nuance there.
But yeah, it's just fascinating.
You had a good point in a podcast.
I think you were talking about Oriana, his expedition down the Amazon, and you were talking
about how he was able to use the stars to navigate back to Spain.
And you were like, you're like, well, you know, that's what, or not ancient people,
but you know, that's what people used to do.
Everybody was an astronomer.
How much of this experience has gone to us today?
We don't sit around and look at the stars anymore.
And that's one aspect.
We don't interact with, you know,
natural plant-based, you know, hallucinogens anymore.
There's so many things about the natural world
that we don't interact with.
Those two are huge.
And particularly the one, the first one, the stars, because people don't even
consider how much light pollution.
If you ask the average person, an average person
who lives in New York City or Boston or wherever,
the night sky is polluted.
You just don't think it's polluted,
but it's polluted by light.
And you're missing this incredible, majestic image
of the cosmos that's so humbling that it puts you in check. Yeah, for sure. you're missing this incredible majestic image
of the cosmos that's so humbling, that it puts you in check.
Yeah, for sure.
It puts you in check, it really does.
Like anybody that has a deluded ego,
that's gonna go away if you're confronted
with the Milky Way.
Yeah, absolutely.
You have some delusions of grandeur
in your place and everything.
Well, it's not possible.
Just look at this.
It's like I am nothing.
I am nothing and I am everything. I this. It's like, I am nothing. I am nothing, and I'm everything.
I'm a part of everything, but I am nothing.
And so many of these people who still today exist
in the natural world, like the wild,
Percy Fawcett interacting with these Amazonian tribes
that still live like this today.
These people are still around.
Paul Rosely sent me a video a month ago.
Oh really?
You wanna see it? Sure, yeah, absolutely. Check this out, I'll show this video. I can't share it with the world so haha. Sorry. I'm a gatekeeper
Like everybody's a gatekeeper I guess yeah, but Paul doesn't want people to know where these people are
Yeah, trying to hide this stuff, but he took this video while he was out in the Amazon,
like helping these people.
So this is like video from his phone.
God, where is it, Paul?
Oh, here it is.
Joe, you can't share this with anybody.
Yeah, I can't share with anybody.
I'm gonna share it with you. Just can't share it with anybody. I'm going to share it with you.
Just make sure the camera's not on it.
Wow.
Man, that is crazy.
Wild.
I mean, you're looking into the past.
You're looking way into the past.
I mean, way into the past.
Just in your frame right there, what you were looking at has existed
since the beginning of time.
Yes.
And that's what's interesting is that exists
at the same time as you and I talking on a podcast
where millions of people are gonna hear it
and it's all electronic recording of our voice and images
and then distributed wirelessly into your phone
instantaneously.
The moment this episode gets uploaded on Spotify,
people will click it and watch it on their phone instantly.
Like all at the same time where these people are living in a home-made home.
They're in the same time zone as we are right now.
Same time zone. It's whatever it is right now, it's the same time zone.
That's crazy.
And when our civilization, when we all destroy ourselves
and thousands of years go by and everything in the studio
is gone, it all turns to dust, those people
will continue the legacy of humanity.
Well, I wonder if those people are the preppers
of the Amazonian world.
Do you know what I mean?
If everything did go sideways because the Europeans came over
and brought all the diseases and civilization collapse. Who's going to live?
No, you are exactly right. So when the Spaniards-
That's Country Boy Can Survive. That's like the Hank Williams Jr. song in reality.
Dude, you are exactly correct. I mean, you're exactly correct. So when the Spaniards arrive,
they obviously they land in the Bahamas with Columbus 1492, but they come down to like
Hispaniola, Jamaica.
And in the early 1500s, they start poking around on the shores of the Yucatan.
And they're kind of trading and interacting with these people.
You know, these are explorers, they're all curious.
But they didn't realize that they were giving these Native Americans disease.
And that disease was spreading through the Maya world.
And maybe more than a decade later,
when Cortez arrives in the Maya world,
he documents how all the Maya people are very scrawny
and small and sickly and weak.
He didn't realize they were all dying off.
So eventually, Cortez conquers Tenochtitlan,
the Aztec capital, in 1521.
And he sends Pizarro down to find the gold
that the Aztecs were getting from South America,
or from this distant land.
They didn't 100% know exactly what South America was yet.
He goes down to South America and he conquers the Inca Empire.
And then after that, Oriana descends down the Amazon.
And when he descends down the Amazon, he sees these cities that would go on for 15 miles
long. I mean these 15 mile long cities full of millions and millions of
people, these giant circular stone buildings, these huge bustling
civilizations. And then later on in the 1700s, 1800s, and then really densely in
the early 1900s, like with Percy Fawcett, Theodore Roosevelt, everyone around them,
they were looking for these big cities that the Spaniards had seen, but they didn't exist, and they
didn't find any evidence of it at all.
And a lot of people, like the British and the Royal Geographic Society, they brushed
it off as, oh, the Spaniards were lying so that they could secure funding for further
expeditions and this was like their livelihood, the way that they could stay rich.
Of course, then the LIDidar proves that these civilizations were there.
Now, the stuff that's been excavated in the Amazon, we haven't excavated anything in the
center of the Amazon.
It's really expensive, it's hard to do, archaeologists don't want to live out there, whatever, whatever,
there's a million reasons why it doesn't happen.
But on the peripheral of the Amazon, there are areas that get cut flat for logging.
Like, you know, as civilization slowly encroaches on the Amazon, they are finding these villages
that are these, I mean, they're basically cities that are these huge geoglyphs that
are cut in the ground. Have you seen these in the Amazon? They're huge.
I believe so. Yeah. I believe this is some stuff that Graham was showing.
Maybe so. I think Graham has talked about some stuff that Graham was showing. Maybe so. See if you can trust me.
I think Graham has talked about this before.
Maybe he was in America before.
Which did he look if he's looking for image?
Just Amazon, geoglyphs.
They'll come up.
There are these huge squares.
Yeah, perfect.
So these things are.
Yeah, we definitely talked about this.
These things are gigantic.
And they're all over the peripherals of the Amazon.
But these were the preppers living on the outside.
They weren't living in the hustle and bustle of the million
plus population city in the middle of the Amazon.
These are the guys living on the outside,
and they all survived this apocalyptic disease
that went through.
They're the people living in Appalachia.
Exactly.
Mountain folks.
Yeah, actually I'm moving there tomorrow.
Are you really?
Yeah, I'm in the middle of moving right now. Wow. What a cool place to live. Yeah, it's'm moving there tomorrow. Are you really? Yeah, I'm in the middle of moving right now.
Whoa.
Yeah, so.
What a cool place to live.
Yeah, it's beautiful up there, man.
Dude, it's an ancient place.
Have you heard of the Nantahala Rainforest?
No.
Oh, you gotta go there tomorrow.
How's that?
It's in Western North Carolina in Appalachia.
I grew up going to Nantahala every year.
My parents live in Nantahala now,
and it's a beautiful, completely magical place.
And it was part of what inspired this like,
explorer kind of thing in me.
When you're there, even as a kid,
I knew that this was an ancient place.
And it turns out as an adult, when I start researching it,
it's this pocket of green,
I mean solid, dark,
green rainforest. In the US we have three rainforests. We have Hawaii, we have Oregon,
and we have the Nantahala rainforest that most people don't know about. It's this pocket
in the middle of these mountains that has looked exactly the same since before the ice
age. It's one of the oldest places in North America. And it's just an incredibly magical old ancient place and I'm just like
drawn back there.
Anyways, yeah, you should go check that out.
That sounds incredible.
Yeah.
Yeah.
You're going to live out in that area?
In the Appalachians?
Yeah, yeah.
Well, so my wife is, so she's like from South Carolina and she came to
she came to Texas when she was younger and then we met in college and
My my family when we first moved to the States like my family moved to North Carolina in like
1694 or something crazy like that and
And so we have some roots up there. Have you ever been to Gatlinburg, Tennessee?
No, so the the first name of Gatlinburg was Reagan Town.
And so that was where my family were
one of the founders of that town.
There's an old hotel there called Reagan Motel.
So my family's originally from there,
and then they moved down to Texas
and started cattle rustling in the late 1890s.
But I don't know, just drawn back up there.
I always loved vacationing there.
And so my wife and I are in the middle of moving right now.
And so two days ago, we packed up these two U-hauls,
drove them to East Texas to my in-laws,
and then we drove to Austin last night, got a hotel, doing this.
Tonight, we drive back to East Texas,
and then tomorrow we drive to North Carolina.
Wow.
Yeah.
So what is the history in terms of human occupation
in that area?
Man, the people sprouted out of the ground.
Yeah, it's that old, man.
There are, that's something I'm really looking forward to getting into.
And I'm kind of excited in a way to get out of Texas because it's hard to study Native American history in Texas
because you've got to travel so far and everything's so arid.
Like, you know, Austin, this was an ancient Native American settlement here that we have built this city on top of.
The Alamo in San Antonio was built on top
of a Native American settlement.
And all of our major cities are just
a reskin of an ancient city.
And in Texas, it's really hard.
We have the Galt site that's here in Austin
that proves that Clovis First was wrong.
Maybe you're familiar with this.
But up there, you're closer
to mound country, and you know, where all the mound builders are. I'm a little bit north
of that. But in North Carolina, it's one of the places that the Spaniards had a really
hard time infiltrating because of the mountain ranges and because of how fierce the Native
Americans were. And so the archaeological projects up there are headed up by like two
hillbillies that live in the country.
And they're the coolest guys.
They own this little department store
called the Tiger Store in Hayesville, North Carolina.
And they have dug up like Spanish armor under the ground
and Spanish swords and all kinds of crazy stuff.
And I've gone hiking out there and oh, we got,
we looked this up.
Jamie, can we please look up a juda cooler rock?
It's one of the only megaliths in North America.
And it's this gigantic megalithic stone that has the same sort of art style
as all the Native American stuff that we've seen.
And it's some kind of primordial map of Western North Carolina.
It's massive, dude. You couldn't fit it in this room.
It's called juda cooler.
If you just try to spell it in some way, you might find it.
There you go.
And there's an old photo of an archaeologist laying behind it.
There you go, to the top left.
That one, or maybe the one that's colorized there.
That one's really, really pretty.
So nobody knows what this is.
And the Native Americans who were asked,
some of the stories about the early Native Americans who
were asked how this got here, who moved it there,
their stories are that giants placed this, and that giants used to live in this land, and that they created these stones.
And I have gone around, when I was a little bit younger, I would go through the rainforest and like wandering up these hillsides,
and you'd find these huge stones laying there with all of these images carved into them. And of course, there's no funding that's out there.
There's not even a police department out there.
So no research is being done out there.
But it's a fascinating place as old as time itself.
And all of these people are from a chapter before Contact Period.
Whoa.
Yeah, it's fascinating, man.
It's just a very ancient, mysterious, mystical place.
It's one of those places that kind of gives me the feeling that Peru gives me when I'm
out there, that I'm in a very, very, very old place.
And of course, the Appalachian Mountains are the oldest mountain range in the world.
Is there any theory as to the age of that?
Well, I think when you go there, they attribute it to a culture that lived in the area between
100 AD and 1000 AD, but that's just totally guesswork.
Wow.
Judicula and the Cherokee Indians.
Yeah.
Now, the hard part about studying some stuff
with Native Americans in the US is that there's a lot of like,
you know, modern Native Americans,
they're very prideful about their culture.
And a little bit of mythology gets mixed in.
Like when I go visit the, I forget what exactly it's called,
but there's a Native American village
that still exists in this area of the country.
And it's like operated and it's kind of a tour place
where they take people through what the cities
would have looked like or what the towns would have looked
like in the middle of the rainforest.
But the hard part is when I talk to the representatives there,
which are Native American Cherokee people,
they'll tell me, oh yeah, you know,
the ancient people that were here, they used to be 6'5", they were very tall people or
whatever, and there's no evidence behind that at all.
And so it's hard to like, okay, we have Cherokee bodies, so are these oral memories that are
being passed down through time that come down to the Cherokee. And as like a modern day American anthropologist,
do I brush off what they say and just be like, well,
they're carrying on these myths about their people.
They want to build it up.
Or are they really holding on to something that's true?
Because man, I would love to talk to Graham about this.
OK, so one of the biggest things that refutes,
I know it sounds like I'm bouncing all over the place, but one of the biggest things that they try to use to
refute the Sphinx's age, you know, about the Sphinx that could date back to the time of
Leo 10,500 years ago or 10,500 BC, 10,500 BC, is they say, well there's no evidence
that you could carry down the knowledge of constellations that far. You've heard this before, right?
How do we know that people in 10,500 BC
even recognize the constellation of Leo?
And how is that knowledge carried down?
Dude, there is evidence of this.
OK, the squared spiral.
Have you seen this motif anywhere?
We can look it up, Greek meander pattern.
But you'll also see it in the American Southwest,
you'll see it out in the Mississippian cultures, you'll see it in Mexico, you'll see it in
South America, Peru, you'll see it in Greece, you'll see it in Egypt, Rome.
This, yeah, this pattern.
So a lot of times this, they say that this is like, well, when people use the term swastika,
the swastika is just two meandering patterns or squared spirals that are laid on top of each other.
That's what it is.
Oh, wow.
Yeah, so it's a squared spiral. But when you take two of those and lay them on top of each other, it becomes a swastika.
And you and I recognize where these meanders connect because of a certain recent culture that perverted this symbol and turned it into something evil
but this is an ancient symbol and it's found all over the world and
It even dates back to Ukraine. You may be able to find this
There's an ivory bone handle in Ukraine from like 11,000 years ago that has the squared spiral that that's on it
So this is 11,000 years old, found on every continent on the planet.
Oh yeah, so it's even found in pottery.
You can see it in pottery in ancient China, ancient Japan.
It's in Cambodia.
It's all across the ancient world.
And I was asking, oh, oh, I know one that we could look up.
Could you look up the Temple of Mitla in Mexico?
So Temple of Mitla. And if we look there, you'll one that we could look up. Could you look up the Temple of Mitla in Mexico?
So Temple of Mitla, and if we look there,
you'll see it all up and down.
Now, Temple of Mitla is a shamanic temple.
They think it was like a mecca site that people would go to.
It was built to last for all of eternity.
And of all the megaliths in all of Mesoamerica,
or ancient Mexico and Central America,
this site uses the largest stones.
So each one of these lentils that you see,
these is like one solid piece of volcanic stone.
Very, very hard stones.
Okay, so you can see the squared spiral, right?
Can you see the step pattern that leads up to them?
And you can probably find another photo
where you see the step pattern leading up to the spiral.
So it's like you're walking up steps into a spiral,
and it's this loop that continues on forever.
I have a ton of these photos on my phone. They're found all over Peru. There we go.
This is not quite exactly it. But okay, so what this really is, this step pattern and this motif
of this spiral here, is it's the Big Dipper in the night sky.
You can go look at the Big Dipper and the Big Dipper changes over the course of the
year.
So if you look at it as though it's not a Big Dipper and you look at it as though it's
a staircase to a spiral, that's exactly what ancient people are seeing the Big Dipper as.
And the Big Dipper is spinning in the night sky throughout the year. So this ancient symbol is then documenting a constellation
from for over
11,000 years human beings have been documenting in constellation
So if you're looking for the proof as to whether or not people 11,000 years ago were recognizing a
Lion in the night sky boom there you go. This is 11,000 years old
Yeah, okay. So look in here. So it's a step up to a spiral,
a step up to a spiral, and dude, it's the Big Dipper. Just look at the Big Dipper in the future
as though it's this constellation, and it's the same thing. Is this a theory that it's a Big Dipper?
Has this been corroborated? This is my theory. Your theory. This is my theory and like something
I've been studying for a long time. But there are other archaeologists who kind of have a passive interest in this, and they have said,
maybe it's the Big Dipper or something. But these then people, if I were to go to them and be like,
okay, well, you know, this ivory bone handle in Ukraine goes back 11,000 years, so it's proof they'd be like,
okay, stop. You know what I mean? So this is my theory that I have been studying for a long time,
and everywhere I go in the Americas, I find that spiral pattern everywhere, and I always ask people, what does this mean?
When I'm in the Mediterranean, I'll ask people, what does this mean?
I'm going to go to Greece at the end of the year, and I'm going to ask, because it's all
over Greek temples, you know, and all I ever get from Greek archaeologists is that it's
a river.
Bullshit.
It's not a river.
And then in Latin America, I get a bit better of an explanation, and maybe this is really it's a river. Bullshit, it's not a river. And then in Latin America,
I get a bit better of an explanation
and maybe this is really it.
They think that it's like the steps through life
and the rejuvenation of life, right?
So it's like the Big Dipper
has some kind of esoteric meaning with it.
But I have been thinking about this
and I think that the reason that
throughout all these ancient cultures,
you see this meander pattern
in so many different orientations,
is it's documenting the flipping of the Big Dipper
through the night sky throughout the day.
And that's all, you know,
I'm trying to explain something that's 11,000 years old.
What is the earliest evidence of the understanding
or the procession of the equinoxes?
Oh, God, I don't know.
I don't know.
That's getting, like, beyond my level of knowledge
with archaeoastronomy.
Some people-
Graham theorized that the Egyptians were aware of it.
I mean, I don't doubt that they were aware of it.
Yeah, Bouval, I think, believed that.
Or I know for sure John Anthony West believed that mm-hmm. Yeah, yeah
I I don't know man. I mean
The procession of the equinoxes it takes at least what 12 to 24
It's either 12 or it's 24,000 years to be able to
full cycle if
If we wanted to investigate an ancient culture that's possible
Of being able to document this it'd be worth looking into if the Maya were aware
Let's explain to people what it means
So what it means is that the earth as it spins it doesn't spin perfectly
Like there's a pin in the top and the pin the bottom and it spins like a globe
It spins in a wobble and that wobbles a 24,000 year cycle. The earliest understanding
of the procession of the equinoxes typically credited to Greek astronomer, how do you say
his name? Hipparchus?
Oh yeah, Hipparchus.
Hipparchus in the second century BCE, around 130 BCE.
I bet you he did it in Alexandria too.
Hmm. Hipparchus noticed the position of the equinoxes, the points where the celestial
equator intersects with the elliptic, were shifting westward over time relative to the fixed stars.
He calculated this slow movement, known as precession, by comparing his own observations
of star positions with earlier Babylonian and Greek records, particularly those of Tamarcus
and Aristilis.
From the third century BCE, Hipparchus, estimated the rate of procession
to be about one degree every 100 years, which is remarkably close to the modern value of
approximately one degree every 71.6 years. There's no definitive evidence of earlier
cultures fully understanding the procession as a systematic astronomical phenomenon, but
some scholars speculate the ancient civilizations like the Babylonians,
Egyptians, or Indians might have noticed relating patterns and star positions
over long periods. Yeah, well, and then check this out, Hipparchus' discovery
detailed in his lost work, but referenced by Ptolemy, the pharaoh over
Alexandria in the Almagist, second century CE.
So this is happening in the city of Alexandria.
All this is being studied in Alexandria's library.
Marks the earliest confirmed understanding of procession in scientific sense.
Dude, that was lost in the burning of Alexandria's library.
Yeah.
How crazy is that?
It's all crazy.
It's so fascinating because it makes sense
that that would be something that everyone would be studying
because it's the most spectacular thing you could ever see.
Why would you just say, oh, it's just stars?
Of course you would.
Oh, it's so silly.
Of course.
They're so majestic.
You would have to be transfixed.
You know something interesting that I was just reminded of is this meandering pattern.
It continues in the ancient Mediterranean world, so Greece, Mesopotamia, and Egypt until
Alexandria's library is burned and stops after that. You see it on the monument of Augustus, which dates to about 9 BC, but that's for his death. But
Augustus would have seen Alexandria. He would have been familiar with these motifs. I believe
after that in Rome, we don't see this motif anymore of the squared spiral. In Mesoamerica,
in Mexico and Central America. This squared spiral motif stops
with the burning of the Maya codices
from Diego de Landa in like 1574.
He gathered all of the writing in the Maya world together
in the city of what is modern day Merida,
and he burned it all up.
And it was called multiple pyres.
So imagine, let's say a pyre is at least
from the floor to the ceiling stacked with codexes.
Like, have you ever seen the sticky notes that are connected on the side
That's a that's how the Maya books looked and burned all that history today
We only have three or four that exist and one of them is like controversial as to whether or not it's a forgery
So he destroyed all of the written history of the Mesoamerican
World and like one fail swoop and to give you an idea of just how much it was, when the Spaniards arrived in the Aztec
world, so the Aztec were standing on the shoulders of giants being the Maya and all the other
cultures.
The Aztecs were producing 250,000 pieces of paper a year.
It's something like that.
It's an incredible amount of written
knowledge and all of that knowledge is burned and gone. And so, you know, it just, again,
when archaeologists stand behind their opinions so strongly as to chastise other people for
speculating about, oh, well, you know, this could be this, it's so silly because we're
disconnected from the ancient world by a considerable margin. I mean, none of us really understand what's going on. I was
having a conversation with Dr. Barnhart. We were at the Museum of Anthropology in Mexico
and we're looking at all these Maya gods up on this mural and everything in Mesoamerica,
whether it's the Maya, the Olmecs, the Aztecs, Teotihuacanos, Zapotecs, whatever. It's all very fierce and dark and scary, kind of scary to us.
And we're looking up at it and he's like, you know, I've always wondered like,
where's the love in their religion?
Like, you know, where are all the doves that you see like in Christian churches and stuff?
And he was like, but you know, in reality, if we could speak to them,
we would probably be so embarrassed and shocked at how wrong our ideas are about who these people were.
And, you know, his attitude and his approach to the ancient world, I just love it.
Because, you know, he just presents, like, the evidence that's available, gives his idea of what he thinks the evidence means,
while also saying, you know, this is just my idea from this.
We could be completely wrong, And we probably are completely wrong.
You know, think about, like, if you died,
and 5,000 years from now, people started
going through your belongings, what would they think of you?
It probably wouldn't be a very good representation of you.
It depends on who's writing the story, right?
If CNN wrote it, it'd be terrible.
It'd be pretty bad.
It's really dependent upon who, again,
is the gatekeeper of information.
Yeah.
If you had a time machine and you go and observe undiscovered any point in history, like you
could put you in some time bubble where you could just like be in this invisible bubble
where you could view it, where you're not interacting, you're not, you just watch what
time period and where.
Oh god.
I'm not going to say Egypt. I feel like Egypt is such a, like everyone says Egypt.
I would say Egypt.
I know, I know. If Egypt wasn't an option.
But why would you want that to not be an option? If I gave you a legit choice? If it was a real thing if there was real technology if they had developed some sort of a time warp technology
That allowed you to in this controlled sphere
Exist for a particular amount of time. You have three days in this area
You bring food and water and you just know we can hurt me. No one can scout you no one can see you
Yeah, you existed a time warp. Okay inside there, but you can observe all of it. It's gotta be Egypt well
Yeah, yeah, I mean you have to figure out what time because if you got there, and they had already built it
You're like shit. God damn it. Yeah, like maybe like you say let me go 10,000 BC, and you go there
And it's already there like fuck
Fuck you go back 20,000 BC. Yeah, what you can only do it once like fuck, but if you go back 20,000 BC. Yeah, you can only do it once. Like, fuck! But if you go back 30,000 BC, maybe there's nothing. Like... Man, Egypt
is a creme de la creme, man. Yeah. It's the most monumental, beautiful, like, you know,
when you try to imagine what it would have looked like. You know, if you've seen visual
recreations of the Giza Plateau, you know, the Valley
Temple must have been absolutely stunning.
Okay, so one day when you go to Egypt, hopefully you go this year, when you go to the Valley
Temple, that's the, for me, it's the best thing in all of Egypt.
I think it's more stunning what it must have looked like than even the pyramids themselves.
The blocks are absolutely gigantic. Like one block is bigger than this whole wall.
And brought from 500 miles south
in Aswan, these are the ones with the cyclopean strangely angled stones like
you see in Peru.
And when you walk in, most people ignore it,
but that floor is a calcite white crystal floor.
And so imagine when it was polished
and when it was finished off, it must have been gleaming.
And at some point in time,
there were these diorite Khafre statues.
Maybe you've seen them before.
They're like impossibly well-made
out of the hardest stone in Egypt.
The hardest stone in Egypt.
And it's this black dioriteite, gleaming, polished statues.
And the lintels that go above would have allowed,
when the sun reaches its zenith in the sky
in the middle of the day, it would
have shot through these holes in the ceiling.
And so it would have illuminated the white floor,
and you would have had the solid black statues that
are shining in the sun's light.
And so you're walking in, and it's
glowing inside of the temple. And when you walk outside in, and it's like glowing inside of the temple.
And when you walk outside the front door of the temple, there's a dock, and you can see
the dock slopes into the ground, so the water isn't there anymore.
The Nile is much further to the east now.
But the Nile came straight up to the front step of the valley temple.
So imagine you're like, you're going, you know, you have
someone pushing your little boat along on a pike in Egypt and you're taking in the nature around
you and the seabirds that are flying over you and the palm trees that are everywhere. And imagine
the sound of the waters, you're coming up to the temple and it's this huge temple. It's the largest building on the planet at the time, probably, other than the pyramids
themselves.
And then you step into it and it is the most sacred, most impressive thing that exists
on the earth at that time.
No matter if it was made in 2500 BC or if it was made in 10,000 BC, it's the most
impressive building that exists in the world at that time.
And what exactly was going on in these buildings, I don't know.
This is kind of another hot take of mine is, man, I don't believe that, you know, when
you see all these pantheons of these gods in the ancient world, I do not believe that
ancient people are making all this shit up and building all these temples
for these gods that never existed just to control the masses, whatever it means.
It's an extensive amount of work all across the entire world.
The Maya are building temples for these gods, these beings that they're meeting.
The temple of Luxor that you'll go to see, the story goes that Amenhotep built this last chamber, which is made out of these huge,
Amenhotep III builds this last chamber,
huge megalithic granite blocks to meet the god Amun-Ra.
And I'm standing there inside the chamber looking around,
and he's the only person supposedly that's allowed in.
That's a story that we know.
How true that is, I don't know.
But, you know, and I'm just thinking, man, either is is it more likely that all this is made up, or is it more likely
that they went to the extent to do all this because it was all real?
And they're really interacting with these beings.
The most realistic way I can think of is by being involved in shamanic practices and hallucinogens
and interacting with things that do not exist in our 3D plane and
And that adds to the allure of like when I'm standing in the Valley Temple
I'm like what the hell is actually going on in here at this time?
So after going through all that I had to say Egypt
My second one would be like if if I could be like, OK,
take me to the height of Amazonian culture.
Just let me see just how amazing it is.
Because it really seems like stone architecture comes out
of the Amazon.
Now, where Paul lives, it's all clay on the ground.
But when you get halfway through the Amazon,
you start reaching like granite and limestone bedrock.
And that's on the eastern side.
So you're in like Guyana, French Guyana, Brazil, and it's treacherous places to go through
in the middle of the Amazon.
But I think that that's where cities in the Amazon are going to be found one day.
And it was towards the end of Oriana's expedition, so that's about where he would have been.
And man, I bet you there's stuff out there that would just amaze us. I think the
Amazon is the origin, just me personally, I think the Amazon is the origin of American,
you know, pre-Columbian American, the height of their civilization. I think it's the origin
of their religion and shamanic practices. I think it's spread out all the way up to
Mexico. And you know, later on, the ancient Americans have a corn god, which they call the maze god, but I
think before that they had this wear jaguar religion where people are taking
hallucinogens and psychedelics. And so I think that all the evidence points
towards that the origin of civilization in the Americas begins in the Amazon and
spreads out from there. And I would love if a time machine could pull back that canopy and show me what the actual
height of that was like.
It's just so interesting.
It never stops being interesting.
And it's one of those things, it's a mystery that will never truly be totally solved because
it's not possible to go back in time.
So we're always going to have this thing in our mind, like, I wonder.
And it's such a fascinating
inclination to sit and just wonder about the past. And to look where we are now and how ridiculous
life today is, this was undeniable. Humans are fools, particularly today.
Yeah, for sure.
And I think one of the reasons why we're fools is we're denied these experiences that these
people probably had. We've outlawed them. Just like they did in ancient Greece,
just like they did, I'm sure, throughout history
and all these different cultures.
Have you ever heard the natives in Papua New Guinea
and the songs that they sing
that like emanate through the jungle?
Have you ever heard this before?
No.
When I study, now I don't study,
I only study native people in the Americas.
I've got my hands full with that.
I can't really start studying.
Sure.
You know, like, you know, I'm fascinated by the people that live on Sentinel Island.
And akin to that are the people, the semi-contacted people of Papua New Guinea.
And when you listen to the songs that they sing, it reminds me so much of what I heard yesterday.
And what I've known, but when Percy Fawcett says he hears the songs they sing, it reminds him of like, oh, this is an advanced culture.
This is something that's being handed down through time.
It's beautiful.
It's timeless.
And when you hear the sound of the Papua New Guinea people singing and the way they harmonize
with each other, these people are so connected to the earth that it's the earth singing to you through them.
Does that make sense?
Can we hear that?
Yeah.
This may not be the one I'm talking about.
It's beautiful though.
There's one of a man, he's right next to the camera and he's singing and you have all these
people around him and it's just like stunningly beautiful.
Here it is.
Here it is. Wow. It's got some extra love on it.
Yeah. I think it's just on loop.
Ten hours.
It's a ten hour video.
But you know, hearing that makes me like emotional hearing it because-
Five grams and you listen to that.
It's beautiful.
Oh my god, it's gorgeous.
And you look in his eyes and it's like it's he is very innocent eyes
Yeah, you know, it's it's it is the
It's the it's the human embodiment of the planet itself
Is that guy that you're looking at and what you're hearing and was really fascinated by human cultures is the most satisfied least?
anxious people are subsistence livers
Hmm, I live off the land.
It's so true.
Have you ever seen the Vice piece about this guy named Hindmo, Hindmo's Arctic Adventure?
No.
There's a great video piece from Vice from back in the day, Vice Guide to Travel, where
this journalist goes and lives with this guy who lives in the Arctic,
and he's one of the last people
that's allowed to live off the land.
And he's a very intelligent guy
who explains through the course of this,
like this is how people are supposed to be living.
And he's essentially just hunting caribou and fishing,
and he lives like in peace and harmony.
And he never wants to live in the city like this is a natural
Way for us does he have a little daughter with him or a little girl
And he like cuts up the fish and he hands it to her and they give each other like an Eskimo kiss
Have you seen I think don't believe that his daughter's full-grown okay at the time
But I'm sure there's many people living like this, but the point is that I think that if you look at modern society
We're so anxious
and weird and depressed and all these things wrong with us. I think a lot of that is because
A, we're disconnected from nature, especially if you're living in a city. I mean, there's
no more insulation from nature than a skyscraper. I mean, you're completely removed from it.
You've covered the ground in concrete. You're not interacting with nature at all like that's why everybody goes to
Central Park they're like a little piece. Yeah, give me a little bit of nature, right?
So you're disconnected from nature, which I think is a vitamin
I genuinely believe just like the Sun gives you vitamin D. I think nature gives you some
Unmeasured vitamin that we just haven't figured out yet
And then we're removed from these ancient experiences
that connected people to the spiritual world.
Yeah, yeah.
Yeah, it's so true.
I've been having these conversations
with my wife recently.
You know, like all of our friends are sort of,
you know, we're all kind of newlyweds.
Like my wife and I are about to approach our two year,
and our relationship is interesting because it kind of mimics like ancient people where a
man has got to, in ancient times the man would go off at a certain point periodically.
He and all the other men of the village, or the younger men would go off until they killed
a big animal and they'd drag it back and they'd be rewarded by the gratification of the women that they're there and then they would play
their part in helping to feed everybody.
And you have this like the woman like admires the man, the man's helping take care of her,
you have this.
And then the men also get their time away to be manly and be masculine and brave.
And now we exist in this world where before I was able to quit my job and pursue this full time,
I was doing like marketing, just to make ends meet.
And I'm like existing in this digital world that doesn't even exist.
I produce ads for companies that don't even have a physical brick and mortar store.
It's like all completely made up.
And I come home, I would come home every single day and I had no like
Male role in my little family like my wife is going is in the middle of dental school
And so we're both going off and coming back and doing the same thing every day and it's like this
Unnatural cycle and you wonder why like people are so unhappy and now that I've been traveling quite a lot
You know, I go off You know, I go off I travel I a lot, you know, I go off, you know,
I go off, I travel, I'm able to, you know, help provide for us. I'm gone. I come back
and our relationship is strong and it's intimate and romantic. And she like, you know, admires
that kind of aspect about me. And I'm like, like, Oh, this is kind of, this is kind of
how this is a healthy, this is actually a healthy thing for our relationship. And it's
just reminded me more and more of how this modern world is so dystopian
and so sick and poisonous to our minds.
We're operating in a made-up realm.
You know, it's just so much of what we do is completely made up and unnatural.
We should be living by a fresh body of water,
and you and I should be running off into the forest
and killing something with our hands or with a bow and
Dragging it back and all the women are yeah
That's what it should that's what life should be like, but it's unfortunately
Science fiction. I think you can live in this world and dabble in that world. Yeah for sure. That's what I do for sure
Yeah, why I've seen that I mean you go off on your those are the expeditions
Those are like, to me, spiritual journeys. It sounds ridiculous.
But when I'm in the woods, like the real woods, when you're in the mountains in particular,
because it's so unforgiving, it's so majestic, every part of me just goes,
like wow, here we are.
Where are you at when you do that? Well, I really love Utah. I really love like
the Wasatch Mountains. I love that Utah. I really love like the the Wasatch Mountains
I love that area. I'm scared of the Northwest
My wife wants to take me to Montana and go hiking. I'm like, I'm not going hiking out Northwest. There's gris. I don't belong out there
There's grizzly bears. I mean those things there's nothing you can do man. Nothing you can do. Yeah, I'm okay on the East Coast
What is just black bears? They're like, you know, rabbits, but dude, a grizzly bear?
Yeah.
Have you seen the video of the guy
who's up on top of this granite facing?
And he goes, he's like filming and he goes,
there's a young grizzly bear down at the river below me.
And he's up on this granite face.
And he was like, he's like, I'm gonna scare him off.
And he goes, hey bear, hey bear.
And the bear goes and charges directly to him
and knocks down all the little trees.
And it comes up to the granite face and it can't reach him.
But I'm like, dude, I would never want to go up there. directly to him and knocks down all the little trees. And it comes up to the granite face, and it can't reach him.
But I'm like, dude, I would never want to go up there.
Your food.
Your food, man.
Yeah, you're a part of the chain and not the good part.
No.
You're not the hunter with the deer.
No.
There's an 800 pound super predator
that can run 40 miles an hour.
And he's headed right towards you.
Yeah, and if you're a good shot with a high powered gun,
you might be able to kill it, but you'll be mauled to death
by the time it wanders off into the forest and dies.
You might be able to kill it.
I mean, you really need like a large caliber rifle
and shoot it in the head.
Yeah.
And a pistol, that's the other thing.
If you have a nine millimeter pistol
and you shoot a grizzly bear in the head,
it's very likely it's gonna bounce off of a skull, which is so scary.
Oh, it's terrifying.
Could you imagine people trying to navigate into or migrate into the Americas and they
have to deal with the short-faced bear and polar bears?
Right.
The short-faced bear, which makes a grizzly bear look like a poodle.
It's utterly insane, man.
People lived in a gnarly place in the u.s. Like we had we had American lions
Yeah, exactly. We had elephants. We had woolly mammoths. We had camels here. We had
Gigantic horses we had huge dire wolves. We had giant giant giant
Oh, there's a giant sloth caves in Nantahala and you can see them and they're like carved out and it's cool because there's multiple layers of history there
So you have this you have this mega fauna ice age history of these huge giant sloth caves carved out in you know, these
Prehistoric mountainsides but the Cherokee used those caves to hide in to escape the Trail of Tears
Yeah, that's fascinating stuff up there, man.
So you have levels of history just
in that one area of the country.
If you go out there, you'll feel like you're
in a primordial place that's kind of spiritual.
I'm down.
Yeah.
I'll check it out.
Yeah, yeah, you definitely have to.
Listen, thank you so much for being here.
I really, really enjoyed this conversation.
And I think we could do a bunch more.
So let's do it again sometime.
I feel like I could have talked to you for 10 more hours.
I feel like we could too. Yeah. So tell everybody they want to get into more of your work. Where
should they go? Yeah. So everything I do is just under my name, Luke Caverns. You know,
Caverns was just a name that like my wife and I came up with to use like a nomer because of
privacy. But my real last name is Reagan. And like I shared, I have this family history
and loosely connected to the presidential family.
That's like a different branch of our family from Tennessee.
Yeah.
And so I kind of want to do it for privacy,
but that's impossible.
So I've just run with it.
But yeah, Luke Caverns, you can find everything I do under that.
And for a long time, I thought maybe I'd specialize in one area.
But man, I'm interested in the ancient history of the entire world.
And I'm just always going to embrace that and explore the ancient world on foot.
And yeah.
I'm glad you're out there, man.
Really appreciate it.
Yeah, I love to be here.
Thank you for being here.
It was really fun.
Yeah, thank you. Thank you for being here, it was really fun. Thank you.
Alright, bye everybody.