The Journal. - The $6 Million Banana’s Appeal
Episode Date: December 6, 2024Last month, Maurizio Cattelan’s “Comedian,” a piece of conceptual art that consists of a banana duct taped to a wall, sold at a Sotheby’s auction for $6.2 million. WSJ’s Kelly Crow traces th...e banana’s origins from Art Basel Miami in 2019 to the top of the art market this year. Further Listening: - A Russian Billionaire, an Art Dealer and an Epic Feud - The Basquiat Sisters on Managing One of Art's Hottest Brands Further Reading: - A $6.2 Million Banana and the Unexpected Return of the Art Market - Someone Just Paid $6.2 Million for a Banana Duct-Taped to a Wall Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
Can you tell me the story of when you first heard about the banana?
Okay, so my beginnings with the banana was the opening day of Art Basel Miami Beach in
2019.
That's our colleague Kelly Crowe, who covers the art market.
Art Basel Miami is a big high high end art fair that happens every December. Kelly
was there walking around, checking out the sculptures and paintings. And then...
I did see this banana duct taped to a wall. And I saw a little half circle of people,
I call them, you know, little looky-loos, just taking pictures of it.
And they were not the types to buy the work. They were just having fun and posing and taking
selfies with it. And I remember in that moment, like, oh, isn't that cute? But I logged it and
then I moved on. So like you didn't, you didn't get a selfie with the banana. I didn't get my selfie.
Back in 2019, when it first showed up at Art Basel, Kelly and others in the art world
were somewhat dismissive of the banana,
which was listed for sale at $120,000.
It seemed just like another quirky piece of contemporary art.
She didn't think it would be that big of a deal.
And we totally missed the point, which is that the entire rest of the art world
thinks that the art world is an entire, you know, rigged game and a scam and a joke. And
did the emperor like even wear clothes to the fair that day? Because somebody duct taped a banana
to a wall and asked $120,000 for it. And that moment probably did need to stop
and be reckoned with in real time.
-♪
-♪
While Kelly brushed past it,
lots of other people stayed and gawked.
The banana duct taped to a wall became a viral sensation.
And that was just the beginning.
So over the past five years,
the banana has gone on to have an incredibly strange afterlife.
Several editions have sold, you know, between $120,000 and $150,000.
One has since gotten donated to the Guggenheim, one of the most important museums in New York
City.
Others have gone on to become basically deified in meme form,
and it ultimately culminated in an auction at Sotheby's.
And I'm selling it here, the world's most expensive banana,
at 5,200,000 thirst.
These are words I never thought I'd say.
Five million dollars for a banana.
Welcome to The Journal, our show about money, business, and power.
I'm Ryan Knudson.
It's Friday, December 6th.
Coming up on the show, what one banana can tell us about the art market, the power of
perception, and maybe even the economy.
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Okay, so before we dive into the flesh of the banana, can you explain exactly what this piece of art is?
You want me to peel it back a little bit?
Is that what you're asking me to do, right?
Yes, please. Yeah, just, yeah.
What does the banana tell us?
Is that what you're asking?
Who was on the banana phone, if you will?
Well, let's try to run through all the puns we can possibly think of.
We should.
We have to, actually.
I don't know why I wasn't more prepared with this.
I don't want to slip up and miss any.
Okay, so the piece is called Comedian, and what it actually is is a real banana and,
you know, a stretch of duct tape and it needs to be on a wall.
But when you as the owner buy this piece, what you actually get are a 14 page list of
instructions that sort of doubles as a certificate of authenticity.
14 pages?
Yeah.
Yeah, I think there are some illustrations.
There's some illustrations.
Okay, okay.
And what the artist wants to illustrate
are a few of the rules that accompany the work,
which means you go out and you buy your own banana
and your own duct tape,
and you can create the work anywhere you want,
but it needs to be on a white wall.
It needs to be a certain number of inches up from the floor, so roughly eye level.
The banana needs to be sort of arcing to the right, not the left.
And it needs to be vertical. So not like a smile.
It needs to be upright. And then the duct tape has to be, you know, diagonal.
The instructions are closely guarded and the general public isn't allowed to see them.
It also serves as the main proof of ownership.
Are there instructions in there for what you're supposed to do when the banana eventually
rots after like a few days?
Yeah, after a few days you take it down and you can put up another one.
Yeah.
Huh.
It's ever evolving.
What is stopping me from just going to the store and buying duct tape and a banana
and taping it up at eye level
and saying that I now own the banana art?
So absolutely nothing,
except that you could have done the same thing
with a Campbell's can of tomato soup,
but that doesn't make it a Warhol, right?
So you don't have the version that the artist called art.
The artist behind Comedian is a man named Maurizio Catalan.
He's an Italian artist who became famous
for creating outrageous works and sculptures,
like a series of taxidermied horses hanging from a ceiling
and a statue of the Pope getting hit by a meteor.
In 2011, Catalan told the art world he had retired, but he didn't stay on the sidelines
for long.
And in 2019, he got an idea.
He's noticing that this sort of never-ending stream of art fairs just keeps getting more
and more populated with big splashy abstract painting, figurative painting.
And he starts to get annoyed that the entire art world is just sort of glomming onto all
these splashy pretty paintings. And where's the bite? Where's the provocation? And so
he comes out of retirement to put this banana on the wall and it really was kind of his
like middle finger to the art market. He really was trying to say, look, you know, this entire fair is going to be
brimming with pretty paintings. So why don't I just cut through all the noise of that and
I'll just do something simple and a little bit provocative and I will put a banana on
the wall and I will call it art. And let's just see what sort of, you know, grenade goes
off or not.
The grenade definitely went off.
Comedian went viral at that 2019 Art Basel.
It drew massive crowds and got turned into memes and splashed onto t-shirts.
Catalan made five versions of the banana and each one sold.
Why do you think this, this piece of art resonates so much with people?
I think it was just funny.
It was funny and simple and audacious.
And the idea that an artist would call this art,
the idea that it would have value,
and the idea that other people would agree with him
that it has value,
there's just a level of absurdity there
that he acknowledges.
He was trying to lean into that.
How did he feel about the fact that this middle finger
was like being celebrated?
I think he was on the one hand, I'm sure, very tickled
because he had caused a stir
and that's really what he's always wanted to do
as an artist is sort of make waves and start a conversation.
And I think he was certainly pleased,
certainly pleased by that,
because that is part of what he wanted to do,
was just to sort of shake things up a little bit.
And he certainly did.
After the break, the banana arrives in New York
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The banana hit the auction houses when people in the art market were feeling pretty rotten. It had been in a slump for about two years, with sales down across the board.
Prices for the world's top artists have fallen by as much as half.
So there are various reasons why art sells and doesn't sell, but the art market is cyclical
like anything else, right?
And there are certain years where everyone is feeling flush and the world's wealthy feel
like it's a good idea to buy and sell art at the very upper reaches and everything's
fine and the art world feels like a party.
And then there are things like war and elections and the pandemic and these macroeconomic factors
that can cause collectors, even if they're the world's wealthiest people, these are billionaires.
They have money in good markets and bad, right?
They have it, but they feel a little sensitive to sort of splurge.
It's a confidence game, right?
How confident do they feel spending millions of dollars on art?
And so the market's been sort of in a downturn
for the last couple of years.
And the auction houses, who are market makers,
were probably behind doors, were probably in a little bit
of a panic of just like, how do we change this narrative?
To do that, Sotheby's decided to look for a spectacle
and approached one of the owners of Comedian.
How do we make the idea of buying and selling art fun again?
Because this is meant to be kind of a respite
for the world's wealthy, right?
Like, so I feel like it was really a marketing bonanza
and sort of a stroke of genius on Sotheby's part
to go out and seek this banana,
because they knew that it would change the narrative,
or at least they think they hoped it did.
How did this, how did the auction go?
I mean it was completely unforgettable.
Was it bananas?
It was bananas.
B-A-N-A-N-A-S.
Absolutely.
B-A-N-A-N-A-S.
Exactly.
I've been humming that for days.
So when I walked into the auction room, the anticipation was building, but people didn't have to wait too long.
And the artworks kind of come out on this thing. Like, sort of the turntable sort of swiveled, right?
And then out came this banana taped to the wall with one very tickled art handler
standing there like Vanna White beside this banana.
The viral sensation that has skyrocketed
to universal recognition when it was first exhibited
at the Art Basel, Miami Beach in December 2019.
Maurizio Catalans, comedian, here it is in all its splendor.
Please note...
And the scene was so ridiculous.
Everyone's cell phones went up.
Like, I... It was like whoosh, this vertical whoosh.
I mean, cynical art dealers, folks who've been buying
and selling art for decades.
None of them could resist the urge to snap a little picture
of that thing on the turntable.
Did you put your phone up and take a picture of the banana?
Oh, dude, you know I was already Instagram-living it.
I mean, I was there as, yeah.
You got your... Did you finally get your banana selfie?
Yeah, I finally got my moment with the dang banana.
I mean, of course, I had it with, like, 600 or 700 people in this auction room.
Don't let it slip away.
Five million, one hundred thousand.
They're not getting these jokes.
Five million, what you do, but... Five million,100,000. They're not getting these jokes. They're $5 million, not you two, but $5,100,000.
Don't worry, Mr. Auctioneer.
We got your jokes.
There were seven different bidders for the banana.
And eventually, one emerged as the winner.
The Catalan is yours. Congratulations. Thank you very much indeed.
After taxes and fees, the total bill was $6.2 million.
The buyer said he intended to pay for it in cryptocurrency.
Who bought the banana?
So the winner of the banana is this young guy in his early 30s named Justin Sun.
And he is the co-founder of a cryptocurrency platform called Tron.
And he is a very colorful character who sort of came into the art world back in the beginning
days of the NFT boom.
You know, back when people's J, you know, JPEGs were
selling for $70 million. You remember that, right? During the pandemic. So a lot of these
guys sort of came into this world of collecting back then. And they sort of stuck around.
I was just going to say in some ways, the banana reminds me of NFTs because NFT, it's
just this digital piece of art, but the thing that you
own is the certificate that proves that you own it.
And the banana is kind of the same way.
It's ephemeral, it's disposable, but it's the certificate that you have.
It says, I own that banana, that concept.
Same thing.
Yep.
That clicked for him in big ways.
And he found that very profound that this artwork actually
operated just like things on the blockchain do.
And for him, that bridge, right, was so enticing.
He just felt like he had to own it.
After winning Comedian at the Sotheby's auction, Sun ate the banana at a live stream press
conference.
He said, quote, it's much better than other bananas.
Comedian was one of many big sales and a surprisingly good month for the art world.
November, which is usually an important bellwether for art markets, saw more than a billion dollars worth of art change hands at the world's auction houses.
So what do you think this auction says about the state of the art market right now?
So what do you think this auction says about the state of the art market right now? So it says one, that it's not dead and that markets are always going to fluctuate and
they're probably object driven as much as they are driven by these macroeconomic factors.
But I think it definitely made this really fun.
And for the auction houses, that's really important because they're meant to be this
playground for the world's wealthy right and everyone is really
closely tracking how the world's wealthy feel because you know if wealthy people
feel like the economy is in an upward trajectory they can really throw their
weight around and so I think people are maybe more cautiously optimistic about
where the art market is going from here.
And they have some fun track record to point to, you know, in the next go-round.
So Kelly, if this banana sold for $6.2 million total, if you had $6.3 million, would you
have bid on the banana?
Oh, Ryan, that's not even a question I allow myself to go to. I'm a reporter. Yeah, I know
I do. It's like an impossible question for me. I think when I head to our Basel Miami
Beach, will I give some extra pause to any groups of people
that I see loitering around anything?
Like, yes, I will be more tempted to stop and make sure I'm not missing the banana boat,
if you will.
Well done.
That was excellent.
Any other final thoughts before we split?
Yeah. The banana tells us, right, that the art market and the art world operate on an intellectual and comedic and financial plane
that strike the rest of us as completely insane.
And the truth is, like, if you're going to go and buy a piece of canvas and some tubes of oil
paint and then slather it on a thing, it should probably only be worth, you know, a few dozen
dollars. Like, when you start to think about the materials that become art, it's just paint. But
then we collectively as a society decide that that picture, painted by, like, some guy named
Pablo Picasso, right, turns out
to be worth hundreds of millions of dollars, right, or da Vinci, you know, like, this is
the whole construct of art is that we as a society decide to agree that something that
maybe inherently has very minimal value has a cultural value way outstripping the materials
that were used to make it.
And so that is kind of the bargain that we make with all artworks.
It's just rarely that it's, you know, Friday, December 6th.
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