The Magnus Archives - MAG 107 - Third Degree

Episode Date: June 27, 2018

Case #0100102Statement of Howard Ewing, regarding his interview with an unidentified member of British Transport Police. Original statement given February 1st 2010.Content Warnings for this episode ar...e at the end of the show notes.Thanks to this week's Patrons: Daniel Dietsche, CMS HEX, Wilfred Las Marias, Paigeh3.14, Robert Light, Stu Pollock, Daniel, Camille, Kelsey Wolf, Sarah KneeshawIf you'd like to support us, head to www.patreon.com/rustyquillEdited this week by Brock Winstead & Alexander J Newall.Performances: "The Archivist" - Jonathan Sims "Julia Montauk" - Francesca Renèe Reid "Trevor Herbert" - Ian Hayles "Max Mustermann" - Brock WinsteadSound effects this week by im.kahn Denver, bajko, rempen, moviebuffgavin, klangfabrik, mitchellsounds, conleec, daphne-in-wonderland, bone666138, Kinoton, Chippy569, michorvath, JohnDelayniKIng, J.Zazvurek, EFlexTheSoundDesigner, Caitlin_100, and previously credited artists via freesound.org.Check out our merchandise at https://www.redbubble.com/people/rustyquill/collections/708982-the-magnus-archives-s1You can subscribe to this podcast using your podcast software of choice, or by visiting www.rustyquill.com/subscribePlease rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear.Content Warning for: seizure disorder burning alive heart attack kidnapping gun violence axe violence Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:00 This is the first radio ad you can smell. The new Cinnabon pull-apart only at Wendy's. It's ooey gooey and just five bucks for the small coffee all day long. Taxes extra at participating Wendy's until May 5th. Terms and conditions apply. Hi everyone, Ben here. I'd just like to take a moment to thank some of our patrons. Daniel Dietcher, CMS Hex, Wilfred Lasmarias, Pager 3.14, Robert Light, Stu Pollock, Daniel, Camille, Kelsey Wolfe, Sarah Neeshaw. Thank you all, we really appreciate your support. If you'd like to join them, go to www.patreon.com forward slash rustyquill and take a look at our rewards. Rusty Quill Presents The Magnus Archives
Starting point is 00:01:06 Episode 107 Third Degree 7th degree. To be continued... West Pullman, Chicago. At least, they were when Gertrude requested the statements forwarded onto them. I'm going to get a hotel and follow up the address tomorrow. I wouldn't normally bother recording here, but I think... I thought I was being followed. I might just be jumpy. I'll keep my eyes peeled. The address didn't really pan out. The place deals in short-term rentals,
Starting point is 00:02:30 and a dozen people must have gone through that apartment since Gertrude and Gerard stayed there. The owner did remember her, that old Brit and her son, but he said anything they left behind was either sold or thrown out. They did leave a forwarding address of sorts. Anything that came was to be sent on to the Usher Foundation in Washington DC, who I assume would send it on to the Magnus Institute. I asked him about circuses around at the time and he said he didn't remember there being one, but a few nights while Gertrude was there he had heard music like one of those little organs
Starting point is 00:03:05 coming from West Pullman Park. I'm planning to make the journey down to Washington in the hopes that Gertrude might have visited the Usher Foundation. According to our earlier emails, they don't have any record of it on file, but... I did notice, however, that one of the greyhound routes there goes through Pittsburgh. Now, according to the details Melanie retrieved a few months back, Pittsburgh is where Gerard Key allegedly died. He was admitted to UPMC Presbyterian Emergency Department, having suffered a massive seizure, and died less than a day later. I think I might have to pay a visit and ask around. Also, I'm definitely being followed. There's a police officer. I saw him at the airport as well.
Starting point is 00:03:58 He stood out a bit because he wasn't immigration or TSA or anything like that. He just... he just looked like a Chicago beat cop. Well, I saw him again today. And I'm pretty sure he was watching me. The, uh... The hospital was, uh... The hospital was interesting. It's all very well being able to get people to answer your questions,
Starting point is 00:04:28 but if they genuinely don't remember something, it's not always as useful as it seems. I only found one person, Lewis Brown, a nurse who recalls working the night Jared Key was admitted. His mother was with him, and I almost feel like Gertrude took a perverse joy in the pretense. She explained his condition to the doctor, though could apparently offer no good reason he wasn't in full-time treatment, as his cancer was by this point very advanced.
Starting point is 00:04:55 They did everything they could to save him, but he had a second seizure shortly after he was admitted, and there was nothing they could do. shortly after he was admitted, and there was nothing they could do. Unless he was somehow able to lie to me, this nurse, Lewis, honestly believes Gerard Key is dead. Maybe I came all this way for nothing. There's one thing I very much do need to follow up on, though. Apparently Gertrude was arrested shortly afterwards.
Starting point is 00:05:28 Lewis only heard about this second hand, but she was, apparently, caught breaking into the morgue where Gerard's body was being kept. I need some sleep. I haven't seen the cops since I left Chicago, so maybe I was wrong. I'm not feeling so good. I've been looking into Gertrude's arrest. I couldn't get through to Melanie, but Martin managed to find a few details online. Gertrude was arrested
Starting point is 00:06:06 for trespassing, but released shortly afterwards without being charged. I managed to track down the arresting officer, one Jay Rebix, who said that she'd been found over the body of Gerard Key, reading from a large, strangely shaped book. They'd been unable to determine if the mutilations on Gerard's body had been done by her, and in the end she somehow managed to talk them out of pressing charges. Officer Rebix didn't remember what she'd said, but he did recall that she never returned for the book. It was sitting in evidence for almost a year before, as far as Rebix was aware, it simply vanished. a year before, as far as Revix was aware, it simply vanished.
Starting point is 00:06:46 I don't really know what to make of any of this. I'm confused. I'm dizzy. I think I saw the police officer from Chicago again in the station where I was talking to Revix. I'm not
Starting point is 00:07:01 feeling well. Elias says, um... I got a letter. Well, an envelope. It's a statement. There's a note to tide you over. I don't... To tide you over, I don't... Statement of Howard Ewing regarding his interview with an unidentified member of British Transport Police.
Starting point is 00:07:38 Original statement given February 1st, 2010. Audio recording by Jonathan Sims, head archivist of the Magnus Institute, London. Statement begins. The room is hot. It's small and there are no windows and the table is cheap metal. It shouldn't be so hot in January, but I think maybe they've just got the heating turned up too high. When I rest my arm on the table too long, I can see the patches of sweat on the smooth surface as I lift them up again. I've asked for water so many times, and he always says it's coming, but it hasn't come yet. He just sits there. He's wearing the uniform of the British
Starting point is 00:08:29 Transport Police, three pips on his shoulder, but he won't show me his badge. He won't show me any ID. Why are they doing this? I didn't do anything. The officers that brought me here were friendly, kind. It was only after they left and it got so hot, and he started sitting across from me. He's smiling, asking me questions again and again. What were you doing earlier tonight? My job, I was doing my job. Cleaning Moorgate Station, me and Kelly and Vian. We're the night cleaners and that's what we were doing.
Starting point is 00:09:12 We'd done the ticket office and the corridors and the entrances and we were getting started on the platforms. Why is that so hard for him to understand? He laughs and I wince as sweat drops into my eye. When did you first notice something was wrong? We had just started work on the platform itself when we heard the tannoy come on. I don't know how, as far as I knew it wasn't even powered, but there was that slight crackle, and then, this is a security announcement.
Starting point is 00:09:43 We all waited, confused, but what came out next sounded muffled, like it was coming up through five feet of water. I couldn't make out any of the words, and from the looks on their faces, neither could my colleagues. We strained to listen, but after a few seconds it was silent again. We all looked at each other, and Vihan started to shrug when there came an incredible shrieking noise from the speakers. It felt like needles through my eardrums, and it was all I could do to stay upright. I saw Kelly fall to the floor, clutching her head. Then it stopped, completely, and we all looked at each other again, catching our breath, trying to figure out who to report this to and how.
Starting point is 00:10:27 How did you become aware of the train? The first thing I noticed was the smell. Even before the noise or the heat, there was a sticky, greasy smell in the air, like burning chemicals and spoiled bacon. I tried to figure out where it was coming from, and I realised it got stronger the closer to the tunnel mouth I moved. By the time I reached the end of the platform, I was almost gagging. The others looked like they had mostly recovered from the screeching tannoy and were noticing my odd movements, and came over to investigate themselves. I saw Vihan pull a face as he approached, and I pointed weakly to the opening
Starting point is 00:11:05 of the tunnel. I carefully climbed down onto the tracks and looked out into the dark that led to Old Street. That's when I saw it. What did the carriage look like? It was hard to tell through the flames. They were all over it, curling and writhing and crawling through the crevices in the wreckage. It wasn't intact, though. Parts of it were clearly crumpled and broken, and I saw shards of steel and glass embedded in the wall that was lit by the dim red flames. What did it look like? There were people still inside. I could see them, arms and heads reaching out of broken windows and split metal blackened and rendered almost unrecognisable by the fire and the heat. But they still moved, and twitched and cried out in pain and terror, scratching at the
Starting point is 00:11:59 edge of their burning metal tomb. But everything was choked and surrounded by a thick, acrid black smoke that stung my eyes and lungs, so nothing seemed the same from one moment to the next. What did it look like? It looked like hell. What did you hear? Everything. The tunnel echoed and funneled the sounds until I could hear every agonized cry, every pop and crackle of the fire, the groaning of metal that matched the groaning of the wounded and the dying. It all hit me at once, like the tunnel was pushing the tidal wave of sound out just for me. The shape was perfect for a terrible screaming oven. The shape was perfect for a terrible screaming oven. From behind me I heard the shouts of Kelly and Vihan,
Starting point is 00:12:51 though I don't know if it was because they saw it too, or because they saw me fall to my knees in horror. I could hear the tannoy again, now clearly speaking. Will Inspector Sands please report? Will Inspector Sands please report? Over and over again. He smiles, and the tiny room gets hotter. Who is Inspector Sands? It's a code, one of the codes we use to alert staff to situations of disaster or fire.
Starting point is 00:13:30 It usually means there's a fire. It's to keep people calm. It's meant to not cause any panic, keep them safe, even if there's an emergency. He laughs, and I wish I could go home. How many people were on the train? I don't know. What sort of train carriage was it? I don't know. Where did it come from? I don't know. Did you scream? Yes, at least I think so. The back of my throat was dry and hot and painful, so my mouth must have been open. I think I was screaming.
Starting point is 00:14:16 What were your colleagues doing? Leanne was gripping me by the shoulders, shaking me, yelling at me to wake up. But I was awake. I was wide awake, and I think in some ways he was talking to himself. Kelly was walking past me, trying to battle through the choking, rancid smoke. I hoped she was planning to try and rescue those trapped in the wreckage, but maybe she was simply trying to join them. I couldn't do anything to help either of them, and I knew that if I touched them, I would burn them. He inhales, as if in triumph. And where are they now? They're dead.
Starting point is 00:14:55 At least that's what I was told when the officers brought me here. They found no wreckage, nothing in the tunnels, no corpses wailing through an underground inferno, just the dead and burnt bodies of Kelly Dwyer and V. Han Prasad. What do you love most in the world? The question sends a shock through my whole body. I know this is what he wants, all he truly cares about. I want to lie, to say that I love nothing and nobody, that I am alone in the world and he'll have to look elsewhere. My tongue burns in my mouth as I try to keep it still. What do you love most in the world? My father. I love my father more than anything. Who am I? I don't answer, and he lets me leave. My father is dead a week later. A heart attack. At the age of 63, everyone is surprised and saddened,
Starting point is 00:16:03 but not shocked. I try to tell myself it's a coincidence that a heart attack is the most natural death in the world. But at the funeral, despite arranging it myself, despite selecting the burial plot and the headstone, I watch as they take my father off for cremation, and nobody can tell me why. They simply say how sorry they are for my loss, and hand me my father's ashes. I don't want his ashes. I know he'll be back, the policeman with three bright pips on his shoulder, and he'll ask me what else I love. And I'll tell him. Then he'll ask me who he is, and I won't say. I don't want to cause any panic. Statement ends.
Starting point is 00:17:02 I'm going to bed. I feel a lot better. I'd love to rattle off a list of potential other reasons for this, nice rational causes of recovery, but I think we're past the point of transparent rationalisations. It looks like the recording of statements has now passed over from psychological compulsion into a more physical dependence. I don't know whether this is some sort of classical addiction or something a bit deeper, but either way, this is not the time for experimentation. I am on a deadline, and if I need to be reading statements to stay well enough, then I suppose
Starting point is 00:17:52 that's what I shall do. What irritates me most is that Elias was clearly aware of this, hence his sending me this, which seems to serve no other purpose but as a restorative, but as usual, he chose to keep this very useful information to himself. I think I've reached another dead end here. I've decided it's the last one. The Institute needs me there, not jetting around the world following a cold trail that may well not have led to anything useful the first time. I've a Greyhound booked down to Washington DC tomorrow.
Starting point is 00:18:34 I'm going to stop in at the Usher Foundation, just in case they have anything that might help. And then I'm flying home. I'm at a rest stop. The buses, they're giving us a comfort break, but there's a woman here in the cafe, the diner, whatever. I've seen her car. I think she's following the bus. She's early 30s, I think, dressed nondescript, hard-wearing denim, old leather. She is definitely watching me.
Starting point is 00:19:03 She doesn't look like she's coming over, I think. Hello? Can I help you? Sure. Whatever you're reaching for, don't. What? Keep your hands on the table and we can all walk away from this. You're English? So are you. Uh-uh. Hands on the table.
Starting point is 00:19:21 Who are you? Julia. Who are you? You don't know me. Should I? No, I guess. I mean, everyone normally seems to. Good for you. Not really. So who are you? Oh, Jonathan, John, Sims. I'm the head archivist for the Magnus Institute. London. Oh, you don't say. So what brings you down to the I-70? Pennsylvania. Look, I mean, you're the one following me. Told you we're asking some interesting questions around a few places back in Pittsburgh. And you seem to have attracted the attention of something we've been watching for a while.
Starting point is 00:20:02 Uh, my bus is leaving. Not it. You're riding with me. I don't think so. Then try to run. Go on. So, kidnapped. Again. Think of it like an escort. Personal bodyguard. You're heading to DC, right? Come on, we can chat in the car I'm sure you've got a ton of librarian stories
Starting point is 00:20:31 The miles will just fly by Do I have any choice? If you did, you'd only make a mistake Come on. Are you alright? You seem... Sure. Just keeping an eye out. Waiting, you know. So, you're from the Magnus Institute? Yes. You know the Institute?
Starting point is 00:21:07 Oh, yeah. Checked myself in there a while back. Ended up spilling my guts to this old woman about my dad. Just letting it all out. Oh, that would be Gertrude, my predecessor. Didn't catch her name? Weirdest thing, really. Didn't mean to spill half of it, but really helped me put the pieces together. You know? I'm starting to.
Starting point is 00:21:32 You still haven't told me what you do in the side of the pond, or why you're asking around about Gerard Kay. Would you believe me if I said I was trying to save the world? Probably not. What about you? What brings the daughter of Robert Montauk all the way out here? And why exactly are you... Hunting. License and registration. Can I see some ID, please?
Starting point is 00:22:44 Of course. You British? I have my green card, Officer Musterman. And your friend? Visiting from home. Julia. Does he have his passport on him? Julia! I assume so.
Starting point is 00:22:57 Can't say I asked him. John? I don't think... Step out of the car, please, sir. Now, hang on a second. Step out of the car, please, sir. Now, hang on a second. Step out of the car. Pop the trunk, ma'am. I mean, there's nothing in there.
Starting point is 00:23:18 I'm not going to ask you again. Fine. Don't move, Either one of you. What? Honey! Bloody hell, Jewel. You said he'd stop after a couple of miles. Been there on an hour. You look at my neck, it don't feel right.
Starting point is 00:23:57 You knew it might take a while. Is this him then? It is. John. Trevor. To Trevor Herbert, the vampire killer. Julia. He works for the Magnus Institute he's read all about us oh well then that's something my thoughts exactly time for that later you two help you know what this one needs its head off you didn't kill it we don't know what it is yet do we the the the
Starting point is 00:24:21 police officer I think I have an idea. Do you now? Then you get the axe. It's in the boot. I don't... Come on! Right. The Magnus Archives is a podcast distributed by Rusty Quill and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International License.
Starting point is 00:24:54 Today's episode was written by Jonathan Sims and directed by Alexander J. Newell. To subscribe, view associated material, or join our Patreon, visit RustyQuill.com. Rate and review us online, tweet us at TheRustyQuill, visit us on Facebook, or email us at mail at RustyQuill.com. Join our communities on the forum via the website or on Reddit at r slash The Magnus Archives. Thanks for listening. Hello, it's Kareem, the voice of Simon Fairchard from the Magnus Archives, letting you know about our sponsor, Audible. For fans of heart-racing, bone-chilling and mind-bending stories, Audible has everything you need.
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