The Magnus Archives - MAG 148 - Extended Surveillance

Episode Date: August 8, 2019

Case # 0110304Statement of Sunil Maraj, regarding their work as a security guard and the disappearance of their co-worker Samson Stiller.Audio recording by Jonathan Sims, the Archivist.Thanks to this ...week's Patrons: Shahrzad Mohammed, Marissa Mendoza, 20thcenturyvole, Neil Czebieniak, Meaghan E Carpenter, Vera Rae, Devas, 99Robocats, TheBuggiest, GothicRain, Jennifer Meyer, Kyle Presodebt of the Drop Goodwood Fan Club, Cassidy the butler, William Reeck, Camille Weeks, Amanda Bills, Mary Frederick, Anne Searle, Athena Metro, Emily Arotin Wagner.If you'd like to join them be sure to visit www.patreon.com/rustyquillEdited this week by Elizabeth Moffatt, Brock Winstead & Alexander J Newall.Written by Jonathan Sims and directed by Alexander J Newall.Performances:- "Elias Bouchard" - Ben Meredith- "Basira Hussain" - Frank Voss- "The Archivist" - Jonathan SimsContent warnings for:- Eye trauma- Physical violenceSound effects this week by GoodListener, chripei, Lunardrive & previously credited artists via freesound.org.Check out our merchandise at https://www.redbubble.com/people/rustyquill/collections/708982-the-magnus-archives-s1You can subscribe to this podcast using your podcast software of choice, or by visiting www.rustyquill.com/subscribePlease rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear.Join our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillREDDIT: reddit.com/r/RustyQuillDISCORD: https://discord.gg/KckTv8yEMAIL: mail@rustyquill.comThe Magnus Archives is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International Licence Hosted on Acast. See acast.com/privacy for more information.

Transcript
Discussion (0)
Starting point is 00:00:00 This is the first radio ad you can smell. The new Cinnabon pull-apart only at Wendy's. It's ooey, gooey, and just five bucks for the small coffee all day long. Taxes extra at participating Wendy's until May 5th. Terms and conditions apply. Hi everyone, I'm Johnny from the Magnus Archives. Today, I'm here to tell you about We're Alive Descendants, the sequel series to the award-winning audio drama We're Alive Descendants, the sequel series to the award-winning audio drama We're Alive. From KC Weyland and Weyland Productions, We're Alive is a survival horror odyssey spanning six seasons and 13 years. Set 18 years after the original series We're Alive, a story of survival,
Starting point is 00:00:38 follow the harrowing journey of the next generation of survivors in Descendants as they discover how much the world has changed, how the infected have evolved, and face the conflict sparked by humanity's efforts to reclaim a lost civilisation. Join this new generation as they work to make sense of this deadly new world before it consumes them and everything they know and love. We're Alive, Descendants will bring together narrative threads from the first six seasons, but is also a great place to start for those new to We're Alive, and should appeal to fans of zombie fiction in general. Created and produced by Weyland Production, and executive
Starting point is 00:01:15 produced by us here at Rusty Quill, We're Alive Descendants premieres April 5th. Search for We're Alive wherever you listen to your podcasts, or visit www.we'realive.com or www.rustyquill.com for more information. Hi everyone, Alex here. I'd just like Vera Ray, Devas, 99 Robocats, The Buggyist, Gothic Rain, Jennifer Mayer, Kyle, President of the Drop Goodwood Fan Club, Cassidy the Butler, William Reek, Camille Weeks, Amanda Bills, Mary Friedrich, Anne Searle, Athena Metro, Emily Arotin-Wagner. Thank you all. We really appreciate your support. If you'd like to join them, go to www.patreon.com forward slash Rusty Quill Presents The Magnus Archives Episode 148
Starting point is 00:02:48 Extended Surveillance Here we go. Good evening, Detective. Useless, scheming piece of shit. Detective, this is quite unnecessary. I'm sorry. Was that unnecessary? Because this is the most helpful you've been so far. Unless you've got another crisis for me. No, no. No.
Starting point is 00:03:41 It's fine. I'm sorry. Oh yeah? For which part? All of it. You sent us to the North fucking Pole for no goddamn reason. A miscalculation. No. No, I'm done with your games. Basira, please. And when exactly were you planning to tell us he's been feeding on innocents?
Starting point is 00:04:10 I've always thought that a man's eating habits were his own private business But I can see how maybe I should have mentioned it Or that we were being stalked by some freaky spider woman Don't tell me you didn't know about that Yes, well, to be honest, I'd advise you to leave that one. Well alone. Oh, yeah? Look, look, look. I've been doing this a long time now, and if there's one thing I've learned about the web, it's that it plays its own game. All you can really do is hope it doesn't get in the way of whatever your plan is. Because the spider usually wins.
Starting point is 00:04:46 Assuming you have a plan. Do you have a plan, detective? Why do you do that? What is that? Do what? You always call me detective. Is that supposed to mean something? Honestly?
Starting point is 00:05:01 I just like the way it sounds. So, why do you agree to see me? I missed you. Right. That's why you've been refusing my visits since we got back. I thought it might have been an idea to give you some space. Oh, and how'd that work out for you? Not ideally. So what now? Another wild goose chase?
Starting point is 00:05:25 More gloating about John's destiny? Because right now, I'm having a real hard time figuring out why I shouldn't just tell them to throw your little deal out the window and see how you do in here without special treatment. I mean, you have plenty of reasons to do that, of course. But I'm not sure that they have any reason to listen to you. I'll make them listen. Will you?
Starting point is 00:05:49 You're not police anymore. You've done them some favours, but they've done you some as well. And I think you'll find that the information that I've been giving to them has been far more consistently useful. You want to issue them an ultimatum? Go right ahead. I'm just not sure it'll go quite how you hope And, um, no more violence, detective
Starting point is 00:06:12 Or I may have to call in the guards So that's it, then? As far as I can tell, you have no interest in anything I have to say And mainly came here to let off some steam So, yes, that's probably it. Surprised you didn't foresee it. Well, that's always been my problem. Ever the optimist. You know, when you have no more useful information and they're done with you...
Starting point is 00:06:37 You'll kill me. Yes. I'm sorry to say, Detective, but you're becoming predictable. Goodbye, Detective. I shall miss our little chats. Well? Just useless gloating. Like I said he would. You should have let me come with. No.
Starting point is 00:07:00 Besides, he wouldn't have seen me if I had. Can't believe you've been seeing him all this time. Oh yeah, that's the terrible secret sabotaging the trust between us. Did he mention it at all? My, uh... Oh, your new diet? Nothing useful. Didn't seem too phased by it. Right. What? I don't know. I mean, we still don't really know what Elias actually is. I thought maybe if he was more like me than we realised...
Starting point is 00:07:28 You might have some advice. Stupid, I know. Yeah. John, we've been over this. The key is to not force people to feed you their trauma. You know, just don't do it. It's not that simple. No, it is.
Starting point is 00:07:41 Or I put you down. That's... I mean, that's hardly... Daisy's been managing. Daisy is... Yeah. She's managing. Did he say anything about Annabelle? Not really. Sounds like he's not too worried, though.
Starting point is 00:07:59 Says to just ignore it. Yeah, good luck with that. Any luck finding her? Haven't really been trying. Doing that sort of thing consciously, it makes me hungry. Oh, well then find a statement to your tastes and read it. Yes, yes, I know. Thank you. Basira.
Starting point is 00:08:20 Yeah? I've been meaning to ask the tape. The one of the... My victim. Tim. You said Martin gave it to you. Yeah. How was he?
Starting point is 00:08:36 How did he look? Was he... I don't know. I didn't see him. He just left it on my desk with a note. Oh. Right. Oh. Right. Yeah. Can I ask what it said?
Starting point is 00:08:52 Um, yeah. It said, uh, talk to him. I'm going to get something to eat. Statement of Sunil Maraj, regarding their work as a security guard and the disappearance of their co-worker, Samson Stiller. Original statement given 3rd April, 2011. Audio recording by Jonathan Sims,
Starting point is 00:09:21 the archivist. Statement begins. So I lost my job last week. I mean, I quit, they didn't fire me or nothing, but you know how like, sometimes you quit because you want to and sometimes you quit because you've got to? Well this was the second. Although I'm not going to pretend I'm not glad to see the back of the place, it's because I kept asking about Samson, you know, and what I saw, and they really, really don't want me to make a stink about that. Because if he just disappeared one day, didn't come into work, that's fine. I mean, not fine for his family, obviously, or the police who have to find him, but fine for the company.
Starting point is 00:09:58 If he disappeared at work, though, if what I think happened is even close to what actually happened, then that's real bad news for them and opens them up to all sorts of lawsuits and liability. I mean, it's fine, I can get other jobs, and it's not like I really want to be working there after what happened, but I just wish someone would take it seriously. It's messed up. And I'm having a real hard time getting it out of my head. So I work security, right?
Starting point is 00:10:26 Used to be a company or shop would have its own little security force they put together, did all the in-store and CCTV vigilance stuff. These days it's all centralised, though. You tend to have a building or a shopping centre will contract all the security work out to a single company, who will then cover all the businesses or shops. It's easier from a centralising point of view and cheaper, that's what the owners like, but it does mean that there tends to be a lot
Starting point is 00:10:51 less stability in how it's all structured, personnel-wise at least. If you're lucky, you'll be assigned to a post and stay there for years, getting to know the place, the systems, your co-workers. If you're unlucky or there's contract difficulties, you could easily end up moving through two or three different places in as many months. That was kind of the case for me and Samson. We were the odd men out in a lot of ways. We'd originally been brought in for a big corporate office block near Liverpool Street, but there'd been some problem and the whole place had to be closed up for months. Samson said they found asbestos. I heard it was a lease issue, but it doesn't really matter. Point is, they'd hired us for a job that no longer existed. I expected they'd just get rid of us, but I mean, to their credit,
Starting point is 00:11:34 they did try to do right. They did their best to fit us in with other security teams. I mean, over the last two years, we did a couple of data centres, a digital marketing hub, whatever that is, three different office buildings near King's Cross. Trouble was, every time, almost as soon as we got there, there'd be some personnel changes or expiring contracts or some other trouble and generally, as the last in the door, we were the first to get reassigned. Started to feel a bit like we were cursed, you know? Samson took it harder than I did. I mean, I'm young, my mum's got a flat in Hackney, and to be honest most of my evenings are out with friends or in with Black Ops, so the moving around was pretty much fine with me. Sam had a three-year-old though
Starting point is 00:12:14 and lived way down in Morden, so being thrown from one post to another all the time was really kind of getting to him. He tried to talk to me about it a few times, but honestly we weren't that close. Or rather we were close because we'd always worked together, but we didn't have a huge amount in common. I mean, I tried to talk to him about football for a while, but I think he could tell I was talking out of my arse. Anyway, point is, when we were reassigned to a shopping centre in Stratford, he wasn't in a great place. Now, I'm not sure I can legally name the shopping centre I was working in to you guys, but let's just say it wasn't the Westfield. It was old, clearly been around decades, and the security systems really showed it. I mean, one of the shops still had the
Starting point is 00:12:56 original alarms from the late 70s, and plenty of them still had cameras that were coded to VHS, for God's sake. The security office was a mess. The company I worked for, again, don't know if I can legally say them, but you can look it up, you know. They have a package where they replace all your equipment and systems with the stuff we use. It's not cheap, but it's worth it, if only because we all know exactly how to use that stuff. Whoever was running this shopping centre had very much not opted for that particular contract. I mean, the teams before us had made a valiant effort to centralise and integrate
Starting point is 00:13:31 all the feeds and set-ups into just the one control room, but damn that place was a mess. Flat screens next to banks of old CRT monitors that some of the cameras had to feed into, next to racks of channel banks and a few actual honest-to-god computers that tried their best to wrestle everything into something that was almost usable. I found it properly overwhelming, didn't like the place at all, but Sam actually seemed to get on with it pretty well almost from the get-go. He'd apparently been an engineer back in the day, and something about all those old surveillance systems all tied together, all wrapping into and around each other like some weird nest of cameras, it seemed to really appeal to him. The first
Starting point is 00:14:16 week he was there, he spent almost the entire time playing with the system and the wiring, left me to do most of the other work on my own. Well, I mean, there were the other guys working there, of course, but even the ones who'd been there a while started to get the picture and gave Samson a bit of a wide berth after a few days. He really did seem to get the place in a bit of better order. I mean, some of it only he really understood, but soon enough it actually made sense what we were watching and when, and he managed to get rid of some of the delay so that we even managed to catch a couple of shoplifters.
Starting point is 00:14:49 There was only one piece of equipment that seemed to give him any trouble. It was this old Tecton multi-camera recorder from the late 80s, managed to feed for one of the various budget shoe shops that lined the promenade. It didn't seem all that complicated when you just looked at it, but trying to use it was an absolute nightmare. None of the buttons seemed to do exactly what you wanted them to do, and there were all sorts of sequences where pressing a button, holding a button, pressing it three times, all that, they'd all do really different things. Sam spent almost a whole month wrestling with it before he finally cracked, and he asked Dave, the bearded old guy who we all sort of assumed had been there the longest,
Starting point is 00:15:30 whether they still had any of the old operating manuals. I remember the smell of dust when Dave went and cracked open the filing cabinet in the back room, before waving his arms in the direction of the drawer and shrugging. I mean, I'd have just left it, obviously. But I think Samson was taking the whole knowing-how-the how the system works thing as, like, a point of pride. Something he could salvage from the whole situation. Just a way of getting some control over his life, you know? So he found the manual. More of a pamphlet, really. Can't have been more than ten pages of A5 in the whole thing, yellowed
Starting point is 00:16:05 and water-damaged. Well used, though. Someone had even put their name in the front, like they were afraid people were going to steal their manky instruction book. Still, Sam just couldn't put it down. I mean, it was like ten in the morning when we finally found it, and when I went in at two to see if he'd taken his lunch break yet, he was still sat there, just staring at it. I mean, I'm not a fast reader or anything, but that's a lot, right?
Starting point is 00:16:35 And like, okay, so this is the part that you're definitely gonna think I'm having a joke with you, but I'm honestly not. I'm dead serious. Because I saw some of the pages over his shoulder, and on one of them there was... I'm dead serious. Because I saw some of the pages over his shoulder, and... On one of them, there was... There was a picture of me.
Starting point is 00:16:51 Like a black and white photo of my face. I didn't get a good look, but it certainly wasn't one that I remember having taken. Not that that would make it any less weird for it to be printed in an old CCTV manual from back when I was still in nappies. And I'm not making it up, I swear. And Samson turned and he looked at me. And I don't know, I got real spooked. His eyes were all messed up. Like, weird and glassy.
Starting point is 00:17:21 It was really, really freaky and I just turned and I got out of there. That wasn't the end of it, though. I mean, if it had been, then sure, maybe I'd write it off as a weird dream or I was tired or whatever, but no. Because from that point on, Samson just gets creepier. For a start, he's always at work. I mean, we're not always on the same shift, so it takes me a while to notice, but when I ask him about it, he just says that our schedules must have synced up weird. But whenever I arrived, there he was, staring at the monitors, watching all the people come and go, his eyes wide like
Starting point is 00:17:56 he was drinking it all in. And whenever I was there late and it was my turn to close up, he'd always say that he was happy to do it, say I could head off a few minutes early, so I never actually saw him leave. I tried to stay once, said I needed to do it myself, but he just got real quiet, like, real quiet, and stared at me. The bank of monitors was behind him, and I'm just trying to come up with something to say, get him to talk to me. And one by one, they began to just wink off, turning dark. And I got this feeling deep in my gut that if that last monitor turned off, that something really bad was going to happen to me. It was one of the old CRT sets, big and bulky, and the picture on it was never that clear, but for
Starting point is 00:18:51 a moment it looked like it was me on there, staring right back at myself as the screens slowly went black, getting closer and closer. The face on the monitor looked absolutely terrified and I was starting to feel it myself. So I just tried to smile, told him not to worry about it and I headed out as quick as I could. My legs were shaking so hard I almost fell on the way out. Then there were the actual cameras. I mean you work in a shopping centre, obviously you do a bunch of shopping there. I used to get my lunch for one and usually pick up any of the essentials I needed sometimes. If I was feeling hard done by and it was payday, I might buy myself a new shirt, or a game, or something. And obviously, because I work security, I know
Starting point is 00:19:37 where all the cameras are, where they cover, even how they move. A lot of them are completely static, just pointing at one place. But gradually I start to notice something when I'm shopping. It's like a tickling, creeping sensation all over the back of my neck. Like I'm being watched. So I start to keep an eye on the cameras when I'm in the shops, and you know what? I'm right. They're following me. Whenever I look at them, doesn't matter where it was they were meant to be aimed they're always focused right on me. I keep staring at them moving around and they just shift to keep the lens pointed at me.
Starting point is 00:20:21 But they're not articulated. They don't have any motor or swivel mount. They just move. Pointed right at me. But they're not articulated. They don't have any motor or swivel mount. They just move. Pointed right at me. One time when no one in the store was looking, I threw a can of deodorant at one of them. Hit it square on. Samson wore sunglasses for the next two days and when I caught a glimpse of him without them, there was a crack right down the centre of his eye.
Starting point is 00:20:49 I tried to talk to the others. I'm pretty sure that they were getting similar weirdness from him. They were all jumpy and nervous those last few months. But I was known as Sam's friend. We'd come in together and everyone just assumed we were close. When I started to ask about it, about what was going on, they just clammed up like I was trying to get them in trouble. My nerves were all shot to hell. I wasn't in work the week he disappeared. I'd called in with a bullshit stomach thing. I just needed a break, some time to get my head right. And it was almost working, you know. some time to get my head right and it was almost working you know
Starting point is 00:21:24 a little distance a little space to relax I was starting to feel good then I got the call from Dave he was frantic I couldn't make out half of what he was saying over the bad line but he kept saying Samson's name asking me if I knew
Starting point is 00:21:43 if he told me I had no idea what he was talking about but he kept saying Samson's name asking me if I knew, if he told me. I had no idea what he was talking about but he kept screaming at me. He kept saying I must know, he must have told me what was going on. He kept saying what do we do with his eyes? I mean I didn't know what the hell to say I just went quiet listening to Dave as he started sobbing down the phone. He won't stop, he said. We can't get rid of his face. I hung up. Dave was gone when I went back in.
Starting point is 00:22:20 A bunch of them were all quit suddenly. I wanted to check in with them, find out what happened, but we'd never really been friends and I didn't know any of their details. I never saw Samson again either, though I did find his old work shirt in the back. He was torn to shreds and wrapped around that old instruction manual. I put it back in the filing cabinet and I threw the shirt away. I tried to stick around, to do my job,
Starting point is 00:22:51 but I was asking too many questions for the folks upstairs, I think. I wanted to know why Samson hadn't signed out of the building before he disappeared. Why, no matter who tried to reset the system, it always logged back in as him. Or why, whenever I was watching the monitors alone, I'd see him on that old CRT screen, staring right back at me, quietly calling for me to join him. Statement ends. Better. Does reading a statement of the Ceaseless Watcher count as a sort of auto-cannibalism, I wonder?
Starting point is 00:23:38 Or some sort of bird-like regurgitation of fear, reconsuming second-hand terror. Whatever the analogy, I'm finding it harder and harder to ignore the diminishing returns, how much less satisfaction each one gives me. My desire for follow-up, for verification, for proper digestion, the experience, it grows less and less. I honestly don't care if Mr. Mirage was chased down
Starting point is 00:24:14 and consumed by his voyeuristic former friend or if he has forgotten the whole affair living in blissful ignorance. I just find my mind already wandering to the next statement and the hopes that it won't be quite as stale. End recording. To be continued... Today's episode was written by Jonathan Sims and directed by Alexander J. Newell. To subscribe, view associated material, or join our Patreon, visit RustyQuill.com.
Starting point is 00:25:21 Rate and review us online, tweet us at TheRustyQuill, visit us on Facebook, or email us at mail at RustyQuill.com. Join our communities on the forum via the website or on Reddit at r slash the Magnus Archives. Thanks for listening. To be continued... bone-chilling and mind-bending stories, Audible has everything you need. Audible is the leader in audiobooks, so you'll always find the best and freshest selection of mysteries and thrillers to choose from. Sometimes you just want to get lost in a classic whodunit, and sometimes you want to get wrapped up in a twisted new mystery where the tension is high and you just can't stop listening until you find out what happens next. Audible can take you places only you can imagine and whenever you want. On a run, doing errands, commuting, or just relaxing at home. And it's not just audiobooks. Audible also gives you binge-worthy podcasts and exclusive originals with thousands of included titles you
Starting point is 00:26:36 can listen to all you want, and more get added every week. So, if you're into secrets and suspense, or you want to explore any other genre, remember, there's more to imagine when you listen on Audible. Your first audiobook is absolutely free when you sign up for a free 30-day trial at audible.ca. This is the first radio ad you can smell. The new Cinnabon Pull Apart, only at Wendy's. It's ooey, gooey, and just five bucks for the small coffee all day long. Taxes extra at participating Wendy's until May 5th. Terms and conditions apply.
Starting point is 00:27:07 As women, our life stages come with unique risk factors, like high blood pressure developed during pregnancy, which can put us two times more at risk of heart disease or stroke. Know your risks. Visit heartandstroke.ca.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.